22Nd Jan 2018 Jehangir Art Gallery

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100th Annual Art Exhibition 16th -22nd Jan 2018 Jehangir Art Gallery

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Sweeping away the golden dust of a hundred years, looking through flashes of gem drops that have survived the tide of time... and shall eternally guide and inspire the present till the future! FOUNDERS The Art Society of India

Shri Madhav Parandekar Shri S. L. Haldankar Shri Balaji Talim 1877 to 1961 1882 to 1968 1888 to 1970

Shri L. S. Mirgay and Shri G. P. Fernandes 'glimpses of the Golden Era'

President Shri Homi Dallas receiving L-R: Shri Cawasji Jehangir, Shri V. R. Amberkar, the then Hon. CM Shri B. G. Kher at the JAG Shri Keku Gandhi and Shri M. F. Husain

L-R: Shri V. A. Mali, Shri G. S. Haldankar, Demonstration by Shri M. R. Achrekar Shri Homi Dallas, Shri Baburao Sadwelkar, Shri P. S. V. Rao & Shri Amberkar

L-R: Shri G. S. Haldankar, Shri Baburao Sadwelkar, L-R: Shri Jal Mehta, Shri V. A. Mali, & Shri Homi Dallas Shri B. D. Shirgaonkar & Prof. J. M. Sidhpura

L-R, Shri Shivaji Tupe & Shri Madhusudan Puranik L-R: Shri Harish Talim, Shri Jal Mehta & Shri V. A. Mali

Reproduced from archives of the ASI . Reproduced from archives of the ASI : 'Annual Art Exhibition Catalogue, 1987-88'

Reproduced from archives of the ASI : 'Annual Art Exhibition Catalogue, 1988-89'

The ASI, grateful of its glorious past, looks forward, and embarks on the beginning of a new century. Come along! Index 100th Annual Art Exhibition • 16th -22nd Jan 2018 • Jehangir Art Gallery

Index

Managing Board 2015-2018 ; Exhibition Jury 2018 14

Presidential address - Vasudeo Kamath 15

Mangal Prabhat Lodha- Hon. Chief Guest for the inaugural function 16

Dilip Ranade - the ‘artiste avec un tempérament scientifique!’ - Anil M. Rao 17

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Medal Entries 34

List of Awards - Student Category 37

Awarded Entries - Student Category 38

List of Selected Entries - Student Category 42

Selected Entries - Student Category 44

List of Awards - Professional Category 55

Awarded Entries - Professional Category 56

List of Selected Entries - Professional Category 60

Selected Entries - Professional Category 63

Vote of thanks 84

Since 2016, the Art Society of India has initiated three new columns in its Catalogue, as follows:: • New Books Arrival • Award Winning Books • Tribute to Honoured Painters-Sculptors These sections have been incorporated in order that the information regarding these columns may reach maximum outreach, and the compilation of the same is made available together at one place. Any one who fits the required eligibility of finding mention in these columns may feel free to send all their relevant information to the following e mail ids - [email protected] ; [email protected] In the ASI Catalogue for 2018, due to the inclusion of articles in commemoration of the ASI Centenary, these columns shall not be published this year; instead they will find place next year in the Catalogue for 2019. It shall include the information of the eligible for both the years 2017 and 2018. Kindly take note of this.

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Managing Board 2015-2018 Exhibition Jury 2018 President Shri Arvind Hate Shri Vasudeo Kamath An eminent Artist from Thane Vice-President Shri Prakash Rajeshirke Shri Babubhai Mistry Eminent Artist and Art educator from Sawarde. Chairman Shri Ajinkya Chaulkar Eminent Sculptor from Mumbai Shri Manohar Nayak Secretary Dr Gopal Nene Jt. Secretary Sharad Tawade Treasurer Parul Shah Librarian Anand Mahajani Committee members Smt Sadhana Bahulkar Daniel Talegaonkar Sunil Pujari Anil Rao

Shri Arvind Hate (foreground), Shri Prakash Rajeshirke (Centre), Shri Ajinkya Chaulkar & Dr. Gopal Nene.

The Art Society of India 524, Sandhurst House,1st Floor, S. V. P. road, Opera House, Mumbai 400004. T : +91 22 23888550 E : theartsocietyofindia@gmail. com W : www.artsocietyofindia.org

14 100th Annual Art Exhibition • 16th -22nd Jan 2018 • Jehangir Art Gallery

Congratulations!

Greetings and felicitations to all artists: painters, of the ASI, we reminisce the living and departed artists, sculptors and visual art aficionados. the art connoisseurs of the glorious past with a sense As the Art Society of India crosses the centenary mark, of gratitude. Various people have been sponsoring functioning with renewed vigour, we ought to consider awards to winning artists. But a special category is ourselves very fortunate to be witnessing such a being introduced in this centenary exhibition, with the landmark event. Art Society of India giving away Gold, Silver and Bronze medals to the works of the most deserving participant Usually, as one gets older, destiny starts looking fragile artists. This medal series shall continue to be given due to senility, but it is converse for an art society, which every year. reflects immortal youthfulness as it ages. A Society retains its vivacity due to the collective strength of the We trust, from this year, many artists of the future organized artists, and this proves more influential; as shall proudly find this medal honour to be a feather in you find innovatively fascinating works of art, drawing their cap. Without doubt, this contribution on behalf art lovers towards viewing them. of the ASI shall be whole-heartedly taken cognizance of in the record books of History. In the year 1857, Sir J. J. School of Art was established, followed by the Bombay Art Society in 1888. Both these An art society functions, driven by the compassionate organizations began heavily influencing the art world. conduct of its artist constituents. The compulsions Yet, the artists with Indian inclination were well aware of commerce is an inevitable fact which cannot be that the British methods and ideas had a firm hold, denied. Along with being inclined to self-less service, above everything. Movements demanding self-rule, it is equally necessary to garner financial support. domestic goods, and liberty were pervading the Indian Hence, as it nears its centenary, one is confronted with atmosphere. In 1920, Lokmanya Tilak passed away; an area of concern that poses a question. Do we artists his last days were spent residing in Mumbai. Owing to who associate ourselves with the Society and avail the which, in accordance with the times, the influence of purpose it exists for, and prosper professionally, give swadeshi occupied the minds of Indian artists. In such back in some proportion to the Society, in order that it a charged atmosphere, it is quite significant that the be self-sufficient to keep the intent of the Society alive? artists here thought of forming ‘The Art Society of India’. Because, we realize every year, it is impossible to run an Subsequently, in 1918, sculptors Balaji Talim, Madhav art society merely on membership subscription fee and Parandekar, painters S. L. Haldankar, G. P. Fernandes exhibition sale. and L. S. Mirgay together instituted this society as a Therefore, we express a sincere desire, and urge mark of self-reliance. everyone that, ‘Let us dedicate and strengthen the Other great artists too got on the bandwagon; Art Society of India with a feeling of deep gratitude. namely, painters Gopal Deuskar, Ara, Raza, K. K. Hebbar, Let us again congratulate each other, and continue V. A. Mali; sculptor Karmarkar, etc. Besides, many known with art creation and service!’ and unknown, self-taught artists have time and again Thank you, contributed to the Society’s life-span. Weekly study Yours truly circles of sketching, portraiture; annual study tours of painting landscapes outdoors; demonstrations; lectures by established artists, and the yearly celebration during the Founders’ week - all these programmes continue to be conducted till date by the Art Society of India. Moreover, the annual exhibition conducted every year at the All-India level is a special festival of exuberance for all the budding students and the established artists. This exposition can be said to be indeed a pictorial graph of the achievements, revealed through the varied works of art on display. Today, as we conduct the Vasudeo Kamath annual exhibition commemorating the centenary year (President, The Art Society of India)

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Shri. Mangal Prabhat Lodha MLA, Malabar Hill, Mumbai Hon. Chief Guest for the Inaugural Function

The name, Shri. Mangal Prabhat Lodha is not new to The Art Society of India is proud to have him as the Mumbai, or to the nation. A professional, a social worker Chief Guest in its Centenary Exhibition. and politician of clean repute, he has relentlessly Shri Mangal Prabhat Lodha’s innate inclination towards endeavoured to be a link between the development of social service is manifested largely in areas of Health Mumbai city and the Government. Known nation-wide and Education, through a slew of programmes he has for his patriotism, he possesses oratorial skills, exudes initiated: goodwill and is naturally dedicated to the cause of public service. • Free Medical check of over 100 patient’s daily After completing his graduation in Commerce, and then • Free library for public use. Libraries has over 3,50,000 the Law Degree, Shri Lodha had begun practising as a books for public reading lawyer in the Rajasthan High Court. But, he gave up his • Scholarships to 4,500 students every year to enable job there, since his father Late Shri. Guman Mal Lodha them to continue their studies was appointed judge in the same court; and it would • Health check-up for school students and Society staff have been contrary to his moral ideals to have further continued working there. His conduct thus can be said • Career counselling and guidance programs to have been quite exemplary. • Supporting and empowering widows and He then came to Mumbai and in 1981, laid the deprived women foundation of what is today known as the ace real estate company - The Lodha Group. The rest is History.

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Untitled, 2010, Ink on paper

Dilip Ranade an ‘artist with a scientific temperament !’

he description, ‘a painter and sculptor engaged in, and informed by various Tspecialized fields: taxidermy, tableau, diorama; who apart from the standard equipments, uses modern tools such as rapidograph, and engages the onlooker with his art works, making the latter think about the disparities, absurdities and illlogicality of life; making him look at himself ‘, would be kind of summing up the artist, ‘Dilip Ranade’ in one sentence.

Born in 1950, in the suburbs of Mumbai at Mulund, Ranade completed his art diploma at the J. J. School of Art in 1971. Ever since his secondary school days, he says, he was drawn to scientific inquiry; particularly inclined towards physics and chemistry. Hence, scientific thinking has throughout been the preoccupying sentiment for him.

