Film Calendar August 11 - October 12, 2017
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Edmond Press
International Press International Sales Venice: wild bunch The PR Contact Ltd. Venice Phil Symes - Mobile: 347 643 1171 Vincent Maraval Ronaldo Mourao - Mobile: 347 643 0966 Tel: +336 11 91 23 93 Email: [email protected] Email: [email protected] Fax: 041 5265277 Carole Baraton 62nd Mostra Venice Film Festival: Tel: +336 20 36 77 72 Hotel Villa Pannonia Email: [email protected] Via Doge D. Michiel 48 Gaël Nouaile 30126 Venezia Lido Tel: +336 21 23 04 72 Tel: 041 5260162 Email: [email protected] Fax: 041 5265277 Silva Simonutti London: Tel: +33 6 82 13 18 84 The PR Contact Ltd. Email: [email protected] 32 Newman Street London, W1T 1PU Paris: Tel: + 44 (0) 207 323 1200 Wild Bunch Fax: + 44 (0) 207 323 1070 99, rue de la Verrerie - 75004 Paris Email: [email protected] tel: + 33 1 53 01 50 20 fax: +33 1 53 01 50 49 www.wildbunch.biz French Press: French Distribution : Pan Européenne / Wild Bunch Michel Burstein / Bossa Nova Tel: +33 1 43 26 26 26 Fax: +33 1 43 26 26 36 High resolution images are available to download from 32 bd st germain - 75005 Paris the press section at www.wildbunch.biz [email protected] www.bossa-nova.info Synopsis Cast and Crew “You are not where you belong.” Edmond: William H. Macy Thus begins a brutal descent into a contemporary urban hell Glenna: Julia Stiles in David Mamet's savage black comedy, when his encounter B-Girl: Denise Richards with a fortune-teller leads businessman Edmond (William H. -
Before the Forties
Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY -
Entertainment Business Supplemental Information Three Months Ended September 30, 2015
Entertainment Business Supplemental Information Three months ended September 30, 2015 October 29, 2015 Sony Corporation Pictures Segment 1 ■ Pictures Segment Aggregated U.S. Dollar Information 1 ■ Motion Pictures 1 - Motion Pictures Box Office for films released in North America - Select films to be released in the U.S. - Top 10 DVD and Blu-rayTM titles released - Select DVD and Blu-rayTM titles to be released ■ Television Productions 3 - Television Series with an original broadcast on a U.S. network - Television Series with a new season to premiere on a U.S. network - Select Television Series in U.S. off-network syndication - Television Series with an original broadcast on a non-U.S. network ■ Media Networks 5 - Television and Digital Channels Music Segment 7 ■ Recorded Music 7 - Top 10 best-selling recorded music releases - Upcoming releases ■ Music Publishing 7 - Number of songs in the music publishing catalog owned and administered as of March 31, 2015 Cautionary Statement Statements made in this supplemental information with respect to Sony’s current plans, estimates, strategies and beliefs and other statements that are not historical facts are forward-looking statements. Forward-looking statements include, but are not limited to, those statements using such words as “may,” “will,” “should,” “plan,” “expect,” “anticipate,” “estimate” and similar words, although some forward- looking statements are expressed differently. Sony cautions investors that a number of important risks and uncertainties could cause actual results to differ materially from those discussed in the forward-looking statements, and therefore investors should not place undue reliance on them. Investors also should not rely on any obligation of Sony to update or revise any forward-looking statements, whether as a result of new information, future events or otherwise. -
FILM REVIEW Moonlight, Directed by Barry Jenkins, USA, Altitude Films
INTERNATIONAL JOURNAL OF JUNGIAN STUDIES, 2018 VOL. 10, NO. 1, 83–89 FILM REVIEW Moonlight, directed by Barry Jenkins, USA, Altitude Films, 2016, 1 hour 55 minutes Spring is often synonymous with Oscar season, but it is some considered reflection on the 2017 Best Picture that is necessary one year on. If it is news to you that Moonlight won the Oscar last year, then you are not alone. It is certainly among the least-marketed Oscar winners in recent decades. If you do know about the film, it is likely that it is in the context of its two-way fight for the prize with another more popular film, or perhaps from news coverage of a dramatic mishap on Oscars’ night. The film was the modern musical La La Land and the mix-up was the result of the wrong envelope being given and that the film’s name being read out instead of the winner Moonlight. A male employee from PricewaterhouseCooper’s – who administer the envelopes – is thought to have mistakenly given