The Psalms of the Day
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אמר הקדוש ברוך הוא ... ואמרו לפני בראש השנה מלכיות זכרונות ושופרות מלכיות כדי שתמליכוני עליכם זכרונות כדי שיעלה זכרוניכם לפני לטובה ובמה בשופר כת' רבי' סעדיה מה שצונו הבורא יתברך לתקוע בשופר בראש השנה יש בזה עשרה ענינים. הענין הראשון מפני שהיום היתה תחלת הבריאה שבו ברא הקב"ה את העולם ומלך עליו וכן עושים המלכים בתחלת מלכותם שתוקעים לפניהם בחצוצרות ובקרנות להודיע ולהשמיע בכל מקום התחלת מלכותם וכן אנו ממליכין עלינו את הבורא ליום זה וכך אמר דוד בחצוצרות וקול שופר הריעו לפני המלך ה'. והטעם שתקנו לומר מראש השנה ועד יום הכפורים המלך במקום האל לפי שמראה מלכותו על בני העולם ששופט אותם בימים אלו אֵ ין מַ זְכִּירִ ין זִכְרוֹנוֹת מַ לְכֻיּוֹת וְ שׁוֹפָ רוֹת שֶׁ ל פֻּרְ עָ נוּת. זִכְ רוֹנוֹת כְּגוֹן )תהילים עח לט( "וַיִּזְכֹּר כִּי בָשָׂ ר הֵמָּ ה" וְ כוּ'. מַ לְכֻיּוֹת כְּגוֹן )יחזקאל כ לג( ה"בְּחֵמָ שְׁ פוּכָה אֶמְ לוְֹך ֲעֵליֶכם". שֹׁוָפרֹות ְכּגֹון )הושע ה ח( "ִתְּקעוּ שֹׁוָפר בַּגִּבְעָ ה" וְ כוּ'. ְוֹלא ִזְכרֹוָן יִחידֲאִפלּוּ ְלטֹוָבה ְכּגֹון )תהילים קו ד( "ָזְכֵרִני ה' ִבְּרצֹון ַעֶמָּך". )נחמיה ה יט( )נחמיה יג לא( "ָזְכָרה ִלּיֱ אֹלַהי ְלטֹוָבה". וִּפְקדֹונֹותֵאיָנן ְכִּזְכרֹונֹות. ְכּגֹון )שמות ג טז( "ָפֹּקד ָפַּקְדִתּיֶאְתֶכם". ְוֵישׁ לֹו ְלַהְזִכּיר ֻפְּרָענוֶּת שׁלֻאמֹּוַת עכּוּ''ם ְכּגֹון )תהילים צט א( "ה' מָ לְָך יִ ְרְגּזַוּ עִמּים". )תהילים קלז ז( "ְזֹכר ה' ִלְבֵניֱ אדֹוםֶאת יֹוְם ירָוּשָׁלִם".)גמרא ראש השנה לב ב( " ַוה'ֱ אֹלִהים ַבּשֹּׁוָפרִ יְתָקע ְוָהַלְך ְבַּסֲערֹות ֵתּיָמן". )דברים ו ד( ְ"שַׁמִעיְשָׂרֵאל ה'ֱ אֹלֵהינוּ ה' ֶאָחד". )דברי ם ד לה( ַ"אָתּה ָהְרֵאָת ָלַדַעת" ְוכ וּ'. )דברים ד לט( "ְוָיַדְעָתּ ַהיֹּום ַוֲהֵשֹׁבָת ֶאל ְלָבֶבָך" ְוכוּ'. ָכּל ָפּסוּקֵ מֵאלּוַּמְלכוּ ת הִוּא עְנָינֹו ַאַף על ִפּיֶשֵׁאין בֹּו ֵזֶכרַמְלכוּת ַוֲהֵרי הוּא ְכּמֹו )שמות טו יח( "ה'ִ יְמלֹוְך ְלעֹוָלם ָוֶעד", )דברים לג ה( "ַוְיִהי ִבֻישׁרוּןֶ מֶלְך" ְוכוּ ': ותמצא באלו השלשה ובכן ובכן ובכן רמז למלכיות זכרונות ושופרו ת כי הראשון הוא ובכן תן פחדך ה' אלקינו וייראוך כל המעשים ויעשו כלם אגודה אחת כנגד מלכיות כי כל זה ענין הממלכה שממליכין אותו. -
Torah Vayikra: Leviticus 1:1 – 5:26 Haftarah: Isaiah 43:21 – 44:26 B’Rit Chadasha: Hebrews 10:1-23
Introduction to Parsha #24: Vayikra1 READINGS: Torah Vayikra: Leviticus 1:1 – 5:26 Haftarah: Isaiah 43:21 – 44:26 B’rit Chadasha: Hebrews 10:1-23 . and He [the Holy One] called/cried out . [Leviticus 1:1(a)] ___________________________________________________ This Week’s Amidah prayer Focus is the G’vurot, the Prayer of His Powers, Part II Vayikra el-Moshe – i.e. And He [the Holy One] called/cried out for Moshe . vayedaber Adonai elav me'Ohel Mo'ed – and the Holy One spoke to him from within the Tent of Meeting . Leviticus 1:1a. It has begun, Beloved! The glorious era of Imanu-El – i.e. God with us, dwelling in our midst, communing with us, and ruling over us – is underway! Behold, the Tabernacle of God will be with men, and He will be our God, and we will be His People2 . Selah! What Is that Strange and Wonderful Tent-Like Structure that Now Stands at the Epicenter of the Camp of B’nei Yisrael? How Will It Change our Lives? What Does it Portend For the World? The Immaculate Construction project called for by the Holy One’s Great Sinaitic ‘Mish’kan Discourse’3 is now complete. The 'Tabernacle' - the structure that the Hebrew text of Torah calls not only the ‘Mish’kan’ (abode/dwelling place), but also the Mik’dash (receptacle/repository of flowing, pulsing holiness), and the Ohel Moed (Tent of Meeting/Communion/Appointment) - is in place. The moveable, shadow-box edifice the Holy One told Moshe He wanted us to build 1 All rights with respect to this publication are reserved to the author, William G. -
