09/29/21 HA2C5: A Fine Tomorrow: British Art and Culture in the 1950s | University of Warwick
HA2C5: A Fine Tomorrow: British Art and View Online Culture in the 1950s (2016/17)
Alan Powers (2001) ‘The Expression of Levity’, Twentieth Century Architecture, (5), pp. 48–56. Available at: http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/41861908?seq=1#page_scan_tab _contents.
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Allan, J. (1992) Berthold Lubetkin: architecture and the tradition of progress. London: RIBA Publications.
Anne Massey (1987) ‘The Independent Group: Towards a Redefinition’, The Burlington Magazine, 129(1009), pp. 232–242. Available at: http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/883030?seq=1#page_scan_tab_c ontents.
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Banham, Reyner (2011) ‘The New Brutalism.’, October, pp. 19–28. Available at: http://0-search.ebscohost.com.pugwash.lib.warwick.ac.uk/login.aspx?direct=true&db =aft&AN=513199143&site=ehost-live.
Bann, S. (no date a) The Tradition of constructivism. New York, N.Y.: Da Capo Press.
Bann, S. (no date b) The Tradition of constructivism. New York, N.Y.: Da Capo Press.
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Ben Highmore (2006) ‘Rough Poetry: “Patio and Pavilion” Revisited’, Oxford Art Journal, 29(2). Available at: http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/3841016?seq=1#page_scan_tab_ contents.
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Berger, J. (1958a) A painter of our time. London: Secker & Warburg.
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Berger, J. (1960) Permanent red: essays in seeing. London: Methuen.
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Burstow, R. (1989a) ‘BUTLER’S COMPETITION PROJECT FOR A MONUMENT TO “THE UNKNOWN POLITICAL PRISONER”; ABSTRACTION AND COLD WAR POLITICS’, Art History, 12(4), pp. 472–496. Available at: https://0-onlinelibrary-wiley-com.pugwash.lib.warwick.ac.uk/doi/10.1111/j.1467-8365.1989. tb00371.x.
Burstow, R. (1989b) ‘BUTLER’S COMPETITION PROJECT FOR A MONUMENT TO “THE UNKNOWN POLITICAL PRISONER”; ABSTRACTION AND COLD WAR POLITICS’, Art History, 12(4), pp. 472–496. Available at: https://0-onlinelibrary-wiley-com.pugwash.lib.warwick.ac.uk/doi/10.1111/j.1467-8365.1989. tb00371.x.
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Conekin, B., Mort, F. and Waters, C. (1999) Moments of modernity: reconstructing Britain, 1945-1964. London: Rivers Oram. Available at: https://contentstore.cla.co.uk/secure/link?id=cd153ce6-8943-e611-80bd-0cc47a6bddeb.
Crinson, M. and Zimmerman, C. (2010) Neo-avant-garde and postmodern: postwar architecture in Britain and beyond. New Haven, CT: Yale Center for British Art.
Curtis, B. (1985) ‘“One continuous interwoven story”’, Block, (11), pp. 48–52. Available at: https://contentstore.cla.co.uk/secure/link?id=868646a1-8b43-e611-80bd-0cc47a6bddeb.
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Curtis, W. (1987) ‘Chapter 21: The Unite d’Habitation at Marseilles as a collective Housing Prototype’, in Modern architecture since 1900. 2nd ed. Oxford: Phaidon, pp. 284–295. Available at: https://contentstore.cla.co.uk/secure/link?id=8fb28343-21c3-e811-80cd-005056af4099.
‘“Design for Coventry Cathedral”’ (1963) Churchbuilding. Available at: https://arlir.iii.com/nonret~S0&atitle=’Design+for+Coventry+Cathedral'&title=C hurchbuilding&aufirst=&auinit=&aulast=&issn=&eissn=&co den=&volume=&issue=&spage=&epage=&quarter=&ssn= &date=1963&sid=&reqtype3.
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Fullard, G. et al. (1974) George Fullard 1923-1973. London: Arts Council of Great Britain.
Fyrth, J. (1995a) Labour’s promised land?: culture and society in Labour Britain 1945-51. London: Lawrence & Wishart. Available at: https://contentstore.cla.co.uk/secure/link?id=337cacec-9543-e611-80bd-0cc47a6bddeb.
Fyrth, J. (1995b) Labour’s promised land?: culture and society in Labour Britain 1945-51. London: Lawrence & Wishart. Available at: https://contentstore.cla.co.uk/secure/link?id=337cacec-9543-e611-80bd-0cc47a6bddeb.
Garlake, M. and Paul Mellon Centre for Studies in British Art (1998a) New art new world: British art in postwar society. New Haven: Yale University Press.
Garlake, M. and Paul Mellon Centre for Studies in British Art (1998b) New art new world: British art in postwar society. New Haven: Yale University Press.
Garlake, M. and Paul Mellon Centre for Studies in British Art (1998c) New Art New World: British art in postwar society. New Haven: Yale University Press.
Garlake, M. and Paul Mellon Centre for Studies in British Art (1998d) New Art New World: British art in postwar society. New Haven: Yale University Press.