a duplicate Best Actress envelope (already won by Emma Stone for La La Land) to Warren Beatty. In a familiar commentary on the expectations social media places on creative industries personnel, it is possible the employee, Brian Cullinan, could have been distracted by his Tweeted picture of Stone moments before handing over the envelope. The event overshadowed much mainstream serious discussion of the film and did little to tempt staunch supporters of La La Land to see it. There are films that are designed to win Oscars and appeal to the middle-range, but it is difficult to suggest Moonlight is one of them, even with some of its missed opportunities to push the envelope of homosexual encoun- ters than those previously seen on mainstream US silver screens. -
The Forgiving Blue
THE FORGIVING BLUE Lynn Fong nterspersed in the gentle lapping of ocean waves, a few tense notes of a violin crescendo as Chiron, the protagonist of Barry Jenkins’s film Moonlight , learns to swim. The water is a soft turquoise. The camera bobs along with it, pulled up and down Iand sometimes partially obscured by the waves. We, the audience, are right there with little Chiron as he experiences the waters of Miami for the first time. Juan, Chiron’s newfound, unlikely mentor, is hold - ing up Chiron’s small head while he teaches him to float. “You’re in the middle of the world,” Juan tells Chiron. The two are framed only by the turquoise water and a light blue sky. Juan demonstrates arm movements: “Go like this,” he instructs, “more athletic.” Chiron mimics him as he learns to paddle. Finally, Juan releases Chiron so he can swim on his own. “Go,” Juan says, and Chiron begins paddling by himself. Then, Chiron is alone. The music slows and fades away. He is indeed in the middle of the world as he swims, unaccompanied, unafraid, and free. Moonlight , which won the Academy Award for Best Picture in 2017, is a coming-of-age story. More specifically, it documents three stages in the life of Chiron, a young, gay black man growing up in an impoverished area of Miami. Even more specifically, the film offers an empathetic lens into the most intimate, defining moments of Chiron’s life: learning how to swim, putting a blanket on his drugged- out mother, reuniting with someone he’s loved after years of estrange - ment. -
Yearbooks Are Going on Sale Who Consistently Lives Life to the Fullest
October 15, 2014 Volume XXI Hawk Issue 2 Happenings A Publication of Hamburg Area High School, Windsor Street, Hamburg, PA 19526 HAHS adopts Root Word of the Week Brooke Buckley Julian Warner - 12 is Hamburg’s Thorough consideration, the fall of the Hamburg Area High School Latin program, and untapped standardized testing potential has coalesced into an initiative to permeate the ancient Greek and Latin lexicons throughout the entire student body. It is known as the Outstanding Young “Root Word[s] of the Week”. The ostensible arbitrariness of the initiative has left students curious, indifferent, or sometimes dubious. Nevertheless, approbating administrative figures offer research-backed certitude that there is, indeed, method to the madness. Woman Since the 2012-2013 school year, elementary schools in the Hamburg Area School Sarah Hanlon – 12 District have embraced the Root Word of the Week System. Since doing so, the idea has spread throughout all of the levels of primary education in Hamburg, eventually arriving at On Saturday, October 4, Brooke Buckley HAHS. Teachers of varying subjects review the root words, along with their applications represented Hamburg Area High School in the Berks to modern English, with the students throughout the week. Typically, the words are County Outstanding Young Woman program. Brooke selected thematically from a larger list of pre-selected root words. During the Labor Day was one of 19 female high school seniors in Berks holiday, for example, oper- and erg- (both meaning “work”) were taught as root words. County who participated in the scholarship event. The The root word initiative is not exclusive to the Hamburg education system, contestants participated in a yearly competition that and it can be found in numerous schools throughout the United States, both focuses on academic and community service excellence, as well as performing arts and nearby and afar. -
Brooklyn Boy