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He joined the musuem, ‘Chattrapati Shivaji Maharaj internals of the human body in the Biology books that Vastu Sangrahalaya’ (CSMVS), formerly, ‘The Prince of he had read, for real. He found himself truly looking at Wales Museum’ (POWM) after his academic training everything as they were. in fine arts; fortunately he got a job in the museum’s An incision to skin a bird opened up a new world of ‘Natural History Section’, where things that he had experience for Ranade. The mystery of life began to to deal with, were totally different than what he had slowly unravel providing, literally and metaphorically an studied at the School of Art. His responsibility in the insight into its machination. Apparently it was taxidermy museum was to paint dioramas, make models, etc. But that he was doing, but the observer in him, an artist, he was in for another stroke of luck there, as he had the was consistently watching and observing things. This opportunity to practise taxidermy, which, he says, has artist, as he says, has been the constant observer in all been a major source of imagery for him. In the museum, the acts he performs, through his works: first as an artist he became acquainted with scientific classification, and and modeler, subsequently evolving into a curator. realized that there existed a wide gap in impressions formed by lay persons, in which he includes himself; and In 1996, Ranade became curator of the European the knowledge possessed by specialists, with regards to and Indian Modern Painting Section at CSMVS. He looking at the animal world (for instance: identification felt happy, as, after having done technical work that of a category of duck for a common man is so loose involved several years of moulding, casting, taxidermy, and wide that it includes ‘bar - headed goose, shelduck, screen printing etc., he thought his appointment as a mallard duck, pintail etc.’ all in a single class called ‘duck’) curator would provide him 'with just what the doctor whereas, it is for the specialists, a specific distinguished ordered' to study the academic aspect of art. ‘specie’ with an accurately identifying biological name. Therefore, though he does not practice taxidermy or At CSMVS, learning taxidermy came up as an oppor- curator- ship today, those traits, he says, provided him tunity; it was not Ranade’s official responsibility as art- an insight into, and have always peeped through, his ist and modeler. As he was at it; the process involved principal interest - i.e., Art. skinning animals, where he saw the illustrations of the

Kafka in Aquarium, 2003 , Acrylic on canvas , 38” x 48” Urinal, 1998, Painted plaster, approximately 11”x 8”

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Here is a record of the prolific Dilip Ranade’s accomplishments: • He holds a diploma in Drawing and Painting from the Sir J.J. School of Art, Mumbai, in 1971. • In 1984 he received an Indo-US sub-commission grant to study Museology. He has presented several slide lectures on Portraiture and the Techniques of Diorama Making. He has translated the following books on art into Marathi. • The Crafting of Reality- Sudhir Patwardhan • ‘Drawings’ by Ranjit Hoskote, titled ‘Rekhachitravichar’ Tea Time Elephant, 2003 , Acrylic on canvas , 40” x 50” in 2012, for which he received the ‘Balshastri Jambhekar Anuvad Puraskar 2013’ award. He has held several solos as well as participated in group exhibitions which comprise of : • “Rekhavishkar”, Guild Art Gallery Mumbai & Sudarshan Art Gallery, Pune, 2011 • Humor, wit & Satire”, Gallery Threshold, New Delhi, 2011. • Jehangir Art Gallery, Mumbai (1972,1978,1980 & 2004) • Pundole Art Gallery, Mumbai, (1979,1981,1996, 1999, 1906 & 2004) • Cymroza Art Gallery, Mumbai, 1999 • Total Museum, Seoul, 2003. Lost In Cloud, 2005 , Acrylic on canvas , 38”x 48” Ranade says his works could be called figurative abstract, • “Shifting The Logic-Drawings solo show (1977-2007)”, with his images basically being familiar objects, but the at Pundole Art Gallery, Mumbai ; Threshold Art Gallery, content - ambigious and abstract. He finds ‘imagination’ New Delhi and Galerie 88, Kolkata, 2007 to be a very vital force and a creative aspect of life. • “Shimmer of the self ", He believes, involving the viewer is like engaging the Pundole Art Gallery, Mumbai, 2011. latter in exploring and understanding his own self and • ”The Decrypted Self” at that’s what he, as an artist strives for, and has been Threshold Art Gallery, New Delhi, 2012. attempting, through his art. • Visual Allegories : Poetics of Destabilization- Having worked for 43 years with POWM, which later Exhibition at the Guild Art Gallery, 2016. became CSMVS, (the last four as ‘exhibition consultant’), which itself, one appreciates to be a feat, Ranade, now has given up curatorial practice and taxidermy, which demand a lot of time. He is presently engaged with his art practice and reads about art. ~ Anil M. Rao [email protected]

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100th Annual Art Exhibition • 16th -22nd Jan 2018 • Jehangir Art Gallery

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25 100th Annual Art Exhibition • 16th -22nd Jan 2018 • Jehangir Art Gallery

Yeejleer³e keÀueeJebleebmeeþer, Yeejleer³e keÀueeJebleebveer mLeeHeve kesÀuesueer `o Deeì& meesmee³eìer Dee@HeÀ Fbef[³ee' meesmee³eìer Dee@HeÀ Fbef[³ee ceOesner Òeel³eef#ekeÀeb®eer ÒeLee HetJeeaHeemetve DeepeHe³e¥le ³eebvee Fbiueb[ceOes jepeIejeC³eeleerue J³ekeÌleeR®eer Heesìx^ì keÀjC³ee®es keÀece Deens. 1918 les 47 He³e¥le®³ee keÀener Òeel³eef#ekeÀeb®ee kesÀJeU GuuesKe efceUeu³eeyeÎue DeefYevebovee®es keÀe³e&¬eÀce (1929) Peeues. ueeuekeÀekeÀe keÀjerle Deens. S.SkeÌme.eE$eoeo, Sme.Heer.DeeieemekeÀj, efMeuHekeÀej Jner.Jner. 1931 ceOes Hejle Deeu³eeJej l³eeb®³ee mJeeielee®eener keÀe³e&¬eÀce Peeuee. JeeIe, mee.ue.nUoCekeÀj, Sve.Deej.mejosmeeF&, ®eg[skeÀj, OegjbOej, efMeuHek- l³eeJesUer l³eebveer lesLeerue `keÀuee Je keÀueekeÀej' ³eeyeeyele DeeHeues DevegYeJe eÀej j.ke=À.HeÀ[kesÀ Fl³eeoer. ieesHeeU osTmekeÀj pes.pes.mketÀue®es [sH³etìer meebefieleues. jeJeyeneotj OegjbOej, l³eeb®eer Helveer Je ef®e$ekeÀej cegueieer DebefyekeÀe [e³ejskeÌìj Demeleevee l³eebvee 1940-41 ceOes ³ee mebmLesceOes Òeel³eef#ekeÀ OegjbOej 1937-38ceOes ³egjesHe ÒeJeemeemeeþer iesues. l³eebveener MegYes®íeb®ee Je J³eeK³eeveemeeþer Deecebef$ele kesÀues nesles. ns Òeel³eef#ekeÀ vetleve keÀueecebe- efvejesHe osC³eemeeþer keÀuee#es$eeleerue DeveskeÀ ceb[Uer peceueer nesleer. HejosMe fojele Peeues. keÀener Òeel³eef#ekeÀeb®³ee JesUer cee@[sue cnCetve keÀueeJebleeb®eer®e ieceve, HejosMeele G®®e keÀueeefMe#eCe ³ee®es l³eekeÀeUer Del³eble DeÒegHe nesles efveJe[ Peeueer. Goe. Sce.SHeÀ.HeerþeJeeuee ³eebveer 1924-25 ceOes Sce. mebmLesves Demes DeefYevebovee®es keÀe³e&¬eÀce HeÀkeÌle ef®e$e-efMeuHekeÀuee #es$eeleerue Jner.OegjbOejebvee mece#e yemeJetve lewuejbieeleerue l³eeb®es ef®e$e oer[ leemeele kes- keÀueeJebleebHegjles ce³ee&efole þsJeues veener lej Dev³e #es$eeleerue keÀueekeÀejeb- Àues. SefÒeue 1947 ceOes Jee@uìj ueBien@cej ³eebveer efMeuHekeÀej efJevee³ekeÀ veener ieewjefJeues. veJeesefole ve=l³eebievee, ieeef³ekeÀe, K³eeleveece yeeueiebOeJe& ³eeb®ee keÀjcejkeÀjeb®es mece#e J³eeqkeÌleef®e$eCe kesÀues nesles. Jee@uìj ueBien@cej ns p³et! l³eele meceeJesMe Deens. yeeyetjeJe HeWìjeb®ee ieewjJe l³eeb®³ee ef®e$eHeì me=äerleerue ogmeN³ee cene³eg×eHetJeea Yeejleele Deeues. ³esLeerue DeeOegefvekeÀ keÀuee®eUJeUerle keÀeceefiejeryeÎue jewH³e keÀjb[keÀ osTve kesÀuee. yeeyetjeJe HeWìjeb®³ee ieewjJeeuee l³eeb®es mLeeve cenÊJee®es Deens. l³eeb®eer peesceoej DeeieUer ef®e$eMewueer, YejHetj ieoea Peeueer nesleer. Jew®eeefjkeÀ ÒeieuYelee ³eecegUs 1940 ®³ee ojc³eeve l³eeb®es keÀuee#es$eele DeY³eeme oewjs (SkeÌmekeÀjdMeve), meb[s mkesÀeE®eie keÌueeme ÒemLe nesles. efMeuHekeÀej Deej.Heer.keÀecele ³eebveer ef®e$ekeÀej Sve.Sme. yeWês meb[s mkesÀeE®eie keÌueeme®ee DeejbYe 1920 -21 ®³ee ojc³eeve Peeuee. ³eeb®es J³eeqkeÌleefMeuHe kesÀues. lees Jeie& J³eJeefmLele megª jneJee Je DeY³eemetbvee l³ee®ee veerì GHe³eesie JneJee DeefYevebove, HejosMeieceve ³eeyeÎue®³ee meYee cnCetve l³eemeeþerner keÀesCeervee keÀesCeer leer peyeeyeoejer ce³ee&efole keÀeUekeÀefjlee keÀueeJebleebvee Òeeslmeenve osC³eemeeþer l³eeb®³ee efJeMes

