22Nd Jan 2018 Jehangir Art Gallery
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NAVJOT ALTAF Selected Biography
1260 Carillion Point nyb@nybgallery Kirkland, WA 98033, USA +1 425 466 1776 NAVJOT ALTAF Selected biography From Meerut, India. Education Fine and Applied Arts, Sir J.J. School of Arts, Mumbai, India Graphics, Garhi Studios, New Delhi, India Solo Exhibitions 2018 Lost Text, The Guild Gallery, Alibaug, India. Lost Text, Special Project, Art Fair, New Delhi, The Guild Gallery, India. 2016 How Perfect Perfection Can Be Installation with drawings, sculptures, soil, rice grain, and video, Chemould Prescott Road Art Gallery, Mumbai, India. Catalogue. 2015 How Perfect Perfection Can Be Installation with drawings, sculptures, soil, rice grain, and video, The Guild Gallery Alibaug, India. 2013 Horn in the Head, Sculpture Installation with audio and video, Talwar Gallery, New Delhi, India. 2010 TOUCH IV22 monitors video installation, Talwar Gallery, New Delhi, The Guild, Bombay, India. A place in NY, Photomontage, The Guild Gallery, Bombay and NY, USA. Catalogue. 2009 Lacuna in Testimony - Patricia and Phillip Frost Art Museum, Florida, USA. 2008 Touch 4 projection video installation and interactive sculptures, Sakshi Gallery, Bombay, India. Bombay Shots- Photomontage, The Guild Gallery, Bombay, India. Catalogue. 2006 Jagar Multimedia Installation, and Water Weaving, video Installation, Sakshi Gallery, Bombay, India. Junctions 1 – 2 – 3 Photo installation with sound, The Guild Gallery, Bombay, India. Catalogue. 2005 Water Weaving, Video Installation, Talwar Gallery, NY, USA. Catalogue. 2004 Bombay Meri Jaan and 'Lacuna in Testimony', video Installation, Sakshi Gallery, Bombay, India. Catalogue. 2003 In Response To, sculpture installation with photographs by Ravi Agarwal, Talwar Gallery, NY, USA. Catalogue. Displaced Self, Interactive project with artists from Israel and Ireland, Sakshi gallery, Bombay, India. -
TIFR Mourns the Passing of Its Second Founder
TIFR mourns the passing of its second founder When Mambillikalathil Govind Kumar Menon breathed his last on November 22, 2016, at the age of 88, the Tata Institute of Fundamental Research, was bereaved for the second time after the untimely death of its iconic founder, Homi J. Bhabha, in 1966. For, if Bhabha had founded TIFR as a unique centre with the ambience to foster cutting-edge science of the highest quality, it was Menon who completed his unfinished work and created the TIFR which is now taken for granted as India’s premier research institute. Born at Mangalore, in 1928, to a district judge and his wife, Menon was one of eleven children. He was educated at Chennai, Jodhpur and the Royal Institute of Science, Mumbai, before going to the University of Bristol, where he got his Ph.D. in 1953 under the guidance of Nobel Laureate Cecil F. Powell. ‘Goku’ Menon, as he was widely known, made some fundamental observations on the decays of K-mesons, and had several job offers in Europe and America, but was persuaded by Bhabha to return to India and join TIFR in 1955. Once in India, Menon worked hard alongside other pioneers such as Bernard Peters, Devendra Lal, Yash Pal and B.V. Sreekantan to build a world-class cosmic ray research group at TIFR. Perhaps his best claim to scientific fame is the setting up of the Kolar gold field experiment, where atmospheric neutrinos were detected for the first time (1965). Gradually, Menon became Bhabha’s right hand man in the running of TIFR, at a time when the latter was busy setting up India’s atomic energy programme. -
Exploring Mumbai During Monsoon Season | Miles Away Travel Blog
