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Excesss Karaoke Master by Artist
XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not -
A Study of Ghanaian Kindergarten Teachers' Use of Bilingual and Translanguaging Practices Joyce Esi Bronteng University of South Florida, [email protected]
University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School June 2018 A Study of Ghanaian Kindergarten Teachers' Use of Bilingual and Translanguaging Practices Joyce Esi Bronteng University of South Florida, [email protected] Follow this and additional works at: https://scholarcommons.usf.edu/etd Part of the Bilingual, Multilingual, and Multicultural Education Commons, and the Pre- Elementary, Early Childhood, Kindergarten Teacher Education Commons Scholar Commons Citation Bronteng, Joyce Esi, "A Study of Ghanaian Kindergarten Teachers' Use of Bilingual and Translanguaging Practices" (2018). Graduate Theses and Dissertations. https://scholarcommons.usf.edu/etd/7668 This Dissertation is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. A Study of Ghanaian Kindergarten Teachers’ Use of Bilingual and Translanguaging Practices by Joyce Esi Bronteng A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Curriculum and Instruction with a concentration in Early Childhood Education Department of Teaching and Learning College of Education University of South Florida Major Professor: Ilene Berson, Ph.D. Michael Berson, Ph.D. Sophia Han, Ph.D. Lisa Lopez, Ph.D. Date of Approval: April 25, 2018 Keywords: Bilingual Education, Classroom Displays, Iconic Signs, Mother Tongue-Based Bilingual Medium of Instruction, Paralanguage, Symbolic Sign, Translanguaging Copyright © 2018, Joyce Esi Bronteng DEDICATION This dissertation is dedicated to the following: My late grandparents Papa Ekow Gyan and Maame Bɔlɔ Twema (a.k.a. -
1975 Spring Vol 98 No 3
ain in which he time for Ward Where D DO undergraduate If HOWview [he future of the Frii nity, the nation, and the wei You'll find some interesting ansu in the "The Rainbow Review" tion of this magazine, ti The theme of this vears "Rev; was established by the four ur.j graduate editors an a logical sej to the 1974 focus on nostalgia, j, They gave me an assignment^ At a planning session in Indiana],; the editors derided that I sh,, introduce the 1975 "Review'.,^ expressing my personal feelings -:^ where we from here, go ^ My opinions are based on ji working with alumni for i^ years, (2) visiting several uij.; graduate chapters in recent mo,J and (3) observing alumni 1* undergraduates working in nQ at Karneas, Division Confere and joint meetings of the h Chapter and Undergraduate C ciU ift First, I am ron\inced thai, future of Delta Tau Delta THE COVER will^ student and alumni members i^ The shadow of a efforts in more and moment In life introduces the bining ""^ theme of he seems to me that ui**! 1975 student-written "Rainbow projects. It Review th.t str appears on p.ges 4-26 in this graduate chapters today are issue of the magajine. for increa.sed alumni invoKer Surely such endeavor will not g( heeded. My feeling i.s that ali will respond. I believe Delt leadership � alumni and undergraduate � ri^ to develop more specific prc'*l! The Rai^ BM9�nK*n JlgBg 0 From Here? Introduction By Fred C. Tuclcer, Jr. President, Delta Tau Delta ran us all closer in sunnner and a al bring together, pation rush projects, talk with strong alumni group, I to think that aiinnni contacts. -
Quick Action
