Deed to John Philips' Original Farm

Total Page:16

File Type:pdf, Size:1020Kb

Deed to John Philips' Original Farm c:" .., (13 ~ ~ Phillirs Familj Historj ~ ~ ~ ~ .. 4 ~ A Brief History of the Phillips Family, beginning with the emigration from Wales, and a detailed genealogy of ~ the descendants of John and Benjamin Philips, ~ ~ pioneer citizens of Wilson County, Tenn. ~ D □ ~ by ~ HARRY PHILLIPS WATERTOWN, TENN. ~ A member of the eighth generation ~ ~ 1935 ~ ~ ~ Published by THE LEBANON DEMOCRAT, Inc. ~ Lebanon, Tennessee ~ ~ t::I C ~ Copywright, 1935 By Harry Phillips TO THE MEMORY OF Jlurhiu i\.lnuin Jltillips A Christian Gentleman. Grand­ father of the Author This Volume Is Reverently Dedicated. TABLE OF CONTENTS CHAPTER I _______________ ---··- ____ Joseph Philips and His Valiant Sons CHAPTER II ________________________________________ Rev. David Philips CHAPTER III ____________ John and Benjamin Philips, Tennessee Pioneers CHAPTER IV ___________________________________________ Joseph Philips CHAPTER V --------------- _____________________________ .William Philips CHAPTER VI ____________________________________________ David Philips CHAPTER VII ______________________ David Phillips III, Confederate Hero CHAPTER VIII ____________________ Rachel Philips (Mrs. AI1chamack Bass) CHAPTER IX ---------------··----- ___________________ ,____ Josiah Philips CHAPTER X __________________________ Sarah Philips (Mrs. John Oakley) CHAPTER XI ____________ Margaret Ann Philips (Mrs. David Grandstaff) CHAPTER XII ---------··-------·-----------------------Benjamin Philips CHAPTER XIII ____________________ Francina Philips (Mrs. Henry Bass) CHAPTER XIV _______________________ Nancy Philips (Mrs. William Bass) CHAPTER XV _________________________ Martha Philips (Mrs. Cadar Bass) CHAPTER XVI __________________________ Sallie Philips (Mrs. Sion Bass) CHAPTER XVII _________________________________________ Thomas Philips CHAPTER XVIII ___________________ Polly Philips (Mrs. Nicholas Cassetty) CHAPTER XIX _______________________________________________ Postlude INTRODUCTION The inspiration for this volume was a birthday dinner held in honor of a great-unc!e of the author, David Brandon Phillips, now deceased, o'n Au­ gust 1, 1933. The original plan was to compile a brief genealogy of the descendants of Thomas Phillips, great-grandfather of the author, and to publish it in pam­ phlet form. Investigation in gathering data for this line uncovered inter­ esting facts which induced the writer to go back another generation; further discoveries successfully tempted him to include still another, and finally the plan of this volume was adopted: To give a history of the Phi:lips Family from the emigration from Wales to the present, and to compile a genealogy of the descendants of John and Benjamin Philips, Tennessee pioneers. It would be an enormous undertaking, but a fascinating one, to carry the gene­ alogy back two generations further, and include all of the descendants of Jo­ seph Phi:ips, who probably number over 20,000. Nineteen months have been spent in gathering data for this book and in the preparation of the manuscript. Every available source of information has been exhausted, including: Deed, wills and inventories, marriage, Circuit Court, Chancery Court and County Court records of Wi:so'n and Davidson counties, Tennessee; a brief history of the Philips family compiled after the Philips reunion at Vincent Baptist church, Chester County, Pennsylvania, in 1877; D. A. R. Lineag·e Books; History of Washington County, Pennsylvania; History of Chester County, Pennsylvania; war records of the War Between the States and the War of 1812 in the Tennessee State Library; various edi­ tions of Tennessee History; viar.ious authorities on American genealogy; tombstones in dozens of cemeteries; and personal interviews with older mem·­ bers of the respective branchea of the family. The author has written 287 personal letters and sent 1,084 form ;,etters, as well as 487 postal cards. The material for biographies of living members has been collected by mailing