Being and Belonging According to Shashi Tharoor
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Mumbai Macbeth: Gender and Identity in Bollywood Adaptations Rashmila Maiti University of Arkansas, Fayetteville
University of Arkansas, Fayetteville ScholarWorks@UARK Theses and Dissertations 8-2018 Mumbai Macbeth: Gender and Identity in Bollywood Adaptations Rashmila Maiti University of Arkansas, Fayetteville Follow this and additional works at: http://scholarworks.uark.edu/etd Part of the Asian Studies Commons, Comparative Literature Commons, and the Literature in English, British Isles Commons Recommended Citation Maiti, Rashmila, "Mumbai Macbeth: Gender and Identity in Bollywood Adaptations" (2018). Theses and Dissertations. 2905. http://scholarworks.uark.edu/etd/2905 This Dissertation is brought to you for free and open access by ScholarWorks@UARK. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ScholarWorks@UARK. For more information, please contact [email protected], [email protected]. Mumbai Macbeth: Gender and Identity in Bollywood Adaptations A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Comparative Literature and Cultural Studies by Rashmila Maiti Jadavpur University Bachelor of Arts in English Literature, 2007 Jadavpur University Master of Arts in English Literature, 2009 August 2018 University of Arkansas This dissertation is approved for recommendation to the Graduate Council. M. Keith Booker, PhD Dissertation Director Yajaira M. Padilla, PhD Frank Scheide, PhD Committee Member Committee Member Abstract This project analyzes adaptation in the Hindi film industry and how the concepts of gender and identity have changed from the original text to the contemporary adaptation. The original texts include religious epics, Shakespeare’s plays, Bengali novels which were written pre- independence, and Hollywood films. This venture uses adaptation theory as well as postmodernist and postcolonial theories to examine how women and men are represented in the adaptations as well as how contemporary audience expectations help to create the identity of the characters in the films. -
Allotted List for Diploma in Nursing for Women Course 2020-2021 Session
DIPLOMA IN NURSING FOR WOMEN 2020 - 2021 SESSION Chengalpet Medical College JOINED GROUP COMMUNITY SNO RANK ARNO NAME T.MARKS STATUS SCIENCE 1 11 859 REEMA M SC 80.00 SCIENCE 2 216 3628 ARUNADEVI M MBC/DNC 71.25 SCIENCE 3 410 28 SWETHA K L MBC/DNC 68.00 SCIENCE 4 494 1384 PRIYADHARSHINI S MBC/DNC 67.00 SCIENCE 5 629 3196 VENMATHI D SC 65.50 SCIENCE 6 659 375 AKSHAYA V SC 65.38 SCIENCE 7 798 2997 BAVANI E MBC/DNC 64.25 SCIENCE 8 839 1922 VARSHA K BC 63.75 SCIENCE 9 869 1402 JAYASRI S MBC/DNC 63.50 SCIENCE 10 901 2675 VAISHNAVI R MBC/DNC 63.25 SCIENCE 11 915 2583 GEETHA S MBC/DNC 63.00 SCIENCE 12 1102 1981 PAVITHRA N MBC/DNC 61.50 SCIENCE 13 1137 1914 HEMAMALINI S MBC/DNC 61.25 SCIENCE 14 1165 1830 RAJESHWARI M MBC/DNC 61.25 SCIENCE 15 1217 3055 SUSI P SC 60.75 SCIENCE 16 1304 1204 GAJALAKSHMI M SC 60.00 SCIENCE 17 1312 158 MAHALAKSHMI L SC 60.00 SCIENCE 18 1323 273 CHRISTY PRIYANKA M BC 60.00 SCIENCE 19 1391 3444 SWETHA S SC 59.50 SCIENCE 20 1421 3677 VAISHNAVI M SC 59.25 SCIENCE 21 1436 188 DEEPALAKSHMI T SC 59.13 SCIENCE 22 1467 890 CHRISTINPREMA A BC 59.00 SCIENCE 23 1565 2677 KEERTHANA S BC 58.25 SCIENCE 24 1601 2967 SHARMILA.M SC 58.00 SCIENCE 25 1630 2186 MANIMALA T MBC/DNC 57.75 SCIENCE 26 1695 3257 DEVAYANI D ST 57.50 SCIENCE 27 1724 2655 UMA G ST 57.25 SCIENCE 28 1747 2865 SOUNTHARYA R SC 57.00 SCIENCE 29 1787 365 MARIYA SELVI B BC 56.75 SCIENCE 30 1825 1440 HERSHIN S BC 56.50 SCIENCE 31 1830 203 CHRISTYPRIYA I BC 56.50 SCIENCE 32 1905 3381 AGASTHIYA A SC 56.00 SCIENCE 33 1938 1761 MANILA E SC 56.00 SCIENCE 34 1981 821 SATHIYAPRIYA -
SPARROW Newsletter
