Meador 1 W. Scott Meador Stanley Russ Hall 202D, 201 Donaghey Ave | Conway, AR 72035 501.313.0839 | [email protected] | renderwalk.wordpress.com

Education Master of Fine Arts in Theatre with Emphasis in Scenography – May 2007 Purdue University, West Lafayette, IN Master of Science in Technology with Emphasis in Computer Graphics – December 1999 Purdue University, West Lafayette, IN Bachelor of Science in Speech with Theatre Emphasis – May 1996 University of Central Arkansas, Conway, AR – Honors, Summa Cum Laude Honors College

Academic Appointments and Teaching Experience Assistant Professor of Digital Filmmaking – Fall 2008 to present Department of Mass Communication and Theatre, University of Central Arkansas, Conway, AR Undergraduate Courses FILM 1305 - Introduction to Film FILM 1310 - Visual Storytelling FILM 2300 - Film Appreciation FILM 3305 - Production Design FILM 3355 - Visual Effects Compositing FILM 3356 - Animation for Visual Effects FILM 3373 - Documentary Production FILM 4392 - Stereoscopic Filmmaking Graduate Courses FILM 5310 - Pre-visualization and Digital Workflow (each fall since 2008) FILM 6323 - Graduate Seminar: Visual Effects (once per year since 2006)

Lecturer/Chief Engineer – Fall 2004 to Summer 2008 Department of Mass Communication and Theatre, University of Central Arkansas, Conway, AR Undergraduate Courses MCOM 1362 - Mass Communications Practices and Processes MCOM 3374 - Broadcast Journalism Production II FILM 4392 - Visual Effects MCOM 4391 - Motion Graphics FILM 4392 - Digital Media THEA 3320 - Digital Design

Assistant Professor – Fall 2000 to Spring 2004 Department of Computer Graphics Technology, Purdue University, West Lafayette, IN Courses taught in the Department of Computer Graphics Technology (CGT), which is in the College of Technology (TECH), and the Department of Art and Design (A&D), which is in the College of Liberal Arts Undergraduate (CGT, A&D) CGT 442/TECH 519C - Production for Computer Animation CGT 490S/TECH 519N - Scripting for 3D Programs CGT 490M - Applications of Emerging Motion Capture Technology CGT 341 - Motion for Computer Animation CGT 340 - Digital Lighting and Rendering A&D 360 - CAD for Interiors A&D 320 - Interior Lighting Design Graduate (TECH) Courses TECH 519G - Game Development TECH 581R - Advanced Digital Lighting and Rendering

Meador 2 Graduate and Undergraduate Thesis Committees Digital Filmmaking M.F.A. Committees Danny Boling (chair), thesis: in script development Michael Carpenter, thesis: in script development Al Topich, thesis: in script development Dustin Barnes (chair), thesis: In Borrowed Time, Narrative. in­production Mark Clifford (chair), thesis: Spectre­O­Scope, Narrative. in post­production Scott Eggleston, thesis: Collection Day, Narrative. in­production Brian Ingle, thesis: in pre­production Dillon Morrison (chair), thesis: Chalk, Narrative. in post­production Lyle Arnett (chair), thesis: December 1982, Narrative. 2013 Chris Paradis, thesis: A Wheel & the Moon, Narrative. 2013 Christy Ward, thesis: Tree, Narrative. 2012 Bryan Allen, thesis: Second Chances, Narrative. 2011 Lesley Allen, thesis: Ninth Inning Wedding, Narrative. 2011 Jonathan Childs (chair), thesis: The Good Life, Narrative. 2011 Paul Glover, thesis: On My Trail, Narrative. 2011 John Weaver (chair), thesis: The Faith Machine, Narrative. 2011 Eric White, thesis: Tomahawk, Narrative. 2011 Sam Abaza, thesis: Voices in the Walls, Narrative. 2010 Jody Reho, thesis: Surrender, Narrative. 2010 Jared Smith, thesis: Men Among Giants, Narrative. 2010 Brook Pruitt (chair), thesis: TiPS, Narrative. 2009 Chris Churchill, thesis: Will You Be There When I Wake Up, Narrative. 2008 Purdue University - Computer Graphics Technology, M.S. in Technology 2001-2004 - On 8 committees and chaired 6 of them. UCA Honors College Mentor Ronald Walter, thesis: Sky Begins to Storm, Documentary. 2012. Screened at the 2013 Little Rock Film Festival. Allison Hogue, thesis: From Ray Winder to Dickey Stevens, Documentary. 2009. Screened at the 2009 Hot Springs Documentary Film Festival. Nathan Smith, thesis: C.A.M. Narrative. 2008

