What Is the Plot Line of Romeo and Juliet
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Royal West Academy's Bardolators Present Shakespeare's Romeo
Royal West Academyʼs Bardolators present Shakespeareʼs Romeo & Juliet Nov. 2-4 | Entertainment | thesuburban.com 2016-11-04, 1151 AM http://www.thesuburban.com/arts_and_entertainment/entertainment/royal-west-academy-s-bardolators-present-shakespeare-s-romeo- juliet/article_bf1561c6-9d32-11e6-b476-dbadd9423ec3.html FEATURED Royal West Academy’s Bardolators present Shakespeare’s Romeo & Juliet Nov. 2-4 Updated Nov 1, 2016 ! " Photo: Andre Knox The Bardolators, a group of Royal West Academy students, directed by Doug Floen will be presenting William Shakespeare’s classic “Romeo and Juliet” between November 2-4. The Bardolators are Royal West Academy’s Shakespeare troupe composed of Grade 8 -11 thespians who enthusiastically studied Shakespeare’s classic play “Romeo and Juliet” in anticipation of their upcoming shows. The students have devoted many hours of rehearsals under the direction of Douglas Floen, their long-time Artistic Director and founder of the group, and their love of the Bard shines through in their captivating performances. The group is also assisted by retired teacher Sidney Westlake and English teacher Ms. Gloria Koyounian. http://www.thesuburban.com/arts_and_entertainment/entertainment/roy…e-s-romeo-juliet/article_bf1561c6-9d32-11e6-b476-dbadd9423ec3.html Page 1 of 2 Royal West Academyʼs Bardolators present Shakespeareʼs Romeo & Juliet Nov. 2-4 | Entertainment | thesuburban.com 2016-11-04, 1151 AM “Romeo and Juliet” is one of the Bard’s most popular romantic tragedies. A long feud between the Montague and the Capulet families disrupts the city of Verona and causes tragic results for Romeo and Juliet. Revenge, love, and a secret marriage force the young star-crossed lovers to grow up quickly - and fate pushes them to a tragic end. -
Film Stars Don't Die in Liverpool
FILM STARS DON'T DIE IN LIVERPOOL Written by Matt Greenhalgh 1. 1 INT. LEADING LADY’S DRESSING ROOM - NIGHT 1 Snug and serene. An illuminated vanity mirror takes centre stage emanating a welcoming glamorous glow. A SERIES OF C/UP’s: A TDK AUDIO TAPE inserted into a slim SONY CASSETTE PLAYER immediately placing us in the late 70’s/early 80’s. A CHIPPED VARNISHED FINGER NAIL presses play.. ‘Song For Guy’ by Elton John (Gloria’s favourite track) drifts in... OUR LEADING LADY sits in the dresser. Find her through shards of focus and reflections as she transforms.. warming her vocal chords as she goes: GLORIA (O.C.) ‘La Poo Boo Moo..’ Eye-line pencil; cherry-red lipstick; ‘Saks of Fifth Avenue’ COMPACT MIRROR, intricately engraved with “Love Bogie ’In A Lonely Place’ 1950”; Elnett hair laquer; Chanel perfume. A larger BROKEN HAND-MIRROR. A GOLDEN LOVE HEART PENDANT (opens with a sychronised tune). All Gloria’s ‘tools’ procured from a TATTY GREEN WASH-BAG, a trusted witness to her ‘process’ probably a thousand times or more. GLORIA (O.C.) (CONT’D) ‘Major Mickey’s Malt Makes Me Merry.’ Costume: Peek at pale flesh and slim limbs as she climbs into a black, pleated wrap around dress with a plunging neckline; black stockings and princess slippers.. the dress hangs loose, too loose.. the belt tightened as far as it can go. A KNOCK ON THE DOOR STAGE MANANGER (V.O.) Five minutes Miss Grahame. GLORIA (O.C.) Thanks honey. Gloria’s tongue CLUCKS the roof of her mouth in approval, it’s one of her things. -
VIVALDI Gloria in D Major, RV 589 (C
