An Isis Timeline Katherine Schaefers, M.A
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Cult of Isis
Interpreting Early Hellenistic Religion PAPERS AND MONOGRAPHS OF THE FINNISH INSTITUTE AT ATHENS VOL. III Petra Pakkanen INTERPRETING EARL Y HELLENISTIC RELIGION A Study Based on the Mystery Cult of Demeter and the Cult of Isis HELSINKI 1996 © Petra Pakkanen and Suomen Ateenan-instituutin saatiO (Foundation of the Finnish Institute at Athens) 1996 ISSN 1237-2684 ISBN 951-95295-4-3 Printed in Greece by D. Layias - E. Souvatzidakis S.A., Athens 1996 Cover: Portrait of a priest of Isis (middle of the 2nd to middle of the 1st cent. BC). American School of Classical Studies at Athens: Agora Excavations. Inv. no. S333. Photograph Craig Mauzy. Sale: Bookstore Tiedekirja, Kirkkokatu 14, FIN-00170 Helsinki, Finland Contents Acknowledgements I. Introduction 1. Problems 1 2. Cults Studied 2 3. Geographical Confines 3 4. Sources and an Evaluation of Sources 5 11. Methodology 1. Methodological Approach to the History of Religions 13 2. Discussion of Tenninology 19 3. Method for Studying Religious and Social Change 20 Ill. The Cults of Demeter and Isis in Early Hellenistic Athens - Changes in Religion 1. General Overview of the Religious Situation in Athens During the Early Hellenistic Period: Typology of Religious Cults 23 2. Cult of Demeter: Eleusinian Great Mysteries 29 3. Cult of Isis 47 Table 1 64 IV. Problem of the Mysteries 1. Definition of the Tenn 'Mysteries' 65 2. Aspects of the Mysteries 68 3. Mysteries in Athens During the Early Hellenistic Period and a Comparison to Those of Rome in the Third Century AD 71 4. Emergence of the Mysteries ofIsis in Greece 78 Table 2 83 V. -
Resounding Mysteries: Sound and Silence in the Eleusinian Soundscape
Body bar (print) issn 2057–5823 and bar (online) issn 2057–5831 Religion Article Resounding mysteries: sound and silence in the Eleusinian soundscape Georgia Petridou Abstract The term ‘soundscape’, as coined by the Canadian composer R. Murray Schafer at the end of the 1960s, refers to the part of the acoustic environment that is per- ceivable by humans. This study attempts to reconstruct roughly the Eleusinian ‘soundscape’ (the words and the sounds made and heard, and those others who remained unheard) as participants in the Great Mysteries of the two Goddesses may have perceived it in the Classical and post-Classical periods. Unlike other mystery cults (e.g. the Cult of Cybele and Attis) whose soundscapes have been meticulously investigated, the soundscape of Eleusis has received relatively little attention, since the visual aspect of the Megala Mysteria of Demeter and Kore has for decades monopolised the scholarly attention. This study aims at putting things right on this front, and simultaneously look closely at the relational dynamic of the acoustic segment of Eleusis as it can be surmised from the work of well-known orators and philosophers of the first and second centuries ce. Keywords: Demeter; Eleusis; Kore; mysteries; silence; sound; soundscape Affiliation University of Liverpool, UK. email: [email protected] bar vol 2.1 2018 68–87 doi: https://doi.org/10.1558/bar.36485 ©2018, equinox publishing RESOUNDING MYSTERIES: SOUND AND SILENCE IN THE ELEUSINIAN SOUNDSCAPE 69 Sound, like breath, is experienced as a movement of coming and going, inspiration and expiration. If that is so, then we should say of the body, as it sings, hums, whistles or speaks, that it is ensounded. -
Celtic Egyptians: Isis Priests of the Lineage of Scota
Celtic Egyptians: Isis Priests of the Lineage of Scota Samuel Liddell MacGregor Mathers – the primary creative genius behind the famous British occult group, the Hermetic Order of the Golden Dawn – and his wife Moina Mathers established a mystery religion of Isis in fin-de-siècle Paris. Lawrence Durdin-Robertson, his wife Pamela, and his sister Olivia created the Fellowship of Isis in Ireland in the early 1970s. Although separated by over half a century, and not directly associated with each other, both groups have several characteristics in common. Each combined their worship of an ancient Egyptian goddess with an interest in the Celtic Revival; both claimed that their priestly lineages derived directly from the