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24-34 Mandolinisterna.Indd Stjärn- skotten Vägen från ung supertalang till vuxen stjärna är inte alltid rak. De i dag 23-åriga Sarah Jarosz, Sierra Hull och Rebecca Lovell – alla med mandolinen som huvudinstru- ment – slog igenom redan som tonåringar och förväntas nu bli den nya generationens storstjärnor inom blue- grass och americana. Lira mötte dem i Nashville för ett samtal om musikalisk utveckling. TEXT: PIERRE ERIKSSON OCH KAJ FORSBERG 24 LIRA 1 2015 DIAMOND RICK : BILD LIRA 1 2015 25 BILD: PIERRE ERIKSSON ågot händer i den välfyllda lokalen när Sa- toner från gammal bergsmusik kombineras med ett rah Jarosz slår an sin banjo. Med en ödslig personligt och modernt anslag. Smarta texter bärs N klang som hämtad från de mytomspunna fram av fi nessrika och extremt välspelade akustiska Appalacherna hypnotiserar det klonkande ljudet arrangemang. och sorlet avtar snabbt. Alex Hargreaves känsliga Sarah Jaroszs Grammynominerade skiva Build fi ol fyller på innan Sarah sjunger första versen med me up from bones har fått stor uppmärksamhet och en röst som lyckas låta både sårbar och självsäker. dessutom blivit nominerad till Americana Music Awards. Därför står hon nu och framför låten Fuel When I begin to crumble | And the walls begin to the fi re framför gräddan av americanaartister i Ry- fall |Someone please keep me humble| Hold my soul man Auditorium i Nashville. Och även om det blir up through it all Jason Isbell som till sist tar hem utmärkelsen för årets album, verkar Sarah Jarosz minst lika nöjd Dåtid och nutid vävs samman. Nedärvda under- ändå. 26 LIRA 1 2015 BILD: ERIKA GOLDRING – Det är smått overkligt när man ser vilka artister det var först när hon i tioårsåldern fi ck låna en man- som ska uppträda: Jackson Browne, Emmylou Har- dolin som det blev roligt på allvar. ris, Rosanne Cash, Loretta Lynne. Det är som att ha –Nickel Creek hade nyligen släppt sitt debutal- vunnit bara att få vara en del av det här, säger Sarah bum och jag hade sett deras musikvideo – jag tror när vi träff ar henne några timmar tidigare. det var Reasons why – och tyckte att den var så cool. Hon påminner ganska mycket om sin musik. Öd- Jag kommer ihåg att jag såg Chris Th ile spela man- mjuk och eftertänksam. Personlig utan att bli privat. dolin och funderade över vad det var. Som tur var Sparsmakad utan onödiga utvikningar. Närvarande. fanns det en kvinna i vår kyrka som hade en mando- lin som jag fi ck låna. Jag blev så begeistrad att jag SARAH JAROSZ VÄXTE upp i småstaden Wimber- inte ville göra något annat än spela. ly, söder om Austin, Texas, och inledde tidigt sin musikkarriär tack vare föräldrarnas musikintresse. I SAMMA VEVA fi ck Sarah upp ögonen för de lokala Som sexåring började hon ta pianolektioner men bluegrass-jammen som hölls varje fredag kväll. Hon LIRA 1 2015 27 tog med sig mandolinen och blev varmt mottagen till en gemenskap som till största delen utgjordes av äldre musiker. En nyttig skola som lade grunden för Sarahs eget låtskrivande. – Det faktum att de var så välkomnande gjorde – att jag hela tiden ville bli bättre. Det var så roligt, och jag tror att det är den största anledningen till att jag ville fortsätta spela som barn. Tack vare jammen lärde sig Sarah så småningom såväl clawhammer-banjo (traditionellt banjospel där man spelar med nedslag på tumme och ett fi nger i stället för snabb picking med fl era fi ngrar) som akustisk gitarr. Hon säger att den musikrika små- stadsuppväxten och närheten till musikmeckat Aus- tin gjort henne till den artist hon är i dag. Storsta- dens singer-songwriter-scen blev lika viktig som de traditionella folklåtarna och bidrog till att hon bör- jade skriva eget material. Och att hon började in- tressera sig för den mer konstnärligt komplexa Västkustbluegrassen. – Jag började ganska tidigt åka till festivaler i Co- lorado och Kalifornien. Jag attraherades av musiker som blandade in andra infl uenser och testade de musikaliska gränserna. Det fl itiga festivalbesökandet och jamspelandet ledde till skivkontrakt redan vid sexton års ålder. 2006 hade hon fått chansen att köra en ”betweener” på festivalen Rockygrass (några låtar mellan två hu- vudakters framträdanden). Året därpå fi ck hon ett helt eget set. I publiken stod då Gary Paczosa från Sugar Hill Records som bjöd ner Sarah till Nash- ville. Snart skrevs kontrakt och i juni 2009 släpptes debuten Song up in her head med bland andra Chris Th ile och Jerry Douglas som medverkande. – 28 LIRA 1 2015.
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