Garlake, M. and Paul Mellon Centre for Studies in British Art (1998e) New Art New World: British art in postwar society. New Haven: Yale University Press.
Gathercole, S. (2002) ‘“Welfare state constructionism”’, Visual Art in Britiain, 3(2), pp. 57–80. Available at: https://contentstore.cla.co.uk/secure/link?id=cb47ba2c-5c20-e711-80c9-005056af4099.
Gillian Whiteley (2002) ‘‘Designing Britain 1945-75’:, ’Art for social spaces: Festival of Britain’. Available at: https://vads.ac.uk/customizations/collection/DCADB/pages/html/festival.html.
Glendinning, M., Muthesius, S. and Paul Mellon Centre for Studies in British Art (1994)
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Tower block: modern public housing in England, Scotland, Wales and Northern Ireland. New Haven: Yale University Press for The Paul Mellon Centre for Studies in British Art.
Goldhagen, S. W. and Legault, R. (2000) Anxious modernisms: experimentation in postwar architectural culture. Montréal: Canadian Centre for Architecture.
Grieve, A. I. and Paul Mellon Centre for Studies in British Art (2005) Constructed abstract art in England after the Second World War: a neglected avant-garde. New Haven: Yale University Press.
Hamilton, R., Tate Gallery and Irish Museum of Modern Art (Kilmainham, Dublin, Ireland) (1992a) Richard Hamilton. London: Tate Gallery.
Hamilton, R., Tate Gallery and Irish Museum of Modern Art (Kilmainham, Dublin, Ireland) (1992b) Richard Hamilton. London: Tate Gallery.
Hammer, M., Dulwich Picture Gallery and Djanogly Art Gallery (2005) Graham Sutherland: landscapes, war scenes, portraits 1924-1950. London: Scala.
Harris, A. (2010) Romantic moderns: English writers, artists and the imagination from Virginia Woolf to John Piper. London: Thames & Hudson. Available at: https://contentstore.cla.co.uk/secure/link?id=db56a000-9b43-e611-80bd-0cc47a6bddeb. Harrison, M. and Barbican Art Gallery (2002a) Transition: the London art scene in the fifties . London: Merrell in association with Barbican Art.
Harrison, M. and Barbican Art Gallery (2002b) Transition: the London art scene in the fifties . London: Merrell in association with Barbican Art.
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Henry Moore Institute (Leeds, England) (2003b) Sculpture in 20th century Britain. Leeds, England: Henry Moore Institute.
Henry Moore: Mother and Child (1992). The Henry Moore Foundation. Available at: https://www.amazon.co.uk/Henry-Moore-Mother-Child-H/dp/B00TU2PIGK/ref=sr_1_2?s=boo ks&ie=UTF8&qid=1462800693&sr=1-2&keywords=henry+moore+mother+and+child.
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Hyman, J. (2001) The battle for realism: figurative art in Britain during the Cold War, 1945-60. New Haven: Yale University Press. Available at: https://contentstore.cla.co.uk/secure/link?id=e5ecfb2c-2050-e611-80c6-005056af4099.
Jenkins, D. F. and Imperial War Museum (Great Britain) (2000) John Piper: the forties. London: Philip Wilson Publishers.
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John-Paul Stonard (2007) ‘Pop in the Age of Boom: Richard Hamilton’s “Just What Is It That Makes Today”s Homes so Different, so Appealing?’’, The Burlington Magazine, 149(1254), pp. 607–620. Available at: http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/20074973?seq=1#page_scan_tab _contents.
Jolivette, C. (2009) Landscape, art and identity in 1950s Britain. Farnham: Ashgate. Available at: https://contentstore.cla.co.uk/secure/link?id=ef955213-a343-e611-80bd-0cc47a6bddeb.
Lapp, A. (1998) ‘ ’The Freedom of Sculpture - the Sculpture of Freedom: The interrnational sculpture Competition for a monument to the Unknown Political Prisoner’, The Sculpture Journal, 2, pp. 113–122. Available at: https://pugwash.lib.warwick.ac.uk/record=b1278799.
Leicestershire (England). Museums, Arts and Records Service (1991) Peter Peri 1899-1967: a retrospective exhibition of sculpture, prints and drawings 3 August - 29 September 1991. Leicester: Leicestershire Museums, Arts and Records Service.
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Massey, A. (1995a) The Independent Group: modernism and mass culture in Britain, 1945-59. Manchester: Manchester University Press.
Massey, A. (1995b) The Independent Group: modernism and mass culture in Britain, 1945-59. Manchester: Manchester University Press.
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Moore, H., Beckett, J. and Russell, F. (2003) Henry Moore: critical essays. Burlington, VT: Ashgate. Available at: https://contentstore.cla.co.uk/secure/link?id=a474853a-8743-e611-80bd-0cc47a6bddeb. Morris, F. and Tate Gallery (1993) Paris post war: art and existentialism 1945-55. London: Tate Gallery.
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Pasmore, V. (1958) ‘“Connection between painting, sculpture and architecture”’, Zodiac, pp. 66–70.
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