Kanye the College Dropout Zip
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Williams, Hipness, Hybridity, and Neo-Bohemian Hip-Hop
HIPNESS, HYBRIDITY, AND “NEO-BOHEMIAN” HIP-HOP: RETHINKING EXISTENCE IN THE AFRICAN DIASPORA A Dissertation Presented to the Faculty of the Graduate School of Cornell University in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Maxwell Lewis Williams August 2020 © 2020 Maxwell Lewis Williams HIPNESS, HYBRIDITY, AND “NEO-BOHEMIAN” HIP-HOP: RETHINKING EXISTENCE IN THE AFRICAN DIASPORA Maxwell Lewis Williams Cornell University 2020 This dissertation theorizes a contemporary hip-hop genre that I call “neo-bohemian,” typified by rapper Kendrick Lamar and his collective, Black Hippy. I argue that, by reclaiming the origins of hipness as a set of hybridizing Black cultural responses to the experience of modernity, neo- bohemian rappers imagine and live out liberating ways of being beyond the West’s objectification and dehumanization of Blackness. In turn, I situate neo-bohemian hip-hop within a history of Black musical expression in the United States, Senegal, Mali, and South Africa to locate an “aesthetics of existence” in the African diaspora. By centering this aesthetics as a unifying component of these musical practices, I challenge top-down models of essential diasporic interconnection. Instead, I present diaspora as emerging primarily through comparable responses to experiences of paradigmatic racial violence, through which to imagine radical alternatives to our anti-Black global society. Overall, by rethinking the heuristic value of hipness as a musical and lived Black aesthetic, the project develops an innovative method for connecting the aesthetic and the social in music studies and Black studies, while offering original historical and musicological insights into Black metaphysics and studies of the African diaspora. -
Corpus Antville
Corpus Epistemológico da Investigação Vídeos musicais referenciados pela comunidade Antville entre Junho de 2006 e Junho de 2011 no blogue homónimo www.videos.antville.org Data Título do post 01‐06‐2006 videos at multiple speeds? 01‐06‐2006 music videos based on cars? 01‐06‐2006 can anyone tell me videos with machine guns? 01‐06‐2006 Muse "Supermassive Black Hole" (Dir: Floria Sigismondi) 01‐06‐2006 Skye ‐ "What's Wrong With Me" 01‐06‐2006 Madison "Radiate". Directed by Erin Levendorf 01‐06‐2006 PANASONIC “SHARE THE AIR†VIDEO CONTEST 01‐06‐2006 Number of times 'panasonic' mentioned in last post 01‐06‐2006 Please Panasonic 01‐06‐2006 Paul Oakenfold "FASTER KILL FASTER PUSSYCAT" : Dir. Jake Nava 01‐06‐2006 Presets "Down Down Down" : Dir. Presets + Kim Greenway 01‐06‐2006 Lansing‐Dreiden "A Line You Can Cross" : Dir. 01‐06‐2006 SnowPatrol "You're All I Have" : Dir. 01‐06‐2006 Wolfmother "White Unicorn" : Dir. Kris Moyes? 01‐06‐2006 Fiona Apple ‐ Across The Universe ‐ Director ‐ Paul Thomas Anderson. 02‐06‐2006 Ayumi Hamasaki ‐ Real Me ‐ Director: Ukon Kamimura 02‐06‐2006 They Might Be Giants ‐ "Dallas" d. Asterisk 02‐06‐2006 Bersuit Vergarabat "Sencillamente" 02‐06‐2006 Lily Allen ‐ LDN (epk promo) directed by Ben & Greg 02‐06‐2006 Jamie T 'Sheila' directed by Nima Nourizadeh 02‐06‐2006 Farben Lehre ''Terrorystan'', Director: Marek Gluziñski 02‐06‐2006 Chris And The Other Girls ‐ Lullaby (director: Christian Pitschl, camera: Federico Salvalaio) 02‐06‐2006 Megan Mullins ''Ain't What It Used To Be'' 02‐06‐2006 Mr. -
Download the College Dropout
