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John Clare Society of North America Newsletter

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John Clare Society of North America Newsletter Newsletter Volume 6, January 2004 The editor invites submissions of items relevant to Report on the John Clare panel Clare studies, including calls for papers, announcements of recent publications, details of at MLA, San Diego upcoming events, and scholarly notes. Please send submissions to Andrew Hubbell: [email protected]. The editor would like to thank By Timothy Ziegenhagen all of the contributors to this issue. On Sunday, December 29, the John Clare Society of North America sponsored an Greetings From the New Editor MLA panel called "The Borderlands of John Clare." Timothy Ziegenhagen of Northland College chaired the panel, well ―`Wery glad to meet you, and I hope our attended by over 30 attentive listeners. acquaintance may be a long one!‘ as the Carol McGuirk of Florida Atlantic gen‘leman said to the five pound note.‖ University began the panel with "Of Mice, For those who do not know me, I am Men, and 'Difference.'" McGuirk proposed assistant professor of 19th Century that Clare envisions the mouse in British literature at Susquehanna "Mouse's Nest" as "disquietingly alien," University in Selinsgrove, Pennsylvania, quite a different notion of the animal a small town on the banks of the compared to Barbauld‘s "The Mouse's Susquehanna River, not far from where Petition" or Burns‘s "To a Mouse." Unlike Coleridge and Southey planned to Burns, who establishes "elaborate 'poetic' establish Pantisocracy, and where Joseph sympathy" for the mouse he has unnested, Priestly settled in 1794. Though I have Clare observes his own encounter less focused my research on Wordsworth, dramatically, "at more of a distance." This Coleridge, Shelley, and Byron, I hope that refusal to establish poetic sympathy—to by being the new editor of the Newsletter "talk to or as the mouse" in the manner of for the John Clare Society of North Burns or Barbauld—returns the mouse to America, I will be drawn further into its own protected space, a mouse's space Clare‘s poetry and Clare scholarship. I (however literarily constructed). McGuirk will work to maintain the high standards observes, "Mice are prey; the way to show of editing set by Sarah Zimmerman, and them kindness is to acknowledge their look forward to meeting you all at the need to go back into hiding." Clare next Clare conference. ‗Till then, happy refuses to impose his own subjectivity on reading! the mouse, and allows it to "be herself and then to disappear, even from her own sonnet." 2 Following McGuirk, Bridget Keegan of freedom" from specifically delineated roles Creighton University read "'Excursion (like the "peasant-poet"), but creates a with the Angler': Clare's Piscatorial voice that enables him to address and Poetry," which explores Izaak Walton's critique "centers of cultural and political idea of "compleateness," and how that is control." expressed in Clare's poems about fishing. Keegan argues that, influenced by Following Harrison's paper, a lively and Walton's inclusive, "hybrid" text, Clare lengthy question-and-answer period finds ways to articulate a proto- ensued; the discussion had not lost any of environmental ethic valuing its energy or interest when Ziegenhagen "compleateness," achieved particularly in announced that the panel had reached the his discursive, thick descriptions of the "event horizon," the end of its allotted natural world. Keegan argues that while time. much of Clare's poetry mourns the loss of biotic diversity as a result of parliamentary enclosure, it nevertheless celebrates and promotes a sense of John Clare Conference 2003 "compleatness" that Walton introduced. Keegan aptly suggests that more Dr Paul Chirico attention needs to be paid to the Director of Studies, Part 1 English piscatorial connections between the two Jesus College, Cambridge CB5 8BL authors, that "Walton's place in Clare's Tel. 01223 339494 / Network 39494 works helps to shift our critical lens from green to blue." On March 21st, as the bombing of Iraq gathered intensity and the spring The final panelist, Gary Harrison of the sunshine did its best to pierce the University of New Mexico, then read torrential rain on the American east "Invite to Alterity: Mimicry and Hybridity coast, around thirty-five Clare in John Clare's Later Poems." Building enthusiasts gathered at the Belmont on the work of postcolonial theorists Homi Conference Center in Elkridge, Maryland, Bhabha and Gayatri Spivak, Harrison between Baltimore and Washington DC, explored the way Clare's "hybridized for the first conference of the John Clare identities" as "peasant-poet‖ enable him to Society of North America. mimic the "poetry and poetics of Lord Byron as a way to appropriate and return After the friendly atmosphere had been the gaze of the metropole," leveled at him nurtured a little at the bar, Michael as a laboring class