Understanding the Digital Music Commodity
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EDMTCC 2014 – the EDM Guide
EDMTCC 2014 F# The EDM Guide: Technology, Culture, Curation Written by Robby Towns EDMTCC.COM [email protected] /EDMTCC NESTAMUSIC.COM [email protected] @NESTAMUSIC ROBBY TOWNS AUTHOR/FOUNDER/ENTHUSIAST HANNAH LOVELL DESIGNER LIV BULI EDITOR JUSTINE AVILA RESEARCH ASSISTANT ACKNOWLEDGEMENTS SIMON MORRISON GOOGLE VINCENT REINDERS 22TRACKS GILLES DE SMIT 22TRACKS LUKE HOOD UKF DANA SHAYEGAN THE COLLECTIVE BRIAN LONG KNITTING FACTORY RECORDS ERIC GARLAND LIVE NATION LABS BOB BARBIERE DUBSET MEDIA HOLDINGS GLENN PEOPLES BILLBOARD MEGAN BUERGER BILLBOARD THE RISE OF EDM 4 1.1 SURVIVAL OF THE FITTEST 6 1.2 DISCO TO THE DROP 10 1.3 A REAL LIFE VIDEO GAME 11 1.4 $6.2 BILLION GLOBAL INDUSTRY 11 1.5 GOING PUBLIC 13 1.6 USB 14 TECHNOLOGY: 303, 808, 909 15 2.1 ABLETON LIVE 18 2.2 SERATO 19 2.3 BEATPORT 21 2.4 SOUNDCLOUD 22 2.5 DUBSET MEDIA HOLDINGS 23 CULTURE: BIG BEAT TO MAIN STREET 24 3.1 DUTCH DOMINANCE 26 3.2 RINSE FM 28 3.3 ELECTRIC DAISY CARNIVAL 29 3.4 EDM FANS = HYPERSOCIAL 30 CURATION: DJ = CURATOR 31 4.1 BOOMRAT 33 4.2 UKF 34 4.3 22TRACKS 38 BONUS TRACK 41 THE RISE OF EDM “THE MUSIC HAS SOMETHING IN COMMON WITH THE CURRENT ENGLISH- SYNTHESIZER LED ELECTRONIC DANCE MUSIC...” –LIAM LACEY, CANADIAN GLOBE & MAIL 1982 EDMTCC.COM What is “EDM”? The answer from top brands, and virtually to this question is not the every segment of the entertain- purpose of this paper, but is ment industry is looking to cap- a relevant topic all the same. -
Pattern, the Visual Mathematics: a Search for Logical Connections in Design Through Mathematics, Science, and Multicultural Arts
Rochester Institute of Technology RIT Scholar Works Theses 6-1-1996 Pattern, the visual mathematics: A search for logical connections in design through mathematics, science, and multicultural arts Seung-eun Lee Follow this and additional works at: https://scholarworks.rit.edu/theses Recommended Citation Lee, Seung-eun, "Pattern, the visual mathematics: A search for logical connections in design through mathematics, science, and multicultural arts" (1996). Thesis. Rochester Institute of Technology. Accessed from This Thesis is brought to you for free and open access by RIT Scholar Works. It has been accepted for inclusion in Theses by an authorized administrator of RIT Scholar Works. For more information, please contact [email protected]. majWiif." $0-J.zn jtiJ jt if it a mtrc'r icjened thts (waefii i: Tkirr. afaidiid to bz i d ! -Lrtsud a i-trio. of hw /'' nvwte' mfratWf trawwi tpf .w/ Jwitfl- ''','-''' ftatsTB liovi 'itcj^uitt <t. dt feu. Tfui ;: tti w/ik'i w cWii.' cental cj lniL-rital. p-siod. [Jewy anJ ./tr.-.MTij of'irttion. fan- 'mo' that. I: wo!'.. PicrdoTrKwe, wiifi id* .or.if'iifer -now r't.t/ry summary Jfem2>/x\, i^zA 'jX7ipu.lv z&ietQStd (Xtrma iKc'i-J: ffocub. The (i^piicaiom o". crWx< M Wf flrtu't. fifesspwn, Jiii*iaiin^ jfli dtfifi,tmi jpivxei u3ili'-rCi luvjtv-tzxi patcrr? ;i t. drifters vcy. Symmetr, yo The theoretical concepts of symmetry deal with group theory and figure transformations. Figure transformations, or symmetry operations refer to the movement and repetition of an one-, two , and three-dimensional space. (f_8= I lhowtuo irwti) familiar iltjpg . -
Editorial Metadata in Electronic Music Distribution Systems: Between Universalism and Isolationism
Journal of New Music Research 2005, Vol. 34, No. 2, pp. 173 – 184 Editorial Metadata in Electronic Music Distribution Systems: Between Universalism and Isolationism Franc¸ ois Pachet, Amaury La Burthe, Jean-Julien Aucouturier and Anthony Beurive´ Sony CSL – Paris Abstract about the artist, the title, and so on. Although you enjoy the new tune, you do not know much about We address the problem of metadata management in the Bjork: you have only been able to classify the artist in context of future Electronic Music Distribution (EMD) your walkman’s local genre taxonomy as ‘‘Electronica / systems, and propose a classification of existing musical Icelandic’’. editorial systems in two categories: the isolationists and As you walk by a cafe´ in Reykjavik, you decide that the universalists. Universalists propose shared informa- you would like to see what information the local tion