ARTIST: ETERNAL FLIGHT ALBUM TITLE: Retrofuture FORMAT: CD TRACK LIST: LABEL: Massacre Records 1
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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Heavy Metal and Classical Literature
Lusty, “Rocking the Canon” LATCH, Vol. 6, 2013, pp. 101-138 ROCKING THE CANON: HEAVY METAL AND CLASSICAL LITERATURE By Heather L. Lusty University of Nevada, Las Vegas While metalheads around the world embrace the engaging storylines of their favorite songs, the influence of canonical literature on heavy metal musicians does not appear to have garnered much interest from the academic world. This essay considers a wide swath of canonical literature from the Bible through the Science Fiction/Fantasy trend of the 1960s and 70s and presents examples of ways in which musicians adapt historical events, myths, religious themes, and epics into their own contemporary art. I have constructed artificial categories under which to place various songs and albums, but many fit into (and may appear in) multiple categories. A few bands who heavily indulge in literary sources, like Rush and Styx, don’t quite make my own “heavy metal” category. Some bands that sit 101 Lusty, “Rocking the Canon” LATCH, Vol. 6, 2013, pp. 101-138 on the edge of rock/metal, like Scorpions and Buckcherry, do. Other examples, like Megadeth’s “Of Mice and Men,” Metallica’s “For Whom the Bell Tolls,” and Cradle of Filth’s “Nymphetamine” won’t feature at all, as the thematic inspiration is clear, but the textual connections tenuous.1 The categories constructed here are necessarily wide, but they allow for flexibility with the variety of approaches to literature and form. A segment devoted to the Bible as a source text has many pockets of variation not considered here (country music, Christian rock, Christian metal). -
Mvdv4579 Piercingmet
www.PiercingMetal.com - Reviews - DVD http://www.piercingmetal.com/dvd_various_mm2006.htm Song Listing: Artist: Various Artists Title: ”Metal Mania 2006” 1. Marduke’s Label: MVD Entertainment Mazemering - Vesania 2. The Apogee - Release Date: 6/5/2007 Hieronymus Bosch Genre: Heavy Metal 3. Blind Window Stare - Hieronymus Bosch Rating: 4/5 4. Plytki Dolek - Hunter 5. Nathicana – 1349 6. Chasing Dragons - Written By: Ken Pierce (copyright 2007) for PiercingMetal.com 1349 7. Satanic Propaganda - 1349 8. Life Hurts More Than Death - Acid Drinkers 9. Human Bazooka – Acid Drinkers Continuing their DVD documentation of the Metal Mania festival from Poland comes highlights 10. I F**k The Violence – Acid Drinkers from the event that was held in 2006. It’s the best way to see a little of what goes on during this 11. Final Product - weekend long affair and perhaps the cheapest way to enjoy it if you cannot get a ticket to attend Nevermore in Poland where it all goes down. Of course with one DVD we are only going to get a small 12. The Heart Collector - sampling of what actually happens but better this than nothing at all. The DVD begins with Nevermore Vesania, a Blackened Death Metal band from Poland who might have a member that looks 13. Enemies Of Reality - familiar. Yes, you are seeing the mighty Orion from Behemoth who sings and plays guitar in this Nevermore 14. Wolfshade – group. They only get one track and I would have liked to see more of what they are capable of. Moonspell There is no shortage of 1349 however who get a full three selections to pummel your skull. -
BANDHAPPY to Launch Registration Privileges on January 5 , 2012
