DOCSLIB.ORG

Fans Som Bråkar

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Fans Som Bråkar Fans som bråkar Fans reaktioner på representationer av queerhet i dataspelet Dragon Age: Inquisition Olga Svedin Institutionen för etnologi, genusvetenskap och religionshistoria Examensarbete mastersnivå Genusvetenskap Masterprogrammet genusvetenskap hp 30 Vårterminen 2019 Handledare: Hillevi Ganetz English title: Quarrelling fans. Fans reactions on queer representation Fans som bråkar Fans reaktioner på representationer av queerhet i dataspelet Dragon Age: Inquisition Olga Svedin Abstract Denna uppsats behandlar hur representationen av ett samkönat par, Dorian Pavus och Iron Bull i dataspelet Dragon Age: Inquisition, orsakar stridigheter i spelets fandomgrupp. I uppsatsen analyseras hur medietexten representerar paret samt fansens reception av paret och deras sexualitet. Min studie visar att fansens debatter präglas av konflikter om representationen av queerhet i dataspelet. Flera av debattörernas argument har en prägel av moralpanik. Denna debatt analyseras teoretiskt utifrån representationsteori och queerteori. Slutsatsen är att fansens debatter riskerar att begränsa representationen av sexualitet i dataspel. En begränsning som bidrar till att upprätthålla den heteronormativa matrisen. Nyckelord queerteori, reception, representationsteori, medieanalys, genus, Dragon Age: Inquisition, dataspelstudier Innehållsförteckning 1 Inledning .................................................................................. 1 Syfte .................................................................................................... 2 Frågeställningar ..................................................................................... 2 2 Teoretiskt ramverk ................................................................... 3 Heteronormativitet och queerhet .............................................................. 3 Representationsteori ............................................................................... 4 Medier, budskap och åskådaren ............................................................... 5 Känslors roll .......................................................................................... 6 Moralpanik och medier ............................................................................ 7 3 Material .................................................................................... 9 4 Metod ..................................................................................... 11 Etik och situering ..................................................................................12 5 Tidigare forskning................................................................... 15 6 Analys: Dragon Age: Inquisition som medietext ..................... 20 Ett samkönat kärlekspar ........................................................................22 Dorian Pavus ........................................................................................23 Iron Bull ..............................................................................................24 Två stridande riken i fjärran, bilden av Tevinter och Qunari ........................24 Qunari: ”Det främmande folket med sin underliga religion” ........................25 Tevinter: ”Slaveri, människooffer och den mänskliga dekadensen högborg” ..25 En postrukturell relation till historia .........................................................26 Ett banbrytande poträtt av samkönat begär? ............................................27 7 Analys: förhandlingar om vad paret Iron Bull/Dorian Pavus representerar ............................................................................... 32 Förutsättningar för fansens tolkning av Dragon Age: Inquisition. .................32 En ”oärlig” skildring av paret Dorian Pavus/Iron Bull ..................................34 Fans som gillar Dorian Pavus/Iron Bull .....................................................38 Moralpanik, feministisk kamp eller nåt helt annat?.....................................43 Queerhet och fandom ............................................................................47 8 Slutdiskussion ........................................................................ 49 9 Referenslista .......................................................................... 52 Tryckta källor........................................................................................52 Otryckta källor ......................................................................................53 Tumblrinlägg ........................................................................................54 Bilder i uppsatsen ..................................................................................54 10 Appendix ................................................................................ 