Grants URC Summer Stipend (2011) - “Developing a Pipeline for Creating ‘3D Projection Mapped’ Scenery.” $3000. PI W. Scott Meador Stereoscopic Acquisition and Projection System (2009) - Internal grant to finish spending funds from an external Department of Education grant. $13,000.00. 2009. URC, Dept. of Math, UCA President’s Office Grant (2009) - “Callisto Cluster.” Grant in collaboration with four colleagues in the College of Math and Natural Sciences to create UCA's first computer cluster. $25,000.00. The funding was mixed between the URC, the Department of Math, and the UCA President's Office. 2009. IDC Faculty Development Grant (2008) - “fxphd Professional Courses for Teaching Development,” $472.31. PI W. Scott Meador University Research Council Grant (2006) - “Development of a Real-Time 3D Virtual Scenery and Show Control System,” $7355.77. PI W. Scott Meador Interdisciplinary Innovation Initiative (I3) Grant (2003) “Sign Language for Mathematics by 3D Computer Animation.” $30,000.00. PI Nicoletta Adamo-Villani, Co-PIs W. Scott Meador, Dr. Ronnie Wilbur. Purdue University. Pixar’s PhotoRealistic RenderMan Software Grant (2002) – Assisted in developing a dialogue with Pixar and was able to obtain 500 licenses of its renderer and 45 licenses of its “Artist’s Tools.” This was the largest grant Pixar had made to a university to date. Total grant worth $2,860,000.00. Purdue University. Purdue Research Foundation Travel Grant (2002) – For travel to The 3rd International Conference on Decision Making in Urban and Civil Engineering, London, England. Called for and reviewed papers for a symposium in “Construction Visualization and Animation.” $750.00 Purdue University Academic Reinvestment Program (2000) – Co-P.I. and joint author for the inter-disciplinary proposal for the Purdue International Center for Entertainment Technology (PICET). $210,000.00

Meador 3 Invited Presentations and Lectures Hutchinson, B., Meador, W.S., Churchill, C. “Europa.” (2012). Panel. Little Rock Film Festival. Little Rock, AR. - Discussed the work behind the short film Europa including audience Q&A. Motion Capture Distinguished Lecture Series, The Ohio State University (2004) – Presented ongoing motion capture applied research underway at Purdue. Show Control in Live Computer Graphics, Purdue University, Graduate Show Control course in Theatre (2002) – Presented experiences and current trends in show control and presentation of professional graphics for live events. American Institute of Graphic Arts (AIGA), Pittsburgh, PA (2001) – Presented a seminar on the viability of online 3D collaboration environments. Need for Computer Graphics in Manufacturing and Industry, Tula, Russia (2001) – Presented the use of 3D visualization and animation for the manufacturing industry. FBi Buildings, Inc. Remington, IN (1999) – Presented on the use of 3D visualization tools for creating photo-realistic imagery.

Journals Meador, W.S., Rogers, T., Kurt, E., O’Neal, K. (2004). Mixed Reality Dance: Collaborative Development of Live Motion Capture in a Performing Arts Environment. ACM: Computers in Entertainment (CIE) Volume 2 Issue 2. Cory, C., Meador, W. S., Ross, W. (2002). 3D Computer Animated Walkthroughs for Architecture, Engineering, and Construction Applications. Internet-Journal "Computer Graphics & Geometry." Vol. 4, No. 1. http://www.cgg.ru/Ie/main.html