SNL Number 38 May 2019 SPARROW newsletter SOUND & PICTURE ARCHIVES FOR RESEARCH ON WOMEN A Random Harvest: A book of Diary sketches/ Drawings/Collages/ Watercolours of Women Painters It is a random collection from the works women painters who supported the Art Raffle organised by SPARROW in 2010. The works were inspired by or were reflections of two poems SPARROW gave them which in our view, exemplified joy and sorrow and in a sense highlighted women’s life and experiences that SPARROW, as a women’s archives, has been documenting over the years. Contribution Price: Rs. 350/- This e-book is available in BookGanga.com. Photographs............................................. 19267 Ads................................................................ 7449 Books in 12 languages............................ 5728 Newspaper Articles in 8 languages... 31018 Journal Articles in 8 languages..............5090 Brochures in 9 languages........................2062 CURRENT Print Visuals................................................. 4552 Posters........................................................... 1772 SPARROW Calendars...................................................... 129 Cartoons..............................................................3629 Maya Kamath’s cartoons...........................8000 HOLDINGS Oral History.................................................. 659 Video Films................................................. 1262 Audio CDs and Cassettes...................... 929 Private Papers........................................ -
CRAMPED for ROOM Mumbai’S Land Woes
CRAMPED FOR ROOM Mumbai’s land woes A PICTURE OF CONGESTION I n T h i s I s s u e The Brabourne Stadium, and in the background the Ambassador About a City Hotel, seen from atop the Hilton 2 Towers at Nariman Point. The story of Mumbai, its journey from seven sparsely inhabited islands to a thriving urban metropolis home to 14 million people, traced over a thousand years. Land Reclamation – Modes & Methods 12 A description of the various reclamation techniques COVER PAGE currently in use. Land Mafia In the absence of open maidans 16 in which to play, gully cricket Why land in Mumbai is more expensive than anywhere SUMAN SAURABH seems to have become Mumbai’s in the world. favourite sport. The Way Out 20 Where Mumbai is headed, a pointer to the future. PHOTOGRAPHS BY ARTICLES AND DESIGN BY AKSHAY VIJ THE GATEWAY OF INDIA, AND IN THE BACKGROUND BOMBAY PORT. About a City THE STORY OF MUMBAI Seven islands. Septuplets - seven unborn babies, waddling in a womb. A womb that we know more ordinarily as the Arabian Sea. Tied by a thin vestige of earth and rock – an umbilical cord of sorts – to the motherland. A kind mother. A cruel mother. A mother that has indulged as much as it has denied. A mother that has typically left the identity of the father in doubt. Like a whore. To speak of fathers who have fought for the right to sire: with each new pretender has come a new name. The babies have juggled many monikers, reflected in the schizophrenia the city seems to suffer from. -
Best Sports Venues in Mumbai"
"Best Sports Venues in Mumbai" Erstellt von : Cityseeker 5 Vorgemerkte Orte SMAAASH "All About Sports, Fun & Games" Smaaash, stands true to its name and is a smashing hit amongst sport aficionados. This spacious venue promises an unlimited fun and a great time. This one-of-a-kind place offers sports-oriented entertainment and gaming options. Cricket lovers can try their hand at the cricket simulator, where bowling machines throw challenges at you; bowling fans can go for by battlecreekcvb the bowling alleys. That's not it, you can also enjoy motor racing, hoopla zone, laser maze, paintball war and so forth. And, if action is not for you, simply head to the on-site spa and rejuvenate yourself, while your kids enjoy. When it's a fun zone, it has to have great dining options too, at the Bazinga Sports Cafe you can indulge in comfort food like burgers or simply go for Indian dishes. With such great activities and atmosphere, Smaaash is an ideal venue for hosting your party or event. For reservations and other details, call ahead. +91 22 4914 3143 smaaash.in/ [email protected] Pandurang Budhkar Marg, City Studio, Gate 4, Oasis Complex, Mumbai Mahalaxmi Race Course (Royal Western India Turf Club) "Breathing Space!" Accessible from both the Haji Ali sea-face and Keshavrao Khadye Marg, this world-class turf club and racecourse was built under the enthusiastic direction of Major E Hughes in 1880. The Mahalaxmi racecourse is open throughout the year for the general public and most visitors come for a jog around the 2.2km inner circuit, only to regain the lost calories at Gallops. -