Egyptian queen Scota, mythical foundress of Ireland and Scotland; and both groups used dramatic ritual and theatrical events as avenues for the promulgation of their Isis cults. The Parisian Isis movement and the Fellowship of Isis were (and are) historically-inaccurate syncretic constructions that utilised the tradition of an Egyptian origin of the peoples of Scotland and Ireland to legitimise their founders’ claims of lineal descent from an ancient Egyptian priesthood. To explore this contention, this chapter begins with brief overviews of Isis in antiquity, her later appeal for Enlightenment Freemasons, and her subsequent adoption by the Hermetic Order of the Golden Dawn. It then explores the Parisian cult of Isis, its relationship to the Celtic Revival, the myth of the Egyptian queen Scota, and examines the establishment of the Fellowship of Isis. The Parisian mysteries of Isis and the Fellowship of Isis have largely been overlooked by critical scholarship to date; the use of the medieval myth of Scota by the founders of these groups has hitherto been left unexplored. -
Sounds from Under the Ashes: the Music of Cults and Mysteries in the Ancient Vesuvian Land
Roberto Melini Sounds from under the Ashes: The Music of Cults and Mysteries in the Ancient Vesuvian Land Haec iuga quam Nysae colles plus Bacchus amauit;hoc nuper Satyri monte dedere choros. (Mart. Ep. 4.44.4–5) The Roman people living in the land dominated by the threatening Mount Vesu- vius (Fig. 1) still regarded the Greek heritage as their own. It was in fact on the island of Pithekoussai (now Ischia, near Naples) that the first Greeks landed in the beginning of the eighth century bce. They had sailed across the Mediterra- nean Sea in quest for new lands to settle, bringing with them a cultural heri- tage that included a pantheon and music. The sonorous horizon of the cities of Pompeii and Herculaneum, and the villas of Stabiae and Oplontis, built some centuries later, are the offsprings of a melting pot in which the Greek tradition was deeply intertwined with the themes and the customs of the Italic and Etrus- can communities. In the year 79 ce the volcano erupted, sealing the Vesuvian area along with its rich culture under layers of ash and lava. Fig. 1: The Vesuvius from the forum of Pompeii. Excavations in Herculaneum began in 1738, and a decade later, in Pompeii; Spanish, Austrian, German, French and Italian archaeologists have been taking turns excavating the two sites in an ongoing international engagement. At first, the findings were kept in the Reggia of Portici (a royal palace near Herculaneum), but finally, fearing another eruption, they were transferred to the new Naples Brought to you by | The Hebrew University of Jerusalem Authenticated Download Date | 12/26/19 1:34 PM Sounds from under the Ashes 341 National Archaeological Museum.1 Among these unearthed treasures — astonish- ingly preserved for centuries by the lava’s seal — there is much valuable evidence concerning sounds and music. -
Music and Ritual in Primitive Eleusis
APOSTOLUS Ν. ATHANASSAKIS University of California at Santa Barbara MUSIC AND RITUAL IN PRIMITIVE ELEUSIS To Benjamin Schwartz, my teacher, on his seventieth birthday. The story of Persephone's rape and of Demeter* s arrival in Eleusis is told primarily in the Homeric Hymn to Demeter. Interestingly enough, once Demeter finds herself inside the palace of Keleos, it is not Metaneira, the queen, but wise old Iambê who knows how to entertain her ( 184—211). Demeter turns down the queen's throne for a humbler seat covered with a sheepskin offered by Iambê. It is Iambê's jests (χλεΰαι) which restore smile and laughter to the grief- stricken guest ( 200—204). Demeter also turns down the customary wine offered by the queen and bids her make a κυκεών, a mixed drink consisting of barley groats (άλφι), water (ΰδωρ), and pennyroyal (γλήχων). The version given in the Orphicorum Fragmenta (Kern 46—53) is rather different.The most articulate ac count is the one given by Clement of Alexandria in Protr. II 20,1—21,2 (Kern 52). According to this account when Demeter reached Eleusis the most important local ruler was Dysaules, and his wife's name was Baubô. The lesser kings or barons were Triptolemos, the cowherd, Eumolpos the shepherd, and Euboulos, the swineherd. Baubô offered Demeter the kykeôn, but the goddess demurred because she was in mourning. Then Baubô resorted to an unusual means of persuasion : ώς ειπούσα πέπλους άνεσύρετο δείξε δε πάντα σώματος ουδέ πρέποντα τύπον παις δ' ήεν "Ιακχος χειρί τέ μιν ρίπτασκε γελών Βαυβοΰς ύπο κόλποις· ή δ' έπεί οδν μείδησε θεά, μείδησ' ένΐ θυμω δέξατο δ* αίόλον άγγος, εν φ κυκεών ενέκειτο. -