Exploring Mumbai During Monsoon Season | Miles Away Travel Blog US English Sign In My Bookings US CITY GUIDES INTERNATIONAL TRAVEL INTERESTS TRAVEL TIPS TRAVEL STORIES MUST READ Namaste! Everythi… TRENDING STORIES BUDGET TRAVEL Home Asia India QUIZZES & INFOGRAPHICS MEET YOUR WRITERS POST CATEGORIES Image via Flickr CC - Rajarshi Mitra 0 Post Categories Exploring Mumbai During Monsoon Season Sandy Bornstein August 24, 2016 India 1 Comment When I booked my airplane ticket to Mumbai, India, I knew that I would be arriving during the monsoon season (mid June to mid September). While I’ve TRAVELING? SEE visited other regions of India in the summer, I was pretty clueless about the THINGS TO DO IN torrential rain that affected this part of the country. TOP US CITIES Like Mumbai — the historic, vibrant, and colorful city that’s home to playboy billionaires, s cialites, and Bollywood stars — sits in the pathway for the seasonal, moisture-laden, Indian Ocean winds. As a result, gray skies and rain are the norm. Without much warning, gusts of wind swooshed through the congested Mumbai streets as layered dark clouds released bountiful amounts of rain. Locals scurriedShare about as visitors looked on with amazement. Streets flooded. Gridlock occurred. Motorcycles weaved in and out as if they were racing down a slalom ski course. Horns blared non-stop while exuberant kids jumped in muddy puddles on side streets. https://www.cheapoair.com/miles-away/exploring-mumbai-monsoon/[4/30/17, 9:08:08 AM] Exploring Mumbai During Monsoon Season | Miles Away Travel Blog Don’t be discouraged if you also find yourself in Mumbai during the monsoon. -
List of Unclaimed PF Amount of Ex. Employees of DSIIDC Ltd
List of unclaimed PF amount of Ex. employees of DSIIDC Ltd. S. EMPLOYEE EMPLOYER PF NO NAME FATHER NAME TOTAL NO. SHARE SHARE 1 1 LATE SH. VISHNU KIRTI SH. KRISHAN LAL 22047.00 0.00 22047.00 2 39 NARINDER KUMAR 46435.00 46425.00 92860.00 3 42 C.D.SINGHAL 7522.00 7606.00 15128.00 4 51 PANKAJ SRIVASTVA DR. P.D. SRIVASTVA 452.00 373.00 825.00 5 59 ANAND SINGH 15604.00 15604.00 31208.00 6 60 NATHU RAM 18383.00 18383.00 36766.00 7 61 KAMLA KHULLAR SH. SHANTI NARAIN 30281.00 30358.00 60639.00 8 62 S.L. TOKAS SH. S. TOKAS 12078.00 12078.00 24156.00 9 63 RAM NATH SH. DUKHARI RAM 0.00 1392.00 1392.00 10 70 0.P. SETH SH. S.S. SETH 218.00 218.00 436.00 11 81 KISHAN KUMAR GUPTA SH. KUNDAN PRASAD 21595.45 0.00 21595.45 12 86 GEETA BHATTASALI 2524.00 2524.00 5048.00 13 93 S.C. GUPTA SH. T.C. GUPTA 263632.00 209258.00 472890.00 14 94 P.P. MEGHANI LATE SH. S.P. MEGHANI 75718.00 66248.00 141966.00 15 104 SURINDERJEET KAUR SH. KESAR SINGH KALRA 8632.00 10539.00 19171.00 16 107 DEEPAK JAIN SH. M.L. JAIN 61.00 0.00 61.00 17 108 9ADHA KRISHAN SH. DURGA PRASAD 55.00 879.00 934.00 18 109 S.K.MINHAS 8055.00 8055.00 16110.00 19 120 NANDAN SINGH HEET SH. -
Clix Symposium Travel Advisory
CLIx Symposium Travel Advisory Contents Clix International Symposium: ....................................................................................................... 1 Getting to TISS, mumbai ................................................................................................................ 2 List Of Hotels Near TISS Campus .................................................................................................. 4 Mumbai: Useful Applications ......................................................................................................... 5 Mumbai: Arts &Entertainment ....................................................................................................... 6 Mumbai Transport: ......................................................................................................................... 7 Emergency Information .................................................................................................................. 9 Must Haves ..................................................................................................................................... 9 Safety Tips ...................................................................................................................................... 9 India: Facts .................................................................................................................................... 10 Mumbai City: History .................................................................................................................. -
