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list of illustrations / image quotations 

becker Histories, ed. Monica Juneja), , p. . .   Yang Zhichao: Planting Grass (performance docu- .   M. F. Husain: Untitled (later captioned Bharat Mata, mentation), Nov. , , Suzhou Road, Shanghai Mother India), Acrylic on canvas,  Image source: https://transgressivechineseart.files.wordpress. In Sumathi Ramaswamy (ed.): Barefoot across the Nation. M. com///yang-zhichoa-planting-grass.jpg) F. Husain and the Idea of India (Series Visual and Media His- .   Zhu Yu: Eating People, (performance documenta- tories, ed. Monica Juneja), London , p. . tion), Sept. , Shanghai .   Young woman painting her eyes, detail from temple Image source: http://media.tumblr.com/tumblr_ljdpccdK- frieze, Parshvanath temple, Khajuraho, ca.  C.E. bqhbuj.jpg) Photograph by Jean-Pierre Dalbéra, Paris .   M. F. Husain: Installation, Husain ki Sarai, Faridabad, frembgen / jehangir . .   Billboard advertising the Bollywood movie Dirty Picture, In Pradeep Chandra: M. F. Husain. A Pictorial Tribute, New Metropole Cinema, Abbot Road, Lahore Delhi , p. . .   Scene from the violence-ridden film Guddu Badshah, .   M. F. Husain: Between the Spider and the Lamp, oil placard, Lahore on board,  .   Women with gun from the film Bloody Mission, plac- In Sumathi Ramaswamy (ed.): Barefoot across the Nation. ard, Lahore M.F. Husain and the Idea of India (Series Visual and Media .   Three females with a simpleton from the film Bhola Histories, ed. Monica Juneja), London , p. . Sajan, placard, Lahore .   M. F. Husain: From Mother Theresa Series, oil on .   Placard advertising a typical Punjabi action movie, canvas,  Lahore In Pradeep Chandra: M. F. Husain. A Pictorial Tribute, New .   Female dancer, placard, Lahore Delhi , p. . .   Poster advertising the film Quarter of Sin, Pakistan .   Yashoda Nursing Krishna, copper alloy, early thcen- Talkies Cinema, Lahore tury, Vijayanagara, Metropolitan Museum of Art, New York .   Blackened female bodies on a poster advertising the In Axel Michaels/Christoph Wulf (eds.): Emotions in Rituals Punjabi film Taksi , Lahore and Performances, New Delhi , p. . (All pictures taken by Jürgen Wasim Frembgen) korte juneja .   Cover of Serge Bramly and Bettina Rheims: I.N.R.I., .   M. F. Husain: Saraswati, pen and ink on paper, c.  New York,  In Sumathi Ramaswamy (ed.): Barefoot across the Nation. (https://images-na.ssl-images-amazon.com/images/I/VBGQ- M.F. Husain and the Idea of India (Series Visual and Media XMWGL.jpg.) Histories, ed. Monica Juneja), London , p. . .   Oscar Rohena (Boston): From her Confessions Tour, .   M. F. Husain: Draupadi in the game of Dice (from Madonna on a mirrored cross, July , . the Mahabharata series), Lithograph  (https://commons.wikimedia.org/wiki/File:Madonna-cross.jpg.) In Sumathi Ramaswamy (ed.): Barefoot across the Nation. .   St. Wilgefortis, , Egidienkirche, Erlangen- M.F. Husain and the Idea of India (Series Visual and Media Eltersdorf, Germany

