CPY Document

Total Page：16

File Type：pdf, Size：1020Kb

AUG 0 7 Z007 f"l'.R~:TS 1 I PARKS, & AG\NG MOTION HEAL1H ! Antonio Aguilar was a performer who introduced much of the United States to a part of Mexican culture that had not been seen before. This traditional and proud aspect of Mexican culture is more commonly known as the Charreadas. This internationally famous Mexican Charro performed throughout the United States and abroad. His presentation at the White House for President Eisenhower was one of his most prized performances. Antonio Aguilar was a pioneer for Mexican musical arts; fusing the art of rodeo with some traditional and non-traditional forms of Mexican vocal music. His production of 150 albums resulted in selling over 25 million records. Aguilar was also known for his resuscitation of Tambora music during the mid 1980s. In the early 1930s, Antonio Aguilar came to Los Angeles and stayed at the Placita Olvera. At this time, Aguilar had no money and no food. He stayed at the Placita Olvera for three days and three nights. From that point on, he remembered his time at the Placita Olvera as a life-changing experience which would serve as a catalyst to his desire and passion to be a successful musician. Aguilar passed away from pneumonia on June 19, 2007. He was mourned throughout the world. Mr. Aguilar is part of a special era of music that has seen a resurgence in popularity and will still be a significant part of global musical history. His story of starting from nothing, to achieving a life of musical success and a star on the Hollywood Walk of Fame shows the perseverance and determination which is the spirit of the City of Los Angeles. I THEREFORE MOVE, in honor and recognition of Mr. Antonio Aguilar, that the EI Pueblo de Los Angeles Historical Monument Department be instructed to report with recommendations on the feasibility of erecting a statue in honor of Antonio Aguilar for placement at Placita Olvera as soon as possible. i FURTHER MOVE, that the exact location of the statue be part of a feasibility study, with an option being, but not limited to, the Kiosk. PRESENTED BY: SECONDED BY: ~/. g" rd/~~ .AUG 0 7 2001 o 1- Ç)J5 i Ò vg.

Copy Link

Recommended publications

Mexico's Nashville, Its Country- Mexican Country Kitchen
till * 2 2 (i ii i I f a 1 I 25 I m MCXICO'S NASHVILLE B Y S E R G I O M A R T T N E Z Ano uY to Indepundencia (1910, Alfred Giles). MY MOTHER Ttus me that my grandfather In the 'NOs, radio programmers began Ezequiel liked parties and sharing good offering Mexicans music in their own times with his friends. We're talking language. Suddenly, norteno commanded about the If >0s, the young adulthood ot the eyes and ears ol all Mexico — and my grandparents, the childhood of my also of fans in the United States. Dances mother, a Monterrey of possibly 100,000 ireally concerts) drew up to 150,000 inhabitants. Almost every weekend, my people. To accommodate the crowds, grandparents converted their house into a norteno events were held in parks and kind of party hall. They butchered a even soccer stadiums. sheep or kid goat, or maybe a call if the Bronco's lead singer, Lupe Esparza, party was very big, and they arranged a opened his own recording studio in big pit barbecue. Or it they had a pig, Monterrey, and l.os Jemararios and other there was a little festival of chicharrones, I groups soon followed sun. Monterrey carnitas, and other delicacies of the became Mexico's Nashville, its country- Mexican country kitchen. music capital. Music wasn't lacking. It was norteno, Norteno's popularity favored an inter- the regional music of northeastern Mexico change between Mexico and the United — a rural, working-class music, the coun- States — not just a commercial inter- try music of Mexico.