CHRISTIE's ART JOURNEYS: a Colourful Odyssey Through India
CHRISTIE’S ART JOURNEYS: A Colourful Odyssey Through India 10 Days: 3rd – 12th November Mumbai – Delhi 10 Days: 7th – 16th November Delhi – Mumbai Join Abercrombie & Kent and Christie’s on a colourful journey through India, a diverse country that offers visitors a sensory and intoxicating overload. The palaces of regal Rajasthan conjure up princely images of the Maharajahs in a time gone-by, whilst the art scene of Mumbai reveals a new side to this exotic country. We’ll go behind the scenes of Mumbai’s burgeoning Contemporary Art scene with Christie’s expert Sonal Singh, who will introduce us to a renowned Indian artist. As well as being joined by a Christie’s expert in Mumbai, we’ll be accompanied by A&K expert guides throughout, whose insider knowledge shines a whole new light on this fascinating country. YOUR EXPERT A&K GUIDES MAHESH RAMNANI & ANSHUMAN TRIPATHI Having studied Tourism at Delhi University, Mahesh completed a Conducted Tourist Guide course in 1996 earning his status as a Government of India Approved Tour Guide. He has worked for A&K ever since, guiding clients of all nationalities around India. His experience and expertise is unrivalled, and he particularly enjoys taking guests on walking tours of Old Delhi, Colonial Delhi, the city’s temples and its fascinating museums. Originally from rural India, Anshuman completed post graduate degrees in History and Tourism Management before heading to Delhi to pursue a career in tour guiding, enabling him to show off his beloved country. An adrenaline- junkie at heart, Anshuman led trekking tours and wildlife expeditions TYEB MEHTA (1925-2009): UNTITLED (FALLING BULL) alongside tours of the Golden Triangle and around Rajasthan. -
Urgent Db Motion Petition for the Thursday Dated 11/02/2021 Cr No 1
http://10.145.28.41:8888/generate_allbench.orcl?var1=11/02/2021&var... URGENT D.B. MOTION PETITION FOR THE THURSDAY DATED 11/02/2021 CR NO 1 HON'BLE THE CHIEF JUSTICE HON'BLE MR. JUSTICE SUVIR SEHGAL The proceedings of the cases shall be conducted through VC through CISCO Webex Application. The Advocates concerned are requested to download the said application through the following links: 1. For Windows https://www.webex.com/downloads.html/ 2. For Apple https://apps.apple.com/us/app/cisco-webex-meetings/id298844386 3. For Android https://play.google.com/store/apps/details?id=com.cisco.webex.meetings&hl=en 101 *** CHARKHI DADRI CM-2239-CWP-2021 SETH MURARI LAL RASIWASIA AYURVEDIC ARJUN PARTAP ATMA RAM,SATYA PAL [ 10-FEB-21 ] (EXEMPTION) COLLEGE AND HOSPITAL V/S UNION OF INDIA JAIN, ANGEL SHARMA, AG HARYANA AND ORS SATYA PAL JAIN, ANGEL SHARMA, AG HARYANA CM-2240-CWP-2021 ARJUN PARTAP ATMA RAM, SATYA PAL (OTHER) JAIN, ANGEL SHARMA, AG HARYANA CM-2244-CWP-2021 ARJUN PARTAP ATMA RAM, SATYA PAL (OTHER) JAIN, ANGEL SHARMA, AG HARYANA ARJUN PARTAP ATMA RAM, ANGEL SHARMA FOR CAVEATORSATYA PAL IN CWP-2782-2021 JAIN (SR. ADV.), A.G. HARYANA , A.G. (OTHER) HARYANA , ANGEL SHARMA , ARJUN PARTAP ATMA RAM , ARUN GOSAIN , SATYA PAL JAIN (SR. ADV.) WITH CM-2238- NATIONAL COLLEGE OF AYURVEDA V/S UNION ARJUN PARTAP ATMA RAM, SATYA PAL CWP-2021 OF INDIA AND OTHERS JAIN. AG HARYANA, ANGEL SHARMA (EXEMPTION) CM-2241-CWP-2021 ARJUN PARTAP ATMA RAM, SATYA PAL (OTHER) JAIN. AG HARYANA, ANGEL SHARMA CM-2243-CWP-2021 ARJUN PARTAP ATMA RAM, SATYA PAL (OTHER) JAIN. -
Personal Artist's Statement Why Do I Do What I
