OCT 2018 OCT NEXT WAVENEXT FESTIVAL

Roy Lichtenstein, Reflections on Hair, 1990

Published by: Season Sponsor: 2018 BAM Next Wave Festival #BAMNextWave

Brooklyn Academy of Music

Adam E. Max, Katy Clark, Chairman of the Board President

William I. Campbell, Joseph V. Melillo, Vice Chairman of the Board Executive Producer

The Bacchae

BAM Harvey Theater Oct 3—6 at 7:30pm; Oct 7 at 3pm

Running time: approx. one hour 30 minutes, no intermission

By Euripides Translation by Aaron Poochigian Directed by Anne Bogart Created and performed by SITI Company Set and lighting by Brian H Scott Sound design by Darron L West Composed by Erik Sanko Production stage manager Ellen M. Lavaia* Japanese translation by Akiko Aizawa and Leon Ingulsrud

Season Sponsor:

The Bacchae is part of Speaking Truth to Power Co-Presented by BAM and the Onassis Cultural Center New York

Major support for theater at BAM provided by: The Achelis and Bodman Foundation The Fan Fox & Leslie R. Samuels Foundation, Inc. The Francena T. Harrison Foundation Trust The SHS Foundation The Shubert Foundation, Inc. The Bacchae

CAST

Dionysus Ellen Lauren* Tiresias Barney O’Hanlon* Cadmus Stephen Duff Webber* Pentheus Eric Berryman* Soldier J. Ed Araiza* First Messenger Leon Ingulsrud* Second Messenger Gian-Murray Gianino* Agave Akiko Aizawa* Chorus Roshni Shukla* & Samuel Stricklen*

Assistant stage manager Alyssa Escalante* Assistant director Nana Dakin Assistant set and lighting designer Joey Guthman Associate costume designer Lena Sands Dramaturg Helene Foley Dramaturg Norman Frisch Choral consultant Kelly Maurer Executive director Michelle Preston

*Member of Actors Equity Association, the union of professional actors and stage managers in the United States.

Anne Bogart is a member of SDC, the Society of Stage Directors and Choreographers, an independent national labor union.

This adaptation was commissioned by The J. Paul Getty Museum and first performed at the Getty Villa on September 5, 2018.

The production is funded, in part, by public funds from the New York City Department of Cultural affairs, The Howard Gilman Foundation, and the Fan Fax and Leslie R. Samuels Foundation. The Bacchae

AKIKO AIZAWA J. ED ARAIZA

ERIC BERRYMAN GIAN-MURRAY GIANINO LEON INGULSRUD

ELLEN LAUREN BARNEY O’HANLON ROSHNI SHUKLA

SAMUEL STRICKLEN STEPHEN DUFF WEBBER Notes

SYNOPSIS

The story of Bacchae is based upon the myth of Pentheus, the young king of Thebes, and his mother Agave who are punished by the god Dionysus, also known as Bacchus, for refusing to worship him. Dionysus arrives in Thebes from Asia Minor disguised as a human, with his band of Bacchant women. He informs the audience that the purpose of the trip is to convince the Thebans that they should worship Dionysus as a god. He has driven the women of Thebes, including his aunt Agave, into an ecstatic frenzy of dance and hunting on Mount Cithaeron. The old blind seer Tiresias and Cadmus, Agave’s father, join the Theban women as devotees in order to preserve the welfare of their city. Young King Pentheus scolds them harshly, bans Dionysian worship and orders his soldiers to arrest anyone found to be engaging in the rites. Dionysus, in his disguise as a long-haired Lydian leader of the Dionysian priests, deliberately allows himself to be arrested. As he is questioned by the skeptical Pentheus, it becomes clear that Pentheus is himself deeply interested in the Dionysiac rites. Nevertheless, he locks up the stranger. Being a god, however, Dionysus is quickly able to break free and raze Pentheus’ palace to the ground in a giant earthquake and fire.

A messenger brings sensational reports from Mount Cithaeron, including news that the women of Thebes are behaving strangely and performing incredible feats and miracles. Pentheus is now even more eager to see the ecstatic women for himself. Dionysus convinces the king to dress as a female in order to go up the mountain without being detected to witness the strange rites taking place there.

A second messenger arrives in a state of shock, having witnessed the wild Theban women capturing and killing Pentheus, tearing his body apart, piece by piece. Pentheus’ mother Agave, still possessed by the Dionysian ecstasy, arrives back in Thebes, carrying what she believes to be the head of a mountain lion that she had killed with her bare hands. She proudly displays her son’s severed head to her horrified father Cadmus. As her possession begins to wear off, Agave realizes in horror what she has done.

Dionysus appears in his true form and sends Agave into exile and turns Cadmus and his wife Harmonia into snakes. By the end, even the chorus of Bacchants look upon Agave and Cadmus with compassion.

DIRECTOR’S NOTE

More than any other play in Western civilization, Euripides’ The Bacchae is probably the one that most directly addresses the art of theater. Dionysus, one of the central characters in the plays, is not only the god of divine ecstasy, fertility, wine, and harvest, but also presides over the theater. At one point a bewitched Pentheus exclaims, “I seem to see two suns, the city of Thebes doubled.” Indeed, we attend the theater knowing that we are “seeing double.” We are aware, for example, that we are looking at an actor or at a precisely lit staging and scenery, but at the same time we allow ourselves to enter into another world that is merely suggested by what is actually present.

In our production, the role of Dionysus, the God of wine and theater, is personified, rather than by a man, by SITI Company Co-Artistic Director Ellen Lauren. The chorus of Bacchant women are embod- ied by both men and women. Agave is played by the Japanese actress and long-time SITI Company member Akiko Aizawa, in Japanese. These theatrical choices are based upon SITI Company’s ongoing investment in international exchange including a long-time relationship with the Suzuki Company of Toga in Japan, as well as the creation of theater that unites historical perspectives with present- moment sensibilities. Notes

Towards the end of Bacchae, Agave enters carrying what she believes to be a mountain lion’s head but is, in fact, the severed head of her son Pentheus. She speaks in Japanese. For Akiko Aizawa, using her first language allows her to feel and express Agave’s core emotions of grief and understand- ing as deeply as possible. In our belief that the theater, at its best, transcends language, it is our hope that the eloquence of her emotional intensity will communicate with clarity to our audiences. Her body, her tone of voice and her actions communicate the sad story that ends the play. Agave asks her father Cadmus where Pentheus is, not realizing that she is carrying his head in her hand.

Spoken in Japanese:

Look what I’m holding in my arms—a trophy worthy to be nailed up on your roof. Come take it in your hands and celebrate the hunt and ask your friends to feast with us.

Eventually Cadmus calms Agave to the point that she realizes she is holding the head of her son.

Oh, wretched! It is Pentheus’ head Who murdered him? Why is he in my hands?

Dionysus arrives in the midst of this tragic domestic scene and proceeds to exile both Cadmus and Agave. Her final words as she exits:

I, with my pitiful sisters, now am heading into exile. May I go where accursed Mt. Cithaeron never sees me, where my eyes will never look on Mt. Cithaeron, where no sacred staff has been set up as offering. Such matters are for other Bacchants.

—Anne Bogart

TRANSLATOR’S NOTE

My translation of The Bacchae is exceptional in that it is intended for live performance. This emphasis means both that the translation is comprehensible on a first hearing, and that is preserves, formally, the incantatory quality of the poetry in the original. I translated the dialogue and narrative sections into the iambic pentameter of Shakespeare and set the choral sections apart with different rhythms and with rhyme to make clear that these sections are song and not conversational speech. The result- ing translation is a musical experience that modulates, as the original does, between spoken and sung lines of verse. Euripides was, famously, a poetic virtuoso, and I have done all I can to recreate the sonic richness of his original version in English.

—Aaron Poochigian Ellen Lauren. Photo: Craig Schwartz Who’s Who

ANNE BOGART (director) is one of the three designed light for Ann Hamilton’s the event of co-artistic directors of the SITI Company, which a thread and the theatre is a blank page. With she founded with Japanese director Tadashi Park Avenue Armory he has created lighting for Suzuki in 1992. She is a professor at Columbia tears become… streams become... with Douglas University where she runs the Graduate Directing Gordon, The Let Go for Nick Cave, and for Program. Works with SITI include Chess Match Laurie Anderson and Kronos Quartet’s Landfall No. 5; Lost in the Stars; Persians; Steel Hammer (NWF 2014). (NWF 2015); A Rite (NWF 2013); Café Variations; Trojan Women (After Euripides) (NWF DARRON L WEST (sound designer) has been 2012); American Document; Antigone; Under a SITI Company member since 1993. He is a Construction; Freshwater; Who Do You Think Tony and Obie award-winning sound designer You Are; Radio Macbeth; Hotel Cassiopeia (NWF whose work for theater and dance has been 2007); Death and the Ploughman; La Dispute; heard in over 600 productions all over the Score; bobrauschenbergamerica (NWF 2003); US and internationally in 14 countries. Along Room; War of the Worlds–the Radio Play (NWF with the 2012 Tony Award and the 1998 Obie 2000); Cabin Pressure; Alice’s Adventures; award for the SITI company production of Bob, Culture of Desire; Bob; Going, Going, Gone; his accolades also include the 2012 Princess Small Lives/Big Dreams; The Medium; Noel Grace Statue as well as the Drama Desk, Lortel, Coward’s Hay Fever and Private Lives; August Audelco, Entertainment Design Magazine EDDY, Strindberg’s Miss Julie; and Charles Mee’s Henry Hewes, and Lucille Lortel Awards. Orestes. Recent operas include: Handel’s Alcina, Dvorak’s Dimitrij, Verdi’s Macbeth, Bellini’s ERIK SANKO (composer) is best known as a Norma, and Bizet’s Carmen. She is the author of fixture of the NY downtown music scene, having five books: A Director Prepares; The Viewpoints worked with such luminaries as John Cale, Book; And Then, You Act; Conversations with Yoko Ono, Jim Carroll, James Chance and the Anne, and What’s the Story. Contortions, and was a 16-year veteran of The Lounge Lizards. As a bass player Sanko played AARON POOCHIGIAN (translator) earned a on over 40 albums ranging from artists such PhD in classics from the University of Minnesota as They Might Be Giants to Run DMC. He was and an MFA in poetry from Columbia University. the leader of the art/noise band Skeleton Key Winner of the Able Muse Poetry Prize, his for 20 years and is currently composing a suite book Manhattanite came out in 2017. His of music for short wave radio and solo cello for verse thriller, Mr. Either/Or, was released by cellist Jeffrey Zeigler. Etruscan Press in 2017. For his translation work he was awarded a 2010—11 grant by the ELLEN M. LAVAIA (production stage manager), National Endowment for the Arts. His poetry has originally from San Francisco, now resides appeared in Best American Poetry, POETRY, and in New York City. Broadway: The Lion King, The Times Literary Supplement. Annie, Les Misérables, and Matilda. New York: Gentlemen Prefer Blondes, Macbeth, BRIAN H SCOTT (lighting and scenic designer) and A Man’s a Man. Regional: Steel Hammer, hails from New York City. He is a SITI Company Persians, and the theater is a blank page. member and has designed lighting for Café Lavaia has toured internationally through Variations, Trojan Women, and The Persians China, Georgia, Hong Kong, Italy, Romania, in association with the Getty Villa; American Slovenia, Switzerland, and the United Arab Document with the Martha Graham Dance Emirates. Additional credits: NBC’s The Sound Company; Under Construction, Who Do You of Music Live! and the 2013 Tony Awards. Think You Are, Hotel Cassiopeia, Death and Education: MFA, Columbia University. BA, the Ploughman, bobrauschenbergamerica Gonzaga University. She is a proud member (Henry Hewes Design Award 2004), and of Actors Equity Association, Local 764, and War of the Worlds–the Radio Play. With Rude SITI Company. Mechanicals: Stop Hitting Yourself; Now Now, Oh Now; Method Gun; I’ve Never Been So ALYSSA ESCALANTE (assistant stage manager) Happy, How Late It Was, How Late; Lipstick is an Equity stage manager based in Los Traces, Requiem for Tesla, and Matchplay. He Angeles. Recent credits include the theater is a Who’s Who

