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Box Office Digest (1941)
feojc Office (Zep&itd.: 'High Sierra' Week's Money Pic i>ee Pacje 5 * -i; r&; ?v^ • . -VT£i < - : -& % W 1 617 North La Brea Avenue, Los Angeies, Calif. Subscription Rate, #10.00 Per Year. .he Hex Ojfjfice DIGEST "HONOR BOX” The Biggest Grossing Release Of The Past Week This Week WARNERS wins with 'HIGH SIERRA' 115% Vice-Prcs. in Charge of Production Executive Producer Associate Producer Director JACK L. WARNER HAL WALLIS MARK HELLINGER RAOUL WALSH IDA LUPINO HUMPHREY BOGART Screenplay Featured ALAN CURTIS JOHN HUSTON ARTHUR KENNEDY W. R. BURNETT JOAN LESLIE HENRY HULL JEROME COWAN From Novel MINNA GOMBELL by BARTON McLANE W. R. BURNETT ELIZABETH RISDON CORNEL WILDE DONALD MacBRIDE PAUL HARVEY Photographer ISABEL JEWELL TONY GAUDIO WLLIE BEST SPENCER CHARTERS HENRY TRAVERS — ^Ue &Q4C Ofjfjice. ^JUe OnAuAisuyL DIGEST l/UeeJzhf, ENTERTAINMENT An Editorial by ROBERT E. WELSH The modest Editor last week murmered about the fact that it is release of life’s problems through zanie laughs, or complete the picture industry needs no legislative chiding—Senatorial abandonment of today’s calendar by adventure into glorious or otherwise—to tell it that heavy-handed propaganda, no mat- history, the first requirement of money-making entertainment ter for what side of an argument, is not selling theater tickets. is to take the customer away from his own daily problems. He just invited the attention of the pundits to the box office Above all, don’t aggravate those problems by preaching figures. And mentioned some of the pictures that were proving and especially sermonizing so effectively about the tragedies of the surprises. -
1967 APBA PRO FOOTBALL SET ROSTER the Following Players Comprise the 1967 Season APBA Pro Football Player Card Set
1967 APBA PRO FOOTBALL SET ROSTER The following players comprise the 1967 season APBA Pro Football Player Card Set. The regular starters at each position are listed first and should be used most frequently. Realistic use of the players below will generate statistical results remarkably similar to those from real life. IMPORTANT: When a Red "K" appears in the R-column as the result on any kind of running play from scrimmage or on any return, roll the dice again, refer to the K-column, and use the number there for the result. When a player has a "K" in his R-column, he can never be used for kicking or punting. If the symbol "F-K" or "F-P" appears on a players card, it means that you use the K or P column when he recovers a fumble. Players in bold are starters. If there is a difference between the player's card and the roster sheet, always use the card information. The number in ()s after the player name is the number of cards that the player has in this set. See below for a more detailed explanation of new symbols on the cards. ATLANTA ATLANTA BALTIMORE BALTIMORE OFFENSE DEFENSE OFFENSE DEFENSE EB: Tommy McDonald End: Sam Williams EB: Willie Richardson End: Ordell Braase Jerry Simmons TC OC Jim Norton Raymond Berry Roy Hilton Gary Barnes Bo Wood OC Ray Perkins Lou Michaels KA KOA PB Ron Smith TA TB OA Bobby Richards Jimmy Orr Bubba Smith Tackle: Errol Linden OC Bob Hughes Alex Hawkins Andy Stynchula Don Talbert OC Tackle: Karl Rubke Don Alley Tackle: Fred Miller Guard: Jim Simon Chuck Sieminski Tackle: Sam Ball Billy Ray Smith Lou Kirouac -
Fight Speciesism 8
ISSUE 8 --- SPRING 2009 FREE / DONATION anti -speciesist, anti -capit alist, abolitionist direct action news NETHERLANDS SPAIN MEXICO CITY ITALY SHAC 7 SOLIDARITY / OPERATION SINKING SHIP HUNT SABBING / MINK RELEASED / INTERNATIONAL ACTIONS MAX MARA / MONKEYS FIGHT BACK / BULLRING RIOTS ALF NETHERLANDS / ELF MEXICO / PRISONER SUPPORT / + MORE RIOTING IN LONDON – BATTLE OF KENSINGTON TO THOSE WHO DREAM OF FREEDOM Two weeks into Israels latest war of aggression against the people of Palestine over 800 people are dead, over 257 of which are children. th Around the world there have been militant protests