Essay Contest 2014 15 Lili Werlberger Leonard
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From Chaos to Art Postmodernism in the Novels of Leonard Cohen
Ghent University Faculty of Arts and Philosophy From Chaos to Art Postmodernism in the Novels of Leonard Cohen Paper submitted in partial fulfilment of the requirements for the degree of “Master of Arts in Linguistics and Supervisor: Literature: Dutch – English” by Prof. Dr. Sandro Jung August 2011 Dries Vermeulen I followed the course From chaos to art Desire the horse Depression the cart LEONARD COHEN reciting “The Book of Longing” ACKNOWLEDGEMENTS When I was five years old, I felt like I was the only person in the world who could not read. Being able to decipher the unlimited combinations of those twenty-six peculiar signs that filled pages upon pages, was what distinguished the grown-ups from the children. Something had to be done. My mother was my first teacher. She taught me to read, although she likes to remind me that I did it all on my own. I spent the following twelve years of my life thinking I was good at it. And yet I arrived in Ghent an illiterate. Here I learned that there is much more to literature than I imagined. I was taught new and more thorough ways of reading books. I can only hope the following pages succeed to prove that I have paid attention. I wish to thank my supervisor, Prof. Dr. Sandro Jung, for his help, and for allowing me to write a dissertation on two novels hardly anyone in the English Department had even heard of. I know he really preferred William Beckford’s Vathek as a subject. I also wish to thank Prof. -
Preliminary Syllabus MUS 20: the Poetry and Songs of Leonard Cohen Instructor, T
Preliminary Syllabus MUS 20: The Poetry and Songs of Leonard Cohen Instructor, T. Hampton Recommended book: Cohen, Stranger Music. First Meeting, Oct 11: “Remember me, I used to live for music.” The poet as songwriter. Montréal. The Canadian Scene. Irving Layton. Cohen in Greece: Let Us Compare Mythologies, Songs of Leonard Cohen, Songs from a Room. Key Songs: “Suzanne,” “Sisters of Mercy,” “Stranger Song,” “Bird on the Wire,” “Story of Isaac,” “Seems So Long Ago, Nancy,” “So Long, Marianne.” Themes: flesh and spirit, the identity of the singing voice, abjection and humiliation. Second Meeting, Oct 18: “It’s four in the morning, the end of December.” Cohen in the spotlight. The Chelsea Hotel. Isle of Wight. Cohen on the move. Songs of Love and Hate, New Skin for the Old Ceremony. Key Songs: “Famous Blue Raincoat,” “Joan of Arc,” “Who by Fire,” “A Singer Must Die,” “Take This Longing,” “Dress Rehearsal Rag.” Themes: limits of power, self-doubt, drugs, self-purification, betrayal. Third Meeting, Oct 25: “I will speak no more, till I am spoken for.” Cohen as “The Prince of Bummers.” Death of a Lady’s Man. Death of a Ladies Man. Recent Songs. Various Positions. Key Songs: “If It Be Your Will,” “Hallelujah,” “Coming Back to You.” “The Guests.” “The Smoky Life,” “Dance Me to the End of Love.” Jennifer Warnes, Famous Blue Raincoat. Themes: Humility, divinity, Impotence. Fourth Meeting, Nov. 1: “I was born like this, I had no choice.” Cohen Returns. The importance of the keyboard. New production values. Book of Mercy. Book of Longing. I’m Your Man. -
Cohen's Age of Reason
COVER June 2006 COHEN'S AGE OF REASON At 71, this revered Canadian artist is back in the spotlight with a new book of poetry, a CD and concert tour – and a new appreciation for the gift of growing older | by Christine Langlois hen I mention that I will be in- Senior statesman of song is just the latest of many in- terviewing Leonard Cohen at his home in Montreal, female carnations for Cohen, who brought out his first book of po- friends – even a few younger than 50 – gasp. Some offer to etry while still a student at McGill University and, in the Wcome along to carry my nonexistent briefcase. My 23- heady burst of Canada Council-fuelled culture of the early year-old son, on the other hand, teases me by growling out ’60s, became an acclaimed poet and novelist before turning “Closing Time” around the house for days. But he’s inter- to songwriting. Published in 1963, his first novel, The ested enough in Cohen’s songs to advise me on which ones Favourite Game, is a semi-autobiographical tale of a young have been covered recently. Jewish poet coming of age in 1950s Montreal. His second, The interest is somewhat astonishing given that Leonard the sexually graphic Beautiful Losers, published in 1966, has Cohen is now 71. He was born a year before Elvis and in- been called the country’s first post-modern novel (and, at troduced us to “Suzanne” and her perfect body back in 1968. the time, by Toronto critic Robert Fulford, “the most re- For 40 years, he has provided a melancholy – and often mor- volting novel ever published in Canada”). -
