DOCSLIB.ORG

RECOMMENDED STUDY Pre-Ballet 1 X Week Ballet 1 2 Ballet, 1 Tap

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
RECOMMENDED STUDY Pre-Ballet 1 X Week Ballet 1 2 Ballet, 1 Tap JAZZ/TAP CLASS DESCRIPTIONS CLASS RATES RECOMMENDED STUDY Junior Jazz/Tap 1 – suitable for levels 1/2/3 (limited experience) FALL-WINTER-SPRING 2019 – 2020 Junior Jazz/Tap 2 – suitable for levels 1/2/3 (with experience) Pre-Ballet 1 x week AUG 17 & 24 (Sat) Ballet Tucson Auditions for Jazz 3/Tap 3 – suitable for levels 3 & up with experience (beginning An annual $30.00 registration fee is required of every student and is Jekyll & Hyde intermediate) non-refundable. All tuitions must be paid in advance of classes Ballet 1 2 Ballet, 1 Tap/Jazz and The Nutcracker Jazz 4/Tap 4 – suitable for levels 4 & up with experience (intermediate) taken and are non-refundable/non-transferable. We accept cash, AUG 30 (Fri) 1st installment of BT2 fees due Jazz 5/Tap 5 – suitable for levels 6 & up with experience (advanced checks, and money orders payable to BALLET ARTS. Ballet 2 2 Ballet, 1 Tap/Jazz intermediate/advanced) SEP 2 (Mon) School Closed – Labor Day Visa/MasterCard also accepted. Jazz 6 – suitable for levels 6 & up with experience (advanced) Ballet 3 2 Ballet, 1 Tap, 1 Jazz SEP 7 (Sat) Last call audition for The Nutcracker Single Classes $18.00 OCT 14 (Mon) 2nd QUARTER TUITION DUE Pre-Ballet Single Class $15.00 Ballet 4 2 Ballet, 1 Tap, 1 Jazz ENROLLMENT/TUITION POLICIES OCT 31 – NOV 3 School Closed for Ballet Tucson Returned check fee $30.00 All classes are subject to an enrollment of 6 or more. Students who enroll Ballet 5 3 Ballet, 1 Tap, 2 Jazz, Opening Gala/Jekyll & Hyde Visa/MasterCard processing fee $5.00 are enrolling for the entire fall-winter-spring 36-week session. In cases of 2 Pointe, 1 Variations OCT 31 – NOV 3 Ballet Tucson “Halloween Steampunk” Late charge assessment 15% per month illness or injury, you must call the office and schedule appropriate make up (Thu – Sun) Gala & 2019-2020 season opens classes within the month they are missed or they will be forfeited. Ballet 6 3 Ballet, 1 Tap, 2 Jazz, MONTHLY PAYMENT PLAN ACTUAL Oct. 31 – 6:30 pm (Gala) If you would like to schedule a conference with an instructor or the 2 Pointe, 1 Variations, Director, please call the office to determine a time. Conferences must be COST Nov. 1 – 7:30 pm CLASSES/MONTH TUITION PRE-BALLET PER CLASS 1 Modern, 1 Conditioning scheduled in advance. Nov. 3 – 1:00 pm & 5:00 pm nd ALL CLASSES MUST BE PAID FOR IN ADVANCE. Monthly tuitions 4 $64.00 52.00 (13.00) 16.00 Ballet 7 & 8 4 Ballet, 1 Tap, 2 Jazz, NOV 4 (Mon) 2 installment of BT2 fees due are due in full on the first of each month. Quarterly tuitions are due in full on 5 80.00 65.00 (13.00) 16.00 NOV 16 (Sat) Footprints at the Fox – 2:00 pm 6 96.00 16.00 2 Pointe, 1 Variations, the four designated payment dates. Late payments will be assessed a 15% fee BT emerging choreographers per month. A $30.00 fee will be charged for all returned checks. All 7 110.25 15.75 1 Modern, 1 Conditioning performance at Fox Theatre downtown quarterly tuitions must be paid in full in advance to qualify for the reduced 8 126.00 15.75 9 141.75 15.75 NOV 28 – DEC 1 School Closed for Thanksgiving rate. No refunds under any circumstances. THERE ARE NO Professional 5 Ballet, 1 Tap, 2 Jazz, DEC 8 (Sun) 19th Annual “SUGAR PLUM TEA” EXCEPTIONS CONCERNING THESE POLICIES. 