and on the 10 January saw the second UK national demonstration since the invasion took place in London. Between 50,000 and 100,000 people took part in the march, which went from London's Hyde Park to the Israeli embassy. Other demonstrations and actions took place across the country over the whole weekend. “Four shops in total had their windows put through, two starbucks, one very posh optitions and for good measure a very posh clothes shop called top gun (wall to wall fur coats) so was good day for everyone. The police where extremely violent and willingly pushed large crouds of protesters into and over rows of upturned barrier, this is when many injuries occurd. At least four police helmets, 3 riot shields and some other filth apparel was conviscated by the protesters who used it to defend themselves against the pressing riot cops. Fireworks where thrown at police and the bastards in uniform FIVE TRUCKS TORCHED AT CHICKEN SLAUGHTERHOUSE - NORWAY where made to dance as they went off.” - ARA EDO SMASHED – SOLIDARITY WITH THE PEOPLE OF GAZA 2. -
Animal Rights …Legally, with Confidence
How to Do Animal Rights …legally, with confidence Second edition Contents About This Guide 5 Author & Email 5 Animal Rights Motto 6 1 Introduction 1.1 The Broad Setting 7 - the big problem. 1.2 Mass Extinction 9 - we live in the Sixth Extinction. 1.3 Animal Holocaust 11 - we live in an enduring and worsening Animal Holocaust. 1.4 World Scientists' Warning to Humanity 12 - scientists attempt to alert the world to the impending catastrophe. 2 Philosophy: Key Topics 2.1 Animal Rights 16 - know what animal rights are. 2.2 Equal Consideration 21 - are animal and human moral interests equally important? 2.3 Animal Ethics 23 - defend your animal rights activism rationally. 2.4 Consequentialism 29 - the morality of your action depends only on its consequences. 2.5 Deontology 30 - the morality of your action depends only on doing your duty. 2.6 Virtue Ethics 31 - the morality of your action depends only on your character. 2.7 Comparing Philosophies 33 - comparing animal rights with ethics, welfare & conservation. 2.8 Deep Ecology 37 - contrasts with animal rights and gives it perspective. How to Do Animal Rights 3 Campaigning: Methods for Animal Rights 3.1 How to Start Being Active for Animal Rights 40 - change society for the better. 3.2 Civil Disobedience 46 - campaign to right injustice. 3.3 Direct Action 49 - a stronger form of civil disobedience. 3.4 Action Planning 55 - take care that your activities are successful. 3.5 Lobbying 60 - sway the prominent and influential. 3.6 Picketing 65 - protest your target visibly and publicly. -
Sir Peter Leitch Club at MT SMART STADIUM, HOME of the MIGHTY VODAFONE WARRIORS
Sir Peter Leitch Club AT MT SMART STADIUM, HOME OF THE MIGHTY VODAFONE WARRIORS 1st August 2018 Newsletter #228 We May Not Have Won But It Was Fantastic Meeting All The Fans! What the hell was that? By David Kemeys Former Sunday Star-Times Editor, Former Editor-in-Chief Suburban Newspapers, Long Suffering Warriors Fan ELL THAT was disappointing. This time last year we were deader than a dead thing, WSomeone forgot to tell the Titans they were canon-fodder for anyone. easy-beats. No one gave us a snowball’s chance in hell of being For the first 40 minutes they looked average, as in anything different this year – pretty much everyone fairness did we, a pretty good Shaun Johnson try tipping us for the wooden-spoon, yet here we are, apart. still eighth even after the disappointment in Queens- land. For the next 40 minutes they looked like world-beat- ers, and it was us who looked like, well, the Titans. But the Titans are a side we really should have had the depth, skill and courage to beat. We were without Tohu Harris, Adam Blair and Issac Luke, and boy did we miss them. If we lose to the Dragons this week, which most would certainly tip us to do, we will be in a tighter Simon Mannering had to wear the No 13 jersey and spot than we deserve. did not have his happiest day. Those who love knocking our boys will be all over On the other hand I was delighted to see Leivaha radio doing what they always do, shouting chokers Pulu back after way too long out. -