2017 2018 SEASON Nicholas McGegan, conductor Friday, December 1, 2017 at 8:00PM Sherezade Panthaki, soprano Saturday, December 2, 2017 at 8:00PM Leann Schuering, soprano Jay Carter, countertenor Thomas Jöstlein and Christopher Dwyer, horns Erin Schreiber and Melody Lee, violins Bjorn Ranheim, cello St. Louis Symphony Chorus Amy Kaiser, director VIVALDI Concerto for Strings in C major, RV 114 (c. 1718) (1678–1741) Allegro – Adagio – Ciaccona VIVALDI “Gelosia, tu già rendi l’alma mia” from Ottone in villa (1713) Sherezade Panthaki, soprano “L’ombre, l’aure, e ancora il rio” from Ottone in villa Sherezade Panthaki, soprano Leann Schuering, soprano Andrea Kaplan and Jennifer Nitchman, flutes Erin Schreiber and Melody Lee, violins VIVALDI “Nel profondo cieco mondo” from Orlando furioso (1727) “Mentre dormi, amor fomenti” from L’Olimpiade (1734) Jay Carter, countertenor VIVALDI “In braccio de’ contenti” from Gloria ed Imeneo (1725) Sherezade Panthaki, soprano Jay Carter, countertenor VIVALDI Concerto for Two Horns and Strings in F major, RV 538 Allegro Largo Allegro non molto Thomas Jöstlein and Christopher Dwyer, horns INTERMISSION 23 VIVALDI Concerto grosso in D minor, RV 565 (c. 1711) Allegro Adagio e spiccato – Allegro Largo e spiccato Allegro Erin Schreiber, violin Melody Lee, violin Bjorn Ranheim, cello VIVALDI Gloria in D major, RV 589 (c. 1715) Gloria in excelsis Deo Et in terra pax hominibus Laudamus te Gratias agimus tibi Propter magnam gloriam Domine Deus, Rex coelestis Domine Fili unigenite Domine Deus, Agnus Dei Qui tollis peccata mundi Qui sedes ad dexteram Patris Quoniam tu solus sanctus Cum Sancto Spiritu Sherezade Panthaki, soprano Leann Schuering, soprano Jay Carter, countertenor St. -
South Bay Peninsula 區域保健業 者名錄
Kaiser Permanente 的加州 Medi-Cal 會員 South Bay Peninsula 區域保健業 者名錄 根據目前 COVID 19 疫情,自該保健業者名錄發佈以來,保健業者可用性和營業時間可能已臨時變更。 如果您對特定保健業者和服務的辦公時間或可用性有疑問,請直接與他們聯絡以獲得最新資訊。 ~2107111MC-CH !於 2021 7 月修訂 Kaiser Permanente 的加州 Medi-Cal 會員 保健業者名錄 本名錄列出的是 Kaiser Permanente 計劃保健業者。 如需選擇或變更個人醫生或查詢有關執業人員及服務的資訊,請致電 1-888-956-1616 或瀏覽 kp.org/finddoctors(英文)。 想進一步瞭解您的保健計劃?需要一張會員卡?我們的會員服務聯絡中心每週 7 天、每天 24 小時全天 候提供服務(節假日休息)。如果您有任何問題或疑慮,我們可隨時為您提供協助。請致電 1-800-464-4000(免費提供英語和 150 多種語言的口譯服務)、1-800-788-061 6(西班牙語)、 1-800-757-7585(華語方言)或 711(針對聽障及語障電話專線用戶)。 有些醫院及其他保健業者不提供以下一項或多項可能屬於您計劃合約承保範圍,且您或您家人可能需 要的服務:家庭生育計劃服務;避孕藥物及用品,包括緊急避孕;避孕手術,包括在分娩與生產時的 輸卵管結紮;不孕症治療或墮胎。您應在入保前瞭解更多實際情況。致電您想選擇的醫生、專業醫療 服務集團、獨立執業協會或診所,或者致電該保健計劃,1-800-464-4000(免費提供英語和 150 多種 語言的口譯服務)、1-800-788-0616(西班牙語)、1-800-757-7585(華語方言),以確定您能夠得 到的所需要的服務。 該名錄用於我們的 South Bay 和 Peninsula 服務區。請參見所述的服務區說明,瞭解服務區的郵遞區 號。本名錄為截至印製於封面之日期的最新名錄。一些保健業者可能會在此名錄列印完成後,才新增進 我們的網絡之中或遭到刪除。如需獲得關於您所在地區的 Kaiser Permanente 保健業者的最新資訊,您 可以瀏覽 kp.org/mydoctor/connect(英文)或致電我們的會員服務聯絡中心,每週 7 天,每天 24 小 時服務:1-800-464-4000(免費提供英語和 150 多種語言的口譯服務)、1-800-788-0616(西班牙 語)、1-800-757-7585(華語方言)。(節假日休息)。聽障及語障電話專線用戶應致電 711。 在加州,Kaiser Foundation Health Plan, Inc.是一項 Medi-Cal 計劃。保健業者的計劃可能會隨時變更。 您將在必要時收到通知。 2 Table of Contents 照顧您的特殊需求 ........................................................................................................................................................ 8 如何選擇或變更您的醫生 ............................................................................................................................................ 8 獲得承保護理服務 ....................................................................................................................................................... -
DVD Laser Disc Newsletter DVD Reviews Complete Index June 2008
DVD Laser Disc Newsletter DVD Reviews Complete Index June 2008 Title Issue Page *batteries not included May 99 12 "10" Jun 97 5 "Weird Al" Yankovic: The Videos Feb 98 15 'Burbs Jun 99 14 1 Giant Leap Nov 02 14 10 Things I Hate about You Apr 00 10 100 Girls by Bunny Yaeger Feb 99 18 100 Rifles Jul 07 8 100 Years of Horror May 98 20 1000 Eyes of Dr. Mabuse Sep 00 2 101 Dalmatians Jan 00 14 101 Dalmatians Apr 08 11 101 Dalmatians (remake) Jun 98 10 101 Dalmatians II Patch's London Adventure May 03 15 10:30 P.M. Summer Sep 07 6 10th Kingdom Jul 00 15 11th Hour May 08 10 11th of September Moyers in Conversation Jun 02 11 12 Monkeys May 98 14 12 Monkeys (DTS) May 99 8 123 Count with Me Jan 00 15 13 Ghosts Oct 01 4 13 Going on 30 Aug 04 4 13th Warrior Mar 00 5 15 Minutes Sep 01 9 16 Blocks Jul 07 3 1776 Sep 02 3 187 May 00 12 1900 Feb 07 1 1941 May 99 2 1942 A Love Story Oct 02 5 1962 Newport Jazz Festival Feb 04 13 1979 Cotton Bowl Notre Dame vs. Houston Jan 05 18 1984 Jun 03 7 1998 Olympic Winter Games Figure Skating Competit May 99 7 1998 Olympic Winter Games Figure Skating Exhib. Sep 98 13 1998 Olympic Winter Games Hockey Highlights May 99 7 1998 Olympic Winter Games Overall Highlights May 99 7 2 Fast 2 Furious Jan 04 2 2 Movies China 9 Liberty 287/Gone with the West Jul 07 4 Page 1 All back issues are available at $5 each or 12 issues for $47.50. -
