A Study Guide by Anne Chesher
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Rob Mills Became a Household Name on Australian Idol. Now He's Starring
Wicked boy “I don’t mind male attention. It’s a bit of fun,” says Rob Mills. Rob Mills became a household name on Australian Idol. watched that show? No, I’ve never seen it, and I don’t think she Now he’s starring in Wicked and living the musical theatre likes talking about it too much. She doesn’t dream. From nude scenes to selling his used G-strings, bring it up, so I choose to avoid it. Millsy reveals all to Matt Myers. Prisoner has a big gay cult following. I’ve heard she was a pretty terrifying lady DNA: You’ve played Fiyero in Wicked for a so I’ll definitely be auditioning for Corny in Prisoner. I can tell you now, she’s just as year now. What has the experience been like? Collins at least. terrifying as Madame Morrible in Wicked! Rob Mills: It’s a dream come true! I’ve wanted You played Claude in the 2007 production of That’s probably why she’s got a Helpman to play this part for the past three years and Hair. Did you end up going nude? nomination. She just owns that character. now that I’m doing it, it’s a great rush. Fiyero The part where that happens is where my She has a powerful presence on the stage is a great character and I get to work with character sings, “Where do I go? Follow and is a tremendous actor. Maggie’s helped some amazing stars. Bert Newton’s joined us the river…” In most productions they hold me heaps. -
GORDON RAMSAY's POLITENESS STRATEGIES in MASTERCHEF and MASTERCHEF JUNIOR US Annisa Friska Safa Eri Kurniawan Departemen Bahas
Annisa Friska Safa & Eri Kurniawan, Gordon Ramsay’s Politeness Strategies GORDON RAMSAY’S POLITENESS STRATEGIES IN MASTERCHEF AND MASTERCHEF JUNIOR US Annisa Friska Safa Eri Kurniawan Departemen Bahasa dan Sastra Inggris FPBS UPI Address: Jl. Dr. Setiabudhi 229 Bandung 40154 E-mail: [email protected] Abstract This research aims to investigate the types of politeness strategies that are performed by Gordon Ramsay in judging the Masterchef US and Masterchef Junior US contestants’ dishes and to reveal whether Gordon Ramsay performs any different politeness strategies between the Master chef and Masterchef Junior contestants. The data spring from Gordon Ramsay utterances, taken from the elimination test of two episodes of Masterchef season 4 (episode 9 and 12) and the elimination test of two episodes of Masterchef Junior US season 1 (episode 2 and 6). The framework of Brown & Levinson’s (1987) politeness strategies is adopted. Findings reveal that Gordon Ramsay performed bald on-record strategy, positive politeness, and off record strategy. Furthermore, Ramsay performed diferent varieties of politeness strategies in Masterchef; and performed only positive politeness strategy in Masterchef Junior. Keywords: politeness strategies, masterchef, masterchef junior, Gordon Ramsay Abstrak Penelitian ini bertujuan untuk menyelidiki tipe strategi kesopanan yang dilakukan oleh Gordon Ramsay saat menilai masakan dari kontestan Masterchefdan Masterchef Junior US dan untuk mengungkapkan adakah perbedaan strategi kesopanan yang dilakukan Gordon Ramsay kepada kontestan Masterchef US dan Masterchef Junior US. Data penelitian ini berupa tuturan Gordon Ramsay yang diambil dari tes eliminasi dalam dua episode Masterchef US musim ke-4 (episode 9 dan 12), dan dua episode Masterchef Junior US musim pertama (episode 2 dan 6). -
Bobby Fox Program