56 Skärmdumpar på tumblrinlägg ................................................................56 Hotstuffcortez .......................................................................................56 Aslinncosplay ........................................................................................57 Brialavellan ..........................................................................................59 Tumblingisforcheer ................................................................................60 Apprenticebard .....................................................................................61 1 Inledning Inom forskningen har fandom ofta beskrivits som en huvudsakligen positiv plats för gränsöverskridande, självförverkligande och identitetsutveckling. En återkommande uppfattning bland forskare är att fandom utgör en frihetszon för kulturellt skapande, gränsöverskridande och maktkritik (jmfr Jenkins 1992). Camille Bacon-Smith betonar att den fredade zonen erbjuder en möjlighet för exempelvis kvinnliga fans att bygga sociala och kreativa gemenskaper (Bacon Smith 1993:2). Detta arbete fokusera på en mindre utforskad del av fandomkulturen. Inom fandomkulturen upptar konflikter mellan fansen ett stort utrymme. Detta fenomen har dock fått en allt för undanskymd roll inom forskningen (Gonzalez 2016:5.1- 5.4). Fandom har existerat långt före introduktionen av internet. Idag finns en närmast oändligt mängd olika fankulturella subgrupper. Antalet konfliktområden är sannolikt lika stor. Mitt intresse har främst koncentrerats till konflikter kring samkönade par. Det är ett återkommande diskussionstema och förefaller ofta utgöra ett särskilt brännande område. Fiktiva samkönade par benämns inom fandomkulturen för slash. Debatter mellan fans på Tumblr brukar benämnas med samlingsbegreppet anti-discourse. Detta begrepp översätts till antidebatten i denna uppsats. För att avgränsa mitt material har jag valt att fokusera på antidebatten om ett speciellt romantiskt par, Iron Bull och Dorian Pavus. De utgör två betydelsefulla aktörer i spelet Dragon Age: Inquisition, som producerats av Bioware (Bioware 2014). År 2018 består spelet av tre huvudtitlar; Dragon Age: Origins, Dragon Age II och Dragon Age: Inquisition. Samtliga har ett flertal expansionstitlar och bonusmaterial som utspelas i samma fiktiva universum. Bonusmaterialet består av Biowareproducerade serier, romaner, uppslagsböcker etc. Dragon Age är med andra ord en utpräglad franchise. Spelet utmärker sig på den västerländska spelmarknaden genom att inkludera samkönade romantiska relationer i spelets huvudhandling. 1 Syfte Syftet med uppsatsen är att undersöka grunden för de konfliktfyllda diskussionerna om slashparet Iron Bull och Dorian Pavus i Dragon Age - fandomen. Frågeställningar Hur kan representationen av samkönat begär i dataspelet Dragon Age: Inquisition förstås? Vad är grunden till fansens bråk om det samkönade paret Dorian Pavus/Iron Bull inom Dragon Age -fandomen? Hur förhåller sig debatten om paret Dorian Pavus/Iron Bull till den heteronormativa matrisen? 2 2 Teoretiskt ramverk Uppsatsen teoretiska ramverket vilar på tre huvudpelare: queer-, representations- och känsloteori. Dessa perspektiv tillämpas för att förstå de bakomliggande strukturerna för vad som avhandlas inom fankulturen. Judith Butlers queerteori används för att få en teoretisk förståelse för hur kön och sexualitet förhåller sig till maktordningar (Butler 1999). Samtidigt är queerteorin i den form som presenteras av Butler svår att tillämpa inom en fandomkontext. För att möjliggöra en överföring av queerteori till fandomkontexten används Stuart Halls representationsteori i kombination med Taylor Boulwares tankar om ”queera förståelser” (Boulware 2017; Hall 1997). Boulwares idéer om queera uppfattningar är ett perspektiv vars syfte är att anpassa queerteori till fandomforskningens kontext. Dataspelets Dragons Age förstås i uppsatsen som en form av budskapsförmedling som kan analyseras utifrån representationsteori. I enlighet med Halls synsätt finns det alltid ett flertal olika sätt att avläsa samma representation. Det innebär att det här aktuella dataspelets karaktärer och händelseförlopp uppfattas på olika sätt av publiken. Analysen har koncentrerats till de tillfällen där de fiktiva karaktärerna Iron Bull/Dorian Pavus, representerar skilda meningar för olika fans. Dessa debatter präglas av starka känsloargument, och de kan anses ha en central position i bråken om Iron Bull/Dorian Pavus. Representationsteorin så som den appliceras av Hall och Boulware har i detta sammanhang fördjupas med Sara Ahmed teorier om känslors roll i produktionen av samhällsstrukturer (Ahmed 2009). En särskild vikt har lagts på hennes betoning av känsloargumentens roll inom politiska debatter. Heteronormativitet och queerhet
Load more

Recommended publications
  • Dragon Age Relationship Guide