The End of the World and Other Times in the Future
University of Richmond UR Scholarship Repository Philosophy Faculty Publications Philosophy 2014 The ndE of the World and Other Times in The Future Gary Shapiro University of Richmond, [email protected] Follow this and additional works at: http://scholarship.richmond.edu/philosophy-faculty- publications Part of the Composition Commons, and the Philosophy of Language Commons Recommended Citation Shapiro, Gary. "The ndE of the World and Other Times in The Future." In Leonard Cohen and Philosophy: Various Positions, edited by Jason Holt, 39-51. Vol. 84. Popular Culture and Philosophy. Chicago: Open Court, 2014. This Book Chapter is brought to you for free and open access by the Philosophy at UR Scholarship Repository. It has been accepted for inclusion in Philosophy Faculty Publications by an authorized administrator of UR Scholarship Repository. For more information, please contact [email protected]. 4 The End of the World and Other Times in The Future GARY SHAPIRO In an interview with his biographer Sylvie Simmons, Leonard Cohen identifies the main interests in his work as "women, song, religion" (p. 280). These are not merely per sonal concerns for Cohen, they are dimensions of the world that he tries to understand as a poet, singer, and thinker. Now it's something of a cliche to see the modern romantic or post-romantic singer or poet in terms of personal strug gles, failures, triumphs, and reversals. Poets sometimes re spond by adopting elusive, ironic, enigmatic, or parodic voices: think, in their different ways, of Bob Dylan and Anne Carson. Yet Cohen has always worn his heart on his sleeve or some less clothed part of his body: he let us know, for ex ample, that Janis Joplin gave him head in the Chelsea hotel while their celebrity limos were waiting outside. -
Fiction & Cie Leonard Cohen
maquette-the-flame-BAT-20.08.18.indd 1 11/09/2018 14:14 maquette-the-flame-BAT-20.08.18.indd 2 11/09/2018 14:14 THE FLAME maquette-the-flame-BAT-20.08.18.indd 3 11/09/2018 14:14 maquette-the-flame-BAT-20.08.18.indd 4 11/09/2018 14:14 Fiction & Cie Leonard Cohen THE FLAME Poèmes, notes et dessins Traduit de l’anglais (Canada) par Nicolas Richard Éditions du Seuil 25, boulevard Romain-Rolland, Paris XIVe maquette-the-flame-BAT-20.08.18.indd 5 11/09/2018 14:14 COLLECTION « Fiction & Cie » fondée par Denis Roche dirigée par Bernard Comment Éditeur original : Penguin Random House Canada Titre original : The Flame, poems and selections from notebooks THE FLAME © 2018, Leonard Cohen All rights reserved ISBN original : 978-0-7710-2441-2 ISBN : 978-2-02-140064-9 © Éditions du Seuil, octobre 2018 pour la traduction française Le Code de la propriété intellectuelle interdit les copies ou reproductions destinées à une utilisation collective. Toute représentation ou reproduction intégrale ou partielle faite par quelque procédé que ce soit, sans le consentement de l’auteur ou de ses ayants cause, est illicite et constitue une contrefaçon sanctionnée par les articles L. 335-2 et suivants du Code de la propriété intellectuelle. maquette-the-flame-BAT-20.08.18.indd 6 11/09/2018 14:14 [tu ôtes et c’est déchiré tes sandales au centre d’un coup de pied ce que peu tu secoues tes cheveux peuvent accepter c’est déchiré là où tu danses c’est déchiré partout viens rassembler les morceaux tout éparpillés et perdus c’est déchiré le mensonge dans ce qui est saint sur la droite la lumière dans et c’est déchiré ce qui ne l’est pas sur la gauche Montréal] maquette-the-flame-BAT-20.08.18.indd 7 11/09/2018 14:14 maquette-the-flame-BAT-20.08.18.indd 8 11/09/2018 14:14 AVANT-PROPOS Ce volume présente les ultimes efforts de mon père en tant que poète. -
Leonard Cohen Reminds Us Why He Still Matters by Joshua Klein Yes, Cohen Has Written the Spring U.S
MUSIC Leonard Cohen reminds us why he still matters By Joshua Klein Yes, Cohen has written the spring U.S. tour.). SPECIAL TO THE TRIBUNE several classics—"Suzanne," Yet that was likely no "So Long, Marianne," "Chel- substitute for the sight of the NEW YORK—Montreal sea Hotel No. 2" and "Bird man himself, dapper and bard Leonard Cohen has on the Wire" among them— fleet of foot as he trotted into written and recorded many but as of late, it's "Hallelu- position to front his ace great songs, and influenced jah" that increasingly pulls band through more than two many times that number of more people into the fold. It's hours of instantly recogniz- peers and followers with his a cryptic but compelling able