Quick Action By Robert W. Chambers Quick Action I There was a new crescent moon in the west which, with the star above it, made an agreeable oriental combination. In the haze over bay and river enough rose and purple remained to veil the awakening glitter of the monstrous city sprawling supine between river, sound, and sea. And its incessant monotone pulsated, groaning, dying, ceaseless, interminable in the light-shot depths of its darkening streets. The sky-drawing-room windows of the Countess Athalie were all wide open, but the only light in the room came from a crystal sphere poised on a tripod. It had the quality and lustre of moon-light, and we had never been able to find out its source, for no electric wires were visible, and one could move the tripod about the room. The crystal sphere itself appeared to be luminous, yet it remained perfectly transparent, whatever the source of its silvery phosphorescence. At any rate, it was the only light in the room except the dulled glimmer of our cigarettes, and its mild, mysterious light enabled us to see one another as through a glass darkly. There were a number of men there that evening. I don't remember, now, who they all were. Some had dined early; others, during the evening, strolled away into the city to dine somewhere or other, drifting back afterward for coffee and sweetmeats and cigarettes in the sky-drawing-room of the Countess Athalie. As usual the girl was curled up by the open window among her silken cushions, one smooth little gem-laden hand playing with the green jade god, her still dark eyes, which slanted a little, fixed dreamily upon infinite distance —or so it always seemed to us. -
Chart Book Template
Real Chart Page 1 become a problem, since each track can sometimes be released as a separate download. CHART LOG - F However if it is known that a track is being released on 'hard copy' as a AA side, then the tracks will be grouped as one, or as soon as known. Symbol Explanations s j For the above reasons many remixed songs are listed as re-entries, however if the title is Top Ten Hit Number One hit. altered to reflect the remix it will be listed as would a new song by the act. This does not apply ± Indicates that the record probably sold more than 250K. Only used on unsorted charts. to records still in the chart and the sales of the mix would be added to the track in the chart. Unsorted chart hits will have no position, but if they are black in colour than the record made the Real Chart. Green coloured records might not This may push singles back up the chart or keep them around for longer, nevertheless the have made the Real Chart. The same applies to the red coulered hits, these are known to have made the USA charts, so could have been chart is a sales chart and NOT a popularity chart on people’s favourite songs or acts. Due to released in the UK, or imported here. encryption decoding errors some artists/titles may be spelt wrong, I apologise for any inconvenience this may cause. The chart statistics were compiled only from sales of SINGLES each week. Not only that but Date of Entry every single sale no matter where it occurred! Format rules, used by other charts, where unnecessary and therefore ignored, so you will see EP’s that charted and other strange The Charts were produced on a Sunday and the sales were from the previous seven days, with records selling more than other charts. -
Vistas De Los Mayores
April 2010 The Senior Scene Vistas de los Mayores Division of Senior Services April 2010 Photo by Donald Bell April 2010 CITY OF SANTA FE, DIVISION OF SENIOR SERVICES Administration Office 1121 Alto Street, Santa Fe, New Mexico www.santafenm.gov Front Desk Reception In Home Support Services, Respite Care From Santa Fe 955-4721 Homemaker, Non-Medical Personal Care From outside Santa Fe (toll-free) 1-866-824-8714 Theresa Trujillo, Program Supervisor 955-4745 Administration Katie Ortiz, Clerk Typist 955-4746 Patricia Rodriguez, DSS Director 955-4799 Senior Membership Registration Ron Vialpando, DSS Assistant Director 955-4710 Brenda Ortiz, Database Specialist 955-4722 Mary Dean, Administrative Supervisor 955-4777 Connie Valencia, Database Clerk 955-4734 Cristy Montoya, Administrative Secretary 955-4721 Transportation Ride Reservations 955-4700 Sadie Marquez, Receptionist 955-4741 Fran Rodriguez, Transportation Dispatcher 955-4702 Dianne Dean, Receptionist 955-4733 Linda Quesada, Administrative Secretary 955-4756 Nutrition Foster Grandparent/Senior Companion Program Ron Vialpando, DSS Assistant Director 955-4710 Melanie Montoya, Volunteer Prog. Admin. 