Three Translations of Psalm 81:3 [2] Error in the KJV for Psalm 81:3 [3] the Double Word B-Keseh in Psalm 81:3
Translation of Psalm 81:3 by Herb Solinsky (c) April 7, 2014 [1] Three Translations of Psalm 81:3 [2] Error in the KJV for Psalm 81:3 [3] The double word b-keseh in Psalm 81:3. Does keseh mean “cover” here? [4] The Meaning of keseh in Psalm 81:3 is the noun “approximate full moon” [5] Grammatical Structure of Ps 81:3 compared with some other Psalms [6] Bibliography [1] Three Translations of Psalm 81:3 Compare the following three translations of Ps 81:3. In the Hebrew text this is numbered Ps 81: 4. Ps 81:3 [KJV], “Blow up the trumpet in the new moon, in the time appointed, on our solemn feast day.” Ps 81:3 [NRSV], “Blow the trumpet at the new moon, at the full moon, on our feast day.” Ps 81:3 [Covered Theory], “Blow the trumpet at the new moon, at its being covered, on our feast day.” A literal translation of Ps 81:3 that preserves the Hebrew word order and avoids translating the Hebrew word keseh is: “Blow in [the] new-moon the ram's horn, in keseh on [the] day of our feast.” These three translations are very different for the Hebrew word keseh, where the KJV gives “time appointed”, the NRSV gives “full moon”, and some have suggested the verb “its being covered”. The original intent of the Hebrew can only mean one of these choices. [2] Error in the KJV for Psalm 81:3 There is a clear explanation for the KJV's translation of the Hebrew prepositional phrase b-keseh as “in the time appointed”. -
80 Days in the Psalms (Summer 2016)
80 Days in the Psalms (Summer 2016) June 16 Psalm 1, 2 July 6 Psalm 40, 41 July 26 Psalm 80, 81 August 15 Psalm 119 June 17 Psalm 3, 4 July 7 Psalm 42, 43 July 27 Psalm 82, 83 August 16 Psalm 119 June 18 Psalm 5, 6 July 8 Psalm 44, 45 July 28 Psalm 84, 85 August 17 Psalm 119 June 19 Psalm 7, 8 July 9 Psalm 46, 47 July 29 Psalm 86, 87 August 18 Psalm 119 June 20 Psalm 9, 10 July 10 Psalm 48, 49 July 30 Psalm 88, 89 August 19 Psalm 120, 121 June 21 Psalm 11, 12 July 11 Psalm 50, 51 July 31 Psalm 90, 91 August 20 Psalm 122, 123 June 22 Psalm 13, 14 July 12 Psalm 52, 53 August 1 Psalm 92, 93 August 21 Psalm 124, 125 June 23 Psalm 15, 16 July 13 Psalm 54, 55 August 2 Psalm 94, 95 August 22 Psalm 126, 127 June 24 Psalm 17, 18 July 14 Psalm 56, 57 August 3 Psalm 96, 97 August 23 Psalm 128, 129 June 25 Psalm 19, 20 July 15 Psalm 58, 59 August 4 Psalm 98, 99 August 24 Psalm 130, 131 June 26 Psalm 21, 22 July 16 Psalm 60, 61 August 5 Psalm 100, 101 August 25 Psalm 132, 133 June 27 Psalm 23, 23 July 17 Psalm 62, 63 August 6 Psalm 102, 103 August 26 Psalm 134, 135 June 28 Psalm 24, 25 July 18 Psalm 64, 65 August 7 Psalm 104, 105 August 27 Psalm 136, 137 June 29 Psalm 26, 27 July 19 Psalm 66, 67 August 8 Psalm 106, 107 August 28 Psalm 138, 139 June 30 Psalm 28, 29 July 20 Psalm 68, 69 August 9 Psalm 108, 109 August 29 Psalm 140, 141 July 1 Psalm 30, 31 July 21 Psalm 70, 71 August 10 Psalm 110, 111 August 30 Psalm 142, 143 July 2 Psalm 32, 33 July 22 Psalm 72, 73 August 11 Psalm 112, 113 August 31 Psalm 144, 145 July 3 Psalm 34, 35 July 23 Psalm 74, 75 August 12 Psalm 114, 115 September 1 Psalm 146, 147 July 4 Psalm 36, 37 July 24 Psalm 76, 77 August 13 Psalm 116, 117 September 2 Psalm 148, 149 July 5 Psalm 38, 39 July 25 Psalm 78, 79 August 14 Psalm 118 September 3 Psalm 150 How to use this Psalms reading guide: • Read consistently, but it’s okay if you get behind. -