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unknown photograph (https://commons.wikimedia.org/w/ (detail Fig. ) index.php?curid=) Chris Ofili: Chris Ofili, New York , p. . .   St. Wilgefortis, Museum of the Diocese Graz-Seckau, .  Chris Ofili: The Holy Virgin Mary, flying vaginas Graz, Austria, wood, figure:  cm, cross:  cm, late th cen- (detail Fig. ) tury. Origin: Ursulinenkloster in Graz, Austria Chris Ofili: Chris Ofili, New York , p. . photograph by Gugganij, (https://commons.wikimedia.org/ .   Conchita Wurst’s appearance at the ESC , Tages- w/index.php?curid=) spiegel, may, ,  .   Edwina Sandys: Christa, St. John the Divine, New (http://www.tagesspiegel.de/images/heprodimagesfotos- York City,  ---jpg//-format.jpg) (http://adrielint.nl/the-crista-project/) With kind permission .   Candy Darling, Cosmopolitan, Nov.  from the author of the photograph, Adrie Lint, and the Cathe- (photograph by Francesco Scavullo) dral Church of Saint John the Divine in New York, USA. ©VG (http://blogs.artinfo.com/outtakes/files///beautiful_ Bild-Kunst, Bonn  darling_-Cosmo-mockup-.jpg) .   Madonna performing Live to Tell at London’s Wembley .   Unknown artist: Our Lady of Perpetual Help, Byzantine Arena on her Confessions Tour, August ,  icon, th century, Rome, Esqueline Hill photograph by Pascal Mannaerts; Flickr: Madonna - Wembley (https://upload.wikimedia.org/wikipedia/commons///Our_ Arena  (). Mother_of_Perpetual_Help.jpg) (https://upload.wikimedia.org/wikipedia/commons/ .   Blumberry GmbH: Germany’s Future in Good Hands, thumb//a/Madonna_-_Wembley_Arena__ CDU campaign ad, Berlin,  %%.jpg/px-Madonna_-_Wembley_Arena__ (http://cdn.spiegel.de/images/image--breitwand- %%.jpg.) aufmacher-bsnh-.jpg.) .   Madonna performing in Paris, France, on her Confessions .  Rogier van der Weyden: Bladelin Altarpiece (Praying Tour, August ,  Hands of Our Lady), Berlin, Staatliche Museen, Gemäldegalerie photograph by Pascal Mannaerts; Madonna’s Confessions in Stephan Kemperdick and Jochen Sanders: The Master Flémalle Paris .jpg - Wikimedia Commons. and Rogier van der Weyden, Ostfildern , p. . (https://commons.wikimedia.org/wiki/File:Madonna’s_Con- fessions_in_Paris_.jpg) meyer .   Message placed on stairs of Schöneberg train station, kruse Berlin  .   Chris Ofili: The Holy Virgin Mary, private collec- (photo by Jojada Verrips) tion,  .   Message placed on stairs of Schöneberg train station, Chris Ofili: Chris Ofili, New York , p. . Berlin  .   Dennis Heiner smearing white paint over Chris (photo by Jojada Verrips) Ofili’s work during the exhibition at the Brooklyn Museum of Art, New York, December  o’meara Chris Ofili: Chris Ofili, New York , p. . .   Internet meme: Apple vs. Islam .   Chris Ofili: The Holy Virgin Mary, the virgin’s breast (http://www.friends-korner.com/forum/showthread.

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php/-New-quot-Kaaba-quot-Bar-will-be-open-in-New- .   Pier Paolo Pasolini (dir.): Totò and Ninetto as vaga- York-Astaghfirulla) bonds with the raven as the author, in Uccellacci/Uccellini  .   Screenshot of the Google search window following Videoprint: Pasolini, Pier Paolo: Große Vögel, Kleine Vögel, a search of the combined words »Kaaba« and »copy« (taken on Filmgalerie , Stuttgart/Berlin,  © VG Bild-Kunst, Dec. , ) Bonn  .   Mappamundi with a representation of the Kaaba .   Pier Paolo Pasolini (dir.): The ›holy ceremony‹ of at the center, pasted into a copy of an anonymous th-cen- Togliatti’s funeral, in Uccellacci/Uccellini, tury Ottoman work, History of the West Indies, dated . Videoprint: Pasolini, Pier Paolo: Große Vögel, Kleine Vögel, Gouache, gold, and ink on paper; . x .cm Filmgalerie , Stuttgart/Berlin,  © VG Bild-Kunst, © Leiden University Library, MS Leiden Or. ., fol. b Bonn  .   ʿÀli al-Sharafi al-Safaqusi´s nautical diagram of , .   Pier Paolo Pasolini (dir.): Fiori or erotic miniatures showing a -sector division of the Kaaba for determining the from the »Orient« in: in Il Fiore delle Mille e Una Notte,  qibla direction, superimposed upon a -division wind rose. Videoprint: Pasolini, Pier Paolo: Erotische Geschichten aus Gouache and ink on paper; . x . cm.  Nacht, EuroVideo Bildprogramm GmbH, Ismaning,  © Oxford, The Bodleian Libraries, MS Marsh , fol. v © VG Bild-Kunst, Bonn  .   Diagram of the Islamic cosmos with the Kaaba at .   Pier Paolo Pasolini (dir.): The romantic reality of the centre, from a copy of The Book of Gnosis by the Ottoman Persian architecture in Il Fiore delle Mille e Una Notte,  Sufi and scholar, İbrahim Hakkı, composed in , gold, goua- Videoprint: Pasolini, Pier Paolo: Erotische Geschichten aus che, and ink on paper;  x  cm  Nacht, EuroVideo Bildprogramm GmbH, Ismaning,  © The British Library Board, MS Or. , fol. v ©VG Bild-Kunst, Bonn  .   Pier Paolo Pasolini: Salò. A Gentleman with binoc- schmitz ulars and modern art in: Salò o le  Giornate di Sodoma  .   Pier Paolo Pasolini (dir.): Crucifixion scene with Pasolini’s Videoprint: Pasolini, Pier Paolo: Die  Tage von Sodom: mother, in Il vangelo secondo matteo,  Universum Film GmbH & Co. KG, München,  © VG Videoprint: Pasolini, Pier Paolo: Das . Evangelium – Matthäus, Bild-Kunst, Bonn  Arthaus, Kinowelt Home Entertainment ©VG Bild-Kunst, Bonn  spalinger .   Pier Paolo Pasolini (dir.): Image of an ancient city ge- .   Johannes Gees: salat, Bern, Zurich, St. Gallen,  ography, Entry into Jerusalem, in Il vangelo secondo matteo,  (www.johannesgees.com) Videoprint: Pasolini, Pier Paolo Das . Evangelium – Matthäus, .   Gianni Motti: Minarett, Kunsthaus Langenthal,  Arthaus, Kinowelt Home Entertainment © VG Bild-Kunst, (Allahu akbar! Minarett-Kunst erhitzt die Gemüter, Tages Bonn  Anzeiger, Sept. ,  .   Pier Paolo Pasolini (dir.): Piero della Francesca’s Sad- (http://www.tagesanzeiger.ch/kultur/kunst/Allahu-akbar- ducees and Pharisees, in Il vangelo secondo matteo,  MinarettKunst-erhitzt-die Videoprint: Pasolini, Pier Paolo: Das . Evangelium – Matthäus, Gemueter/story/) Arthaus, Kinowelt Home Entertainment © VG Bild-Kunst, .   Valentin Carron: Cross, Art Basel,  Bonn  photograph by Nika Spalinger © 

