Local Color: Dyeing with Plants
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Color Theory for Painting Video: Color Perception
Color Theory For Painting Video: Color Perception • http://www.ted.com/talks/lang/eng/beau_lotto_optical_illusions_show_how_we_see.html • Experiment • http://www.youtube.com/watch?v=y8U0YPHxiFQ Intro to color theory • http://www.youtube.com/watch?v=059-0wrJpAU&feature=relmfu Color Theory Principles • The Color Wheel • Color context • Color Schemes • Color Applications and Effects The Color Wheel The Color Wheel • A circular diagram displaying the spectrum of visible colors. The Color Wheel: Primary Colors • Primary Colors: Red, yellow and blue • In traditional color theory, primary colors can not be mixed or formed by any combination of other colors. • All other colors are derived from these 3 hues. The Color Wheel: Secondary Colors • Secondary Colors: Green, orange and purple • These are the colors formed by mixing the primary colors. The Color Wheel: Tertiary Colors • Tertiary Colors: Yellow- orange, red-orange, red-purple, blue-purple, blue-green & yellow-green • • These are the colors formed by mixing a primary and a secondary color. • Often have a two-word name, such as blue-green, red-violet, and yellow-orange. Color Context • How color behaves in relation to other colors and shapes is a complex area of color theory. Compare the contrast effects of different color backgrounds for the same red square. Color Context • Does your impression od the center square change based on the surround? Color Context Additive colors • Additive: Mixing colored Light Subtractive Colors • Subtractive Colors: Mixing colored pigments Color Schemes Color Schemes • Formulas for creating visual unity [often called color harmony] using colors on the color wheel Basic Schemes • Analogous • Complementary • Triadic • Split complement Analogous Color formula used to create color harmony through the selection of three related colors which are next to one another on the color wheel. -
Propagation of Colorado Natives at Little Valley©
224 Combined Proceedings International Plant Propagators’ Society, Volume 58, 2008 Propagation of Colorado Natives at Little Valley © Brian Core Little Valley Wholesale Nursery, 13022 E. 136th Ave., Brighton, Colorado 80601 U.S.A. Email: [email protected] INTRODUCTION Little Valley Wholesale Nursery was established in 1979 with 15 acres of field and container stock and a staff of four people. Over the years, it has expanded to en- compass 141 acres and a peak-season staff of more than 150 people. The plant palette now includes more than 500 taxa of perennials, 275 taxa of shrubs, and over 130 taxa of trees. The area served by Little Valley’s distribution system includes Wyoming, Colorado, New Mexico, and Arizona. Little Valley’s motto “The Rocky Mountain Standard” expresses the commitment to be the best wholesale plant dis- tributor in the western region. Native plants have been an important part of Little Valley’s plant mix for many years. Native plants are ideal for low-input sustainable landscapes. The Denver Metro area receives 8–15 inches of rain per year; in contrast, many eastern cities receive 50 or even 60 inches of annual precipitation. Colorado has a rapidly expanding population that threatens to deplete the water supply within a few decades. Many native plants require no supplemental water when established in the landscape; water that is not wasted on bluegrass lawns is water that can be used for human consumption. Native plants also require less frequent fertilizer and pesticide appli- cations; overuse of fertilizer and pesticide can lead to contamination of groundwater supplies with carcinogens. -
Greg Butler-Bling on the Wing