Psalms, Hymns, and Spiritual Songs: the Master Musician's Melodies
Psalms, Hymns, and Spiritual Songs: The Master Musician’s Melodies Bereans Sunday School Placerita Baptist Church 2006 by William D. Barrick, Th.D. Professor of OT, The Master’s Seminary Psalm 81 — Celebrate the Feast Day! 1.0 Introducing Psalm 81 y In the early 1960’s excavators uncovered a manuscript including Psalms 81– 85 at Masada, the Jewish fortress on the west side of the Dead Sea that was destroyed around A.D. 73. y Psalms 50, 81, and 95 are the three festival psalms in the Psalter. y Most commentators identify the Feast of Tabernacles with the festival celebration in Psalm 81 (Leviticus 23:33-36, 39-43; Deuteronomy 16:13-15). y According to the rabbis, the following psalms were sung in the daily services of the Temple: 9 1st day (Sunday): Psalm 24 9 2nd day (Monday): Psalm 48 9 3rd day (Tuesday): Psalm 82 9 4th day (Wednesday): Psalm 94 9 5th day (Thursday): Psalm 81 9 6th day (Friday): Psalm 93 9 7th day (Saturday): Psalm 92 y Within the collection of Asaph psalms (Psalms 79–83), Psalm 81 presents God’s response to the laments of Psalms 79 and 80. 2.0 Reading Psalm 81 (NAU) 81:1 A Psalm of Asaph. Sing for joy to God our strength; Shout joyfully to the God of Jacob. 81:2 Raise a song, strike the timbrel, The sweet sounding lyre with the harp. 81:3 Blow the trumpet at the new moon, Psalms, Hymns, and Spiritual Songs 2 Barrick, Placerita Baptist Church 2006 At the full moon, on our feast day. -
Educating for Peace and Justice: Religious Dimensions, Grades 7-12
DOCUMENT RESUME ED 392 723 SO 026 048 AUTHOR McGinnis, James TITLE Educating for Peace and Justice: Religious Dimensions, Grades 7-12. 8th Edition. INSTITUTION Institute for Peace and Justice, St. Louis, MO. PUB DATE 93 NOTE 198p. AVAILABLE FROM Institute for Peace and Justice, 4144 Lindell Boulevard, Suite 124, St. Louis, MO 63108. PUB TYPE Guides Classroom Use Teaching Guides (For Teacher) (052) EDRS PRICE MF01/PC08 Plus Postage. DESCRIPTORS *Conflict Resolution; Critical Thinking; Cross Cultural Studies; *Global Education; International Cooperation; *Justice; *Multicultural Education; *Peace; *Religion; Religion Studies; Religious Education; Secondary Education; Social Discrimination; Social Problems; Social Studies; World Problems ABSTRACT This manual examines peace and justice themes with an interfaith focus. Each unit begins with an overview of the unit, the teaching procedure suggested for the unit and helpful resources noted. The volume contains the following units:(1) "Of Dreams and Vision";(2) "The Prophets: Bearers of the Vision";(3) "Faith and Culture Contrasts";(4) "Making the Connections: Social Analysis, Social Sin, and Social Change";(5) "Reconciliation: Turning Enemies and Strangers into Friends";(6) "Interracial Reconciliation"; (7) "Interreligious Reconciliation";(8) "International Reconciliation"; (9) "Conscientious Decision-Making about War and Peace Issues"; (10) "Solidarity with the Poor"; and (11) "Reconciliation with the Earth." Seven appendices conclude the document. (EH) * Reproductions supplied by EDRS are -