[Show full text]
Antonio Aguilar Antonio Aguilar Mp3, Flac, Wma
Antonio Aguilar Antonio Aguilar mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Latin Album: Antonio Aguilar Country: Spain Released: 1969 Style: Mariachi MP3 version RAR size: 1504 mb FLAC version RAR size: 1136 mb WMA version RAR size: 1960 mb Rating: 4.7 Votes: 769 Other Formats: XM AAC TTA DTS RA AHX AIFF Tracklist Hide Credits La Pavita A1 Written-By – Benjamin Sánchez Mota Por El Amor A Mi Madre A2 Written By – Turrubiate Eres Zapato Pisado A3 Written-By – Rafael Buendía* Espina Clavada A4 Written-By – Fidencio Ibarra Pajarillo Enamorado A5 Written-By – Benjamin Sánchez Mota Son Habladas A6 Written-By – Ramón Gutiérrez Me Doy De Alta B1 Written-By – Rafael Buendía* Solo May Humo B2 Written-By – José Antonio Raeza Saborcito De Granada B3 Written-By – Jesús Silvestre Que Dios Me Castigue B4 Written By – J. Guadalupe Vega Sánchez Caminito De Rieles B5 Written By – Chucho Mendoza, J. Lorenzo Morales La Tercera Caida B6 Written-By – Ezequiel Mejía Companies, etc. Distributed By – Zafiro Made By – Discos Musart, S.A. Credits Accompanied By – Mariachi México de Pepe Villa (tracks: A1, A4 to A6, B3 to B6), Mariachi Oro Y Plata De José Chávez* (tracks: A2, A3, B1, B2) Barcode and Other Identifiers Depósito Legal: M-4496-1969 Other versions Category Artist Title (Format) Label Category Country Year D 1416, ED Antonio Vol. 12 (LP, Album, Musart, D 1416, ED Mexico 1968 1416 Aguilar* Mono) Musart 1416 Antonio Vol. 12 (LP, Album, 100-11066 Musart 100-11066 Venezuela 1969 Aguilar* Mono) Related Music albums to Antonio Aguilar by Antonio Aguilar
[Show full text]
The Mexican Film Bulletin Vol
THE MEXICAN FILM BULLETIN VOL. 24 NO. 2 June 2018 TThhee MMeexxiiccaann FFiillmm BBuulllleettiinn VVoolluummee 2244 NNuummbbeerr 22 JJuunnee 22001188 otro idioma; Juan Pablo de Santiago, Sueño en otro 2018 Ariel Awards idioma; Miguel Rodarte, Tiempo compartido. The 60th Ariel Awards ceremony was held in the Best Supporting Actor: Héctor Holten, El vigilante; Palacio de Bellas Artes in Mexico City on 5 June 2018. Hernán Mendoza, Las hijas de Abril; Norman Delgadillo, Sueño en otro idioma won 6 Arieles, including Best Film. Los crímenes de Mar del Norte; Andrés Almeida, Tiempo La región salvaje received 5 awards, including Best compartido; Tenoch Huerta Vuelven. Director for Amat Escalante. Lifetime achievement Best Supporting Actress: Bernarda Trueba, La región Arieles de Oro went to actress Queta Lavat, whose career salvaje; Vico Escorcia, Los crímenes de Mar del Norte; dates back to the 1940s, and cinematographer Toni Kuhn. Norma Angélica, Sueño en otro idioma; Mónica Miguel, 2018 Arieles (Winners in Bold) Sueño en otro idioma; Mercedes Pascual, Tamara y la Best Film: Batallas íntimas (dir. Lucia Gajá); La Catarina. libertad del Diablo (dir. Everardo González); La región Best New Actress: Macarena Arias, Alba; Ruth Ramos, salvaje (dir. Amat La región salvaje; Ana Valeria Becerril, Las hijas de Escalante); Sueño Abril; Nicolasa Ortiz Monasterio, Sueño en otro idioma; en otro idioma Paola Lara, Vuelven. (dir. Ernesto Best New Actor: Luis Amaya Rodríguez, Ayúdame a Contreras); pasar la noche; Jesús Meza, La región salvaje; Máximo Tiempo Hollander, Los herederos; Luis de la Rosa, Mientras el compartido (dir. lobo no está; Juan Ramón López, Vuelven. Sebastián Best Original Screenplay: Everardo González, Diego Hofmann).