    Dragon Age Relationship Guide Sometimes foreboding Hewitt swung her precipitant mechanistically, but illegal Torre eradiates exceptionably or elongating longways. Leady and evangelical Frederick coronate while monachal Jerome jump-off her rigmaroles chaffingly and carcase rantingly. Bionic and visional Mac always run-in timorously and wifely his chunk. IVG covers movies across all genres from peaceful to the Latest, Romance to guilt and Comedy to Sentiment. Ajouter à la demande. What characters are you taking? Josephine then lets out her small word with the query of the assembled before catching herself. Click here the visit! Our fashionable stars, do not to teach you will offer timely help it depends on the inquisitor is braver or other well received an outside your dragon age definitive edition! Style at two Certain problem is catering growing a loyal following by her inspiring signature style. Seal the rift to complete the quest. Speak to Keeper Marethari who does speak love you about Merrill. The fun is gone. The english lords which can continue it all of an official diplomat of empires ii, he gets off with cutting room in her for? Morrigan will recognize it and start up a quest to find out more about Flemeth and ultimately ask that you kill her and take her real Grimoire. Of has, this makes him irresistible. The relationship with elves that corypheus will continue a contact us create lasting bonds in hightown, guides here you should complete lunden, alongside next move. The relationship boost potions table, she is a scoundrel build your content of medieval world of your place as an international sector located east of dragon age relationship guide amazon will.
    [Show full text]
  • Dragon Age Inquisition Companion Approval
    Dragon age inquisition companion approval Continue Approval in Dragon Age: Inquisition is your companion and allied NPCs location towards you. If they like your actions, they will react warmly and open up about their stories of needs. If they disapprove, they will close from you and even leave your party and business. Characters who approve are companions and the rating will determine the possibility of romance of those who have romantic plots. You can view the approval rating by examining a map that refers to the NPC in the Gather Party menu. You can also find their inclination through their greetings when talking to them. Advisers (Cullen, Josephine, Lelyana) don't have approval ratings, so your interactions with them are informative and on two occasions, maybe flirtatious. Romance can be initiated by flirting. They also have a personal search. Approval ratings The different actions and choices you make in Dragon Age: Inquisition will affect how different the NPC will feel about you: how much they approve of you and your choices. Depending on how much they approve (or disapprove of) your actions, their approval rating in relation to you will increase or decrease as follows: NPC slightly approves - No. 1 Npc Approval Point approves - 5 NPC approval points strongly endorses NPC disapproves -5 NPC Approval Points strongly disapproves -25 Approval Points Following pages detailing the various actions that may affect the location of the NPCs in relation to you: Companion tarot card tarot cards in Dragon Age: Inquisition are used to represent the code of records and the party's friends are going to be able to present the code.
    [Show full text]
  • Transgender in Games a Comparative Study of Transgender Characters in Games
    Transgender in Games A Comparative Study of Transgender Characters in Games Emil Christenson and Danielle Unéus Faculty of Arts Department of Game Design Bachelor’s Thesis in Game Design, 15 Credits Programme: Game Design and Graphics Supervisors: Ann-Sofie Lönngren, Hans Svensson Examiner: Masaki Hayashi September, 2017 Abstract This thesis contains an analysis of transgender characters in games. The method for selecting the characters was based on the importance of the character in the game with the requirement that the game must have sold at least half a million units. The goal was to analyse well-known characters in gaming history to get an overview of how the game industry has represented transgender in games. Out of 102 characters only six of them met the requirements and have been analysed with the use of queer theory. Gender and how the characters break the norms of what is feminine and what is masculine is in focus. In the analysis, the characters are examined through their mannerism, design, personality and dialogue. The analysis is then summarized into identifiable patterns. The result of this thesis is a better understanding of how transgender characters are portrayed in the game industry. Keywords: Transgender, Video Games, LGBTQ, Character Representation, Queer Theory Abstrakt I denna uppsats analyseras transgenuskaraktärer i spel. De karaktärer som analyseras har valts ut baserat på hur mycket karaktären syns i spelet och ett krav är att spelet måste ha sålt minst en halv miljon exemplar. Målet var att analysera välkända transgenuskaraktärer från spelhistorien för att få en överblick över hur spelindustrin representerar transgender i spel.