Published Papers with Presentations (* = refereed) *Meador, W.S. “Integrating Graphics Courses into a Filmmaking Curriculum.” (2013). Eurographics 2013 Girona, Spain. Paper accepted, but withdrawn due to insufficient funds to travel to the conference. *Moreland, J., Arns, L., and Meador, W.S. (2005). “Pre-rendered Stereoscopic Movies for Commodity Display Systems.” Proceedings of the Stereoscopic Displays and Applications XVI Conference, San Jose, California. *Popescu, V., Hoffmann, C., Kilic, S., Sozen, M., Meador, W.S. (2003). Producing High-Quality Visualizations of Large-Scale Scientific Simulations. Proceedings of the IEEE Visualization 2003 Conference, Seattle, Washington. *Meador, W.S., Chourasia, A. (2003). Using 3D Computer Animation Tools to Render Complex Simulations. Proceedings of the American Society for Engineering Education Annual Conference and Exposition, Nashville, Tennessee. Cory, C., Meador, W. S. (2001). Taking an Architectural Illustration Course from Traditional Rendering to 3D Computer-Based Rendering. Proceedings of the International Conference for Computer Geometry and Graphics – Graphicon-2001, Nizhny Novgorod, Russia. Cory, C., Meador, W. S., Ross, W. (2001). 3D Computer Animated Walkthroughs for Architecture, Engineering, and Construction Applications. Proceedings of the International Conference for Computer Geometry and Graphics – Graphicon-2001, Nizhny Novgorod, Russia. *Cory, C., Ross, W., Meador, W. S. (2001). Architectural and Engineering Visualizations with 3D Computer Animated Walkthroughs. Proceedings of the IV International Conference on Graphics Engineering for Arts and Design – Graphica 2001, Sao Paulo, Brazil. *Meador, W. S., Morales, C. (2001). Implementation of a Low Budget, Raster Based, 3D Motion Capture System Using Custom Software and Modern Video Tracking Technology. Proceedings of the American Society for Engineering Education Annual Conference and Exposition, Albuquerque, New Mexico. *Morales, C., Meador, W. S. (2000). Trial Results from a Custom Distance Learning System Based on Hybridization of CD-ROM, Web, And Active-X Component Technology. Information Visualization. Los Alamitos, CA: IEEE Computer Society. *Bozell, D., Cory, C., Meador, W.S. (2000). Comparison of Architectural Modeling. Proceedings of The International Association of Science and Technology for Development, Cancun, Mexico.

Presentations and Panels (* = refereed) Dull, J., Gunter, M. Meador, W.S. “Academic Feature Filmmaking: What It Takes to Make a Feature Film in a University Setting.” (2013). Panel. University Film and Video Association Conference. Anaheim, CA. *Meador, W.S., Hutchinson, B., Churchill, C. “Europa Shot 67.” (2013). Dailies Program. Special Interest Group on Computer Graphics and Interactive Techniques Conference. Anaheim, CA. Meador, W.S. “Strategic Planning Documentation for Film/Video Production Programs: The First Step.” (2012). Paper/Panel. University Film and Video Association Conference. Chicago, IL. Meador, W.S. “Integrating Visual Effects Courses into a Filmmaking Curriculum.” (2011). Virtual submission. Second International Conference On the Image. San Sebastian, Spain. Meador, W.S. “Stereoscopic 3D Post Pipeline and Visual Effects Integration.” (2011). Paper/Panel. University Film and

Meador 4 Video Association Conference. Boston, MA. Meador, W.S. “Finding a place for Visual Effects in a Filmmaking Curriculum.” (2011). Paper. University Film and Video Association Conference. Boston, MA. Meador, W.S. “Graphics for Documentary Filmmaking: Issues in artist-director communications.” (2010). Paper. University Film and Video Association Conference. Burlington, VT. Meador, W.S. “Production Design and Visual Effects in ‘Table at Luigi’s’.” (2010). Paper/Panel. University Film and Video Association Conference. Burlington, VT. *Meador, W.S., O’Neal, K., Kurt, E. (2003). Collaborating: Virtual Technology and Motion Capture with Theatrical Dance. Sketches and Applications. Special Interest Group on Computer Graphics and Interactive Techniques Conference. Los Angeles, CA. *Meador, W.S., Madhavan, K. (2003). Leveraging Super Computing Resources for Digital Content Creation. Poster session presented at the annual Mid-Western conference. EDUCAUSE, Chicago, IL. Meador, W.S., Jones, R. (2001). Panel; Using Computer Generated Projections as Scenery. United States Institute for Theatre Technology (USITT), Long Beach, California.