[Show full text]
Press Advisory
JOSÉ HUIZAR COUNCILMEMBER OF THE FOURTEENTH DISTRICT PRESS RELEASE FOR IMMEDIATE RELEASE CONTACT: George I. Gonzalez (213) 473-5807 September 13th, 2007 Cell (213) 200-9974 COUNCILMEMBER JOSE HUIZAR AND MAYOR VILLARAIGOSA HOSTS ANNUAL “El GRITO” CEREMONY Thousands Will Celebrated Mexico’s Call for Independence with Headline Performances by Lucero and Antonio Aguilar Jr. LOS ANGELES—Councilmember José Huizar (District 14) will host the annual “El Grito” ceremony along with Mayor Antonio Villaraigosa and representatives from the Mexican Consulate. This year’s entertainment lineup will feature performances by Lucero, Antonio Aguilar Jr., Flor Silvestre, Ninel Conde, La Autoridad de la Sierra. Additionally, Antonio Aguilar Jr. and Flor Silvestre will perform a tribute to one of the greatest ambassadors of Mexican culture - “El Charro de Mexico” Antonio Aguilar. Celebrated annually, “El Grito” marks one of the most important dates on the Mexican cultural calendar – Mexican Independence Day. On September 15, 1810, Father Miguel Hidalgo issued the historic battle cry known as El Grito de Dolores, which set the stage for the birth of the Mexican nation. The ceremony is steeped in patriotic tradition and is highlighted by the ringing of the “rebellion bell” in tribute to the clarion calls to arms that spread from church to church across the Mexican countryside. “As the first Mexican immigrant to be elected to the City Council, it truly is an honor for me to be hosting this year’s ceremony. It provides me with the unique opportunity to celebrate my heritage, while at the same time open the doors of this great city to all the people in attendance today,” said Councilmember Huizar.
[Show full text]
Chicano Record Collection D-419
http://oac.cdlib.org/findaid/ark:/13030/c8bc41r6 No online items Inventory of the Chicano Record Collection D-419 University of California, Davis Library, Dept. of Special Collections 2020 1st Floor, Shields Library, University of California 100 North West Quad Davis, CA 95616-5292 [email protected] URL: https://www.library.ucdavis.edu/archives-and-special-collections Inventory of the Chicano Record D-419155 1 Collection D-419 Language of Material: English Contributing Institution: University of California, Davis Library, Dept. of Special Collections Title: Chicano Record Collection Creator: University of California, Davis. Library. Department of Special Collections Identifier/Call Number: D-419 Identifier/Call Number: 155 Physical Description: 8.4 linear feet Date (inclusive): 1961-1990 Abstract: Long-playing records which feature Chicano music. Artists include Lola Beltran, Yolanda Del Rio, Pedro Infante, Flaco Jimenez, Luis Perez Meza, Augustine Ramirez, and Silvestre Vargas, among others. Researchers should contact Special Collections to request collections, as many are stored offsite. Scope and Content Long-playing records which feature Chicano music. Artists include Lola Beltran, Yolanda Del Rio, Pedro Infante, Flaco Jimenez, Luis Perez Meza, Augustine Ramirez, and Silvestre Vargas, among others. Access Collection is open for research. Processing Information Liz Phillips encoded this finding aid with help from student assistant Aditi Sinha. Preferred Citation [Identification of item], Chicano Record Collection, D-419, Archives and Special Collections, UC Davis Library, University of California, Davis. Publication Rights All applicable copyrights for the collection are protected under chapter 17 of the U.S. Copyright Code. Requests for permission to publish or quote from manuscripts must be submitted in writing to the Head of Special Collections.
[Show full text]
Creación Y Representación En La Obra De José Alfredo Jiménez: La Exaltación De La Cultura De La Embriaguez En La Modernidad Mexicana Posrevolucionaria
BENEMÉRITA UNIVERSIDAD AUTÓNOMA DE PUEBLA FACULTAD DE FILOSOFÍA Y LETRAS COLEGIO DE HISTORIA Creación y representación en la obra de José Alfredo Jiménez: La exaltación de la cultura de la embriaguez en la modernidad mexicana posrevolucionaria TESIS PARA OBTENER EL GRADO DE LICENCIADO EN HISTORIA PRESENTA: JOSÉ ALFREDO HERNÁNDEZ CASIILLAS ASESOR DE TESIS MARCO A. VELÁZQUEZ ALBO JULIO 2008 PRESENTACIÓN Este documento es el resultado de una serie de investigaciones sobre las prácticas relacionadas al consumo de bebidas embriagantes en la sociedad mexicana en general y sobre la influencia de las canciones de José Alfredo Jiménez en la cultura del mexicano, en particular el análisis de otros compositores, cineastas y actores, quienes contribuyeron de manera importante en el estereotipo del charro cantor y en consecuencia de una cultura del alcohol, acepta y trasmite de forma inconciente por el mexicano. El presente ensayo, se originó en los Seminarios Historia Cultural I y II impartidos por el Maestro Marco A. Velázquez Albo. La primera idea que con referencia al tema, nació como una historia de las bebidas embriagantes en la música en México, se llego a la definición del mismo tema, con la influencia de ciertos personajes en la cultura del mexicano. El nombre de este ensayo que se presenta en forma de tesis es: Creación y representación en la obra de José Alfredo Jiménez: La exaltación de la cultura de la embriaguez mexicana posrevolucionaria. El período abordado desde los años 50 hasta los 70, aunque se trabajo en el trazo biográfico de José Alfredo Jiménez desde los 20, este ensayo se centra en su actividad como compositor, actor y cantante, y en la influencia que generará en las siguientes generaciones de compositores, al considerarlo como el compositor más importante en la cultura popular del mexicano.
