Courier Gazette : November 7, 1939
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Who's Who at Metro-Goldwyn-Mayer (1939)
W H LU * ★ M T R 0 G 0 L D W Y N LU ★ ★ M A Y R MyiWL- * METRO GOLDWYN ■ MAYER INDEX... UJluii STARS ... FEATURED PLAYERS DIRECTORS Astaire. Fred .... 12 Lynn, Leni. 66 Barrymore. Lionel . 13 Massey, Ilona .67 Beery Wallace 14 McPhail, Douglas 68 Cantor, Eddie . 15 Morgan, Frank 69 Crawford, Joan . 16 Morriss, Ann 70 Donat, Robert . 17 Murphy, George 71 Eddy, Nelson ... 18 Neal, Tom. 72 Gable, Clark . 19 O'Keefe, Dennis 73 Garbo, Greta . 20 O'Sullivan, Maureen 74 Garland, Judy. 21 Owen, Reginald 75 Garson, Greer. .... 22 Parker, Cecilia. 76 Lamarr, Hedy .... 23 Pendleton, Nat. 77 Loy, Myrna . 24 Pidgeon, Walter 78 MacDonald, Jeanette 25 Preisser, June 79 Marx Bros. —. 26 Reynolds, Gene. 80 Montgomery, Robert .... 27 Rice, Florence . 81 Powell, Eleanor . 28 Rutherford, Ann ... 82 Powell, William .... 29 Sothern, Ann. 83 Rainer Luise. .... 30 Stone, Lewis. 84 Rooney, Mickey . 31 Turner, Lana 85 Russell, Rosalind .... 32 Weidler, Virginia. 86 Shearer, Norma . 33 Weissmuller, John 87 Stewart, James .... 34 Young, Robert. 88 Sullavan, Margaret .... 35 Yule, Joe.. 89 Taylor, Robert . 36 Berkeley, Busby . 92 Tracy, Spencer . 37 Bucquet, Harold S. 93 Ayres, Lew. 40 Borzage, Frank 94 Bowman, Lee . 41 Brown, Clarence 95 Bruce, Virginia . 42 Buzzell, Eddie 96 Burke, Billie 43 Conway, Jack 97 Carroll, John 44 Cukor, George. 98 Carver, Lynne 45 Fenton, Leslie 99 Castle, Don 46 Fleming, Victor .100 Curtis, Alan 47 LeRoy, Mervyn 101 Day, Laraine 48 Lubitsch, Ernst.102 Douglas, Melvyn 49 McLeod, Norman Z. 103 Frants, Dalies . 50 Marin, Edwin L. .104 George, Florence 51 Potter, H. -
November 8, 2020 32Nd Sunday in Ordinary Time
November 8, 2020 32nd Sunday in Ordinary Time Mass Schedule/ s/Horario de la Parroquia Sat. 5:15p, Sun. 8:00a, 10:00a English, Dom. e. 8:00a—4:30p • Fri. 8:00a—12:00p Mon.- Fri. 8:00a English/Wed. 6:00p English roco Confession stall—[email protected] Mon.- Fri. 7:30—7:55a/Wed 5:00—5:55p/Thurs. Sat. 3:30—4:30p/First Sunday of eve Vicar/Vicario Parroquial before al mbro—[email protected] Religion Classes/Clases de Religi Assistant/Asistente Pastoral Sun. 11:15a— ss Manager/Gerente de Negocios —[email protected] Baptisms/B Contact the parish office at least 6 months be r of Evangelization and Faith Formation/ diesired baptis ra de Evangelización y Formación de Fe Póngase en contacto con la oficina parroquial por lo Lucero—[email protected] 6 meses antes de la fecha del bautismo que usted ecretary/Secretaria Bilingue de la Parroquia Marriage/M sa—[email protected] Contact the priest as soon as you begin to think s marriage. Marriage preparation is at leas of Music/Director de Música Consulte al sacerdote cuando comience a pe ario—[email protected] matrimonio. La preparación es por lo menos de e Oficina de la Escuela Anointing of Sick/Unción de los 6131 Fourth Thursday of the month at Cuarto Jueves del mes en la Mis retary/Secretaria Bilingue de la Escuela ento—[email protected] Adoration/Adoración del 6:00a—12:00 Midnight/M cipal/Director de la Escuela amilton—[email protected] Rosary/R Mon.- Fri. 7:30a, Mar. -
2021 7 Day Working Days Calendar