blank page (SITI Company), A Streetcar Named Nest (After Hours, Stage Raw nomination); Desire (Boston Court Pasadena), Gem of the Untitled Communion, Substrata (REDCAT); Ocean (South Coast Repertory), Hold These Next to Normal, Kentucky (East West Players); Truths (Pasadena Playhouse), The Haunted The Bumps (Skirball Cultural Center, BBC House Party (Getty Villa), Criers for Hire (East Documentary Blueprints for Better), and Ghost West Players), Mojada: a Medea in Los Angeles Town (Cornerstone). Sand’s work in film and (Getty Villa), Cash on Delivery (El Portal Theatre), television has been seen on LMVH’s online and Happy Days (Boston Court Pasadena/ magazine nowness.com, Lifetime Channel, LIVE Commonwealth Shakespeare Company). She with Regis and Kelly, REDCAT, The Nantucket thanks Mom, Dad, and Hannah for their love Film Festival, and LA Women’s International Film and support always. Festival. She is honored to be working with SITI Company for a third time. NANA DAKIN (assistant director) is a Thai- American, New York City-based director of new KELLY MAURER (choral consultant) has been plays, classics, and devised performance. Recent a member of SITI since its inception. SITI projects include an all-female production of credits include Orestes, American Document, Shakespeare’s Richard III, a devised multimedia Radio Macbeth, La Dispute, Hayfever, performance Wonder/Wander: An Interactive bobrauschenbergamerica, The Medium, Small Tarot Card Reading, and the development of new Lives/Big Dreams, A Midsummer Night’s Dream, plays by Anchuli Felicia King, Gina Stevensen, Culture of Desire, and Cabin Pressure, and and Nora Sørena Casey. Dakin is a core member theaters including the Joyce, NYTW, PS 122, of B-Floor Theatre, Thailand’s vanguard physical Actors Theatre of Louisville, Walker Arts Center, theater company, and a New York Theatre Wexner Arts Center, Irish Life Theater Festival, Workshop 2050 Directing Fellow. BA: Sarah Under the Radar (Public Theater), Bobigny Lawrence College, MFA Theatre Directing: (Paris), and the Edinburgh Festival. Regional Columbia University. nanadakin.com credits include Rainbow in And What of the Night at Milwaukee Repertory Theatre, Hamlet JOEY GUTHMAN (assistant set & lighting at StageWest, and Christine in Miss Julie at designer) is a Los Angeles-based designer. His Actors Theatre of Louisville. Internationally, she designs have been seen around town, across has toured with Tadashi Suzuki in the Suzuki the US and overseas. In LA, venues include Company of Toga’s Dionysus and director Robert Pasadena Playhouse, REDCAT, Garry Marshall Wilson in Persephone. She performed the roles Theatre, LATC, Rogue Artists Ensemble, Bootleg of Jolly (standby for Patti LuPone) in The Old Theater, Rockwell Table + Stage, Son of Semele, Neighborhood on Broadway and Hermia in Sacred Fools, Highways, and many more. He is Dead Man Cell Phone at Playwrights Horizons. lighting director for Los Angeles Dance Project She also performed in An Adult Evening of Shel and his designs for the company have been Silverstein and The Water Engine at the Atlantic. seen across the US, at Théâtre des Champs Maurer teaches with SITI and the Atlantic Elysées in Paris, and at the LUMA Foundation Theater Acting School, at NYU, and workshops in Arles, France. BFA: Emerson College. and universities throughout the US. JoeyGuthmanDesign.com MICHELLE PRESTON (executive director) LENA SANDS (associate costume designer) holds an MFA in performing arts management is a costume designer, puppet artist, and from Brooklyn College and a BFA in dance scenographer for live performance, installation, performance from Northern Illinois University. and film. Her work supports the unsettling She began her career in arts administration of dramatic space and the wringing out of at the Columbus Symphony Orchestra before shared cultural routines. She collaborates coming to New York where she worked as a with communities and other artists to create fundraiser for modern dance companies such as characters and emotional investigations of our Urban Bush Women and the Bill T. Jones /Arnie bodies, peoplehood, and connection. Favorite Zane Dance Company. She was the Manager of Los Angeles designs include: AMERYKA Planning & Projects at the School of American (Kirk Douglas Theater, Ovation nomination); Ballet before going to SITI Company in 2012. the immersive One Flew over the Cuckoo’s She has served on the board of Immediate BAM REMEMBERS Terry Christensen

BAM dedicates this presentation of The Bachae to the memory of Henry Christensen III, who for more than 25 years served on Boards of BAM and of the BAM Endowment Trust, providing sound legal advice and helping to shape the institution’s planned giving program. A great lover of arts and culture, Terry’s contributions to BAM and Brooklyn cannot be overstated, and his enduring vision has helped to shape this institution as well as the Prospect Park Alliance and the Theatre for a New Audience. Photo: Yannick Grandmont Who’s Who adaptation, MissJulia,basedon theStrindberg Sisters, and The Adding Machine.Hisbilingual The Seagull,bobrauschenbergamerica, Three Delhi, India;MedeaStories in Helsinki,Finland; Dancing intheForest ofDeath inChennaiand TX; TheVoluspa inRekyavik, Iceland;Savitri, a musicaladaptationofUncleVanya inAustin Over theCuckoo’s Nest,andVaudeville Vanya, , OneFlew Directing creditsinclude:Ladeeleroy cast), Yerma, Picnic , andPrincipia Scriptoria. Troy, SantosandKeely andDu(original King Lear,Tumbleweed Victima, La , TheCureat Macbeth, Women andWater, TheWhiteCrow Lost intheStars.Otheractingcreditsinclude: Alexandra. Dramaturg:Radio Macbeth and the Worlds—The Radio Play,andNicolas The Medium,SmallLives/BigDreamsWar of bobrauschenbergamerica, CultureofDesire Cassiopeia, AMidsummerNight’sDream Construction, WhoDoYou ThinkYou Are , Hotel include: ThePersians , Trojan Women, Under and performer. SITICompanyactingcredits projectsasawriter,cross-disciplinary director, SITI Company, hasworkedonmulticultural, J. EDARAIZA(Soldier),amemberofthe originally fromAkita,Japan. SCOT; directedbyTadashi Suzuki).Aizawais Women, ThreeSistersandDionysus(with by Leon Ingulsrud.Othercredits:TheTrojan andHanjo(JapanSociety)directed Anne Bogart; Dance Company; JoyceTheater)alldirectedby Graham and AmericanDocument(withMartha Angeles), Radio Macbeth(ThePublic Theater), Hamilton; Persians CAPUCLA), (GettyVilla,Los include: thetheaterisablankpage(withAnn directed byRachel Dickstein. OtherSITIcredits of theWorlds; andwithRipeTime inSleep Cassiopeia, bobrauschenbergamericaWar Dance Company),Trojan Women, Hotel Wolfe), ARite(withBillT. Jones/ArnieZane with SITIinSteelHammer(musicbyJulia AKIKO AIZAWA (Agave)atBAMhasperformed PERFORMERS as amemberofthealumniboard. ManagementMFACollege Arts programaswell grant. SheisanadjunctlecturerfortheBrooklyn grant, andtheART/NYNancyQuinnFund regrant program,theTCG GlobalConnections Council asapanelistfortheBrooklynArts served andBusinessCouncilofNewYork,Arts andhas Leadership Institutehostedbythe 2011 Arts inthe Medium since2009,wasaparticipant he hasappeared inOrestes , SevenDeadly Sins, directors. With SITI one ofitsthreeco-artistic as found SITICompany andcurrentlyserves LEON INGULSRUD (First Messenger)helped College andSUNYPurchase. was aguestfaculty/directoratBennington SITI’s educationalprogramsand,most recently, The ActorsCenter. Gianinoalsoteacheswith from Wesleyan Universityandisamemberof Order: SVU,andAllMyChildren.HehasaBA & &Order,Law Limitless, WhiteCollarLaw and NYUAD (AbuDhabi,UAE). TV: TheAffair, Theatre Festival, GIFTFestival (Tbilisi,Georgia), MC93 Bobigny(France), BonnBiennale,Dublin Center, Walker Center, Art Wexner Center, (Chicago),Krannert TheCourt Getty Villa(LA), Ideas Festival, SUNYPurchase, Penguin Rep, Festival), and BerkshireTheatreFestival, Arts Stage, ActorsTheatreofLouisville (Humana and internationallyincludingatYale Rep, Arena regionally Hehasperformed and HEREArts. Japan Society, TheWomen’s Project, SoHoRep, Stage, SignatureTheatre,ThePublic Theater, His NewYork creditsincludeworkatSecond Radio Macbeth,systems/layersandFreshwater. Blank Page, HanjoPersians, CaféVariations, initsproductionsofTheatreisa performed of SITICompanyhehashelpedcreateand and bobrauschenbergamerica.Asamember Hammer, Trojan Women Euripides), (After has previouslybeenseenatBAMinSteel GIAN-MURRAY GIANINO(SecondMessenger) Mellon Noah BaumbachProject. Education: Carnegie Motherless Brooklyn,andtheupcominguntitled Louie,EmpathyIncShotgun (Netflix), After Theatre (companymember).Film/TV: Barry Theatre ofLouisville, Ford’s Theatre,Everyman Theatre Company, Stage,Actors Hartford theaters: TheGuthrieTheater, Penumbra water) (BarrowStreetTheatre).Selectregional oftheWorldGlory (BAM,2016);and pool (no Interpretation (Wooster Group);SteelHammer, from Texas StatePrisons, ARecord Album Off-Broadway: TheB-Side:NegroFolklore productionofPersiansin SITICompany’s . ERIC BERRYMAN (Pentheus) waslastseen of Theater, Film andTelevision. Festival. School AraizaisaprofessorattheUCLA international venues,andatLATC’s Encuentro play, hasbeenpresentedatLaMaMa,inseveral

University. Photo: Craig Schwartz Who’s Who

Nicholas & Alexandra, bobrauschenbergamerica, Night’s Dream, UCLA; Iphigenia and Other Hotel Cassiopeia, Under Construction, Who Do Daughters, Juilliard Group 43; Trojan Women, You Think You Are, Radio Macbeth, Antigone, Juilliard Group 47. Company member of Alley American Document (with Martha Graham Theater, StageWest, and Milwaukee Repertory. Dance Co.), War of the Worlds, Radio Play, TCG Fox Fellow for Distinguished Achievement Trojan Women, Cafe Variations, A Rite (with Bill recipient 2008—10. Published in American T. Jones/Arnie Zane Company), Persians, the Theatre, “In Search of Stillness.” theater is a blank page, and directed Hanjo. Previous to SITI, Ingulsrud was a member of BARNEY O’HANLON (Tiresias) has performed the Suzuki Company of Toga for seven years with SITI Company at BAM: War of the Worlds, during which time he appeared in Homage to bobrauschenbergamerica, Hotel Cassiopeia, Homo Ludins, King Lear, Dionysus, Macbeth, Trojan Women, A Rite (with the Bill T. Jones/ Ivanov, and Greetings from the Edge of the Arnie Zane Dance Company), and Steel Hammer Earth. During this time, Ingulsrud also served with the Bang on a Can All Stars. Also at BAM: as a resident director at the ATM Arts Center in choreography and performance for Charles L. Mito, Japan. He has also served two years as an Mee’s The Glory of the World directed by Les artistic director of Swine Palace in Baton Rouge, Waters. O’Hanlon recently choreographed the LA. Ingulsrud has taught in workshops and world premiere of Anne Washburn and Dave universities around the world and holds an MFA Malloy’s musical Little Bunny Foo Foo, directed in directing from Columbia University. In addition by Les Waters at Actor’s Theatre of Louisville to directing, acting, and teaching in the theater, as well as choreography for Anne Washburn’s Ingulsrud translates Japanese contemporary 10 out of 12 at Soho Rep, also directed by plays and has been a featured performer in Les Waters, and for Sarah Ruhl’s The Oldest games and television. Boy directed by Rebecca Taichman at Lincoln Center Theater. ELLEN LAUREN (Dionysus) is a SITI Company founding member and co-artistic director. Credits ROSHNI SHUKLA (Chorus) is incredibly include: Chess Match #5, Room, Persians, honored to be at BAM with SITI Company. bobrauschenbergamerica, Trojan Women (After She received her master of fine arts degree in Euripides), the theater is a blank page, Radio theater (acting) from UCLA and is a co-founder Macbeth, Death and the Ploughman, Under of The Southland Company, a non-profit theater Construction, Cafe Variations, Who Do You ensemble. She recently played Sumita at the Think You Are, A Rite (with Bill T. Jones /Arnie Ryerson Theater in Toronto for the Canadian Zane Dance Company), American Document premiere of Chitra Banerjee Divakaruni’s (with Martha Graham Dance Company) Hotel Arranged Marriage. This past June she directed Cassiopeia, Going Going Gone, and Orestes, her first full production, Sarah Ruhl’s Eurydice, among others. She has been associate artist at the Arena Stage in Los Angeles. In addition, with the Suzuki Company of Toga (SCOT) her full-length play, The Gita and the Gun, had under direction of Tadashi Suzuki for 37 years. a workshop production at Art Share, LA. Shukla Productions include: Electra, Dionysus, Oedipus, attended the British American Drama Academy’s and King Lear. Lauren is a founding member of Shakespeare program at Oxford University and the international consortium on Suzuki Training had the honor of studying with Tadashi Suzuki for Actors; produced Transformation Through and the Suzuki Company of Toga in Japan. Training, 2017 International Symposium on TV credits: 9-1-1 (FOX). Theater: Hermia, A SCOT; and the Suzuki Training for Actors and Midsummer Night’s Dream (UCLA); Belle, A produced Transformation Through Training, the Christmas Carol (A Noise Within); Volumnia, 2017 International Symposium on SCOT and Coriolanus (Arena Stage); Shilpa, Queen of the their work at Skidmore College. Representative Remote Control (Sacramento Theatre Company), guest faculty: TEAC Finland, RSC, Moscow Art The 10 Freeway, Queen Of Califas (Los Angeles Theatre, Banff Centre, Sfumato Theatre Bulgaria, Theatre Center). Iceland Academy, Casa Teatro de Bogota, Maastricht Academy, Beijing Academy, Attivo SAMUEL STRICKLEN (Chorus) on Broadway Teatro Milan, UCLA, OSU, Windsor College. has appeared in: Superior Donuts (understudy). Faculty member: The Juilliard School of Drama, Off-Broadway: Creation: A Clown Show. Regional Lincoln Center; 19 years. Director: A Midsummer theater credits include: Lost in the Stars (CAP Who’s Who