Bling on the Wing: 12 Months of Flowers for Hummingbirds Greg Butler, BLA, ATA Email: [email protected] Northwest Flower and Garden Festival 2020 Washington species: Anna’s, Rufous, Calliope, Black-Chinned Anna’s: Year-round resident, our largest hummer (4”). Males have bright red/pink gorget, females iridescent green Rufous: Migrate from Southern U.S./Mexico to Alaska. Smaller than Anna’s, about 3-3.5”. Males tawny orange with orange gorget, females green with orange highlights. Recently sighted as far east as Florida and as far north as New Brunswick. Calliope: Primarily found in Eastern WA, occasionally seen on W. slope of Cacades, rare in Puget lowlands. Our smallest hummer, about 2.5-3”. Migrates from Central Mexico as far North as Central BC and Alberta. Males have magenta gorget, females green on back with peachy chest. Black-chinned: primarily found in E Washington, migration pattern similar to Calliope. About same size as Rufous, a bit more slender. Males have black chin/hood with purple gorget, females dull green on back with white chest. Fun facts: Wings can beat up to 80 x per second; diving speeds of up to 50 mph; horizontal speed up to 35 mph; can fly upside down for short distances. Can go from 35 mph to full stop in 6”; can go into state of torpor in cold weather or when hungry. Best eyesight of any bird; amazing pollinators, flowers don’t have to be tubular or red. Can be fiercely territorial (especially Rufous); “hawking” behavior when defending territory, hunting Diet Primarily nectar, insects, and occasionally sap; females have been observed eating ash during nesting season Mating: Males perform impressive courtship dives; females do all of the work of nest building, incubation, and feeding young. -
Native Or Suitable Plants City of Mccall
Native or Suitable Plants City of McCall The following list of plants is presented to assist the developer, business owner, or homeowner in selecting plants for landscaping. The list is by no means complete, but is a recommended selection of plants which are either native or have been successfully introduced to our area. Successful landscaping, however, requires much more than just the selection of plants. Unless you have some experience, it is suggested than you employ the services of a trained or otherwise experienced landscaper, arborist, or forester. For best results it is recommended that careful consideration be made in purchasing the plants from the local nurseries (i.e. Cascade, McCall, and New Meadows). Plants brought in from the Treasure Valley may not survive our local weather conditions, microsites, and higher elevations. Timing can also be a serious consideration as the plants may have already broken dormancy and can be damaged by our late frosts. Appendix B SELECTED IDAHO NATIVE PLANTS SUITABLE FOR VALLEY COUNTY GROWING CONDITIONS Trees & Shrubs Acer circinatum (Vine Maple). Shrub or small tree 15-20' tall, Pacific Northwest native. Bright scarlet-orange fall foliage. Excellent ornamental. Alnus incana (Mountain Alder). A large shrub, useful for mid to high elevation riparian plantings. Good plant for stream bank shelter and stabilization. Nitrogen fixing root system. Alnus sinuata (Sitka Alder). A shrub, 6-1 5' tall. Grows well on moist slopes or stream banks. Excellent shrub for erosion control and riparian restoration. Nitrogen fixing root system. Amelanchier alnifolia (Serviceberry). One of the earlier shrubs to blossom out in the spring. -
Fire-Resistant Plants for Oregon Home Landscapes
FFire-ire-RResistantesistant PlantsPlants forfor OregonOregon HomeHome LandscapesLandscapes Suggesting specific types of vegetation that may reduce your risk from wildfire. Stephen Fitzgerald Area Extension Forester and Associate Professor Amy Jo Waldo Area Extension Horticulture Agent and Assistant Professor OSU Extension Service 1421 S. Hwy 97, Redmond, OR 97756 Introduction Oregon has many wildfire prone areas. In these places, fires are a natural part of the changing landscape. As homes are built in these areas, special precautions must be taken by the homeowner to pro- tect their property. Installation of fire- resistive roofing is critical to preventing firebrands from igniting the home from a roof fire. Well maintained fire-resistant vegetation and irrigated landscape is also critical within close proximity of a home. These actions DO NOT insure that your home will survive a wildfire, but they provide for a good chance of structural survival. Implementation of FireFree [www.firefree.org] and FireWise [www.firewise.org] activities can also significantly improve chances of a home surviving a wildfire. Fire-resistant vegetation. When landscaping around a home, most homeowners are interested in creating a landscape that is aesthetically pleasing, compliments their home, and has varia- tions in color, texture, flowers, and foliage. If your home is located in or adjacent to forests or rangeland, you should also consider the flammability of plants within your home landscape. Flammable plant material in your land- scape can increase the fire-risk around your home. The 1991 Oakland Hills Fire in California is a prime example of how flam- mable plant material (Eucalyptus trees) can act as fuel and contribute to the inten- sity of a wildfire. -