RIVERSIDE THEATRES PRESENTS MUSIC SUNDAY 19 JUNE AT 3PM MUSICIANS BIOGRAPHIES AND CREATIVES GLENN MOORHOUSE BOBBY FOX Musical Director VOCALS TIM FISHER and Guitar Keyboard GLENN MOORHOUSE As a guitarist, singer, song writer, arranger Tim Fisher is a graduate of the Sydney MUSICAL DIRECTOR AND GUITAR BOBBY FOX Vocals and musical director, Glenn has enjoyed a Conservatorium of Music Jazz program. rich and colourful eighteen year career in the TIM FISHER While at the Sydney Conservatorium he KEYBOARD Hailing from Longford Ireland, Bobby’s career Australian music industry. highlights include being World Irish Dance studied piano with Judy Bailey, Mike Nock SAM BLACKBURN His musical journey has delivered more and Matt McMahon, and harpsichord with BASS Champion four times and touring with Irish productions such as Riverdance, Dancing on twists and turns than the rugged coast lines Neal Perez da Costa. JAMIE CASTRISOS of his island home, Tasmania: from guitarist Dangerous Ground and To Dance on the Moon. He performs as a side-man with the Craig DRUMS with the critically acclaimed rock/pop outfit Scott Quintet, John Morrison, DerroDerro, Upon moving to Australia in 2002, Bobby The Dead Abigails to the enigmatic front man Nic Jeffries and other musical outfits. He has DAVID IRVINE began his professional musical theatre career for hard rock/post punk exponents The Dog BACKING VOCALS also performed with James Morrison, Deni with feature roles in Mamma Mia, Leader of Line, musical director with the electro/funk/ Hines, Don Rader, George Golla, Jeff Clayton, GEOFFREY WINTER the Pack, Dusty – The Original Pop Diva, We soul Mayfield as well as musical director for BACKING VOCALS Bobby Rydell (United States of America), Will Rock You, Spamalot and The Production the remarkable talent that is Bobby Fox. -
George Dorin - Survivor George Dorin Was Born July 14, 1936, in Paris, France
1 Coppel Speakers Bureau George Dorin - Survivor George Dorin was born July 14, 1936, in Paris, France. His life would forever change when the Nazis invaded France in 1940. After George’s father, Max Eli Zlotogorski, was taken by the Nazis, his mother, Regina, made the difficult decision to place George and his sister, Paulette, in hiding separately. George’s father was sent to Pithiviers internment camp between 1941 and 1942, then to Auschwitz, where he was murdered. His mother was first taken to Drancy and then to Auschwitz, where she was murdered. Paulette was hidden by various families while George was sent to live on a farm with the Chemin family. Passing as the child of Maria and Louis Chemin, George helped on the farm with their children, Louie Jr. and Denise. When the Nazis advanced near the farm, George was temporarily hidden by a priest in a nearby nunnery until it was safe to return to the Chemin home. In 1947, George was temporarily reunited with his sister before they were adopted by different families. Although separated after the war, George kept in touch with the Chemin family throughout his adult life. In 1948, George immigrated to the United States where he was adopted by Francis and Harry Dorin of New York. He entered the United States Airforce in 1954 and was trained as a medical technician. After his military service, George settled in Ohio where he opened Gedico International Inc., a successful printing company. George met his wife, Marion, in 1990, and together the couple has five children. -
Performing the Self on Survivor
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Texas A&M Repository TEMPORARILY MACHIAVELLIAN: PERFORMING THE SELF ON SURVIVOR An Undergraduate Research Scholars Thesis by REBECCA J. ROBERTS Submitted to the Undergraduate Research Scholars program at Texas A&M University in partial fulfillment of the requirements for the designation as an UNDERGRADUATE RESEARCH SCHOLAR Approved by Research Advisor: Dr. James Ball III May 2018 Major: Performance Studies Psychology TABLE OF CONTENTS Page ABSTRACT ............................................................................................................................. 1 ACKNOWLEDGMENTS ........................................................................................................ 2 INTRODUCTION .................................................................................................................... 3 CHAPTERS I. OUTWIT. OUTPLAY. OUTLAST ......................................................................... 8 History of Survivor ............................................................................................ 8 Origin Story of Survivor .................................................................................. 10 Becoming the Sole Survivor ............................................................................ 12 II. IDENTITY & SELF-PRESENTATION ................................................................ 17 Role Performance ........................................................................................... -