Personal Artist’s Statement Why do I do what I do? Honestly, I don’t really know. I know it makes me happy. It makes me think. When I’m working, time ceases to exist. Dire situations in my life did not permit me to go to art school, but I continued to paint on the side until I could make it my profession. Maybe this is what makes my work and style unique. I’m inspired by what I read and the music I listen to, the movies I watch and art that makes me think. I try to embody these in my work with simplicity and a good measure of Chekhov’s humour. In every work, I have a subtle message that I’ve hidden away in plain sight. Sometimes I even forget that they’re in there. I begin my process by writing notes, collecting visuals and sketching ideas, preferably with a theme in mind. This gives me the parameters to work within, like following a script while shooting a movie. Then, I choose the materials that will best express the idea I want to convey. Once the work has started, a great deal of improvisation comes into play. Constrained by space in my working environment, I prefer working on canvas cloth as it allows me the flexibility of rolling and storing. The rest of my materials involve digital mediums as well as oils, acrylic and water colours. This, with the tools I have at my disposal in this digital age, is the thrust of my current crop of work: We are being bombarded with news, imagery and ideas from a billion sources simultaneously. -
THE DRAWING SHOW – PART I a Group Show of Drawings By
THE DRAWING SHOW – PART I A group show of Drawings by A Naveen Kumar | Aishwaryan K | Bhaskar Vadla | Dimple B Shah | Lokesh B H Mohit Mahato | Rahul Chauhan | Sonal Varshneya | Sumanto Chowdhury Urmila V G | Venugopal V G 9th to 25th January, 2021 Gallery Sumukha, Bangalore www.sumukha.com The Drawing Show – Part I A note about the show The “The Drawing Show” is the first of the two-part series of an exhibition organized by Gallery Sumukha. The exhibition features the work of 11 artists who have established their trajectory in the field of art through their styles and traits. The artists are brought together under the theme of drawing, which forms a common language adopted by each one of them. The show intends to explore various drawing styles used by artists and the elusive thoughts brought to life through them. It also aims to establish how a variety of ideas can be expressed powerfully through the humble language of drawing. In this exhibition, we see artists working on themes like personal narratives, critique on societal norms or their drawings documenting the changing landscapes, and so on. Drawing is seen as a basic form of any art-making process. But, time and again, for artists, drawing has stood as an independent and parallel medium of expression to painting, sculpture, printmaking etc. It is characterized by the quality of the line that becomes a major factor in contributing to the overall feel of the work in the end. The simplicity of line, minimal colours, the graphical quality created by use of black and white, the play of opposites like the curvy organic line against the rigid, angular inorganic line, textures, etc are some of the categories of line and how they are responsible in evoking different moods. -
Beyond Bombay Art District
Belgeo Revue belge de géographie 3 | 2014 Art(s) & Espace(s) / Art(s) & Space(s) Beyond Bombay art district: Reorganization of art production into a polycentric territory at metropolitan scale Au-delà de l’art district de Bombay : Réorganisation polycentrique de la production artistique à l’échelle de la métropole Christine Ithurbide Electronic version URL: http://journals.openedition.org/belgeo/13199 DOI: 10.4000/belgeo.13199 ISSN: 2294-9135 Publisher: National Committee of Geography of Belgium, Société Royale Belge de Géographie Electronic reference Christine Ithurbide, « Beyond Bombay art district: Reorganization of art production into a polycentric territory at metropolitan scale », Belgeo [Online], 3 | 2014, Online since 19 December 2014, connection on 19 April 2019. URL : http://journals.openedition.org/belgeo/13199 ; DOI : 10.4000/belgeo.13199 This text was automatically generated on 19 April 2019. Belgeo est mis à disposition selon les termes de la licence Creative Commons Attribution 4.0 International. Beyond Bombay art district: Reorganization of art production into a polycentr... 