Clare M. Wilkinson-Weber
Clare M. Wilkinson-Weber TAILORING EXPECTATIONS How film costumes become the audience’s clothes ‘Bollywood’ film costume has inspired clothing trends for many years. Female consumers have managed their relation to film costume through negotiations with their tailor as to how film outfits can be modified. These efforts have coincided with, and reinforced, a semiotic of female film costume where eroticized Indian clothing, and most forms of western clothing set the vamp apart from the heroine. Since the late 1980s, consumer capitalism in India has flourished, as have films that combine the display of material excess with conservative moral values. New film costume designers, well connected to the fashion industry, dress heroines in lavish Indian outfits and western clothes; what had previously symbolized the excessive and immoral expression of modernity has become an acceptable marker of global cosmopolitanism. Material scarcity made earlier excessive costume display difficult to achieve. The altered meaning of women’s costume in film corresponds with the availability of ready-to-wear clothing, and the desire and ability of costume designers to intervene in fashion retailing. Most recently, as the volume and diversity of commoditised clothing increases, designers find that sartorial choices ‘‘on the street’’ can inspire them, as they in turn continue to shape consumer choice. Introduction Film’s ability to stimulate consumption (responding to, and further stimulating certain kinds of commodity production) has been amply explored in the case of Hollywood (Eckert, 1990; Stacey, 1994). That the pleasures associated with film going have influenced consumption in India is also true; the impact of film on various fashion trends is recognized by scholars (Dwyer and Patel, 2002, pp. -
Hành Trình Tội Ác Của Sát Thủ Gốc Việt Hống Minh
Hành Trình Tội Ác Của Sát Thủ Gốc Việt Hống Minh Sinh ra tại Sài Gòn, lớn lên tại Pháp và mang trong mình dòng máu lai Việt - Ấn, Charles Sobhraj thường xuyên đi lại giữa châu Âu và châu Á để thực hiện tội ác "còn hơn cả trong phim". Charles Sobhraj là cái tên đi vào phim ảnh như một trong những sát nhân nổi tiếng nhất thế giới với một loạt các biệt danh như “sát nhân bikini”, “kẻ đào tẩu”, “người rắn”. Đặc biệt, dù đang thụ án tại nhà giam nhưng y vẫn được nhận hàng triệu USD tiền bản quyền từ các nhà xuất bản hoặc hãng phim lớn khi người ta dựa vào cuộc đời y làm mẫu cho những tác phẩm đình đám. Charles Sobhraj vẫn đạo mạo dù đang phải thụ án chung thân Sobhraj sinh ngày 6/4/1944 tại Sài Gòn, lớn lên tại Pháp, là con ngoài hôn thú của một người phụ nữ Việt Nam và một thợ may Ấn Độ. Là kẻ lừa đảo, trộm cắp, buôn ma túy và giết người hàng loạt nhưng cuộc đời phiêu bạt cùng những cuộc đào tẩu chỉ có trong tiểu thuyết giúp cho “sát nhân bikini” thành ngôi sao của giới truyền thông. Bằng cách “bán” những câu chuyện cuộc đời ly kỳ của mình cho báo chí, nhà làm phim…Sobhraj có thừa tiền để sống cuộc sống vương giả đáng mơ ước ngay trong tù. Tuổi thơ dữ dội Ngay từ khi Sobhraj vừa mới cất tiếng khóc chào đời, cha đẻ của cậu dứt áo ra đi, bỏ lại mẹ bơ vơ một mình ôm con khóc mỏi mòn. -
Shah Rukh Khan from Wikipedia, the Free Encyclopedia "SRK" Redirects Here