material. spiritual, morose and occa- masterpiece of hopeful mel- Like Dylan, Reed and sionally carnal poetry and ancholy (and oft overlooked Waits, Cohen is not a conven- music. sensuality) by a man many tionally talented vocalist, But lately one song towers may not even know wrote it. but he still used his impres- over the rest of Cohen's con- Not that Cohen seemed to sive baritone like a master, siderable oeuvre, and that's mind. Though he was no frequently delivering, on "Hallelujah." It has been recluse, the singer/song- bended knee, each perfectly covered countless times by writer grew increasingly phrased line with a mix of the likas of Bob Dylan, Bono, sanguine on the sidelines in menace and knowing mirth. John Gale, Rufus Wain- the'80s, and by the'90s he . -
Oltreoceano11 Copia
GENERATIONS PASS IN A PARAGRAPH*: LEONARD COHEN’S LATE WORK Agnese De Marchi** Abstract This paper explores themes like aging and late-life creativity as reflected in the poetic world of Canadian song-writer Leonard Cohen (1934). In addition to analyzing biographical mate- rial such as recent interviews and documentaries, this paper will focus on how such themes are treated in his latest work, including the album Popular Problems (2014) and Cohen’s lat- est poetry collection titled Book of Longing (2006). Generazioni che scorrono in un paragrafo: le ultime opere di Leonard Cohen Questo studio intende esplorare l’universo poetico del cantautore e poeta, Leonard Cohen (1934) alla luce delle sue produzioni musicali e letterarie più recenti che riflettono inevitabil- mente una maturità non solo artistica ma anche ‘biologica’. Si cercherà di tracciare lo sviluppo di specifiche tematiche nell’opera di questo autore alla luce del legame fra creatività e vecchiaia. An iconic figure The present paper aims to explore the complex issue of aging1 in the latest work of Canadian poet, singer and songwriter Leonard Cohen2, while at the * «In the Bible generations pass in a paragraph, a betrayal is disposed of in a phrase, the creation of the world consumes a page […] for my part I describe the whole orchard» (Cohen. Parasites: 22). ** Università Ca’ Foscari Venezia. 1 Edward Said’s seminal work On Late Style: Music and Literature against the Grain has provided the theoretical framework within which I have attempted to identify traces of a late style in Cohen’s most recent works. At the same time, Michael and Linda Hutcheon’s essay “Late Style(s): the Ageism of the Singular” has proved to be an effective warning against the many risks involved in generalizing about late style(s), whereas Susan Sontag’s essay “The Double Standard of Aging” has helped me reflect upon the different ways in which male aging (in this case Leonard Cohen’s) is portrayed and presented by media. -
Stan Magazynu Caĺ†Oĺıäƒ Lp Cd Sacd Akcesoria.Xls
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Leonard Cohen in French Culture: a Song of Love and Hate
The Journal of Specialised Translation Issue 29 – January 2018 Leonard Cohen in French culture: A song of love and hate. A comparison between musical and literary translation Francis Mus, University of Liège and University of Leuven ABSTRACT Since his comeback on stage in 2008, Leonard Cohen (1934-2016) has been portrayed in the surprisingly monolithic image of a singer-songwriter who broke through in the ‘60s and whose works have been increasingly categorised as ‘classics’. In this article, I will examine his trajectory through several cultural systems, i.e. his entrance into both the French literary and musical systems in the late ‘60s and early ’70s. This is an example of mediation brought about by both individual people and institutions in both the source and target cultures. Cohen’s texts do not only migrate between geo-politically defined source and target cultures (Canada and France), but also between institutionally defined musical and literary systems within one single geo-political context (France). All his musical albums were reviewed and distributed there soon after their release and almost his entire body of literary works (novels and poetry collections) has been translated into French. Nevertheless, Cohen’s reception has never been univocal, either in terms of the representation of the artist or in terms of the evaluation of his works, as this article concludes. KEYWORDS Leonard Cohen, cultural transfer, musical translation, retranslation, ambivalence. I don’t speak French that well. I can get by, but it’s not a tongue I could ever move around in in a way that would satisfy the appetites of the mind or the heart. -
KRAKÓW, POLAND 6-8 AUGUST 2010 Kraków, Poland 6-8 August 2010 MESSAGE from JARKKO