10 155.00 15.50 11 170.50 15.50 Division /Trainee 2 Pointe, 1 Variations, 1 Modern, DEC 23 – 29 (Mon – Sun) School Closed for The Nutcracker 12 186.00 15.50 Track 1 Conditioning, 1 Choreography, theatre rehearsals & performances DRESS CODE 13 198.25 15.25 and all performance opportunities plus DEC 23 – JAN 12 School Closed/Holiday Break Monday – Saturday: All Levels/All Classes/All Rehearsals 14 213.50 15.25 Ladies Men summer workshop JAN 13 (Mon) Regular Classes Resume 15 228.75 15.25 JAN 13 (Mon) 3rd QUARTER TUITION DUE pink footed ballet tights black footed tights 16 240.00 15.00 Sign-up for 2020 Showcase black leotard (plain – no mesh, white T-shirt or leotard 17 255.00 15.00 Teen/Adult Beginning 2 - 3 x week velvet or strappy webbing) black ballet shoes (leather) 18 270.00 15.00 Teen/Adult Intermediate/Advanced 3 - 5 x week Performance pink ballet shoes (leather only) black jazz shoes or boots 19 280.25 14.75 ______________________________________________________________________________________________________________________________ JAN 30 – FEB 2 (Thu – Sun) School Closed – Ballet Tucson & black jazz shoes or boots approved tap shoes 20 295.00 14.75 2019 – 2020 DATES TO REMEMBER Tucson Desert Song Festival (TDSF) approved tap shoes 21 309.75 14.75 "Made in America" – Winter Concert approved pointe shoes (Subject to Revision) 22 319.00 14.50 Jan. 31 – 7:30 pm • Hair must be neatly put up in a bun for all ballet classes and securely 23 333.50 14.50 JUN 15 – Early registration by mail/phone for Feb. 1 – 2:00 pm & 7:30 pm tied away from the face for tap and jazz classes. No bangs. 24 348.00 14.50 Feb. 2 – 1:00 pm • Watches or jewelry of any kind must not be worn. Unlimited Classes 375.00 . JUL 31 Fall-Winter-Spring 2019-2020 FEB 3 (Mon) 3rd installment of BT2 fees due • Black skirts are acceptable for classical variation classes only. _______________________________________________________________ AUG 5 – 9 “Get into Shape!” Mini-Session • For colder weather, tight fitting, waist high or full body leg warmers are QUARTERLY PAYMENT PLAN FEB 3 – 8 (Mon – Sat) Mid-year Open Observation Week acceptable for barre work. No nylon pants. All quarterly tuitions must be paid in full in advance to qualify for these (M-F) (1 week) Suitable for level 6 and above MAR 16 (Mon) 4th QUARTER TUITION DUE We do NOT allow canvas ballet shoes. Sansha, Bloch, Grishko or Gaynor reduced rates. No “installments” allowed. 4:30 – 6:00 pm mixed level ballet class MAR 12 – 15 (Thu – Sun) School Closed for Dance & Dessert Minden pointe shoes must be approved by director. Pre-registration required (classes must be Dance & Dessert 2020 DO NOT wear ballet shoes and dance clothes outside. This policy reflects the 1st Quarter Aug. 12 – Oct. 13 (Due on or before Aug. 12) used within mini-session/non-transferable) Mar. 13 – 7:30 pm professional atmosphere of Ballet Arts and our concern for the safety of our 2nd Quarter Oct. 14 – Dec. 22 (Due on or before Oct. 14) Mar. 14 – 2:00 pm & 7:30 pm students. DO NOT use fabric softeners on dance clothes or apply lotion 3rd Quarter Jan. 13 – Mar. 15 (Due on or before Jan. 13) 5 classes - $75.00 Mar. 15 – 1:00 pm before class as this will damage the floors. 4th Quarter Mar. 16 – May 16 (Due on or before Mar. 16) AUG 10 (Sat) REGISTRATION & OPEN HOUSE th APR 6 (Mon) 4 installment of BT2 fees due STUDENTS NOT DRESSED PROPERLY AND STUDENTS ARRIVING LATE (Pre-Ballet Quarterly Tuition is $105.00 for 1 x wk.) 10:00 AM – 3:00 PM Payable to Ballet Arts – for Showcase WILL BE ASKED TO OBSERVE CLASS. Level placement assessment for new 2020 # CLASSES ACTUAL COST students with previous experience only MAY 4 – 9 (Mon – Sat) Year End Observation Week JAZZ/TAP/BALLET/MODERN/ AVERAGE X WEEK PER QUARTER TUITION PER CLASS MAY 11 – 15 Final Week of Classes 1 9 126.00 14.00 POINTE/CLASSICAL VARIATIONS Ballet Ages 6 – 10 10:00 – 10:30 am MAY 16 (Sat) BT2 Staging/Theatre Rehearsal Class level placement will be finalized by the instructor during initial classes. 