(Title of the Thesis)*
Dionysian Semiotics: Myco-Dendrolatry and Other Shamanic Motifs in the Myths and Rituals of the Phrygian Mother by Daniel Attrell A thesis presented to the University of Waterloo in fulfillment of the thesis requirement for the degree of Master of Arts in Ancient Mediterranean Cultures Waterloo, Ontario, Canada, 2013 © Daniel Attrell 2013 Author’s Declaration I hereby declare that I am the sole author of this thesis. This is a true copy of the thesis, including any required final revisions, as accepted by my examiners. I understand that my thesis may be made electronically available to the public. ii Abstract The administration of initiation rites by an ecstatic specialist, now known to western scholarship by the general designation of ‗shaman‘, has proven to be one of humanity‘s oldest, most widespread, and continuous magico-religious traditions. At the heart of their initiatory rituals lay an ordeal – a metaphysical journey - almost ubiquitously brought on by the effects of a life-changing hallucinogenic drug experience. To guide their initiates, these shaman worked with a repertoire of locally acquired instruments, costumes, dances, and ecstasy-inducing substances. Among past Mediterranean cultures, Semitic and Indo-European, these sorts of initiation rites were vital to society‘s spiritual well-being. It was, however, the mystery schools of antiquity – organizations founded upon conserving the secrets of plant-lore, astrology, theurgy and mystical philosophy – which satisfied the role of the shaman in Greco-Roman society. The rites they delivered to the common individual were a form of ritualized ecstasy and they provided an orderly context for religiously-oriented intoxication. -
Pompeii and Herculaneum: a Sourcebook Allows Readers to Form a Richer and More Diverse Picture of Urban Life on the Bay of Naples
POMPEII AND HERCULANEUM The original edition of Pompeii: A Sourcebook was a crucial resource for students of the site. Now updated to include material from Herculaneum, the neighbouring town also buried in the eruption of Vesuvius, Pompeii and Herculaneum: A Sourcebook allows readers to form a richer and more diverse picture of urban life on the Bay of Naples. Focusing upon inscriptions and ancient texts, it translates and sets into context a representative sample of the huge range of source material uncovered in these towns. From the labels on wine jars to scribbled insults, and from advertisements for gladiatorial contests to love poetry, the individual chapters explore the early history of Pompeii and Herculaneum, their destruction, leisure pursuits, politics, commerce, religion, the family and society. Information about Pompeii and Herculaneum from authors based in Rome is included, but the great majority of sources come from the cities themselves, written by their ordinary inhabitants – men and women, citizens and slaves. Incorporating the latest research and finds from the two cities and enhanced with more photographs, maps and plans, Pompeii and Herculaneum: A Sourcebook offers an invaluable resource for anyone studying or visiting the sites. Alison E. Cooley is Reader in Classics and Ancient History at the University of Warwick. Her recent publications include Pompeii. An Archaeological Site History (2003), a translation, edition and commentary of the Res Gestae Divi Augusti (2009), and The Cambridge Manual of Latin Epigraphy (2012). M.G.L. Cooley teaches Classics and is Head of Scholars at Warwick School. He is Chairman and General Editor of the LACTOR sourcebooks, and has edited three volumes in the series: The Age of Augustus (2003), Cicero’s Consulship Campaign (2009) and Tiberius to Nero (2011). -
Isis Unveiled, Volume 1 — H
