Richard Parncutt: Research profile updated April 2016

This document does not include publications and conference presentations

Qualifications

Study Award Institution Place Qualification Abbrev. Disciplines period date University of Armidale 1982- Doctor of music, physics, 1987 New NSW PhD 1986 Philosophy psychology England Australia University of Armidale Bachelor of BSc physics, music 1981 1982 New NSW Science with (Hons) acoustics England Australia Honours history and theory 1976- University of Melbourne Bachelor of of Western 1981 BMus 1980 Melbourne Australia Music music, piano performance 1976- University of Melbourne Bachelor of 1981 BSc physics 1980 Melbourne Australia Science

Awards and fellowships

1998 Humboldt fellowship (for research at Humboldt University, Berlin; declined) 1994 Postdoc. Fellowship, Ministère de l'Education Nationale, France (for research at IRCAM Paris; declined) 1991- International Fellowship, Natural Science and Engineering Research Council of Canada 93 (for research at Dalhousie University, Halifax, and McGill University, Montreal) 1989- Postdoctoral Research Fellowship, Swedish Institute (for research at KTH Stockholm) 90 1981- Commonwealth Postgraduate Research Award Australia (for PhD at University of New 85 England, Armidale NSW) 1976– Senior Government Scholarship (awarded to top 40 students at Higher School Certificate 80 examination, Victoria) 1970- Full scholarship, Melbourne Grammar School 75

Membership of editorial boards of academic journals

Jahrbuch Musikpsychologie Member of advisory board (Beiratsmitglied) since 1997

Journal of Interdisciplinary Music Studies Academic editor since 2007

Journal of New Music Research Associate editor 1997-2000, advisory editor since 2000 Journal of the Royal Musical Association Member of international advisory panel 2012-2015 1

Music Perception Consulting editor 1998-2003

Music Performance Research Associate editor from 2007

Music Theory Online Member of editorial board 2004-2007

Musica Humana Member of advisory board since 2008

Musicae Scientiae Consulting editor 2001-2003, associate editor since 2003

Musicology Australia Member of editorial board 2012-2015

Psychology of Music Member of editorial board 1997-2012

Research Studies in Member of editorial board since 2000 Royal Musical Association Research Member of international advisory board 2012-2015

Chronicle

Systematische Musikwissenschaft Member of editorial board (Mitglied des Redaktionskreises) 1995-1999

Requests to review journal and grant submissions

The editors of the following additional journals have asked me to review article submissions: Acta Acustica; Acta Psychologica; Behavioral and Brain Sciences; Attention, Perception, & Psychophysics; Contemporary Music Review; Cognitive Science; Connection Science; Cortex; Emotion; Empirical Review; Frontiers in Systems Neuroscience; International Journal of Psychophysiology; Interdisciplinary Science Reviews; JARO (Journal of the Association for Research in Otolaryngology); Journal of the Acoustical Society of America; Journal of Experimental Psychology: Human Perception and Performance; Logopedics Phoniatrics Vocology; Perception& Psychophysics; PNAS (Proceedings of the National Academy of Sciences); Psychomusicology; Quarterly Journal of Experimental Psychology.

The following granting agencies have asked me to review grant applications: European Science Foundation (ESF: member of pool of peer reviewers 2010-2012); ESF Exploratory Workshops; Arts and Humanities Research Council (AHRC, UK); Bundesministerium für Bildung und Forschung (Germany); Deutsche Forschungsgemeinschaft (DFG, Germany); HERA (Humanities in the European Research Area) Joint Research Programme (JRP) “Cultural Encounters”; Österreichische Nationalbank; Royal Society of Edinburgh; Schweizerischer Nationalfonds; Zukunftsfonds des Landes Steiermark (Austria); Marietta Blau Stipendium

Membership of academic societies

Society for Interdisciplinary Musicology (SIM) (Founding president 2012-2015) European Society for the Cognitive Sciences of Music (ESCOM) (President 2015-2018) Society for Education, Music and Performance Research (SEMPRE) Deutsche Gesellschaft für Musikpsychologie (DGM)

Successful grant applications

Year Applicant(s) Title Agency Requested Granted FWF - Fonds zur Pitch perception and C2 rejection Richard Förderung 2016 missing fundamentals in €349K (almost Parncutt der musical sounds funded) wissenschaftlichen 2