2 18 243.00 13.50 3 27 351.00 13.00 Jazz Ages 6 – 10 10:30 – 10:45 am MAY 17 (Sun) BT2 Dress Rehearsal & Performance Students must be enrolled in a minimum of one ballet technique class per Giselle – Act II & Mixed Repertoire week in order to be eligible for all tap, jazz, variations and pointe classes. An 4 36 450.00 12.50 Tap Ages 6 – 10 10:45 – 11:00 am Stevie Eller Dance Theatre – 2:00 pm end-of-year showcase performance is presented in the spring. Lyrical & Hip 5 45 540.00 12.00 Tap Ages 11 & up 11:00 – 11:15 am Hop classes are available to students enrolled in classic jazz classes. 6 54 621.00 11.50 Jazz Ages 11 & up 11:15 – 11:30 am MAY 18 (Mon) Showcase “Put-Together” Rehearsal at 7 63 693.00 11.00 Ballet Arts Studio 4:30 – 7:30 pm Dress code applies. Ballet Ages 11 & up 11:30 – 12:00 pm Unlimited Classes . 700.00 . MAY 19 (Tue) Staging/Theatre Rehearsal of Pointe All Levels 12:00 – 12:15 pm Unlimited Classes for entire 37-week session if paid in full by: End-of-Year Showcase 2020 SHOWCASE INFORMATION/ Registration for ANNUAL SCHOOL PRESENTATION June 30, 2019 - $2400.00 (Save $400.00) MAY 20 (Wed) Final Dress Rehearsal & End-of-Year July 15, 2019 - $2500.00 (Save $300.00) continuing students 12:30 – 3:00 pm Showcase Performance 2020 Showcase 2020 will take place on Wednesday, May 20 at 6:00 pm at the Stevie Eller Dance Theatre. Students who are enrolled in tap, jazz, modern or August 12, 2019 - $2600.00 (Save $200.00) Stevie Eller Dance Theatre – 6:00 pm AUG 12 (Mon) Fall-Winter-Spring Session Begins th variations classes will have the opportunity to perform in an informal FAMILY DISCOUNTS st MAY 26 – JUN 20 35 Annual Summer Dance 1 QUARTER TUITION DUE presentation.
Load more

Recommended publications
  • An Exciting Year Ahead How Your Generosity Gives Ballet Arizona the Ability to Strive for Continued Excellence
    BALLET ARIZONA DONOR IMPACT Corporate Spotlight: Donor Spotlight: Letter From the Q&A: Wells Fargo Mary and David Patino Executive Director: Artistic Director REPORT Samantha Turner Ib Andersen TURNING POINTE An Exciting Year Ahead How your generosity gives Ballet Arizona the ability to strive for continued excellence Ballet Arizona dancers Nayon Iovino and Jillian Barrell in Romeo & Juliet. Choreography by Ib Andersen. Photo by Rosalie O’Connor. WINTER 2017 I thank you for your continued generosity, support and passion ... Happy New Year! Welcome to 2017. On behalf of everyone at Ballet Arizona, I wish you good health and happiness coupled BEHIND THE SCENES with some spectacular ballet performances. I hope you’ll join with Ib Andersen us this February as we celebrate the return of Romeo & Juliet. Accompanied by The Phoenix Symphony, you have a unique opportunity to hear the Prokofiev score performed in its entirety. Q: What is your experience and history with In this issue, Executive Director Samantha Turner shares the Romeo & Juliet? news about an incredible legacy gift endowed to us by the A: I danced Romeo in Romeo & Juliet at the Royal Danish Ballet with late Hazel A. S. Hare. This gift is the largest one-time gift ever Mette-Ida Kirk. We were about 20 years old. It was choreographer received in the history of Ballet Arizona. We are deeply honored John Neumeier's premiere and it became such a huge success, to be the beneficiaries of such a transformational gift and to they are still doing that version today. This ballet was very crucial be among the few beneficiaries of such a generous woman.