out over 1,300 questionnaires to aU heads of families. Every plausible effort has been expended to make the genealogy accu­ rate and complete, and to eliminate errors in names and dates. The biographies were dictated direct from the questionnaires, and the manuscript carefully revised and re-checked. Three proof-readings have been given evel{y chapter of the book. However, many questionnaires have never been returned, and the information pertaining to some of the branches of the family is therefore necessarily curtailed. Other questionnaires were re­ turned with essential information lacking, and consequently many dates and names are omitted which should have been included; other questionnaires were filled out with pencil, in handwrliting which the author had great dif- 2 PHILLIPS FAMILY HISTORY fi.culty in deciphering, and some errors may be attributed to this fact; also, in spite of the earnest request of the author that no member of the family be modest in relating his own accomplishments, many descendants failed to nar­ rate personal honors and achievements, and, no doubt, the biographies of a number of distinguished members of the present generation do not include important facts of this nature. To compile the vast number of names and dates included in the gene­ alogy with perfect accuracy would be almost a physicial impossibi:ity, and for any errors which may have been made the author offers sincere apologies. The 1·espective generations are classified at the beginning of each para­ g:daph by outline, for the convenience of the reader. The fourteen branches of the genealogy are divided by chapters. The first generation under each branch is classified by Roma:v numera:s "I", "II", ete·.·;· the next bly capital letters, "A", "B", etc.; the next by Arabian numerals, "1", "2", etc., and on through "a", "(1)", and "(a)" respectively. An alphabetical index is given at the end of the book. Photographs of the members of the early generations are not to be found and economy has required that few pictur/es of any kind be used in the pub­ lication. The author has written and published the volume on an economical basis, in order that copies may be conveniently available to ev:ery member of the family. The writer gratefully acknowledges the assistance of the following: L. A. Phillips of Nashville, who furnished a copy of the minutes of the reunion of 1877, which is the basis of much of the early historical data hlcluded in this book, and who gave inV'aluab:e assistance in furnishing leads on many branches of the family; Miss Julia Frances P'hil:ips of Watertown for assis­ tance in compiling the David Grandstaff line; Mrs. Charles Phillips of No­ rene for aid on David Phillips' line; Mrs. George Courtney of Brush Creek for aid on the Nathan Ph1llips' line; and to the dozens of other members of the family who responded generously with information concer;ning the re­ spective branches. HARRY PHILLIPS. Watertown, Tennessee April 1, 1935. Chapte1" I JOSEPH PHILIPS AND HIS VALIANT SONS It was in Wales, rugged little province of the British Isles, that Joseph Philips was born and reared. A good place to grow men is Wales. On her barren hillsides and in her secluded valleys, a brave and hardy race has lived since a day earlier th;m the history of man is recorded; a race of tena,cious people, thrifty, sturdy and industrious. For ages the Welsh resisted each successive attempt to invade their country and subject the inhabitants, and even today, although for seven cen­ turies a principality of the British Empire, in Ip.any localities they still cling to their native tongue and customs. Even the might of the Roman Empire was futile in its effort to subject this little country, although the Romans dominated the rest of Great B,ritain for over four hundred years; during the period of Roman domination, Wales remained a haven of refuge to the na­ tives and their Celtic kinsmen who fled there from other parts of the island. After the Romans abandoned the island in 408 A. D., England was over­ Tun with savage Picts and Scotts from the North, but