at the expense of consensuality, while isolationist community has to offer about Bjork (she’s Icelandic, approaches allow individual parameterization at the isn’t she?) You turn on your walkman, which immedi- expense of the lack of reusability. We propose an ately connects to the nearby metadata server at the cafe´ architecture and a system for managing editorial and download locally available information. Unfortu- metadata that lies in the middle of these two extremes: nately, access to the music files is copyrighted and we organize musical editorial information in such a way restricted. However, you have access to the correspond- that users can benefit from shared metadata when they ing metadata. Your walkman automatically browses the wish, while also allowing them to create and manage a local genre taxonomy and is able to trace down Bjork, private version of editorial information. -
Roxy Music to Play a Day on the Green with Original Line up Including the Legendary Bryan Ferry
Media Release: Thursday 18 th November ROXY MUSIC TO PLAY A DAY ON THE GREEN WITH ORIGINAL LINE UP INCLUDING THE LEGENDARY BRYAN FERRY With support from Nathan Haines Roundhouse Entertainment and Andrew McManus Presents is proud to announce that Roxy Music, consisting of vocalist Bryan Ferry, guitarist Phil Manzanera, saxophonist Andy Mackay and the great Paul Thompson on drums, are coming to New Zealand for one A Day On The Green show only at Villa Maria Estate Winery on Sunday 6 th March. Roxy Music will perform material from their entire catalogue including such hits as, Dance Away , Avalon , Let's Stick Together, Take A Chance With Me , Do the Strand , Angel Eyes , Oh Yeah , In the Midnight Hour , Jealous Guy, Love Is The Drug , More Than This and many more. Distinguished by their visual and musical sophistication and their preoccupation with style and glamour Roxy Music were highly influential, as leading proponents of the more experimental element of glam rock as well as a significant influence on early English punk music. They also provided a model for many new wave acts and the experimental electronic groups of the early 1980s. In 2004, Rolling Stone Magazine ranked Roxy Music on its list of the 100 Greatest Artists of All Time and the band are regarded as one of the most influential art-rock bands in music history. Roxy Music exploded onto the scene in 1972 with their progressive self-titled debut album. The sound challenged the constraints of pop music and was lauded by critics and popular among fans, peaking at #4 on the UK album charts. -
Text-Based Description of Music for Indexing, Retrieval, and Browsing
JOHANNES KEPLER UNIVERSITAT¨ LINZ JKU Technisch-Naturwissenschaftliche Fakult¨at Text-Based Description of Music for Indexing, Retrieval, and Browsing DISSERTATION zur Erlangung des akademischen Grades Doktor im Doktoratsstudium der Technischen Wissenschaften Eingereicht von: Dipl.-Ing. Peter Knees Angefertigt am: Institut f¨ur Computational Perception Beurteilung: Univ.Prof. Dipl.-Ing. Dr. Gerhard Widmer (Betreuung) Ao.Univ.Prof. Dipl.-Ing. Dr. Andreas Rauber Linz, November 2010 ii Eidesstattliche Erkl¨arung Ich erkl¨are an Eides statt, dass ich die vorliegende Dissertation selbstst¨andig und ohne fremde Hilfe verfasst, andere als die angegebenen Quellen und Hilfsmittel nicht benutzt bzw. die w¨ortlich oder sinngem¨aß entnommenen Stellen als solche kenntlich gemacht habe. iii iv Kurzfassung Ziel der vorliegenden Dissertation ist die Entwicklung automatischer Methoden zur Extraktion von Deskriptoren aus dem Web, die mit Musikst¨ucken assoziiert wer- den k¨onnen. Die so gewonnenen Musikdeskriptoren erlauben die Indizierung um- fassender Musiksammlungen mithilfe vielf¨altiger Bezeichnungen und erm¨oglichen es, Musikst¨ucke auffindbar zu machen und Sammlungen zu explorieren. Die vorgestell- ten Techniken bedienen sich g¨angiger Web-Suchmaschinen um Texte zu finden, die in Beziehung zu den St¨ucken stehen. Aus diesen Texten werden Deskriptoren gewon- nen, die zum Einsatz kommen k¨onnen zur Beschriftung, um die Orientierung innerhalb von Musikinterfaces zu ver- • einfachen (speziell in einem ebenfalls vorgestellten dreidimensionalen Musik- interface), als Indizierungsschlagworte, die in Folge als Features in Retrieval-Systemen f¨ur • Musik dienen, die Abfragen bestehend aus beliebigem, beschreibendem Text verarbeiten k¨onnen, oder als Features in adaptiven Retrieval-Systemen, die versuchen, zielgerichtete • Vorschl¨age basierend auf dem Suchverhalten des Benutzers zu machen. -