Yeejleer³e keÀueeJebleebmeeþer, Yeejleer³e keÀueeJebleebveer mLeeHeve kesÀuesueer `o Deeì& meesmee³eìer Dee@HeÀ Fbef[³ee' efkeÀuu³eeJej iesuee neslee. l³eele 85 meYeemeoeb®ee menYeeie neslee. Dee@HeÀ Fbef[³ee'®eener DeY³eeme¬eÀceeletve `cegkeÌlenmle' keÀe{tve ìekeÀC³eeme efMeuHekeÀej j.ke=À.HeÀ[kesÀ (cnCepes®e Deej.kesÀ. HeÀ[kesÀ) Je l³eeb®³ee ye- efJejesOe neslee. l³eemeeþer 3 Dee@iemì 1924 DeeefCe 1 Dee@iemì bOetbveer meJee¥®es mJeeiele kesÀues. efoJemeYej®³ee keÀeceeveblej l³eeb®es DeeojeefleL³e 1925 DeMee oesve yewþkeÀe Peeu³ee. l³eevegmeej Mew#eefCekeÀ Keel³eekeÀ[s keÀjC³eemeeþer SkeÀ mebieerlee®ee keÀe³e&¬eÀcener þsJeuee. 1927 les 32 ®³ee (Sp³egkesÀMeve ef[Heeì&ceWì) He$e HeeþefJeC³eele Deeues. l³eele l³ee efveCe&³eemeeþer ojc³eeve DebyejveeLe, yeesjerJeueer ³esLeerue iegbHeÀe, IeejeHegjer uesCeer, Jeýeséejer ³esLes keÀueekeÀejeb®eer®e mJeleb$e meefceleer vesceeJeer DeeefCe l³ee meefceleer®ee efveCe&³e oewjs Peeues. ner efþkeÀeCes lesJne cegbyeF&Heemetve KetHe otj Jeeìe³e®eer. ueeskeÀue, ceev³e kesÀuee peeJee DeMeer ceeieCeer kesÀueer. MeemeveekeÀ[tve keÀUefJeues iesues yemesme®³ee megefJeOee nuueermeejK³ee veJnl³ee. keÀenerJesUe mekeÀeUer yees®ejer keÀer ceeO³eefcekeÀ MeeUele ne efJe

27 100th Annual Art Exhibition • 16th -22nd Jan 2018 • Jehangir Art Gallery

Yeejleer³e keÀueeJebleebmeeþer, Yeejleer³e keÀueeJebleebveer mLeeHeve kesÀuesueer `o Deeì& meesmee³eìer Dee@HeÀ Fbef[³ee'

J³ekeÌle keÀjC³eemeeþer leer meYee nesleer. ke@À. iue@[mìve mee@ueesceve ³eebvee mJeeleb$³e efceUeues leesHe³e¥le®es®e GHe¬eÀce Deensle. ³ee ìH³eele mebmLes®ee DeO³e#e cnCetve Deeceb$eCener kesÀues. Hejbleg keÀener leebef$ekeÀ $egìeRcegUs leMeer meYee jewH³eceneslmeJeer meesnUe Heej He[uee. mebmLes®eer Jeeì®eeue megª jentve IesCes®e jefnle keÀjeJes ueeieues, ns JesieUs! megJeCe& ceneslmeJe, nerjkeÀceneslmeJe DeeefCe Deelee MeleeyoerHetefle& He³e¥le DeeHeCe `o HeÀmì& yee@cyes Òee@eqJnSvMeue Deeì& keÀe@vHeÀjvme' 1942 ceOes Deeì& Heesnes®euees Deenesle. ¿ee oerIe& Jeeì®eeueer®ee Fefleneme mebkeÀefuele nesCes iejpes®es meesmee³eìer Dee@HeÀ Fbef[³eeves Dee³eesefpele kesÀueer. ³eele ef®e$ekeÀej Deeefke&ÀìskeÌì, Deens. efMeuHekeÀej, íe³eeef®e$ekeÀej DeeefCe keÀueejefmekeÀ ³eebvee SkeÀ$e DeeCetve `keÀuee iesu³ee MebYej Je

28 100th Annual Art Exhibition • 16th -22nd Jan 2018 • Jehangir Art Gallery

'Two decades with the Art Society of India' ~ Dr. Gopal Nene

I joined the Art Society of India (ASI) in 1997 and started an opportunity to the students, hobby artists, amateurs attending its Study Circle. My friend Mr.Pradeep Madan, to practice sketching from live model. It is only at the Art who was already a member of the Society, introduced Society that this facility is made easily available to those me to Shri. Prabhakar Narvekar, who used to manage who want to learn and practice drawing and painting the study circle then. That time the study circle used to from live model. I have always strongly felt there should be only on Sunday mornings and the society’s office be an able guide voluntarily and regularly attending the hours from Monday to Saturday were between 3-7 pm. study circle sessions, as many new members attend it, A human model used to be hired and was paid Rs.50/- expecting to get guidance.The Society’s office space is for three hours session. Today we pay the model Rs. not large enough for effectively using it during study 200/- for that. About 15 members used to regularly circle sessions. attend the study circle sessions. Gayatri Mehta, Arvind Rathod,Pankaj Chapele, Laxmichand, Goolbanu When I joined the society, Shri. P.S.V. Rao, Jt. Secretary Merchant, Vitthal Hire, Abdul Gani, R.V. Naik were some of the society, used to voluntarily look after the office of the regularly attending members. Sometimes Shri with extreme dedication, helped by an assistant John Fernandes, Shri B.R. Kulkarni, Shri. V.D.Joshi, Shri named Abdul. In my second year, I wrote an article Prabhakar Kumthekar used to attend it. I was a novice for the ASI catalogue . I was offered remuneration then and started learning from them. Some Art school for it by the Society. I refused to accept it as it was a students used to attend the study circle and some of the voluntary act, done without expecting any return, final year students had good work. Later on from 2000 but Shri Rao suggested me to be a life member of the onwards, the study circle started assembling on Tuesday- society by paying additional money over the amount of Thursday- Saturday afternoons in addition to Sunday remuneration; and willingly obliged. In the year 2000, I mornings and the number of members attending it was elected as one of the committee members of ASI, to went on increasing. Sometimes it became difficult to get later go on to become joint secretary. Gayatri Mehta was a place to sit if one arrives late. Shri. Shravan Gurav and Secretary then. In 2010, I was Secretary of the Society. Shri. Satyadas, who were accomplished applied artists, Initially the Managing Committee of the society used Marathi science fiction writer Shri. Laxman Londhe used to be elected every year, but from 1982 onwards, the to attend the study circle during the decade (2000- elections were held every 2 years, which after around 2010). Shri. Shravan Gurav and Shri. Satyadas had a nice 1992, became three years. When I joined the society, style of rendering.The surge of attending members as the members used to attend the AGM in good number. well as the increasing number of people taking society’s The election used to be an interesting event of concern membership coincided with the boom that appeared for the members. Now, very few members attend AGM in the Visual Art industry during that period, when and the elections of the Managing Committee is a paintings of Indian master painters fetched huge prices dull affair. After becoming member of the Managing at international auctions. Later on, with the efforts Committee, I got an opportunity to work with other of Gayatri Mehta, the then secretary of the society, Committee members who were accomplished artists. Sunday sessions began to be dedicated to ' Nude Study I was still learning to draw and paint. Apart from Sessions', which continues till date, in batches as series of that, I could pick up many virtues from veterans - Ms. 8 Sundays. The nature of the study circle was never like a Dahanukar, V.A.Mali, B.R. Kulkarni, Kanu Nayak, John drawing and painting class and it is still the same. It gives Fernandes and others. The office hours of the society