ISIS UNVEILED: A MASTER-KEY TO THE MYSTERIES OF ANCIENT AND MODERN SCIENCE AND THEOLOGY H. P. BLAVATSKY CORRESPONDING SECRETARY OF THE THEOSOPHICAL SOCIETY "Cecy est un livre de bonne Foy." — MONTAIGNE. VOL. I. — SCIENCE. Blavatsky's first major work on theosophy, examining religion and science in the light of Western and Oriental ancient wisdom and occult and spiritualistic phenomena. Theosophical University Press Online Edition. Electronic version ISBN 1-55700-135-9. This edition may be downloaded for off-line viewing without charge. For ease of searching, no diacritical marks appear in the electronic version of the text. CONTENTS PREFACE (pages v - viii) BEFORE THE VEIL (pages ix - xlv) Dogmatic assumptions of modern science and theology / The Platonic philosophy affords the only middle ground / Review of the ancient philosophical systems / A Syriac manuscript on Simon Magus / Glossary of terms used in this book ———————— Volume First: THE "INFALLIBILITY" OF MODERN SCIENCE. CHAPTER 1: OLD THINGS WITH NEW NAMES (pages 1 - 38) The Oriental Kabala / Ancient traditions supported by modern research / The progress of mankind marked by cycles / Ancient cryptic science / Priceless value of the Vedas / Mutilations of the Jewish sacred books in translation / Magic always regarded as a divine science / Achievements of its adepts and hypotheses of their modern detractors / Man's yearning for immortality CHAPTER 2: PHENOMENA AND FORCES (pages 39 - 73) The servility of society / Prejudice and bigotry of men of science / They are chased by psychical -
Mystery Cult of Isis the Rites, Liturgy, and Mythology Surrounding the Deity
The Mystery Cult of Isis The rites, liturgy, and mythology surrounding the deity This paper will address the mystery cult of Isis and examine its spread from Egypt into the polytheistic Greco Roman world. I will investigate her historical beginnings and trace her diverse popularity as she metamorphosed from her original Egyptian attributes into assuming the characteristics of the local goddess of love, motherhood and magic. Her mythology is important to understand as the trials and tribulations she underwent form the basis of her religious appeal to a huge number of worshippers. Her rites and mysteries also offered adherents access to esoteric knowledge and wisdom regarding death and renewal. The cult of Isis became one of the most popular mystery religions of the Hellenized Roman era. Let us look at her story. In tracing Isis back through history there is evidence of her existence for many thousands of years before the time of Christ. Forrest1 writes of the inscription on one of the great pylons at her temple in Philae, an island in the River Nile, which says of Isis ³«the one who was in the beginning; the one who first came into existence RQ HDUWK´ Other epithets that attest to her ancient nature include ³*UHDWJRGGHVVH[LVWLQJIURPWKHEHJLQQLQJ´³*UHDW2QHZKRLQLWLDWHG H[LVWHQFH´ DQG ³*UHDW 2QH ZKR LV IURP WKH EHJLQQLQJ´ Forrest2 refers to the work of Archeologist Marija Gimbutas who has researched the Egyptian Neolithic deity goddesses back to 6,500 BCE and has identified a prototype of the Bird of Prey Goddess which she conjectures developed into Isis. The Bird of Prey Goddess was symbolised by the vulture, the owl and other birds RISUH\DQGFDUULRQHDWHUV DV WKHVHELUGVZRXOGµWHQGWR WKHGHDG¶HDWLQJFRUSVHV 7KH connection is also made to these birds of prey in relation to their keen eyesight, used to hunt and FDWFKSUH\DVZHOODVWKHLUORIW\SHUVSHFWLYHZKLFKLVµDOO-seeiQJ¶ According to Gimbutas3 the Bird of Prey Goddess is associated with the characteristics of not only death and dismemberment, but also the attributes of regeneration. -
Roman Domestic Religion : a Study of the Roman Lararia