THTR 363 Syl-Fall
THTR 363: Introduction to Sound Design INSTRUCTOR: Richard K. Thomas, 494-8050 [email protected] OFFICE HOURS: Tuesday: 2:30 – 3:30 p.m., Thursday, 1:30 – 2:30 p.m. PAO 2184 CLASS SCHEDULE: Fall 2011 August 23 Intro to Course (Music As a Foundation, pp. 1 - 6) 25 Lecture: Music Language and Theatre (Music As a Foundation, pp. 6 - 25) 30 Music as a Foundation of Theatre: Origins September 1 Lecture: Primal Elements of Music (Music As a Foundation, pp. 25 – 45) 6 Lecture: Primal Elements of Music (Cont.) 8 Lecture: Primal Elements of Music (Cont.) 13 Lecture: Dramatic Time and Space 17 Lecture: The Function of the Soundscape 20 Group Presentations: General Overview of Design Elements 22 Group Presentations: General Overview of Design Elements (cont.) 27 Watch “More to Live For” in studio (No Rick) 29 No Class: Rick at IRT October 4 Color DVDʼs DUE 6 Color Projects DUE 11 Color (Cont) 13 Octoberbreak 18 Color Composition DUE 20. Time DVDʼs Due 25 Time Projects DUE 27 Time (Cont.) November 1 Time Composition DUE 3 Mass DVDʼs DUE 8 Mass Projects DUE 10 Mass (Cont.) 15 Mass Composition DUE THTR 363 Syllabus: Fall, 2011 Page 2 17 Space DVDʼs DUE 22 Space Projects DUE 24 THANKSGIVING BREAK 29 Space Compositions DUE December 1 Line DVDʼs DUE 6 Line Projects DUE 8 Line (Cont) Final Exam Period: Sonnet Projects Due NOTE: THIS SYLLABUS SUBJECT TO CHANGE!! Course Objectives: The purpose of this course is to introduce students to an aesthetic vocabulary of design elements that is useful in both visual and auditory design. -
Whaddaya Say? a Sonorização Do Cinema E O Seu Impacto Na Construção Genológica Em Hollywood Entre 1927 E 1939
UNIVERSIDADE CATÓLICA PORTUGUESA Whaddaya hear? Whaddaya say? A sonorização do cinema e o seu impacto na construção genológica em Hollywood entre 1927 e 1939 Dissertação apresentada à Universidade Católica Portuguesa para obtenção do grau de mestre em Estudos de Cultura por Ana Luís Silva Semedo Pinheiro Faculdade de Ciências Humanas Setembro de 2014 UNIVERSIDADE CATÓLICA PORTUGUESA Whaddaya hear? Whaddaya say? A sonorização do cinema e o seu impacto na construção genológica em Hollywood entre 1927 e 1939 Dissertação apresentada à Universidade Católica Portuguesa para obtenção do grau de mestre em Estudos de Cultura por Ana Luís Silva Semedo Pinheiro Faculdade de Ciências Humanas Sob orientação da Prof.ª Doutora Isabel Capeloa Gil Setembro de 2014 2 We gestate in Sound, and are born into Sight Cinema gestated in Sight, and was born into Sound. – Walter Murch (Chion, 1994: vii) 3 Resumo Os estudos fílmicos contemporâneos atribuem à sonorização do cinema um papel que extravasa uma dimensão puramente técnica. A sua estreia no filme The Jazz Singer (Alan Crosland, 1927) estabeleceu-o, desde então, como um evento emancipado do estatuto hierarquicamente inferior de complemento da imagem, uma vez que contribuiu de forma direta para a fundação de novos géneros na produção mainstream de Hollywood. A presente dissertação visa estudar o advento do som como um catalisador na amplificação do tecido genológico do cinema clássico americano. Para tal, será feita uma contextualização histórica do processo de sonorização, seguida de um levantamento e análise de títulos produzidos entre 1927 e 1939 pertencentes ao filme musical, ao filme de terror, à comédia screwball e ao filme de gangsters, nos quais se atentará a sequências que confirmem o som como ferramental essencial na concretização da matriz do género em foco. -
Internal Brakes on Violent Escalation: a Descriptive Typology FULL REPORT