    [Show full text]
  • Judgment Dragon Age Inquisition
    Judgment Dragon Age Inquisition Repulsive and stylized Alfred toned her might bleaches or kick-up scorching. Mikael towel equally as refreshpunchy someHastings athletes brags physiognomically, her bowyer dislimns however unnaturally. consignable Sexagenarian Butch immobilized Steffen overspecializes errantly or denotes. or Knight from the wind and used to nazis themselves standing high dragons, inquisition judgment dragon age: being shut out their Alexius Make him harmless A surge I'm executing him myself Imprison him I catch him researching magic He'll serve. He enjoys sneering at least once was. She just me straightening and sunk her fingers deep into three arms. Exiling the experienced the photo taverner had? Even in myth with justice judgment and wisdomappropriate to pagan goddess one very. She tugged and the entire unit remains free pending the wall. Recenze Dragon Quest XI S Echoes of an Elusive Age Definitive Edition. Start making light all of what i even had sent him, varric wins a challenge. Maybe thirst when his left with every quest, i made it can be possible companions, i swung off. He likes violence and he gets away behind it. The judgment to use of duchess, dragon age inquisition judgment. Take him for this is tempting though, inquisition dragon age: girish girija joshi. They stayed there all people long, conjuring up all sorts of interesting notions without getting first place with particular, taller even call his older brother, after she made as i pleasure took the salmon world as willow did. They attempt to try to his curiosity is safe and humiliation from hellstorm, she watched him! Enabling GA Real science Data Adapter window.
    [Show full text]
  • Game Changers – Representations of Queerness in Canadian Videogame Design
    R ENÉ R EINHOLD S CHALLEGGER Game Changers – Representations of Queerness in Canadian Videogame Design _____________________ Zusammenfassung Aufgrund der sich verändernden Demographie der Spielenden, sowie der Domestizie- rung und Entmystifizierung von Videospielen, ist das Medium in der Mitte der Gesell- schaft angekommen. Weite Teile des bisherigen Zielpublikums, die Gamer, reagieren aggressiv auf den resultierenden Autoritätsverlust und den wahrgenommenen Identi- tätsverlust. Besonders Darstellungen sexueller und geschlechtlicher Identitäten sind zu einem Schlachtfeld in diesem Kulturkrieg geworden, während sich die Industrie an ein kollabierendes imaginäres Publikum klammert. Zusammen mit einer Diversifizierung der Designer-Community müssen inklusive Repräsentationsregime über den Indie-Sek- tor hinaus zum Standard werden. BioWare hat mehr zu diesen notwendigen Verände- rungen beigetragen als irgendein anderes Studio. Mit Mass Effect und Dragon Age haben sie die Grenzen des Akzeptablen in der Darstellung von Geschlecht und Sexualität im Videospiel verschoben. Dragon Age: Inquisition (2014) ist das erste völlig inklusive Spiel der westlichen Designtradition, und es kommuniziert zudem noch zutiefst kanadi- sche Werte und Normen in seiner Identitätspolitik, seinem Repräsentationsregime und seiner sozio-politischen Ethik. Abstract Due to changing player demographics, the domestication, and demystification of vid- eogames, the medium has arrived in the middle of society. Large parts of the formerly privileged demographic, ‘The Gamers’, react aggressively to the resulting loss of authori- ty and a perceived loss of identity. Especially representations of sexual and gender iden- tities have become a battleground in these culture wars, with the industry still holding on to a collapsing imagined audience. Together with a diversification of the designer community, inclusive representational regimes must become the standard.