9781845502027 Psalms Fotb
Contents Foreword ......................................................................................................7 Notes ............................................................................................................. 8 Psalm 90: Consumed by God’s Anger ......................................................9 Psalm 91: Healed by God’s Touch ...........................................................13 Psalm 92: Praise the Ltwi ........................................................................17 Psalm 93: The King Returns Victorious .................................................21 Psalm 94: The God Who Avenges ...........................................................23 Psalm 95: A Call to Praise .........................................................................27 Psalm 96: The Ltwi Reigns ......................................................................31 Psalm 97: The Ltwi Alone is King ..........................................................35 Psalm 98: Uninhibited Rejoicing .............................................................39 Psalm 99: The Ltwi Sits Enthroned ........................................................43 Psalm 100: Joy in His Presence ................................................................47 Psalm 101: David’s Godly Resolutions ...................................................49 Psalm 102: The Ltwi Will Rebuild Zion ................................................53 Psalm 103: So Great is His Love. .............................................................57 -
Answers Disguised As Questions: Rhetoric and Reasoning in Psalm 24
Botha: Rhetoric and Reasoning in Psalm 24 OTE 22/3 (2009), 535-553 535 Answers Disguised as Questions: Rhetoric and Reasoning in Psalm 24 PHIL J. BOTHA (U NIVERSITY OF PRETORIA ) ABSTRACT Psalm 24 seems to consist mainly of a hymnic introduction (vv. 1-2), a so-called “entrance torah” (vv. 3-5), and a liturgical piece once used at the temple gates (vv. 7-10), to which a post-exilic identifica- tion of the true Israel was added (v. 6). It contains four questions which are almost universally interpreted as dialectical or antipho- nal questions formulated for the purpose of regulating entrance to the temple within some or other liturgy. This paper consists of a po- etic and rhetorical analysis of the psalm in which it is argued that the questions rather serve a rhetorical function in the present form of Ps 24. The purpose of the questions is to highlight the profile of a true worshipper of YHWH on the one hand, and to highlight the military might and splendour of YHWH on the other. It probably sought to outline the religious profile of the worshipping community in the post-exilic period more clearly, and to reconfirm the consen- sus that they would be vindicated as the true Israel when YHWH would reveal his true power and glory. The psalm is also contextu- alised as part of the post-exilic composition Pss 15-24. A INTRODUCTION It is widely accepted that Ps 24 contains remnants of two liturgical pieces: A so-called “entrance torah” (vv. 3-5, with parallels in Ps 15 and Isa 33), 1 and a so-called “liturgy at the gates” (vv. -