SONG CODE and Send to 4000 to Set a Song As Your Welcome Tune
Type WT<space>SONG CODE and send to 4000 to set a song as your Welcome Tune Song Name Song Code Artist/Movie/Album Aaj Apchaa Raate 5631 Anindya N Upal Ami Pathbhola Ek Pathik Esechhi 5633 Hemanta Mukherjee N Asha Bhosle Andhakarer Pare 5634 Somlata Acharyya Chowdhury Ashaa Jaoa 5635 Boney Chakravarty Auld Lang Syne And Purano Sei Diner Katha 5636 Shano Banerji N Subhajit Mukherjee Badrakto 5637 Rupam Islam Bak Bak Bakam Bakam 5638 Priya Bhattacharya N Chorus Bhalobese Diganta Diyechho 5639 Hemanta Mukherjee N Asha Bhosle Bhootader Bechitranusthan 56310 Dola Ganguli Parama Banerjee Shano Banerji N Aneek Dutta Bhooter Bhobishyot 56312 Rupankar Bagchi Bhooter Bhobishyot karaoke Track 56311 Instrumental Brishti 56313 Anjan Dutt N Somlata Acharyya Chowdhury Bum Bum Chika Bum 56315 Shamik Sinha n sumit Samaddar Bum Bum Chika Bum karaoke Track 56314 Instrumental Chalo Jai 56316 Somlata Acharyya Chowdhury Chena Chena 56317 Zubeen Garg N Anindita Chena Shona Prithibita 56318 Nachiketa Chakraborty Deep Jwele Oi Tara 56319 Asha Bhosle Dekhlam Dekhar Par 56320 Javed Ali N Anwesha Dutta Gupta Ei To Aami Club Kolkata Mix 56321 Rupam Islam Ei To Aami One 56322 Rupam Islam Ei To Aami Three 56323 Rupam Islam Ei To Aami Two 56324 Rupam Islam Ek Jhatkay Baba Ma Raji 56325 Shaan n mahalakshmi Iyer Ekali Biral Niral Shayane 56326 Asha Bhosle Ekla Anek Door 56327 Somlata Acharyya Chowdhury Gaanola 56328 Kabir Suman Hate Tomar Kaita Rekha 56329 Boney Chakravarty Jagorane Jay Bibhabori 56330 Kabir Suman Anjan Dutt N Somlata Acharyya Chowdhury Jatiswar 56361 -
RV 589 by JOO YEON HWANG BA, Chung Ang University, 2008
ANALYSIS AND REHEARSAL CONSIDERATION ON ANTONIO VIVALDI’S GLORIA – RV 589 by JOO YEON HWANG B.A., Chung Ang University, 2008 A REPORT submitted in partial fulfillment of the requirements for the degree MASTER OF MUSIC Department of Music College of Arts and Sciences KANSAS STATE UNIVERSITY Manhattan, Kansas 2012 Approved by: Major Professor Julie Yu-Oppenheim Abstract This report presents the biography of the composer Antonio Vivaldi, background of his composition Gloria, musical characteristics and analysis. Moreover, for a successful performance, rehearsal plans and techniques are also included. Antonio Vivaldi (1678-1741), one of the representative composers in Baroque period (1600-1750), wrote Gloria, in the early 18th century. The composition date is still disputed between scholars. He composed three settings of the Gloria text: RV 588, 589 and 590. Out of them RV 589 is the most performed setting. Gloria consists of twelve movements and orchestration of trumpet, oboe, strings, and continuo. Homophonic and polyphonic style is prevalent in this work. In addition, focus should be placed on the harmonic suspensions, the flow of chromatic melodic lines and melismas. For the recital, Chamber Singers consisted of 23 people who were the members of Concert Choir who have training focusing on clean and light tone with non-vibrato style. Table of Contents List of Figures ................................................................................................................................. iv List of Tables .................................................................................................................................. -
The Evolution of the Musical Film Toward a Total Work of Art
