Sketches New and Old, Complete by Mark Twain (Samuel Clemens)
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Jasmine St. Claire Interview with Punktv.Ca in Support of Her New DVD Series, Metal Page 1 of 12
Jasmine St. Claire Interview with PunkTV.ca in support of her new DVD series, Metal Page 1 of 12 Interviews List enter e-mail address Music Reviews List nmlkji Subscribe nmlkj Unsubscribe Live Photos List Movies List Music New Music Music Featured Music PunkTV.ca Interviews CDs Movies Photos Events Contests Features Products News Charts BandsVideos Products Jasmine St. Claire Interview with PunkTV.ca in All Interviews support of her new DVD series, Metal 16th October » Stealth Plug Allows... Dixon Christie » Belphegor Exclusive... E-MAIL THIS PRINT THIS » Lye Interview -... » Skid Row Interview on... » Cellador Exclusive... » Artimus Pyledriver... » Sergie from SAMIAM gets... Jasmine St. Claire Interview with PunkTV.ca in support of her new DVD series, Metal’s Darkside. » Shiny Toy Guns Interview by Dixon Christie » The Salads Interview PunkTV.ca: We are here with Jasmine St. Claire, thanks a lot to agree to be » Procon Interview with us today. Jasmine: Thanks for having me, Dixon. » Helmet Exclusive... PunkTV.ca: You’re welcome, where are you right now? » Black Dahlia Murder... Jasmine: Right now I am in Marina Delray in California is actually where I live. » Protest the Hero... PunkTV.ca: Nice. » DragonForce Exclusive... Jasmine: Its pretty cold today, I've had a pretty long weekend. » Emanuel At Warped Tour... PunkTV.ca: Do you work as hard as I think you probably do, you working day » Cattle Decapitation... and night on this new Metal’s Darkside? Jasmine: Day and night is not even really the way it is, its like even in my sleep its » All Shall Perish... like I just never ever stop coming up with ideas. -
I;' August. 1969
MARK TWAIN'S DEVELOPMENT OF THE NARRATIVE AND VERNACULAR PERSONA TECHNIQUE ,r~ ... : tI;' A THESIS SUBMITTED TO THE DEPARTMENT OF ENGLISH AND THE GRADUATE COUNCIL OF THE KANSAS STATE TEACHERS COLLEGE OF EMPORIA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS POR THE DEGREE OF MASTER OF ARTS By JAY H. BOYLAN .-/ August. 1969 111:' -< J J _ ! j/ Approved for the Major Department r I, itbo... .- Approved for the Graduate Council tf ~~ r)Q8.... ~:rL'09 "'0 .....,t) PREFACE Mark ~qain was such a dominant personality that he literally commanded the full attention of his day with his ac tivities. It has been said that he was the world's most well~known figure in his time. Twain's speaking tours in America and abroad helped him to create and maintain his image as a kind of representative American personality; in many ways he seemed the embodiment of the new man, the new spirit. After Twain's death in 1910, the force of his personality was so strong that it continued to overshadow his works. The early theories of Brooks' therefore were in the best traditions of biographical criticism and in the best traditions of Twain criticism; Brooks and others kept the emphasis on the man, Twain, rather than on his works. Brooks' idea, that Twain was a "divine amateur" who was thwarted by a psychological wound, is obviously in keeping with the forces of that time. What is not so obvious is tha.t Twain's supporters such as Devoto were, also, a part of this same tradition. Devoto defended Twain by trying to show from Twain's life that he was not psycho logically "wounded." The whole period of the 1920's and 1930's was an unfortunate one for Twain criticism because it was dominated by Mark Twain with a concomitant de-emphasis of his works and their merits. -
The Low Countries. Jaargang 11