29 100th Annual Art Exhibition • 16th -22nd Jan 2018 • Jehangir Art Gallery

~'Two decades with the Art Society of India' were later extended and made between 12-7 pm. of Mumbai only, with an exceptional tour to Umbergao. Somewhere around 2000, Mr. Rao resigned from the When I joined, the landscape outings had come to office because of personal reasons and was succeeded a standstill. I started organizing them again with by Povle, Deshpande and is currently taken care of by active participation of Gayatri Mehta and it received the office executive Prajakti Salaskar- Shankardas Abdul good response. I remember the first 'one day' outing was followed by Wagholikar,Kiran More and others, till arranged by me to a remote location , Kalote Mokashi the present employee Mangesh Sabale. The Library waterfall near Khopoli , with 35 participants in an Cupboard which earlier stood on the floor, during hired 45 seater Bus. Veterans like John Fernandes, the renovation, had to be kept aloft touching the roof B. R. Kulkarni, Shri. V. D. Joshi, accompanied too. due to space constraints. This rearrangement could be John Fernandes painted a watercolour landscape at carried out of the donation by Shri Ghanashyamdas the waterfall, sitting on a rock in a flowing stream. Saraf Trust. Today we still face the space crunch and the He was intermittently washing his brush in the flowing ASI office, which is a multipurpose place, is in need of a water. John sir painted the landscape using imported comprehensive overhaul. watercolour paper, imported colours and brushes, but used Indian flowing water. On the way back he asked to The financial condition of the Society , during late eighties halt the bus near a bridge and standing on the bridge, and early nineties of the last millennium, was indeed in painted another landscape. We had to manage the a very bad shape. This is when V. A. Mali, Siddhapura and onlookers gathering on the bridge as the bridge was other committee members approached Ms. Dahanukar on the Panvel- Khopoli highway. It was a wonderful and requested her to take charge as the President of the experience which I will never forget. This landscape ASI in order to pull the society out of its financial crisis. trip reactivated the activity of landscape outing and After Ms.Dahanukar took charge, she was able to bring since then, the Society has arranged outings to various about reforms in the functioning, as well as the financial places near Mumbai, as well as far away from Mumbai condition of the Society. The valuable paintings in the too, like Varanasi, Haridwar, Chittorgarh, Omkareshwar, collection of the society were exchanged for funds Hampi, Badami, Gokarna, Shringeri-Karkal-Udupi; to with a museum in Goa, opened by a Goan industrialist, name a few. Initially there was a good response to named Salgaonkar, and the Society was able to get itself one day outings and we used to hire a mini -bus for it. out of the financial disaster to some extent. The society The participants were charged a small amount and the will always remain indebted to Ms Prafulla Dahanukar. remaining bus hiring charges were borne by the Society. After her demise, Shri. Vasudeo Kamath, being a worldly Year after year, the Bus charges went on increasing and renowned prolific artist, took over as the President of then it became impossible for the Society to bear these the ASI and under his presidency, with his guidance increasing expenses and as a result, the one day outings and valuable involvement in the Society, and with a were discontinued. Now the Society organizes only two benevolent Chairman like Shri. Manohar Nayak, we outings in a year, out of which one is of 5 days and the now look forward to an assured and promising future other one of 10 days.These outings are organized with for the Society. very reasonable expenses for the paticipants. We send When I joined the society, Kanu Nayak was the treasurer the schedule for these outings along with our annual of the Society and he used to maintain the accounts report so that people can plan their leaves accordingly. efficiently and was very keen on getting it audited These outings are very fruitful as the participants only perfectly. At present the auditors Shri. Deepak Tikekar paint and draw the whole day throughout the tour. efficiently and timely prepare the audited annual I regret, that the younger members today, do not accounts. voluntarily participate in organizing the tours. This is observed in all the events organized by the Society. It seems from the previous annual reports, the Society When I attend such events in the field of music, started arranging landscape outings for the members religious discourses, literature, rangoli, the youngsters around 1972. But these were arranged in the viscinity enthusiastically participate organizing events under

30 100th Annual Art Exhibition • 16th -22nd Jan 2018 • Jehangir Art Gallery

~'Two decades with the Art Society of India'

the guidance of Seniors. I expect that the younger I think Installation art has not yet been well understood artists come forward and happily start taking interest in and appreciated by people at large. Last few years, the conducting the activities of the Society. selling during the exhibitions has drastically reduced and the Society’s source of income through commission The annual report books and the annual exhibition on sold artworks has reduced.The escalated rent of the catalogues published since inception of the Society, gallery, increased transport charges etc., and reduced over the period, changed in its design and presentation. Sale of exhibits makes it difficult to manage the show In last 10 years it became very much attractive because but we have to carry on, as it is the main activity of the of the dedicated efforts in designing them by Anand Society. Mahajani, our committee member. The Society has an ever continued activity since its Previously, the Society had produced prints of paintings, inception, to arrange demonstrations by eminent artists. by old masters associated with the ASI, for sale during I feel privileged to have witnessed demos of works by the annual exhibition. Now the stock is exhausted. the likes of Tupe, S. S. Sheikh, John Fernandes, Vasudeo Recently the process of photographic documentation Kamath, Dattatreya Padekar, B. R. Kulkarni, Anil Naik; of all demonstration paintings was executed by Nitin to Prafull Sawant, Rajesh Sawant, Dhivre, Vishvanath Chitnis, as a goodwill gesture ; for which we immensely Sabale, Manoj Sakale, Pramod Kurlekar, Satyajeet appreciate him. Varekar, Prashant Prabhu, Kishor Nadawdekar, Madhu Tha Annual Art Exhibition which the Society organizes Champaneria Anil Abhange; and the list is endless. every year at Jehangir Art gallery is the main activity There is always grand response to these demonstrations. of the Society. It is a unique event to experience: right Many aspiring artists, years together religiously attend from accepting the entries , transporting them carefully these demonstrations. I remember a demonstration by to the gallery and deciding the scheme for hanging. John Fernandes. He demonstrated a full figure drawing When I joined, we used to book only the Auditorium Hall in pencil. The model was Shri. Prabhakar Narvekar, who of Jehangir Art gallery due to limited funds. The entries had white hair, moustache and beard. He used to wear were received as actual art work only. It was a big task to light coloured trousers with waist- belt , and tucked- safeguard all the paintings and sculptures till the end of in white full shirt. John rendered only the tones in the the exhibition. The works left by artists, in many cases, lie figure with soft pencil, and then at only few places put in hopeless wait for months to years after the exhibition, dark accents by pressing the pencil on the paper, and as every year there are certain artists who submit the finally brought out the highlights with an eraser. The art work, but are reluctant to take it back. Copying the likeness and the character of the model was achieved selected art works for printing in the catalogue was with minimum of pencil work. This drawing is in the often done by Dilip Dahanukar, with pleasure. After one collection of the society. Shri. Vasudeo Kamat has such exhibition, when all the displayed and undisplayed demonstrated for the Society in various mediums. paintings were brought back from Jehangir art Gallery, In order to initiate the exchange of thought process the Society’s office was crammed and we had to hold the among the Society’s members, a few years back, we working of the Society’s office for few weeks. Next year started innovative sessions in the Society’s office once onwards the committee decided to accept the entries a week or fortnight. Subjects were ‘ how the advertising in the form of images of artwork during the initial phase people think about colour’, ‘whether we can . Since the year 2000 onwards, the Society reserves all the ground floor galleries of Jehangir Art Gallery so that adopt the ‘alankaars’ ( to borrow the figures of speech more number of artworks can be displayed. Over the used by the poet 'B. B. Borkar' in our painting’), ‘to last decade, we receive entries from distant states of know the basic principles of animation’, ’ to see how India from Kashmir, Bihar, Uttar Pradesh, North eastern the painters have used and produced ‘rhythm’ in their states to Kerala, Tamilnadu and others. We included painting’,etc. It was well conveyed to all members about ‘Installation’ as a category in our annual exhibition but such meetings but except we, the organizers of such

30 31 100th Annual Art Exhibition • 16th -22nd Jan 2018 • Jehangir Art Gallery

~'Two decades with the Art Society of India' meetings; very few members turned to it and we had ignored. The only preferred topic is ‘How to draw and to discontinue the meetings. Similar experience is when paint’; types of books like those by Andrew Lumis and lectures or slide shows on some topics are arranged. It others. The reduced interest in reading books is largely seems that they trust their eyes, more than the mind. because of the information explosion due to wide use of the internet. The Society has a good collection of art -related books in its Library. These books and art magazines are collected Established in 1918, by the visionary activist artists of with great efforts by the active committee members in that era, the 'Art Society of India' has progressed and is the past. Some books are even donated by members. celebrating its Centenary this year 2018. I am connected There are books on understanding art, appreciating art, with it for a small period of 20 years. But still, I felt I need as well as 'how to draw and paint' type of books. The to share and document few of my experiences through Society had subscribed to issues of magazines : ‘ The this article. Artist ’, ‘ The American artists ’. These magazines used to arrive in the Strand Book Stall in Fort and then Mr. Rao or Abdul used to get them for the Society’s Library. Many such issues of the magazines are compiled in the form of hard bound books. Earlier, many members of the Society used to regularly come to the Society, during office hours and read these books there. Some of them used to borrow them for a week. The members used to be eager to receive the new issues of magazines. Few years back, we purchased books on the art of some of the western artists like Mattisse, Goya and others but Dr. Gopal Nene today these books remain in their shelves; completely (Secretary, The Art Society of India)

32 32 100th Annual Art Exhibition • 16th -22nd Jan 2018 • Jehangir Art Gallery

Gold Medal

Yash Pal Singh (Uttar Pradesh) P - 1155 A Ibadat - 1

34 100th Annual Art Exhibition • 16th -22nd Jan 2018 • Jehangir Art Gallery

Silver Medal

Ambrish Mishra, Allahabad P - 1387 A Bhoora

34 35 100th Annual Art Exhibition • 16th -22nd Jan 2018 • Jehangir Art Gallery

Bronze Medal

Siddhant Pitale, Mumbai P - 1068 A (S) Untitled

36 100th Annual Art Exhibition • 16th -22nd Jan 2018 • Jehangir Art Gallery

List of Awards - Student Category

Sr. Award Amount ` Entry No. Title Artist Shri. Ghanshyamdas Saraf Award of Rs. 5100/- Omkar Mankame, 1 5,100.00 S 550 A ‘My Space’ by Shri. Mahavirprasad G. Saraf. Raigad

J. R. Mistry Memorial Award of Rs. 3,000/- Anamika Singh, 2 5,000.00 S 585 A ‘Past Distortion Late Mr. Prafullrai D. C. Patel Award of Rs. 2,000/- Allahbad By Smt. Usha Patel for an entry in Graphics

'Nature’s 3 M/s. Kokuyo Camlin Ltd. Award of Rs.5,000/-. 5,000.00 S 724 A connectivity Arif Khan, Bhopal with Human

Late Shri. M. P. Dhage Award of Rs.1000/- for Realistic Landscape in oil by Smt. Indu M. Dhage. Late Shri. John Fernandes Award of Rs. 500/- for realistic Landscape/figurative painting. Kumar Misal, 4 Late Smt. Heeralaxmi Mehta Award of Rs. 600/- 4,700.00 S 524 A 'Ambadas' for landscape, by Ms. Gayatri Mehta. Mumbai Shri. P. G. Kumthekar & Smt. Leela P. Kumthekar Award of Rs. 2000/- . Late Shri. Gajendra Mehta Award of Rs. 600/- for figurative/portrait Painting.