2021 7 Day Working Days Calendar The Working Day Calendar is used to compute the estimated completion date of a contract. To use the calendar, find the start date of the contract, add the working days to the number of the calendar date (a number from 1 to 1000), and subtract 1, find that calculated number in the calendar and that will be the completion date of the contract Date Number of the Calendar Date Friday, January 1, 2021 133 Saturday, January 2, 2021 134 Sunday, January 3, 2021 135 Monday, January 4, 2021 136 Tuesday, January 5, 2021 137 Wednesday, January 6, 2021 138 Thursday, January 7, 2021 139 Friday, January 8, 2021 140 Saturday, January 9, 2021 141 Sunday, January 10, 2021 142 Monday, January 11, 2021 143 Tuesday, January 12, 2021 144 Wednesday, January 13, 2021 145 Thursday, January 14, 2021 146 Friday, January 15, 2021 147 Saturday, January 16, 2021 148 Sunday, January 17, 2021 149 Monday, January 18, 2021 150 Tuesday, January 19, 2021 151 Wednesday, January 20, 2021 152 Thursday, January 21, 2021 153 Friday, January 22, 2021 154 Saturday, January 23, 2021 155 Sunday, January 24, 2021 156 Monday, January 25, 2021 157 Tuesday, January 26, 2021 158 Wednesday, January 27, 2021 159 Thursday, January 28, 2021 160 Friday, January 29, 2021 161 Saturday, January 30, 2021 162 Sunday, January 31, 2021 163 Monday, February 1, 2021 164 Tuesday, February 2, 2021 165 Wednesday, February 3, 2021 166 Thursday, February 4, 2021 167 Date Number of the Calendar Date Friday, February 5, 2021 168 Saturday, February 6, 2021 169 Sunday, February -
2020–2021District Calendar
2020–2021 DISTRICT CALENDAR August 10-14 ...........................New Leader Institute November 11 .................... Veterans Day: No school Major Religious & Cultural Holidays August 17-20 ........ BPS Learns Summer Conference November 25 ..... Early release for students and staff 2020 2021 (TSI, ALI, English Learner Symposium, November 26-27 ....Thanksgiving Recess: No school July 31 ..........Eid al-Adha Jan. 1 ........New Year’s Day Early Childhood/UPK Conference, December 24- January 1 ..Winter Recess: No school Sep. 19-20 ..Rosh Hashanah Jan. 6 ......Three Kings Day New Teacher Induction) January 4.................... All teachers and paras report . Sep. 28 .........Yom Kippur Feb. 12 .... Lunar New Year September 1 ......REMOTE: UP Academies: Boston, January 5...................... Students return from recess Nov. 14 ...... Diwali begins Feb. 17 ... Ash Wednesday Dorchester, and Holland, January 18..................M.L. King Jr. Day: No school all grades − first day of school Nov. 26 .......Thanksgiving Mar. 27-Apr. 3 ..... Passover February 15 .................... Presidents Day: No school September 7 .......................... Labor Day: No school Dec. 10-18 .......Hanukkah Apr. 2 ............ Good Friday February 16-19.............February Recess: No school September 8 .............. All teachers and paras report Dec. 25 ............Christmas Apr. 4 ...................... Easter April 2 ...................................................... No school September 21 ..........REMOTE: ALL Students report Dec. -
November: Earthquakes Plan Ahead
Teacher’s Guide November: Earthquakes Plan ahead • Identify safe places in your classroom, such Drop, Cover, and Hold On! as under desks or solid tables and away from windows, hanging objects, or tall furniture Although earthquakes are uncommon in New York City, that could fall. tremors occasionally occur. It’s important to know what to do if • Examine your room for unstable items that an earthquake or a tremor occurs at school or at home. In August could fall on someone during a tremor. For 2011, tremors were felt in New York City from an earthquake example, anchor bookcases to the wall and that originated in Virginia. store large, heavy, or breakable objects on low shelves. During an earthquake: • Make sure students know that during a • Drop to the floor. tremor it’s best to stay where you are instead of trying to evacuate. • Take cover under a solid piece of furniture or next to an • If you are outdoors, move to a clear area and avoid power lines, buildings, and trees. interior wall. • Cover your head and neck with your arms. • Hold on to a sturdy piece of furniture. Stay where you are until the shaking stops. ©Can Stock Photo,Inc./10952763 Stock ©Can After an earthquake: • Check the people around you for injuries. Do not move seriously injured people. • If you have a fire extinguisher and have been trained to use it, put out any small fires that occurred. Fun fact • Be prepared for aftershocks or subsequent tremors. There are over 900,000 earthquakes around the world each year. -