France's Banijay Group Buys Endemol Shine to Create European Production Giant
Publication date: 28 Oct 2019 Author: Tim Westcott Director, Research and Analysis, Programming France's Banijay Group buys Endemol Shine to create European production giant Brought to you by Informa Tech France's Banijay Group buys Endemol Shine to 1 create European production giant France-based production company Banijay Group has reached agreement to acquire Endemol Shine Group from Walt Disney Company and US hedge fund Apollo Global Management. The price for the deal was not disclosed but is widely reported to be $2.2 billion. A statement from the group said the deal will be financed through a capital increase of Banijay Group and debt. On closure, subject to regulatory clearances and employee consultations. Post-closing, the combined group will be majority owned (67.1%) by LDH, the holding company controlled by Stephane Courbit's LOV Group, and Vivendi (32.9%), which invested in Banijay in 2014. The merged group said it will own almost 200 production companies in 23 territories and the rights for close to 100,000 hours of content, adding that total pro-forma revenue of the combined group is expected to be €3 billion ($3.3 billion) this year. Endemol Shine Group is jointly owned by Disney, which acquired its 50% stake as part of its acquisition of 21st Century Fox last year, and funds managed by affiliates of Apollo Global Management. Endemol Shine has 120 production labels and owns 66,000 hours of scripted and non- scripted programming and over 4,300 registered formats. Our analysis Endemol Shine Group has been up for sale since last year, and Banijay Group appears to be have been the only potential buyer to have made an offer, despite reported interest from All3Media, RTL Group-owned Fremantle and others. -
("Conditions of Entry") Schedule Promotion: the Block Promoter: Nine Network Australia Pty Ltd ABN 88 008 685 407, 24 Artarmon Road, Willoughby, NSW 2068, Australia
NBN The Block Competition Terms & Conditions ("Conditions of Entry") Schedule Promotion: The Block Promoter: Nine Network Australia Pty Ltd ABN 88 008 685 407, 24 Artarmon Road, Willoughby, NSW 2068, Australia. Ph: (02) 9906 9999 Promotional Period: Start date: 09/10/16 at 09:00 am AEDT End date: 19/10/16 at 12:00 pm AEDT Eligible entrants: Entry is only open to residents of NSW and QLD only who are available to travel to Melbourne between 29/10/16 and 30/10/16. How to Enter: To enter the Promotion, the entrant must complete the following steps during the Promotional Period: (a) visit www.nbntv.com.au; (b) follow the prompts to the Promotion tab; (c) input the requested details in the Promotion entry form including their full name, address, daytime contact phone number, email address and code word (d) submit the fully completed entry form. Entries permitted: Entrants may enter multiple times provided each entry is submitted separately in accordance with the entry instructions above. The entrant is eligible to win a maximum of one (1) prize only. By completing the entry method, the entrant will receive one (1) entry. Total Prize Pool: $2062.00 Prize Description Number of Value (per prize) Winning Method this prize The prize is a trip for two (2) adults to Melbourne between 1 Up to Draw date: 29/10/2016 – 30/10/2016 and includes the following: AUD$2062.00 20/10/16 at 10:00 1 night standard twin share accommodation in am AEDT Melbourne (min 3.5 star) (conditions apply); return economy class flights for 2 adults from either Gold Coast or Newcastle to Melbourne); a guided tour of The Block apartments return airport and hotel transfers in Melbourne Prize Conditions: No part of the prize is exchangeable, redeemable or transferable. -