    [Show full text]
  • Audition Guidelines & Frequently Asked
    AUDITION GUIDELINES & FREQUENTLY ASKED QUESTIONS Explore Your Potential and Realize Your Dream Patricia Lavoie, Artistic Director ABOUT SOUTHERN NH YOUTH BALLET Welcome to Southern NH Youth Ballet (SNHYB), the official performing company of Southern NH Dance Theater. The Youth Ballet has been educating dancers and inspiring audiences throughout New Hampshire since 1998. For more than 15 years the Youth Ballet has also been the resident Nutcracker Performing Company at the historic Palace Theatre in Manchester, NH. By providing young dancers with unique performance opportunities, intensive dance training and individual coaching, the Youth Ballet continues to inspire the youth in our community by fostering their artistic growth and enriching their lives. EXPLORE YOUR POTENTIAL AND REALIZE YOUR DREAM There are many benefits for company members of Southern NH Youth Ballet. Some of those opportunities include: • Participation in several performing opportunities • Perform with a live orchestra in The Nutcracker at the Palace Theatre in downtown Manchester • Work with some of the industry’s leading choreographers • Dance alongside professional dancers • Exposure to the dance community on a national level HOW DO I BECOME A MEMBER OF THE YOUTH BALLET? By attending the company auditions held in the fall of each year. Participation in the Youth Ballet is voluntary and open to all Southern NH Dance Theater students enrolled in ballet levels 5 through 7. There are no age requirements for students in ballet levels 5-7. It is very important to remember that the Youth Ballet is designed for the serious dancer. A commitment of this level is viewed by our staff as a family commitment.
    [Show full text]
  • The Shubert Foundation 2020 Grants
    The Shubert Foundation 2020 Grants THEATRE About Face Theatre Chicago, IL $20,000 The Acting Company New York, NY 80,000 Actor's Express Atlanta, GA 30,000 The Actors' Gang Culver City, CA 45,000 Actor's Theatre of Charlotte Charlotte, NC 30,000 Actors Theatre of Louisville Louisville, KY 200,000 Adirondack Theatre Festival Glens Falls, NY 25,000 Adventure Theatre Glen Echo, MD 45,000 Alabama Shakespeare Festival Montgomery, AL 165,000 Alley Theatre Houston, TX 75,000 Alliance Theatre Company Atlanta, GA 220,000 American Blues Theater Chicago, IL 20,000 American Conservatory Theater San Francisco, CA 190,000 American Players Theatre Spring Green, WI 50,000 American Repertory Theatre Cambridge, MA 250,000 American Shakespeare Center Staunton, VA 30,000 American Stage Company St. Petersburg, FL 35,000 American Theater Group East Brunswick, NJ 15,000 Amphibian Stage Productions Fort Worth, TX 20,000 Antaeus Company Glendale, CA 15,000 Arden Theatre Company Philadelphia, PA 95,000 Arena Stage Washington, DC 325,000 Arizona Theatre Company Tucson, AZ 50,000 Arkansas Arts Center Children's Theatre Little Rock, AR 20,000 Ars Nova New York, NY 70,000 Artists Repertory Theatre Portland, OR 60,000 Arts Emerson Boston, MA 30,000 ArtsPower National Touring Theatre Cedar Grove, NJ 15,000 Asolo Repertory Theatre Sarasota, FL 65,000 Atlantic Theater Company New York, NY 200,000 Aurora Theatre Lawrenceville, GA 30,000 Aurora Theatre Company Berkeley, CA 40,000 Austin Playhouse Austin, TX 20,000 Azuka Theatre Philadelphia, PA 15,000 Barrington Stage Company
    [Show full text]
  • The Portland Ballet Dances a Fairytale Holiday