[Show full text]
COUNCIL FILE NO. L:) - I 0 F? COUNCIL DISTRICT NO
COUNCIL FILE NO. L:) - I 0 f? COUNCIL DISTRICT NO. 13 APPROVAL FOR ACCELERATED PROCESSING DIRECT TO CITY COUNCIL The attached Council File may be processed directly to Council pursuant to the procedure approved June 26, 1990, (CF 83-1075-S1) without being referred to the Public Works Committee because the action on the file checked below is deemed to be routine and/or administrative in nature: _} A. Future Street Acceptance. _} B. Quitclaim of Easement(s). _} C. Dedication of Easement(s). _} D. Release of Restriction(s). _L} E. Request for Star in Hollywood Walk of Fame. _} F. Brass Plaque(s) in San Pedro Sport Walk. _} G. Resolution to Vacate or Ord inance submitted in response to Council action. _} H. Approval of plans/specifications submitted by Los Angeles County Flood Control District. APPROVAL/DISAPPROVAL FOR ACCELERATED PROCESSING: APPROVED DISAPPROVED* Council Office of the District Public Works Committee Chairperson *DISAPPROVED FILES WILL BE REFERRED TO THE PUBLIC WORKS COMMITTEE. Please return to Council Index Section, Room 615 City Hall City Clerk Processing: Date ____ notice and report copy mailed to interested parties advising of Council date for th is item. Date ____ scheduled in Council. AFTER COUNCIL ACTION: ___} Send copy of adopted report to the Rea l Estate Section, Development Services Division, Bureau of Eng ineering (Mail Stop No. 515) for further processing. _ __}Other: PLEASE DO NOT DETACH THIS APPROVAL SHEET FROM THE COUNCIL FILE ACCELERATED REVIEW PROCESS - E Office of the City Engineer Los Angeles, California To the Honorable Council Of the City of Los Angeles Honorable Members: C.
[Show full text]
Registro Civil Defunciones
DEFUNCIONES 1873 NO. DE ACTA NO. FOJA NOMBRE FECHA DE DEFUNCIÓORIGEN NOMBRE DE LOS PADRES 1 1 José de Jesús Díaz 01/01/1873 Orizaba Luis Díaz Elena Bandala 2 1 Ignacio Celis 01/01/1873 Orizaba Ignacio Celis Rosario Bello 3 1 Josefa Carrera 02/01/1873 Zongolica José María Carrera María de Jesús García 4 2 María Guadalupe Romero 02/01/1873 Orizaba José María Romero Rosalia Díaz 5 2 Julio Viredas 03/01/1873 Orizaba Miguel Vireas Regina Osio 6 2 María Luisa Montes 03/01/1873 Huamantla Juan Montes Luisa González 7 3 José Cármen González 04/01/1873 Orizaba Apolinario Rosales Loreto Jiménez 8 3 Félix Rivera 04/01/1873 Veracruz Manuel Rivera Petrona Rodríguez 9 3 José María Rodríguez 04/01/1873 San Luis Potosí Francisco Rodríguez Manuela Ramos 10 3 Micaela López 05/01/1873 Orizaba Francisco Dolores Lima 11 4 Una niña 06/01/1873 Orizaba Dolores Meza 12 4 Soledad Suárez 08/01/1873 México José María Madre no conocida 13 4 María Reyes Hernández 08/01/1873 Orizaba Soledad Hernandez 14 5 Cármen Márquez 09/01/1873 Puebla Francisco Márquez Rosa Domínguez 15 5 Josefa López 09/01/1873 San Martín Texmelucan Ventura López Magdalena Bonilla 16 5 Manuel Martínez 10/01/1873 Se Ignora Se ignoran el nombre de sus padres 17 5 Sin Nombre 11/01/1873 Marcelino Velasco Salvadora Bazan 18 6 Ángela Lucero 12/01/1873 Gregorio Lucero Madre no conocida 19 6 Sin Nombre 13/01/1873 José María Martínez Francisca Ramos 20 6 Higinio Vera 13/01/1873 Orizaba Florencia Vera 21 6 Higinia 13/01/1873 Orizaba José de Jesús 22 7 Dario Mateos 14/01/1873 Amozoc Manuel Mateos Petrona Limon
[Show full text]
Performing Gender in Mariachi Music a Dissertation Submitted in Pa