UCLA), Six Degrees of Separation (The Old other artists and thinkers, SITI Company will Globe), Current Nobody (La Jolla Playhouse), continue to challenge the status quo, train to Under Construction (ATL), and Clybourne Park achieve artistic excellence in every aspect of (Premiere Stages). TV & film credits include: its work, and offer new ways of seeing and of The Mysteries of Laura, Law & Order, The Good being as both artists and as global citizens. Wife, Marlon, Mozart in the Jungle, Bosch, and SITI Company is committed to providing a The Visit. MFA in acting from the University of gymnasium-for-the-soul where the interaction California, San Diego. of art, artists, audiences, and ideas inspire the possibility for change, optimism, and hope. STEPHEN DUFF WEBBER (Cadmus) with Founded in 1992 by Anne Bogart, Tadashi SITI nationally and internationally: Persians Suzuki, and a group of likeminded artists, SITI (Getty Villa), A Rite (with Bill T. Jones/ Company began as an agreement to redefine Arnie Zane Dance Co.), Steel Hammer, and revitalize contemporary theater in the United Café Variations, American Document (with States through an emphasis on international Martha Graham Dance Co.), Antigone, Radio cultural exchange, training, and collaboration. Macbeth (Macbeth), Hotel Cassiopeia, Under Originally envisioned as a summer institute Construction, Freshwater, Death and the in Saratoga Springs, NY, SITI expanded to Ploughman, War of the Worlds (Orson Welles), encompass a year-round season inclusive of bobrauschenbergamerica, systems/layers (with touring, the creation of new work, and running a Rachel’s), La Dispute, A Midsummer Night’s biennial conservatory program for nine months Dream, Cabin Pressure, Going Going Gone, of the year to cultivate the next generation of Culture of Desire, The Medium, Private Lives, independent theater artists. Based in New York Hay Fever, War of the Worlds: Radio Play City, SITI continues to operate its international (Orson Welles), and Short Stories. New York: training program during its summer season in The Golden Dragon (Playco), Death and the Saratoga. The company is known nationally and Ploughman (CSC), War of the Worlds (BAM), internationally as a top-level artistic collective Culture of Desire (NYTW), Trojan Women 2.0 that generates groundbreaking theater. In (En Garde Arts), Freshwater (Women’s Project), addition to Co-Artistic Directors Anne Bogart, Hotel Cassiopeia (BAM), American Document Leon Ingulsrud, and Ellen Lauren, SITI Company (Joyce), Antigone (NYLA), Radio Macbeth comprises eight actors, four designers, and a (Public), and Radio Play (Joe’s Pub). Regional: playwright. The company represents a change American Repertory Theater, Actors Theater of in thinking about the relationships between Louisville, Milwaukee Repertory Theater, San artists and institutions. Offering performances Jose Repertory Theater, Magic Theater, Kennedy from its varied repertoire, and workshops in Center, Portland Stage Company, Alabama the unique theater training it champions, SITI Shakespeare Festival, Court Theatre, and Company is dedicated to establishing long-lasting Stage West. relationships with theater presenters and their communities around the world. SITI COMPANY was built on the bedrock of ensemble, with the belief that through the practice of collaboration, a group of artists The Actors and Stage Managers employed in working together over time can have a significant this production are members of Actors’ Equity impact upon both contemporary theater and Association, the Union of Professional Actors and the world at large. Through performances, Stage Managers in the United States. educational programs, and collaborations with An inside look at the storied legacy of BAM’s signature festival

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2018 BAM NEXT WAVE FESTIVAL

A cropped photographA cropped of Merce photographA croppedCunningham’s of Merce photograph Cunningham’s How Toof How MercePass, To Pass, Kick, Cunningham’s Kick, Fall Fall and Run Run How To Pass, Kick, Fall and Run omitting John Cage omittingsitting John stage Cageomitting left. sitting Merce Johnstage left.CunninghamCage Merce sitting Cunningham stageDance Dance left. Company Company Merce 1970 Cunningham1970 Dance Company 1970 Photo: JamesPhoto: Klosty, James courtesy Klosty, courtesy Photo:BAM BAM Hamm James Hamm Archives Klosty, courtesy BAM Hamm Archives A cropped photograph of Merce Cunningham’s How To Pass, Kick, Fall and Run omitting John Cage sitting stage left. Merce Cunningham Dance Company 1970 Photo: James Klosty, courtesy BAM Hamm Archives

A cropped photograph of Merce Cunningham’s How To Pass, Kick, Fall and Run omitting John Cage sitting stage left. Merce Cunningham Dance Company 1970 Photo: James Klosty, courtesy BAM Hamm Archives Oct 2018

Contents

Satyagraha Kreatur

Photo: Markus Gårder Gandhi, by way of Philip Glass and Sweden’s Cirkus Cirkör and Folkoperan. By Rebecca Ritzel Photo: Sebastian Bolesch Sasha Waltz & Guests create a riveting alien dancescape with collaborators Iris Van Herpen, The White Album Soundwalk Collective, and Urs Schönebaum. Joan Didion’s iconic essay is brought to vivid life by By Susan Yung director Lars Jan. By Nicole Serratore

BAMbill Cover

Roy Lichtenstein was one of the most influential and innovative artists of the second half of the 20th century. He is preeminently identified with Pop Art, a movement he helped originate, and his first fully achieved paintings were based on imagery from comic strips and advertisements and rendered in a style mimicking the crude printing processes of newspaper reproduction. These paintings reinvigorated the American art scene and al- tered the history of modern art. Lichtenstein’s success was matched by his focus and energy, and after his initial triumph in the early 1960s, he went on to create an oeuvre of more than 5,000 paintings, prints, drawings, sculptures, murals and other objects celebrated for their wit and invention. —Avis Berman

In 1983, Roy Lichtenstein designed BAM’s inaugural Next Wave Festival poster and journal cover. Now, 35 years later, his widow Dorothy Lichtenstein has generously donated another Roy Lichtenstein print to Roy Lichtenstein serve as the 2018 Next Wave Festival BAMbill cover to honor Joseph V. Reflections on Hair, 1990. Lithograph, Melillo in his final year as BAM’s executive producer. screenprint, woodcut, metalized PVC collage, embossing on mold-made Somerset paper. 56-1/8” x 45”. Gift of Dorothy Lichtenstein Reflections on Hair is available for purchase with all proceeds going to in honor of Joseph V. Melillo. Front cover and support BAM programs. To inquire, please contact Alli Arnold by email at image above: © Estate of Roy Lichtenstein [email protected]. Satyagraha soars Satyagraha received its NewYork Citypremiere Next Wave Festival. Callitahomecoming,since of ExecutiveProducer JosephV. Melillo’sfinal receive itsAmerican premiereatBAMaspart premiered twoyearsagoinStockholm andwill Satyagraha byFolkoperan/Cirkus Cirkör and atroupethatelevatescircusas high art. hit foracompanydedicatedtopopularizing opera The resultingproductionhasbeen an unexpected in SouthAfrica. nonviolent protest,andayoungGandhi’stravels and settledonPhilipGlass’operaaboutpeace, grandItalianbombastbehind treatment, theyleft operas thatmightlendthemselvestothecircus Asthewomensearchedforother performers. with acrobats,tight-ropewalkers,andother they losttherightstostagePuccini’s finalopera Cirkör, respectively, werehardatworkonitwhen directorsofFolkoperan andCirkusthe artistic Mellika MelouaniMelaniandTilde Björfors, production ofTurandot. oddly bethebestthingtoarisefromacancelled onOct31,may opening attheBAMHarvey The SwedishtouringproductionofSatyagraha, @BAM_Brooklyn Photo: Pedro Greig By Rebecca Ritzel although theFolkoperan board wasskeptical. minimalism madesense, gears to20th-century rights toTurandot wereinjeopardy, switching When shereturned toSwedenandlearnedthe to Satyagraha.” “Wesuburban Stockholmheadquarters. listened athercompany’s recently inaninterview recalled listening tootherthings,”Björfors got tiredoflisteningtoTurandot , sowestarted were inresidenceplanningtheirTurandot. “We andAustraliandesignerDanPotraBjörfors on Long IslandattheWatermill Center, where This Satyagrahacollaborationwasactuallyborn up todate.” opera canbe,”Melanisaid.“Itisopera,butit budget andattendance.“We wanttoexpandwhat 2011, andhasvastlyincreasedthecompany’s a theaterbackgroundtookoverthecompanyin under Melani’sleadership.Theoperadirectorwith toured toBAM—and thefirst has Folkoperan that 2017) butthefirsttimeinnearlytwodecades European refugeecrisis,wasatBAMinJune responsetothe Brooklyn (Limits,thecompany’s in seasons thatCirkus Cirkörhasperformed at BAMin1981.It’sthesecondtimethree 2018 Next Wave @BAM_Brooklyn Satyagraha

The company strives to perform as many six soloists, a choir of eight, and fewer than 20 works as possible in Swedish, and Melani was players in the orchestra. (A few musicians have proposing to let a circus director take the helm of voluntarily joined the circus tableau, and none an opera sung in Sanskrit. “Everyone around us have been injured in rehearsal, Melani said.) The thought we were crazy,” Melani said. “And maybe production’s popularity is due in part to circus that’s true; we are a little crazy.” performers—trampoline jumpers, hoop spinners, and tight-rope walkers who metaphorically Björfors nearly always commissions scores depict Gandhi’s revelatory studies in non-violent for Cirkus Cirkör shows. It’s unusual for her to resistance. But Melani said audiences do not connect with an extant work of contemporary turn out just for the thrills— they connect classical music, so she felt strongly that as long with Gandhi’s message and with the music. as Glass approved, they should do Satyagraha. Satyagraha is only the second Philip Glass opera And he did. to be performed in the Scandinavian country, and the circus opera is winning over new fans to the “I felt I understood Philip Glass, and I felt that American composer who will receive a Kennedy I knew how circus acts could work with the Center Honor in December. music,” she said. “When you see the circus artists practice, it is like a constant meditation. Melani said, “The whole experience is an art They can practice balance for hours. Satyagraha form, from the first note to the last.” became some kind of magic.” It also sold out, with more than 70 performances in Stockholm to date. Rebecca J. Ritzel is a journalist based in “It is a very happy success story,” Melani said. Washington, DC who contributes to The Washington Post and other publications. The musical forces for this Folkoperan production are scaled back from the original scoring, with © 2018 Brooklyn Academy of Music, Inc. All rights reserved. Photo: Pedro Greig Photo: Pedro WORKING IN CONCERT KAUFMAN ELLIOTT PHOTO: IS WHAT WE DO. Fly toward something better with the help of 80,000 Delta employees who do everything they can to help you explore what’s possible. @BAM_Brooklyn Kreatur Photo Sebastian Bolesch

By Susan Yung Kreatur’s Creators Berlin-based choreographer Sasha Waltz has that were the first witnesses of a radical change shown her daring breadth in dance-theater at in our social and sonic landscape, living memo- BAM—from the formal eloquence of Continu rials. Each of these buildings is made of multiple (2015) to the operatic madness of Gezeiten layers of history, sleeping layers, each with its (2010), which literally set the house on fire. The own narrative. Through the act of recording members of her company alternately thrive, band and re-composing we have re-awakened these together, or challenge the parameters given by narratives and memories left behind by their each distinctive production. inhabitants and held tightly inside the walls of these buildings. We picked up the traces left Kreatur (2018), her fifth work at BAM (Nov behind by the thousands of souls who lived and 2—5), is a collaboration between Waltz and a suffered in between those walls. We approached team of artists contributing vividly imaginative the composition as a musical abstraction derived elements. Soundwalk Collective created the from the resonance of these buildings, industrial soundscape by recording inside of buildings with machinery, and factory acoustics, as well as their histories—what the trio terms psychogeography. empty spaces today. The echoing sound of their Sites used to record the pulsing, evocative score architecture is far more eloquent than their empty include Gedenkstätte Berlin-Hohenschönhausen, spaces suggest. Their empty space is memory.” a former Stasi prison specializing in psychologi- cal torture; and Berghain Berlin, once a turbine The striking costumes for Kreatur were created hall in a power plant in East Germany, and in by Iris Van Herpen, a Dutch designer known for its most recent incarnation one of the foremost radical concepts and using technology to realize clubs for techno music. them. She can articulate the human frame by exaggerating its structure. For Kreatur, she In a conversation with Sasha Waltz, Stephan emphasizes the individual by nestling the body Crasneanscki of Soundwalk Collective spoke within an airy, shimmering cloud of metal wool, about creating sound for the project. “A starting giving each dancer a cocoon that protects even point of our conversations in this collaboration while it is glowingly transparent. Black and white was the Stasi. We recorded sounds of various plastic sheaths are scored in wavy lines, allowing architectures symbolizing control, and embody- them to stretch and contract with movement. A ing mass-production, capitalist power, revolu- performer bristles with long spikes which simul- tion—landmarks of 20th-century architecture taneously fascinate and repel others. Prismatic TBHC was founded in 1845 and BAM was founded in 1861. Together, we share more than 325 years of serving Brooklyn!