Download the college dropout Continue В настоящее время вы слушаете образцы. Слушайте более 60 миллионов песен с неограниченным планом потоковой передачи. Прослушать этот альбом и более 60 миллионов песен с неограниченным потокового планов. 1 month free, then $14.99/ month Gaana Albums English Albums {source:2,source_id:19985,object_type:2,id:19985,status:0,title:The College Dropout (Explicit),trackcount:21,track_ids:96969,96970,96971,96972,96973,96974,96975,96976,96977,96978,96979,96980,96981,96982,96983,96984,96985,96986,96987,96988,96989,objtype:2,share_url:\/album\/the-college-dropout,albumartwork:https:\/\/a10.gaanacdn.com\/images\/albums\/85\/19985\/crop_80x80_19985.jpg,artist:{artist_id:7086,name:Kanye West,ar_click_url:\/artist\/kanye-west},artistAll:[{artist_id:7086,name:Kanye West,ar_click_url:\/artist\/kanye-west},{artist_id:7106,name:Marvin Gaye,ar_click_url:\/artist\/marvin-gaye},{artist_id:7204,name:Talib Kweli,ar_click_url:\/artist\/talib-kweli},{artist_id:7295,name:Michael Bolton,ar_click_url:\/artist\/michael-bolton},{artist_id:8549,name:Miri Ben-ari,ar_click_url:\/artist\/miri-ben- ari},{artist_id:8664,name :Берт Бакарах ,ar_click_url:/художник/burt-bacharach , artist_id:19379,имя:Тони Уильямс,ar_click_url:/художник/тони-уильямс:artist_id:20057,artist_idимя:Арета Франклин,ar_click_url:28964,имя:Брюс Кулик,ar_click_url:/художник/брюс-кулик,artist_id:52483,имя:Лорин Хилл,ar_click_url:/художник/лорин-хилл,artist_id:55827,имя:Дэвид Фостер,ar_click_url/художник/foster-foster artist_id:59148,имя:Кёртис Ланди,ar_click_url:/художник/curtis-lundy,artist_id:87072,имя:Боско Канте,ar_click_url:/художник/bosco-kanteartist_id87728имя:Hal David,ar_click_url :/художник/хал-давид , artist_id:87974,имя:Шон Картер,ar_click_url:/художник/шон-картер, artist_id:88085,имя:Синтия Вейл,ar_click_url:/художник/cynthia-weil artist_id :Dexter Mills,ar_click_url:\/artist\/dexter-mills},{artist_id:88391 ,name:R. -
HYPETRAK Thoughts Freshly-Released and This Life Some
HYPETRAK14th August 2013 HYPETRAK TV: Stalley - Cowboys & Rappers In honor of his freshly-released mixtape Honest Cowboy we sat down with MMG’s very own Stalley who shared some personal details behind his latest body of work. The Ohio native reveals that Honest Cowboy and its title were inspired by his fathers work on the ranch and the honest qualities of a cowboy. Accordingly, the 10-track offering provides an in-depth account of the Ohio Ts native inner life which simultaneously opens the door for his upcoming full-length release, due later this year. In addition, Stalley opens up about his role within the MMG movement, his thoughts on DJ Khaled’s “proposal’ to Nicki Minaj, and much more. Watch the interview above and grab you own digital copy of Honest Cowboy here. AP.LNIFI-1DF August 12, 2013 EXCLUSIVE: Stalley Talks Upcoming Debut Album, MMG’s Place In History, “New Legends” & More by Yohance Kyles (@HUEYm1xwItRILEY) (AliHipHop Features) Midwest rhymer Stalley recently released his second official project with Maybach Music Group. The Massillon, Ohio native says the Honest Cowboy mixtape is the “one that’s going to open people’s eyes up. The music is going to speak for itself.” While Stalley is going to let the tracks do most of the talking on his behalf AllHipHop wanted to connect with the “Swangin” performer to get his take on a few topics not covered in the music. Stalley discusses some of his business ventures, the status of his debut album, his view on this generation’s “legendary” emcees, and whether MMG is in the same league as Death Row & Roc-A-Fella. -
Book DUK Defrantz 13610.Indb
1 PROOF 2 3 4 5 6 7 8 PART I / Transporting Black 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 S39 N40 Book DUK DeFrantz 13610.indb 17 12/10/13 11:18 AM 1 2 PROOF 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39S 40N Book DUK DeFrantz 13610.indb 18 12/10/13 11:18 AM 1 PROOF 2 1 / Anita Gonzalez 3 4 NAVIGATIONS 5 Diasporic Transports and Landings 6 7 8 9 10 11 12 13 An aerial grid of cultural migrations in 1840 might show a satellite 14 hovering over the Atlantic Ocean, recording data as boatloads of Af- 15 ricans land on various shores of a circum- Atlantic landscape. Once 16 grounded, African migrants would begin to enact performances 17 of social disenfranchisement. Both historically and in contempo- 18 rary contexts, these transatlantic voyages, and their corresponding 19 landing points—New York, Jamestown, Hispaniola, Cuba, Rio de 20 Janeiro, Amsterdam, Liverpool—have become sites for negotiat- 21 ing new identities with other ethnic and social groups. Histori- 22 cal maps depict transatlantic slave migrations as triangle voyages. 23 Ships laden with textiles travel to Africa where they buy and sell. 24 Ships of enslaved workers travel to the Americas and empty their 25 loads. -
