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Nasher Sculpture Center's Soundings Concert Honoring President John F. Kennedy with New Work by American Composer Steven Macke
Nasher Sculpture Center’s Soundings Concert Honoring President John F. Kennedy with New Work by American Composer Steven Mackey to be Performed at City Performance Hall; Guaranteed Seating with Soundings Season Ticket Package Brentano String Quartet Performance of One Red Rose, co-commissioned by the Nasher with Carnegie Hall and Yellow Barn, moved to accommodate bigger audience. DALLAS, Texas (September 12, 2013) – The Nasher Sculpture Center is pleased to announce that the JFK commemorative Soundings concert will be performed at City Performance Hall. Season tickets to Soundings are now on sale with guaranteed seating to the special concert honoring President Kennedy on the 50th anniversary of his death with an important new work by internationally renowned composer Steven Mackey. One Red Rose is written for the Brentano String Quartet in commemoration of this anniversary, and is commissioned by the Nasher (Dallas, TX) with Carnegie Hall (New York, NY) and Yellow Barn (Putney, VT). The concert will be held on Saturday, November 23, 2013 at 7:30 pm at City Performance Hall with celebrated musicians; the Brentano String Quartet, clarinetist Charles Neidich and pianist Seth Knopp. Mr. Mackey’s One Red Rose will be performed along with seminal works by Olivier Messiaen and John Cage. An encore performance of One Red Rose, will take place Sunday, November 24, 2013 at 2 pm at the Sixth Floor Museum at Dealey Plaza. Both concerts will include a discussion with the audience. Season tickets are now available at NasherSculptureCenter.org and individual tickets for the November 23 concert will be available for purchase on October 8, 2013. -
The Chamber Music Society of Lincoln Center
Concerts from the Library of Congress 2013-2014 THE DINA KOSTON AND ROGER SHAPIRO fUND fOR nEW mUSIC THE CHAMBER MUSIC SOCIETY oF LINCOLN CENTER Thursday, April 10, 2014 ~ 8 pm Coolidge Auditorium Library of Congress, Thomas Jefferson Building THE DINA KOSTON AND ROGER SHAPIRO FUND FOR NEW MUSIC Endowed by the late composer and pianist Dina Koston (1929-2009) and her husband, prominent Washington psychiatrist Roger L. Shapiro (1927-2002), the DINA KOSTON AND ROGER SHAPIRO FUND FOR NEW MUSIC supports commissions and performances of contemporary music. Please request ASL and ADA accommodations five days in advance of the concert at 202-707-6362 or [email protected]. Latecomers will be seated at a time determined by the artists for each concert. Children must be at least seven years old for admittance to the concerts. Other events are open to all ages. Presented in association with: The Chamber Music Society’s touring program is made possible in part by the Lila Acheson and DeWitt Wallace Endowment Fund. Please take note: Unauthorized use of photographic and sound recording equipment is strictly prohibited. Patrons are requested to turn off their cellular phones, alarm watches, and any other noise-making devices that would disrupt the performance. Reserved tickets not claimed by five minutes before the beginning of the event will be distributed to stand-by patrons. Please recycle your programs at the conclusion of the concert. The Library of Congress Coolidge Auditorium Thursday, April 10, 2014 — 8 pm THE DINA KOSTON AND ROGER SHAPIRO fUND fOR nEW mUSIC THE CHAMBER MUSIC SOCIETY oF LINCOLN CENTER • Gilles Vonsattel, piano Nicolas Dautricourt, violin Nicolas Altstaedt, cello Amphion String Quartet Katie Hyun, violin David Southorn, violin Wei-Yang Andy Lin, viola Mihai Marica, cello Tara Helen O'Connor, flute Romie de Guise-Langlois, clarinet Jörg Widmann, clarinet Ian David Rosenbaum, percussion 1 Program PIERRE JALBERT (B. -
Piano; Trio for Violin, Horn & Piano) Eric Huebner (Piano); Yuki Numata Resnick (Violin); Adam Unsworth (Horn) New Focus Recordings, Fcr 269, 2020