Shah Rukh Khan From Wikipedia, the free encyclopedia "SRK" redirects here. For other uses, see SRK (disambiguation). Shah Rukh Khan Shah Rukh Khan in a white shirt is interacting with the media Khan at a media event for Kolkata Knight Riders in 2012 Born Shahrukh Khan 2 November 1965 (age 50)[1] New Delhi, India[2] Residence Mumbai, Maharashtra, India Occupation Actor, producer, television presenter Years active 1988present Religion Islam Spouse(s) Gauri Khan (m. 1991) Children 3 Signature ShahRukh Khan Sgnature transparent.png Shah Rukh Khan (born Shahrukh Khan, 2 November 1965), also known as SRK, is an I ndian film actor, producer and television personality. Referred to in the media as "Baadshah of Bollywood", "King of Bollywood" or "King Khan", he has appeared in more than 80 Bollywood films. Khan has been described by Steven Zeitchik of t he Los Angeles Times as "perhaps the world's biggest movie star".[3] Khan has a significant following in Asia and the Indian diaspora worldwide. He is one of th e richest actors in the world, with an estimated net worth of US$400600 million, and his work in Bollywood has earned him numerous accolades, including 14 Filmfa re Awards. Khan started his career with appearances in several television series in the lat e 1980s. He made his Bollywood debut in 1992 with Deewana. Early in his career, Khan was recognised for portraying villainous roles in the films Darr (1993), Ba azigar (1993) and Anjaam (1994). He then rose to prominence after starring in a series of romantic films, including Dilwale Dulhania Le Jayenge (1995), Dil To P agal Hai (1997), Kuch Kuch Hota Hai (1998) and Kabhi Khushi Kabhie Gham.. -
Depictions of Empowerment? How Indian Women Are Represented in Vogue India and India Today Woman a PROJECT SUBMITTED to the FACU
Depictions of Empowerment? How Indian Women Are Represented in Vogue India and India Today Woman A PROJECT SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL OF THE UNIVERSITY OF MINNESOTA BY Monica Singh IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF LIBERAL STUDIES August 2016 © Monica Singh, 2016 Contents ILLUSTRATIONS........................................................................................................................ ii INTRODUCTION......................................................................................................................... 1 CHAPTER 1 .................................................................................................................................. 5 CHAPTER 2 ................................................................................................................................ 19 CHAPTER 3 ................................................................................................................................ 28 CHAPTER 4 ................................................................................................................................ 36 CHAPTER 5 ................................................................................................................................ 53 CHAPTER 6 ................................................................................................................................ 60 REFLECTION FOR ACTION................................................................................................. -
District Census Handbook, Greater Bombay
CENSUS OF INDIA, 1981 DISTRICT CENSUS HANDBOOK GREATER BOMBAY Compiled by THE MAHARASHTRA CENSUS DIRECTORATE BOMBAY 1'1l00'ED IN INDIA. BY THE MANAGER, YERAVDA PRISON PllESS, pum AND pmLlSHED mY THE DIRECTOR, GOVERNlrfENT PRINTING AND STATIONEK.Y, :t4AHAIASHTltA STATE, BOMBAY 400 004, 1986 [ Price ; Rs. 30.00 ] MAHARASHTRA <slOISTRICT GREATER BOMBAY ..,..-i' 'r l;1 KM" LJIo_'=:::I0__ ";~<====:io4 ___~ KNS . / \ z i J I i I ! ~ .............. .~ • .--p;_.. _ • K¢'J· '- \ o BUTCHER ..~ ISLANO '.. , * o' J o Boundary ('i5lrict ,-.-._. __ .- ,,' / ,~. Nat:onal iiighway ",- /" State Highw«y ... SH i Railwuy line with station. Broad Gauge j Riwr and Stream ~ w. ter lea I urIs ~;::m I Degr.e College and lech.kat Institution Res! Hcu~e. Circwit Hou~. ( P. W. D.l RH. CH Poot and Jel.graph office PlO ~~';; ® Based "pon Surv~! af IIIifia mat> wlth 1M 1J@rm~ion. of l~" SUfVI!YlII' G~QI rJ! Ifda. Tile territorial waters 01 Indio ~d into Ihe sea to a dOslonce of twet.... n(llltic:ol milos meGsIlt'ell hllm tn& "PlllVp..-Qle ~G5e lin~. ~ MOTIF V. T. Station is a gateway to the 'Mumbai' where thousands of people come every day from different parts of India. Poor, rich, artist, industrialist. toumt alike 'Mumbainagari' is welcoming them since years by-gone. Once upon a time it was the mai,n centre for India's independence struggle. Today, it is recognised as the capital of India for industries and trade in view of its mammoth industrial complex and innumerable monetary transactions. It is. also a big centre of sports and culture. -