Kanye West 1 Kanye West
Kanye West 1 Kanye West Kanye West West at the Tribeca Film Festival in 2009. Born Kanye Omari West June 8, 1977 Atlanta, Georgia, United States Residence Los Angeles, California, U.S. Occupation Rapper, singer, songwriter, record producer, director, fashion designer Years active 1996–present Partner(s) Kim Kardashian (2012–present; engaged) Children North West (2013) Musical career Genres Hip hop Instruments Vocals, keyboards, sampler, percussion, synthesizer Labels Very GOOD Beats, Roc-A-Fella, Def Jam Associated acts Child Rebel Soldier, Common, Go-Getters, Jay-Z, Kid Cudi, Lil Wayne, Mike Dean, Mos Def, No I.D., Talib Kweli Website [1] Official website Kanye Omari West (/ˈkɑːnjeɪ/; born June 8, 1977) is an American hip hop recording artist, songwriter, record producer, film director, and fashion designer from Chicago, Illinois. West first gained prominence as a producer for Roc-A-Fella Records; he achieved recognition for his work on rapper Jay-Z's The Blueprint (2001), as well as hit singles for musical artists including Alicia Keys, Ludacris, and Janet Jackson. His style of production originally used high-pitched vocal samples from soul songs incorporated with his own drums and instruments. He later broadened his influences to include 1970s R&B, baroque pop, trip hop, arena rock, folk, alternative, electronica, synthpop, industrial, and classical music. West was raised in a middle-class household in Chicago, Illinois, and began rapping in the third grade, becoming involved in the city's hip hop scene. West attended art school for one semester before dropping out to pursue music Kanye West 2 entirely in the late 1990s. -
See for Yourself Here
Case 1:21-cv-02020-RM-KLM Document 1-1 Filed 07/26/21 USDC Colorado Page 1 of 20 Exhibit A - Sound Recordings Artist Track Registration No. Plaintiff 1 Bonnie Raitt Nick Of Time SR0000102443 CAPITOL RECORDS, LLC 2 Darius Rucker Come Back Song SR0000669904 CAPITOL RECORDS, LLC 3 Darius Rucker I Don't Care (Featuring Brad Paisley) SR0000669902 CAPITOL RECORDS, LLC 4 Darius Rucker I Got Nothin' SR0000669902 CAPITOL RECORDS, LLC 5 Darius Rucker In A Big Way SR0000669902 CAPITOL RECORDS, LLC 6 Darius Rucker Love Will Do That SR0000669902 CAPITOL RECORDS, LLC 7 Darius Rucker Might Get Lucky SR0000669902 CAPITOL RECORDS, LLC 8 Darius Rucker She's Beautiful SR0000669902 CAPITOL RECORDS, LLC 9 Darius Rucker Southern State Of Mind SR0000669902 CAPITOL RECORDS, LLC 10 Darius Rucker The Craziest Thing SR0000669902 CAPITOL RECORDS, LLC 11 Darius Rucker Things I'd Never Do SR0000669902 CAPITOL RECORDS, LLC 12 Darius Rucker This SR0000669902 CAPITOL RECORDS, LLC 13 Darius Rucker We All Fall Down SR0000669902 CAPITOL RECORDS, LLC 14 Darius Rucker Whiskey And You SR0000669902 CAPITOL RECORDS, LLC 15 Eric Church A Man Who Was Gonna Die Young SR0000741478 CAPITOL RECORDS, LLC 16 Eric Church Broke Record SR0000741478 CAPITOL RECORDS, LLC 17 Eric Church Cold One SR0000741478 CAPITOL RECORDS, LLC 18 Eric Church Country Music Jesus SR0000681019 CAPITOL RECORDS, LLC 19 Eric Church Creepin' SR0000681019 CAPITOL RECORDS, LLC 20 Eric Church Dark Side SR0000741478 CAPITOL RECORDS, LLC 21 Eric Church Devil, Devil (Prelude: Princess Of Darkness) SR0000741478 CAPITOL -
OBJ (Application/Pdf)
The Organ of Student Expression Since 1925 The Morehouse College » Atlanta, GA_______________________ November io - 16, 2010 ____________________________ _____ _______ yoLUME^LX2^2l2£l!i£2, Morehouse Students Petition Obama for Commencement Kevin Mallory write a letter on behalf of to give a commencement ad Campus News Editor the student body, and Gerren dress at Hampton University kevincmallory @gmail .com Gaynor, Managing Editor of last May. Hampton was the The Maroon Tiger, will write first, and remains the only fter a couple of years of a letter representing More HBCU where Obama deliv unsuccessfully attempt house’s student organizations. ered