Harvester 6/8 Row Operator's Manual
OPERATING MANUAL 2009 WIC HARVESTER 2800 7TH Avenue North Fargo, ND 58102 Phone: (701) 232-4199 Fax: (701) 234-1716 www.amitytech.com MOHE59-9JUN08 MOHE59-9JUN08 MOHE59-9JUN08 CONTENTS INTRODUCTION………………………………………i OPERATING THE HARVESTER…………………. 8-1 Manufacturer's Guarantee Policy…………………. ii Raise Boom…………………………………………. 8-1 Start Up……………………………………………… 8-2 SAFETY……………………………………………… 1-1 Shut Down…………………………………………… 8-3 Break In……………………………………………… 8-3 SAFETY DECALS………………………………….. 2-1 Lifter Struts………………………………………….. 8-3 Digging Depth……………………………………….. 8-4 RECOMMENDED TRACTOR SPECIFICATIONS 3-1 Pinch Point Spacing……………………………….. 8-4 Minimum Tractor Horsepower……………………… 3-1 Pinch Point Position……………………………….. 8-5 PTO Output……………………………………………3-1 Paddles……………………………………………….8-6 Drawbar Weight Capacity……………………………3-1 Apron Chain…………………………………………. 8-7 Hydraulic Capacity Options…………………………3-2 Grabroll Bed…………………………………………. 8-8 Traction………………………………………………. 3-2 Field Cleaning………………………………………..8-9 Scrub Chain…………………………………………. 8-9 PREPARING THE TRACTOR…………………….. 4-1 Scrub Chain Tension…………………………………8-10 Adjusting the Drawbar……………………………..…4-1 Leveling Adjustments………………………………. 8-10 Tire Spacing and Inflation……………………………4-1 Row Finder……………………………………………8-11 Three Point Hitch Position………………………..…4-2 Wheel Fillers………………………………………… 8-11 Shaft Monitor/Control Box Location……………..…4-2 Attaching the Control Box………………………….. 4-3 LUBRICATION AND MAINTENANCE…………... 9-1 Alternate Wiring……………………………………... 4-3 Greasing………………………………………….……9-1 PTO RPM Setting…………………………………… 4-4 U-Joints…………………………………………...……9-2 -
The Block Magazine the Block Is Back in 2020
THE BLOCK MAGAZINE THE BLOCK IS BACK IN 2020 Season 16 of The Block maybe the biggest and most difficult series of The Block yet! The Blockheads will transform five existing homes that have been relocated from different eras dating from 1910 to 1950. The challenge for each team will be to modernise whilst maintaining a nod to heritage in their styles. We’ll capture it all in the 2020 edition of The Block magazine and on our dedicated The Block section of Homes to Love. THE BLOCK 2020 magazine will provide the final reveals, home by home and room by ON SALE, SPECS room featuring all the details. We’ll cover floor plans, before and after shots and budget recommendations, plus the ‘Little Block Book’ of products and suppliers including & RATES furniture, home-wares, prices, stockists, paint colour, lighting, flooring, tiles and surfaces, ON SALE: 16 Nov, 2020 joinery and fittings – everything you need to know to recreate 2020’s sensational BOOKING: 23 Oct, 2020 makeovers. MATERIAL: 27 Nov, 2020 THE BLOCK 2019 series was an outstanding success with the average episode attracting DIMENSIONS just under a million viewers and the finale being the highest rating episode for the season BOOK SIZE: 270x225mm with 1.9M+ Australians tuning in to see Tess & Luke take out the top spot. PRINT RUN: 40,000 Don’t miss out! Be part of Australia’s favourite home renovation show with THE BLOCK ADVERTISING RATES 2020 magazine, flying off the shelves in November 2020. – and HOMES TO LOVE, going DPS: $12,000 live in August 2020 (exact time tbc). -
Writing Australian Cookbooks for Younger Readers
Brien & Wessell From ‘training in citizenship and home-making’ to ‘plating up’ Central Queensland University Donna Lee Brien Southern Cross University Adele Wessell From “training in citizenship and home-making” to “plating up”: Writing Australian cookbooks for younger readers Abstract: In term of popular literature about young people, cookbooks purporting to address children’s obesity and other diet related issues currently take a prominent place. Beside these, there is a growing related sub-genre of cookbooks for young people that are intended as guides use in practical food preparation. These include television tie-ins such as the globalised Junior MasterChef series as well as books by chefs, nutritionalists, activists, celebrities and parents, most of which have an almost rigidly proscriptive take on what, how and why children