The Low Countries. Jaargang 11 bron The Low Countries. Jaargang 11. Stichting Ons Erfdeel, Rekkem 2003 Zie voor verantwoording: http://www.dbnl.org/tekst/_low001200301_01/colofon.php © 2011 dbnl i.s.m. 10 Always the Same H2O Queen Wilhelmina of the Netherlands hovers above the water, with a little help from her subjects, during the floods in Gelderland, 1926. Photo courtesy of Spaarnestad Fotoarchief. Luigem (West Flanders), 28 September 1918. Photo by Antony / © SOFAM Belgium 2003. The Low Countries. Jaargang 11 11 Foreword ριστον μν δωρ - Water is best. (Pindar) Water. There's too much of it, or too little. It's too salty, or too sweet. It wells up from the ground, carves itself a way through the land, and then it's called a river or a stream. It descends from the heavens in a variety of forms - as dew or hail, to mention just the extremes. And then, of course, there is the all-encompassing water which we call the sea, and which reminds us of the beginning of all things. The English once labelled the Netherlands across the North Sea ‘this indigested vomit of the sea’. But the Dutch went to work on that vomit, systematically and stubbornly: ‘... their tireless hands manufactured this land, / drained it and trained it and planed it and planned’ (James Brockway). As God's subcontractors they gradually became experts in living apart together. Look carefully at the first photo. The water has struck again. We're talking 1926. Gelderland. The small, stocky woman visiting the stricken province is Queen Wilhelmina. Without turning a hair she allows herself to be carried over the waters. -
La Violencia Sonora De Cannibal Corpse
Image not found or type unknown www.juventudrebelde.cu La violencia sonora de Cannibal Corpse La agrupación de rock estadounidense debe su popularidad a la propaganda que reciben indirectamente por parte de quienes los atacan y los ayuda a vender millones de álbumes Publicado: Jueves 09 octubre 2008 | 12:07:22 am. Publicado por: Juventud Rebelde AImage pesar not found de laor typeescasa unknown presencia de la banda en los medios, continúa su popularidad. A pesar de la escasa presencia de la banda en los medios, continúa su popularidad. Más de un lector de esta columna me ha abordado en algunos conciertos para solicitarme que escriba sobre Cannibal Corpse, una agrupación estadounidense que en nuestro país goza de gran popularidad entre los seguidores del metal. De inicio, me parece conveniente ubicar la corriente sonora en la que la aludida banda se desempeña, es decir, el death metal, un estilo caracterizado por la utilización de las voces guturales (nombradas en inglés growls), de marcada aspereza al emitirse y con bastante frecuencia incomprensibles. A lo anterior, únese un tiempo muy abrupto, el empleo de una batería en extremo rápida y un discurso en lo textual donde prevalece el anticristianismo, mensajes en relación con la muerte, la violencia explícita, la necrofilia, prácticas satánicas, los asesinos en serie y visiones en general apocalípticas. El origen de la corriente resulta polémico, pero el término como tal se usa por vez primera en 1984, cuando el grupo californiano Possessed edita un demo denominado Death metal. Si una agrupación ha logrado que el death resulte conocido a escala mundial, sin la menor discusión esa es Cannibal Corpse. -
From Captain Kidd's Treasure Ghost to the Angel Moroni: Changing Dramatis Personae in Early Mormonism
From Captain Kidd's Treasure Ghost to the Angel Moroni: Changing Dramatis Personae in Early Mormonism Ronald V. Huggins ONE DAY IN LATE MARCH 1697, a ship named the Adventure Galley arrived at the Island of Mohilla, one of the Comoro Islands. Its fever-stricken crew careened the vessel for cleaning and then proceeded to die off one by one, fifty men dead in about a week. The Adventure Galley had come to the Comoros the previous month, after stopping first at the neighboring Island of Johanna. It would not de- part again until April 18. Its captain, William (a.k.a. Robert) Kidd, did not know he would soon become one of history's most famous, and notorious, pirates. In those days pirates, even famous ones, were no oddity in the Comoros. Anyone who read, for example, the popular two-volume A General History of the Robberies and Murders of the Most Notorious Pyrates (1724 and 1728) by Daniel Defoe (a.k.a. Captain Charles Johnson), would find the Comoro