Studio Art 9: Value, Intensity, and Types of Color April 6–9 Time Allotment: 20 Minutes Per Day
Studio Art 9: Value, Intensity, and Types of Color April 6–9 Time Allotment: 20 minutes per day Hello Great Hearts Northern Oaks 9th grade families! My name is Ms. Hoelscher and I will be one of the founding art teachers at Great Hearts Live Oak in August. I am excited to start my journey a little earlier with you here at Great Hearts Northern Oaks! I studied art and biopsychology at the University of Dallas, graduating in May 2019. Studying the liberal arts in a classical setting changed how I view the world and how I interact with it. My love of classical education and creating has guided me to Great Hearts. I look forward to sharing that passion and love with the students as we delve into Truth, Goodness, and Beauty. Please feel free to reach me at [email protected] if you have any questions or concerns. I will be having office hours starting this week using Zoom. My hours will be on Tuesday and Thursday. Period 4 will be 10:00AM-10:50AM and period 6 will be 1:00PM-1:50PM. I look forward to meeting you all! Packet Overview Date Objective(s) Page Number Monday, April 6 1. Define and describe value and intensity of color. 2-4 Tuesday, April 7 1. Compare and contrast local color and optical 5-6 color. Wednesday, April 8 1. Compare and contrast arbitrary and 7-8 exaggerated/heightened color. Thursday, April 9 1. Demonstrate Impressionistic use of color, value, 9-10 and intensity. Friday, April 10 April Break, no class! Additional Notes: Use a separate piece of paper, sketchbooks or the spaces provided in this packet to create your designs and images. -
Marianne Times Column
Portrait of the Artist: Marianne F. Buckley Curran By Theresa Brown “Portrait of the Artist” is a bi-weekly series introducing Hull Artists to the community by asking each artist to answer 10 questions that will give you a glimpse into their world. Marianne Buckley-Curran’s connection with Hull Artists goes back to its early founding years and the seasonal “Studio at the Beach” in the old MDC garage in the late ‘90s. Like many other Hull Artists, some of her earliest memories are of creative activities and a connection to an artistic family member. In her case a grandfather, who was a Lighthouse Keeper, sign painter, and artist, taught Marianne how to properly use an oil paint brush as a small child. Although art making continued to be an important part of Marianne’s life, practicality and natural athleticism led her to pursue a college degree and career in Physical Education. While taking a break from teaching to raise her family, Marianne was able to link her knowledge and love of art to a part time entrepreneurial venture as an artist agent. She arranged exhibition of works by other artists in area businesses as well as organized and operated local art shows. ****( my strategy was to learn the business of art while I was developing my own artistic vision ) Always surrounded by the artistry of others, Buckley-Curran began to question why she wasn’t exhibiting her own work and started entering her paintings in juried shows. Success in these shows encouraged her to refocus on making art and to study with local painter John Kilroy. -
Regionalism and Local Color Fiction in Nineteenth-Century Us Literature
Filologia y Lingiiistica XXVII(2): 141-153, 2001 THE POLITICS OF PLACE: REGIONALISM AND LOCAL COLOR FICTION IN NINETEENTH-CENTURY U.S. LITERATURE Kari Meyers Skredsvig RESUMEN Este articulo es el primero de una serie dedicada a las relaciones entre autoria femenina y la noci6n de lugar/espacio en la literatura estadounidense. Se presenta un panorama general a fin de contextualizar el regionalismo y el localismo como movimientos literarios y como subgdneros literarios en el desanollo de la literatura estadounidense del siglo diecinueve, mediante el andlisis de los contextos hist6ricos, sociales, politicos y literarios que inicialmente propiciaron estas dos tendencias literarias y posteriormente influyeron en su desapariciSn. Tambidn se examina el contenido cultural y aporte literario de estas etiquetas, asi como la posibilidad de