again Wales was im­ pregnable. Then: came barbarous tribes from Continental Europe-the Jutes, Angles and Saxons, and although these fierce warriors subdued the Britons, they were unable to pierce the dogged little country to the West. For 600 years following the Anglo-Saxon invasion, English princes sought vainly to overcome their Celtic neighbors. William the Conqueror subdued England after the Battle of Hastings in 1066, but the Welsh contin­ ued to resist him. The mighty. William' in'vaded the tiny province and com­ pelled the Welsh princes to do him homage, but the natives continued in vir­ tual independence. William and his successors made repeated attempts to break the spirit of the tenacious pe'ople, and Henry I, Henry II, Richard I, John and Henry III all made various attempts to reduce the Welsh to sub.1 m1ss10n. Llewellyn, a Welsh prince, rebelled against Edward I in the thir­ teenth century but Edward was finally able to annex the stubborn country to his domain. Edward I created for his eldest son the title "Prince of Wales " and since that time the successor to the. British throne has been so known'. Even though under the intimate influence of England, the Welsh have in many respects preserved their .. mother tongue and customs even to the pres­ ent day. The race is very fond of music and poetry, and the language is 3 4 PHILLIPS FAMILY HISTORY said to be peculiarly adapted to poetic harmony and rhythm. It was from this stock of hardy people that Joseph Philips was descend­ ed, and it was in this land of legend that he was borµ and reared. He was born in 1716. Of his birthplace and early life we know nothing. However, it is recorded ·that his eldest son, David, was born in Pembrokeshire, so it is probable that the father was born and reared in that section of Southern Wales. It is also known that Joseph Philips was a weaver after he immi­ grated to America, so it is logical to presume that he learned this trade in boyhood and practiced it during the years he lived in the old country.
Recommended publications
  • Boxoffice Barometer (March 6, 1961)
    MARCH 6, 1961 IN TWO SECTIONS SECTION TWO Metro-Goldwyn-Mayer presents William Wyler’s production of “BEN-HUR” starring CHARLTON HESTON • JACK HAWKINS • Haya Harareet • Stephen Boyd • Hugh Griffith • Martha Scott • with Cathy O’Donnell • Sam Jaffe • Screen Play by Karl Tunberg • Music by Miklos Rozsa • Produced by Sam Zimbalist. M-G-M . EVEN GREATER IN Continuing its success story with current and coming attractions like these! ...and this is only the beginning! "GO NAKED IN THE WORLD” c ( 'KSX'i "THE Metro-Goldwyn-Mayer presents GINA LOLLOBRIGIDA • ANTHONY FRANCIOSA • ERNEST BORGNINE in An Areola Production “GO SPINSTER” • • — Metrocolor) NAKED IN THE WORLD” with Luana Patten Will Kuluva Philip Ober ( CinemaScope John Kellogg • Nancy R. Pollock • Tracey Roberts • Screen Play by Ranald Metro-Goldwyn-Mayer pre- MacDougall • Based on the Book by Tom T. Chamales • Directed by sents SHIRLEY MacLAINE Ranald MacDougall • Produced by Aaron Rosenberg. LAURENCE HARVEY JACK HAWKINS in A Julian Blaustein Production “SPINSTER" with Nobu McCarthy • Screen Play by Ben Maddow • Based on the Novel by Sylvia Ashton- Warner • Directed by Charles Walters. Metro-Goldwyn-Mayer presents David O. Selznick's Production of Margaret Mitchell’s Story of the Old South "GONE WITH THE WIND” starring CLARK GABLE • VIVIEN LEIGH • LESLIE HOWARD • OLIVIA deHAVILLAND • A Selznick International Picture • Screen Play by Sidney Howard • Music by Max Steiner Directed by Victor Fleming Technicolor ’) "GORGO ( Metro-Goldwyn-Mayer presents “GORGO” star- ring Bill Travers • William Sylvester • Vincent "THE SECRET PARTNER” Winter • Bruce Seton • Joseph O'Conor • Martin Metro-Goldwyn-Mayer presents STEWART GRANGER Benson • Barry Keegan • Dervis Ward • Christopher HAYA HARAREET in “THE SECRET PARTNER” with Rhodes • Screen Play by John Loring and Daniel Bernard Lee • Screen Play by David Pursall and Jack Seddon Hyatt • Directed by Eugene Lourie • Executive Directed by Basil Dearden • Produced by Michael Relph.