4 Broadcast Sector
MINISTRY OF INFORMATION AND BROADCASTING Annual Report 2006-2007 CONTENTS Highlights 1. Overview 1 2. Administration 3 3. Information Sector 12 4. Broadcast Sector 53 5. Films Sector 110 6. International Co-operation 169 7. Plan and Non-Plan Programmes 171 8. New Initiatives 184 Appendices I. Organisation Chart of the Ministry 190 II. Media-wise Budget for 2006-2007 and 2007-2008 192 Published by the Director, Publications Division, Ministry of Information and Broadcasting, Government of India Typeset at : Quick Prints, C-111/1, Naraina, Phase - I, New Delhi. Printed at : Overview 3 HIGHLIGHTS OF THE YEAR The 37th Edition of International Film Festival of India-2006 was organized in Goa from 23rd November to 3rd December 2006 in collaboration with State Government of Goa. Shri Shashi Kapoor was the Chief Guest for the inaugural function. Indian Film Festivals were organized under CEPs/Special Festivals abroad at Israel, Beijing, Shanghai, South Africa, Brussels and Germany. Indian films also participated in different International Film Festivals in 18 countries during the year till December, 2006. The film RAAM bagged two awards - one for the best actor and the other for the best music in the 1st Cyprus International Film Festival. The film ‘MEENAXI – A Tale of Three Cities’ also bagged two prizes—one for best cinematography and the other for best production design. Films Division participated in 6 International Film Festivals with 60 films, 4 National Film Festivals with 28 films and 21 State level film festivals with 270 films, during the period 1-04-06 to 30-11-06. Films Division Released 9791 prints of 39 films, in the theatrical circuits, from 1-4-06 to 30-11-06. -
Terrorist Blast in Al Arish Slammed
Money Transfers and Currency Cucumbers are 8P 27 approximately 95% water Exchange and are an excellent at great source of vitamin K which rates helps the body repair and Thursday, November 5, 2015 Issue No. 6825 regenerate new cells. www.newsofbahrain.com www.facebook.com/DailyTribunenews DT_TopTweets dtnews1 Hotline: 1724 6888 asterdmhbahrain 11th Hour BIZ BOOM Travel spending under review Manama he costs of travelling Tand transportation are to be reviewed and slashed Scuppered as part of plans to reduce recurrent spending. The move follows the decision Iran-linked terrorist group busted, 47 arrested of the Coordination Committee, chaired by DT News Network HRH Prince Salman bin Manama Hamad Al Khalifa, Crown counterterrorism Prince, Deputy Supreme operation conducted Commander and First byA Bahrain’s security Deputy Prime Minister. authorities has resulted in the A taskforce has already identification of a terrorist HRH Prince Salman bin Hamad Al Khalifa yesterday started working in tandem network and the arrest of 47 attended a reception ceremony held on the occasion of with the human and financial suspects. Security authorities the inauguration of Investcorp Investors Conference resources departments. confirmed yesterday that the arrests disrupted a number of Customs Affairs sizable terrorist attacks planned in WCO forum for the near future. Terrorist blast in Manama A range of high-grade ustoms Affairs explosives, bomb making President Shaikh materials and weapons were Al Arish slammed MohammedC bin Khalifa seized from several locations Al Khalifa participated in within populated residential Security personnel inspect the seized materials yesterday DT News Network the support of the Kingdom the Fifth World Customs areas.