Roxy Music in 1972: Phil Manzanera, Bryan Ferry, Andy Mackay, Brian Eno, Rik Kenton, and Paul Thompson (From Le )
Roxy Music in 1972: Phil Manzanera, Bryan Ferry, Andy Mackay, Brian Eno, Rik Kenton, and Paul Thompson (from le ) > > Roxy 20494_RNRHF_Text_Rev0_54-120.pdfMusic 9 3/5/19 10:32 AM A THE ICONOCLASTIC BAND’S MUSIC CHANGED DRASTICALLY WHILE BALANCING FINE TASTE WITH MAVERICK STYLE BY JIM FARBER n what universe does the story of Roxy Mu- Since the group formed in 1972, Roxy messed with sic make sense? They began with a sound everyone’s notion of what music should sound like, as fired by cacophonous outbursts and wild well as how a band should present itself. The songs on aectations, only to evolve into one of the their first two albums often landed like punchlines, most finely controlled and heartfelt bands of fired by guitar, synth, and sax solos as exaggerated as all time. On the one hand, they lampooned cartoons. It was a sonic pastiche of the most anarchic, glamour, romance, and style, while on the gleeful, and sublime kind, created by a cast of inspired other epitomizing their highest expressions. And strays. And, amid their early ranks were two players – while they drew on common genres – including Bryan Ferry and Brian Eno – who would come to stand glam, free jazz, and art rock – they suered none of among music’s most creative forces. Given the scope of their clichés. Oh, and somewhere along the way, they the pair’s talents, it’s no surprise Roxy could contain Imade oboe solos a thing. them both for only two years. 20494_RNRHF_Text_Rev0_54-120.pdf 10 3/5/19 10:32 AM 20494_RNRHF_Text_Rev0_54-120.pdf 11 3/5/19 10:32 AM Opposite page: Bryan Ferry in the studio, 1971. -
Bibliotheek (Library)
0 2666 Roberto Bolaño 2750/2751 Thomas Kuijpers A A Grammar of the Multitude Paolo Virno A Personal Matter Kenzaburo Oë A Short History of Decay E.M. Cioran A Thousand Years of Nonlinear History Manuel De Landa A Void Georges Perec A Well Respected Man, Or Book of Echoes Wendelien Van Oldenborgh A Year with Swollen Appendices Brian Eno The Address Book Sophie Calle Afterthoughts on Material Civilization and Capitalism (Johns Hopkins 1977 edition) Fernand Braudel Amerika / Franz Kafka Anthropology, Reality, Cinema: The Films of Jean Rouch Mick Eaton Anywhere Or Not At All: Philosophy of Contemporary Art Peter Osborne Art and Its Shadow Mario Perniola Atlas of the Conflict: Israel-Palestine Bibliotheek Malkit Shoshan (Library) The Atrocity Exhibition J. G. Ballard A Common Library to be installed Autobiography of Red at Witte de With and Spring Anne Carson with material proposed by B The Bad Girl Mario Vargas Llosa A Constructed World (Geoff Lowe and Barbaric Others, A Manifesto on Western Racism Jacqueline Riva), Nadim Abbas, Merryl Wyn Davies, Ashis Nandy, Ziauddin Sardar Lee Ambrozy, Ang Song Ming, Bartleby the Scrivener Defne Ayas, Mimi Brown, Herman Melville Heman Chong, Mette Edvardsen, Becoming Beside Ourselves Tim Etchells and Vlatka Horvat, Brian Rotman Amira Gad, Natasha Ginwala, John Jervis, Between Past and Future Patrick Killoran, Claudia La Rocco, Hannah Arendt Michael Lee, Lucas Lenglet, Big Trouble Warren Leung and Sara Wong, J. Anthony Lukas Latitudes (Max Andrews and Mariana The Birds of Hong Kong and South China Cánepa Luna), Christina Li, Qinyi Lim, Clive Viney, Karen Phillipps, and Chiu-ying Lam Anthony Marcellini, Robin Peckham, Black Skin White Masks Vivian Sky Rehberg, Samuel Saelemakers, Franz Fanon Alexandra Seno, Martine Stig, Blindness Xue Tan, Xiaoyu Weng, Jose Saramago Wendelien van Oldenbourgh, Blue: The History of a Color Samson Young and Vivian Ziherl. -
31295019800852.Pdf (1.481Mb)