For Immediate Release January 4th, 2012 BANDHAPPY to Launch Registration Privileges on January 5th, 2012 – Join the First LIVE Online and In-Person Music Education Service this Thursday! Two New Tutorial Videos for Students and Teachers are Available for Viewing Now! BANDHAPPY, the brand new and first LIVE online and in-person music education service, is pleased to announce the launch of registration abilities beginning at 11am ET on Thursday, January 5th, 2012. Lessons will begin on Monday, January 9th as students are activated into the system. The site has received thousands of requests from students seeking lessons so far, so be patient as BANDHAPPY is approving students on a rolling basis. Teachers are still able to apply and can continue to apply at any time! Rules for application are currently on the BANDHAPPY teacher registration page. Hundreds of teachers have already signed on and are ready to teach! Teachers that have already signed on include Tosin Abasi (Animals as Leaders), Rich Redmond (Jason Aldean Band), Gil Sharone (Stolen Babies), Jeff Loomis (Nevermore), Ben Weinman (Dillinger Escape Plan), Mike Mowery (Outerloop MGMT), Chris Adler (Lamb of God), Willie Adler (Lamb of God), AJ Minette (The Human Abstract), Evan Brewer (The Faceless), Paul Waggoner (Between the Buried and Me), Rody Walker (Protest the Hero), Peter Wichers (Soilwork), Louis Cato (Marcus Miller Band), Spencer Sotelo (Periphery), and more. There are two new tutorial videos available now on YouTube, one for teachers and one for students! The videos assist in walking new students and teachers through the registration process, as well as other important individual points like setting up a lesson, creating your profile, etc. -
SYLENCER Markus Johansson Amasses Metal All
For Immediate Release August 15, 2012 SYLENCER: Markus Johansson Amasses Metal All-Star Line-Up for Debut Album -- ‘A Lethal Dose of Truth’ Hits Stores on September 4, 2012 Chicago-based musician Markus Johansson’s new project SYLENCER is just breaking into the masses, but true metal fans have felt this presence brewing for a long while. The new SYLENCER album, featuring guest appearances from the accomplished likes of Jordan Rudess (Dream Theater), Rob Caggiano (Anthrax), Brendon Small (Dethklok), Andy LaRocque (King Diamond), Gene Hoglan (Death, Testament) and many more, will be unleashed on the world on September 4, 2012. The album is entitled A Lethal Dose of Truth and will released in the U.S. by SYLENCER’s independent label, Sylencer Records (the album will be released in Germany, Austria, and Switzerland via dPulse Recordings/Ovrtone Music Group, Inc. and distribution partners NEO MCC GmbH/Sony Music Entertainment Germany). Aside from founding members Markus Johansson and Johnny Rox, permanent member status also goes to seasoned drummer Kevin Talley (Dååth, Six Feet Under).. “When we began making this record, we would never in a million years have believed that this is how it was all going to turn out,” states Markus Johansson. “People always ask how we managed to work with so many amazing artists on one album, let alone our first album. Sometimes we would get lucky and bump into someone in a recording studio, or at the Rainbow on Sunset Boulevard. Other times it was a seemingly wild game of Six Degrees Of Separation, or an instance of Facebook suggesting I befriend an artist's profile. -
Exploring the Chinese Metal Scene in Contemporary Chinese Society (1996-2015)