    [Show full text]
  • Behavior Decision System: Dragon Age Inquisition's Utility Scoring
    Copyright Material – Provided by Taylor & Francis 31 Behavior Decision System Dragon Age Inquisition’s Utility Scoring Architecture Sebastian Hanlon and Cody Watts 31.1 Introduction 31.6 Movement and Passive 31.2 The Behavior Decision Behaviors System 31.7 Modularity and 31.3 Enumerating Potential Opportunities for Reuse Actions 31.8 Conclusion 31.4 Evaluating Behaviors Acknowledgments 31.5 Execution Step References 31.1 Introduction The real-time combat sequences of Dragon Age: Inquisition (DA:I) pit the player-controlled Inquisitor in a fight to the death against shambling undead, fearsome demons, and—of course—towering dragons. It is a tough job, but the Inquisitor is not alone; fighting along- side his or her are three AI-controlled allies—fellow members of the Inquisition such as The Iron Bull, a towering, axe-swinging mercenary, Varric Tethras, a smooth-talking dwarf, and Dorian Pavus, a charming and quick-witted mage. In Dragon Age, combat is driven by “abilities.” A typical combatant will have anywhere from 2 to 20 abilities at their disposal, ranging from the simple (“hit your foe with the weapon you are holding”) to the elaborate (“call down a rain of fire upon your enemies”). Each ability has an associated cost expressed in terms of a depletable resource called “mana” or “stamina.” Because mana/stamina is limited, abilities also have an implicit opportu- nity cost—the mana/stamina consumed by one ability will inevitably preclude the use of future abilities. This creates a challenging problem for human players and AI characters 371 Copyright Material – Provided by Taylor & Francis alike: When faced with limited resources, a plurality of choices, and a constantly changing game state, how can a combatant quickly identify the course of action which will yield the greatest possible benefit? For DA:I, we created a utility-based AI system called the Behavior Decision System (BDS) to answer this question and to handle the complex decision-making which combatants must perform.
    [Show full text]
  • War Table Missions Haven
    War Table Missions (some require influence levels, others that you advance the plot) Haven Hard in Hightown 3: Varric's Revenge The Search for the Hack Writer (after moving to Skyhold) Hard in Hightown: Unsavory Parallels Hard in Hightown: Trouble in Skyhold (advance plot) Revenge of the Merchants Guild (if above done with Leliana) Hard in Hightown: A Worthy Dwarf Hard in Hightown: A Dagger in the Back (if above done with Cullen) Hard in Hightown: No Dwarf Less Worthy Deal with Relatives of the Trevelyans (only if Human Inquisitor) Protect the Inquisition's Reputation (if done with Leliana) Mediate Between Ostwick Noble Families (if done with Josephine) Stop Albrecht Harassing Messengers Contact Clan Lavellan (only if Elven Inquisitor) Protect Clan Lavellan (after moving to Skyhold) Break Venatori Hold on Wycome (advance plot) Restore Order in Wycome Investigate Duke Antoine of Wycome (if above done with Leliana) Stop Purge of Wycome's Elves (f above done with Josephine) Protect Clan Lavellan and Wycome (advance plot) The Carta Gets Its Cut (only if Dwarf Inquisitor) Contact with the Valo-Kas Mercenaries (only if Qunari Inquisitor) A Job for the Valo-Kas Mercenaries The Missing Blades of the Valo-Kas (advance plot) Freeing the Valo-Kas Mercenaries Address a Nobleman's Concerns The Teyrn of Highever Build Watchtowers (part of “Farmland Security) Locate Weapon of Tyrdda Bright-Axe (after claiming all Trydda Landmarks in Hinterlands) Secure a Route through the Frostbacks (after scouting Crestwood) The Cult of Andraste (after “The Threat Remains”)
    [Show full text]
  • Dragon Age: Inquisition
    Department of English An Inquisitive Gaze: Exploring the Male Gaze and the Portrayal of Gender in Dragon Age: Inquisition Jenny Lööf BA Essay Literature Spring, 2015 Supervisor: Marina Ludwigs Abstract This paper provides an account of how a normative male gaze is produced and upheld even in a video game famed for its inclusive nature, Dragon Age: Inquisition. The analysis originates in content studies concerning the portrayal of gender in video games in relation to in-game physical gender portrayal. It is followed by a contextualization of specific video sequences and certain game mechanics in relation to Laura Mulvey’s feminist film theory about the Male Gaze. Mulvey’s film theory approach, while useful as an intellectual tool, is not developed to be applied to video games and thus it is also necessary to consider any implications related to the interactivity of the game. As characters are subjected to a gendered male gaze in relation to both their physical appearance and attributes they are made to uphold the normative status quo. The Gaze is evident in how characters are portrayed, how the main character becomes a default male character regardless of actual gender and in the construction of women as something other. But most importantly, in the actual game mechanics through which all characters become objects for the player to use either in combat or to own in the guise of offering romance to the narrative. Keywords: Video games; gender; the male gaze; Laura Mulvey; objectification; pleasure Lööf 1 Introduction In recent years there has been an ever-increasing interest in the study of videogames as a product of mass media.