IMPACT OF PAY-FOR-PLAY DOWNLOADING ON THE MUSIC INDUSTRY by James Robert Law A SENIOR THESIS in GENERAL STUDIES Submitted to the General Studies Council in the College of Arts and Sciences at Texas Tech University in Partial fulfillment of the Requirements for the Degree of BACHELOR OF GENERAL STUDIES Approved BLOOD Choo~~~~s~~ unications of Thesis Committee ~- THOMAS HUGHES School o-f Visual and Performing Arts Accepted DR. ~MICHAEL SCHOENECKE Director of General Studies MAY 2005 -r3 ACKNOWLEDGMENTS ^ooS ,,-) < I would like to thank Dr. Youngblood and Dr. Hughes CxO.c^ for their incredible assistance and patience. Your help is much appreciated, and I could not have finished this without the incredible amount of time and energy you both put forth. I would like to consider you both not only valuable mentors in my life, but also friends. I would like to thank my girlfriend, Michele Stephens, for her incredible encouragement that motivated me when I was so near completion. Thank you for understanding my one-track mind. Thanks for letting me talk out my ideas with you to solidify them. Finally, thanks to my mother, whose support I will always appreciate. Her prayers and concerns were always felt and well received. Without the sacrifices she made, I would not have had the time or the wits to finish this. 11 TABLE OF CONTENTS ACKNOWLEDGMENTS ii CHAPTER I. INTRODUCTION 1 II. TECHNOLOGICAL BACKGROUND 3 What Is the MP3 File Format 3 What Is a Peer-to-Peer Network 5 What Makes a Download Legal/Illegal 7 What Is a Pay-for-Play Downloading Program... -
Employing Subjective Tests and Deep Learning for Discovering the Relationship Between Personality Types and Preferred Music Genres
electronics Article Employing Subjective Tests and Deep Learning for Discovering the Relationship between Personality Types and Preferred Music Genres Aleksandra Dorochowicz 1, Adam Kurowski 1,2 and Bo˙zenaKostek 1,2,* 1 Faculty of Electronics, Telecommunications and Informatics, Multimedia Systems Department, Gdansk University of Technology, Gabriela Narutowicza 11/12, 80-233 Gda´nsk,Poland; [email protected] (A.D.); [email protected] (A.K.) 2 Faculty of Electronics, Telecommunications and Informatics, Audio Acoustics Laboratory, Gdansk University of Technology, Gabriela Narutowicza 11/12, 80-233 Gda´nsk,Poland * Correspondence: [email protected]; Tel.: +48-58-3472717 Received: 13 October 2020; Accepted: 25 November 2020; Published: 28 November 2020 Abstract: The purpose of this research is two-fold: (a) to explore the relationship between the listeners’ personality trait, i.e., extraverts and introverts and their preferred music genres, and (b) to predict the personality trait of potential listeners on the basis of a musical excerpt by employing several classification algorithms. We assume that this may help match songs according to the listener’s personality in social music networks. First, an Internet survey was built, in which the respondents identify themselves as extraverts or introverts according to the given definitions. Their task was to listen to music excerpts that belong to several music genres and choose the ones they like. Next, music samples were parameterized. Two parametrization schemes were employed for that purpose, i.e., low-level MIRtoolbox parameters (MIRTbx) and variational autoencoder neural network-based, which automatically extract parameters of musical excerpts. The prediction of a personality type was performed employing four baseline algorithms, i.e., support vector machine (SVM), k-nearest neighbors (k-NN), random forest (RF), and naïve Bayes (NB). -
Audio Based Genre Classification of Electronic Music
Audio Based Genre Classification of Electronic Music Priit Kirss Master's Thesis Music, Mind and Technology University of Jyväskylä June 2007 JYVÄSKYLÄN YLIOPISTO Faculty of Humanities Department of Music Priit Kirss Audio Based Genre Classification of Electronic Music Music, Mind and Technology Master’s Thesis June 2007 Number of pages: 72 This thesis aims at developing the audio based genre classification techniques combining some of the existing computational methods with models that are capable of detecting rhythm patterns. The overviews of the features and machine learning algorithms used for current approach are presented. The total 250 musical excerpts from five different electronic music genres such as deep house, techno, uplifting trance, drum and bass and ambient were used for evaluation. The methodology consists of two main steps, first, the feature data is extracted from audio excerpts, and second, the feature data is used to train the machine learning algorithms for classification. The experiments carried out using feature set composed of Rhythm Patterns, Statistical Spectrum Descriptors from RPextract and features from Marsyas gave the highest results. Training that feature set on Support Vector Machine algorithm the classification accuracy of 96.4% was reached. Music Information Retrieval Contents 1 INTRODUCTION ..................................................................................................................................... 1 2 PREVIOUS WORK ON GENRE CLASSIFICATION ........................................................................ -
