Appendix C: Samples of Student Writing
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Vocabulary Growth Using Nonfiction Literature and Dialogic Discussions in Preschool Classrooms
Digital Collections @ Dordt Faculty Work Comprehensive List 8-2014 Vocabulary Growth Using Nonfiction Literature and Dialogic Discussions in Preschool Classrooms Gwen R. Marra Dordt College, [email protected] Follow this and additional works at: https://digitalcollections.dordt.edu/faculty_work Part of the Curriculum and Instruction Commons, and the Reading and Language Commons Recommended Citation Marra, G. R. (2014). Vocabulary Growth Using Nonfiction Literature and Dialogic Discussions in Preschool Classrooms. Retrieved from https://digitalcollections.dordt.edu/faculty_work/69 This Dissertation is brought to you for free and open access by Digital Collections @ Dordt. It has been accepted for inclusion in Faculty Work Comprehensive List by an authorized administrator of Digital Collections @ Dordt. For more information, please contact [email protected]. Vocabulary Growth Using Nonfiction Literature and Dialogic Discussions in Preschool Classrooms Abstract The preschool years are a crucial time for children to develop vocabulary knowledge. A quality preschool environment promotes large amounts of language usage including picture book read alouds and discussions. There is growing research to support the use of nonfiction literature in preschool classrooms to promote vocabulary growth and knowledge of the world for preschool children. This research study compared vocabulary growth of preschool children using fiction and dialogic discussions ersusv vocabulary growth of preschool children using nonfiction and dialogic discussions following a six week study of autumn and changes that happen during this season to the environment and animals. The quasi- experimental design used the Peabody Picture Vocabulary Test-4, a curriculum-based measure for receptive vocabulary, and a curriculum-based measure for expressive vocabulary to assess vocabulary growth. -
Dramatizing Poetry in the Second Language Classroom STEPHEN
English Teaching: Practice and Critique December, 2006, Volume 5, Number 3 http://education.waikato.ac.nz/research/files/etpc/2006v5n3art5.pdf pp. 127-136 Dramatizing poetry in the second language classroom STEPHEN ELTING American International School, Hong Kong ARTHUR FIRKINS Department of Linguistics, Macquarie University, Sydney ABSTRACT: Poetry performance is an approach to learning where students can use theatrical techniques to develop a response to the poem. This paper argues that ELL students can explore the aesthetic function of language and, more widely, develop confidence in using English as a communicative tool through the dramatization of poetry. We describe the process we have used to take a poem from the page to the stage and provide examples for ELL teachers to use this creative approach in their classrooms. KEYWORDS: Performance poetry, ELL (English Language learners), dramatizing poetry, verbal art, aesthetic function of language, drama and language learning, criticism and response. INTRODUCTION In order to reclaim the creative in the English classroom, educators should place verbal art at the heart of their English language programmes. Poetry is a rich language resource available to the English Language learner (ELL) and, as such, we argue that reading, interpreting and performing poetry should be a central pedagogical feature of the English programme. Poetry enables the exploration of sound, image and word association while extending the semantic resources available to students. However, current uses of poetry in the classroom more readily focus on eliciting oral or written responses to the poem from students. In contrast, although recognising that some rudimentary knowledge of the language and meaning of the poem is an important prerequisite for its understanding, we suggest that dramatizing the poem can also be a creative and interesting method through which ELL students can develop a response to the poem. -
Writing Standards in Action Project Uses High Quality Student Writing Samples to Illustrate What Performance to Grade Level Standards Looks Like—In Action
GRADE FRAMEWORK / CONTENT STANDARDS ADDRESSED: Massachusetts Curriculum Framework 5 for ELA and Literacy (2017) “What should good student writing at this grade level look like?” The answer lies in the writing itself. The Writing Standards in Action Project uses high quality student writing samples to illustrate what performance to grade level standards looks like—in action. Grade 5 English Language Arts Narrate (Personal Narrative) King-Da-Ka Massachusetts Department of Elementary and Secondary Education Writing Standards in Action Project www.doe.mass.edu/candi/wsa/ Page 1 SAMPLE A5-2 (Narrate—Personal Narrative) GRADE FRAMEWORK / CONTENT STANDARDS ADDRESSED: Background Information Massachusetts Curriculum Framework 5 for ELA and Literacy (2017) Writing Sample Title: STANDARDS-BASED COMMENTARY King-Da-Ka The student writing sample that follows includes standards-based commentary. Text Type and Purpose: Narrate The commentary found in this column describes how the writing meets the Grade level/Content area: Grade 5 English Language Arts standards in the Massachusetts Curriculum Type of Assignment: Personal narrative Framework for English Language Arts and Literacy (2017) and other content Standards Addressed: (W.5.3), (W.5.4), (W.5.5), frameworks when applicable. (L.5.1), (L.5.2), (L.5.3) See descriptions of these standards in the right column of the next page. Understanding the Standards-Based Commentary Other Content/Frameworks Addressed: 1. Grade-specific standards addressed are: Massachusetts Science and Technology/Engineering Curriculum Framework (2006) • Listed in the column to the right of the student work by strand, grade, and number Massachusetts History and Social Science (or number and letter, where applicable) Curriculum Framework (2003) • Marked by a colored block with a letter code, also in the column to the right of Highlights: the student work EXAMPLE: This sample of student work meets grade level standards. -