UNIVERSITY OF CALIFORNIA Los Angeles How Musical is Woman?: Performing Gender in Mariachi Music A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Ethnomusicology by Leticia Soto Flores 2015 © Copyright Leticia Soto Flores 2015 ABSTRACT OF THE DISSERTATION How Musical is Woman?: Performing Gender in Mariachi Music by Leticia Soto Flores Doctor of Philosophy in Ethnomusicology University of California, Los Angeles, 2015 Professor Susan K. McClary, Co-Chair Professor Timothy Rice, Co-Chair In this dissertation, I engage in the ongoing discussion between popular music and gender scholarship through an ethnographic and archival investigation of women's performances in mariachi music, a musical expression originating in eighteenth-century Western Mexico. Historical evidence and ethnographic accounts referenced in this study reveal that women have indeed performed with mariachi ensembles since at least the turn of the twentieth century. While they were not encouraged to perform as mariachi musicians, those who did were occluded from historical representations or dismissed as trivial or novel. By presenting a critical analysis of women's socio-musical contributions, this dissertation situates the impact of gendered stereotypes in historical, social, and individual contexts. Presenting this analysis, however, calls for first understanding the mariachi tradition historically. As with other popular musics that confronted the coming of the mass media, mariachi music evolved also alongside the globalizing culture industry. Since the early twentieth century, ii select groups from Western Mexico traveled to Mexico City to secure their space in a promising performance scene. The music became such an important expression that it was featured in all emerging media technologies: the first commercial phonograph recordings in 1908, live national radio programs since 1925, the first sound film in 1931, touring caravans since the 1950s, and pioneer broadcast television programs since the late 1960s (Chapter Two).
[Show full text]
Informe De Pobreza Y Evaluación En El Estado De Morelos 2012
Informe de pobreza y evaluación en el estado de Morelos 2012 Informe de pobreza y evaluación en el estado de Morelos 2012 CONSEJO NACIONAL DE EVALUACIÓN DE LA POLÍTICA DE DESARROLLO SOCIAL INVESTIGADORES ACADÉMICOS 2010-2014 María del Rosario Cárdenas Elizalde Universidad Autónoma Metropolitana Fernando Alberto Cortés Cáceres El Colegio de México Agustín Escobar Latapí Centro de Investigaciones y Estudios Superiores en Antropología Social-Occidente Salomón Nahmad Sittón Centro de Investigaciones y Estudios Superiores en Antropología Social-Pacífico Sur John Scott Andretta Centro de Investigación y Docencia Económicas Graciela María Teruel Belismelis Universidad Iberoamericana SECRETARÍA EJECUTIVA Gonzalo Hernández Licona Secretario Ejecutivo Edgar A. Martínez Mendoza Director General Adjunto de Coordinación Ricardo C. Aparicio Jiménez Director General Adjunto de Análisis de la Pobreza Thania Paola de la Garza Navarrete Directora General Adjunta de Evaluación Daniel Gutiérrez Cruz Director General Adjunto de Administración Informe de pobreza y evaluación en el estado de Morelos 2012 COLABORADORES Equipo técnico Edgar A. Martínez Mendoza Cristina Hayde Pérez González Gabriela Gutiérrez Salas Clara I. Schettino Bustamante Florencia Leyson Lelevier Luis Gerardo Mejía Sánchez José Antonio Aguilar Herrera Informe de pobreza y evaluación en el estado de Morelos 2012 Consejo Nacional de Evaluación de la Política de Desarrollo Social Boulevard Adolfo López Mateos 160 Colonia San Ángel Inn CP. 01060 Delegación Álvaro Obregón México, DF Impreso y hecho en México Printed and made in Mexico Citación sugerida: Consejo Nacional de Evaluación de la Política de Desarrollo Social. Informe de pobreza y evaluación en el estado de Morelos 2012. México, D.F. CONEVAL., 2012. Informe de pobreza y evaluación en el estado de Morelos 2012 Glosario Para este documento se utilizarán los siguientes conceptos: Criterios de elegibilidad.