    Contact: Cynthia Kirk [email protected] 503-330-1886 The Portland Ballet Dances a Fairytale Holiday Double Bill Includes World Premiere of John Clifford’s Tales from Mother Goose and His Wildly Popular The Enchanted Toyshop Portland State University Orchestra Plays Ravel and Rossini/Respighi’s Music Live at All Six Performances 5-Dollar-First-Show Presents Generous Holiday Gift to Portlanders The Portland Ballet Presents the World Premiere of John Clifford’s Tales from Mother Goose (2014) with his The Enchanted Toyshop (2003) in partnership with Portland State University Orchestra Performances Open Rehearsal F/Sa/Su, Nov 28/29/30, 1 & 5 PM Led by Artistic Director Nancy Davis Lincoln Hall, 1620 SW Park at Market TPB Studio Runtime: 100 minutes w/intermission 6250 SW Capitol Highway Tickets: F/Nov 28, 1 PM $5 Sa, Nov 1, 3-4 PM All other performances: Free: Reservation/Ticket Not Required Tickets: $15, youth; $35, adults Information: theportlandballet.org $90, family pack (2 youth, 2 503.452.8448 adults); additional youth, $10 PSU Box Office, pdx.edu/boxoffice/tickets 503.725.3307 Limited Arts Card and Arts for All tickets Information: 503.452.8448 For 13 years, THE PORTLAND BALLET (Nancy Davis, artistic director)—the metro area’s premiere youth ballet company—has presented a holiday production to delight the entire family. Taking place over Thanksgiving weekend, the production offers a refreshing change from most holiday fare: it’s not the Nutcracker and it takes place before the December performance rush. In addition, it is danced by THE PORTLAND BALLET’s superbly trained young dancers with an immediate connection to a family audience.
    [Show full text]
  • Dance Department Consultants
    Dance Department Consultants Lisa Alfieri Ballo Ms. Ballo - Consultant in Ballet - trained on full scholarship at the Pennsylvania Ballet under Lupe Serrano and at the San Francisco Ballet and Cleveland Ballet schools. Her professional career includes dancing with Sandra Organ Dance Company, Fort Worth- Dallas Ballet and prior to that with Cleveland - San Jose Ballet where she rose to principal dancer during her ten year stay. She has also danced as a principal guest artist nationally as well as internationally. As a teacher, she has taught in schools for the Cleveland Ballet, Ballet Arkansas, Twin City Ballet and the Houston Ballet Academy. Recently, she was Ballet Mistress for the Houston Repertoire Ballet's senior company and is currently teaching at the Hope Center. Lauren Bay Consultant in modern dance, ballet and tap dance. Ms. Perrone holds a BFA in Modern Dance Pedagogy from the University of Oklahoma where she studied with Mary Margaret Holt, Denise Vale and Austin Hartel. She is a 2000 HSPVA Dance graduate and a native Houstonian where she began her dance training with Paula Sloan and performed with The Texas Tap Ensemble. After college she also studied in New York City with Mark Morris, the Limon Dance Company, Nicole Wolcott, and Julian Barnett, among others. Her professional credits include: Houston Grand Opera's Aida; Galveston Island Musicals' My Fair Lady, America the Beautiful, and Hello Dolly. She has toured nationally as the dance captain of Mame and internationally to France and Paraguay with the Modern Repertory Dance Theater. Her New York City credits include the Jeff Rebudal Dance Company, Murray Hill Productions, and Lance Cruze Performance Group.