Creative Nonfiction
WRITING CREATIVE NON-FICTION THEODORE A. REES CHENEY CREATIVE NONFICTION Creative nonfiction tells a story using facts, but uses many of the techniques of fiction for its compelling qualities and emotional vibrancy. Creative nonfiction doesn’t just report facts, it delivers facts in ways that move the reader toward a deeper understanding of a topic. Creative nonfiction requires the skills of the storyteller and the research ability of the conscientious reporter. Writers of creative nonfiction must become instant authorities on the subject of their articles or books. They must not only understand the facts and report them using quotes by authorities, they must also see beyond them to discover their underlying meaning, and they must dramatize that meaning in an interesting, evocative, informative way—just as a good teacher does. When you write nonfiction, you are, in effect, teaching the reader. Research into how we learn shows that we learn best when we are simultaneously entertained—when there is pleasure in the learning. Other research shows that our most lasting memories are those wrapped in emotional overtones. Creative nonfiction writers inform their readers by making the reading experience vivid, emotionally compelling, and enjoyable while sticking to the facts. TELLING THE “WHOLE TRUTH” Emotions inform our understanding all the time. So, to tell the whole truth about most situations that involve people (and most situations do), in the words of Tom Wolfe, we need to “excite the reader both intellectually and emotionally.” The best nonfiction writers do not tell us how we should think about something, how we should feel about it, nor what emotions should be aroused. -
English Language Arts
Curriculum Guide English Language Arts Madison Public Schools Madison, Connecticut www.madison.k12.ct.us June, 2002 Table of Contents Foreword...................................................................................................................................1 Program Overview...................................................................................................................3 Program Components and Framework • Program Components and Framework .........................................................................4 • Classroom Environment Statement................................................................................6 • Grouping Guidelines......................................................................................................7 • English Language Arts Philosophy................................................................................8 • English Language Arts Goals, K-12..............................................................................9 Learner Outcomes (K - 12) Scope and Sequence • Student Outcomes and Assessments - Grades K – 3 ...................................................11 • Student Outcomes and Assessments - Grades 4 - 5.....................................................49 • Student Outcomes and Assessments - Grades 6 – 8 ....................................................89 • Student Outcomes and Assessments / Course Descriptions - Grades 9 - 12 .............135 • Program Support / Celebration Statement .................................................................315 -
Genre and Subgenre
Genre and Subgenre Categories of Writing Genre = Category All writing falls into a category or genre. We will use 5 main genres and 15 subgenres. Fiction Drama Nonfiction Folklore Poetry Realistic Comedy Informational Fiction Writing Fairy Tale Tragedy Historical Persuasive Legend Fiction Writing Tall Tale Science Biography Fiction Myth Fantasy Autobiography Fable 5 Main Genres 1. Nonfiction: writing that is true 2. Fiction: imaginative or made up writing 3. Folklore: stories once passed down orally 4. Drama: a play or script 5. Poetry: writing concerned with the beauty of language Nonfiction Subgenres • Persuasive Writing: tries to influence the reader • Informational Writing: explains something • Autobiography: life story written by oneself • Biography: Writing about someone else’s life Latin Roots Auto = Self Bio = Life Graphy = Writing Fiction Subgenres • Historical Fiction: set in the past and based on real people and/or events • Science Fiction: has aliens, robots, futuristic technology and/or space ships • Realistic Fiction: has no elements of fantasy; could be true but isn’t • Fantasy: has monsters, magic, or characters with superpowers Folklore Subgenres Folklore/Folktales usually has an “unknown” author or will be “retold” or “adapted” by the author. • Fable: short story with personified animals and a moral Personified: given the traits of people Moral: lesson or message of a fable • Myth: has gods/goddesses and usually accounts for the creation of something Folklore Subgenres (continued) Tall Tale • Set in the Wild West, the American frontier • Main characters skills/size/strength is greatly exaggerated • Exaggeration is humorous Legend • Based on a real person or place • Facts are stretched beyond nonfiction • Exaggerated in a serious way Folklore Subgenres (continued) Fairytale: has magic and/or talking animals. -