    [Show full text]
  • Of Cooperation Jerusalem - Arab L~Aders Papers Are Now Resisting Israeli Who Were W1lllng to Cooperate Suggestions That They Do So
    /, .Arab Threats Undermining Israel Hopes ·Of Cooperation Jerusalem - Arab l~aders papers are now resisting Israeli who were w1lllng to cooperate suggestions that they do so. with Israel a week ago are now An Arab Journalist who of­ THE ONLY ENGLISH-JEW/SH WEEKLY IN R. I. AND SOUTHEAST MASS. hesitating to help run a united Je­ fered an article to an American rusalem, Isfjiel's hopes for coop­ magazine on the advantages of eration with Arabs on the occu­ c90peratlng with Israel has now - VOL. LI, NO. 22 FRIDAY, JULY 28; 1967 15¢ PER COPY 12 PAGES pied west bank of the Jordan Riv­ withdrawn the article citing "new In pressures." · I . er and Jerusalem -are being undermined by Arab charges of The hesitation that Is becom­ collaboration against those who ing noticeable 'ts said by some Is­ Jerome Sapolsky-Of Beth Israel Hospital cooperate-With the Israelis. Leaf­ raelis to be based In part on '1- -- .. lets which differentiate between threats by Arab extremists who - 1 passive and active collaboration are getting their Inspiration from Named Executive Director At Miriam are circulating In the Old City, abt-oad. Jerome R. Sapolsky, director A letter · was published on There are many Arabs whose of administrative services and 'Tuesday from the members of the reluctance to cooperate Is based planning at Beth Israel Hospital, Municipal Council of the former on the political uncertainly In the Boston, Mass., wm become the Jordanian sector of Jerusalem In area. They fe ar that cooperation new executive director of Miriam which they declined to serve with now would compromise their po­ Hospital on Sept.
    [Show full text]
  • JJ Cale the Silent Master a Dreamlike Ride Through The
    About this English translation: The book was written in German; my mother tongue, it is the only language I know as a writer, with all nuances. My story about J.J. Cale's music and his artistic career would of course have deserved a professional English translation - but unfortunately, as an independent musician and author, I really lack the necessary money for this. That's why I translated the book here for you with deepl.com - it is currently the best online translator worldwide. I have additionally enhanced the Deepl-translation, but my English is limited - the subtleties of my mother tongue are lost, partly also the humor, and there will be some mistakes in presentation (f.e. with some "-characters) and maybe also grammar errors here and there. So if you have the feeling that certain phrases don't make sense or sound strange - just think "the computer is inferior to humans" - or for my sake "they're crazy, these Swiss guys!" :-) I'm sure you as a J.J. Cale fan will understand and enjoy the story anyway, and maybe here and there you'll learn hitherto unknown details about the wonderful J.J. Cale and his immortal music. Sincerely: Richard Koechli Remember, this is a gift, a free supplement to the CD and the Vinyl-Double-LP "The Real Chill, Remembering J.J. Cale" ... Table of contents Prologue 6 Chapter 1 - Tim's crazy idea 10 Chapter 2 - The Strange at Home 20 Chapter 3 – Tulsa 36 Chapter 4 - Los Angeles 91 Chapter 5 - The happy pill 151 Chapter 6 – Nashville 156 Naturally (1971) 168 Really (1972 223 Okie (1974) 242 Troubadour (1976) 283 Five (1979) 290 In Session At The Paradise Studios (1979) 303 Chapter 7 – The ride goes on 305 Shades (1981) 317 Grasshopper (1982) 317 #8 (1983) 319 Travel-Log (1990) 326 Number 10 (1992) Closer To You (1994) Guitar Man (1996) J.J.