Workshops Meador, W.S. “Visual Effects.” (2013). Workshop. Spring Creek Arts Festival (formerly Seedling). Springdale, AR. Meador, W.S. “Production Design.” (2012). Workshop. Seedling (formerly Offshoot) film fest. Fayetteville, AR. Meador, W.S. “Basic Set Design for Film.” (2012). Workshop. Reel Arkansas and THEA Foundation. Conway, AR. Meador, W.S. “Introduction to Animation.” (2011). Workshop. Offshoot film festival. Fayetteville, AR. Meador, W.S. “Creating Virtual Sets.” (2011). Workshop. Offshoot film festival. Fayetteville, AR. Meador, W.S. “Visual Effects Animation.” (2011). Workshop. Offshoot film festival. Fayetteville, AR. Meador, W.S. “Images in Motion: Preparing and Animating Photos and Scans.” (2009) Workshop. Hot Springs Documentary Film Festival. Hot Springs, AR, 23 October. Morales, C., Meador, W.S. (2001). Workshop; Creating Custom Dynamic Distance Learning Solutions. Information Resources Management Association (IRMA), Toronto, Ontario, Canada

Articles (Reviewed) Meador, W.S. “Building the landscape for Europa.” Blender Art Magazine. Issue 39 September 2012. Web Meador, W.S. “Using Textured Light to Spice Up a Scene.” Blender Art Magazine. Issue 27 April 2010. Web

Professional Organization Service University Film and Video Association. (2014). Jury for the papers and panels program University Film and Video Association. (2014). Jury for the Carol Fielding grants program University Film and Video Association. (2013). Jury for the Carol Fielding grants program University Film and Video Association. (2013). Jury for the Graduate Fellowship program ACM/SIGGRAPH Conference. (2012). Faculty submitted student artwork program. Submitted still frames from graduate student Lyle Arnett, Jr’s 3D animation ACM/CHI (Computer/Human Interfaces) Conference. (2012). Paper jury for its “Works-in-Progress” program The International Journal of the Image. (2012). Volume 2, Issue 3. Paper referee and associate editor University Film and Video Association. (2012). Jury for the Carol Fielding grants program University Film and Video Association. (2012). Jury for the Graduate Fellowship program TeDance: Technology Expanded Dance. (2007) - Invited program committee member. Lisbon, Portugal SIGGRAPH Educator’s Program Committee. (2002) – Jury member for paper, forum, and workshop submissions to the program, as well as working with conference activities such as moderating forums The 3rd International Conference on Decision Making in Urban and Civil Engineering. (2002), London, England. Called for and reviewed papers for a symposium in “Construction Visualization and Animation.”

Honors and Awards Raygun Shootout. (2010). Awarded for my July entry to the Raygun Shootout 3D rendering contest hosted by Weta Workshop and Green Button in New Zealand. James D. Dwyer Outstanding Undergraduate Teaching Award for the School of Technology. (2003). Purdue University. Students within each department select nominees for the award then a School committee chooses the winner. $1000.00 cash award James D. Dwyer Outstanding Undergraduate Teaching Award for Computer Graphics Technology. (2002). Purdue University. Students within each department select nominees for the award. AV Multimedia Producer magazine’s “New Age” Awards. (2001). Honorable Mention for imagery created for the Avaya Communications Achiever’s Club annual meeting

Meador 5 Professional Work Experience Freelance Artist & Consultant - 1997-present. Provide computer graphics design and development for clients in the film, broadcast video, and music industries as well as design visualization for architecture, stage, and industrial design. Offer somewhat regular freelance services to Emagination-Media, MooTV, and 67Post in Nashville, TN. Application Engineer (Media Specialist) – Spring 2003 to Summer 2004 Envision Center for Data Perceptualization, Purdue University, West Lafayette, IN Associate of Jones & Phillips Associates, Inc., Theatre Architecture Consultants - 1997 Lafayette, IN. Continue to serve as a computer graphics consultant to J&P to this day.