Désordre (Etudes pour Piano; Trio for violin, horn & piano) Eric Huebner (piano); Yuki Numata Resnick (violin); Adam Unsworth (horn) New focus Recordings, fcr 269, 2020 Kodály & Ligeti: Cello Works Hellen Weiß (Violin); Gabriel Schwabe (Violoncello) Naxos, NX 4202, 2020 Ligeti – Concertos (Concerto for piano and orchestra, Concerto for cello and orchestra, Chamber Concerto for 13 instrumentalists, Melodien) Joonas Ahonen (piano); Christian Poltéra (violoncello); BIT20 Ensemble; Baldur Brönnimann (conductor) BIS-2209 SACD, 2016 LIGETI – Les Siècles Live : Six Bagatelles, Kammerkonzert, Dix pièces pour quintette à vent Les Siècles; François-Xavier Roth (conductor) Musicales Actes Sud, 2016 musica viva vol. 22: Ligeti · Murail · Benjamin (Lontano) Pierre-Laurent Aimard (piano); Bavarian Radio Symphony Orchestra; George Benjamin, (conductor) NEOS, 11422, 2016 Shai Wosner: Haydn · Ligeti, Concertos & Capriccios (Capriccios Nos. 1 and 2) Shai Wosner (piano); Danish National Symphony Orchestra; Nicolas Collon (conductor) Onyx Classics, ONYX4174, 2016 Bartók | Ligeti, Concerto for piano and orchestra, Concerto for cello and orchestra, Concerto for violin and orchestra Hidéki Nagano (piano); Pierre Strauch (violoncello); Jeanne-Marie Conquer (violin); Ensemble intercontemporain; Matthias Pintscher (conductor) Alpha, 217, 2015 Chorwerk (Négy Lakodalmi Tánc; Nonsense Madrigals; Lux æterna) Noël Akchoté (electric guitar) Noël Akchoté Downloads, GLC-2, 2015 Rameau | Ligeti (Musica Ricercata) Cathy Krier (piano) Avi-Music – 8553308, 2014 Zürcher Bläserquintett: -
Focus 2020 Pioneering Women Composers of the 20Th Century
Focus 2020 Trailblazers Pioneering Women Composers of the 20th Century The Juilliard School presents 36th Annual Focus Festival Focus 2020 Trailblazers: Pioneering Women Composers of the 20th Century Joel Sachs, Director Odaline de la Martinez and Joel Sachs, Co-curators TABLE OF CONTENTS 1 Introduction to Focus 2020 3 For the Benefit of Women Composers 4 The 19th-Century Precursors 6 Acknowledgments 7 Program I Friday, January 24, 7:30pm 18 Program II Monday, January 27, 7:30pm 25 Program III Tuesday, January 28 Preconcert Roundtable, 6:30pm; Concert, 7:30pm 34 Program IV Wednesday, January 29, 7:30pm 44 Program V Thursday, January 30, 7:30pm 56 Program VI Friday, January 31, 7:30pm 67 Focus 2020 Staff These performances are supported in part by the Muriel Gluck Production Fund. Please make certain that all electronic devices are turned off during the performance. The taking of photographs and use of recording equipment are not permitted in the auditorium. Introduction to Focus 2020 by Joel Sachs The seed for this year’s Focus Festival was planted in December 2018 at a Juilliard doctoral recital by the Chilean violist Sergio Muñoz Leiva. I was especially struck by the sonata of Rebecca Clarke, an Anglo-American composer of the early 20th century who has been known largely by that one piece, now a staple of the viola repertory. Thinking about the challenges she faced in establishing her credibility as a professional composer, my mind went to a group of women in that period, roughly 1885 to 1930, who struggled to be accepted as professional composers rather than as professional performers writing as a secondary activity or as amateur composers. -
Beethoven to Drake Featuring Daniel Bernard Roumain, Composer & Violinist
125 YEARS Beethoven to Drake Featuring Daniel Bernard Roumain, composer & violinist TEACHER RESOURCE GUIDE 87TH Annual Young People’s Concert William Boughton, Music Director Thank you for taking the NHSO’s musical journey: Beethoven to Drake Dear teachers, Many of us were so lucky to have such dedicated and passionate music teachers growing up that we decided to “take the plunge” ourselves and go into the field. In a time when we must prove how essential the arts are to a child’s growth, the NHSO is committed to supporting the dedication, passion, and excitement that you give to your students on a daily basis. We look forward to traveling down these roads this season with you and your students, and are excited to present the amazing Daniel Bernard Roumain. As a gifted composer and performer who crosses multiple musical genres, DBR inspires audience members with his unique take on Hip Hop, traditional Haitian music, and