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plastic sheets refract and clone their bearers. through a shift of perception—is always available to us. There is always a solution. With this lad- The lighting, by Urs Schönebaum, pushes to der, we are able to change where we are going, extremes the charged psychological tension in a positive, new, different way. As individuals, onstage. Alternating between otherworldly lumi- as society. We have control.” nosity and inky darkness, the effect transports viewers into the fantastical, at times ominous Upending gender norms is another theme in world created by the collaborators. A few key set Kreatur. Waltz notes, “The greatest moment of elements offer the performers options—a stepped not just dominance but actual violence in Krea- wall forces an individual to choose a direction; tur is coming from a woman, not a man. I think a wooden beam is manipulated and brandished it is important to see that there is this potential in in myriad ways. In Kreatur, these elements women, and break the idea that only men can be combine to transport viewers to an intriguing dominating or violent, because women also can alienscape where the actions of an individual can have their dark side.” ineffably alter the environment. By raising collective awareness, Waltz hopes Waltz spoke about the potential for large-scale that true change, and love, are possible. “Before societal change, symbolized in Kreatur’s set piec- being able to resist, we must accept that there is es. “We can literally shift power, but only through this monster which wishes to control us. The fear awareness. A journalist whom I spoke with of this monster, of this control, alone is enough brought up a very interesting experience regard- to paralyze us. But through awareness, at a ing this. While watching Kreatur, he noticed the certain moment the collective realizes its power. various fragments of architecture on the stage. Through awareness and resistance, we can To most, they appear as just simple pieces, but actually begin to destroy this monster. Without his shift in perception transformed these into the this control or fear of control, we are finally able form of a ladder—an escape ladder. Through a to love again.” slight shift in his thinking, these pieces became symbolic of an actual escape. We too can find Susan Yung is senior editorial manager at BAM. this escape ladder. Regardless of how critical or precarious our situation seems, this escape— © 2018 Brooklyn Academy of Music, Inc. All rights reserved. Kreatur . Photo Sebastian Bolesch @BAM_Brooklyn The White Album Photo: Lars Jan

The White Album Comes Alive By Nicole Serratore “We tell ourselves stories in order to live.” “It is a very personal monologue. She uses a tremendous amount of theatrical and cinematic With that succinct opening sentence in her language to describe her experience in the essay, The White Album, Joan Didion probes world—in terms of being a character, needing to the identity of the artist, the act of writing, and hear cues, and feeling like she needed a script our compulsion towards narrative. But is her but she had lost it,” notes Jan. She analyzes her storytelling an artistic venture or a cry for help— own off-kilter performance of her life. or both? Didion gave permission for this venture and The essay involves 15 vignettes in which Jan’s broad-spectrum artistic background, Didion flits between her own breakdown and which is fitting for this adaptation from page- hospitalization, her relationship to the Charles to-stage. Jan’s work with his performance lab Manson trial, a recording session with The Early Morning Opera moves between visual Doors, the shooting of Huey P. Newton, and the and performing arts. He has straddled the San Francisco State College strikes. personal and political as well. Jan’s The Institute of Memory was a multimedia performance Didion gives voice not only to herself as a writer that used photographs, reenactments, and but to a distinct place and time—America from surveillance records to search for truth in his 1966 to 1971, when the country was wracked late father’s past. With Holoscenes, a durational with division. As a journalist, she was on the front installation on climate change, he placed lines. In her words, “I offer only that an attack of performers in a massive aquarium which rapidly vertigo and nausea does not now seem to me an filled with water, leaving them to manage tasks inappropriate response to the summer of 1968.” under a deluge. Jan has always worked from his Her unsteadiness then reflected America’s. own writing, but Didion’s essay has followed him For artist Lars Jan, The White Album remains for 20 years. The chance to engage with it was “one of the great pieces of literature of our too tantalizing. time” and one that begged for theatricalization. cont. Thanks to our Next Wave Festival supporters

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It also allows Jan to collaborate on-stage with between 1968 and 2018. To do this, the main his partner in life for the first time. Actor Mia audience for the show (Nov 28 to Dec 1) will sit Barron will perform the text of the essay (save in the BAM Harvey Theater, but another smaller quotations). Typically, Barron works in new play audience composed of local students, artists, development and Jan in visual and performance and activists will be in a windowed, sound-proof art. But with “the quality of the text, and Joan box on stage. Within that box, Jan intends to Didion, this is where our two paths have “take the late 60s and distill it into a party.” naturally crossed,” he says. That young activist audience will bring its own perspective to the events of the past. In her essay, Didion explores some of the battles over race and economic justice in the As the essay works on two levels, so too will the 1960s. But on stage Jan delves the legacy of theater piece. “She’s trying to tell the story of the those events for movements such as Occupy country and of the time, and she’s also telling Wall Street and Black Lives Matter, and what the story of herself,” Jan suggests. Didion zooms “contemporary America has to learn from the in and out in her writing, so the show moves movements of the late 60s.” between the “internal and macroscopic.” With Didion’s instability will come spatial flux on-stage Moreover, Didion’s depth of analysis varies on with the two audiences, Barron, and the box. these potent issues. Fifty years later, this gives Jan an opportunity to scrutinize the material Fifty years on, we will experience this expressive anew. “I’m interested in not only what she and intimate voice that Jan will put “into body, covered and how she covered it, but also what flesh, and blood in space.” she missed,” Jan says. Nicole Serratore is is a freelance theater To look at those gaps and resonances, Jan is journalist and critic in New York City. creating a dynamic performance space which he hopes will incite conversation and collision © 2018 Brooklyn Academy of Music, Inc. All rights reserved. Photo: Lars Jan Securing BAM’s Future

BAM Endowment A great institution is built upon on a secure future. At BAM, a robust endowment is the foundation for our adventurous programming and archival, community, and educational initiatives. BAM sincerely thanks those listed below for their generous support of the BAM Endowment. $5,000,000 and above Charles J. & Irene F. Hamm Ide & David Dangoor Richard B. Fisher & Jeanne Stephanie & Tim Ingrassia Thérèse M. Esperdy & Robert G. Donovan Fisher Maribelle & Stephen Leavitt Neborak The Howard Gilman Foundation Mary & Jim Ottaway Jr. in honor of Madison S. Finlay The Peter Jay Sharp Foundation Ruth Blackburne Ottaway Forest City Ratner Companies Lila Wallace-Reader’s Digest Rockefeller Brothers Fund Francena T. Harrison Performance Endowment Fund for Community, Jonathan F.P. & Diana V.C. Rose Fund Educational, & Public Affairs Martha A. & Robert S. Rubin Rita K. Hillman Programs Nora Ann Wallace & Jack Nusbaum HSBC Bank USA, N.A. Goldman Sachs Gives at the $1,000,000 to $4,999,999 $250,000 to $499,999 recommendation of Anne Hubbard Altria Group, Inc./Next Wave The Bohen Foundation & Harvey Schwartz Forward Fund The Charles & Valerie Diker Dance Richard Hulbert BAM Fund to Support Emerging Endowment Fund Independence Community Bank and Local Musicians The Horace W. Goldsmith Foundation Miriam Katowitz & Arthur Radin Brooklyn Community Foundation Michael Bancroft Goth Endowed Mr. & Mrs. Edgar A. Lampert The Campbell Family Foundation Annual Performance Fund Annie Leibovitz & Studio The Irene Diamond Fund William Randolph Hearst Leo Burnett, USA Doris Duke Charitable Foundation Endowment for Education and James McLaren & Lawton Fitt Emily H. Fisher Humanities Programs Sarah G. Miller & Frank L. Coulson Judith R. & Alan H. Fishman The Rita & Alex Hillman Foundation The Morgan Stanley Community The Ford Foundation Fund to Carole & Irwin Lainoff and Educational Fund Support Collaborative Creativity Maxwell Family Fund in Community J.P. Morgan & Co. Incorporated Among U.S. Artists Funds, Inc. Nash Family Foundation Diane & Adam E. Max The Jessica E. Smith and Kevin R. The Jerome Robbins Foundation, Inc. The Andrew W. Mellon Foundation Brine Charitable Trust May & Samuel Rudin Family Fund For Opera & Music-Theater The Geraldine Stutz Trust, Inc. Foundation Bruce C. Ratner Anonymous Edward Spilka William Boss Sandberg Axel Stawski & Galia Meiri The Peter Jay Sharp Fund for Opera $100,000 to $249,999 Mr. & Mrs. Ame Vennema and Theater Michael Bailkin, Marvin Levine, Verizon Communications The SHS Foundation Jesse Masyr, David Stadtmauer The Isak and Rose Weinman The Starr Foundation Robert & Joan Catell Fund for Foundation in honor of Madame The Thompson Family Foundation Education Programs Lilliana Teruzzi Charina Endowment Fund The Winston Foundation $500,000 to $999,999 Neil D. & Kathleen M. Chrisman Anonymous The Devitre Fund Mr. & Mrs. Henry Christensen III As of August, 2018

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Photo: Peter Jay Sharp Building, by Ben Cohen Securing BAM’s Future

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BAM_5.25x8.375_Bleed.indd 1 9/6/18 11:11 AM Upcoming Events @BAM_Brooklyn Falling Out . Photo: Sierra Urich Falling

NEXT WAVE FESTIVAL MASTER CLASSES

Kreatur | Sasha Waltz & Guests | Directed and CO-PRESENTED BY BAM AND MARK MORRIS DANCE GROUP choreographed by Sasha Waltz | Nov 2—5 | OH Phantom Limb Company | With Jessica Grindstaff and Falling Out | Phantom Limb Company | Nov 7—10 Erik Sanko | In conjunction with Falling Out | Nov 2 at | HT Savage Winter | American Opera Projects and 10am | MM Pittsburgh Opera | Music by Douglas J. Cuomo | Dance with MMDG | In conjunction with The Hard Nut Directed by Jonathan Moore | Nov 7—10 | FS | Nov 3 at 2pm & 3pm | MM Circus: Wandering City | ETHEL | Directed by Grant Dorrance Dance| With Michelle Dorrance and Ephrat McDonald | Nov 14—17 | HT Asherie| In conjunction with Dorrance Dance | Nov 27 Interpassivities | Jesper Just | Nov 15—17 | FS Voyage of Time | Directed by Terrence Malick | at 2pm | MM Wordless Music Orchestra | Presented in association Making Your Own Rules | With Heidi Rodewald, Donna with Wordless Music | Nov 16 & 17 | OH DiNovelli, and Kevin Newbury | In conjunction with The Good Swimmer | Music by Heidi Rodewald | The Good Swimmer| Nov 30 at 11am | MM Libretto and lyrics by Donna DiNovelli | Directed by Kevin Newbury | Nov 28—Dec 1 | FS Separating Sound and Picture | With Lars Jan | In con- The White Album | By Joan Didion | Created by Lars junction with The White Album | Nov 30 at 2pm | MM Jan / Early Morning Opera | Nov 28—Dec 1 | HT BAMCINÉMATEK TALKS ALL IN BRC On the Force of Truth | In conjunction with Satyagra- Women at Work | Nov 2 -9 ha |With asha bandele, Tilde Björfors, and Anand Caribbean Film Series: Rude | Nov 7 Giridharadas | In conversation with Charles W. Mills | Random Acts Expanded: Terence Nance and Friends | Co-presented by BAM and the Onassis Cultural Center Nov 12—15 New York | Part of Speaking Truth to Power | Nov 1 at Screen Epiphanies: Terence Nance Presents Hollywood 6pm | FHS Shuffle| Nov 13 I hunger for you Post-Show Conversation | With Revival Run: Les rendez-vous d’Anna | Nov 16—22 Kimberly Bartosik and members of the company | Revival Run: Wanda | Nov 23—25 Nov 2, post-show | FLL Beyond the Canon: Wanda + Bonnie and Clyde | Nov 24 MET LIVE IN HD Making Waves: New Romanian Cinema | Nov 26— Nico Muhly’s Marnie | Nov 10 at 1pm | BRC Dec 2 Pre-screening lecture by Marc Scorca at 12pm VISUAL ART

Moving Body, Moving Study Event Featuring Readings by Lauren Bakst and Jesse Chun | Nov 13 at 7pm | FLL

BC=BAMcafé | BRC=BAM Rose Cinemas | FH=Fisher Hillman Studio | FLL=Fisher Lower Lobby | FS=Fishman Space (BAM Fisher) HT=BAM Harvey Theater | MM=Mark Morris Dance Center | OH=BAM Howard Gilman Opera House BAM Supporters & Patrons

BAM is deeply grateful to the supporters and patrons listed below for their vital gifts to BAM over the last year. (List represents gifts between July 1, 2017—August 30, 2018)