Bard College Bard Digital Commons Senior Projects Spring 2016 Bard Undergraduate Senior Projects Spring 2016 Achieving Attunement: The Evolution of the Musical Film Toward a Total Work of Art Elena Catherine Smith Bard College, [email protected] Follow this and additional works at: https://digitalcommons.bard.edu/senproj_s2016 Part of the Visual Studies Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Smith, Elena Catherine, "Achieving Attunement: The Evolution of the Musical Film Toward a Total Work of Art" (2016). Senior Projects Spring 2016. 414. https://digitalcommons.bard.edu/senproj_s2016/414 This Open Access work is protected by copyright and/or related rights. It has been provided to you by Bard College's Stevenson Library with permission from the rights-holder(s). You are free to use this work in any way that is permitted by the copyright and related rights. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. For more information, please contact [email protected]. Achieving Attunement The Evolution of the Musical Film Toward a Total Work of Art Senior Project Submitted to The Division of the Arts of Bard College by Elena Catherine Smith Annandale-on-Hudson, New York May 2016 Acknowledgements Thanks to my parents, for knowing that a musical family is a happy family, and especially to my mother Jeanne, who has always believed in me. My gratitude is owed also to Justin, without whom I may never have found my voice. -
Rock”N”Roll Cinema
Rock’n’Roll Cinema Adam Trainer Bachelor of Arts With First Class Honours in Media Studies This thesis is submitted for the degree of Doctor of Philosophy School of Media, Communication and Culture Murdoch University 2005 I declare that this thesis is my own account of my research and contains, as its main content, work which has not previously been submitted for a degree at any tertiary educational institution. Adam Trainer Refereed Publications Adam Trainer. ‘“Well I Wouldn’t Buy the Merchandise”: David Bowie as Post -Auteur’ in Senses of Cinema 28. September/October, 2003. http://www.sensesofcinema.com/contents/03/28/bowie_postmodern_auteur.html This journal article was derived from Chapter Five Adam Trainer. ‘The Business of Living: Secrets & Lies’ in Australian Screen Education 36. September, 2004. pp. 127-129. This journal article was written in association with research on cinematic realism, as featured in Chapter Four. Adam Trainer. ‘“They Made Me Do It”: The Mad World of Donnie Darko’ in Australian Screen Education 37. January, 2005. pp. 138-142. This journal article was derived from Chapter Three. Adam Trainer. ‘“It’s Not My Fault You Hate My Band”: Perth Art Rock’ in Liverpool of the South Seas: Perth and Its Popular Music. Tara Brabazon ed. Crawley: University of Western Australia Press, 2005. pp. 127-135. This chapter was written in association with research on experimental music, as presented in Chapter Six. Adam Trainer. ‘A Crooked Crooked Reign’ in Liverpool of the South Seas: Perth and Its Popular Music. Tara Brabazon ed. Crawley: University of Western Australia Press, 2005. pp. -
Australian Humanities Review - Issue 51
‘Every Right to be There’: Cinema Spaces and Racial Politics in Baz Luhrmann’s Australia Maria Nugent During Baz Luhrmann’s childhood in a small country town in New South Wales in the 1960s and 1970s, his father operated the local picture theatre. It’s a detail much mentioned by Luhrmann in interviews, and often included in biographical sketches of him. His Wikipedia entry, for instance, notes that: ‘He was raised in Herons Creek, a tiny rural settlement in northern New South Wales, where his father ran a petrol station and a movie theatre, both of which would influence his son’s film-making’ (‘Baz’). An interview with Luhrmann that appears on various fan websites likewise states: ‘Mark Anthony Luhrmann grew up in rural Australia and it was at his father’s movie theatre that he first became enthralled by the world of movies and the power of story telling’ (Fischer). Film theorist Pam Cook says that Luhrmann ‘delights in … telling his own life story, which he views as inseparable from his creative journey’ (14). As part of that story, Luhrmann credits his father’s cinema with exposing him to the old movies and musicals that would become inspiration for, and sources in, his own films. For instance, when explaining influences for Moulin Rouge, Luhrmann told one interviewer that: I grew up in the middle of nowhere and we got lots of old television and my dad ran a cinema for a while, so I loved musicals as a kid. You know, music cinema, all this artificiality making you feel things, I’ve done a lot of opera and theater, and I just thought that somebody’s got to get around to making that work in the cinema again. -