    [Show full text]
  • Hopwood Newsletter Vol
    The Hopwood Newsletter Vol. LXXVI, 2 http://hopwood.lsa.umich.edu/ July, 2015 HOPWOOD This will be the last paper copy of the Hopwood Newsletter. Printing and mailing it twice a year costs thousands of dollars and we’d like to save as much money as possible for the awards. I’ll continue to write and edit the newsletters but from now on they only will be posted online at www.lsa.umich.edu/hopwood/newsevents. Do keep sending me news of your publications, awards, and activities at abeauch@ umich.edu. The Hopwood Underclassmen Awards were presented by Peter Ho Davies, Director of the Hopwood Program, on January 27. A reading by Chang-rae Lee followed the announcement of the awards. The judges for the fiction and nonfiction divisions were William Abernethy and Megan Levad (Hopwood winner). The judges for the poetry division as well as the other fall term poetry contests were Hopwood winners Josie Kearns and Bruce A. Lack, Jr. The judge for the Roy W. Cowden Memorial Fellowship was Daniel Hack. And the winners were: Hopwood Underclassmen Contest Fiction: Eileen Li, $600; Ben Simko, $600; Jeffrey Sun, $2,000 Nonfiction: Grace Rother, $800; Karen Duan, $1,000; Jeffrey Sun, $1,500 Clare Higgins, $600; Adie Dolan, $800; Olivia Raye-Leonard, $1,500 The Academy of American Poets Prize: Graduate Division, Hannah Webster, $100; Undergraduate Division, Ariel Kaplowitz, $100 The Bain-Swiggett Poetry Prize: Hannah Louise Poston, $600 The Michael R. Gutterman Award in Poetry: Carlina Duan, $500; Katie Willingham, $500 The Jeffrey L. Weisberg Memorial Prize
    [Show full text]
  • GTL PI Meeting 2008 Abstracts
    DOE/SC-0103 Joint Meeting Genomics:GTL Awardee Workshop VI and Metabolic Engineering Working Group Interagency Conference on Metabolic Engineering 2008 Bethesda, Maryland February 10–13, 2008 Prepared for the Prepared by U.S. Department of Energy Genome Management Information System Office of Science Oak Ridge National Laboratory Office of Biological and Environmental Research Oak Ridge, TN 37830 Office of Advanced Scientific Computing Research Managed by UT-Battelle, LLC Germantown, MD 20874-1290 For the U.S. Department of Energy Under contract DE-AC05-00OR22725 http://genomicsgtl.energy.gov Welcome elcome to the 2008 Joint Genomics:GTL engineering for biological hydrogen production Awardee Workshop and the eighth Meta- were funded in 2007. The Genomics:GTL program Wbolic Engineering Interagency Working Group in Ethical, Legal, and Societal Issues (ELSI) also Conference. The Genomics:GTL program supports continued to expand in 2007, incorporating new fundamental research on microbes and plants with projects that address societal and sustainability an emphasis on understanding systems biology issues associated with bioenergy development. The across multiple scales of organization. Molecular diverse array of approaches represented by these interactions among proteins, regulatory networks new projects and the existing Genomics:GTL com- and metabolic pathways of individual organisms, munity form a robust and highly complementary and multicellular interactions in complex microbial research program that engages some of our most communities are explored using advanced molecular pressing national priorities. and computational biology approaches enabled by genome sequencing. Research supported by the For the third year, this meeting brings together Genomics:GTL program addresses critical DOE researchers supported by the Genomics:GTL missions in bioenergy, bioremediation of environ- program and the Interagency Metabolic Engineer- mental contaminants, and biogeochemical cycling ing Working Group.