NCH Software Stamp ID3 Tag Editor
NCH Software Stamp ID3 Tag Editor This user guide has been created for use with Stamp ID3 Tag Editor Version 2.xx ©NCH Software Technical Support If you have difficulties using Stamp ID3 Tag Editor please read the applicable topic before requesting support. If your problem is not covered in this user guide please view the up-to-date Stamp ID3 Tag Editor Online Technical Support at www.nch.com.au/tageditor/support.html. If that does not solve your problem, you can contact us using the technical support contacts listed on that page. Software Suggestions If you have any suggestions for improvements to Stamp ID3 Tag Editor, or suggestions for other related software that you might need, please post it on our Suggestions page at www.nch.com.au/suggestions/index.html . Many of our software projects have been undertaken after suggestions from users like you. You get a free upgrade if we follow your suggestion. Stamp ID3 Tag Editor Contents Introduction..................................................................................................................................... 2 Stamping a file................................................................................................................................ 3 Renaming Multiple files.................................................................................................................. 4 Shortcut Key Reference................................................................................................................. 5 Troubleshoot Problems................................................................................................................. -
Ambient Music
Înv ăţământ, Cercetare, Creaţie (Education, Research, Creation) Volume I AMBIENT MUSIC Author: Assistant Lecturer Phd. Iliana VELESCU Ovidius University Constanta Faculty of Arts Abstract: Artistic exploration period of the early 20th century draws two new directions in art history called Dadaism and Futurism. Along with the painters and writers who begin to manifest in these artistic directions, is distinguished composers whose works are focused on producing electronic, electric and acoustic sounds. Music gets a strong minimalist and concrete experimental type, evolving in different genres including the ambient music. Keywords: ambient music, minimalism, experimental music Ambient music is a derivative genre of electronic music known as background music developed from traditional musical structures, and generally focuses on timbre sound and creating a specific sound field. The origins of this music are found in the early 20th century, shortly before and after the First World War. This period of exploration and rejection of what was classical and traditionally gave birth of two artistic currents called in art history, Dadaism and Futurism. Along with painters and writers manifested in these artistic directions were distinguished experimental musician such as Francesco Balilla Pratella, Kurt Schwitters and Erwin Schulhoff. This trend has had a notable influence in Erik Satie works which consider this music as „music of furniture” (Musique d'ameublement) and proper to create a suitable background during dinner rather than serving as the focus of attention1. The experimental trend has evolved at the same time with the „music that surrounds us” which start to delimitated the cosmic sounds, nature sounds, and sound objects - composers being attracted by sound exploring in microstructure and macrostructure level through the emergence and improvement of acoustic laboratories or electronic music studios as well as Iannis Xenakis, Pierre Boulez, Karl Stockausen.