Classical music. This concert will take you and your students through the history of music - from the masters of several centuries ago up through today’s popular artists. This resource guide is meant to be a starting point for creation of your own lesson plans that you can tailor directly to the needs of your individual classrooms. The information included in each unit is organized in list form to quickly enable you to pick and choose facts and activities that will benefit your students. Each activity supports one or more of the Core Arts standards and each of the writing activities support at least one of the CCSS E/LA anchor standards for writing. -
Mark Small at Acoustic Guitar
Ageless Ardor Guitarist/composer/teacher Benjamin Verdery has taken the eclectic road BY MARK SMALL enjamin Verdery inhabits his own festivals throughout the U.S., Canada, (Wisconsin State University), Kim Perlak exclusive territory in the classical guitar Europe, the Caribbean, South America, and (Berklee College of Music), Michael Nicolella B world. Among the virtuosi of the Baby Asia. In addition to his prodigious work as a (Cornish College of the Arts), Matthew Rohde Boomer generation, it’s not hard to make a case solo recitalist, a partial list of his collabora- (Kithara Project), Scott Borg (Montgomery that Verdery has explored the most diverse tors includes guitar titan John Williams and College), and more. musical terrain. The repertoire on the 15 albums classical flutist Rie Schmidt (Verdery’s wife), The week before the COVID-19-mandated in his catalog ranges from works by masters such 12-string expert Leo Kottke, former Police social distancing, the ever upbeat and gregari- as Bach, Strauss, Mozart, and others, to the most guitarist Andy Summers, Celtic guitarist ous Verdery couldn’t mask his enthusiasm for adventurous composers of contemporary classi- William Coulter, new age composer/key- Scenes from Ellis Island, his latest album of cal landscape. He has also made five albums boardist Craig Peyton, mixed vocal artist original music, during a wide-ranging conversa- featuring his own works and his arrangements of Mark Martin, and hip-hop singer Billy Dean tion in his teaching studio at Yale’s Leigh Hall. songs by Prince, Jimi Hendrix, traditional folk Thomas. Classical guitarists such as Williams, tunes and hymns, musical settings for Buddhist David Russell, the Assad Brothers, and the RAIN, ELLIS ISLAND, AND ARISTOTLE texts, and more. -
1998 Jan-Feb
Boston Classical Guitar Society Volume 5, Number 3 newsletterJanuary/February ‘98 Letter to Members Upcoming BCGS-Sponsored Events Greetings, Concerts I hope everyone’s holi- Sunday, March 8, 3:00 p.m. days were full of good Recital by winners of the 6th Annual Guitar Competition cheer, and each of you at the Brookline Music School. found at least one new guitar in your stocking. Sunday, April 5, 3:00 p.m. The Virtual Consort at the First Church, Unitarian It was most gratifying to Universalist, Jamaica Plain. note the level of musi- cianship exhibited at the Performance Parties New England Guitar Saturday, January 24, 2:00 p.m., 271 School St., Acton. Competition which was Saturday, Feb. 28, 2:00 p.m. 196 Broadway, Wakefield. held again at The Boston Conservatory in **BCGS is seeking space to meet for performance parties! November. The BCGS If you have room for a group of 6-12 individuals and are inter- congratulates Jeremy ested in hosting the occasional gathering, call Gloria Vachino Bass and Socrates at (781) 224-4203. Leptos, the high school and college first prize winners. We will And remember....performance parties are for everyone, from be presenting the two winners in concert soon and I hope many beginners on upward. Come play your favorite piece, perform a of you will be able to come to see these promising young duet with another guitarist, or come just to listen!** artists. See the Calendar for full details on the above events. Plans are already underway for the next BCGS Guitar Mini- Fest and many exciting ideas have been discussed. -
Concert: Chamber Music of Steven Mackey Steven Mackey