celebrity. Harrison Suarez and Sarah Zimmerman began argued that Clare does not just "parrot" with a joint presentation of their research Byron's poetic voice in Child Harold, but into the history of Taylor and Hessey‘s creates a "multiple-voiced, polyphonic publishing firm, detailing the few books poem that interrupts and destabilizes its that they printed contemporaneously with precursor text." In so doing, the narrator Clare. Eric Robinson then discussed of Clare's poem becomes a kind of issues surrounding the editing of Clare, "trickster," who not only "flaunts his paying particular attention to the 3 evidence in 18th and 19th century Northampton. After a very good lunch and dictionaries that many of Clare‘s dialect a chance to admire our rural setting, now words had a much wider currency than is bathed in sunlight, the final session was often supposed. Friday evening continued principally an opportunity for group with a great dinner followed by a reading discussion. To that end I attempted to of some Clare work by the poet Galway gather together a few of the points which Kinnell who, in reference to ―Clock a had been debated with such enthusiasm Clay,‖ remarked that Clare tends to make and erudition within and between papers. unconscious bargains with animals: they Happily our attention was drawn back to offer him a language with which to the texts by Richard Gillin‘s striking and understand his own feelings, a gift which intricate account of ekphrasis in sonnets he repays with the offer of immortality in such as ―Crowland Abbey‖ and ―Glinton verse. The evening concluded with a fine Spire.‖ performance of a selection of Clare's folk songs by Tim White and Victoria The conference was intended partly as a Robinson. In between these events, celebration of the publication of the final conference goers enjoyed a magnificent volume of the Oxford edition of Clare‘s exhibition of original prints and poetry, which most of us saw for the first watercolors by Barbara Weber: "John time. When this stimulated a discussion Clare and His Poetry, Muse for the of the status of Clare in schools and Artist." Each image was accompanied by a universities, we took the opportunity to well-chosen selection from Clare's poetry. write a joint letter to Oxford University Press urging a reprint of Eric Robinson Saturday began with an impressive trio of and David Powell‘s more affordable papers on Clare and the natural world. Oxford Authors paperback volume on both David Simpson offered an invigorating re- sides of the Atlantic. We are also hopeful reading of ―The Lament of Swordy Well,‖ that many papers from the conference will Bridget Keegan traced the fascinating appear in a special issue of The genealogy of Clare‘s poems on rivers, and Wordsworth Circle, a good possibility Alan Vardy discussed the ―natural history given the high quality of both the prose elegies‖ identifiable in Clare‘s 1824- presentations and discussion. Many 25 journal, leading to some interesting thanks are due to Jim McKusick for his comparisons between Clare‘s nostalgia energetic organization, and to all who and that of Wordsworth. In the helped with the conference, not least subsequent session on Clare's later Christoph Irmscher and Maura Smyth. career, Gary Harrison discussed linguistic plenitude and polyphony in Clare‘s The conference was followed by a short increasingly complex texts, Sara Lodge business meeting of the John Clare offered an intriguing exploration of the Society of North America (to which tragedies which Clare began to sketch in transatlantic visitors were cordially the later 1820s, and Joanna Ball invited), and I then took the opportunity presented some striking evidence of the to explore a little of Baltimore, famous for quite pervasive literary culture crab cakes and Edgar Allan Poe, but surrounding Clare at the asylum in boasting also (at least) two wonderful 4 galleries. On the day of my visit, the Clare seems to have had more coverage in Walters Art Museum was holding a the UK media than at any time since the Russian Family Festival, with Russian 1993 bicentenary, thanks largely to and Jewish folk songs resounding in its Jonathan Bate‘s biography, the first since fine halls, and scores of children and 1982. (Clare‘s Oxford editors, Eric adults sitting enthralled by an energetic Robinson, David Powell and P.M.S. presentation of Prokofiev‘s musical story Dawson, also completed their mammoth Peter and the Wolf. And at the beautifully task this year.) Bate‘s biography was brash American Visionary Art Museum, a widely and positively reviewed in the former whiskey warehouse that now broadsheet press, and made several ‗best celebrates ―art produced by self-taught book of the year‘ lists. Even the former individuals, usually without formal Foreign Secretary, Robin Cook, took part training, whose works arise from an in a discussion of Clare on the BBC Radio innate personal vision that revels Four programme, ‗Start the Week‘.
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