intercambiarlas. ABSTRACT This is the first in a series of articles dealing with the interrelationships of female authorship and space/place in U.S. literature. This article provides an overview for contextualizing regionalism and local color both as literary movements and as literary subgenres in the development of nineteenth-century U.S. literature by exploring the historical, social, political, and literary environments which initially propitiated and later influenced the demise of these two literary tendencies. It also examines the cultural and literary import of these labels, as well as their possible interchangeability. Place and space are components of human reality at its most fundamental level. InThe Poetics of Space, Gaston Bachelard affirms that our home is "our first universe, a real cosmos in every sense of the word" (1994:4). We construct a personal identity not only for and within ourselves, but inevitably grounded in our context, at the same time that the environment constmcts us. -
Landscaping with Native Plants by Stephen L
SHORT-SEASON, HIGH-ALTITUDE GARDENING BULLETIN 862 Landscaping with native plants by Stephen L. Love, Kathy Noble, Jo Ann Robbins, Bob Wilson, and Tony McCammon INTRODUCTION There are many reasons to consider a native plant landscape in Idaho’s short- season, high-altitude regions, including water savings, decreased mainte- nance, healthy and adapted plants, and a desire to create a local theme CONTENTS around your home. Most plants sold for landscaping are native to the eastern Introduction . 1 United States and the moist climates of Europe. They require acid soils, con- The concept of native . 3 stant moisture, and humid air to survive and remain attractive. Most also Landscaping Principles for Native Plant Gardens . 3 require a longer growing season than we have available in the harshest cli- Establishing Native Landscapes and Gardens . 4 mates of Idaho. Choosing to landscape with these unadapted plants means Designing a Dry High-Desert Landscape . 5 Designing a Modified High-Desert Landscape . 6 accepting the work and problems of constantly recreating a suitable artificial Designing a High-Elevation Mountain Landscape . 6 environment. Native plants will help create a landscape that is more “com- Designing a Northern Idaho Mountain/Valley fortable” in the climates and soils that surround us, and will reduce the Landscape . 8 resources necessary to maintain the landscape. Finding Sources of Native Plants . 21 The single major factor that influences Idaho’s short-season, high-altitude climates is limited summer moisture. Snow and rainfall are relatively abun- dant in the winter, but for 3 to 4 months beginning in June, we receive only a YOU ARE A SHORT-SEASON, few inches of rain. -
Phototherapy: from Ancient Egypt to the New Millennium
Original Article &&&&&&&&&&&&&& Phototherapy: From Ancient Egypt to the New Millennium Antony F. McDonagh, PhD induce significant phototherapeutic responses, heliotherapy was the only possible form of phototherapy up until the end of the 19th century. From the time of the Pharaohs, most ancient civilizations and cultures have worshipped the sun or sun gods and appear to have Phototherapy with ultraviolet light was widely and successfully used in the made some connection between sunlight and health.1,2 The use of past for treatment of a variety of diseases. Phototherapy with visible light sunbaths by the ancient Romans and Greeks for maintaining general alone has no benefit except in the therapy and prophylaxis of unconjugated health and for therapeutic purposes is particularly well documented. hyperbilirubinemia. For this purpose, radiation in the region of 480 to Whether connections between specific disorders and sunlight 500 nm is most effective and radiation above 550 nm is useless. The exposure were ever made by these ancient cultures is difficult to principle effect of the treatment is not photodegradation of bilirubin, but know, but certainly sunlight can be used successfully to treat many conversion of the pigment to structural isomers that are more polar and skin disorders.3 If nothing else, heliotherapy would have had an more readily excreted than the normal, more toxic ‘‘dark’’ form of the antirachitic and bactericidal action. pigment. This, coupled with some photooxidation of bilirubin, diminishes In ancient China, what has been termed heliotherapy was one of the overall pool of bilirubin in the body and lowers plasma levels. In the the immortalizing techniques of early Daoism, introduced by future, phototherapy may be supplanted by pharmacologic treatment, but in Lingyan Tzu-Ming in the first century AD during the Han dynasty.4 the near future, the most likely advance will be the introduction of novel One technique, described about four centuries later during the Tang forms of light production and delivery. -