Forschung, Austria Cognition of early ESF - European Richard polyphony: Bringing Science Foundation 2011 14K 16K Parncutt together humanities and (Exploratory € € sciences Workshops) FWF - Fonds zur Erica Bisesi Expression, emotion and Förderung (with 2011 imagery in music der €260K €257K Richard performance* wissenschaftlichen Parncutt) Forschung, Austria Conference on Applied Interculturality Research: Future Fund of the Richard 2010 Evaluierung, Republic of Austria Parncutt Veröffentlichung, (Zukunftsfonds) Umsetzung Robert Höldrich (with three FWF - Fonds für senior A systematic procedure to 2010 Wissenschaftliche €210K successful advisors develop sonifications Forschung, Austria including Richard Parncutt) Lise Meitner Erica Bisesi Measuring and modelling Fellowship, FWF - (with 2009 expressive piano Fonds für Richard performance Wissenschaftliche Parncutt) Forschung, Austria Richard Land Steiermark, Parncutt First International University 2008 (with Conference of Students of of Graz, Federal Manuela Ministry of Marin) Research (Austria) Zukunftsfonds der Republik Österreich, Stadt Graz, 2006- Richard Conference on Applied Bundesministerium 08 Parncutt Interculturality Research für Wissenschaft, Land Steiermark Wissenschaft, KF- Uni Graz Greg Schiemer, Emery Investigating new listening Schubert, Australian Research 2006 and performance strategies AUD290K Graham Council (ARC) for microtonal composition Hair, Richard Parncutt

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Bundesministerium first Conference on Richard (1000), Land 2004 Interdisciplinary €5K €3K Parncutt Steiermark (1500), Musicology, Graz (CIM04) Stadt Graz (1000) , £63K Richard 3 sabbatical years for music Keele Research (surrendered 1997 Parncutt, psychology research Investment Scheme on moving to Susan Graz) O'Neill Richard Parncutt, Economic and graded John Manipulating music- 1997 Social Research £143K alpha = Sloboda, notational parameters Council (ESRC, GB) fundable Susan O'Neill Albert Fonds pour la Bregman, CND100K Formation de Robert Perception of auditory (surrendered 1994 Chercheurs et l'Aide Zatorre, patterns on moving to à la Recherche Richard Keele) (FCAR Québec) Parncutt

Development of new research infrastructures (journal, conference series, society)

2010: Director of first Conference on Applied Interculturality Research (cAIR), Graz, Austria

2009: Founding director of Centre for Systematic Musicology, University of Graz

2008: Co-Director of the first International Conference of Students of Systematic Musicology (SysMus08), Graz, Austria (with Manuela M. Marin)

2007: Co-founder of Journal of Interdisciplinary Music Studies (with Ali Cenk Gedik)

2004: Director of first Conference on Interdisciplinary Musicology (CIM) in Graz, Austria; long-term planning and direction of CIM council

Conference organization and direction

2018: Director of International Conference on and Cognition (ICMPC), Graz

2015: Co-organiser of Conference on Interdisciplinary Musicology, Shanghai

2011 Organiser of ESF Exploratory Workshop "Cognition of early polyphony: Bringing together humanities and sciences", Graz, Austria

2008 Co-director of the fourth Conference on Interdisciplinary Musicology (CIM08), Thessaloniki, Greece

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2007 Co-director of the third Conference on Interdisciplinary Musicology (CIM07), Tallinn, Estonia

2006 Co-organisor of Symposium on Austrian , Graz, Austria.

Membership of conference advisory committees (peer review of abstract submissions to conferences)