"THE SCREAMING SUCCESSOR": EXPLORING THE CHINESE METAL SCENE IN CONTEMPORARY CHINESE SOCIETY (1996-2015) Yu Zheng A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS December 2016 Committee: Jeremy Wallach, Advisor Esther Clinton Kristen Rudisill © 2016 Yu Zheng All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor This research project explores the characteristics and the trajectory of metal development in China and examines how various factors have influenced the localization of this music scene. I examine three significant roles – musicians, audiences, and mediators, and focus on the interaction between the localized Chinese metal scene and metal globalization. This thesis project uses multiple methods, including textual analysis, observation, surveys, and in-depth interviews. In this thesis, I illustrate an image of the Chinese metal scene, present the characteristics and the development of metal musicians, fans, and mediators in China, discuss their contributions to scene’s construction, and analyze various internal and external factors that influence the localization of metal in China. After that, I argue that the development and the localization of the metal scene in China goes through three stages, the emerging stage (1988-1996), the underground stage (1997-2005), the indie stage (2006-present), with Chinese characteristics. And, this localized trajectory is influenced by the accessibility of metal resources, the rapid economic growth, urbanization, and the progress of modernization in China, and the overall development of cultural industry and international cultural communication. iv For Yisheng and our unborn baby! v ACKNOWLEDGMENTS First of all, I would like to show my deepest gratitude to my advisor, Dr. -
AD GUITAR INSTRUCTION** 943 Songs, 2.8 Days, 5.36 GB
Page 1 of 28 **AD GUITAR INSTRUCTION** 943 songs, 2.8 days, 5.36 GB Name Time Album Artist 1 I Am Loved 3:27 The Golden Rule Above the Golden State 2 Highway to Hell TUNED 3:32 AD Tuned Files and Edits AC/DC 3 Dirty Deeds Tuned 4:16 AD Tuned Files and Edits AC/DC 4 TNT Tuned 3:39 AD Tuned Files and Edits AC/DC 5 Back in Black 4:20 Back in Black AC/DC 6 Back in Black Too Slow 6:40 Back in Black AC/DC 7 Hells Bells 5:16 Back in Black AC/DC 8 Dirty Deeds Done Dirt Cheap 4:16 Dirty Deeds Done Dirt Cheap AC/DC 9 It's A Long Way To The Top ( If You… 5:15 High Voltage AC/DC 10 Who Made Who 3:27 Who Made Who AC/DC 11 You Shook Me All Night Long 3:32 AC/DC 12 Thunderstruck 4:52 AC/DC 13 TNT 3:38 AC/DC 14 Highway To Hell 3:30 AC/DC 15 For Those About To Rock (We Sal… 5:46 AC/DC 16 Rock n' Roll Ain't Noise Pollution 4:13 AC/DC 17 Blow Me Away in D 3:27 AD Tuned Files and Edits AD Tuned Files 18 F.S.O.S. in D 2:41 AD Tuned Files and Edits AD Tuned Files 19 Here Comes The Sun Tuned and… 4:48 AD Tuned Files and Edits AD Tuned Files 20 Liar in E 3:12 AD Tuned Files and Edits AD Tuned Files 21 LifeInTheFastLaneTuned 4:45 AD Tuned Files and Edits AD Tuned Files 22 Love Like Winter E 2:48 AD Tuned Files and Edits AD Tuned Files 23 Make Damn Sure in E 3:34 AD Tuned Files and Edits AD Tuned Files 24 No More Sorrow in D 3:44 AD Tuned Files and Edits AD Tuned Files 25 No Reason in E 3:07 AD Tuned Files and Edits AD Tuned Files 26 The River in E 3:18 AD Tuned Files and Edits AD Tuned Files 27 Dream On 4:27 Aerosmith's Greatest Hits Aerosmith 28 Sweet Emotion -
Robert Walser Published Titles My Music by Susan D
Running With the Devil : Power, Gender, title: and Madness in Heavy Metal Music Music/culture author: Walser, Robert. publisher: Wesleyan University Press isbn10 | asin: 0819562602 print isbn13: 9780819562609 ebook isbn13: 9780585372914 language: English Heavy metal (Music)--History and subject criticism. publication date: 1993 lcc: ML3534.W29 1993eb ddc: 781.66 Heavy metal (Music)--History and subject: criticism. Page i Running with the Devil Page ii MUSIC / CULTURE A series from Wesleyan University Press Edited by George Lipsitz, Susan McClary, and Robert Walser Published titles My Music by Susan D. Crafts, Daniel