New Orleans A The Kid must be close to 120 years old by now, yet he still blows one of the most Kid Ory's Creola Jazz Band A powerful, meaningful on the jazz scene. This is a wonderfully Good Time Jazz L 12008 12" robust collection on his band in action, highlighted by a growling version of Tin Roof Blues. However, the album's finest moment is when trumpeter Alvin Alcorn puts aside his jazz ambitions and blows two religious choruses of A Closer Walk with Thee. These, without question, are among the loveliest moments of any music, and may someday be looked upon as a model of lyrical, expressive trumpeting. These alone Ory are worth the price of the LP. FR

Terry Gibbs Terry Gibbs, for those few who may not know, is a good-looking musician who plays EmArcy MG 36047 12" vibes with remarkable agility. Throughout his lightning-like attacks, however, there A is a marked degree of finesse that sets him apart from and above the run-of-the-mill jazz vibraphonists. In his work for this album he is ably assisted by bassist Herman Wright, drummer Nils-Bertil Dahlander, and pianist Terry Pollard. The subjects of their semi-modern jazz explorations are standards, like Seven Come Eleven and Dickie's Dream, and originals, such as King City Stomp and Bless My Soles. It all comes off very well indeed, and the sound is excellent. FR

Basic's Back in Town Ithink it is so nice that Columbia and its little sister, Epic, can be this compatible in the Count Basie and His Orchestra A matter of re-issuing fine old masters. The dozen Epic numbers all are taken from 1941, Epic LN 3169 12" and each is more or less a prime example of that great Basie band in a solid, swinging mood. Numbers included are Jump the Blues Away, Tuesday at Ten, Tune Town Count Basie Classics Shuffle, Basie Boogie, Fiesta in Blue, Platterbrains, and Down for Double. The Columbia Count Basie and His Orchestra A LP runs from 1940 to 1946, and although personnel changes over the years were Columbia CL 754 12" numerous, the band never lost that clean, hard-driving sound. In addition to splendid instrumentals, there are four tunes with Jimmy Rushing vocals. FR

Everybody's Happy You can say a lot of things derogatory about Ted Lewis, but no one should cla m that Ted Lewis and His Orchestra he didn't hire excellent talent. And even though the talent probably didn't like what Epic LN 3170 12" they were playing nor the way they had to play it, Ted was still a remarkably steady meal ticket. This LP contains a selected list of Lewis records, taken from 1927 to 1935, when one or more of the following were playing in his band: George Brunis, Jimmy Dorsey, Benny Goodman, Muggsy Spanier, and Jack Teagarden. Although most of the jazz is corny and ragged, the old discs are quite worthwhile, and Heaven knows they are good for a bucket of laughs. FR

New Solos by an Old Master • In his enterprise of playing Gin Mill Blues, That's A-Plenty, A Room with a View, Joe Sullivan • Sweet Lorraine, Hangover Blues, Little Rock Getaway, Honeysuckle Rose, Summertime, Riverside RIP 12-202 12" • Fido's Fantasy, My Little Pride and Joy, I Cover the Waterfront, and Farewell to Riverside, Sullivan is assisted by Dave brio and Smoky Stover. Joe Sullivan still plays a couple of fists full of , but he isn't quite the old master anymore, for a genial gent named Grandad has robbed him of that distinction. He learned from Ferd Morton and Earl Hines, and he's given so much to so many. He's still a traditional pianist of solidly rhythmic skill and he belongs in jazz's Hall of Fame. FR

College Jazz: Modern Ultra modern jazz by a youthful group that stands up remarkably well along side of Johnny Eaton and His Princetonians stiff competition like Dave Brubeck and George Shearing. Eaton plays piano, Columbia CL 737 he composes, and he writes, and he seems to do all three quite well. His cohorts, particularly vibraphonist Dick Lincoln and flautist John Solum, are assured in their ventures, and they make interesting and lovely excursions around such ballads as My Funny Valentine and The Nearness of You. Occasionally, the rhythm seems to float right out of the picture, but once the Princetonians get that into its proper position, Eaton they should be a group to conjure with. Come to think of it, they are now. FR

College Jazz: Dixieland • The men of Eli have a touch of bull dog in their playing, meaning that their bark ELI'S Eli's Chosen Six • is worse than their bite, even though their best number happens to be Bull Dog, CHOSEN Columbia CL 736 12" • written by Cole Porter when he was an undergraduate. For the main part, however, SIX they ramble up a storm on time honored warhorses like Wolverine Blues, That Da Da Strain, and Original Dixieland One Step. Solos, while inclined to be wild and woolly, are not especially inspired, and Pete Williams' soprano sax reminds me of the braying of a giddy jackass. The ensemble playing, on the other hand, is spirited and Ithought quite good. Let's let the Eli's mature a little more. FR Min

The Firehouse Five Story A A cartoonist and trombonist from the West Coast named drove The Firehouse Five Plus Two A a fire engine into one of the most colorful Dixieland bands in America, and this Good Time Jazz Set B 3-12" is a musical panorama of the first five years of the Smoke Eaters' existence. Packaged in dark green and bright red, the three LP's contain 36 selections, only four of which—I've Been Floating Down the Old Grem River, South, Southern Comfort, and Lovin' Sam—have not heretofore been released on 10" long playing records. The numbers all have been re-mastered using latest audio techniques. Here is a rich and deliciously happy bundle—carefree, cocky, and slightly crazy. FR

Pipe Dream Laying the original cast album of "Pipe Dream" beside those of the great R&H hits, The Broadway Show starring Helen B one is forced to admit that "Pipe Dream" comes in a pretty desperate last. Aside from j Traubel, William Johnson, and Judy B one song, All At Once You Love Her, Ifound nothing in "Pipe Dream" that was at all Tyler comparable to Rodgers and Hammerstein's best. Nothing danced out at you from the RCA Victor LOC-1023 12" record to send that unconscious thrill chasing up your spine. Nothing seemed to sparkle. Hammerstein's words said rather little about some trite people, and Rodgers could hardly have been inspired by the words to compose any of his loveliest music. Tyler Nor was Iimpressed by the cast or Robert Russell Bennett's orchestrations. DE

Kismet All of this music is taken directly from the sound track of the motion picture, and it 2 Moron Picture starring Howard Keel, Ann is colorful, alive, exotic, and sometimes quite fascinating. As you no doubt know, Blyth, Dolores Gray, and Vic Damone the songs of "Kismet" were all adapted from the music of Alexander Borodii, and with André Previn's Orchestra it is still my conviction that this music can best be enjoyed to its fullest in instrumental cc MGM E 3281 12" form. However, this competent cast has a technicolor romp with the many sparkling tunes, and the album itself acts as a splendid come-on for the film. The orchestrations er Gray by André Previn are both stimulating and rich, and sound is entirely satisfactory. FR

March-April 1956 37