Late Shri. K. K. Hebbar Award of Rs. 800/- by Shri. P. S. V. Rao for realistic Landscape/Figurative painting. Late Shri Rustaom Dadbhai Siodia Award of Rs.800/- Late Shri. Homi Nanshirwan Dallas Award of Rs.800/- Atul Gendle, 5 3,950.00 S 783 A 'Rainy Season' Pune Late Smt.Cummi Dallas Award of Rs.800/- for deserving Entries in any category Late Shri. G. S. (Bhai) Haldankar Award of Rs.750/- by Studio Bahar for realistic Portrait.

M. K. Parandekar Memorial Award of Rs. 2,500/- by Shri. J. M. Parandekar & Shri S. M. Parandekar. Prakash Gaikwad, 6 3,500.00 S 534 A 'Skin as Metaphor' Late Mrs. Prafulla Dahanukar Award of Rs.1000/- Nagpur for Composition.

Late Shri K. D. (Dada) Mahajani Award Rs. 3,500/- 7 3,500.00 S 568 A (S) 'Relax' Sumedh Sawant by Shri Girish. K. Mahajani. Late Shri K. D. (Dada) Mahajani Award Rs. 3,500/- Deepak Durge, 8 3,500.00 S 752 A (S) 'Untitled' by Shri D. M. Mahajani. Mumbai J. R. Mistry Memorial Award of Rs. 3,000/- Anand Pratap, 9 3,000.00 S 521 C 'Bodh' for a deserving painting. Mumbai

Shri. Narendra Sheth Award of Rs.800/- for lady student. Sayali Thakare, 10 1,300.00 S 631 B 'The Queen' Late Smt. Cumi H. Dallas Award of Rs.500/- Mumbai by Shri. D. B. Billimoria and Society’s Award for lady Student.

Shri. Madhusudan Puranik Award of Rs.1250/- 'In searching Sachin Kamble, 11 1,250.00 S 554 A Society’s Award for deserving entry. of Water - 2' Parbhani

36 37 100th Annual Art Exhibition • 16th -22nd Jan 2018 • Jehangir Art Gallery

Awarded Entries - Student Category

S - 550 A My Space Omkar Mankame, Raigad

S - 585 A Past distortion Anamika Singh, Allahabad 100th Annual Art Exhibition • 16th -22nd Jan 2018 • Jehangir Art Gallery

Awarded Entries - Student Category, contd.

S - 724 A Nature's connectivity with Human Arif Khan, Bhopal

S - 783 A Rainy Season Atul Gendle, Pune 100th Annual Art Exhibition • 16th -22nd Jan 2018 • Jehangir Art Gallery

Awarded Entries - Student Category, contd.

S - 524 A S - 534 A Ambadas Skin As Metaphor Kumar Misal, Mumbai Prakash Gaikwad (Nagpur)

S - 521 C S - 554 A Bodh In searching of water 2 Anand Pratap, Mumbai Sachin Kamble, Parbhani 100th Annual Art Exhibition • 16th -22nd Jan 2018 • Jehangir Art Gallery

Awarded Entries - Student Category, contd.

SL - 631 B The Queen S - 752 A (S) Sayali Thakare, Mumbai Untitled Deepak Durge (Mumbai)

S - 568 A (S) Relax Sumedh Sawant (Kolhapur) 100th Annual Art Exhibition • 16th -22nd Jan 2018 • Jehangir Art Gallery

List of Selected Entries - Student Category

Entry No. Award Artist Title Price S - 495 A Anupama Dey (West Bengal) Morning 45000.00 S - 496 A Gopal Paramar (Gujrat) Tum Bhagwan Hai 11000.00 S - 501 A (S) Akshay Divate (Nashik) Untitled 51000.00 S - 503 A Deepika Sakhat (Mumbai) Traces in th Mind 15000.00 S - 504 A Dipesh Raj (New Delhi) Three Figure 22000.00 S - 505 B Harshika (Delhi) Journey Unimaginable S - 507 A (S) Thinley Gurung (West Bengal) Portrait of a Horse 49000.00 S - 508 A Shailesh Kulkarni (Jalgaon) Landscape - Top View 10000.00 S - 509 A Raghuvir Shinde (Mumbai) Amma 10000.00 S - 511 A Ganesh Jare ( Mumbai) Anna 10000.00 S - 521 C Anand Pratap (Mumbai) Bodh 95000.00 S - 524 A Kumar Misal (Mumbai) Ambadas 35000.00 S - 526 A Nilisha Phad (Mumbai) The Afternoon Nap 35000.00 S - 528 B Roshan Anvekar (Mumbai) Meenu Gava 80000.00 S - 533 A (S) Hitesh Dhanmeher (Palghar) Untitled 7500.00 S - 534 A Prakash Gaikwad (Nagpur) Skin As Metaphor 50000.00 S - 535 A Chandrakant Halyal (Mumbai) Back to Nature 45000.00 S - 542 B Prathamesh Loke (Thane) Halt 30000.00 S - 543 A Mayur Waghmare (Raigad) Society 35000.00 S - 547 A Aniket Pujare (Mumbai) The Unknown Person 5000.00 S - 550 A Omkar Mankame (Raigad) My Space 75000.00 S - 552 B Anil Chouhan (Jalgaon) Lost in Urbanisation 2.3 45000.00 S - 554 A Sachin Kamble (Parbhani) In searching of water 2 50000.00 S - 557 C Tai Borate (Thane) Orange Table 12000.00 S - 564 A Shubham Kesur (Thane) Never ending Race 25000.00 S - 568 A (S) Sumedh Sawant (Kolhapur) Relax 25000.00 S - 570 A (S) Vijay Maske (Kolhapur) Busy 30000.00 S - 571 A (S) Abhijit Kumbhar (Kolhapur) Anushka 70000.00 S - 577 A Sonal Salekar (Mumbai) Sea Scape 45000.00 S - 581 A Akshay Lushte (Thane) Ready to Seat 6000.00 S - 585 A Anamika Singh (Allahabad) Past distortion 30000.00 S 599 A (S) Mayuri Joshi (Nashik) The Tea Plucker 10000.00 S - 600 A Rohini Sharma (Nashik) Shrinagar 10000.00 S - 604 A Paresh Jethwa (Mumbai) Local Life N.F.S S - 606 B Shalaka Shende (Nagpur) Tea Time 50000.00 S - 617 A Gajanan Shelke (Mumbai) Pune to Mumbai 26000.00 S - 628 B Chetan Pashilkar (Mumbai) Untitled 55000.00 S - 630 A Prayag Chinchole (Kalyan) Chanakya 10000.00 S - 631 B Sayali Thakare (Mumbai) The Queen 45000.00 S - 635 A Shubham Tapkire (Ratnagiri) Evening Time 15000.00 S - 640 A Aniket Tambat (Ratnagiri) Connection 20000.00 S - 641 B Shweta Urane (Kolhapur) Creator 28000.00 S - 643 A Hemant Sawant (Ratnagiri) Motion of Emotion 25000.00 S - 646 A Makarand Rane (Kankavli) Conductor 25000.00 S - 650 A Suresh Jangio (Nashik) Reflection 35000.00 S - 653 A Chetan Patil (Nashik) Little Try 12000.00 S - 656 A (S) Ganesh Khutikar (Raigad) Care 10000.00 S - 660 A (S) Rohit Powar (Ratnagiri) Bull 10000.00

42 100th Annual Art Exhibition • 16th -22nd Jan 2018 • Jehangir Art Gallery

List of Selected Entries - Student Category, contd.