The Humble Groundcover a New Look at an Old Landscape Staple
The humble groundcover A new look at an old landscape staple Definition of a groundcover Weed management Groundcovers for un-irrigated landscapes Neil Bell OSU Extension Service Marion and Polk Counties Ground cover: a definition In horticulture, ground covers may be considered to be those perennial plants, usually requiring minimal maintenance, that may be substituted for lawn grasses on special sites where the latter normally do not thrive or where lawn maintenance becomes difficult, as in dense shade, on steep slopes or terraces and on sandy or rocky soil where water is not available. Hortus Third, 1976 1 2 Longleaf Mahonia (Mahonia nervosa) Dome Rock, Willamette National Forest 3 4 Juniper: glyphosate damage Birch: phenoxy herbicide damage The things broad-leaved ground covers do… • Suppress weeds • Prevent soil compaction • Add organic matter to soil (also N in some cases) • Add aesthetic value to the landscape • Provide pollen and nectar to pollinators 5 Creeping Juniper (Juniperus horizontalis) Creeping Phlox (Phlox subulata) Strawberry (Fragaria spp.) Hosta, etc. 6 Sedum spp. Carpet Broom (Genista sp.) Cotoneaster (Cotoneaster sp.) Olivier Filippi Pepiniere Filippi Meze, France http://www.jardin-sec.com/ St. Johns Wort (Hypericum perforatum) 7 Rosemary (Rosmarinus officinalis ‘Punta di Canelle’) Olivier Filippi garden, Meze, France Argyle Winery, Dundee, OR Rockrose (Cistus x hybridus) 8 David’s Viburnum (Viburnum davidii) Periwinkle (Vinca sp.) Vinca sp. 9 Cotoneaster, Shrub Dogwood and Western Redcedar, Salem, OR Creeping Mahonia (Mahonia repens) Cistus x hybridus Creeping Mahonia (Mahonia repens). Columbia River Gorge 10 Longleaf Mahonia (Mahonia nervosa) Oregon Grape (Mahonia aquifolium ‘Compacta’ (?)) Oregon Grape (Berberis aquifolium) Creeping Mahonia (Mahonia repens) and Cotoneaster (Cotoneaster sp.) Salal, Creeping Mahonia and Strawberry, West Salem Long leaf Mahonia (Mahonia nervosa) 11 Oregon Grape (Mahonia aquifolium ‘Compacta’ (?)) Longleaf Mahonia (Mahonia nervosa) Oregon Grape (Mahonia aquifolium). -
Plants for Pollinators for South Central Idaho That Grow Well at Orton Botanical Garden in Twin Falls Prepared by Lamar Orton Shrubs 1
Plants for Pollinators for South Central Idaho that grow well at Orton Botanical Garden in Twin Falls Prepared by LaMar Orton Shrubs 1. Bitter brush (Purshia tridentata) – Idaho native 2. Mexican cliff rose (Purshia mexicana) – blooms in May, a large relative of bitter brush. 3. Fern bush (Chamaebatiaria millefolium) – Idaho native, blooms in July/August. 4. Oregon grape (Mahonia aquifolium) – upright to 10 ft high, Idaho native, blooms in April, evergreen. 5. Creeping Oregon grape (Mahonia repens) – low grower, good for shade, Idaho native, blooms in April, evergreen. 6. Apache plume (Fallugia paradoxa) – heavy May bloomer, but blooms off and on throughout the summer. 7. Rabbitbrush (Chrysothmnus) – several species – late summer/fall blooming. Flowers 1. Penstemons – many species that bloom at different times of the spring and summer. 2. Buckwheats (Eriogonum) – many species that bloom at different times of the spring and summer. 3. Catmint (Nepeta) – often will bloom twice during the summer, if cut back after the first bloom. 4. Blanket flower (Gaillardia aristata) – If they are kept deadheaded, they will bloom much of the summer. 5. Dorr’s sage (Salvia dorrii) is native to southern Idaho. 6. Woodland sage (Salvia nemerosa) - native to central Europe and western Asia. Several cultivars - blooms for a long time in early summer and will rebloom if cut back after the first bloom. 7. Rocky Mountain bee plant (Cleome serrulata) – an annual that blooms in midsummer. Bees love the flowers and birds relish the seeds. 8. Annual Sunflower (Helianthus annuus) – Mid to late summer bloomer. 9. Prickly pear cactus (Opuntia) – many species and flower colors.