Cavicchi, Charles Keil, and the Music in Daily Life Project Running with the Devil: Power, Gender, and Madness in Heavy Metal Music by Robert Walser Subcultural Sounds: Micromusics of the West by Mark Slobin Page iii Running with the Devil Power, Gender, and Madness in Heavy Metal Music Robert Walser Page iv WESLEYAN UNIVERSITY PRESS Published by University Press of New England, Hanover, NH 03755 © 1993 by Robert Walser All rights reserved Printed in the United States of America 5 4 3 2 1 CIP data appear at the end of the book Acknowledgments for song lyrics quoted: "Electric Eye": Words and music by Glenn Tipton, Rob Halford, and K. K. Downing, © 1982 EMI APRIL MUSIC, INC. / CREWGLEN LTD. / EBONYTREE LTD. / GEARGATE LTD. All rights controlled and administered by EMI APRIL MUSIC, INC. International copyright secured. All rights reserved. Used by permission. "Suicide Solution": Words and music by John Osbourne, Robert Daisley, and Randy Rhoads, TRO© Copyright 1981 Essex Music International, Inc. and Kord Music Publishers, New York, N.Y. -
The History of Rock Music: 1976-1989
The History of Rock Music: 1976-1989 New Wave, Punk-rock, Hardcore History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2009 Piero Scaruffi) The Golden Age of Heavy Metal (These are excerpts from my book "A History of Rock and Dance Music") The pioneers 1976-78 TM, ®, Copyright © 2005 Piero Scaruffi All rights reserved. Heavy-metal in the 1970s was Blue Oyster Cult, Aerosmith, Kiss, AC/DC, Journey, Boston, Rush, and it was the most theatrical and brutal of rock genres. It was not easy to reconcile this genre with the anti-heroic ethos of the punk era. It could have seemed almost impossible to revive that genre, that was slowly dying, in an era that valued the exact opposite of machoism, and that was producing a louder and noisier genre, hardcore. Instead, heavy metal began its renaissance in the same years of the new wave, capitalizing on the same phenomenon of independent labels. Credit goes largely to a British contingent of bands, that realized how they could launch a "new wave of British heavy metal" during the new wave of rock music. Motorhead (1), formed by ex-Hawkwind bassist Ian "Lemmy" Kilminster, were the natural bridge between heavy metal, Stooges/MC5 and punk-rock. They played demonic, relentless rock'n'roll at supersonic speed: Iron Horse (1977), Metropolis (1979), Bomber (1979), Jailbait (1980), Iron Fist (1982), etc. -
Trans Siberian Orchestra the Christmas Trilogy Free Download Trans Siberian Orchestra the Christmas Trilogy Free Download
trans siberian orchestra the christmas trilogy free download Trans siberian orchestra the christmas trilogy free download. Country: USA Genre: Progressive Rock, Symphonic Rock, Neoclassical Metal Year:2004. Trans-Siberian Orchestra - Тhе Сhristmаs Тrilоgу [3СD] (2004) Tracklist: CD1: Christmas Eve and Other Stories (1996) 01. An Angel Came Down 02. O Come All Ye Faithful / O Holy Night (Instrumental) 03. A Star To Follow 04. First Snow (Instrumental) 05. The Silent Nutcracker (Instrumental) 06. A Mad Russian's Christmas (Instrumental) 07. The Prince Of Peace 08. Christmas Eve / Sarajevo 12/24 (Instrumental) 09. Good King Joy 10. Ornament 11. The First Noel (Instrumental) 12. Old City Bar 13. Promises To Keep 14. This Christmas Day 15. An Angel Returned 16. O Holy Night (Post Script) 17. God Rest Ye Merry Gentlemen (Post Script) CD2: The Christmas Attic (1998) 01. The Ghosts Of Christmas Eve 02. Boughs Of Holly 03. The World That She Sees 04. The World That You Sees 05. Midnight Christmas Eve 06. The March Of The Kings / Hark The Herald Angel 07. The Three Kings And I (What Really Happened) 08. Christmas Canon 09. Joy / Angels We Have Heard On High 10. Find Our Way Home 11. Appalachian Snowfall 12. The Music Box 13. The Snow Came Down 14. Christmas In The Air 15. Dream Child (A Christmas Dream) 16. An Angel's Share 17. Music Box Blues. CD3: The Lost Christmas Eve (2004) 01. Faith Noel 02. The Lost Christmas Eve 03. Christmas Dreams 04. Wizards In Winter 05. Remember 06. Anno Domine 07. Christmas Concerto 08. -