41st Season • 392nd Production SEGERSTROM STAGE / SEPTEMBER 3 - OCTOBER 10, 2004 David Emmes Martin Benson PRODUCING ARTISTIC DIRECTOR ARTISTIC DIRECTOR IN ASSOCIATION WITH Manhattan Theatre Club presents the world premiere of BROOKLYN BOY BY Donald Margulies SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN ORIGINAL MUSIC AND SOUND DESIGN Ralph Funicello Jess Goldstein Chris Parry Michael Roth DRAMATURG PRODUCTION MANAGER STAGE MANAGER Jerry Patch Tom Aberger *Scott Harrison DIRECTED BY Daniel Sullivan HONORARY PRODUCERS CORPORATE PRODUCER Elaine and Martin Weinberg The Citigroup Private Bank Brooklyn Boy was commissioned and developed by South Coast Repertory Brooklyn Boy • SOUTH COAST REPERTORY P1 CAST OF CHARACTERS (In order of appearance) Eric Weiss .................................................................................... Adam Arkin* Manny Weiss ................................................................................ Allan Miller* Ira Zimmer ...................................................................................... Arye Gross* Nina .............................................................................................. Dana Reeve* Alison .......................................................................................... Ari Graynor* Melanie Fine ................................................................................ Mimi Lieber* Tyler Shaw .................................................................................... Kevin Isola* SETTING All scenes are set in the present in Brooklyn, -
View Centro's Film List
About the Centro Film Collection The Centro Library and Archives houses one of the most extensive collections of films documenting the Puerto Rican experience. The collection includes documentaries, public service news programs; Hollywood produced feature films, as well as cinema films produced by the film industry in Puerto Rico. Presently we house over 500 titles, both in DVD and VHS format. Films from the collection may be borrowed, and are available for teaching, study, as well as for entertainment purposes with due consideration for copyright and intellectual property laws. Film Lending Policy Our policy requires that films be picked-up at our facility, we do not mail out. Films maybe borrowed by college professors, as well as public school teachers for classroom presentations during the school year. We also lend to student clubs and community-based organizations. For individuals conducting personal research, or for students who need to view films for class assignments, we ask that they call and make an appointment for viewing the film(s) at our facilities. Overview of collections: 366 documentary/special programs 67 feature films 11 Banco Popular programs on Puerto Rican Music 2 films (rough-cut copies) Roz Payne Archives 95 copies of WNBC Visiones programs 20 titles of WNET Realidades programs Total # of titles=559 (As of 9/2019) 1 Procedures for Borrowing Films 1. Reserve films one week in advance. 2. A maximum of 2 FILMS may be borrowed at a time. 3. Pick-up film(s) at the Centro Library and Archives with proper ID, and sign contract which specifies obligations and responsibilities while the film(s) is in your possession. -
FOR IMMEDIATE RELEASE September 18, 2014 Press/Media Contact: Philip Sokoloff, (626) 683-9205
PHILIP SOKOLOFF Publicity for the theatre P.O. Box 94387 Pasadena, CA 91109-4387 (626) 683-9205 fax (626) 683-9172 e-mail: [email protected] FOR IMMEDIATE RELEASE September 18, 2014 Press/media contact: Philip Sokoloff, (626) 683-9205 BACK FROM THE UNDEAD! STUART GORDON DIRECTS “RE-ANIMATOR™ THE MUSICAL” AT STEVE ALLEN THEATER; OPENS OCTOBER 17 FOR A HALLOWEEN RUN WHAT: “Re-Animator™ The Musical.” Revival of the award-winning musical hit. WHO: Book by Dennis Paoli, Stuart Gordon and William J. Norris. Music and lyrics by Mark Nutter. Adapted from the story by H.P. Lovecraft. Based on the film “H.P. Lovecraft’s Re- Animator” produced by Brian Yuzna. Musical director: Peter Adams. Choreography by Cynthia Carle. Directed by Stuart Gordon. Produced by Dean Schramm and Stuart Gordon. Presented by The Schramm Group LLC and Red Hen Productions in association with Trepany House. WHERE: The Steve Allen Theater, 4773 Hollywood Blvd., Hollywood, CA 90027. Parking lot behind building. WHEN: Previews Oct. 10, 11, 12 . Opens October 17, 2014, runs through November 2. Fridays through Sundays at 8:00 p.m. ADMISSION: $25. Previews $20. RESERVATIONS: 800-595-4849 ONLINE TICKETING: www.trepanyhouse.org * * * * * * “Re-Animator™ the Musical” has been re-animated, with new songs and new performers just in time for Halloween. “RE-ANIMATOR™ the Musical” tells the story of Herbert West, a brilliant young medical student who has created a glowing green serum that can bring the dead back to life. What should be a medical breakthrough results in hideous monstrosities and ghastly consequences. “I guess he just wasn’t fresh enough,” is West’s constant refrain in his quest for fresh subjects. -