FEBRUARY 2019 The Internal Brakes on Violent Escalation: A Descriptive Typology FULL REPORT Joel Busher, Coventry University Donald Holbrook, University College London Graham Macklin, Oslo University We would like to thank the CREST team and stakeholders for their support and guidance throughout the course of this project. We would also like to thank Tam Sanger for their excellent transcription services, Rachel Monaghan for their comments on an earlier draft of this report, and the interviewees who kindly gave up their time to share their experiences and insights with us. This is the full report from the The Internal Brakes on Violent Escalation: A Descriptive Typology programme, funded by CREST. To find out more information about this programme, and to see other outputs from the team, visit: www.crestresearch.ac.uk/projects/internal-brakes-violent-escalation/ About CREST The Centre for Research and Evidence on Security Threats (CREST) is a national hub for understanding, countering and mitigating security threats. It is an independent centre, commissioned by the Economic and Social Research Council (ESRC) and funded in part by the UK security and intelligence agencies (ESRC Award: ES/N009614/1). www.crestresearch.ac.uk ©2019 CREST Creative Commons 4.0 BY-NC-SA licence. www.crestresearch.ac.uk/copyright TABLE OF CONTENTS EXECUTIVE SUMMARY ..........................................................................................................................5 1.1 The typology ...................................................................................................................................................................5 -
Appendix D Historic Resources Technical Report
Appendix D Historic Resources Technical Report Sunset Bronson Studios Historic Resources Technical Report November 2012 HISTORIC RESOURCES GROUP TABLE OF CONTENTS 5 1.0 Introduction 7 2.0 Project Description 16 3.0 Existing Conditions 16 3.1 Site Description 23 4.0 Regulatory Review 23 4.1 Historic Resources under CEQA 24 4.2 Historic Designations 28 4.3 Hollywood Community Plan 28 4.4 Historic Significance and Integrity 29 4.5 Period of Significance 30 4.6 Historic Districts 31 5.0 Historic Context 31 5.1 The Motion Picture Industry 36 5.2 Warner Brothers Studios 45 6.0 Site Development History 45 Site Development 59 7.0 Previous Historic Evaluation 59 7.1 Designation and Listing 60 7.2 Other Evaluations 65 8.0 Identification of Potential Historic Resources 65 8.1 Historic District Assessment 70 8.2 Assessment of Individual Historic Resources Sunset Bronson Studios Historic Resources Technical Report November 2012 HISTORIC RESOURCES GROUP 74 9.0 Potential Impacts 74 9.1 Significance Threshold 75 9.2 Impact Analysis Using Los Angeles CEQA Thresholds 79 9.3 Summary of Potential Impacts on Historic Resources 80 10.0 Recommended Mitigation Measures 81 11.0 Conclusion 82 Bibliography 84 Appendix A: Existing Building Photographs Sunset Bronson Studios Historic Resources Technical Report November 2012 HISTORIC RESOURCES GROUP PREPARED FOR Hudson Pacific Properties 11601 Wilshire Boulevard Suite 1600 Los Angeles, CA 90025 Sunset Bronson Studios Historic Resources Technical Report November 2012 HISTORIC RESOURCES GROUP 5 1.0 INTRODUCTION inquiry: -
Halal Food Production
HALAL FOOD PRODUCTION © 2004 by CRC Press LLC HALAL FOOD PRODUCTION Mian N. Riaz Muhammad M. Chaudry CRC PRESS Boca Raton London New York Washington, D.C. © 2004 by CRC Press LLC Library of Congress Cataloging-in-Publication Data Riaz, Mian N. Halal food production / Mian N. Riaz, Muhammad M. Chaudry. p. cm. Includes bibliographical references and index. ISBN 1-58716-029-3 (alk. paper) 1. Food industry and trade. I. Chaudry, Muhammad M. II. Title. TP370.R47 2003 297.5'76—dc22 2003055483 This book contains information obtained from authentic and highly regarded sources. Reprinted material is quoted with permission, and sources are indicated. A wide variety of references are listed. Reasonable efforts have been made to publish reliable data and information, but the author and the publisher cannot assume responsibility for the validity of all materials or for the consequences of their use. Neither this book nor any part may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, microfilming, and recording, or by any information storage or retrieval system, without prior permission in writing from the publisher. The consent of CRC Press LLC does not extend to copying for general distribution, for promotion, for creating new works, or for resale. Specific permission must be obtained in writing from CRC Press LLC for such copying. Direct all inquiries to CRC Press LLC, 2000 N.W. Corporate Blvd., Boca Raton, Florida 33431. Trademark Notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation, without intent to infringe. -