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.   Mark Wallinger: Ecce Homo, fourth plinth, Trafal- .   Dolce & Gabbana,  gar Square, London,  (http://cdn.m.es/img/recortes////--.jpg) (http://public-art.shu.ac.uk/other/thplinth/fi/.htm) .   Atelier Van Lieshout: Bikinibar,  .   Barbara Mühlefluh: Meeting, Kirche Stäfa Photograph by Raymond Rutting ©  photograph by Liliane Géraud ©  .   Ti-Rock Moore: Angelitos Negros, Gallery Guichard, Chicago,  svašek (http://www.vosizneias.com/////chicago-il-chica- .   Screenshot of Organiser’s website showing the article go-art-exhibit-stirs-controversy-with-ferguson-replica/) Wendy’s Unhistory making History by Pramod Pathak .   David Wojnarowicz: A Fire in My Belly (film still), (http://organiser.org/Encyc////Wendy%E%%s-un- -,  history-making-history.aspx?NB=&lang=&m=&m=&p=& (http://www.flarearts.org/wp-content/uploads///FlareArts_ p=&p=&p=&PageType=N) Wojnarowicz_FireInMyBelly.jpg) .   Screenshot of Wendy Doniger’s home page on the .   Paul Fryer: Pietà, (The Empire Never Ended, ), University of Chicago’s website Collection François Pinault, exposed in the Cathédrale Notre- (http://divinity.uchicago.edu/wendy-doniger) Dameet-Saint-Arnoux, Gap, France, April  .   Wendy Doniger’s book The Hindus. An Alternative (http://www.theforestmagazine.com/wp-content/uploads/ History, Oxford  //Paul-Fryer_Pieta-You-Have-Been-Weighed-and-Found- photograph by Maruška Svašek,  Wanting-_.jpg) .   Screenshot of the NDTV program’s website showing The Social Network in February  (all websites are accessed on Nov. , ) (http://www.ndtv.com/video/news/the-social-network/why-no- wendy-doniger-over-chai-) .   Screenshot of Wendy Doniger’s republished The Hindus. An Alternative History (http://speakingtigerbooks.com/books/the-hindus-an-alterna- tive-history/) verrips .   Emmanuel Frémiet: Gorilla Carrying off a Woman, , National Galery of Victoria, Melbourne (http://content.ngv.vic.gov.au/col-images/api/EPUB/) .   Inez Doujak: Haute Couture . Transport, Barcelona Museum of Contemporary Art, Exhibition: La Bestia y el Soberano, March -August ,  (http://frombrazil.blogfolha.uol.com.br/files/// _feff_k-x.jpg)

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