[Show full text]
Murió Antonio Aguilar (1919-2007)
PREMIER FANTÁSTICA Silver Surfer llega a la Tierra con planes de prepararla para su destrucción. Mientras el heraldo enigmático atraviesa el mundo causando estragos, Los 4 Fantásticos, Reed (Ioan Gruffudd), Sue (Jessica Alba), Johnny (Chris Evans) y Ben (Michael Chiklis) deben descifrar el misterio de Silver Surfer y confrontar el retorno sorpresivo de su mortal enemigo, Dr. Doom, antes de que sea demasiado tarde. EXPRESO y Cinemark Mirador te invitan hoy, en punto de las 20:00, a la premier de la película Los 4 Fantásticos y Silver Surfer; para ganarte un pase doble busca los detalles en el especial. 4D Sección D EXPRESO Jueves 21 de Junio de 2007 Inesperadamente, el presidente de la República Felipe Calderón Hinojosa, acompañado de su esposa Margarita Zavala asistió a la capilla donde descansaban los restos del Antonio Aguilar para dar el pésame a la familia del cantante. Editora: Beatriz Araque Coeditora gráﬁ ca: Nora Gallardo Correo: [email protected] MURIÓ ANTONIO AGUILAR (1919-2007) Los restos del intérprete fueron cremados y trasladados a la Catedral de Zacatecas CIUDAD DE MÉXICO.-El ac- tor y cantante Antonio Aguilar falleció a los 88 años, luego de permanecer 15 días hospitalizado por una neumonía, lo cual fue controlada, pero que le llevó a un cuadro de agotamiento agudo Pepe Aguilar agradeció el cariño y que afectó su funcionamiento y apoyo de la gente. renal y pulmonar. Jaime Arriaga Gracia, doctor de cabecera y cardiólogo de El charro de México, cerca de las Una vida de- 23:45 horas del martes conﬁ rmó el deceso.
[Show full text]
View Presentation / Handout
Mariachi in Your Studio NATS Conference June 2018 Contact Information Monica Fogelquist 619-888-8821 [email protected] A Brief History of Mariachi Music • Mariachi music originated in the region that encompasses the Mexican states of Jalisco, Michoacán, and Colima • The precursor to the modern mariachi dates back to the late 19th century • With an increase in nationalism, mariachi music is catapulted to the forefront of popular culture as a vehicle to unite all regions of Mexico • The music is featured in radio and film and taken abroad • Original configuration: Either guitarrón or harp as bass instrument, two violins, and vihuela • By the 1950s, the mariachi as we know it today had been established: six violins, two trumpets, guitarrón, vihuela, and guitar. *The flute is not part of the standard instrumentation of the mariachi. Who Should You and Your Students Listen to? • Familiarize yourselves with the following artists. As you listen to them, you will notice that each artist tends to focus more on a certain type of song that the mariachi interprets. o Lucha Reyes o Lola Beltrán o Amalia Mendoza o José Alfredo Jiménez o Jorge Negrete o Pedro Infante o Javier Solís o Miguel Aceves Mejía o Antonio Aguilar o “Charro” Avitia o Vicente Fernández o Juan Gabriel o Aída Cuevas o Beatriz Adriana o Linda Ronstadt o Nydia Rojas o Mariachi Vargas de Tecalitlán o Mariachi Nuevo Tecalitlán o Mariachi Sol de México o Mariachi Reyna de Los Ángeles Important Things to Consider • Language: Studying the Spanish language is critical. The ability to correctly pronounce lyrics is important, but understanding the meaning of the lyrics is what will bring the music to life.
[Show full text]