    [Show full text]
  • Johnny Rivers-Secret Agent
    November 19, 2006--- The ambient sound of Johnny Rivers is unlike anything else that emerged from the southern California rock scene in the mid-1960s. Rivers headlined at the famed Whisky A Go-Go club in Los Angeles, and he was perfect for the legendary club on Sunset Strip. Born in the Bronx and reared in Baton Rouge, La., his assertive vocals embraced the swamp soul of Slim Harpo, and he created new vibe for a region soaking up the Beach Boys and Jan and Dean. On Rivers' series of "Live at the Whisky" albums, his voice is heard above the clinking of ice cubes and the chatter of hot customers. Rivers used the good time, clap-along groove of Los Angeles vocalist Trini Lopez as a template for his live covers of Willie Dixon's "Seventh Son," Chuck Berry's "Memphis" and others. The Whisky was a shot of Vegas without the slots. The Whisky A Go-Go opened in January 1964. It was that guy always sitting next to Jack Nicholson at disc jockey in a mini-skirt danced in a suspended owned by Elmer Valentine (a former Chicago cop) and Lou Adler, who became Rivers' producer. Adler's Los Angeles Laker games. The "Whisky" was purposely mispelled, as was its sister club in Paris. A cage as Rivers played. "The Whisky had a balcony around it," Rivers said teeny. We could barely get bass, drums and guitar giving him tips to get through the door. Eventually I'm going to do a box set of all the six albums I did there." during an interview from his Los Angeles home.
    [Show full text]
  • FTVM Newsletter Black and White 2242011
    the University of Michigan Department of SCREEN ARTS & CULTURES WINTER 2011 WE’VE MOVED! COMECOME CHECK OUT OUR NEW DIGS! • NORTHNOORTH QUAD MEDIA GATEGATEWAY DEDICATED TO THE BENEDEK FAMILYLY (PAGE 1) • EXPLOREEXXPLORE NORTH QUQUADAADD (PAGE(PAAGE 2) • MICHIGANMICHIGAN CREATIVE FILM ALLIANALLIANCECE (PAGE( 6) • TRAVERSETRRAVERSE CITY FILM FESTIVAL FESTIVAALL (PAGE( 6) • HOLLYWOOD ON CAMPUSUS (PAGE 7) I love old buildings. In fact, when I first halls and into the stairwells, until I was the started working at University of Michigan only professor left in the entire building. At in the 1990s, I lived in a stunning Victorian some point, even the cleaning staff was gone mansion in Marshall. It was like living in and I’d be all by my lonesome—wide awake the Magnificent Ambersons’ house. The thanks to caffeinated coffee spiked with the only downside was the commute, so when I specter of tenure review. had evening events and morning classes, I often pulled out a sleeping bag and pad When I needed a break, I would set down my from behind a bookshelf and camped out in pen or put my computer to sleep, crank the my office in the Frieze Building. music (at the time it was a lot of Big Head Todd, Nirvana, and Eminem), and stretch for Because I am charmed by old architecture, those tall ceilings. And then I would reach I had a soft spot for the Frieze Building. behind that bookshelf, behind the sleeping There was a lot to appreciate. I still smile bag, and take out my secret toy. Remember Chair Markus Nornes (center) at the when I think of the jury-rigged projection the Frieze’s crumbling Formica? Those long, Traverse City Film Festival with Hugh booths built out of plywood.