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Artist Song 2 Unlimited Maximum Overdrive 2 Unlimited Twilight Zone 2Pac All Eyez On Me 3 Doors Down When I'm Gone 3 Doors Down Away From The Sun 3 Doors Down Let Me Go 3 Doors Down Behind Those Eyes 3 Doors Down Here By Me 3 Doors Down Live For Today 3 Doors Down Citizen Soldier 3 Doors Down Train 3 Doors Down Let Me Be Myself 3 Doors Down Here Without You 3 Doors Down Be Like That 3 Doors Down The Road I'm On 3 Doors Down It's Not My Time (I Won't Go) 3 Doors Down Featuring Bob Seger Landing In London 38 Special If I'd Been The One 4him The Basics Of Life 98 Degrees Because Of You 98 Degrees This Gift 98 Degrees I Do (Cherish You) 98 Degrees Feat. Stevie Wonder True To Your Heart A Flock Of Seagulls The More You Live The More You Love A Flock Of Seagulls Wishing (If I Had A Photograph Of You) A Flock Of Seagulls I Ran (So Far Away) A Great Big World Say Something A Great Big World ft Chritina Aguilara Say Something A Great Big World ftg. Christina Aguilera Say Something A Taste Of Honey Boogie Oogie Oogie A.R. Rahman And The Pussycat Dolls Jai Ho Aaliyah Age Ain't Nothing But A Number Aaliyah I Can Be Aaliyah I Refuse Aaliyah Never No More Aaliyah Read Between The Lines Aaliyah What If Aaron Carter Oh Aaron Aaron Carter Aaron's Party (Come And Get It) Aaron Carter How I Beat Shaq Aaron Lines Love Changes Everything Aaron Neville Don't Take Away My Heaven Aaron Neville Everybody Plays The Fool Aaron Tippin Her Aaron Watson Outta Style ABC All Of My Heart ABC Poison Arrow Ad Libs The Boy From New York City Afroman Because I Got High Air -
Investigating the Relevance and Importance of English Language Arts Content Knowledge Areas for Beginning Elementary School Teachers
Research Memorandum ETS RM–16-08 Investigating the Relevance and Importance of English Language Arts Content Knowledge Areas for Beginning Elementary School Teachers Michelle P. Martin-Raugh Richard J. Tannenbaum Clyde M. Reese Jonathan H. Steinberg Geoffrey C. Phelps Jun Xu August 2016 ETS Research Memorandum Series EIGNOR EXECUTIVE EDITOR James Carlson Principal Psychometrician ASSOCIATE EDITORS Beata Beigman Klebanov Anastassia Loukina Senior Research Scientist Research Scientist Heather Buzick Donald Powers Research Scientist Managing Principal Research Scientist Brent Bridgeman Gautam Puhan Distinguished Presidential Appointee Principal Psychometrician Keelan Evanini John Sabatini Research Director Managing Principal Research Scientist Marna Golub-Smith Matthias von Davier Principal Psychometrician Senior Research Director Shelby Haberman Rebecca Zwick Distinguished Presidential Appointee Distinguished Presidential Appointee PRODUCTION EDITORS Kim Fryer Ayleen Gontz Manager, Editing Services Senior Editor Since its 1947 founding, ETS has conducted and disseminated scientific research to support its products and services, and to advance the measurement and education fields. In keeping with these goals, ETS is committed to making its research freely available to the professional community and to the general public. Published accounts of ETS research, including papers in the ETS Research Memorandum series, undergo a formal peer-review process by ETS staff to ensure that they meet established scientific and professional standards. All such ETS-conducted peer reviews are in addition to any reviews that outside organizations may provide as part of their own publication processes. Peer review notwithstanding, the positions expressed in the ETS Research Memorandum series and other published accounts of ETS research are those of the authors and not necessarily those of the Officers andT rustees of Educational Testing Service. -
Karaoke Book
10 YEARS 3 DOORS DOWN 3OH!3 Beautiful Be Like That Follow Me Down (Duet w. Neon Hitch) Wasteland Behind Those Eyes My First Kiss (Solo w. Ke$ha) 10,000 MANIACS Better Life StarStrukk (Solo & Duet w. Katy Perry) Because The Night Citizen Soldier 3RD STRIKE Candy Everybody Wants Dangerous Game No Light These Are Days Duck & Run Redemption Trouble Me Every Time You Go 3RD TYME OUT 100 PROOF AGED IN SOUL Going Down In Flames Raining In LA Somebody's Been Sleeping Here By Me 3T 10CC Here Without You Anything Donna It's Not My Time Tease Me Dreadlock Holiday Kryptonite Why (w. Michael Jackson) I'm Mandy Fly Me Landing In London (w. Bob Seger) 4 NON BLONDES I'm Not In Love Let Me Be Myself What's Up Rubber Bullets Let Me Go What's Up (Acoustative) Things We Do For Love Life Of My Own 4 PM Wall Street Shuffle Live For Today Sukiyaki 110 DEGREES IN THE SHADE Loser 4 RUNNER Is It Really Me Road I'm On Cain's Blood 112 Smack Ripples Come See Me So I Need You That Was Him Cupid Ticket To Heaven 42ND STREET Dance With Me Train 42nd Street 4HIM It's Over Now When I'm Gone Basics Of Life Only You (w. Puff Daddy, Ma$e, Notorious When You're Young B.I.G.) 3 OF HEARTS For Future Generations Peaches & Cream Arizona Rain Measure Of A Man U Already Know Love Is Enough Sacred Hideaway 12 GAUGE 30 SECONDS TO MARS Where There Is Faith Dunkie Butt Closer To The Edge Who You Are 12 STONES Kill 5 SECONDS OF SUMMER Crash Rescue Me Amnesia Far Away 311 Don't Stop Way I Feel All Mixed Up Easier 1910 FRUITGUM CO. -