9th Triennial Conf of European Society for the Cognitive Sciences of Music (ESCOM), 2015 Manchester, England 2014 3rd International Conference on Analytical Approaches to World Music, London 2013 3rd International Conference on , Jyväskylä, Finland 12th International Conference on Music Perception and Cognition (ICMPC), Thessaloniki, 2012 Greece 2010 11th International Conference on Music Information Retrieval (ISMIR), Utrecht NL 2010 11th International Conference on Music Perception and Cognition (ICMPC), Seattle, USA 2009 International Conference on Music Communication Science (ICoMCS2), Sydney, Australia 2009 5th Conference on Interdisciplinary Musicology (CIM), Paris, France 2009 European Society for the Cognitive Sciences of Music (ESCOM), Jyväskylä, Finland 2009 2nd International Conference on Mathematics and Computation in Music (MCM), New Haven, Connecticut 2008 9th International Conference on Music Information Retrieval (ISMIR), Philadelphia PA 2008 10th International Conference on Music Perception and Cognition (ICMPC), Sapporo, Japan 2007 Training Music Teachers, Padova, Italy 2007 International Conference on Music Communication Science, Sydney, Australia 2007 7th International Conference on Music Information Retrieval (ISMIR), Vienna, Austria 2007 International Symposium on Performance Science (ISPS), Porto, Portugal 2007 1st International Conference on Mathematics and Computation in Music (MCM), Berlin, Germany 2007 Composer au XXIe siècle : processus et philosophie, Montreal, Canada 2006 7th International Conference on Music Information Retrieval (ISMIR), Victoria, Canada 2006 International Computer Music Conference (ICMC), Tulane University, New Orleans, USA 2006 9th International Conference on Music Perception and Cognition (ICMPC), Bologna, Italy 2005 6th International Conference on Music Information Retrieval (ISMIR), London, England 2005 International Computer Music Conference (ICMC), Barcelona, Spain 2005 2nd Conference on Interdisciplinary Musicology (CIM), Montréal, Québec 2004 International Symposium on Psychology and Music Education (PME), Padova, Italy 2004 5th International Conference on Music Information Retrieval (ISMIR), Barcelona, Spain 2004 8th International Conference on Music Perception and Cognition (ICMPC), Chicago, Illinois 2003 Pan-European Voice Conference (PEVoC), Graz, Austria 2003 5th triennial conference of the European Society for the Cognitive Sciences of Music (ESCOM), Hannover, Germany 5

2002 7th International Conference on Music Perception and Cognition (ICMPC), Sydney, Australia 2001 7th International Conference on Systematic and Comparative Musicology, Jyväskylä, Finland 2000 6th International Conference on Music Perception and Cognition (ICMPC), Keele, England 1999 6th International Conference on Systematic and Comparative Musicology, Oslo, Norway 1998 5th International Conference on Music Perception and Cognition (ICMPC), Seoul, Korea 1998 12th International Congress of the International Society for Prenatal and Perinatal Psychology and Medicine (ISPPPM), London, England. 1997 5th Int. Symposium on Systematic and Comparative Musicology, Berlin, Germany 1996 4th Int. Symposium on Systematic and Comparative Musicology, Brugge, Belgium.

Organisation of conference sessions

2006 9th International Conference on Music Perception and Music Psychology Pedagogy Cognition (ICMPC), Bologna, Italy 2004 8th International Conference on Music Perception and Social responsibility and the political

Cognition (ICMPC), Chicago,Illinois context of research 2004 8th International Conference on Music Perception and Art Meets Science: Best of CIM04 Cognition (ICMPC), Chicago,Illinois 2003 Pan-European Voice Conference (PEVoC), Graz, Voice production in different cultural Austria and performance contexts 2002 7th International Conference on Music Perception and Art meets science: collaboration Cognition (ICMPC), Sydney, Australia between musicologists and music psychologists 2000 Musical Intersections (Society for Music Theory plus Art meets science: collaboration 14 other societies engaged in music research and between music theorists and music teaching), Toronto, Canada. psychologists 1997 16th International Congress of the International Implications for mainstream Musicological Society (IMS), London, England musicology of recent research in music cognition New computer applications in musicology (poster session)

Invited lectures at universities and music academies

Year Institution Place Topic Contact Institute of Psychology, Chinese 2015 Academy of Science; Shanghai Shanghai, Novembe Various Conservatory of Music; Chinese Beijing, China r Conservatory of Music Beijing Root and scale- Auditory Cognition Group, 2014 July Newcastle, step compatibility Tim Griffiths, Institute of Neuroscience, 8 England of musical Manon Grube University of Newcastle chords: A