Islands figuring into the accounts of Captains England, Misson, Tew, Kidd, Bowen, White, Condent, Cornelius, Howard, Williams, Burgess, North,1 and la Bouche.2 The pirate to whom Defoe dedicated his first chapter, Henry Avery (Every), also had a connection with the Comoros, which the author fails to men- 1. The edition used here is Daniel Defoe, A General History of the Pyrates, ed. Manuel Schon- horn, (Columbia, S.C.: University of South Carolina, 1972). Johanna is mentioned in the accounts of Captains England, 118, 130, 132; Misson, 407-16; Tew, 424-26; Kidd, 443; Bowen, 461; White, 478; Condent, 584; Cornelius, 605; Williams, 503; Burgess, 510; and North, 516. -
Paper XVII. Unit 1 Nathaniel Hawthorne's the Scarlet Letter 1
Paper XVII. Unit 1 Nathaniel Hawthorne’s The Scarlet Letter 1. Introduction 1.1 Objectives 1.2 Biographical Sketch of Nathaniel Hawthorne 1.3 Major works of Hawthorne 1.4 Themes and outlines of Hawthorne’s novels 1.5 Styles and Techniques used by Hawthorne 2. Themes, Symbols and Structure of The Scarlet Letter 2.1 Detailed Storyline 2.2 Structure of The Scarlet Letter 2.3 Themes 2.3.1 Sin, Rejection and Redemption 2.3.2 Identity and Society. 2.3.3 The Nature of Evil. 2.4 Symbols 2.4.1 The letter A 2.4.2 The Meteor 2.4.3 Darkness and Light 3. Character List 3.1 Major characters 3.1.1 Hester Prynn 3.1.2 Roger Chillingworth 3.1.3 Arthur Dimmesdale 3.2 Minor Characters 3.2.1 Pearl 3.2.2 The unnamed Narrator 3.2.3 Mistress Hibbins 3.2.4 Governor Bellingham 4. Hawthorne’s contribution to American Literature 5. Questions 6. Further Readings of Hawthorne 1. Introduction 1.1 Objectives This Unit provides a biographical sketch of Nathaniel Hawthorne first. Then a list of his major works, their themes and outlines. It also includes a detailed discussion about the styles and techniques used by him. The themes, symbols and the structure of The Scarlet Letter are discussed next, followed by the list of major as well as minor characters. This unit concludes with a discussion about Hawthorne’s contribution to American literature and a set of questions. Lastly there is a list of further readings of Hawthorne to gain knowledge about the critical aspects of the novel. -
Introduction to College Composition
Introduction to College Composition Introduction to College Composition Lumen Learning CONTENTS Reading: Types of Reading Material ...........................................................................................1 • Introduction: Reading......................................................................................................................................... 1 • Outcome: Types of Reading Material ................................................................................................................ 2 • Comparing Genres, Example 1 ......................................................................................................................... 2 • Comparing Genres, Example 2 ......................................................................................................................... 4 • Comparing Genres, Example 3 ......................................................................................................................... 5 • Comparing Genres, Example 4 ......................................................................................................................... 6 • Comparing Genres, Example 5 ......................................................................................................................... 7 • Comparing Genres, Conclusion......................................................................................................................... 9 • Self Check: Types of Reading ........................................................................................................................ -
The Devil and Tom Walker Askance; and Hurried on His Way, Rejoicing, If a Bachelor, in His Celibacy