a commencement ad Aing to have President Barack“ We want to take it to an dress. Obama speak at the More other level,” Ringgold said. Regardless of those facts, house College Commence “We are really trying to get Morehouse College and its ment Ceremony, Carl Ring- him.” student body is still push gold and other students are Aziz’s letter will feature ing hard to get the president taking a different approach signatures from the student here to deliver words to the toward bringing him here. body while Gaynor’s will class of 2011. Ringgold, a senior sociol have the signatures of the “Obama is the ideal candi ogy major, is spearheading leaders of the various More date to speak at Morehouse’s “The Obama Letter Cam house organizations. The commencement,” senior Eng paign” for Morehouse stu plan is to have the petitions lish major Rod Taggart said. dents to petition the president and letters delivered to the "He exemplifies what the col to come speak at graduation White House by Christmas. -
ASCAP/BMI Comment
Stuart Rosen Senior Vice President General Counsel November 20, 2015 Chief, Litigation III Section Antitrust Division U.S. Department of Justice 450 5th Street NW, Suite 4000 Washington, DC 20001 Re: Justice Department Review of the BMI and ASCAP Consent Decrees To the Chief of the Litigation III Section: BMI recently alerted its community of affiliated songwriters, composers and publishers to the profound impact 100% licensing would have on their careers, both creatively and financially, if it were to be mandated by the U.S. Department of Justice. In a call to action, BMI provided a letter, one for songwriters and one for publishers, to which their signatures could be added. The response was overwhelming. BMI received nearly 13,000 signatures from writers, composers and publishers of all genres of music, at all levels in their careers. Some of the industry's most well- known songwriters added their names, including Stephen Stills, Cynthia Weil, Steve Cropper, Ester Dean, Dean Pitchford, Congressman John Hall, Trini Lopez, John Cafferty, Gunnar Nelson, Lori McKenna, Shannon Rubicam and Don Brewer, among many others. Enclosed you will find the letters, with signatures attached. On behalf of BMI, I strongly urge you to consider the voices of thousands of songwriters and copyright owners reflected here before making a decision that will adversely affect both the creators, and the ongoing creation of, one ofAmerica's most important cultural and economic resources. Vert truly yours, Stuart Rosen 7 World Trade Center, 250 Greenwich Street, New York, NY 10007-0030 (212) 220-3153 Fax: (212) 220-4482 E-Mail: [email protected] ® A Registered Trademark of Broadcast Music, Inc. -
African-American Ownership of Record Labels in the Twentieth Century Stuart Lucas Tully Louisiana State University and Agricultural and Mechanical College
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2016 Buying In and Selling Out: African-American Ownership of Record Labels in the Twentieth Century Stuart Lucas Tully Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the History Commons Recommended Citation Tully, Stuart Lucas, "Buying In and Selling Out: African-American Ownership of Record Labels in the Twentieth Century" (2016). LSU Doctoral Dissertations. 3246. https://digitalcommons.lsu.edu/gradschool_dissertations/3246 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. BUYING IN AND SELLING OUT: AFRICAN-AMERICAN OWNERSHIP OF RECORD LABELS IN THE TWENTIETH CENTURY A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy n i The Department of History y Stuart Tully B.S., Mississippib College, 2002 M.A., Louisiana State University, 2009 Ma 2016 y To Warren, This one is for you ii ACKNOWLEDGEMENTS Charles Shindo guided this project from inception to completion and his direction has been immensely impactful. He has been gracious, insightful, and above all encouraging of this project. I must thank him for humoring me during all the seemingly endless visits to his office that somehow always turned out productive thanks to his advice.