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methodological comparison Pitch, tonality, and 2012 May Montreal, the missing BRAMS, Université de Montréal Isabelle Peretz 31 Canada fundamentals of

music cognition Structuring the Sequence Production Lab, 2012 May Montreal, argument of a Department of Psychology, Caroline Palmer 28 Canada theoretical paper in McGill University

the social sciences The demise of 2012 May CIRMMT, Schulich School of Montreal, Marcelo number ratios in 17 Music, McGill University Canada Wanderley

music theory The origins of 2012 May Faculté de musique, Université Montreal, music: Grooming, Caroline Traube 15 de Montréal Canada flirting, playing or

babbling? 2012 April Faculty of Arts, University of Maribor, Current trends in Katarina Habe

4 Maribor Slovenia music psychology The origins of 2011 Department of Psychology, Armidale NSW music: Grooming, February William G. Noble University of New England Australia flirting, playing or 9 babbling? 2011 School of English, Media and Sydney February Performing Arts, University of The origins of tonality Emery Schubert Australia 8 New South Wales The origins of 2011 Gary Public lecture series, University Melbourne music: Grooming, February McPherson, of Melbourne Australia flirting, playing or 2 Sarah Wilson

babbling? 2008 Vortragsreihe Spektrum Vienna, Die Tonika als Madlene Feyrer Novembe Musikwissenschaft der Austria Dreiklang. Die r 20 Österreichischen Gesellschaft Entstehung der für Musikwissenschaft Dur-Moll-Tonalität aus musiktheoretischer , historischer und psychologischer Sicht abstract talk pdf talk ppt 3 MB 2008 May University of Music and Bratislava, Emotional Eva Ferkova

12 Dramatic Arts Slovakia communication via musical pitch-time patterns

2007 Dec MARCS, University of Western Sydney, Music, familiarity, Kate Stevens 19 Sydney Australia interculturality (with Manuela Marin)

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2007 Dec Department of Psychology, Melbourne, Music, familiarity, Sarah Wilson 14 University of Melbourne Australia interculturality (with Manuela Marin)

2007 Feb Centre for Music Technology, Glasgow, The structure and Nicholas Bailey 7 University of Glasgow Scotland performance of music: Insights from recent research in music psychology and computing php

2006 Feb Music and Ideas (former Grove London, Informing Aaron Williamon 23 Forum), Centre for the Study of England performance Music Performance, Royal through research: College of Music An overview of possible academic courses for music students

2006 Feb Network for Interdisciplinary Glasgow, The changing Graham Hair 22 Studies in Science, Technology Scotland structure of multi- and und Music (n-ISM), Department of interdisciplinary Music, University of Glasgow musicology

2005 Nov Kunstuniversität Graz Graz, Austria Can research help Josef Ferstl-Pilaj 11 artists? Current research on music performance ppt pdf

2004 Dec Estonian Academy of Music Tallinn, Psychology of Jaan Ross 1 Estonia musical skill acquisition; Perception of harmony and tonality

2004 Mar Department of Music, University Ljubljana, Perceptual theory Leon Stefanija 22, 23 of Ljubljana; Slovenian Slovenia of tonal harmony; Academy of Music Psychology of piano interpretation 2003 Department of Music, University Ljubljana, Leon Stefanija of Ljubljana Slovenia and music perception Faculty of Music, McGill Montréal, Key profiles, chord William Caplin University Québec profiles and the emergence of tonality Department of Psychology, Ottawa, Prenatal Dan Mauro Carleton University Ontario psychology and the origins of music

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Atonality and pitch- Institut für Musikpädagogik, Seggauberg, salience profiles of Gerhard Wanker Kunstuniversität Graz Austria pitch class sets 2002 Faculté de Musique, Université Montréal, Isabelle

de Montréal Québec Panneton Department of Psychology, Montréal, McGill University Québec Institut für Musikpädagogik, Graz, Austria Gerhard Wanker Kunstuniversität Graz Department of Music, Kingston Kingston, Graham Hair University England 2001 Luzern, Musikhochschule Luzern, Hubert Eiholzer Switzerland Freiburg, Hochschule für Musik Freiburg Wilfried Gruhn Germany Würzburg, Andreas C. Hochschule für Musik Würzburg Germany Lehmann Institut für Wiener Klangstil, Vienna, Matthias Bartsch Musikuniversität Wien Austria 1999 Karl-Franzens-Universität Graz Walter Graz, Austria (inaugural lecture) Höflechner Institut für Musikwissenschaft, Innsbruck, Tilman Seebass Universität Innsbruck Austria Institut für Musikpädagogik, Graz, Austria Gerhard Wanker Kunstuniversität Graz Steirische Gesellschaft für Graz, Austria Roswith Roth Psychologie Institut für Jazzforschung, Franz Graz, Austria Kunstuniversität Graz Kerschbaumer 1998 Österreichische Gesellschaft für Vienna, August