Professional Works Film, Broadcast, and Animation Sympathy Pains (2013) - Directed by Joe Dull. Visual Effects Supervisor, Motion Graphics Artist Supervised all visual effects created by students in the Spring 2013 Visual Effects Compositing course. Created several visual effects including sign replacements, computer monitor replacements, fixing a missed basketball shot, corporate logo removal, exterior view window replacements, and three virtual comedy club sets. Blue Like Jazz (2012) - Directed by Steve Taylor. Production Company: Ruckus Films Visual Effects Artist, 3D Animation Technical Director Painted and added animated snow to four winter shots. Removed a boom microphone from one shot. Removed rain machine hoses from three shots. Chutes and Gates (2012) - Directed by Mike Gunter. Storyboard artist, Visual Effects Supervisor/artist Created the pre-production storyboards and visual effects including removing unwanted objects in four shots and adding a thermometer for four shots. Europa (2012) - Directed by Bruce Hutchinson. Visual Effects Supervisor, Stereo Camera Rig, Virtual Scenery Design, Match Mover, Astronaut space suit design and construction. Co-producer Created a steel mount that holds two DSLR cameras for stereoscopic photography. Designed and implemented three virtual sets. Match moved over 20 shots with live action footage and virtual scenery. Executed greenscreen removal and final compositing on over 40 of 96 greenscreen shots. Compositing had to be done on both left and right shots. Future Fuel (2012) - Directed by Trenton Mynatt and Kimberly Risi. Opening Titles 3D Animator for title sequence requested by the client that was beyond the production team’s capability Dollar General Markets (2011). Commercial. Co-Visual Effects Supervisor, 3D Animator, Match Mover Helped create the virtual scenery and match a live camera move for the commercial’s opening scene. The scene depicts a large “Sam’s Club”-like environment to contrast the small corner market look of the new “Dollar General Markets” opening in the southeast and Nevada. A Table at Luigi's (2010) – Directed by Joe Dull. Production Designer, Post-Production Consultant. Designed and led the construction of a restaurant dining room, designed and built accessories for location shoots, consult with visual effects and color grading artists during post-production. International Fellowship of Christians and Jews (2010) – Created opening titles, transitional elements, and full-screen background graphics for their “Guardians of Israel: Remember the Children” program. Joyful Noise (2009) – Music DVD program published by Word Music. Designed and implementing a 3-minute stereoscopic 3D animation of an underwater environment. Memories of Viola (2009) – Directed by Mike Gunter. Visual Effects Artist. Removed unwanted items from shots in the film. Surfacing (2009) – Directed by Bruce Hutchinson. Visual Effects Artist. Removed unwanted items from shots in the film. International Fellowship of Christians and Jews (2009) – Created several world map animations for their “Journey to Zion” program. International Fellowship of Christians and Jews (2009) – Created several logo and title animations for a multi-package video production. House of Numbers: anatomy of an epidemic (2007-09) – Directed by Brent Leung. Feature-length documentary on the world-wide AIDS epidemic. Created a 3D visualization of the HIV replication cycle as well as 35 3D and 2D motion graphic animations. Premiered April 19, 2009 at the Nashville Film Festival, won 14 festival awards, screened in 36 festivals. 3D HIV animation screened in the 2009 ACM/SIGGRAPH Computer Animation Festival, was invited to the Melbourne International Animation Film Festival and the London International Animation Film Festival

Meador 6 Glorious Impossible (2009) – Music program published on DVD by Word Music. Created animated sequences of a page turning book that has the text spoken by the voice-over narrator. G.P.S. (2008) – Music program published on DVD by Word Music. Created a 3D character that resembles a GPS navigator for a car. Also created a 2D animation for one of the songs. International Fellowship of Christians and Jews (2008) – Created a 2D animation of a world map that shows the journey by air from the United States to Sterot, Israel. Digital Fauxtograpy (Director: Terrence Masson), Batman Dark Tomorrow (2002) – Technical Director and lead animator on nine shots for pre-rendered cutscenes for the game. Country Music Association (CMA), Nashville, TN (2001) – Designed CG layout and treatment of a promotional video for the 2001 Fan Fair

Live Events Mr. Olympia 50th Annual Competition (2014) - Created a 3D animation revealing the famous Joe Weider sculpture. Required me to digitally sculpt a likeness of the sculpture. Brad Paisley Concert (2014) - Created a concert intro 3D animation sequence of a launching space shuttle. Also created 3D assets for other artists to use. Eric Church. Capitol Records concert featuring Eric Church in Nashville, TN. (2011) - Created projected background imagery for three songs that featured computer animated background imagery instead of image magnification. Brad Paisley Concert (2011) - Created a new concert intro 3D animation sequence of the tour’s “H2O” logo Brad Paisley Concert (2007) – Created video transition animation for “Mud on the Tires” Avaya Communications Achiever’s Club Annual Meeting, Hawaii (2000-2001) – Project Manager and Lead Artist. Designed the look for the graphics as well as managed and created animations, and real time projections needed by the producer. Metallica (2000) - CG artist and Assistant Video Director for the Summer Sanitarium Tour 2000. In charge of Art elements for display on the stage as well as Assistant Video Director for the first leg of the tour. Tim McGraw and Faith Hill, Nashville, TN (2000) – Project manager and lead CG artist for the Soul to Soul Tour 2000. Robin Hood Foundation Fund Raiser, New York, NY (2000) – Project Manager and Lead CG Artist and video editor. Lucent Technologies Achiever’s Club Meeting, Bahamas (1999-2000) - Lead CG Artist. Worked with the producer to create several short animations and graphics that were projected for the live shows and presentation of awards. Purdue Musical Organization's 1999 Christmas Show, Purdue University – Design of the computer generated background imagery for the show. Three 9’x12’ screens were used for projecting scenery Tim McGraw (1999) – Created computer generated animations of a stylized sun that walked and played guitar. These animations were projected on a screen at the rear of the performance area at various times during the show. Robin Hood Foundation Fund Raiser, New York, NY (1999) – Created over twelve CG animations that were designed to be transitions for both live and edited video. Also served as assistant video director. B-52s (1999) – The B-52s were the house band for the Robin Hood Foundation Fund raiser. All of the computer-generated animations that were projected during the concert were created on site. Metallica with the San Francisco Symphony, Berkeley, CA (1999) – Created CG background imagery and served as the assistant video director for the band’s concert with the San Francisco Symphony.