Friends of Australia
Friends of Australia Friends of Australia is Tourism Australia’s global ambassador network that recognises bright and influential opinion leaders who share a passion for Australia. Friends of Australia OUR GLOBAL AMBASSADOR Friends of Australia CHRIS HEMSWORTH ACTOR Based in Byron Bay, Australia Chris Hemsworth is an Chris Hemsworth was born in It was Hemsworth’s role as Thor in Los Angeles to beachside town, Byron Australian actor well known Melbourne and saw quite a bit of the Marvel Cinematic Universe which Bay, Australia, famous for its pristine for portraying comic book hero the Australian country in his youth, thrust him to worldwide prominence beaches and surf culture. moving with his family including in 2011. He has reprised the character Thor in the Marvel Cinematic brothers Liam and Luke, to the five times and starred amongst a Chris Hemsworth was appointed as Universe franchise. Northern Territory before settling top tier cast of actors which has only Tourism Australia’s global ambassador down on Phillip Island, south furthered his presence in the world of in 2015. Chris was appointed as he of Melbourne. Hollywood stars. is passionate about Australia and provides an authentic Australian voice Hemsworth followed in the footsteps Hemsworth has also appeared to help tell the country’s story globally. of other famous Aussies like Heath in a number of other Hollywood Ledger, Isla Fisher, Simon Baker and films including Snow White and the Naomi Watts by becoming a regular Huntsman (2012), Red Dawn (2012), on the soap opera Home and Away Rush (2013) In the Heart of the Sea (2004-2007), whilst also competing (2015) and Ghostbusters (2016). -
Bertolt Brecht, in a Discussion on Film and Theatre, Notes That
ABSTRACT EVERETT, MARY ELIZABETH. “Spectacular, Spectacular”: The Mythology of Theatre and Cinema within Baz Luhrmann’s Red Curtain Trilogy. (Under the direction of Marsha Orgeron.) “Spectacular, Spectacular” looks at Baz Luhrmann’s Red Curtain Trilogy—Strictly Ballroom (1992), Romeo + Juliet (1996), and Moulin Rouge (2001)—in the context of the mythologies of the theatre and cinema that Luhrmann builds. Evoking themes, images, and concepts found within these two mediums, Luhrmann goes to great lengths to signify both the cinematic and the theatrical within these films through references to popular culture, and these references incrementally mesh the worlds of theatre and cinema throughout the trilogy. In Strictly Ballroom, Luhrmann explores the concepts of performance, spectacle, and realism while at the same time replicating a popular cinematic form of the time, the non-diegetic musical. Moving further away from the popular genre that Strictly Ballroom mirrored, Luhrmann next made Romeo + Juliet, a film that speaks to many of the same conventions of theatre and film while also adding features of diegetic song and self-referentiality to heighten this connection. Moulin Rouge, Luhrmann’s final film, is an overt musical homage, complete with internal and external references to both theatre and film with an overwhelming sense of awareness of popular culture. Although many critics, including Luhrmann himself, have praised him for his innovative style, this thesis argues that Luhrmann’s trilogy does not create a new film form. Rather, “Spectacular, Spectacular” will demonstrate that his self- proclaimed genre, Red Curtain Cinema, is a modernized echo of an earlier idea—using popular culture and referentiality to pay tribute to a fading genre—found in one of the most popular movie musicals of all time, Singin’ in the Rain.