955-4761 Thomas Vigil, Program Administrator 955-4740 Louise Kippert, FGP/SCP Admin. Secretary 955-4744 Enrique DeLora, Inventory Supervisor 955-4750 Retired Senior Volunteer Program (RSVP) Mark Velasquez, Inventory Specialist 955-4749 Kristin Slater-Huff, Program Coordinator 955-4760 Meals On Wheels Marisa Romero, Administrative Secretary 955-4743 Carlos Sandoval, Program Supervisor 955-4748 FAX Machine - RSVP Office 955-4765 Yvette Sweeney, Administrative Assistant 955-4739 Miscellaneous Robert Duran, MOW Assessments 955-4747 Lobby Area 955-4735 Senior Center Programming Craft Room 955-4736 Lugi Gonzales, Center Program Manager 955-4711 Pool Room 955-4737 M.E.G. -
Song List - by Song - Mr K Entertainment
Main Song List - By Song - Mr K Entertainment Title Artist Disc Track 02:00:00 AM Iron Maiden 1700 5 3 AM Matchbox 20 236 8 4:00 AM Our Lady Peace 1085 11 5:15 Who, The 167 9 3 Spears, Britney 1400 2 7 Prince & The New Power Generation 1166 11 11 Pope, Cassadee 1657 4 17 Cross Canadian Ragweed 803 12 22 Allen, Lily 1413 3 22 Swift, Taylor 1646 15 23 Mike Will Made It & Miley Cyrus 1667 16 33 Smashing Pumpkins 1662 11 45 Shinedown 1190 19 98.6 Keith 1096 4 99 Toto 1150 20 409 Beach Boys, The 989 7 911 Jean, Wyclef & Mary J. Blige 725 4 1215 Strokes 1685 12 1234 Feist 1125 12 1929 Deana Carter 1636 15 1959 Anderson, John 1416 7 1963 New Order 1313 1 1969 Stegall, Keith 1004 13 1973 Blunt, James 1294 16 1979 Smashing Pumpkins 820 4 1982 Estefan, Gloria 153 1 1982 Travis, Randy 367 5 1983 Neon Trees 1522 14 1984 Bowie, David 1455 14 1985 Bowling For Soup 670 5 1994 Aldean, Jason 1647 15 1999 Prince 182 9 Dec-43 Montgomery, John Michael 1715 4 1-2-3 Berry, Len 46 13 # Dream Lennon, John 1154 3 #1 Crush Garbage 215 12 #Selfie Chainsmokers 1666 6 Check Us Out Online at: www.AustinKaraoke.com Main Song List - By Song - Mr K Entertainment (I Know) I'm Losing You Temptations 1199 5 (Love Is Like A) Heatwave Reeves, Martha And The Vandellas 1199 6 (Your(The Angels Love Keeps Wanna Lifting Wear Me) My) Higher Red Shoes And Costello, Elvis 1209 4 Higher Wilson, Jackie 1199 8 (You're My) Soul & Inspiration Righteous Brothers 963 7 (You're) Adorable Martin, Dean 1375 11 1 2 3 4 Feist 939 14 1 Luv E40 & Leviti 1499 9 1, 2 Step Ciara & Missy Elliott 746 5 1, 2, 3 Redlight 1910 Fruitgum Co. -
Spellista Vecka 26 - 2018 Spellistan Bestäms Av P4:S Musikredaktörer
Spellista vecka 26 - 2018 Spellistan bestäms av P4:s musikredaktörer. För mer information, kontakta Rita Jernquist 0500-77 30 08 eller [email protected]. Sveriges Radio P4 är Sveriges största radiokanal. A-listan Alvaro Soler La Cintura Benjamin Ingrosso & Felix Sandman Tror Du Att Han Bryr Sig ▲ (B) Chris Kläfford What Happened To Us Darin Astronaut ▲ (B) Dua Lipa Idgaf (Initial Talk Remix) Eleni Foureira Fuego George Ezra Paradise Luis Fonsi & Demi Lovato Échame La Culpa Molly Sandén Större Vargas & Lagola Roads B-listan Albin Lee Meldau The Weight Is Gone Backstreet Boys Don't Go Breaking My Heart Blackberry Smoke Run Away From It All Bullock Hearts Ride Like A Lightning ▲ (C) David Guetta & Sia Flames David Myhr Jealous Sun Eagle-Eye Cherry Streets Of You Gyllene Tider & Linnea Henriksson Bäst När Det Gäller Kacey Musgraves High