לב שלם Siddur Lev Shalem לשבת ויום טוב for Shabbat & FESTIVALS
סדור לב שלם Siddur Lev Shalem לשבת ויום טוב for shabbat & fEstIVaLs For restricted use only: March-April 2020 Do not copy, sell, or distribute the rabbinical assembly Copyright © 2016 by The Rabbinical Assembly, Inc. First edition. All rights reserved. No part of this book may be reproduced or transmitted in any form The Siddur Lev Shalem Committee or by any means, electronic or mechanical, including photocopy, recording or any information storage or retrieval system, except Rabbi Edward Feld, Senior Editor and Chair for brief passages in connection with a critical review, without permission in writing from: Rabbi Jan Uhrbach, Associate Editor The Rabbinical Assembly Rabbi David M. Ackerman 3080 Broadway New York, NY 10027 Ḥazzan Joanna Dulkin www.rabbinicalassembly.org Rabbi Amy Wallk Katz Permissions and copyrights for quoted materials may be found on pages 463–465. Rabbi Cantor Lilly Kaufman isbn: 978-0-916219-64-2 Rabbi Alan Lettofsky Library of Congress Cataloging-in-Publication Data is available. Rabbi Robert Scheinberg Designed, composed, and produced by Scott-Martin Kosofsky at The Philidor Company, Rabbi Carol Levithan, ex officio Rhinebeck, New York. www.philidor.com The principal Hebrew type, Milon (here in its second and third Rabbi Julie Schonfeld, ex officio iterations), was designed and made by Scott-Martin Kosofsky; it was inspired by the work of Henri Friedlaender. The principal roman and italic is Rongel, by Mário Feliciano; the sans serif is Cronos, by Robert Slimbach. The Hebrew sans serif is Myriad Hebrew, by Robert Slimbach with Scott-Martin Kosofsky. Printed and bound by LSC Communications, Crawfordsville, Indiana. -
Toward an Understanding of the Sermon As a Temple Text
Toward an Understanding of the Sermon as a Temple Text In the limited time Jesus spent with the Nephites, he taught them things of ultimate importance. He gave them a series of commandments, which they then agreed to obey. They were solemnly admonished to “keep these sayings” so that they would “come not under condemnation; for wo unto him whom the Father condemneth” (3 Nephi 18:33). This was serious, sacred business. Although the Savior forbade the disciples to write or speak some of the things they saw and heard (see 3 Nephi 26:18), and while a person can interpret this Christophany in many ways, the recorded material lends itself readily to a ritual understanding. The types of actions, pronouncements, instructions, roles, symbols, images, and injunctions found in the Sermon at the Temple are ritually repeatable. By considering the sequence and substance of these materials, we can visualize the outlines— sometimes faintly, other times quite distinctly—of the solemn, ceremony-like experience Jesus presented to those he met at the temple. The temple setting of the Sermon, accordingly, invites us to examine each of its momentous elements with a temple context in mind. In the following pages, I shall explore the forty-eight elements of the Sermon that I have identied, examining in particular their possible roles in establishing or preparing to establish covenant relationships between God and his people and the capacity of those elements to be ritualized. For corroboration and elaboration, I draw upon various ritual aspects of early Christianity, Near Eastern temple typology, continuities between Jesus’ Sermon and Israelite temple practices or cultic texts, and modern Latter-day scriptures and teachings. -