Ithaca College Digital Commons @ IC All Concert & Recital Programs Concert & Recital Programs 4-17-2011 Concert: Chamber Music of Steven Mackey Steven Mackey Follow this and additional works at: http://digitalcommons.ithaca.edu/music_programs Part of the Music Commons Recommended Citation Mackey, Steven, "Concert: Chamber Music of Steven Mackey" (2011). All Concert & Recital Programs. 155. http://digitalcommons.ithaca.edu/music_programs/155 This Program is brought to you for free and open access by the Concert & Recital Programs at Digital Commons @ IC. It has been accepted for inclusion in All Concert & Recital Programs by an authorized administrator of Digital Commons @ IC. Chamber Music of Steven Mackey The 2010-2011 Husa Visiting Professor of Composition Hockett Family Recital Hall Sunday, April 17, 2011 4:00 p.m. Indigenous Instruments Jacqueline Christen*, flute/piccolo Adam Butalewicz*, clarinet Kate Goldstein*, violin Nathan Gulla*, piano Richard Faria**, conductor Measures of Turbulence Eric Pearson, Matt Gillen, Nick Throop, Nick Malishak, Russ Knifin, guitar Dave Moore, Scott Card, electric guitar Sam Verneuille, electric bass Chun-Ming Chen, conductor Intermission Gaggle and Flock Gaggle Flock Nicholas DiEugenio**, Susan Waterbury**, Isaac Shiman, Sadie Kenny, violin Zachary Slack, Max Aleman, viola Elizabeth Simkin**, Peter Volpert, cello Jeffery Meyer**, conductor * Ithaca College Alumni ** Ithaca College Faculty Biography Steven Mackey Steven Mackey was born in 1956 to American parents stationed in Frankfurt, Germany. His first musical passion was playing the electric guitar, in rock bands based in northern California. He later discovered concert music and has composed for orchestras, chamber ensembles, dance, and opera. He regularly performs his own works, including two electric guitar concertos and numerous solo and chamber works, and is also active as an improvising musician and performs with his band Big Farm. -
Interview for FLÖTE AKTUELL: PAULA ROBISON, August, 2014 Y H P a R G O T O H P
Interview for FLÖTE AKTUELL: PAULA ROBISON, August, 2014 y h p a r g o t o h P L e t a K : o t o h P Paula Robison Interview for FLÖTE AKTUELL: PAULA ROBISON, August, 2014 e n i D t t a M Playing : o t to Pan o F Interview with at the age of sixteen ̈ PAULA ROBISON for FLÖTE AKTUELL (Claudia Wälder-Jene) 1. FA (Floete Aktuell): Dear Ms. Robison, evolved human being emerges with the abili- Foto: Boswil the flute and you - a love at first sight?? ty to pass on the deepest meaning and the ̆ Moyse,- Debost,-Strum,- deepest beauty of music to others. When Paula PR (Paula Robison): Indeed it was love at Marcel Moyse called me his “best student” he As a young flutist first sight, and first sound. It was almost did not mean that I was the best flutist who playing Mozart ̈ magical. I had studied the piano, but its had studied with him but rather that I sheer size and mass intimidated me a bit, amidst all of them had truly heard and „The Complete especially since my formidable grandmother under stood him. I heard the beauty, yes, but Sequenzas“ at was my teacher. I just couldn’t sit still to was also acutely aware of his struggles as an Luciano Berio’s 70th practice. I would feel as though my nose artist, of his desire to bring to life the Birthday Celebration ̄ itched, and then my knee, then my ear, I enormous expressive power of the flute. -
In Addition, Among Others Other Premieres Day Of
Day of the Premieres Sunday 9 November (afternoon) Sat 8 November 'XULQJ1RYHPEHU0XVLF·V.XQVW0X]LHN5RXWH $UW0XVLF5RXWH a single ticket provides access to over 20 brief concerts. You can ¶FRPSRVH·\RXURZQSURJUDPPH7KHFRQFHUWVDUHVWDJHGDWYDULRXV Kate Moore / Saskia Lankhoorn Arditti Quartet ft. Sarah Sun VXUSULVLQJORFDWLRQVLQWKHLQQHUFLW\RI¶V+HUWRJHQERVFK7KHUHLV WRGD\·VPXVLF ¶'DQFHV &DQRQV· John Zorn | James Dillon | huge variation – from contemporary classical music, jazz, and In Dances & Canons, composer Kate Moore Georg Friedrich Haas minimal music to music theatre, visual music, and sound art. E\WRGD\·VPDNHUV engages in an extraordinary and minimalist duet For its 40th jubilee, the famous quartet heads ZLWKSLDQLVW6DVNLD/DQNKRRUQ5HÀQHGDQGOD\HUHG for November Music with a programme that ·V+HUWRJHQERVFK piano explorations. The piece has already been consists exclusively of works of the highest VLJQHGE\WKHUHQRZQHG*HUPDQ(&0ODEHO TXDOLW\LQFOXGLQJ-RKQ=RUQ·VODWHVWFRPSRVLWLRQ The Netherlands 3DQGRUD·V%R[for string quartet and soprano. Dutch newspaper De Volkskrant lavished praise 5 - 9 November 2014 RQKLP¶«=RUQPD\EHDEOHWRWXUQKLVKDQGDW everything but this intriguing piece shows that KHLVDVHULRXVFRPSRVHUDVZHOO· Bozzini Quartet Rozalie Hirs | Frederic Neyrinck | Marc Sabat The purity of the string quartet has inspired many composers to write their best works. 