Film Reviews
Page 117 FILM REVIEWS Year of the Remake: The Omen 666 and The Wicker Man Jenny McDonnell The current trend for remakes of 1970s horror movies continued throughout 2006, with the release on 6 June of John Moore’s The Omen 666 (a sceneforscene reconstruction of Richard Donner’s 1976 The Omen) and the release on 1 September of Neil LaBute’s The Wicker Man (a reimagining of Robin Hardy’s 1973 film of the same name). In addition, audiences were treated to remakes of The Hills Have Eyes, Black Christmas (due Christmas 2006) and When a Stranger Calls (a film that had previously been ‘remade’ as the opening sequence of Scream). Finally, there was Pulse, a remake of the Japanese film Kairo, and another addition to the body of remakes of nonEnglish language horror films such as The Ring, The Grudge and Dark Water. Unsurprisingly, this slew of remakes has raised eyebrows and questions alike about Hollywood’s apparent inability to produce innovative material. As the remakes have mounted in recent years, from Planet of the Apes to King Kong, the cries have grown ever louder: Hollywood, it would appear, has run out of fresh ideas and has contributed to its evergrowing bank balance by quarrying the classics. Amid these accusations of Hollywood’s imaginative and moral bankruptcy to commercial ends in tampering with the films on which generations of cinephiles have been reared, it can prove difficult to keep a level head when viewing films like The Omen 666 and The Wicker Man. -
Emma Stone Is Dating Spider-Man Co-Star Andrew Garfield
Emma Stone Is Dating Spider- Man Co-Star Andrew Garfield It looks like these co-workers have no problem dating!The Amazing Spider-Man movie brought together an “amazing” spark between co-stars Emma Stone and Andrew Garfield, according to UsMagazine.com. “They got close during filming and have been hooking up,” said an anonymous source. However, the two seem to want to keep their relationship private. It turns out that Garfield’s recent three-year relationship with actress Shannon Woodward is still a fresh wound. Why not avoid drama if at all possible? What are the benefits of keeping your new relationship from your ex? Cupid’s Advice: Though the “oo’s” and “aww’s” can be flattering when you and your partner happily expose your relationship to the public, timing is key. Cupid has some thoughts on why keeping your relationship from your ex may be the best thing for now: 1. Army material: Your ex may be ready for a fight. That is, he or she might not be afraid to lash out at your newest love interest. Keep that from happening at all costs. 2. Secrets: We all have secrets, even though sometimes we’d like to forget some of them. Your ex-partner might be feeling bitter and vengeful after your breakup. To keep him or her from being tempted to let loose all of your secrets to your new flame, keep the news of the relationship to yourself for a while. 3. Trust: Building trust is easier for your partner if no worrying is necessary. -
A Dollop of Clint Eastwood: Subjective Scores for 10 Random Movies
A Dollop of Clint Eastwood: Subjective Scores for 10 Random Movies By Gary Heartsill May 1, 2021 1 The Mule (2018) Clint Eastwood acted, directed, and produced. (1:56:23) With Bradley Cooper, Laurence Fishburne, Michael Pena, Dianne Wiest, Andy Garcia. https://www.youtube.com/watch?v=yc5AWImplfE Score 9.2 Don't let the old man in, I wanna leave this alone1 Can't leave it up to him, he's knocking on my door And I knew all of my life, that someday it would end Get up and go outside, don't let the old man in Saw in the credits the name Jan Hartsell, who was the ‘Beauty School Admin’ and Iris was played by Alison Eastwood – for what that is worth. The Dykes on Bikes comment was great. This movie is done well, meaning it is enjoyable to watch especially with the apprehension of what is going to happen next. Course, the whole theme is in Toby’s song and I have heard Clint remark to someone when he was asked what the movie was about he said “Don’t let the old man in.” He finally figured out he would have to pay the price for doing all his driving. Am kinda glad we didn’t see too much of the bad guys doing what they do to folks who don’t deliver. And deliver he did. Everyone will have gone down the road with him singing his songs and celebrating when he opened the glove to get his keys and manilla envelope. For some it will be easy to see what this ole Mule really was doing.