The Devil And Tom Walker askance; and hurried on his way, rejoicing, if a bachelor, in his celibacy. From The Money-diggers One day that Tom Walker had been to a distant part of the Washington Irving (1783-1859) neighborhood, he took what he considered a short-cut homeward, through the swamp. Like most short-cuts, it A few miles from Boston, in Massachusetts, there is a deep was an ill-chosen route. The swamp was thickly grown inlet winding several miles into the interior of the country with great, gloomy pines and hemlocks, some of them from Charles Bay, and terminating in a thickly wooded ninety feet high, which made it dark at noonday and a swamp or morass. On one side of this inlet is a beautiful retreat for all the owls of the neighborhood. It was full of dark grove; on the opposite side the land rises abruptly pits and quagmires, partly covered with weeds and mosses, from the water's edge into a high ridge, on which grow a where the green surface often betrayed the traveller into a few scattered oaks of great age and immense size. Under gulf of black, smothering mud; there were also dark and one of these gigantic trees, according to old stories, there stagnant pools, the abodes of the tadpole, the bull-frog, and was a great amount of treasure buried by Kidd the pirate. the water-snake, where the trunks of pines and hemlocks The inlet allowed a facility to bring the money in a boat lay half-drowned, half-rotting, looking like alligators secretly, and at night, to the very foot of the hill; the sleeping in the mire. -
American Literature; a Study of the Men and the Books That in the Earlier
/\IV1 CtlNC , P5 CORNELL UNIVERSITY • A LIBRARY FROM S.E.Burriham Cornell University Library PS 92.L84 American literature.a study of the men a 3 1924 022 153 674 Cornell University Library The original of tiiis book is in tile Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924022153674 POE'S COTTAGE AT FORDHAM From the etching by Charles F. W, Mielatz " AMERICAN LITERATURE A STUDY OF THE MEN AND THE BOOKS THAT IN THE EARLIER AND LATER TIMES REFLECT THE AMERICAN SPIRIT BY WILLIAM J. LONG "As a strong bird on pinions free, Joyous, the amplest spaces heavenward cleaving, Such be the thought I 'd think of thee, America I GINN AND COMPANY BOSTON • NEW YORK • CHICAGO LONDON COPYRIGHT, 1913, BY WILLIAM J. LONG ALL RIGHTS RESERVED 816.I LUUi'^j^ ' Cte gtttnaum great GINN AND COMPANY PRO- PRIETORS BOSTON U.S.A. TO FRANCES MY LITTLE DAUGHTER OF THE REVOLUTION PREFACE The aim of this book is to present an accurate and interesting record of American literature from the Colonial to the present age, and to keep the record in harmony with the history and spirit of the American people. The author has tried to make the work national in its scope and to emphasize the men and the books that reflect the national traditions. As literature in general tends to humanize and harmonize men by revealing their common characteristics, so every national literature unites a people by upholding the ideals which the whole nation reveres and follows. -
Petrified Profound Verdict Invariable Depravity Benevolent Negligence
Mark Twain Boyhood Home & Museum Lesson or Unit Plan for “Authority and Power” Created by: Brad Peuster School: Fort Zumwalt East High School City, State: St. Peters, MO Mark Twain Teachers’ Workshop, July 14, 2017 Hannibal, Missouri “Authority and Power with the Media and President” LESSON or UNIT PLAN for “Authority and Power” Concept or Topic: Suggested Grade Level(s)/Course: Authority and Power with the Media and Resource or Modified: Government 11th the President Grade (Special Education Setting) Subject: Suggested Time Frame: U.S. Government: Resource 3 days (50 minutes each day) Objective(s): 1) Students will create a fake news story and then explain and list why it is a fake story, giving supporting details of what makes theirs a fake news story, scoring at least 7 out of 10 possible points on the scoring guide. 2) Students will create a list of at least 5 characteristics/skills or abilities in a Presidential Candidate and explain why each is important to being President. 