Horse ▼ (A) Meghan Trainor No Excuses Paloma Faith Make Your Own Kind Of Music ▼ (A) Per Gessle & Helena Josefsson Name You Beautiful Peter Jöback The Mask ▲ (C) Rhys No Vacancy Sandro Cavazza High With Somebody Sanna Nielsen Det Vänder Nu Steven Wilson Permanating (Ewan Pearson Mix) Tomas Andersson Wij När Solen Färgar Juninatten Zayn Let Me © Sveriges Radio AB 2018 Spellista vecka 26 - 2018 Spellistan bestäms av P4:s musikredaktörer. För mer information, kontakta Rita Jernquist 0500-77 30 08 eller [email protected]. Sveriges Radio P4 är Sveriges största radiokanal. C-listan Anna Bergendahl We Were Never Meant To Be Heroes Arvid Nero Bored With Clay ▲ (D) Calvin Harris & Dua Lipa One Kiss Daniel Lemma One Small Step Jason Mraz Have It All Jess Glynne I'll Be There Jessica Andersson Party Voice Johannes Räihä Sjöarna i Idaho Julia Michaels Heaven ▼ (B) Justin Timberlake & Chris Stapleton Say Something Kacey Musgraves Butterflies King Princess 1950 Matt Simons We Can Do Better Mendez Everyday Nicky Jam & Will Smith & Era Istrefi Live It Up Petter feat. -
Top Singles TéLã©Chargã©S (01/03/2019
Top Albums (06/09/2019 - 13/09/2019) Pos. SD Artiste Titre Éditeur Distributeur 1 NISKA MR SAL CAPITOL MUSIC FRANCE UNIVERSAL MUSIC FRANCE 2 1 JEAN-BAPTISTE GUEGAN PUISQUE C'EST ÉCRIT SMART SONY MUSIC ENTERTAINMENT 3 2 VITAA & SLIMANE VERSUS MERCURY MUSIC GROUP UNIVERSAL MUSIC FRANCE 4 3 NEKFEU LES ÉTOILES VAGABONDES : EXPANSION SEINE ZOO RECORDS UNIVERSAL MUSIC FRANCE 5 YANNICK NOAH BONHEUR INDIGO COLUMBIA SONY MUSIC ENTERTAINMENT 6 7 ANGÈLE BROL INITIAL ARTIST SERVICES UNIVERSAL MUSIC FRANCE 7 5 LORENZO SEX IN THE CITY INITIAL ARTIST SERVICES UNIVERSAL MUSIC FRANCE 8 8 NINHO DESTIN REC. 118 / MAL LUNE MUSIC WARNER MUSIC FRANCE 9 10 SOPRANO PHOENIX REC. 118 WARNER MUSIC FRANCE 10 11 PNL DEUX FRERES BELIEVE BELIEVE 11 POST MALONE HOLLYWOOD'S BLEEDING DEF JAM RECORDINGS FRANCE 12 13 JUL RIEN 100 RIEN BELIEVE BELIEVE 13 12 EVA QUEEN MCA UNIVERSAL MUSIC FRANCE 14 16 MAÎTRE GIMS CEINTURE NOIRE SONY MUSIC DISTRIBUES SONY MUSIC ENTERTAINMENT 15 4 LANA DEL REY NORMAN FUCKING ROCKWELL! POLYDOR UNIVERSAL MUSIC FRANCE 16 18 TROIS CAFES GOURMANDS UN AIR DE RIEN PLAY TWO WARNER MUSIC FRANCE 17 OXMO PUCCINO LA NUIT DU REVEIL BELIEVE BELIEVE 18 IGGY POP FREE CAROLINE FRANCE UNIVERSAL MUSIC FRANCE 19 6 RILÈS WELCOME TO THE JUNGLE CAPITOL MUSIC FRANCE UNIVERSAL MUSIC FRANCE 20 14 AYA NAKAMURA NAKAMURA REC. 118 WARNER MUSIC FRANCE 21 15 ELSA ESNOULT 4 JLA PRODUCTIONS WAGRAM 22 17 NAPS ON EST FAIT POUR CA BELIEVE BELIEVE 23 19 LADY GAGA A STAR IS BORN SOUNDTRACK POLYDOR UNIVERSAL MUSIC FRANCE 24 20 ED SHEERAN NO.6 COLLABORATIONS PROJECT WEA WARNER MUSIC FRANCE 25 22 M. -
General Coverfeature
05 Tools Found.ee 06-07 Campaigns Abbey Road Studios, Tanlines Tyler, the Creator, Pandora/Rolling Stones 08-11 Behind The Campaign Torche APRIL 22 2015 sandboxMUSIC MARKETING FOR THE DIGITAL ERA ISSUE 131 TWITCH-FINDER GENERAL COVERFEATURE TIMELINE MUSIC ON TWITCH: SELECTED HIGHLIGHTS TWITCH-FINDER 2014 May: Diplo’s Mad MUSIC AND Decent label launches a Twitch channel. GAMING REBORN July: Steve Aoki streams GENERAL a live DJ set to launch his Twitch channel. August: Porter Robinson launches his Twitch channel, giving fans a look into the video games that inspired his Worlds album. August: Ghostly International artists perform the original music they composed for PlayStation’s Hohokum soundtrack on PlayStation’s Twitch channel. November: US dance music duo Krewella premiere new song, ‘Say Goodbye’, on Twitch. December: EDM label Monstercat launches Prodigy released a new single on there, Skrillex is an evangelist, Steve Aoki was an early adopter. Now more a 24-hour music channel on Twitch. acts are flocking to Twitch – a platform fizzing with such