$5,000,000 and above Frances A. Resheske $25,000 to $49,999 Violet & Christopher Eagan $5,000 to $9,999 The Thompson Family The Jerome Robbins Roger Alcaly & Helen Bodian Estate Of Katherine Schrier Theresa Galvin & Mark Foundation Foundation, Inc. Rose M. Badgeley Residuary Fribourg Family Foundation Almeida New York City Department Jonathan F.P. & Diana Charitable Trust Steven J. Gartner The American Chai Trust of Cultural Affairs Calthorpe Rose Anne H. Bass Ms. Roberta Garza Takis C. Anoussis The City of New York—Bill The Morris and Alma The Bay and Paul Foundations GBRG, Inc. Joseph Baio de Blasio, Mayor Schapiro Fund Tony Bechara MaryAnne Gilmartin Daniel Baldini The New York City Council— The Shubert Foundation, Inc. Charles Hayden Foundation John M. Goldsmith David Bank & Jason R. Corey Johnson, Speaker Joseph and Sylvia Slifka Goldman Sachs Gives at Elaine Golin Stone The New York City Council— Foundation the direction of R. Martin Pamela Grace Barry Barbash BrooklynDelegation Brian Stafford & Céline Chavez Robert M. Greenberg & Estate of Benjamin Barber The New York City Council— Dufétel Jim Chervenak Corvova Choy Lee Ronald Baron Laurie A. Cumbo Axel Stawski & Galia Meiri Mr. & Mrs. Henry Henry B. & Karoly S. Gutman Alan L. Beller Stawski Christensen III The Marc Haas Foundation, Linda Berley $1,000,000 to The Joseph S. and Diane Pamela Codispoti & Mark Inc. Elaine S. Bernstein $4,999,999 H. Steinberg Charitable Habner Mr. & Mrs. Burton K. Haimes The Bloomingdale’s Fund of Howard Gilman Foundation Trust Constans Culver Foundation The Francena T. Harrison the Macy’s Foundation Jeanne Donovan Fisher Joseph A. Stern Ide & David Dangoor Foundation Trust Barbara & Christopher Brody Diane & Adam E. Max Theater Subdistrict Council Rohit and Katharine Desai Gilbert & Shelly Harrison Centerbridge Partners LP New York City Economic Tiger Baron Foundation Family Foundation The Jim Henson Foundation Beverly & Herbert Chase Development Corporation Time Warner Inc. The Dutch Performing Arts Cheryl Henson & Ed Finn Jaye Chen & Peter Brown The Robert W. Wilson Pedro Jose Torres & Cecilia Fund NL The DuBose and Dorothy Timothy & Carol Cole Charitable Trust Picon Estate Of Henry Christensen III Heyward Memorial Fund Greg Coleman Anonymous Virginia B. Toulmin Foundation Gotham Organization, Inc. Hilton Brooklyn New York The Aaron Copland Fund Robert L. Turner Charles J. & Irene F. Hamm Sophie Hughes for Music, Inc. $500,000 and above The Wall Street Journal Barbara Haws & William IATSE - Theatrical Stage Cowen Group Brooklyn Borough Josephson Employees Local 4 The Cowles Charitable Trust President’s Office—Eric $50,000 to $99,999 Penn & Diane Holsenbeck Consulate General of Israel Creative Artists Agency Adams The Achelis and Bodman Miriam Katowitz & Arthur Pamela Jackson Peter Davidson & Drew Doris Duke Charitable Foundation Radin Japan-US Friendship McGhee (The J.M. Foundation Jody & John Arnhold Dan & Abbe Klores Commission Kaplan Fund) Jerome L. Greene Foundation Jonathan & Jessika Auerbach John Lichtenstein J. J. Kasper Jr. Elizabeth & Matthew Denys The Rita and Alex Hillman Bank of America The Frederick Loewe Gene & Terry Kaufman The Dermot Company, Inc. Foundation Sarah Billinghurst & Foundation, Inc. Will & Prattana Kennedy Brooke Devine Goldman Sachs Gives at Howard Solomon Lorraine Lynch Alexander E. Kipka & Beth Rudin DeWoody the recommendation of Brooklyn Community David & Susan Marcinek Katherine Nintzel Dwight W. & Ann C. Ellis Anne Hubbard & Harvey Foundation MetLife Foundation Kameron M. Kordestani Henry & Kathy Elsesser Schwartz Chicago Community Mertz Gilmore Foundation Joan Kreiss Matthew Feldman Robin & Edgar Lampert Foundation Donald A. Pels Charitable Eileen M. Lach Nathaniel N. Felsher Stavros Niarchos Foundation Natasha Chefer & Joel Trust Solange Landau Linda & Gregory Fischbach PASNY Tompkins Marcel Przymusinski Leon Levy Foundation Britton & Melina Fisher The SHS Foundation Linda & Adam Chinn rag & bone The Bertha and Isaac Susan L. Foote & Stephen United States Department Citi Foundation Richenthal Foundation Liberman Foundation L. Feinberg of State, Bureau of Steven & Alexandra Cohen The River Café John Lipsky & Zsuzsanna Fox Searchlight Pictures Educational and Cultural Foundation Sarah & Spencer Robertson S. Karasz Mr. & Mrs. Austin T. Affairs Suzy & Anthony Davis May and Samuel Rudin M&T Bank Fragomen, Jr. Della Rosa Family Foundation Family Foundation, Inc. Susan & Morris Mark Laurie Garrett $250,000 to $499,000 The Gladys Krieble Delmas Bette & Richard Saltzman Medgar Evers College Gifts Ann and Gordon Getty Bloomberg Family Foundation Foundation The Scherman Foundation, and Grants Foundation Bloomberg Philanthropies Mark Diker & Deborah Colson Inc. Peter Mensch Nomi Ghez Foundation William I. Campbell & Yrthya Dinzey-Flores & Timothy & Julie Sebunya Moet Hennessy USA John N. & Gillett A. Gilbert Christine Wächter- Antonino D’Ambrosio Amy Sherman-Palladino Edward S. Moore Beth & Gary Allen Glynn Campbell Andre & Stephanie Dua Edward & Virginia Spilka Foundation June O. Goldberg JPMorgan Chase & Co. Epstein Teicher Simon Sinek Morgan Stanley The Grodzins Fund Thérèse M. Esperdy & Philanthropies Ellen & Sam Sporn Sanford Nager Scott & Ellen Hand Robert G. Neborak Steven & Susan Felsher The Harold and Mimi The O’Grady Foundation Peter & Beth Hammack The Fan Fox & Leslie R. Barry M. Fox Steinberg Charitable Trust Peck Stacpoole Foundation Jeanne Hardy Samuels Foundation, Inc. The Freeman Foundation William & Anne M. Tatlock Laura Pels International Pamela J. Hoiles First New York Partners William R. Kenan Jr. Anonymous Foundation for Theater Richard Hulbert Management Charitable Trust Pfizer Inc. The Hyde & Watson Judith R. & Alan H. Fishman The Emily Davie & Joseph $10,000 to $24,999 Maya Polsky Foundation Agnes Gund S. Kornfeld Foundation Jad Abumrad & Karla Murthy Katharine Rayner Scott & Viktoriia Irwin The Hearst Foundations, Inc. Philippe & Posey Krakowsky Academy of Motion Picture Red Bull Mark Jackson & Karen Stephanie & Timothy Ingrassia The Lepercq Charitable Arts and Sciences The Reed Foundation Hagberg James I. McLaren & Lawton Foundation The Aeroflex Foundation William D. & Susan Kahan JLRJ, Inc. W. Fitt Gary Lynch & Kate Hall AHBA, Inc. Rifkin Alan Jones & Ashley Garrett New York State Council on Scott C. McDonald American Express Max Rifkind-Barron Mary Kantor the Arts The Ambrose Monell Ameriprise Financial Mr. & Mrs. Theodore C. Christoph & Flora Kimmich Onassis Cultural Center NY Foundation Allan Arffa & Kay Matschullat Rogers David L. Klein, Jr. John L. & Eva Usdan Barbara & Richard Moore David Ashen Rolex SA Foundation Nora Ann Wallace & Jack Henry and Lucy Moses BNY Mellon The Late Robert S. Rubin Steven & Carolyn Kotler Nusbaum Fund, Inc. The Barker Welfare Anonymous Ruth & Sid Lapidus Anonymous National Endowment for Foundation Rena Shagan Maurice & Faith Lefkort the Arts The Howard Bayne Fund The Evelyn Sharp Foundation New York State Assembly— $100,000 to $249,999 Samuel I. Newhouse Nathaniel Beck & Karen Showtime Joseph R. Lentol Amazon Studios Foundation, Inc. Hackett Melanie & Joseph Shugart Garrick Leonard & Leslie Frances Bermanzohn & The Pinkerton Foundation Catrina Bentley & Carey Alfred & Stephanie Shuman Feder Alan Roseman Gabriel & Lindsay Pizzi R. Ramos Susan & Larry Sills Carol & Joel Levy The Brooklyn Hospital Center Renaissance Charitable Bergdorf Goodman, Inc. Laurie M. Tisch Illumination Marion Leydier Con Edison Foundation Inc. William & Margaret Berkley Fund Christopher Li Greci & Chubb Anna Kuzmik Sampas & Paula & Earl Black Trust for Mutual Robert Ohlerking Delta Air Lines George Sampas Mr. & Mrs. Tony Bowe Understanding Virginia Lovejoy Aashish & Dinyar Devitre Santander Brooklyn Daily Eagle Teresa Tsai The Lupin Foundation Dow Jones Foundation Bartholomew A. Sheehan & The Brooklyn Brewery Wendy vanden Heuvel Anne Mackinnon Robert and Mercedes Sheila A. Cain Gordon Caplan Iva Vukina Jerome Markowitz Eichholz Foundation In Memory of Robert Sklar Mr. Thomas Cerabino The Wasily Family Jan Marks Baisley Powell Elebash Fund Jennifer Small & Adam The Corinthian Foundation Foundation, Inc. Donna Marshall & Lee Ford Foundation Wolfensohn Cory Cruser White & Case LLP Marshall Forest City New York Starry Night Fund The Nathan Cummings James Wilentz & Robin John Martinez & Andrea The Harkness Foundation Douglas C. Steiner Foundation Maxwell Bozzo for Dance Viacom Joan K. Davidson (The J.M. WNYC Radio Constance & H. Roemer The Kovner Foundation John & Barbara Vogelstein Kaplan Fund) Richard C. Yancey McPhee Toby Devan Lewis Joseph LeRoy & Ann C. Elizabeth De Cuevas Barbara & David Zalaznick Robert and Joyce Menschel Grace Lyu-Volckhausen Warner Fund Emme & Jonathan Deland Pia & Jimmy Zankel Foundation The Andrew W. Mellon Willkie Farr & Gallagher Tax and Phyllis Levin Anonymous (3) Joyce F. Menschel Foundation Department Joseph & Diana DiMenna Richard & Ronay Menschel National Grid Carol Yorke & Gerard Conn Craig Dykers BAM Supporters & Patrons