KRAKÓW, POLAND 6-8 AUGUST 2010 Kraków, Poland 6-8 August 2010 MESSAGE FROM JARKKO DEAR FRIENDS, chains and limitations of the digital world. Instead of Leonard Cohen’s music and reading what’s written on the poetry have brought us from websites, typing our emails all over the world to the and Forum or Facebook wonderful city of Kraków. messages, gazing into the Here we will celebrate and little screen to find out what enjoy Our Man’s work and is said in cyberspace – now, spend some memorable we are going to experience times and moments much more in the Real Life. together. This is the seventh We are able to meet and international Leonard Cohen touch each other, to dine and Event, and many members drink together, to sing and here have participated in enjoy the life together! one or more of the previous gatherings. A special This is the third year in a welcome to those who join us row that we have had the now for the first time! privilege of seeing Leonard Cohen and his amazing band The immense growth of in concert. Before 2008, we Internet communication had often discussed how has enabled us to create wonderful it would have a magnificent worldwide been to follow a tour online network of information and in real time, but we found friendship. Our Leonard it unrealistic. After 15 years, Cohen Events give us a Leonard’s decision to go on chance to break the invisible tour again was a dream come Event true. The tour announcement Kraków, he is with us in spirit. -
La Tradition Biblique À Travers Les Œuvres De Leonard Cohen
LCO 6830, Séminaire de recherche: La tradition biblique à travers les œuvres de Leonard Cohen Automne 2017 Horaire : Lundi, 13h00 à 16h00 Professeur: Terry Cochran (substitution/equivalence PLU6061, “Littératures juives de la modernité”) Description: Malgré son succès populaire en tant que chanteur et compositeur, Leonard Cohen était surtout un écrivain, ayant publié deux romans et nombreux recueils de poésie avant d’amorcer sa carrière de musicien. De même qu’il a continué à écrire la poésie pendant toute sa vie, ses chansons se distinguent autant par leurs paroles que par leur composition musicale. Au fond, toute sa production – qu’elle soit romanesque, poétique ou musicale – relève du littéraire et les différences entre ces genres de création demeurent très fluides; le langage des romans possède très souvent une sonorité poétique et les poèmes deviennent plus tard les paroles d’une chanson, tout comme les vers chantés se trouvent dans ses recueils de poésie. Cette production « tricéphale » accompagne la quête spirituelle de Cohen qui l’amène à explorer divers héritages religieux – y compris le bouddhisme et l’hindouisme – en plus de son propre judaïsme. Or dans une optique textuelle, cette quête s’inspire de manière constante de la tradition biblique qui a profondément marqué toute l’œuvre de Cohen ainsi que sa vision et son expérience de la création littéraire. Ce séminaire se concentrera sur les liens étroits entre, d’une part, le Tanakh (la Bible hébraïque) et, dans une moindre mesure, la Bible chrétienne (le Nouveau Testament) et, d’autre part, le projet littéraire et les écrits variés de Leonard Cohen. -
Morre Leonard Cohen, Autor De '
Disciplina - Língua Estrangeira Moderna - Morre Leonard Cohen, autor de ''Hallelujah" LEM Enviado por: [email protected] Postado em:11/11/2016 Música e poesia em luto pela morte de Leonard Cohen Autor de ''Hallelujah'', que virou monge budista e saiu do exílio para recuperar o dinheiro roubado pelo empresário, faleceu nessa quinta-feira, aos 82 anos de idade. O lendário cantor e compositor Leonard Cohen, cujo trabalho inspirou músicos por mais de cinco décadas, morreu nesta quinta-feira, aos 82 anos. A gravadora de Cohen confirmou a notícia por meio da página oficial do artista no Facebook. “É com profundo pesar que informamos que o lendário poeta, compositor e artista Leonard Cohen faleceu”, diz a nota oficial. “Perdemos um dos mais reverenciados e profícuos visionários da música. As cerimônias fúnebres em memória a ele acontecerão em Los Angeles, em data a ser divulgada. A família pede privacidade durante seu período de luto.” A causa da morte não foi divulgada. Cohen foi uma espécie de líder velado de um pequeno grupo de cantores e compositores extremamente influentes que emergiram nos anos 60 e no início dos anos 70. “Entre eles, apenas Bob Dylan alcançou uma influência mais profunda em sua geração e talvez apenas Paul Simon e seu colega canadense Joni Mitchell se igualam a ele como letrista”, descreveu a revista Rolling Stone. Ele foi também um dos poucos artistas de sua geração a experimentar o sucesso no topo de seus 80 anos, lançando um álbum final, You Want It Darker, mês passado.