5R]DOLH+LUV·VODWHVWSLHFH¶:HJHQHQZDWHU· is a dance suite in seven movements. Ties Mellema / Ian Wilson / Jos van Kan ¶7KH(QGRI'HVLUH· &ROLQ6WHWVRQ_Rosa Ensemble ft. Eefje De Visser | Together, saxophonist Ties Mellema, Irish composer Ian Wilson, and director Jos van Kan Ensemble Sun*Sun*Sun ft. Roosbeef | Wu Wei | Kronos Quartet | The Bad Plus ft. Anton Goudsmit | go in search of the truth. The End of Desire is a performance for saxophone solo and electronics. -
Download Booklet
Joshua Fineberg SONIC FICTIONS 1 L’abîme (2015-16) 16:36 Talea Ensemble 2 just as much entangled with other matter (2013) 10:01 Pascal Contet 3 La Quintina (2011-12) 18:58 Arditti Quartet 4 Objets trouvés (2008-09) 17:38 Argento Chamber Ensemble Total playing time 63:15 Joshua Fineberg: Sonic Fictions In the past ten years—since his multimedia opera Lolita (2005–08)—Joshua Fineberg has described the majority of his compositions as “sonic fictions.” What does it mean for music to be “fictional”? Arguably, all composed works could be seen as fictions in the sense that they are creations of the imagination, but we rarely apply the term to music—with the possible exception of the Romantic tone poem or Mahler’s novel-symphonies. There are precedents in spectral and post-spectral music for the creation of “unreal” reflections of nature: consider Gérard Grisey’s description of instrumental synthesis sonorities as “mutants of contemporary music” or Philippe Hurel’s fascination with trompe l’oreille effects. Many of Fineberg’s spectral works of the 1990s and early 2000s (like those of his mentor Tristan Murail) explore correspondences and analogies with the non-musical world, reflecting aspects of subatomic physics (Broken Symmetries), Zen rock gardens (« Receuil de pierre et de sable »), and the chaotic mathematics of fluid dynamics (Streamlines). But in his sonic fictions, Fineberg is not interested in programmatic approaches or the musical modeling of nature. These works are not built around narrative, realism, or mimicry, but rather are indebted to modernist writing that explicitly draws attention to its own fictitiousness. -
The String Quartet
The Cambridge Companion to THE STRING QUARTET ............ edited by Robin Stowell published by the press syndicate of the university of cambridge The Pitt Building, Trumpington Street, Cambridge, United Kingdom cambridge university press The Edinburgh Building, Cambridge, CB2 2RU, UK 40 West 20th Street, New York, NY 10011–4211, USA 477 Williamstown Road, Port Melbourne, VIC 3207, Australia Ruiz de Alarcon´ 13, 28014 Madrid, Spain Dock House, The Waterfront, Cape Town 8001, South Africa http://www.cambridge.org C Cambridge University Press 2003 This book is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published 2003 Printed in the United Kingdom at the University Press, Cambridge Typeface Minion 10.75/14 pt. SystemLATEX2ε [tb] A catalogue record for this book is available from the British Library Library of Congress Cataloguing in Publication data The Cambridge Companion to the string quartet / edited by Robin Stowell. p. cm. – (Cambridge companions to music) Includes bibliographical references and indexes. ISBN 0 521 80194 X (hardback) – ISBN 0 521 00042 4 (paperback) 1. String quartet. I. Stowell, Robin. II. Series. ML1160.C36 2003 785.7194 – dc21 2003043508 ISBN 0 521 80194 X hardback ISBN 0 521 00042 4 paperback Contents List of illustrations [page viii] Notes on the contributors [ix] Preface [xii] Acknowledgements [xiv] Note on pitch [xv] r Part I Social