Darnell-Moser Charitable Carol & Chris Beemer James G. Croghan & Louis Christopher A. Noey & Jill Weinstein Fund Robert Belfer R. Hedgecock Ghiora Aharoni New York State Assembly— Jim & Iris Munson Carol Bellamy Diana Rhoten & John Michael Novodvorskiy Helene Weinstein Laura Naylor Serge Benchetrit Heilemann James C. & Marie Nugent- Deborah E. Wiley Linda & Stuart Nelson Carl & Judith Berg Jeffery Hentze Head Marlas David Wilf New England Foundation Howard & Judy Berkowitz Herrick, Feinstein LLP Dianne O’Donnell Elisabeth & Robert G. for the Arts’ National Barbara Berliner & Sol Dr. Arlene Heyman, MD Adam H. Offenhartz Wilmers Dance Project Rymer The William Talbott Hillman Bianca Maria Orlando & Richard Winger New England Foundation Denise Bernardo & Eddie Foundation William McGinty Devera & Michael Witkin for the Arts’ National Muentes Jeffrey & Barbara G. Hochman Jim & Mary Ottaway Jacqueline Woodson & Theater Project Thérèse D. Bernbach Mr. & Mrs. Peter M. Holbrook Nicole & Bruce Paisner Juliet Widoff Elyse & Michael Newhouse JJ & Michelle Berney Frank Holozubiec Dr. & Mrs. Rudolph Palmer WWW Foundation The New York City Suzanne Bernstein Dennis Hranitzky Gwenevere Parker Danielle Durchslag & Aamir Council—Alicka Ampry- Marie-Eve Berty Tom Huhn & Nancy Steele Lee Parks Wyne Esq. Samuel Karen Binder & Victor Ney Laura Hussey Estelle Parsons & Peter Kathleen Yoh The New York City Alison Blood Paul Hyun & Lily Chang Zimroth Michael Young & Debra Council—Stephen Levin Molly & Tom Boast Jan Inscho & Seymour Miles Robert H. Pees Raskin New York City Council – Mr. & Mrs. James Bodovitz Lois A. Jackson, D.D.S. Christopher & Fatima Peters Nancy Young Jumaane Williams Jill & Sheldon Bonovitz David & Amy Jaffe Daniel Porter & Melanie Judd Bird Bath & Beyond Pamela & Edward Pantzer David Boston Douglas Jaffe & Kristin Paul & Marjorie Possick Frank & Arrien Zinghini Paramount Pictures Dominique Bravo & Eric Heavey Paul & Margaret Poster Anonymous Diana & Gene Pinover Sloan Donna & Carroll Janis Vlad Preoteasa Jeffrey R. & Judith Brous Sandra Brinkert Susan & Stephen Jeffries Michael Pride $1,500 to $2,499 Poss Broadway Stages David Johnson Nadezhda Pryadko & New York State Assembly— Rajika & Anupam Puri Virginia Brody Randy & Mill Jonakait Matthew Daniel Peter Abbate William C. Rudin Brooklyn Gin Barbara Julius & Marc Leslie & David Puth Hani Abouhalka Thomas & Georgina Russo John & Michelle Brooks Silberberg The Quebec Government Nora Abousteit & Joshua S&P Global Andrew Brown Julia Kahr & Brian Colton Office in New York Ramo Milton T. Schaeffer Anonymous Alex & Ada Katz Maureen Raley Brice Acosta Sarah I. Schieffelin Angela Bucknell Aaron & Jacquie Katzel Bridget Read Caroline P. Addison Residuary Trust Monica Byrczek Susan Kellman Peter & Susan Restler Lindsey Adelman Amy W. Schulman & David Carolina Carvalho-Cross & Margot Kenly & Bill Cumming Stephanie Ribakoff Derek & Noreen Adler E. Nachman Spencer Cross Chin Kim Juergen Riehm & Jody Howard & Roberta Ahmanson Fred & Robin Seegal Robert & Joan Catell Helen Kim-Bordes Oberfelder June & Ron Ahrens Steven A. & Luba Seidman Joyce E. Chelberg Tori Klein The Rodgers & Keira Alexandra Lucynda & Dan Shefter Neil & Kathleen Chrisman Alan & Susan Kolod Hammerstein James B. Anderson & Dror Loren & Marlene Skeist Jennifer Chu Eric & Sharone Komaroff Organization Katzir Ellynne Skove Geoffrey E. Clark, M.D. Beth Korein Mace Rosenstein & Louise Stephanie Ansin & Spencer Brian Snyder William & Marjorie Coleman Bennette Kramer & Eliot Long de la Fuente Stewart Dr. Rogelio Sosnik & Dr. Mr. John Colton & Ms. Bill Kramer & Peter Cipkowski Beverly & William Rosoff Milton & Sally Avery Arts Irene Cairo Catherine Colton Jay Kriegel & Kathryn James & Eliza Rossman Foundation The Bernard and Anne Ranny Cooper & David Smith McAuliffe (Tides Schulte Roth & Zabel LLP S. J. Avery Spitzer Charitable Trust Breukelein Institute/Dennis Foundation) William Ryall Ajay & Sonya Ayyappan Glenn Stiskal & Andy Lupin Corrado Miodrag Kukrika Jack Sanderson Stephen & Ellie Backer Tom & Wendy Stephenson The Criterion Collection Peter & Karen Labbat Anthony Schlesinger & Michael Bailey & Latheisha Stop & Stor Charitable Fund Sebastian Cucullu Hugh & Betsy Lamle Anne Forward Legree Michael M. Thomas Gordon J. Davis Foundation Miriam Schneider Olga Baly Alice M. & Thomas J. Tisch Monique Y. Davis Drs. Robert Langan & Sara Pat Schoenfeld Shepard Barbash & Vicki Foundation Sabina Daley Deaton & L. Weber Ellen Schonfeld Ragan Jane & Robert Toll Adam Deaton Judith A. Langer Ralf Schwieger Nancy Barber Neil & Elizabeth Townsend Martha DeRight & Erich Richard Ledes John Schwolsky Wilhelmina Barker Vanetta Vancak Bechtel Helena Lee & Richard Klapper Dr. & Mrs. Thomas P. Sculco Ms. Monica Barrett & Ms. Phyllis Wallace Diana Diamond & John Janice Lee & Stuart Shapiro Jerry & Marsha Seslowe Alexis Frazier Leigh & Robin Walters Alschuler Roseanne Legrand Ann Settel Jeffrey Bauman Earl D. Weiner Stephen E. & Martha Bakos Jonathan E. Lehman Michael Shea & Armen Barbara Becker & Chad Martin Weinstein Dietz Barbara Lemperly Grant Marsoobian Gallant The Levy-Westhead Family Rose DiMartino François & Calleen Vivien & Michael Shelanski Serge Becker Nathaniel White Donna & Mitchell Drach Letaconnoux Ted & Mary Jo Shen Koren Bell Francis H. Williams Millard & Peggy Drexler Andrew Levinson & Carolee Shubert Raphael & Jane Bernstein/ Nina Winthrop Sarah & Alistair Dunn Deborah Reik Mrs. C Sidamon-Eristoff Parnassus Foundation Carolyn T. Ellis & H. Lake Mary Eaton Richard Levy & Lorraine Larry & Ashley Silverman Susan S. Binger Wise Suzan & Fred Ehrman Gallard Patricia J. S. Simpson Sunil Savkar & Stefanie Cynthia Young & George Marty Ellington Jeffrey Lewis & Karin Mike & Janet Slosberg Birkmann Eberstadt Gail Erickson & Christa Rice Miller-Lewis Matthew Patrick Smyth Robert & Adrienne Michael & Barbara Richard & Florence Fabricant Amy Glosser & Janno Lieber Susan Snodgrass Birnbaum Zimmerman David Farer & Elisa King Emma Lindsay James Sollins Dr. David Biro Matthew & Myra Thomas Faust Cary & Jan Lochtenberg Susan Sommer & Stephen Jeffrey B. Bishop & Jill Baker Zuckerbraun Fiona & Harvey Fein Mr. Reed Lowenstein & Dr. Warnke Patricia Blanchet Anonymous Michael & Nancy Feller Melanie Hanan Joan & Laurence Sorkin Bryan Blatstein Edith Ferber David & Sondra Mack Annaliese Soros Ellen & Charles Bock $2,500 to $4,999 Brigid Flanagan William & Phyllis Mack Robert Soros Dr. & Mrs. Jeffrey S. Borer Robert & Mary Beth Aberlin Alison Forner & Martha Dianne Mackenzie Marion & Ronald Stein Melanie Borisoff Leigh Adel-Arnold McBrayer Macro Sea Inc. Michael & Marjorie Stern Samy Brahimy & Lizanne Jacqueline & Joseph M. Derene Frazier Nathalie Blachere & Robert Deborah Stewart & James Merrill Aguanno Andrew Freireich & Tina Maki Mintz Sally Brody Ruth Alexander Potter Ronald Daignault & Teresa Dr. Susan Stewart Carolyn Brooks & Allen Alexandra Alger & Dan Katherine Freygang Maloney The Dorothy Strelsin Rothman Chung Eleanor F. Friedman Anne Maltz Foundation Donna Gagliuso Donald Allison & Sumiko Ito Donna Jo Fuller Barbara A. Marcus & Consulate General of Andrea Katz & Anthony Mark Allison & Stephanie Dennis Furbush Michael Pollack Switzerland Brown Holmquist Dr. Peter L. Geller James Marshall Kathryn Taras & Anthony Donnaldson Brown Ella Almodovar & Andra Georges & Timothy John Marshall & Seriti Yamini Elitcher Yvonne L. Brown & Josh E. Jacqueline Bacchus C. Shepard Jerri & Tom Mayer Phoebe Taubman & Craig Goldfein Matthew & Krista Annenberg Maxine Gerson Rebecca McBride Nerenberg Norman & Terri Buchan Frank & Mary Ann Arisman Walter Gilbert David McCabe Juliet Taylor & James Walsh Geraldine Buchanan Gregory Astrachan & Kristin Booth Glen & Harold Rebecca Messner & Jake Theaterical Wardrobe Andrew Bulger Jacqueline Clements Edgar Leckie Union, Local 764 Dennine Bullard Assoc. of Theatrical Press Susan Goldberg & Simon Danny & Audrey Meyer Catherine K. Tice Sandra L. Burton & Dr. Don Agents & Mngr Liu Daniel Michalow Peter C. Trent Q. Kelly Mitchell Auslander Rhonna & Ezra Goodman Mid Atlantic Arts Thomas Tsang Elizabeth Margaritis Butson Denis Azaro Hayley Gorenberg & George Foundation Adam Turteltaub Laura E. Butzel & David Carla K. Balakgie Sands Liza Velazquez & Timothy Bernardette Vaskas Berg Peter Balis & Brian Goldston Francis Greenburger & Milford Raymond & Priscilla Vickers Andrew Cahill Andrea Barbieri Isabelle Autones Marsha & Darcy Miro Patricia Voight & Rachel Wolff William & Regina Cahill Hugo Barreca & Wendy Vanessa Guida Kathy Morton & David Thomas Von Foerster Mr. Charles Cahn & Dr. Schlemm William Gump Nadelman David Von Spreckelsen Nancy Maruyama Katie Barthmaier & Brent David Haas Tariq Mundiya & Kyoko Blair Wallace & Jessica Sol W. & Hermina Cantor Buck David Hariton & Thomas Miyamoto Delaney Foundation Jayne H. Baum Lippy Charles M. Nathan & Alisa Robert Watt & Dawn Bradford Charles Carberry Mickey & Martin Baumrind Brittany Harris F. Levin John & Martha Watts Victoria Carey Martine Beamon & Eddie Justin Haythe & Muriel Margery Neale Seymour & Kate Weingarten Louanna Carlin & Jane Joyce Soenens Charlene Magen Weinstein Hamburger Fisher

The Richard B. The Richard B. Next Wave Award Each year, members of the Fisher family help BAM select a recipient who best exemplifies Dick’s forward-thinking ethos and passion for the arts, using this opportunity to celebrate Richard B. Fisher in perpetuity. Past recipients have included Pina Bausch, Charles Mee, Bill T. Jones, Robert Wilson, Mark Morris, Kronos Quartet, Anne Bogart, Fiona Shaw, Brooklyn Youth Chorus, James Thierrée, David Lang and Ivo van Hove. The 2018 Richard B. Fisher Next Wave Award honors BAM Executive Producer Joseph V. Melillo for his 35 years of visionary leadership.

Joe began his journey at BAM when Harvey Lichtenstein hired him to curate the first Next Wave Festival in 1983. That year’s festival Photo of Richard B. Fisher: Bill Ray Photo of Richard B. Fisher: included works by Philip Glass, Trisha Brown, Behind great arts presenters are great supporters, and Lucinda Childs—artists who would later and few of BAM’s friends have deserved that title define Joe’s singular legacy. In his over three- more than Richard B. Fisher (1936—2004). A decade tenure at BAM, Joe has provided a global visionary in both professional and philanthropic platform for more than 7,000 artists from more endeavors, Dick championed the creation of a than 45 countries. Through his longstanding strong endowment to enable BAM to continue commitment to excellence and innovation presenting its signature groundbreaking across artistic disciplines, he has immeasurably programming, even in difficult times. changed the way we look at the As Chairman of the BAM Endowment Trust from performing arts. 1992—2004, Dick shared financial expertise from years as president, chairman, and chairman emeritus of Morgan Stanley. Dick’s generosity throughout his life continued even after his passing in the form of a landmark bequest. To honor Dick’s friendship to BAM and recognize the legacy of progressive arts presentations he helped ensure in Brooklyn, BAM inaugurated the annual Photo of Joseph V. Melillo : Jesse Winter Richard B. Fisher Next Wave Award in 2006. BAM Supporters & Patrons