Julho 2013 [2] Julho 2013 | Cinemateca Portuguesa-Museu Do Cinema
julho 2013 [2] Julho 2013 | Cinemateca Portuguesa-Museu do Cinema CINEMATECA PORTUGUESA-MUSEU DO CINEMA SESSÕES JULHO 2013 RUA BARATA SALGUEIRO, 39 Em julho, final de temporada antes da habitual pausa do mês de agosto, a programação da Cinemateca não 1269‑059 LISBOA, PORTUGAL TEL. 213 596 200 | FAX. 213 523 180 foge, na sua estrutura, ao modelo seguido nos últimos meses. Repetimos o que temos dito em programas [email protected] recentes: historicamente, por natureza e essência, a programação desta Cinemateca – como da generalidade WWW.CINEMATECA.PT das cinematecas no mundo inteiro – organiza-se numa lógica de Ciclos e retrospetivas, de autor, temáticas, por cinematografias, encarando o cinema e a sua História, os diálogos e as rimas por eles sugeridos, em programas que procuram combinar apostas de maior ambição com rubricas regulares de programação. Assim pautada, uma programação deste tipo pretende ir construindo uma história cujo sentido e dimensão existem tanto no plano do conjunto de cada uma das iniciativas como no do desenho mais abrangente que a cada mês se sugere. É por isto, pela proposta continuada de um ponto de vista, afirmativo ou questionador, entre a descoberta e a redescoberta, que distingue a programação de uma Cinemateca do de uma simples “sala de reprise”. A realidade actual obriga-nos a mudar a regra: sem condições para continuar a cumprir o padrão desejável, a programação da Cinemateca assume essa impossibilidade, sem prescindir de propor as suas sessões – cinco por dia, seis dias por semana. Julho de 2013 será, portanto, mais uma vez, um mês “de avulsos” – sem abdicar, “apesar de tudo”, de um desejo de variedade, riqueza e, mesmo, descoberta, que fica expresso nos muitos títulos e textos que se seguem. -
Tigers in the Draft
Tigers in the Draft NO. NAME, POSITION ROUND TEAM 1949 AAFC 1961 AFL INTRO 1936 21 Albin (Rip) Collins, B 3 Cleveland Bo Strange, C 3 Denver Abe Mickal, B 6 Detroit THIS IS LSU 1950 1962 NFL TIGERS 1937 Al Hover, G 14 Chi. Bears Wendell Harris, B 1 Baltimore Marvin (Moose) Stewart, C 2 Chi. Bears Zollie Toth, B 4 NY Bulldogs Fred Miller, T 7 Baltimore COACHES Gaynell (Gus) Tinsley, E 2 Chi. Cardinals Melvin Lyle, E 10 NY Bulldogs Tommy Neck, B 18 Chicago REVIEW Ebert Van Buren, B 8 NY Giants Earl Gros, B 1 Green Bay 1939 Ray Collins, T 3 San Francisco Jimmy Field, B 16 Green Bay HISTORY Eddie Gatto, T 5 Cleveland Roy Winston, G 4 Minnesota LSU Dick Gormley, C 20 Philadelphia 1951 Billy Joe Booth, T 13 New York Kenny Konz, B 1 Cleveland 1940 Jim Shoaf, G 10 Detroit 1962 AFL Ken Kavanaugh Sr., E 2 Chi. Bears Albin (Rip) Collins, B 2 Green Bay Tommy Neck, HB 20 Boston Young Bussey, B 18 Chi. Bears Joe Reid, C 13 LA Rams Jimmy Field, QB 26 Boston Billy Baggett, B 22 LA Rams Earl Gros, FB 2 Houston 1941 Ebert Van Buren, B 1 Philadelphia Bob Richards, T 32 Oakland Leo Barnes, T 20 Cleveland Y.A. Tittle, QB 1 San Francisco Roy Winston, G 6 San Diego J.W. Goree, G 12 Pittsburgh Wendell Harris, HB 7 San Diego 1952 1943 Jim Roshto, B 12 Detroit 1963 NFL Bill Edwards, G 29 Chi. Cardinals George Tarasovic, C 2 Pittsburgh Dennis Gaubatz, LB 8 Detroit Willie Miller, G 30 Cleveland Rudy Yeater, T 13 San Francisco Buddy Soefker, B 18 Los Angeles Percy Holland, G 22 Detroit Jess Yates, E 20 San Francisco Gene Sykes, B 8 Philadelphia Walt Gorinski, B 17 Philadelphia Chet Freeman, B 23 Texas Jerry Stovall, B 1 St.