    [Show full text]
  • Roberto Muñoz
    Roberto Muñoz Mr. Munoz has been teaching and coaching young dancers for over 30 years, both in the USA and abroad. Mr. Munoz served as Director of the Conservatory of Dance and Music Point Park College (now University) from 1983-1995. There, he created two successful programs for young aspiring dancers, The Pre-Professional Division and the International Summer Dance Program. During this time, he assembled an impressive faculty of world-renowned Master Teachers, including Laura Alonso, Barbara Sandonato, Karen Brown, Magda Aunon, Eva Evdokimova, Willy Burmann, Michael Uthoff, John McFall and Jose Molina. In the summer of 1993, Mr. Munoz, was invited to be part of the faculty at Pro Danza in Havana Cuba, where he taught classes at the Historical Theater Garcia Lorca. In the year 1995, was invited to teach at The Baltimore High School for the Performing Arts. From 1997-2005, Mr. Munoz was Ballet Master/Coach for both Pittsburgh Ballet Theater’s Company and its school. In 2005, he became Executive Director and Ballet Master at Gulfshore Ballet in Florida. Mr. Munoz’s former students are recognized for their high level of professionalism and their artistic and technical achievements. Most have gone on to successful careers with major companies across the US and Europe. Mr. Munoz has been a guest Master Teacher at a number of Ballet Companies, including Atlanta Ballet, Ballet Arizona, Ballet Met, Boston Ballet, Houston Ballet, Pittsburgh Ballet Theater and Colorado Ballet, among others. He has also taught master classes at Central Pennsylvania Youth Ballet, Magda Aunon Classical Ballet School, Wexford Dance Academy, Ballet Academy of Pittsburgh, Dmitri Kulev Classical Ballet Academy, Colorado Conservatory of Dance, Aspen Santa Fe Ballet School, both in Aspen and Santa Fe, Vail Valley Dance Academy, Ballet Conservatory of South Texas, Dance Conservatory of Maryland, Takeuchi Ballet Studio in Japan and the Kenny Wang Ballet School in Taiwan..
    [Show full text]
  • Dance Theatre of Harlem
    François Rousseau François DANCE THEATRE OF HARLEM Founders Arthur Mitchell and Karel Shook Artistic Director Virginia Johnson Executive Director Anna Glass Ballet Master Kellye A. Saunders Interim General Manager Melinda Bloom Dance Artists Lindsey Croop, Yinet Fernandez, Alicia Mae Holloway, Alexandra Hutchinson, Daphne Lee, Crystal Serrano, Ingrid Silva, Amanda Smith, Stephanie Rae Williams, Derek Brockington, Da’Von Doane, Dustin James, Choong Hoon Lee, Christopher Charles McDaniel, Anthony Santos, Dylan Santos, Anthony V. Spaulding II Artistic Director Emeritus Arthur Mitchell PROGRAM There will be two intermissions. Friday, March 1 @ 8 PM Saturday, March 2 @ 2 PM Saturday, March 2 @ 8 PM Zellerbach Theatre The 18/19 dance series is presented by Annenberg Center Live and NextMove Dance. Support for Dance Theatre of Harlem’s 2018/2019 professional Company and National Tour activities made possible in part by: Anonymous; The Arnhold Foundation; Bloomberg Philanthropies; The Dauray Fund; Doris Duke Charitable Foundation; Elephant Rock Foundation; Ford Foundation; Ann & Gordon Getty Foundation; Harkness Foundation for Dance; Howard Gilman Foundation; The Dubose & Dorothy Heyward Memorial Fund; The Klein Family Foundation; John L. McHugh Foundation; Margaret T. Morris Foundation; National Endowment for the Arts; New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature; New England Foundation for the Arts, National Dance Project; Tatiana Piankova Foundation; May and Samuel Rudin
    [Show full text]
  • Raising the Barre: the Geographic, Financial, and Economic Trends of Nonprofit Dance Companies
    Raising the Barre: The Geographic, Financial, and Economic Trends of Nonprofit Dance Companies A Study by Thomas M. Smith Research Division Report #44 RESEARCH DIVISION REPORT #44 1 COVER PHOTO Hubbard Street Dance Chicago’s production of Jim Vincent’s counter/part. (Photo by Todd Rosenberg) Raising the Barre: The Geographic, Financial, and Economic Trends of Nonprofit Dance Companies A Study by Thomas M. Smith Foreword by Douglas C. Sonntag Edited by Bonnie Nichols Contributions by Janelle Ott and Don Ball Research Division Report #44 This report was produced by the National Endowment for the Arts Research Division Tom Bradshaw, Director Acknowledgements The NEA Research Division