Performance Design The Bacchae by Euripedes - UCA Theatre (2010) - Directed by Shauna C. Meador. Projection Design, Scenery Design, Show Control The Three-Penny Opera - UCA Theatre (2006) - Directed by Kevin Browne. Provided lighting design for the production Proof - UCA Theatre (2005) Directed by Chris Fritzges - Provided lighting design for the production “The Life of an Umbrella” - Envision Center for Data Perceptualization, VPA Dance, VPA Theatre (2003 – 04) – Design and implementation of a live motion capture performance that includes motion-driven audio, large-scale projection, optical motion capture, and real-time image post processing “The Art of the Fugue” - Envision Center for Data Perceptualization, CGT, Purdue Convocations, VPA Theatre, Misha Films, Besen Productions, New Century Saxophone Quartet (2003- 04) – Design and implementation of projected video-based scenery for the New Century Saxophone Quartet’s touring performance of Bach’s “The Art of the Fugue.” Research areas include real-time imagery and video show control.

Meador 7 “100d11A0N1C00E1” - Computer Graphics Technology, VPA Dance (2002 – 03) – Design and implementation of two live motion-capture performances. The Creature - Purdue Theatre, CGT, HLMC (2000) – Designed the final scene of the play, managed the graphics implementation of the other designer’s work, managed a student group in the creation of video projected imagery for the production, as well as coordinated the use of Audio/Video equipment from the Elliott Hall of Music (HLMC) on the Purdue University Campus. Purdue Musical Organization's 1998 Christmas Show, Purdue University – Designed both traditional scenery and CG projected backdrops. Also served as lead scenic artist during the implementation of the scenic design. The scenic artist duties included executing renderings as full-scale paintings, sculpting three-dimensional statues, and directing other artists in the scenic studio. Executed all CG images and animations needed for the 66’ x 24’ screen.

Visualization Brad Paisley Tour (2014) - Stage and Screen Design Visualization and co-design Designer: Scott Scovill of MooTV, Nashville, TN. Choice Hotels (2013) - Scenic Design Visualization Designer: Robert Kovach of Robert Kovach Designs, New York, NY. Producer: ADM Productions Mylan (2013) - Scenic Design Visualization Designer: Robert Kovach of Robert Kovach Designs, New York, NY. Producer: ADM Productions AmWay China (2013) - Scenic design and location decoration design visualization Designer: Robert Kovach of Robert Kovach Designs, New York, NY. Producer: ADM Productions Created renderings for the interior dinner event and exterior concert event on Ellis Island, NY Canon: Consumer Electronics Show Set (2013) - Scenic Design Visualization Designer: Robert Kovach of Robert Kovach Designs, New York, NY. Producer: ADM Productions Created several design renderings for Canon’s presence at the 2013 CES as the design evolved. The set is used to present Canon’s products using a theatrical play and later creates an environment for the audience to try out the cameras. Alan Jackson Tour (2013) - Stage and Screen Design Visualization Designer: Scott Scovill of MooTV, Nashville, TN. Brad Paisley Tour (2013) - Stage and Screen Design Visualization Designer: Scott Scovill of MooTV, Nashville, TN. I had more of a design role in this project due to the client wanting something very different than he has had in the past. I was able to present different ideas and expound upon the designer’s ideas. Alan Jackson Tour (2012) – Stage and Screen Design Visualization Designer: Scott Scovill of MooTV, Nashville, TN. Sunset Boulevard (2012)– Scenic Design Visualization Designer: Robert Kovach of Robert Kovach Designs, New York, NY. All Night Strut (2011)– Scenic Design Visualization Designer: Robert Kovach of Robert Kovach Designs, New York, NY. Brad Paisley Tour (2011) – Stage and Screen Design Visualization Designer: Scott Scovill of MooTV, Nashville, TN. Miranda Lambert (2011) – Stage and Screen Design Visualization Designer: Scott Scovill of MooTV, Nashville, TN. Alan Jackson Tour (2011) – Stage and Screen Design Visualization Designer: Scott Scovill of MooTV, Nashville, TN. “All In” Nationally broadcast card game television show (2011) – Scenic Design Visualization Designer: Robert Kovach of Robert Kovach Designs, New York, NY. 2011 H.L. Mohler and Associates, Architecture and Interior Design, Lafayette, IN (1998-2003) – Crawfordsville, IN Public Library, Williamsport, IN Public Library, Tippecanoe/Ivy Tech Public Library. Multiple architectural renderings for design visualization and presentation to client.