Brendan Carney I. Michael Goodman & Drs. John & Judie LaRosa Ilana Pachter & William Wynn John Sorensen-Jolink & Marie Carney Judith Uman Marcelle Lashley-Kabore & Meredith Palmer Fabien Dubuet Mary Ellen Cashman Bindhu Gopalan Sougrinoma Kabore Cheryl Paradis & Gene Jonathan & Jennifer Soros Elizabeth & John Caulk Erwin Gorostiza Jess Latham McCullough Ellen Sorrin Keisha A. Chamberlain & David & Elaine Gould Raymond Learsy Kirk & Sue Patrick André Spears & Anne Rosen Mathieu S. Chamberlain Andre Gouvea Matthew & Sabrina Leblanc Steven Pavlakis & Bonnie David Spears Tzili Charney Stephen R. Greenwald & Danielle Ledford Messing Joseph Spiegel Lori Chemla & Shelley Rebecca A. Sullivan Michael Lee Martin H. Peretz Shirley Staples & Donald Sonnenberg The Green-Wood Cemetery Almudena & Pablo Alexandra & Frederick Peters Vangel Annie Clayton Mimi & Bill Grinker Legorreta Antonia Pew Sarah Stasny John Colborn Bill Grogan Sue Lehmann Andrew Pinkowitz & Mary Jillian Steadman Joanna Cole & Jonathan Cole Mark Groves & Ross Nehm Bruce Leibstone Pinkowitz Gillian Steel Michele & Terry Cone Gunilla Haac Susana Leval Anne Pollack Joshua Sternoff & Rebecca Lois Conway Helen & Peter Haje Michael Levesque Richard Porteous & Sara Gradinger Kimberly Cooper Patricia Hallstein & Axel Dominique Levy Meadows Christopher Stewart Michael Cox & Zach Fannin Kramer Marcia & William Levy Sandra Pierson Prior Katherine Stinson Peter & Mary Coy Cynthia Hammond & Marley Lewis Kent Rahman Gail Stone & Matt Fishbein Stuart D. Freedman & Carla Joseph Samulski Seen Lippert & Frederick Zach Rait Joshua Storck E. Craig Ann & James Hanbury Landman Claudia Bungaro & John & Karin Strasswimmer Curtis Cravens Amelia Hancock & Steve Neil & N. Lipuma Christopher Rapcewicz Leila Straus Peter Crews Klise Tina Liu Stephen Raphael & Ellen Elizabeth F. Stribling Cedomir Crnkovic & Valerie Kenneth V. Handal & Mary Rachel Loeb & Zach Block Marks Kathleen Sullivan Rubsamen Francina Golden Ann Longmore Dr. Julie Ratner Maureen & Paul Swetow Allison Cromwell & Craig Anna & Raja Harb Matthew Lopez & Brandon Shelley & Ron Rauchberg Gil Talmi Falls Layne & Tiffany Harris Clarke Johnathan Reale Gabrielle Tana Ellen & John Curtis Joyce & Ira Haupt II Gabriel Luci & Chelsea Plumb Me & Ro Ronald & Adele Tauber The Cygnet Foundation Douglas & Jessica Healy Kristine S. Lupi Oleg Rezzy Josephine & Philip Teverow Nicole Dale Drew & Amy Hearon Charles Lupica Richmond Hills High Grace & John Timberlake Karen Dauler & Gaston Silva Isaac & Sheila Heimbinder Richard Lynn & Joseph School Andrew Tinsley Jacqueline Z. Davis Molly Heines & Thomas Evall Kayte Ringer Edward & Miranda Tinsley Megan P. Davis Moloney Jane & Bill Macan Julie Robbins Narcissa & John Titman The Debs Foundation Kris Heinzelman Edward Mafoud Daniel Rocha Dr. Irena Tocino Nick Demos & Mary Snow Adria & Donald Hillman Brian & Florence Mahony Bonnie Roche Coralie Toevs Linda Dennery The Hoffman Law Firm Andreu Maldonado & John Rockwell & Linda Carol Tolan Marie Derosa & Richard Lily & Joel Hoffman Marcus Belfrey Mevorach Jenny Tolan & Catesby Perrin McNeil Judith M. Hoffman George Mallis Amita Rodman Mehta & Manny Torrijos & Jing James Dinneen Jr. Stephanie Holmes & Sabina Mamedova Viren Mehta Shang Tan Anne & John Dockery Christian Denis Andrea Marber Paul A. Rogers Lukas & Carolina Toth Lynn Dolnick Linda Hope Marla Maritzer Eliza & Tim Ronda Lane Trippe & Marian Sabety Miriam Donoho David Horowitz Phillip Marriott & Susannah Connie & Ted Roosevelt Linnet Tse & John Forsyth Lily Dorment Mark Horowitz & Dorrine Veca Taylor Andrea M. Rosen Jonathan & Cynthia Uejio Dr. Jack Downhill Jr. Katherine Hosford & William Keith Marshall Marjorie & Jeffrey A. Rosen Susan Unterberg Pamela N. Drexel Christopher Welch Frank & Suzanne Martinez Seth Rosenberg & Catherine Valery Upson Catherine Dumait-Harper & Catharine Hough & Keryn Margaret Mastrianni Lebow Sonia Valentin & Frank Alan Harper Lowry Liese & Peter Mayer Lawrence Rosenthal Fernandez Gwendolyn & Tony Dunaif David Howe & Charlene Kathryn A. McDonald Amy Roth & Joe Guest Charles Van Campenhout Allison & Mark Dunn Wang Travis McGhie & Thomas Elizabeth A. Rovere Peter Ventura & Adria Crum Lisabeth During & Ross Poole Timothy Hughes Mizer Melissa Bowen Rubin & The Laura B. Vogler Deb Dyer Nicholas Hutak John McGill Joshua Rubin Foundation, Inc. Atiba T. Edwards Hutchins Family Foundation Francis McGrath Ann Rudovsky Ethan J. Wagner & Thea Nonesuch Records Alan Hyde Dr. James & Mrs. Jane Lisa & Jonathan Sack Westreich Wagner Ellie & Dan Stacy-Marie Ishmael McGroarty Josh Safran & Jess Camacho Cynthia Wainwright & Dr. & Mrs. David Erlij Keith Gottesdiener & Beth Gordon McLeod & Melanie Jennifer Sage & Nicolas Stephen Berger Lorren Erstad & David Jacobs Grisanti Grabar Marcus Wainwright & Lerner Luann & Matthew Jacobs Molly Meloy S. Gerald Saliman & Glenna Neece Peter & Joan Faber Steven & Susan Jacobson Claudine & Aeric Meredith- Raymond Vallejo David Waldes Martin Feinman & Amy Boyd Johnson Goujon Lori Saperstein Seth Washinsky Cooney Mr. & Mrs. Dudley D. Johnson Joanna M. Migdal Michele & José Scheinkman Janet C. Waterhouse PhD Robert Ferris & Adrienne T. Radey Johnson & Jane Franny Milberg Evan & Lee Kathy & Bill Weigel Shumway Platt Jason Miller & Ileana Karen Schlesinger Ms. Kathy Weil Igor Fert Frantz Joseph Salazar Lynn C. Schneider David I. Weiner Joan Salwen Fields Ralph Julius & Ken Nelson Judith Scofield Miller & Dr. Michael Schober Sara Weinheimer Dr. Michael B. First & Maryann & William Juska David C. Miller Florian Schodel Michael S. Weinstein Leslee Snyder Genevieve Kahr & Dan Martin Miller Peter & Charlotte Schoenfeld Marjorie & Irv Weiser Christiane Fischer Freedberg Iliana F. Mindlin Ira Schreger Jonathan Weiss Ryan Fitzgerald & Warren Susan B. Kaplan & Nancy Sandra & Lowell Mintz Nancy Schwartz Sternoff Laura Walker & Bert Wells Seubel & Mark Belsky Michele Mirman Francesca Schwartz David F. Wertheimer Arthur & Susan Fleischer Steven Schindler & Susan Claire Molloy & Seth Lloyd Gabriel & Jolie Schwartz Harry White & Esther Barbara G. Fleischman Kath Michael & Ginger Montel Richard Schwartz Redmount Jeff & Jenny Fleishhacker Sebastian & Hilke Kaupert Marissa M. Moore Richard Schwartz & Gita Susan Whiting & Bruce Andrew & Blake Foote Michael Kaye & Andrea John Morning Martohardjono Van Dusen Seendy Fouron Loukin Evangeline Morphos Welland & Elena Scripps Carolyn Wiener Meg Freakley Peter Keegan Nick Morrison & Rachel Elisabeth Searles & Richard Lisa Williams & Charles Lauri Freedman Jessie Kelly Pearlman Friedberg Willis Ellen Fried & Marshall Sohne Suzanne Greene & John Sammy & Merle Moultrie Laura Sejen The Winston Foundation, Alex Friedman & Erica Kelly Edward Nahem Allen Sellers Inc. Tennenbaum David Kemp James Neal Meg Serino Thomas & Maureen Wipf Gideon Friedman & Rachael Kathryn Kercher & Gunnar Brandon Nelson & Iman Cathryn Shahab Andrea Wolfe & Kirk Lipsey Bedard Sjursen Criner Nelson Shamos Family Foundation Doug Wolff Sarah Friedman & Paul Christopher Killoran & Tom Vandenbout & Brenda Joshua Shapiro & Heller B. Dan Wonderly Salama Erin Amey Nelson Berman Nancy Workman & Alexander C. & Tillie S. Younghee Kim-Wait & Jarett Consulate General of The Victoria L. Sharp Jonathan Miller Speyer Foundation F. Wait Netherlands in New York Brian & Lindsay Shea Simon Yates Susan & Michael Furman Alex Kirk & Jenny Joslin Maury Newburger George Sheanshang Nancy Zamudio Treacy & Todd Gaffney Jenny Kirschner & Aari David E. Newman & Gil Shiva Micha Ziprkowski Duane McLaughlin & M. Kirschner Stephanie Lazar Harry Simino Anonymous Salomé Galib Jonathan Klein Christine Noble John & Helen Simonson Al Garner Matthew Kliegman Marguerite Nougué-Sans Meredith Singer-Crew & Richard & Jane Gartner Kenneth & Susan Kramer Empire Educational Services Jason Crew Mar 18, 2018 Liz Gerring & Kirk Radke Joan Kronick Daniel & Rebecca Okrent Elaine Sloan Patricia Gift Rob Krulak Barry Michael Okun Sasha Slorer *in memoriam Anne Gilbert & Gordon Roberta Krumholz Roger W. Oliver Amy Smith & Jeremy Goldstein Judith & Douglas Krupp Lena Opper Mindich Gregory Gilmartin Mr. Abby Kushner & Mr. Jane Ormerod & Peter Darrell Stephen R. Smith & Ford Lauren C. Glant & Michael Glen Kushner Jon Otis Rogers J. Gillespie Edward & Phyllis Kwalwasser Lois Ottombrino Angela Solomon & Joel Virginia Gliedman Helen & James Lally Kathleen Owens & Morse Solomon Karen & Andrew Goldberg Robert S. Langley Wilkenfeld Richard & Mimi Somerby

BAM greatly appreciates all contributions in support of our work. We apologize for any inaccuracies. Please contact the Development Department at [email protected] with any corrections. BAM

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Brooklyn Academy of Music Natalia Chefer David L. Picket Lori H. Luis, Rep. for Hon. BAM Endowment Trust Linda Chinn Frances A. Resheske Eric Adams Chair Chairman of the Board Pamela A. Codispoti Jonathan F.P. Rose Chris Coffey, Rep. for Hon. Gabriel Pizzi Adam E. Max Dr. Rudolph F. Crew Anna Kuzmik Sampas Corey Johnson Suzy Franczak Davis Alberto Sanchez Treasurer Vice Chairman of the Board Cheryl Della Rosa Timothy Sebunya Chairmen Emeriti Keith Stubblefield William I. Campbell Dinyar S. Devitre Bartholomew A. Sheehan III Neil D. Chrisman Mark N. Diker Brian Stafford Seth S. Faison * Members President Yrthya Dinzey-Flores Axel Stawski Alan H. Fishman William A. Douglass III Katy Clark Andre Dua Doug Steiner Bruce C. Ratner Steven G. Felsher Thérèse M. Esperdy Joseph A. Stern Alan H. Fishman Secretary Richard E. Feldman Alexa Davidson Suskin Honorary Trustees Elizabeth Holtzman Joseph V. Melillo Steven G. Felsher Pedro J. Torres Beth Rudin DeWoody Alberto Sanchez Jeanne Donovan Fisher John L. Usdan Mallory Factor Timothy Sebunya Treasurer Barry M. Fox Brigitte Vosse Robert L. Forbes R. Edward Spilka James I. McLaren MaryAnne Gilmartin Nora Ann Wallace Charles J. Hamm Nora Ann Wallace Robert M. Greenberg Adam Wolfensohn Barbara B. Haws Adam E. Max, Ex Officio Presidents Emeriti Anoushka Healy Claire Wood William Josephson James I. McLaren, Ex Officio Karen Brooks Hopkins G. Penn Holsenbeck Mary Kantor Harvey Lichtenstein * Anne Hubbard Ex Officio John Lipsky *in memoriam Daniel A. Klores Hon. Bill de Blasio Laurie Mallet Members Philippe Krakowsky Hon. Corey Johnson Cathy-Ann Martine-Dolecki Jonathan S. Auerbach Edgar A. Lampert Hon. Eric L. Adams David L. Ramsay, M.D., Tony Bechara Gary Lynch Hon. Tom Finkelpearl M.Ed. Fran Bermanzohn Lorraine Lynch Emma Wolfe, Rep. for Hon. Elaine Weinstein Gordon Bowen Ahrin Mishan Bill de Blasio Hon. Franklin R. Weissberg