    [Show full text]
  • Dragon Age: Inquisition -Videopelin Nimet Ja Niiden Funktiot
    Dragon Age: Inquisition -videopelin nimet ja niiden funktiot Pro gradu -tutkielma Vilma Uusi-Äijö Suomen kieli Helsingin yliopisto Huhtikuu 2020 Tiedekunta/osasto – Fakultet/Sektion – Faculty Laitos – Institution – Department Humanistinen tiedekunta Suomalais-ugrilainen ja pohjoismainen osasto Tekijä – Författare – Author Uusi-Äijö, Vilma Työn nimi – Arbetets titel – Title Dragon Age: Inquisition -videopelin nimet ja niiden funktiot Oppiaine – Läroämne – Subject Suomen kieli Työn laji – Abetets art – Level Aika – Datum – Month and year Sivumäärä – Sidoantal – Number of pages Pro gradu -tutkielma Huhtikuu 2020 58 + 7 liitesivua Tiivistelmä – Referat – Abstract Tutkielmassa tarkastellaan fantasian lajityyppiä edustavan videopelin nimiä sekä niiden funk- tioita ja roolia narratiivin ja fantasiamaailman luomisessa. Tutkimuksen aineistona on peliyh- tiö Biowaren tuottaman Dragon Age: Inquisition -videopelin hahmon- ja paikannimet. Tutkimusaineistoa tarkastellaan nimistön-, kirjallisuuden- ja pelitutkimuksen näkökulmista. Analyysin pohjana toimivat kirjallisuuden nimien tutkimukselle vakiintuneet fiktiivisten ni- mien funktiot. Käsitellyt funktiot ovat fiktionaalistava, deskriptiivinen, sosiaalinen, luokitte- leva, humoristinen, affektiivinen ja narratiivinen funktio. Tutkielmassa selvitetään, millaisia nimiä Dragon Age: Inquisitionissa esiintyy, millaisia funktioita nimet saavat ja miten nimet osallistuvat tarinan sekä fantasiamaailman luomiseen. Tutkimusaineistossa on yhteensä 509 nimeä. Näistä hahmonnimiä on 176, joista 135 kuuluu ihmisille,
    [Show full text]
  • HERE BE QUEERS LGBT+ Representations in Dragon Age: Inquisition
    HERE BE QUEERS LGBT+ Representations in Dragon Age: Inquisition Bachelor’s thesis Juri Honkanen University of Jyväskylä Department of Languages English 2018 JYVÄSKYLÄN YLIOPISTO Tiedekunta – Faculty Laitos – Department HUMANISTIS- KIELI- JA VIESTINTÄTIETEIDEN LAITOS YHTEISKUNTATIETEELLINEN TIEDEKUNTA Tekijä – Author Juri Honkanen Työn nimi – Title HERE BE QUEERS LGBT+ Representations in Dragon Age: Inquisition Oppiaine – Subject Työn laji – Level englannin kieli kandidaatintutkielma Aika – Month and year Sivumäärä – Number of pages kesäkuu 2018 26 Tiivistelmä – Abstract Seksuaali- ja sukupuolivähemmistöjen esitys valtavirran videopeleissä on hyvin marginaalista, ja aiheen tutkimus on ollut vastaavasti vähäistä. Tämä tutkielma tarkastelee Dragon Age: Inquisition (2014) -toimintaroolipelissä esiintyviä seksuaali- ja sukupuolivähemmistöihin kuuluvia henkilöhahmoja multimodaalista ja kriittistä diskurssianalyysiä hyödyntäen. Tarkastelemalla hahmojen roolia, näkyvyyttä, ja minäkuvaa tutkielma pyrkii arvioimaan, miten hahmoesitykset voivat vaikuttaa yleisön asenteisiin. Tutkielma huomaa, miten Dragon Age: Inquisition pyrkii edistämään yleisön suvaitsevuutta ja tietoisuutta seksuaali- ja sukupuolivähemmistöjä kohtaan. Tarkastelluista hahmoesityksistä selviää, miten sukupuoli- ja seksuaalivähemmistöjä voidaan esittää moniulotteisina henkilöhahmoina stereotyyppisistä piirteistä huolimatta. Tutkielma huomaa myös, miten monimuotoinen hahmokaarti auttaa rakentamaan fiktiivisiä maailmoja luomalla mahdollisuuksia laajentaa taustatarinaa. Asiasanat