Entry No. Award Artist Title Price S - 662 A (S) Sairaj Wadakar (Ratnagiri) Squeeze 5000.00 S - 678 A (S) Gaurav Thakur (Ghaziabad - U.P) Walking with thoughts 19000.00 S - 683 C Saiya Mondal (Baguiati) The Crow 20000.00 S - 685 A (S) Yash Chaulkar (Mumbai) Aldrich 15000.00 S - 686 A (S) Rahul Tari (Mumbai) Sewing Machine 20000.00 S - 692 B Gaurav Kosamkar (Nagpur) Contemplation series 4 6000.00 S - 704 A (S) Yoginder Aggarwal (Ghaziabad -U.P) Transubstantiation 125000.00 S - 705 A Ashfak Shaikh (Aurangabad) Untitled 1 25000.00 S - 706 B Trupti Misal (Aurangabad) Untitled 10000.00 S - 709 A Nita Vyavhare (Akola) Light 15000.00 S - 724 A Arif Khan (Bhopal) Nature's connectivity with Human 15000.00 S - 732 B Ananya Dalal (West Bengal) Delirium 50000.00 S - 738 A (S) Avinash Bhishnurkar (Vadodara) Boneless Face 20000.00 S - 739 A (S) Dhruv Patel (Vadodara ) Untitled 50000.00 S - 747 A Ashwini Nakhate (Chandrapur) Godhadi 50000.00 S - 749 A Vinayak Sarwankar (Mumbai) The Puppet 16000.00 S - 752 A (S) Deepak Durge (Mumbai) Untitled N.F.S S - 753 C Divya Ramrecha (Mumbai) Occult 15000.00 S - 757 A Piyal Paul (Lucknow) Busy schedule with death feeling 50000.00 S - 758 B Soni Bhalerao (Mumbai) Nude 25000.00 S - 759 A Payal Rokade (Mumbai) Dream City 35000.00 S - 761 C Mansi Palshikar (Satara) Indian - God 45000.00 S - 763 A Karan Kawade (Nagpur) My Self S - 767 A Devendra Dawkhar (Navi Mumbai) Dabewala 18000.00 S - 772 A Manish (Chattishgarh) Pain 15000.00 S - 773 B Sachin Gupta ( Nalasopara - Thane) Evening Walk 18000.00 S - 780 A Sukh Chouhan (Chhatisgarh) Jivan Chakra 300000.00 S - 783 A Atul Gendle (Pune) Rainy Season 51000.00 S - 800 A (S) Ranjay Sarkar (West Bengal) Untitled 1 30000.00 S - 801 A Rajadhiraj Singh (Allahabad) Wonderful Environment 80000.00 S - 805 B Sahadeb Barman (West Bengal) Shoe Study 15000.00 S - 812 B (S) Nayanjyoti Barman (West Bengal) The Force 10000.00 S - 827 A Somnath Gayen (West Bengal) Three Musicians 8000.00 S - 830 B Seemanta Bhagawati (Assam) Depression 5 5000.00 S - 832 B Intaz Ansari (Birbhum) The Seller 25000.00 S - 835 A Pritom Khara (Kolkata) Grooming 15000.00 S - 838 A Saurabh Kumar (Jharkhand) Lost in Nature 35000.00 S - 838 C Saurabh Kumar (Jharkhand) Resting Roller 18000.00 S - 846 B Attri Chetan (Dehradun) Peeping 12000.00 S - 856 A (S) Santosh Patel Fishes of Life S - 857 A Chandan Baruah (Assam) The Craving 20000.00 S - 860 B Tushar Sahay (Chattisgarh) Carrom Players 10000.00 S - 864 A Sayantani Roy (West Bengal) May your soul in Rest & Peace 15000.00 S - 866 A Anil Sherkhane (Pune) Light Shadow 15000.00 S - 867 A Manish Kumar (West Bengal) Relation 1 27000.00 S - 868 A Jyoti Kushwaha (Allahabad) Landscape 50000.00 S - 870 A Kiran Banewar ( Gondia) Man Greeds 10000.00

42 43 100th Annual Art Exhibition • 16th -22nd Jan 2018 • Jehangir Art Gallery

Selected Entries - Student Category

S - 495 A Morning Anupama Dey (West Bengal) S - 496 A Tum Bhagwan Hai S - 503 A Gopal Paramar (Gujrat) Traces in the Mind Deepika Sakhat (Mumbai)

S - 504 A Three Figures S - 508 A Dipesh Raj (New Delhi) S - 505 B Landscape - Top View Journey Unimaginable Shailesh Kulkarni (Jalgaon) Harshika (Delhi)

S - 509 A S - 511 A S - 521 C Amma Anna Bodh Raghuvir Shinde (Mumbai) Ganesh Jare ( Mumbai) Anand Pratap (Mumbai)

44 100th Annual Art Exhibition • 16th -22nd Jan 2018 • Jehangir Art Gallery

Selected Entries - Student Category, contd.

S - 526 A The Afternoon Nap S - 528 B S - 524 A Nilisha Phad (Mumbai) Meenu Gava Ambadas Roshan Anvekar (Mumbai) Kumar Misal (Mumbai)

S - 535 A S - 542 B Back to Nature S - 534 A Halt Chandrakant Halyal (Mumbai) Skin As Metaphor Prathamesh Loke (Thane) Prakash Gaikwad (Nagpur)

S - 547 A S - 543 A S - 550 A The Unknown Person Society My Space Aniket Pujare (Mumbai) Mayur Waghmare (Raigad) Omkar Mankame (Raigad)

44 45 100th Annual Art Exhibition • 16th -22nd Jan 2018 • Jehangir Art Gallery

Selected Entries - Student Category, contd.

S - 552 B Lost in Urbanisation 2.3 S - 557 C Anil Chouhan (Jalgaon) S - 554 A Orange Table In search of water 2 Tai Borate (Thane) Sachin Kamble (Parbhani)

S - 577 A Sea Scape S - 564 A Sonal Salekar (Mumbai) Never ending Race Shubham Kesur (Thane) S - 581 A Ready to Seat Akshay Lushte (Thane)

S - 585 A Past distortion S - 600 A S - 604 A Anamika Singh (Allahabad) Shrinagar Local Life Rohini Sharma (Nashik) Paresh Jethwa (Mumbai)

46 100th Annual Art Exhibition • 16th -22nd Jan 2018 • Jehangir Art Gallery

Selected Entries - Student Category, contd.

S - 617 A Pune to Mumbai S - 628 B SL - 606 B Gajanan Shelke (Mumbai) Untitled Tea Time Chetan Pashilkar (Mumbai) Shalaka Shende (Nagpur)

SL - 631 B S - 635 A S - 630 A The Queen Evening Time Chanakya Sayali Thakare (Mumbai) Shubham Tapkire (Ratnagiri) Prayag Chinchole (Kalyan)

S - 641 B S - 640 A S - 643 A Creator Connection Motion of Emotion Shweta Urane (Kolhapur) Aniket Tambat (Ratnagiri) Hemant Sawant (Ratnagiri)

46 47 100th Annual Art Exhibition • 16th -22nd Jan 2018 • Jehangir Art Gallery

Selected Entries - Student category, contd.

S - 646 A S - 650 A S - 653 A

Conductor Reflection Little Try Makarand Rane (Kankavli) Suresh Jangio (Nashik) Chetan Patil (Nashik)

S - 683 C The Crow S - 705 A Saiya Mondal (Baguiati) S - 692 B Contemplation series 4 Untitled 1 Gaurav Kosamkar (Nagpur) Ashfak Shaikh (Aurangabad)

S - 709 A Light S - 724 A S - 706 B Nita Vyavhare (Akola) Nature's connectivity with Human Untitled Arif Khan (Bhopal) Trupti Misal (Aurangabad)

48 100th Annual Art Exhibition • 16th -22nd Jan 2018 • Jehangir Art Gallery

Selected Entries - Student category, contd.

S - 747 A S - 732 B Godhadi S - 749 A Delirium Ashwini Nakhate (Chandrapur) The Puppet Ananya Dalal (West Bengal) Vinayak Sarwankar (Mumbai)

S - 753 C S - 757 A S - 758 B Occult Busy schedule with death feeling Nude Divya Ramrecha (Mumbai) Piyal Paul (Lucknow) Soni Bhalerao (Mumbai)

S - 761 C S- 759 A Indian - God S - 763 A Dream City Mansi Palshikar (Satara) My Self Payal Rokade (Mumbai) Karan Kawade (Nagpur)

48 49 100th Annual Art Exhibition • 16th -22nd Jan 2018 • Jehangir Art Gallery

Selected Entries - Student Category, contd.

S - 773 B Evening Walk S - 767 A S - 772 A Sachin Gupta ( Nalasopara - Thane) Dabewala Pain Devendra Dawkhar (Navi Mumbai) Manish (Chattishgarh)

S - 783 A Rainy Season S - 780 A Atul Gendle (Pune) S - 801 A Jivan Chakra Wonderful Environment Sukh Chouhan (Chhatisgarh) Rajadhiraj Singh (Allahabad)

S - 805 B Name : Sahadeb Barman Shoe Study Title : Medium Water Colour Study 2 S - 830 B Sahadeb Barman (West Bengal) Medium: Water Colour S - 827 A Depression 5 Three Musicians Seemanta Bhagawati (Assam) Somnath Gayen (West Bengal)

50 100th Annual Art Exhibition • 16th -22nd Jan 2018 • Jehangir Art Gallery

Selected Entries - Student Category, contd.

S - 832 B The Seller S - 835 A S - 838 A Intaz Ansari (Birbhum) Grooming Lost in Nature Pritom Khara (Kolkata) Saurabh Kumar (Jharkhand)

S - 857 A The Craving S - 838 C Chandan Baruah (Assam) Resting Roller Saurabh Kumar (Jharkhand) S - 846 B Peeping Attri Chetan (Dehradun)

S - 860 B S - 866 A Carrom Players Light Shadow S - 864 A Tushar Sahay (Chattisgarh) Anil Sherkhane (Pune) May your soul Rest in Peace Sayantani Roy (West Bengal)

50 51 100th Annual Art Exhibition • 16th -22nd Jan 2018 • Jehangir Art Gallery

Selected Entries - Student Category, contd.

S - 870 A Man Greeds S - 868 A Kiran Banewar ( Gondia) S - 867 A Landscape Relation 1 Jyoti Kushwaha (Allahabad) Manish Kumar (West Bengal)

S - 501 A (S) S - 507 A (S) Untitled Portrait of a Horse S - 533 A (S) Akshay Divate (Nashik) Thinley Gurung (West Bengal) Untitled Hitesh Dhanmeher (Palghar)

S - 570 A (S) S - 568 A (S) Busy Relax Vijay Maske (Kolhapur) S - 571 A (S) Sumedh Sawant (Kolhapur) Anushka Abhijit Kumbhar (Kolhapur)

52 100th Annual Art Exhibition • 16th -22nd Jan 2018 • Jehangir Art Gallery

Selected Entries - Student Category, contd.

S - 599 A (S) S - 656 A (S) S - 660 A (S) The Tea Plucker Care Bull Mayuri Joshi (Nashik) Ganesh Khutikar (Raigad) Rohit Powar (Ratnagiri)

S - 662 A (S) S - 678 A (S) S - 685 A (S) Squeeze Walking with thoughts Aldrich Sairaj Wadakar (Ratnagiri) Gaurav Thakur (Ghaziabad - U.P) Yash Chaulkar (Mumbai)

S - 686 A (S) S - 704 A (S) S - 738 A (S) Sewing Machine Transubstantiation Boneless Face Rahul Tari (Mumbai) Yoginder Aggarwal (Ghaziabad -U.P) Avinash Bhishnurkar (Vadodara)

52 53 100th Annual Art Exhibition • 16th -22nd Jan 2018 • Jehangir Art Gallery

Selected Entries - Student Category, contd.