Science Fiction Stories with Good Astronomy & Physics
Science Fiction Stories with Good Astronomy & Physics: A Topical Index Compiled by Andrew Fraknoi (U. of San Francisco, Fromm Institute) Version 7 (2019) © copyright 2019 by Andrew Fraknoi. All rights reserved. Permission to use for any non-profit educational purpose, such as distribution in a classroom, is hereby granted. For any other use, please contact the author. (e-mail: fraknoi {at} fhda {dot} edu) This is a selective list of some short stories and novels that use reasonably accurate science and can be used for teaching or reinforcing astronomy or physics concepts. The titles of short stories are given in quotation marks; only short stories that have been published in book form or are available free on the Web are included. While one book source is given for each short story, note that some of the stories can be found in other collections as well. (See the Internet Speculative Fiction Database, cited at the end, for an easy way to find all the places a particular story has been published.) The author welcomes suggestions for additions to this list, especially if your favorite story with good science is left out. Gregory Benford Octavia Butler Geoff Landis J. Craig Wheeler TOPICS COVERED: Anti-matter Light & Radiation Solar System Archaeoastronomy Mars Space Flight Asteroids Mercury Space Travel Astronomers Meteorites Star Clusters Black Holes Moon Stars Comets Neptune Sun Cosmology Neutrinos Supernovae Dark Matter Neutron Stars Telescopes Exoplanets Physics, Particle Thermodynamics Galaxies Pluto Time Galaxy, The Quantum Mechanics Uranus Gravitational Lenses Quasars Venus Impacts Relativity, Special Interstellar Matter Saturn (and its Moons) Story Collections Jupiter (and its Moons) Science (in general) Life Elsewhere SETI Useful Websites 1 Anti-matter Davies, Paul Fireball. -
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HWA Speech Flags AWKWARD................................................................................................................................... 3 BENGHAZI/LIBYA........................................................................................................................ 3 BIG GOVERNMENT...................................................................................................................... 5 BUDGET........................................................................................................................................ 5 CAMPAIGN CONTRIBUTIONS.................................................................................................... 5 CHINA............................................................................................................................................ 7 CLINTON FOUNDATION............................................................................................................ 10 GIUSTRA, FRANK......................................................................................................................... 11 CRUZ, TED.................................................................................................................................. 11 CUBA........................................................................................................................................... 11 CYBERSECURITY...................................................................................................................... 12 DEBT LIMIT................................................................................................................................ -
Drug Crackdown Announced
Grand Valley State University ScholarWorks@GVSU Volume 4 Lanthorn, 1968-2001 1-27-1972 Lanthorn, vol. 4, no. 07, January 27, 1972 Grand Valley State University Follow this and additional works at: http://scholarworks.gvsu.edu/lanthorn_vol4 Part of the Archival Science Commons, Education Commons, and the History Commons Recommended Citation Grand Valley State University, "Lanthorn, vol. 4, no. 07, January 27, 1972" (1972). Volume 4. 7. http://scholarworks.gvsu.edu/lanthorn_vol4/7 This Issue is brought to you for free and open access by the Lanthorn, 1968-2001 at ScholarWorks@GVSU. It has been accepted for inclusion in Volume 4 by an authorized administrator of ScholarWorks@GVSU. For more information, please contact [email protected]. w e a t h e r high winds, snow expected today colder t omo r r ow vol.4 no. 7 grand valley state college january 27, 1972 DRUG CRACKDOWN ANNOUNCED Amidst the growing concern denied admission.” campus police chief; and Booker body or officer has found a professional staff members and of students, faculty, and staff as This policy was Washington, student, reviewed student guilty; to the vice selected students to deal with to the rights and responsibilities short-lived—about ten day«-due three such applicants winter president for student affairs in problems associated with drug of the college in its relation to to the negative reaction of the term. At the board’s the case of a student convicted use; drug use and misuse, President President’s Executive Council recommendation, all three were in a court of law; to the 4.