    [Show full text]
  • New Hampshire Film Festival
    NHFILMFESTIVAL.COM OCTOBER 17.18.19.20 2019 1 Welcome to the 19TH Annual New Hampshire Film Festival Here we are in beautiful, historic Portsmouth, NH, for the 19th The NHFF also features a new venue this year — the Press annual New Hampshire Film Festival! Room! Newly renovated with a state-of-the-art, second-floor performance venue, this venerable downtown icon at 77 Daniel Autumn in these parts has become synonymous with the NH St. joins the ranks of traditional NHFF venues 3S Artspace, The Film Festival, as the technicolor kaleidoscope of New England Music Hall (opened as a vaudeville venue in 1878), The Music Hall foliage is mirrored in the vivid colors and stories that light up the Loft, and the Moffat-Ladd House (where else can you screen a NHFF festival screens for four days each October. film in a rustic riverfront barn next to a 1763 mansion owned by a signer of the Declaration of Independence?). Our films, along This year New Hampshire truly shines and takes center stage with these unique and special venues set against the beautiful at the NHFF, not only during our annual New Hampshire Day backdrop of Portsmouth, create an utterly magical experience celebration but across our spotlight screenings and throughout that is regarded by many as the best weekend in Portsmouth. the festival’s international competition as well. Starting with a special presentation of the Van McLeod award to Matt Renner, Of course, The New Hampshire Film Festival is once again truly a former Durham resident and graduate of Oyster River High grateful to enjoy the support of premiere sponsors The Provident School now working as vice president for production with Bank and Portsmouth Chevrolet, as well as a lengthy honor National Geographic Partners.
    [Show full text]
  • 1 Oral History of JUSTICE RICHARD M. MOSK Interview by Matthew
    Oral History of JUSTICE RICHARD M. MOSK Interview by Matthew Mosk∗ November 2011 Q: Do you have any recollection of your earliest days? A: I was born in 1939. My parents were living in Sacramento, but my mother took the train to Los Angeles, where I was born. In 1938, my father had been a young campaign worker for Culbert Olson, a state senator, who was a candidate for governor of California, and Olson won. In the campaign, my father worked closely with Phil Gibson, his law school professor and a top advisor to Olson (later chief justice of California). My father went up to Sacramento initially to be the clemency secretary, and then he became executive secretary, i.e., the chief deputy to the governor. I vaguely recall living in Sacramento. Lore has it that from time to time I crawled around the governor’s office in the Capitol. Then we moved back to Los Angeles after my father had been appointed to the Los Angeles Superior Court. My father was the youngest Superior Court judge in California history. Because he was young and therefore politically vulnerable as a judge, several candidates ran against him in 1944. I recall his reelection campaign. I used to have to lick stamps to put on the envelopes. It was very stressful for him, because in the primary he did not get a majority, and that was ominous for an incumbent. But he went on to prevail in the final election by a large margin. My grandmother, my father’s mother, Minna, who was a wonderful lady, ended up owning a bookstore in Los Angeles.
    [Show full text]
  • Hopwoodthe Newsletter Vol
    HopwoodThe Newsletter Vol. LXXIV, 2 http://hopwwod.lsa.umich.edu/ July, 2013 HOPWOODHOPWOOD The Hopwood Reader and Lecturer have been selected for next year. Kimiko Hahn will give a poetry reading at the 2014 Underclassmen Awards Ceremony, to be held on Tuesday, January 28, in the Rackham Amphitheatre at 3:30 p.m. She is the author of seven collections of poetry, including The Narrow Road to the Interior (W.W. Norton, 2006); The Artist’s Daughter (2002); Mosquito and Ant (1999); Volatile (1998); and The Unbearable Heart (1995), which received an American Book Award. Poets. org notes: “Her work often explores desire and death, and the intersections of confl icting identities. She frequently draws on, and even reinvents, classic forms and techniques used by women writers in Japan and China, including the zuihitsu, or pillow book, and nu shu, a nearly extinct script Chinese women used to correspond with one another. About her own work and its place in Asian American writing, Hahn has said: ‘I’ve taken years to imagine an Asian American aesthetic. I think it’s a combination of many elements—a refl ection of Asian form, an engagement with content that may have roots in historical Photo by Harold Schechter identity, together with a problematic, and even psychological, relationship to language.’ She is the recipient of fellowships from the National Endowment for the Arts and the New York KIMIKO HAHN Foundation for the Arts, as well as a Lila Wallace-Reader’s Digest Writers’ Award, the Theodore Roethke Memorial Poetry Prize, and an Association of Asian American Studies Literature Award.
    [Show full text]