Meador 8 Sublocator (2003-2004) – Using 3D design visualization techniques a design was developed for an invention by a Civil Engineer in Indianapolis, IN 9/11 Pentagon Simulation - Envision Center for Data Perceptualization, Computer Science, Civil Engineering (2002 - 03) – Visualization/simulation of the airline crash into the Pentagon on the 11th of September 2001. Art Director and lead animator on the project. Executed all renderings and animations of the exterior shots. Processed all imagery produced for print and video delivery. Received international attention via news broadcasts in the US and UK, submitted to 2003 SIGGRAPH, published IEEE Visualization paper, has been included in multiple 9/11 programs on the National Geographic Channel and the Discovery Channel Civil Engineering, Purdue University (2001) – Pre-Visualization animation of a proposed large scale laboratory for a promotional video. Systran Federal, Dayton, OH (2001) – 3D Modeler for a military simulation program. Auditorium Renovation Project – Princeton, IL, High School District (1997) – A CG rendering was created for a promotional booklet that described the renovation of the Princeton High School Auditorium.

Corporate Video B-Trade (2011). Books are Fun. Created the talking baby look similar to the eTrade baby commercials for two videos. LSU Memory Book (2008) – Created an animated coffee-table book with featured pages and inserts to promote the book to potential investors. The book was about the Louisiana State University Tigers football program. Florida Medical Association Physicians Associates: CAPS+ Promotional Video (2005) - Designed and implemented 3D virtual sets, and animated graphics. LeafProof Promotional Video (2004) – Designed and implemented 3D virtual sets, and animated graphics.

Printed Works “Portfolio: SIGGRAPH 2009 Computer Animation Festival - Part II.” Computer Graphics World August 2009: 35. Jenkins, Cory, Holt, Kahn. (2009). Published illustrations. AGC of America. BIM 101: An Introduction to Building Information Modeling workshop. UCA Theatre Brochure and Poster Design (2006-2010) – Developed the design and artwork for the UCA Theatre season brochure and posters for each main-stage production.

Skills Computer Software (proficient to expert) Blender, Adobe Photoshop, Adobe After Effects, Adobe Premiere Pro, Apple Final Cut Pro (4-X), Sketchup, Imagineer Mocha, Syntheyes, Autodesk Maya, Autodesk 3dsmax, Office Suite applications, Web browsers, Mac OS X, Linux, Windows XP, Mac OS X and Linux system administration. Computer Software (competent) DaVinci Resolve, Autodesk Smoke, Adobe Audition, Apple Soundtrack Pro, pfTrack, Vectorworks, AutoCAD (proficient, but rusty), Python programming language, post-production workflows with Red R3D media. Production Equipment (proficient to expert) Various cameras, such as Canon DSLRs, Sony and Canon miniDV cameras; tripods and jibs, theatrical lights and lighting control boards, various soundboards for live mixing and recording, various microphones for recording, small live video switchers, small venue projection. Production Equipment (competent) Film lighting techniques, live microphone mixing, large video switchers, large venue projection, video and audio engineering Traditional Arts Painting, drawing, drafting, woodworking, carpentry and light construction, welding, carving, stained glass