ROMAN DOMESTIC RELIGION : A STUDY OF THE ROMAN LARARIA by David Gerald Orr Thesis submitted to the Faculty of the Graduate School of the University of Maryland in partial fulfillment of the requirements fo r the degree of Master of Arts 1969 .':J • APPROVAL SHEET Title of Thesis: Roman Domestic Religion: A Study of the Roman Lararia Name of Candidate: David Gerald Orr Master of Arts, 1969 Thesis and Abstract Approved: UJ~ ~ J~· Wilhelmina F. {Ashemski Professor History Department Date Approved: '-»( 7 ~ 'ii, Ii (, J ABSTRACT Title of Thesis: Roman Domestic Religion: A Study of the Roman Lararia David Gerald Orr, Master of Arts, 1969 Thesis directed by: Wilhelmina F. Jashemski, Professor This study summarizes the existing information on the Roman domestic cult and illustrates it by a study of the arch eological evidence. The household shrines (lararia) of Pompeii are discussed in detail. Lararia from other parts of the Roman world are also studied. The domestic worship of the Lares, Vesta, and the Penates, is discussed and their evolution is described. The Lares, protective spirits of the household, were originally rural deities. However, the word Lares was used in many dif ferent connotations apart from domestic religion. Vesta was closely associated with the family hearth and was an ancient agrarian deity. The Penates, whose origins are largely un known, were probably the guardian spirits of the household storeroom. All of the above elements of Roman domestic worship are present in the lararia of Pompeii. The Genius was the living force of a man and was an important element in domestic religion. -
The Roman House
THE ROMAN HOUSE 1. FAUCES, the main entrance, consisting of a passageway between the front door and the ATRIUM, sometimes with a vestibule. 2. ATRIUM, the social and religious center of the house. It is the first open space that confronts the visitor entering from the street, and was often colonnaded and decorated to impress upon the visitor the importance of the family that owns the house. 3. IMPLUVIUM, located in the Atrium directly beneath the COMPLUVIUM (open skylight) in the ceiling, collects rainwater. 4. ALAE, recesses often used for the display of imagines or ancestor portraits. 5. TABLINUM, or reception room, where the leader of the household (almost always the pater familias , or father of the family) conducts business and meets clients. It is the axis of the house, in the sense that the rooms that preceded it were public or semi-public, and the rooms behind it (below) were for more private use. 6. PERISTYLE, often with a small reflecting pool or garden 7. PRIVATE / SERVANT ENTRANCE 8. CUBICULUM, a bedroom. In fact, the function of the rooms in the private area of the house vary greatly from house to house, or even season to season, so most of these rooms could also be used as a cubiculum. 9. TRICLINIUM, the dining room. Again, the location varies, and any of numerous rooms could have been used for dining, with seasonal considerations in mind. But the hallmark of a dining room in Roman (and in Greek) architecture is the off-center door. Central doors do not allow for an optimal spacing of dining couches. -
St. Paul and the Mystery-Religions. III. the Character
60 ST. PAUL AND THE MYSTERY-RELIGIONS Himself, and so calls it out as a conviction. That He does above all else in Jesus Christ. By Him we can truly believe, because in Him God's infinite love and patience are so manifest, that only our manifold self-delusions can hinder us from trusting in them. In that way a.lone the question of faith becomes a moral question. Directly it is no more a moral question than an intellectual. It no more depends on moral endeavour than on intellectual demonstration. But it is a moral question in the far deeper and more searching sense, that its only requisite is moral sincerity, just as it is an intellectual question in the deeper sense of utter loyalty to the whole truth. JOHN OMAN. ST. PAUL AND THE MYSTERY-RELIGIONS. III. THE CHARACTER AND INFLUENCE OF THE MYSTERY- RELIGIONS. WE know far less about the actual ritual and doctrines of the Mystery-Religions in the Graeco-Roman world than we do of their wide diffusion and potent influence. This is not surprising, for, on the one hand, their votaries were strictly enjoined to keep silent on their most sacred ex periences, and, on the other, stem critics of Paganism like the early Christian Fathers must inevitably have been biassed in their casual representations of the facts. The literary remains of these communities are very scanty. Some mystic formulae, a few hymns and prayers, some . narratives of initiations and allied ceremonial practically exhaust the list. To supplement them, there are vague allusions and isolated fragments of information which may be pieced together from Hellenistic and early Christian writers.