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI Via AP Balazs Mohai
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI via AP Balazs Mohai Sziget Festival March 26-April 2 Horizon Festival Arinsal, Andorra Web www.horizonfestival.net Artists Floating Points, Motor City Drum Ensemble, Ben UFO, Oneman, Kink, Mala, AJ Tracey, Midland, Craig Charles, Romare, Mumdance, Yussef Kamaal, OM Unit, Riot Jazz, Icicle, Jasper James, Josey Rebelle, Dan Shake, Avalon Emerson, Rockwell, Channel One, Hybrid Minds, Jam Baxter, Technimatic, Cooly G, Courtesy, Eva Lazarus, Marc Pinol, DJ Fra, Guim Lebowski, Scott Garcia, OR:LA, EL-B, Moony, Wayward, Nick Nikolov, Jamie Rodigan, Bahia Haze, Emerald, Sammy B-Side, Etch, Visionobi, Kristy Harper, Joe Raygun, Itoa, Paul Roca, Sekev, Egres, Ghostchant, Boyson, Hampton, Jess Farley, G-Ha, Pixel82, Night Swimmers, Forbes, Charline, Scar Duggy, Mold Me With Joy, Eric Small, Christer Anderson, Carina Helen, Exswitch, Seamus, Bulu, Ikarus, Rodri Pan, Frnch, DB, Bigman Japan, Crawford, Dephex, 1Thirty, Denzel, Sticky Bandit, Kinno, Tenbagg, My Mate From College, Mr Miyagi, SLB Solden, Austria June 9-July 10 DJ Snare, Ambiont, DLR, Doc Scott, Bailey, Doree, Shifty, Dorian, Skore, March 27-April 2 Web www.electric-mountain-festival.com Jazz Fest Vienna Dossa & Locuzzed, Eksman, Emperor, Artists Nervo, Quintino, Michael Feiner, Full Metal Mountain EMX, Elize, Ernestor, Wastenoize, Etherwood, Askery, Rudy & Shany, AfroJack, Bassjackers, Vienna, Austria Hemagor, Austria F4TR4XX, Rapture,Fava, Fred V & Grafix, Ostblockschlampen, Rafitez Web www.jazzfest.wien Frederic Robinson, -
Beethovens Last Night Booklet.Pdf
ROBERT KINKEL - PIANO AND KEYBOARDS CELLOS JON OLIVA - PIANO, KEYBOARDS AND BASS GUITARS GARO YELLIN AL PITRELLI - LEAD, RHYTHM AND BASS GUITARS JONAS TAUBER PAUL O'NEILL - RHYTHM AND ACOUSTIC GUITARS DOROTHY LAWSON Beethoven’s Last Night JEFF PLATE - DRUMS A SUMMARY OF THE STORY WITHIN JOHNNY LEE MIDDLETON - BASS ADDITIONAL LATIN TRANSLATION & CHRIS CAFFERY - GUITARS PAUL O'NEILL'S LATIN TUTOR – DAVE WITTMAN - DRUM, GUITAR AND BASS INSERTS DR. CLEMENT KUEHN On a late night in the spring of 1827, the city of Vienna is experiencing the largest FOR THOSE LITTLE THINGS THE BAND FORGOT lightning storm in its long history. Within an opulent but disheveled room, Ludwig von TSO ENDORSES JACKSON GUITARS, Beethoven is slumped over his piano and on the piano sits the just completed manuscript STRINGS PEAVEY, KORG, TKL CASES, STEINWAY, ARRANGED AND CONDUCTED LABELLA STRINGS, SEYMOUR DUNCAN PICKUPS, for his Tenth Symphony. It is his final, and he is certain, his greatest work. BY ROBERT KINKEL PAISTE CYMBALS, PEARL DRUMS, VATER DRUMSTICKS & GIBRALTER HARDWARE VIOLINS From the shadows a beautiful spirit, Fate, and her deformed dwarf son, Twist, emerge to TODD REYNOLDS FAN CLUB & CORRESPONDENCE, WE TRY TO inform Beethoven that this is to be his last night on earth. They are accompanied by PAUL WOODIEL ANSWER AS MANY LETTERS AS POSSIBLE numerous spirits and ghosts from his past, and he finds their babbling unbearable. He MARY ROWELL LAURA SEATON-FINN TRANS-SIBERIAN ORCHESTRA begs them to leave, but Twist tells him that as shadows they only exist by the light that DENISE STILLWELL P.O.