S - 800 A (S) S - 739 A (S) Untitled 1 S - 752 A (S) Untitled Ranjay Sarkar (West Bengal) Untitled Dhruv Patel (Vadodara ) Deepak Durge (Mumbai)

S - 812 B (S) S - 856 A (S) The Force Fishes of Life Nayanjyoti Barman (West Bengal) Santosh Patel

54 100th Annual Art Exhibition • 16th -22nd Jan 2018 • Jehangir Art Gallery

List of Awards - Professional Category

Sr. Award Amount ` Entry No. Title Artist

Late Smt. Cumi Dallas Award of Rs.25,000/-by Rabadi family. Yash Pal Singh, 1 25,000.00 P 1155 A 'Ibadat-1' Gold Medal for outstanding entry Uttar Pradesh

Late Shri. Gunawant H. Nagarkar Award Ambrish Mishra, 2 by Shri. Vasant Nagarkar of Rs. 21,000/- 21,000.00 P 1387 A 'Bhoora' Allahbad Silver Medal for outstanding entry Late Kalamahashri S. L. & G. S. Haldankar Award of Rs. 21,000/- by Pandit S. S. Haldankar, Smt. Hema Joshi, Siddhant Pitale, 3 Smt. Shree Kolhatkar, Shri. Mukesh Parmar, 21,000.00 P 1068 A (S) 'Untitled' Smt. Mayuri Haldankar Parmar, Ms. Sooha M. Parmar Mumbai Bronze Medal for outstanding entry

Late Shri. V. D. Joshi Award of Rs.9000/- Pradeep 4 for Realistic Painting by Young Artist. 10,250.00 P 1249 A (S) 'Akshay' Kumbhar, Late Shri. Madhusudan Puranik Award of Rs.1250/- Kolhapur

Shri. Raobahadur M. V. Dhurandhar Award of Rs.3,000/- H. C. J. Charitable Trust Award by Sir Hirji Jehangir of Rs.1000/- Jagjeet Rai, 5 6,000.00 P 1458 A 'Recall' for Modern Painting. Lucknow Smt. Shanti Chopra Award of Rs. 2,000/- . Late Smt. Durgadevi Saraf Trust Award of Rs. 5,100/- Deepika Mali, 6 5,100.00 P 1490 A 'Kumbhalgarh' for painting by a Lady artist. Udaipur Karmayog Award of Rs.5000/- for an entry 7 5,000.00 P 1357 A 'State of Mind' Tanvi Pujari based on Social Cause or issue. Late Shri Raja Ravi Verma Award of Rs. 5,000/- Prathamesh 8 5,000.00 P 1424 A 'Self' for portraiture. Golipkar, Raigad Tribhuvan Kumar, 9 M/s. Kokuyo Camlin Ltd. Award of Rs. 5000/-. 5,000.00 P 956 A 'Age of Nature' Chatissgarh Vikrant Bhise, 10 Tao Art Gallery Award of Rs. 5,000/-. 5,000.00 P 1289 A 'Impression-1' Mumbai Late Smt. B. Prabha-B. Vitthal. Award of Rs.750/-. Late Shri. V. A. Mali Memorial Award of Rs.1000/-. Rakesh Sadhak, 11 5,000.00 P 1463 A (S) 'Pieta' Prof. L. B. Chavan & Late Shri. V. A. Mali Award of Rs.,750/-. Kolkata Late Shri. Vadilal Pitambar Sanghavi Award of Rs. 2,500/- by Studio Bahar for modern Sculpture. Late Shri. V. D. Joshi and Late Shri. R. B. Patil Award of Rs.1,000/-. Smt. Rekha Shah Award of Rs. 500/- for Realistic Landscape. M/s. Savani Transport Ltd. Award of Rs.500/- . Late Smt. Cumi Dallas Award by Shri. D. B. Billimoria of Rs. 500/- Ajay 12 for Landscape/Indian style figurative Painting. 3,500.00 P 1449 B 'My Partner' Dharmadhikari, Shri. N. D. Naik Award of Rs.1000/- for an entry by Goan Artist Sangli (In case of no suitable entry, entries by non Goan artists will be considered.)

Late Shri. G. S. (Bhai) Haldankar Award of Rs.750/- 'Towards the Sagar Kamble, 13 by Studio Bahar for Realistic Portrait. 2,750.00 P 1014 A culture' Mumbai Late Shri. Vajubhai D. Bhagat Award of Rs.2000/-.

54 55 100th Annual Art Exhibition • 16th -22nd Jan 2018 • Jehangir Art Gallery

Awarded Entries - Professional Category

P - 1249 A (S) P - 1458 A Akshay Recall Pradeep Kumbhar, Kolhapur Jagjeet Rai, Lucknow

P - 1490 A Kumbhalgarh Deepika Mali, Udaipur

56 100th Annual Art Exhibition • 16th -22nd Jan 2018 • Jehangir Art Gallery

Awarded Entries - Professional Category, contd.

P - 1424 A Self Prathamesh Golipkar, Raigad

P - 1357 A P - 956 A State of Mind Age of Nature Tanvi Pujari, Mumbai Tribhuvan Kumar, Chhatisgarh

56 57 100th Annual Art Exhibition • 16th -22nd Jan 2018 • Jehangir Art Gallery

Awarded Entries - Professional Category, contd.

P - 1289 A Impression 1 Vikrant Bhise, Mumbai

P - 1449 B My Partner Ajay Dharmadhikari (Sangli)

58 100th Annual Art Exhibition • 16th -22nd Jan 2018 • Jehangir Art Gallery

Awarded Entries - Professional Category, contd.

P - 1014 A Towards the culture Sagar Kamble, Mumbai)

P - 1463 A (S) Pieta Rakesh Sadhak (Kolkata)

58 59 100th Annual Art Exhibition • 16th -22nd Jan 2018 • Jehangir Art Gallery

List of Selected Entries - Professional Category

Entry No. Award Artist Title Price P - 914 B Sujata Humane (Pune) Memoriabilia 43000.00 P - 918 A V.Vasandan (Pondicherry) Journey towards the life-spirit 25000.00 P - 922 C Rohan Dumbre (Mumbai) Split Personality 15000.00 P - 923 A Dr.Kusum Sharma (Bhopal) Lake city 30000.00 P - 930 A Sandeep Suneriya (Surat) Life of Journey 55000.00 P - 931 B Seema Ghiya (Pune) AURORA 50000.00 P - 933 A (I) Venus Sanghvi (Mumbai) Reel of Emotions 36000.00 P - 943 A Tabassum Khan (Bhopal) Top View 70000.00 P - 948 A (S) Deepak Thopate (Pune) Janni 25000.00 P - 953 B Umesh Kavale (Palghar) The last Hope 21000.00 P - 955 A Poorva Indani (Pune) By the seashore 10000.00 P - 956 A Tribhuvan Kumar (Chhatisgarh) Age of Nature 65000.00 P - 957 A Rabi Gupta (Chhattisgarh) Dilemma - II 52000.00 P - 958 A Rishi Kumar (Rajnandgaon) Life 28000.00 P - 966 A Amol Khade (Satara) Need 25000.00 P - 968 A Divahar Manohar (Tamil Nadu) Blind Man 1 8000.00 P - 972 A Chandan Agrawal (Lucknow) Elements - A - 2 40000.00 P - 976 A Jalajakshi Kulkarni (Kalaburgi) Women with nature 20000.00 P - 995 A (S) Pradeep Kamble (Mumbai) The Desire to survive-inside-outside 150000.00 P - 996 B Anirban Sheth (West Bengal) Do not destroy nature - III 12000.00 P - 997 A Gauranga Bariki (Odisha) Kumarsambhav 70000.00 P - 999 B (I) Shivangi Gupta (Bhopal) Artists' Book 25000.00 P - 1002 A (S) Mahua Ray (Mumbai) Delight 62000.00 P - 1002 B Mahua Ray (Mumbai) Amily - Moh.Pakhi 15000.00 P - 1009 A Shailesh Dabholkar (Goa) News 45000.00 P - 1013 B Avijit Naha (Kolkata) On my boat 15000.00 P - 1014 A Sagar Kamble (Mumbai) Towards the culture 35000.00 P - 1017 B Ashok Hinge (Thane) Untitled - 1 40000.00 P - 1028 B Jitendra Thorat (Pune) Addiction -2 27000.00 P - 1038 A Arif Tamboli (Satara) Museam 25000.00 P - 1047 A (S) Mahesh Anjarlekar (Thane) Withered Valor - I 27000.00 P - 1047 C (S) Mahesh Anjarlekar (Thane) Battered by time 27000.00 P - 1049 A (S) Khushboo Pandit (Mumbai) Movement of Lines 15000.00 P - 1051 B Bhakti Gala (Mumbai) Imaginary Head 2 10000.00 P - 1061 A Mahesh Soundatte (Kolhapur) Tehrim 40000.00 P - 1068 A (S) Siddhant Pitale (Mumbai) Untitled 48999.00 P - 1075 C Sanjay Dhawale (Thane) Wet Mumbai 25000.00 P - 1087 A (S) Nidhi Mahajan (Panchkula) Makhan Chor 40000.00 P - 1092 A Kshitija Bhamre (Kalyan) Untitled 20000.00 P - 1097 A Radhika Kadam (Badlapur) Untitled - 1 60000.00 P - 1110 B Sanjay Kumar (New Delhi) Meditative 25000.00 P - 1120 C Tushar Shinde ( Mumbai) Together 175000.00 P - 1123 B Vivek Dahiwale (Pune) Warmth 30000.00 P - 1128 C Dhruti Ghedia (Ahmedabad) Treasure in nature 18000.00 P - 1139 A (S) Nandakumar Kulaye (Mumbai) Sculpture 70000.00 P - 1144 A (S) Rohan Pawar (Mumbai) Celebration 30000.00 P - 1147 A Gayatri Deshpande (Pune) Innerscapes 47000.00

60 100th Annual Art Exhibition • 16th -22nd Jan 2018 • Jehangir Art Gallery

List of Selected Entries - Professional Category, contd.