would like to thank Kelly Barsdate (National Assembly of State Arts Agencies), Thomas Pollak (National Center on Charitable Statistics), and John Munger (Dance/USA) for their contributions and counsel; and Stephanie Colman (former division assistant with the NEA Dance Department) for her database assistance. August 2003 Library of Congress Cataloging-in-Publication Data Smith, Thomas M., 1969- Raising the barre: the geographic, financial, and economic trends of nonprofit dance companies: a study by Thomas M. Smith; foreword by Douglas C. Sonntag; edited by Bonnie Nichols; contributions by Janelle Ott and Don Ball. p. cm. -- (Research Division report; #44) 1. Dance companies--Economic aspects--United States. 2. Nonprofit organizations--Economic aspects--United States. 3. National Endowment for the Arts. I. Nichols, Bonnie. II. Ott, Janelle. III. Ball, Don, 1964-
    [Show full text]
  • The Portland Ballet Presents 'The Enchanted Toyshop' and 'Tourbillon
    FOR IMMEDIATE RELEASE CONTACT: Laura Grimes, [email protected], 971.322.9452 The Portland Ballet presents ‘The Enchanted Toyshop’ and ‘Tourbillon,’ a new work by Anne Mueller with Portland State University Orchestra, Ken Selden, music director PROGRAM DETAILS John Clifford’s The Enchanted Toyshop (2003) Anne Mueller’s Tourbillon (2017), a world premiere Both performed with the PSU Orchestra, under the direction of Ken Selden Dates: Nov. 24-26, 2017 Times: 2:30 & 7:30 p.m. Friday-Saturday, Nov. 24-25; 1 & 5 p.m. Sunday, Nov. 26 Where: Lincoln Performance Hall at PSU, 1620 SW Park at Market, Portland, OR Tickets: $5-$35, on sale beginning Oct. 20 Runtime: One hour 45 minutes (including one 20-minute intermission) Information: theportlandballet.org or 503-750-3157 Discounts: • First-Show Friday: Tickets for the 2:30 p.m. show on Friday, Nov. 24, will be only $5 youth/student, $10 adult • Family Package: For TIER 1 pricing, when purchasing two adult and two or more youth tickets, all youth tickets will be $5 off • Group Discount: 10 or more tickets will receive 10% off • Good deals: Limited Arts Card and Arts for All tickets Special Opportunities: • Swag bags: Young people will receive special gift bags. • Activities: The fun starts in the lobby with photo opportunities and activities for kids. • Meet the cast: Audience members are invited to stay after every performance to meet the cast, take photos with them, and have their programs signed. PORTLAND, Ore. – After last year’s sold-out shows, The Portland Ballet is reviving its holiday hit, The Enchanted Toyshop, Thanksgiving weekend in a double bill that will also feature a new ballet, Tourbillon, by co-artistic director Anne Mueller.
    [Show full text]
  • Student Matinee Study Guide Ballet History, Trivia and Test Your Knowledge
    Student Matinee Study Guide BALLET HISTORY, TRIVIA AND TEST YOUR KNOWLEDGE BALLET TIME LINE Renaissance Period This era was all about also included a solo for each of them and a coda (a short, entertainment. The ballet de court was performed by quick finale). The classic tutu (stiff skirt) became popular; aristocrats from the royal courts of Europe. Ballet was many ballets were choreographed such as Swan Lake, brought in from Italy to France in the 1530’s when Italian The Sleeping Beauty, and The Nutcracker, which are still Catherine Medici married Henry II of France. In 1661, performed today. Baroque Period: 1710 – 1770 Maria Camargo the first ballet school opened in France. It was begun by In 1909, a Russian impresario Louis XIV and called Académie de Royale Danse. The five The Ballet Russes (a person who produces ballets, operas, and basic foot positions were named and are the basis for all concerts) named Sergei Diaghilev created the Ballet classical ballet steps. At first, only men were allowed to Russes and brought them to Paris. They traveled all dance. Women were allowed in 1681 but had to wear full throughout Europe, bringing with them innovative length gowns. new choreography, costumes, and scenery designed by Baroque Period In this era, it was common to master artists. combine opera, ballet, and music into one performance Ballet continued to grow throughout to tell a story. Ballet in Europe Europe, and today we have the Royal Ballet in London Romantic Ballet: 1831 – 1848 Classical Period This era occurred during the late and the Royal Danish Ballet in Copenhagen.