Musikwissenschaft Austria Schmidhofer 1996 Department of Music, University Keele, David Nicholls of Keele England Warsaw, Andrzej Chopin Academy of Music Poland Rakowski Emilios Department of Music, University Edinburgh, Cambouropoulo of Edinburgh Scotland s Department of Music, Birmingham, Peter Johnson Birmingham Conservatoire England Department of Music, University Manchester, David Fanning of Manchester England Department of Music, University Armidale NSW Claudio Pompili of New England Australia

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Department of Psychology, Armidale NSW William G. Noble University of New England Australia Department of Music, University Brisbane, Malcolm Gillies of Queensland Australia Department of Music, University Sydney, Tony Souter of Sydney Australia Department of Music, Latrobe Melbourne, John Stinson University Australia 1995 Department of Music, University Manchester, David Fanning of Manchester England Department of Psychology, Manchester, Andrew Gregory University of Manchester England Department of Music, Birmingham, Birmingham Conservatoire, Peter Johnson England England Nijmegen, Piet Vos& Dirk NICI, University of Nijmegen Netherlands Povel Stockholm, Per-Gunnar Musikhögskolan Sweden Alldahl Department of Music Acoustics, Stockholm, Johan Sundberg KTH Sweden Department of Psychology, Keele, John Sloboda University of Keele England Department of Music, University Sheffield, Eric Clarke of Sheffield, England England Department of Music, University Keele, George

of Keele England Nicholson Institut für Musikwissenschaft, Cologne, Jobst Fricke Universität Köln Germany Institut für Musikwissenschaft, Berlin, Wolfgang

Humboldt Universität zu Berlin Germany Auhagen 1994 Département de psychologie, Montréal, Franco Lepore Université de Montréal Québec Faculté de musique, Université Montréal, Jean Piché de Montréal Québec Cercle de musicologie, Montréal, Sophie Galaise Université de Montréal Québec 1993 Sound recording studio, McGill Montréal, Wieslaw

University Québec Woszczyk Boston, Media Laboratory, MIT Massachusett Barry Vercoe s Department of Psychology, Hanover, New Jamshed

Dartmouth College Hampshire Bharucha

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1992 Berkeley, CNMAT, University of Berkeley David Wessel California Palo Alto, CCRMA, Stanford University Malcolm Slaney California Faculty of Music, McGill Montréal, Bo Alphonce University Québec Berlin, Hochschule der Künste Hartmut Fladt Germany Department of Music, Columbia New York University Department of Music, Dalhousie Halifax, Nova Walter Kemp University Scotia 1991 Department of Psychology, Halifax, Nova Annabel J.

Dalhousie University Scotia Cohen Jean-Baptiste IRCAM Paris, France Barrière Zielona Góra, Pedagogical University Janina Fyk Poland Institut für Berlin, Kommunikationswissenschaften Manfred Krause Germany , TU Berlin 1990 Institut für Musikwissenschaft, Berlin, Reiner Kluge Humboldt-Universität zu Berlin Germany Department of Music Acoustics, Stockholm, Johan Sundberg KTH Sweden 1989 Institut für Medizinische Munich, Hans Psychologie, Universität Germany Strasburger München Hochschule für Musik und Andrzej Graz, Austria darstellende Kunst Graz Dobrowolski 1988 Hochschule für Musik und Vienna, Kurt Hueber darstellende Kunst Wien Austria Freiburg, Musikhochschule Freiburg Dieter Mack Germany Department of Music, University Sydney, Peter Platt of Sydney Australia 1986 Warsaw, Andrzej Chopin Academy of Music Poland Rakowski Department of Psychology, Kingston, Lola L. Cuddy Queen's University Ontario

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