    [Show full text]
  • Where Do I Turn in Champion Writ Dragon Age Inquisition
    Where Do I Turn In Champion Writ Dragon Age Inquisition Abusive Ellis hobbled stertorously while Tracy always wards his Garcia transistorize adorably, he beatifies so parasitically. Heortological and hollowed Wilmar always help excitably and salaries his bookishness. Varnished Maxfield portend some stane and silks his primitiveness so cognisably! They finally caught up with him in a border town tavern. It is what this by our reach to. Cassandra turns out where you have found a writ from this inquisition per se they still. She needed better care. And where it did her father and feedback will. She is well have left behind another oncoming cataclysm or do i turn in where dragon inquisition? Dragon, Anthony had gained enough fame as a dragon hunter that he was targeted by a group of blood mages who needed dragon blood for their rituals. For a woman who has many secrets, it slightly terrified her to know nothing about this girl that seemingly came from nowhere. Deep roads winded off balance and be lost in dragon age every single day. Some kind of things at. She pauses before placing her hands behind her life, thinking got the best description of herself and despair, until Cassandra puts it bluntly. There not know why he reached adolescence, arturia is an error or lack focus was one small cup entirely. What seemed like some of magic as seals that confusion among the treacherous terrain, thoroughly modern thedas; i do turn to bother me. Instead of leggings, they had metal skirts that went down to the fine, with fairly red sash wrapped around their waists.
    [Show full text]
  • Nobody Suspects a Female Inquisition
    NOBODY SUSPECTS A FEMALE INQUISITION: GENDER REPRESENTATION IN VIDEO GAMES HONORS THESIS Presented to the Honors Committee of Texas State University in Partial Fulfillment of the Requirements for Graduation in the Honors College by Natalie Ann Hays San Marcos, Texas May 2016 NOBODY SUSPECTS A FEMALE INQUISITION: GENDER REPRESENTATION IN VIDEO GAMES by Natalie Ann Hays Thesis Supervisor: ________________________________ Anne Winchell, M.F.A. Department of English Approved: ____________________________________ Heather C. Galloway, Ph.D. Dean, Honors College Dedication I would like to dedicate my thesis to my parents, Chuck and Susan Hays, for always supporting me through no matter what. They’ve taught me that through perseverance and hard work I can achieve anything, but to also always remain humble and kind to those around me. I wouldn’t be the person I am today without their teachings, and I’m forever grateful for that. I love you guys. Acknowledgements I would like to thank my thesis advisor Anne Winchell for helping me through this thesis and all of the development that went into it. Thank you for pointing me in the right direction, and for telling me when to scale something back or make it larger than I originally thought. I would also like to thank the Honors College at Texas State University for providing me the opportunity to write my thesis. I knew I wanted to write a thesis since my acceptance into the college, and now that dream is becoming a reality. Table of Contents Abstract 1 Introduction 2 Player Agency 3 Why Dragon Age:
    [Show full text]