potential that Amazon bought it for just under $1bn. December: deadmau5 We look at why the hype around this live-gaming community is, for the most part, justified, why more artists debuts his Twitch channel. and labels are treating it very seriously indeed (and licensing their music for it) and how it is breathing new life (continued over page ») into music and gaming. rom Wipeout on the PlayStation to Guitar Twitch.tv, an online platform where fans broadcasters, the For the music industry, too, Hero (which is making a bold return later go to watch other people play games; and, same month in which Twitch is becoming increasingly Fthis year), music and video games have if they’re feeling adventurous, broadcast it was said to have important. -
MCA-500 Reissue Series
MCA 500 Discography by David Edwards, Mike Callahan & Patrice Eyries © 2018 by Mike Callahan MCA-500 Reissue Series: MCA 500 - Uncle Pen - Bill Monroe [1974] Reissue of Decca DL 7 5348. Jenny Lynn/Methodist Preacher/Goin' Up Caney/Dead March/Lee Weddin Tune/Poor White Folks//Candy Gal/Texas Gallop/Old Grey Mare Came Tearing Out Of The Wilderness/Heel And Toe Polka/Kiss Me Waltz MCA 501 - Sincerely - Kitty Wells [1974] Reissue of Decca DL 7 5350. Sincerely/All His Children/Bedtime Story/Reno Airport- Nashville Plane/A Bridge I Just Can't Burn/Love Is The Answer//My Hang Up Is You/Just For What I Am/It's Four In The Morning/Everybody's Reaching Out For Someone/J.J. Sneed MCA 502 - Bobby & Sonny - Osborne Brothers [1974] Reissue of Decca DL 7 5356. Today I Started Loving You Again/Ballad Of Forty Dollars/Stand Beside Me, Behind Me/Wash My Face In The Morning/Windy City/Eight More Miles To Louisville//Fireball Mail/Knoxville Girl/I Wonder Why You Said Goodbye/Arkansas/Love's Gonna Live Here MCA 503 - Love Me - Jeannie Pruett [1974] Reissue of Decca DL 7 5360. Love Me/Hold To My Unchanging Love/Call On Me/Lost Forever In Your Kiss/Darlin'/The Happiest Girl In The Whole U.S.A.//To Get To You/My Eyes Could Only See As Far As You/Stay On His Mind/I Forgot More Than You'll Ever Know (About Her)/Nothin' But The Love You Give Me MCA 504 - Where is the Love? - Lenny Dee [1974] Reissue of Decca DL 7 5366. -
Voices of Children
VOICES OF CHILDREN SURVEY OF THE OPINION OF CHILDREN AND YOUNG PEOPLE IN BULGARIA, 2017 SURVEY OF THE OPINION OF CHILDREN AND YOUNG PEOPLE IN BULGARIA 01 2017 This report was prepared as per UNICEF Bulgaria assignment. The opinions expressed in this report are those of the contributors, and do not necessarily reflect the policies or views of UNICEF. This report should be quoted in any reprint, in whole or in part. VOICES OF CHILDREN Survey of the Opinion of Children and Young People in Bulgaria, 2017 © 2018 United Nations Children’s Fund (UNICEF) Permission is required to reproduce the text of this publication. Please contact the Communication section of UNICEF in Bulgaria, tel.: +359 2/ 9696 208. United Nations Children’s Fund (UNICEF) Blvd Dondukov 87, fl oor 2 Sofia 1054, Bulgaria For further information, please visit the UNICEF Bulgaria website at www.unicef.org/bulgaria SURVEY OF THE OPINION OF CHILDREN AND YOUNG PEOPLE IN BULGARIA 02 2017 CONTENTS 1. Introduction ...................................................................................................................................2 2. Methodological Note .....................................................................................................................5 3. How happy are Bulgarian children? ............................................................................................10 3.1. Self-Assessment .................................................................................................................12 3.2. Moments when children feel