Psalms Psalm
Cultivate - PSALMS PSALM 126: We now come to the seventh of the "Songs of Ascent," a lovely group of Psalms that God's people would sing and pray together as they journeyed up to Jerusalem. Here in this Psalm they are praying for the day when the Lord would "restore the fortunes" of God's people (vs.1,4). 126 is a prayer for spiritual revival and reawakening. The first half is all happiness and joy, remembering how God answered this prayer once. But now that's just a memory... like a dream. They need to be renewed again. So they call out to God once more: transform, restore, deliver us again. Don't you think this is a prayer that God's people could stand to sing and pray today? Pray it this week. We'll pray it together on Sunday. God is here inviting such prayer; he's even putting the very words in our mouths. PSALM 127: This is now the eighth of the "Songs of Ascent," which God's people would sing on their procession up to the temple. We've seen that Zion / Jerusalem / The House of the Lord are all common themes in these Psalms. But the "house" that Psalm 127 refers to (in v.1) is that of a dwelling for a family. 127 speaks plainly and clearly to our anxiety-ridden thirst for success. How can anything be strong or successful or sufficient or secure... if it does not come from the Lord? Without the blessing of the Lord, our lives will come to nothing. -
Mahzor - Fourth Edition.Indb 1 18-08-29 11:38 Mahzor
Mahzor - Fourth Edition.indb 1 18-08-29 11:38 Mahzor. Hadesh. Yameinu RENEW OUR DAYS A Prayer-Cycle for Days of Awe Edited and translated by Rabbi Ron Aigen Mahzor - Fourth Edition.indb 3 18-08-29 11:38 Acknowledgments and copyrights may be found on page x, which constitutes an extension of the copyright page. Copyright © !""# by Ronald Aigen Second Printing, !""# $ird Printing, !""% Fourth Printing, !"&' Original papercuts by Diane Palley copyright © !""#, Diane Palley Page Designer: Associès Libres Formatting: English and Transliteration by Associès Libres, Hebrew by Resolvis Cover Design: Jonathan Kremer Printed in Canada ISBN "-$%$%$!&-'-" For further information, please contact: Congregation Dorshei Emet Kehillah Synagogue #( Cleve Rd #!"" Mason Farm Road Hampstead, Quebec Chapel Hill, CANADA NC !&)#* H'X #A% USA Fax: ()#*) *(%-)**! ($#$) $*!-($#* www.dorshei-emet.org www.kehillahsynagogue.org Mahzor - Fourth Edition.indb 4 18-08-29 11:38 Mahzor - Fourth Edition.indb 6 18-08-29 11:38 ILLUSTRATIONS V’AL ROSHI SHECHINAT EL / AND ABOVE MY HEAD THE PRESENCE OF GOD vi KOL HANSHEMAH T’HALLEL YA / LET EVERYTHING THAT HAS BREATH PRAISE YOU xxii BE-ḤOKHMAH POTE‘AḤ SHE‘ARIM / WITH WISDOM YOU OPEN GATEWAYS 8 ELOHAI NESHAMAH / THE SOUL YOU HAVE GIVEN ME IS PURE 70 HALLELUJAH 94 ZOKHREINU LE-ḤAYYIM / REMEMBER US FOR LIFE 128 ‘AKEDAT YITZḤAK / THE BINDING OF ISAAC 182 MALKHUYOT, ZIKHRONOT, SHOFAROT / POWER, MEMORY, VISION 258 TASHLIKH / CASTING 332 KOL NIDREI / ALL VOWS 374 KI HINNEI KA-ḤOMER / LIKE CLAY IN THE HAND OF THE POTIER 388 AVINU MALKEINU