eat, and what and how they should eat. Working from Australian cookery instruction books for girls such as those by Flora Pell (1916 and later), through Margaret Gossett’s landmark Children’s Picture Cookbook (1947), to today’s plethora of children-targeted volumes, this paper addresses this Australian publishing phenomenon. It examines these books from the point of view of writers-as-producers as well as the intended consumers for these volumes, the various messages they convey, and what they reflect about food, society and writing for children in Australian popular culture. Biographical Note Dr Adele Wessell is a Senior Lecturer in History at Southern Cross University and Associate Fellow at the National Museum Australia. Her research focuses on food history. Recent publications include a special issue of TEXT journal co-edited with Donna Lee Brien on the Cultural Dynamics of Contemporary Food Choices. -
Annual Report 2015
ANNUAL REPORT 2015 AGM 24 May 2016, 6:00pm at the RTS, 3 Dorset Rise, London EC4Y 8EN ROYAL TELEVISION SOCIETY REPORT 2015 PATRONS PRINCIPAL PATRONS IBM BBC IMG Studios BSkyB ITN Channel 4 Television KPMG ITV McKinsey and Co S4C Sargent-Disc INTERNATIONAL PATRONS STV Group Discovery Networks UKTV Liberty Global Virgin Media NBCUniversal International YouView The Walt Disney Company Turner Broadcasting System Inc Viacom International Media RTS PATRONS Networks Autocue YouTube Digital Television Group ITV Anglia MAJOR PATRONS ITV Granada Accenture ITV London Amazon Video ITV Meridian Audio Network ITV Tyne Tees BT ITV Wales Channel 5 ITV West Deloitte ITV Yorkshire Enders Analysis Lumina Search EY PricewaterhouseCoopers FremantleMedia Quantel FTI Consulting Raidió Teilifís Éireann Fujitsu UTV Television Huawei Vinten Broadcast 2 CONTENTS Foreword by RTS Chair and CEO 4 Board of Trustees report to members 6 I Achievements and performance 6 1 National events 6 2 Centres events 34 II Governance and finance 46 1 Structure, governance and management 46 2 Objectives and activities 47 3 Financial review 47 4 Plans for future periods 48 5 Administrative details 48 Independent auditors’ report 50 Financial statements 51 Notes to the financial statements 55 Notice of AGM 2016 66 Agenda for AGM 2016 66 Form of proxy 67 Minutes of AGM 2015 68 Who’s who at the RTS 70 Picture credits 72 Cover: Coronation Street actor Sair Khan speaking from the audience at the RTS early-evening event ‘The secret of soaps: the story behind the stories’ 3 ROYAL TELEVISION SOCIETY REPORT 2015 FOREWORD his was a busy year for the Society. -
COVER STORY [ANDROID & I O S ]
HERALDSUN.COM.AU WEDNESDAY, FEBRUARY 24, 2016 SWITCHED ON 39 LIKE US. ON THE APP. FACEBOOK.COM/ SWITCHED ON’S INTERACTIVE EDITION IS SWITCHEDONAUSTRALIA AVAILABLE IN THE HERALD SUN APP COVER STORY [ANDROID & i O S ] Alyssa OPINION Sutherland; (below) with Travis SHOW HAS Fimmel and Dianne A TALENT Doan. “I can’t judge FOR TRUE Aslaug ... if I do I can’t portray DIVERSITY her properly” ALYSSA SUTHERLAND COLIN VICKERY ON HER CHARACTER NATIONAL TV WRITER Sometimes it is the least likely TV shows that have the most to say about modern multicultural Australia. No, I’m not talking about serious current affairs programs such as 7.30, Q & A, Insight or Dateline. And I’m not thinking of our local dramas which, with a couple of exceptions, are still predominantly white bread. I’m not even talking about Here Come the Habibs! Nine’s new comedy was slammed for what was seen as a retrograde use of ethnic stereotypes. Instead, I’m going to hold up Australia’s Got Talent as the TV program on air right now that best reflects Australia in 2016. Yes, that’s right. A daggy amateur talent program hosted by Dave Hughes with judges Ian “Dicko” Dickson, Sophie Monk, Eddie Perfect and Kelly Osbourne is leading the way. It shouldn’t be a surprise. Reality and talent shows have a great track record of spotlighting cultural inclusivity. MasterChef Australia has A always been unashamedly funny story behind it, I’m afraid. blogs and memes devoted to some reason, society has this cross cultural.