1 Beyond Bombay art district: Reorganization of art production into a polycentric territory at metropolitan scale Au-delà de l’art district de Bombay : Réorganisation polycentrique de la production artistique à l’échelle de la métropole Christine Ithurbide Introduction 1 The notion of the art district has been central to analyze the relations between arts and spaces, and more particularly to understand the recent evolution in the organization of contemporary art industry and practices in different urban contexts. Derived from the industrial district conceptualized by Alfred Marshall in the late 19th century and revisited in the 1980s in Italy by the theorists of the regulation and, in particular Giacomo Becattini, it came to designate more or less concentrated area specialized in art activities, initiated either by small-scales industries or public institutions or both. -
20Years of Sahmat.Pdf
SAHMAT – 20 Years 1 SAHMAT 20 YEARS 1989-2009 A Document of Activities and Statements 2 PUBLICATIONS SAHMAT – 20 YEARS, 1989-2009 A Document of Activities and Statements © SAHMAT, 2009 ISBN: 978-81-86219-90-4 Rs. 250 Cover design: Ram Rahman Printed by: Creative Advertisers & Printers New Delhi Ph: 98110 04852 Safdar Hashmi Memorial Trust 29 Ferozeshah Road New Delhi 110 001 Tel: (011) 2307 0787, 2338 1276 E-mail: [email protected] www.sahmat.org SAHMAT – 20 Years 3 4 PUBLICATIONS SAHMAT – 20 Years 5 Safdar Hashmi 1954–1989 Twenty years ago, on 1 January 1989, Safdar Hashmi was fatally attacked in broad daylight while performing a street play in Sahibabad, a working-class area just outside Delhi. Political activist, actor, playwright and poet, Safdar had been deeply committed, like so many young men and women of his generation, to the anti-imperialist, secular and egalitarian values that were woven into the rich fabric of the nation’s liberation struggle. Safdar moved closer to the Left, eventually joining the CPI(M), to pursue his goal of being part of a social order worthy of a free people. Tragically, it would be of the manner of his death at the hands of a politically patronised mafia that would single him out. The spontaneous, nationwide wave of revulsion, grief and resistance aroused by his brutal murder transformed him into a powerful symbol of the very values that had been sought to be crushed by his death. Such a death belongs to the revolutionary martyr. 6 PUBLICATIONS Safdar was thirty-four years old when he died. -
The Venue City “Mumbai”
THE VENUE CITY “MUMBAI” Mumbai (previously known as Bombay) is the biggest metropolis of India. A city that is full of life and is also known for its well known tourists places, commercial hubs and government bodies. It is also known as the financial capital of India. The city is located on the western part of the India and is the capital of Maharashtra Interesting Facts about the city “Mumbai” Mumbai a city constituted comprising of seven islands. Bombay Electric Supply & Transport (BEST) is India’s first Bus service, which was started in Mumbai in the year 1905. India’s first Train which was started in 1863, started in Mumbai. The recently started monorail in Mumbai is the first of its kind in India. Mumbai stands as the 7th most populated city in the world. Antilla, the 27 floored single home in Mumbai owned by Mukesh Ambani with a net worth of Rs. 1,000,000,000/-, is the second most expensive home in the world. Dr. DY Patil Stadium of Navi Mumbai is the 6th best international cricket stadium in the world. Central Park – Khargar (Navi Mumbai is the largest park in asia and the third largest in the world) Chhatrapati Shivaji International Airport is the 3rd best international airport in the world. India’s largest and only international standard theme park, Adlabs Imagica, Is in Mumbai. Mumbai has the most number of Malls in India (52) Juhu Aerodrome, founded in 1928 is the first airport of India. The Taj Mahal Hotel, founded in 1903, is India’s first ever 5 star hotel.