Entry No. Award Artist Title Price P - 1151 A (S) Ranjit Deshmukh (Solapur) Maditation 60000.00 P - 1152 A Mansi Sagar (Nashik) Moonlit 30000.00 P - 1155 A Yash Pal Singh (Uttar Pradesh) Ibadat - 1 45000.00 P - 1157 A Darshan Mahajan (Thane) Two Figures 17000.00 P - 1169 A Rahul Shedbale (Kolhapur) Lazy Noon 80000.00 P - 1180 C Ganesh Shinde (Latur) Untitled 30000.00 P - 1185 A Nihar Sutar (Mumbai) Aai 10000.00 P - 1187 A Praveen Gaokhadkar (Thane) Dead Dream 75000.00 P - 1200 B Prachee Batara (Mumbai) Untitled 48000.00 P - 1206 B (S) Sandesh Mhashelakar (Mumbai) Aquarium 35000.00 P - 1212 A Mukhtar Ahmed Sardar (Mumbai) Untitled 25000.00 P - 1223 A Jagdish Pol (Mumbai) The Man with crossed fingers 30000.00 P - 1231 C Himanshu Joshi (Bhopal) Hope 65000.00 P - 1234 A Saurabh Dingare (Solapur) Elfinstan 27000.00 P - 1249 A (S) Pradeep Kumbhar (Kolhapur) Akshay 90000.00 P - 1255 A Laxman Ahire (Thane) Untitled 35000.00 P - 1262 A Sachin Pakhale (Pune) Untitled I 112000.00 P - 1267 B Vinay Mhatre (Thane) Nashik Ghat 27000.00 P - 1281 A (S) Abhijit Salunke (Mumbai) Tatvamasi 65000.00 P - 1284 A Tejashree Khanvilkar (Pune) Krishan Series 30000.00 P - 1288 B Suraj Dhavade (Ratnagiri) Untitled I 15000.00 P - 1289 A Vikrant Bhise (Mumbai) Impression 1 80000.00 P - 1291 A Charlee Corriea (Mumbai) Vibration in Mind 72000.00 P - 1296 B Pramod Brahmania (Mumbai) No Time for Siesta 23000.00 P - 1302 A Prasad Niwate (Kalyan) Nature 25000.00 P - 1313 A Vaibhav Kharjul ( Nashik) Morning Landscape 20000.00 P - 1323 B Renudas Chaudhari (Mumbai) Holiday II P - 1324 A Nikhil Mulkutkar (Navi Mumbai) Maditation 27000.00 P - 1332 C Rajesh Raibhar (Mumbai) The Q 76000.00 P - 1340 A Vaibhav Kshirsagar (Kalyan) Aajoba 35000.00 P - 1342 A Gopal Paitha (Mumbai) Untitled 20000.00 P - 1344 B Raka Panda (West Bengal) Stronger,taller,faster….. 40000.00 P - 1354 B Mangesh Shevate ( Satara) Untitled 18000.00 P - 1357 A Tanvi Pujari (Mumbai) State of Mind 48000.00 P - 1361 B Anand Walde (Gondia) Untitled 15000.00 P - 1372 A Anand Rai (Chhatisgarh) Glimpse of Happiness 25000.00 P - 1376 A Shashikant Dubey (Delhi) Untitled 1 51000.00 P - 1378 A Prem Singh (Dhar - M.P) Genesis 48000.00 P - 1379 A Divya Khare (Gwalior) Countdown 50000.00 P - 1387 A Ambrish Mishra (Allahabad) Bhoora 80000.00 P - 1388 A Ramchandra Pokale (New Delhi) Freedom 3 50000.00 P - 1398 B Chandana Kankaria (Chennai) Solitude 18000.00 P - 1399 A Natasha Sachdeva (Delhi) Removal Successful 20000.00 P - 1402 B Sunil Kumar (Uttar Pradesh) Untitled 4 28000.00 P - 1403 B Vikas Kushwaha (Uttar Pradesh) Light Upside 2 50000.00 P - 1406 A Karan Sawnani (Lucknow) Can't Fly here 85000.00 P - 1407 A (S) Shailesh Patne (Mumbai) Cock 35000.00 P - 1418 A Rais Saiyyed (Nadurbar) Untitled 51000.00

60 61 100th Annual Art Exhibition • 16th -22nd Jan 2018 • Jehangir Art Gallery

List of Selected Entries - Professional Category, contd.

Entry No. Award Artist Title Price P - 1419 A Samruddha Purekar (Kolhapur) Study I 25000.00 P - 1424 A Prathamesh Golipkar (Raigad) Self 15000.00 P - 1433 B Pavan Kavitkar (Chennai) Valnerable II 60000.00 P - 1441 A Ritesh Bhoi (Thane) Political Clouds 11000.00 P - 1449 B Ajay Dharmadhikari (Sangli) My Partner 50000.00 P - 1450 A Prasenjit Das (Kolkata) Freedom 120000.00 P - 1454 B (S) Rajeev Kumar (New Delhi) Composition 190000.00 P - 1455 A (S) Ravi Prakash (New Delhi) Untitled - IV 115000.00 P - 1458 A Jagjeet Rai (Lucknow) Recall 50000.00 P - 1458 B Jagjeet Rai (Lucknow) Today ….(VI) 50000.00 P - 1459 A Ganesh Hire (Ambernath) Rainy Evening 80000.00 P - 1460 A Kumawat Dahima (Udaipur) Aatank 20000.00 P - 1461 B Chhaya Dubey (Bhopal) Untitled 32000.00 P - 1463 A (S) Rakesh Sadhak (Kolkata) Pieta 60000.00 P - 1464 A Gautam Das (Kolkata) Fossil 20000.00 P - 1465 A Abdul Salam (Kolkata) The Man in Dream V 25000.00 P - 1467 A Atesh Patil (Belgaum) Untitled 25000.00 P - 1468 A Binay Sinha (Delhi) Returning Home 40000.00 P - 1470 A Akash Suryavanshi (Ratnagiri) Untitled 1 40000.00 P - 1482 A Shiffali Wadhawan (New Delhi) Discernment 200000.00 P - 1484 A (S) Tapasya Gupta (Noida) Tale of Two Fates 250000.00 P - 1485 A Surbhi Rathi (Surat) Germination 2 20000.00 P - 1487 A Nrusingha Ojha (Odisha) Family V 15000.00 P - 1490 A Deepika Mali (Udaipur) Kumbhalgarh 67000.00 P - 1492 A Ramchandra Mestri (Kolhapur) Struggle of Life 80000.0 P - 1494 B Pratap Kore (Latur) Samaaj 110000.00 P - 1496 A Padma Karmakar (New Delhi) Confession 30000.00 P - 1497 A Akbarali Sunasara (Vadodara) Navjivan Flour Mill 15000.00 P - 1504 A Jayesh Shrimali (Gujrat) My Childhood 75000.00 P - 1505 A Prashant Kulkarni (Kolhapur) Yellow Market 29000.00 P - 1507 B Shahed Pasha (Gulbarga) Baal Krishna 60000.00 P - 1508 C Yogesh Powale (Mumbai) Family 2 25000.00 P - 1510 A Goutam Pramanick (Kolkata) Pressure 30000.00 P - 1511 C Amit Dhane ( Satara) The Descendants - Orrisa 45000.00 P - 1512 B Sourav Garai (Bolpur) Untitled 50000.00 P - 1517 A Rajesh Choudhari (Pune) Relations 80000.00 P - 1518 B Sameer Gorde (Pune) Suffering 30000.00 P - 1525 B Dipmple Chandat (Udaipur) Willing 50000.00 P - 1529 B Jintu Kalita (New Delhi) Life 25000.00 P - 1531 A Nakshdeep Singh (Punjab) Crawfort Market 15000.00 P - 1532 B Mandeep Singh Matharu (Ludhiana) Untitled 15000.00 P - 1534 A Manojkumar Sandha (Jodhpur) Bachpan 30000.00 P - 1536 A Ashok Shatke (Gulbarga) The King 45000.00 P - 1541 A Dilip Sharma (Delhi) After Some Time 60000.00 P - 1542 B Anukumar Singh (Uttar Pradesh) The Dog 80000.00 P - 1548 A Arvind Sharma (Haryana) Mesemrizing Dream 15 55000.00 P - 1553 C (S) Ritu Arora (New Delhi) Fauves 12000.00 P - 1557 B Rakhee Aradkar (Kankavli) Ek Koliyan 6

62 100th Annual Art Exhibition • 16th -22nd Jan 2018 • Jehangir Art Gallery

Selected Entries - Professional Category

P - 914 B P - 918 A P - 922 C Memorabilia Journey towards the life-spirit Split Personality Sujata Humane (Pune) V.Vasandan (Pondicherry) Rohan Dumbre (Mumbai)

P - 931 B AURORA P - 923 A P - 930 A Seema Ghiya (Pune) Lake city Life of Journey Dr.Kusum Sharma (Bhopal) Sandeep Suneriya (Surat)

P - 953 B The last Hope P - 943 A Umesh Kavale (Palghar) P - 955 A Top View By the seashore Tabassum Khan (Bhopal) Poorva Indani (Pune)

62 63 100th Annual Art Exhibition • 16th -22nd Jan 2018 • Jehangir Art Gallery