BAM Staff

Katy Clark, President ARCHIVES Samuel Denitz, GM Supervisor Paloma Estévez, Audrey Rosenblith, Joseph V. Melillo, Executive Sharon Lehner, Director of Archives Cady Knoll, Operations & Rentals Artist Services Representatives Producer Louie Fleck, Archives Manager Manager, BAM Fisher David Binder, Artistic Director Evelyn Shunaman, Processing Sarah Kelly Konig, Admin. Asst. SECURITY Designate Archivist Scott Shaw, Security Director Coco Killingsworth, Vice President Anita Goss, Volunteer Librarian PRODUCTION Bobby Arnold, Asst. Security of Education & Community Denis Azaro, Volunteer R. Michael Blanco, Director of Manager Engagement Mackeba Braham, Intern Production Shaunte Snipes, Admin. Coordinator Bill Kramer, Vice President of Dylan Nachand, Production Manager Collie Dean, Supervising Attendant Development BAM ROSE CINEMAS Collin Costa, Production Manager, Guard John Lanasa, Vice President of Gina Duncan, Assoc. Vice Fisher Building Kenneth Aguillera, Michael Whyte, Marketing & Communications President, Cinema Paul Bartlett, Senior Production Senior Attendant Guards Patrick J. Scully, Vice President & BAMCINÉMATEK Supervisor Juan Lebron, Lead Guard General Manager Ashley Clark, Senior Repertory Ryan Gastelum, Olivia O’Brien, Marlon Desouza, Yasmin Diaz, Keith Stubblefield,Chief Financial Film Programmer Brian Sciarra, Courtney Wrenn, Kevin Lemon, Teonia Smith, Andel Officer and iceV President of Jesse Trussell, Repertory Film Production Supervisors Thomas, Kelly Wheaton, Attendant Finance & Administration Programmer Tony Crawford, Palmer Johnston, Guards Ryan Werner, Programmer at Large Laura Williams, Production PRESIDENT’S OFFICE Natalie Erazo, Department Coordinators THEATER MANAGEMENT Michael Doyle, Manager Coordinator Bianca Davies, Admin. Coordinator Christine M. Gruder, Theater Andrea Montesdeoca, CINEMA OPERATIONS Claire Gresing, Production Intern Manager Administrative Asst. Efi Shahar,Cinema Executive Kourtney Charles, Melo Davis, John L. Jones, Assoc. Theater Manager Samuel Ravelo, Fellows in Manager BOARD RELATIONS Jesse Green, BAM Cinema Stagecraft Sonia Clayton, Jacqueline David, Alexandra Biss, Director of Board Technical Manager Leroy Houston, Theater Staff Relations Michael Katz, Projectionist STAGE CREW Supervisors Alison Midgley, Board Relations Assoc. Adam Goldberg, Asst. Manager Thomas Paulucci, Crew Chief Andreea Drogeanu, Anthony Oscar Gruchalski, Head Carpenter, EDUCATION AND COMMUNITY HUMAN RESOURCES Shields Jr., Patrece Stewart, OH ENGAGEMENT Seth Azizollahoff, Assoc. Vice Head Floor Staff John Manderbach, Head Electrician, OPERATIONS President, HR OH Shana Parker, Director of Samara Alexander, Assoc. Director, HUMANITIES Nicholas Varacalli, Master of Operation HR Molly Silberberg, Assoc. Director, Properties, OH Jennifer Leeson, Senior Operations Cynthia Smith, Payroll Manager Humanities Marc Putz, Sound Engineer, OH Manager Alexis Boehmler, Benefits Manager Lucy Petropoulos, Humanities Wayne Brusseau, Asst. Carpenter, Sommer McCoy, Operations Gerard Franco, HR Coordinator Assistant OH Manager Courtney Best, Administrative Asst. James Kehoe, Head Carpenter, HT Leo Paredes, Operations VISUAL ART Joseph Werner III, Asst. Carpenter, HT, Coordinator ARTISTIC PROGRAMMING Holly Shen, Curator of Visual Arts Chris Wilenta, Head Electrician, HT Zunairis Velazquez, Education Stonie Darling, Assoc. Director, Alli Arnold, Visual Arts Development Sean Kelly, Asst, Sound & Video Operations Intern Artistic Programming Dept. & Sales Manager Edward Donohue, Master of Juan Pablo Siles, Manager of Morgan King, Program Asst. Properties, HT COMMUNITY ENGAGEMENT Artistic Planning Alison Dabdoub, Sound Engineer, HT Schawannah Wright, Director of GENERAL MANAGEMENT Tom Holler, Richard Wurzbach, Community Programs PROGRAMS & CURATORIAL Alexander Orbovich, Assoc. Utility Men Dewonnie Frederick, Community Amy Cassello, Producer General Manager Ginger Blake, Wardrobe Supervisor Affairs & Bazaar Manager Sarah Horne, DanceMotion USASM Liz Zieminski, Director, GM Patricia Fogah, Community Affairs Project Director Budgets & Contracts ARTIST SERVICES & Bazaar Asst. Danny Kapilian, Producer, R&B Jaclyn Bouton, Senior Project Mary Reilly, Director of Artist Services Festival, MetroTech Manager Stacey Dinner, Artist Services EDUCATION FAMILY PROGRAMS Steven Serafin,Special Consultant; Liana Agredo, Project Manager Manager Steven McIntosh, Director of Editor, BAM: The Complete Works Jimmy Walden, Budget & Contract Britney Polites, Artist Services Education & Family Programs & BAM: The Next Wave Festival Manager Representative Ava Kinsey, Assoc. Director of Johanie Olivero, Project Supervisor Education BAM Staff

Eveline Chang, Mikal Lee, Verushka Natalia Flores, Graphic Design Stephanie Caragliano, Institutional Allan Boyce, Calvin Brackett, Wray, Program Managers Intern Giving Manager Ronald Hunter, Maintainers Sasha Metcalf, Program Analyst | DIGITAL MEDIA Emma Kilroy, Institutional Carl Blango, Asst. Maintainer Mellon/ACLS Public Fellow Aaron Weibel, Director of Digital Giving Asst. Quincy Simmons, Education Production CUSTODIAL SERVICES Asst./BOLD Fellow Nico Dodd, Manager of Email MAJOR GIFTS & PATRON Ramon Cabassa, Custodial Operations PROGRAMS Supervisor LEAD INSTRUCTORS Sarah Hayes, Manager of Website Stacy Margolis, Assoc. VP of Derrek Demary, Jean Smith, Lead Jennifer Armas, Mtume Gant, Operations Major Gifts & Patron Programs Custodians Arts & Justice Alison Kozol, Manager of Digital Ramzi Awn, Director of Patron Yossess Allen, Ludlow Jenny Rocha, Dancing into the Operations Services Chamberlain, Isaias Flores, Future Barbara Cummings, Director of Mayra Guillen, Ron Rathan, Michael LoMonico, Shakespeare AUDIENCE DEVELOPMENT & Development Akeon Thomas, Jerry Wright, Teaches Teachers MARKETING Maayan Dauber, Director of Custodians Lonnie Woods III, Brooklyn Charlotte Levitt, Director of Audience Patron Programs Interns for Arts and Culture Development & Marketing William Lynch, Director of FINANCE Instructor Raphaele de Boisblanc, Assoc. Leadership Giving & Special Kozue Oshiro, Controller Director of Marketing Projects Tameka White, Asst. Controller TEACHING ARTISTS Allison Kadin, Senior Marketing Michael Kendrick, Senior Claudia Bailey, Adam Sachs, Raquel Almazan, Gideon Bautista, Manager Manager of Patron Services & Assoc. Directors of Finance Morris Beasley, Rebecca Bliss, Stacey Sharlene Chiu, Senior Manager, Donor Relations Brian Gee, Accounting Manager Bone Gleason, Mahogany Brown, Audience Development & Jessica Hindle, Patron Services Tyler Cleveland, Staff Accountant Melissa Brown, Chia-Ti Chiu, Darian Insights Manager Heli Soell, Budget Analyst Dauchan, Harris Eisenstadt, Imani Vilina Phan, Marketing Manager Deema Salem, Patron Programs Chaya Coppersmith, AP Faye, Okai Fleurimont, Kimani Fowlin, Lori Zakalik, Senior Cinema Manager Administrator Samara Gaev, Ingrid Gordon, Pat Hall, Marketing Manager Jesse Rose-Pulitzer, Major Gifts & Meaghan McLaughlin, Fiscal Chelsea Harrison, Mel House, Albert Andrew Rubenbauer, Marketing Patron Programs Asst. Coordinator Iturregui-Elias, Devin Kawaoka, Abigail Manager, Development Meredith Kelly, Patron Services Paige Haroldson, Finance Asst. Levine, Spencer Lott, GV Maldonado, Shamim Hossain, Advertising Intern Farai Malianga, WT McRae, Anthony Coordinator INFORMATION TECHNOLOGY Merchant, Elia Monte Brown, Anna Troester, Marketing Coordinator, MEMBERSHIP & DEVELOPMENT William Allen Lee III, Assoc. Michael Mullen, Janet Onyenucheya, Education & Community OPERATIONS Vice President of Information Pamela Patrick, Mike Ramsey, Lindsay Brayton, Marketing & Claire Charlesworth, Director of Technology Gwenyth Reitz, Efeya Sampson, Publicity Asst. Membership & Development Jason Q. Minnis, Assoc. Director, Victor Sanchez, Jashua SaRa, Billy Jasmine Blake-Swaby, Content Operations IT Development Schultz, Lauren Sharpe, Jen Shirley, Strategy Intern J Olson, Assoc. Director, Ira Sibulkin, Assoc. Director, IT Elizabeth Simmons, Marcus Smalls, Development Operations & Technical Services Šara Stranovsky, Taylor Steele, Karen TICKET SERVICES Analytics Svetlana Mikhalevskaya, Thornton-Daniels, Jono Waldman, G. Scott Kubovsak, Director of Travis Calvert, Senior Manager, Database Developer Sarah Wansley, Adia Whitaker, Todd Ticket Services Budget & Operations Matthew Taylor, Senior Web Woodard Kevin McLoughlin, Head Treasurer Cheryl Miller, Membership Developer Russell Grier, First Asst. Treasurer Manager Benjamin James, Andrei Iliescu, MARKETING & Victor Jouvert, Charlie Dolce, Kyle Elizabeth Sarkady, Project Man- Web Developers COMMUNICATIONS Williams, Asst. Treasurers ager, Crediting & Operations Jersy Rodriguez, Technical Ece Ozaman, Admin. Asst. to VP of Royda C. Venture, Assoc. Director, Richard Serrano, Research Manager Support Manager Marketing & Communications Ticket Services Bruce Smolanoff, Assoc. Director, Tamar Audate, Technical Support Britt Aronovich, Marketing Georgina Richardson, Customer Telefund Manager Tech Revenue Manager Care Manager Steven Knudsen, Development Susan Bishop, Admin. Coordinator Frank Marsilio, Marketing Latasha McNeil, Asst. Manager Operations Coordinator Kenneth Flores, Senior Desktop Operations Manager Ryan Mauldin, Ticket Services Emily Searles, Membership Asst. Analyst Coordinator Lucas Austin, Rafael Iglesias, COMMUNICATIONS Miranda Gauvin, Ticket Services SPECIAL EVENTS Desktop Analysts Sandy Sawotka, Director of Senior Representative James Vause, Special Events Communications Saul Almiachev, Anaïs Blin, Director INSTITUTIONAL ADVOCACY Sarah Garvey, Assoc. Director Shadell Brown, Lucca Damilano, Grace Eubank, Special Events Ellen Leszynski, Senior of Publicity Justin Dash, Robert Ebanks, Manager Manager Susan Yung, Senior Editorial Greg Garner, Liana Jackson, Gina Dyches, Special Events Katerina Patouri, Capital Projects Manager Andy Mines, Warren Ng, Coordinator & Government Affairs Manager David Hsieh, Publicity Manager Edward Raube-Wilson, Angela Hector Rios, Special Events Asst. Maureen Masters, Cinema Romualdez, Allyson Steele, Audience Research & Analysis Publicity Manager Noel Vega, Ticket FINANCE & ADMINISTRATION George A. Wachtel James Sutton, Publications Asst. Services Representatives CAPITAL PROJECTS Bookseller Jonathan Jones, Director, Capital Greenlight Bookstore CREATIVE SERVICES DEVELOPMENT Projects European Production Representative Andrew Sloat, Creative Director Olivia Jacobs, Admin. Asst. to Daniel Costa, Capital Projects On Tour Ltd., Roger Chapman Patrick Morin, Assoc. Director the VP of Development Manager of Design Film Buyer Joseph Kaplan, Alison Whitworth, CORPORATE RELATIONS & FACILITIES MANAGEMENT Adam Birnbaum Designers SPONSORSHIP James Boese, Director of Facilities Immigration Counsel Ben Katz, Video Producer Chantal Bernard, Director of Lynn Alexander, Facilities Manager Jonathan Ginsburg, Fettman, Kaitlyn Chandler, Video Editor & Corporate Relations & Danny Jiang, Engineering Project Tolchin and Majors, PC Motion Designer Sponsorship Manager Andi Floyd, Blue Skies Joseph Barglowski, Video Editor Rebecca Carew, Associate Director Markee Glover, Logistical Services Immigrations Services, LLC Dorothea Trufelman, Asst. Video of Corporate Partnerships & Coordinator Insurance Broker Editor Sponsorships Ronald Jones, Admin. Coordinator Dewitt Stern Jenny Choi, Publications Manager Mari Ogino, Corporate Relations & Joshua Allen, Ahmad Ghany, Raul Charity Coleman, Farah Haidari, Sponsorship Manager Gotay, Ron Hayes, Anthony Sam, Medical Consultants Copywriters Clara Hung, Sponsorship. Asst. Building Services Assocs. Ahmar Butt, MD Kati Rehbeck, Creative Services General Counsel Project Coordinator INSTITUTIONAL GIVING BUILDING MAINTENANCE Mark Jackson Annie Heath, Creative Services Clemente Luna, Director of Anthony Shields, Maintenance Restaurateur Asst. Institutional Giving Supervisor Great Performances Mariana Sanchez Bueno, Video Kailin Husayko, Assoc. Director Steve McDowell, Lead Intern of Institutional Giving Maintenance Technician Aug 1, 2018