    [Show full text]
  • Student Ballet 4 PLUS! This Link Contains All of the Information You Need to Register for 2016–2017 at Princeton Ballet School
    301 North Harrison Street, Princeton, N.J. 08540 phone: (609)921-7758 fax: (609)921-3249 Photo: Horst Frankenberger Horst Photo: From the Director’s Desk Welcome to Student Ballet 4 PLUS! This link contains all of the information you need to register for 2016–2017 at Princeton Ballet School. Please be sure to read through each of these elements as you prepare to register; there is new information you will want to be aware of. Table of contents: • Student Ballet 4 PLUS information • Class schedule • Fees and registration information • Registration form • Student uniform order form (Giselle of Princeton) » Orders received after July 15 may not be available in time for the start of classes (more detailed information can be found on the order form) • Princeton Ballet School Handbook » Includes uniform requirements » Includes school calendar • Directions to our studios • Link to 2016 Summer Adult Open Enrollment brochure (located at the end of class schedules) • American Repertory Ballet Juniors audition (June 22) and membership information 301 North Harrison Street, Princeton, N.J. 08540 phone: (609)921-7758 fax: (609)921-3249 ARBW Junior Audition Information Dear dancer, If you’ve ever wondered how we get our thrilling productions up on the stage in such a way as to keep everyone talking about them for days; if you’ve ever wondered why people keep saying “it’s so professional”; if you’ve ever wondered how our dancers get this done — come and try for a chance to find out! We haven’t time to bask in the glow of our school show, Swan Lake: the American Repertory Ballet Workshop Juniors audition is just around the corner! We invite you to come audition for the opportunity to join this special group of dancers who comprise ARBW Jr, our entry level performing company.
    [Show full text]
  • Summer Intensive SPECIAL GUEST INSTRUCTORS GUEST SPECIAL Adam Sklute Adam Ceo & Artistic Ballet West Ballet Director of Information Is Available At
    summer intensive june 19–july 28, 2017 audition information is available at adam sklute, ceo & artistic director balletwest.org/academy peter lebreton merz, academy director Classes will be offered six days a week in technique, partnering, pointe, and men’s. AUDITION TOUR Supplemental classes include contemporary, repertory, and stretch. missoula, mt january 11, 2017 University of Montana atlanta, ga january 13, 2017 Atlanta Ballet detroit, mi january 14, 2017 Academy of Russian Classical Ballet miami, fl january 14, 2017 Miami Youth Ballet cleveland, oh january 15, 2017 Playhouse Square orlando, fl january 15, 2017 Orlando Ballet seattle, wa january 20, 2017 Pacific Northwest Ballet san francisco, ca january 21, 2017 San Francisco Ballet houston, tx january 21, 2017 The Payne Academy los angeles, ca january 22, 2017 Orange County Dance Center dallas, tx january 22, 2017 Ballet Academy of Texas chicago, il january 22, 2017 Ballet Chicago cary, nc january 28, 2017 International Ballet Academy SPECIAL GUEST INSTRUCTORS new york, ny january 29, 2017 School of American Ballet washington, dc january 29, 2017 Washington Ballet School phoenix, az february 5, 2017 Ballet Arizona adam sklute karin averty sascha radetsky additional opportunity salt lake city, ut february 11, 2017 ceo & artistic former principal former principal 2-week choreographic workshop with director of dancer with the dancer with dutch artémotion artistic directors Ballet West ballet west paris opera ballet national ballet allison debona & rex tilton ballet west first soloist adrian fry and ballet west academy student kenedy kallas | photo by beau pearson by beau kallas | photo kenedy student academy and ballet west fry adrian soloist first ballet west.
    [Show full text]