3) Students will be able to explain and give detailed examples of what makes a person an Authority. Students will create a statement explaining in what area they are an expert, and then give 3 supporting details going into depth specifically explaining those 3 details and showing their mastery. Common Core State Standards: CCSS.ELA-LITERACY.W.9-10.2.D Use precise language and domain-specific vocabulary to manage the complexity of the topic Social Studies Missouri Learning Standard: MLS Code: 9-12 G.V.3 G.S. Grade 9-12, Course GV, Course: Government, Theme 3, Strand GS (number 372) -Analyze the unique roles and responsibilities of the three branches of government to determine how they function and interact. -
Page 1 of 2 Metal's Dark Side
Metal’s Dark Side - The Hard and the Furious: Volume 1 Page 1 of 2 Metal’s Dark Side The Hard and the Furious: Volume 1 Music Video Distributors www.musicvideodistributors.com First off let me say that I love the IDEA of this DVD. It’s great to have a DVD where you can see interviews with today’s most popular extreme bands and their videos because let’s face it- things like that are few and far between despite the immense popularity of extreme metal these days. Seeing the very unscary George “Corpsegrinder” Fisher (Cannibal Corpse) get up close and personal is very cool. Meeting Satyr (Satyricon) and feeling like you are backstage with him is very cool. Talking with thrash gods Death Angel is very cool. Having all these videos in one place is AMAZING. Feel like there is a big BUTT coming? There is. Where this show goes completely wrong is their host. Of course, a porn star is a natural choice both to draw attention to the release and because it fits semi-natural with extreme metal. Jasmine St. Claire though knows very little about extreme metal. Exhibit A: She asks George Fisher of Cannibal Corpse what it was like to be in the Ace Ventura movie after (which she will do multiple times) claiming Cannibal Corpse is her all time favorite band. He politely tells her he wasn’t in the band then but I can only imagine what he was thinking. Of course that was Chris Barnes era CC and his departure was one of the most shocking moments in the history of extreme metal. -
Appendix: Chronology of Pirate Plays in Britain
Appendix: Chronology of Pirate Plays in Britain Heywood, Thomas.Fortune by Land at Sea (ca. 1607–1609). Daborne, Robert. A Christian Turn’d Turk (Most likely Whitefriars Hall, ca. 1609–1612). Fletcher, John, and Philip Massinger. The Double Marriage (King’s Men, ca. 1621). Fletcher, John and Philip Massinger. The Sea Voyage (King’s Men, 22 June 1622). Massinger, Philip. The Renegado; or, The Gentleman of Venice (Cockpit Theatre, 17 April 1624). Massinger, Philip. The Unnatural Combat (Globe Theatre, ca. 1625). Heywood, Thomas.The Fair Maid of the West; or, A Girl Worth Gold, Parts I and II (first performance of part 1 unrecorded; revived with part 2, Cockpit Theatre, 1630). Davenant, John. The History of Sir Francis Drake (Cockpit Theatre, 1658–59). [Music: Matthew Locke.] Behn, Aphra. The Rover; or, The Banish’d Cavaliers (Duke’s Theatre, 24 March 1677). Behn, Aphra. The Rover, Part II (Dorset Gardens, January 1681). Johnson, Charles. The Successful Pyrate (Drury Lane, 7 November 1712). Gay, John. The Beggar’s Opera (Lincoln Inn Fields, 29 January 1728). Anon. Love with Honour; or, The Privateer (Ipswich, 1753). Brown John. Barbarossa, a Tragedy (Drury Lane, 17 December 1754). Gay, John. Polly (Haymarket, 9 June 1777). Cobb, James. The Pirates (Haymarket, 21 November 1792). Cross, John Cartwright. Blackbeard; or, The Captive Princess (Royal Circus, April 1798). Cross, John Cartwright. The Genoese Pirate; or, Black Beard (Covent Garden, 15 Octo- ber 1798; 15 October 1809). Cross, John Cartwright. Sir Francis Drake, and Iron Arm (Royal Circus, 4 April 1800). [Music: Sanderson.] Astley, Philip, Jr. The Pirate; or, Harlequin Victor (Royal Amphitheatre, 25 August 1800; Royalty, 19 October 1801).