William Powell ~ 23 Films
William Powell ~ 23 Films William Horatio Powell was born 29 July 1892 in Pittsburgh, Pennsylvania. In 1907, he moved with his family to Kansas City, Missouri, where he graduated from Central High School in 1910. The Powells lived just a few blocks away from the Carpenters, whose daughter Harlean also found success in Hollywood as Blonde Bombshell Jean Harlow, although she and Powell did not meet until both were established actors. After school, Powell attended New York City's American Academy Of Dramatic Arts. Work in vaudeville, stock companies and on Broadway followed until, in 1922, aged 30, playing an evil henchman of Professor Moriarty in a production of Sherlock Holmes, his Hollywood career began. More small parts followed and he did sufficiently well that, in 1924, he was signed by Paramount Pictures, where he stayed for the next seven years. Though stardom was elusive, he did eventually attract attention as arrogant film director Lev Andreyev in The Last Command (1928) before finally landing his breakthrough role, that of detective Philo Vance in The Canary Murder Case (1929). Unlike many silent actors, the advent of sound boosted Powell's career. His fine, urbane voice, stage training and comic timing greatly aided his successful transition to the talkies. However, not happy with the type of roles he was getting at Paramount, in 1931 he switched to Warner Bros. His last film for them, The Kennel Murder Case (1933), was also his fourth and last Philo Vance outing. In 1934 he moved again, to MGM, where he was paired with Myrna Loy in Manhattan Melodrama (1934). -
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1 with B Brownsville a and B Valley D Theaters 1
1 With B Brownsville a and B Valley D Theaters 1 JEAN HARLOW WALLACE BEERY IN ‘VIVA VILLA!* STARS OF ‘THE THIN MAN’ BAXTER’S NEW ROMANCE SHE a -MpHi ,r.t’impi NEW FILM After a seven months absence the screen, platinum-blonde Harlow returns in a rollicking Metro-Gold wyn-Mayer picture “The Oirl from Missouri,” opening Sun- day for a two day run at the Rival! j (R'theatre, San Benito. As Eadie Chapman, the ambitious j showgirl who "had to be good” to, be good, Miss Harlow gives one of ] the mo6t entertaining performances of her career. Her big ambition is; to marry a millionaire. She becomes I engaged to (me middle aged bach- j elor, but he commits suicide a few minutes after acknowledging the engagement. She next centers her attentions upon Lionel Barrymore, a financial and political power in national affairs, and inadvertently fails in love with Barrymore’s son. played by Franchot Tone. Miss Harlow finally "gets her man.” but only after a series of hilarious situations, one of which bars, the vic- William Powell and Myraa Loy in the detective mystery. "The Thin lands her behind jail * Man with tim of a frame up. Barrymore plays Maureen O'Sullivan. Nat Pendleton. Minna Gombell and the character of T. R. Paige, the many others. 'The Thin Man ", based on Dastnell Hammett's great Warner Baxter and Maugc Evans as they appear in "Grand Canary", capitalist, whose appointment as novel shows Sunday and Monday at your'’ Capitol Theatre, Bnwrcu,- baaed on the fascinating beat seller novel by A J. -
Les Marx Brothers Ont La Parole Du Même Auteur
Les Marx Brothers ont la parole Du même auteur Le Dessin animé après Walt Disney Pauvert, 1961 L'Érotique du surréalisme Pauvert, 1965 Le Taureau irlandais Filipacchi, 1974 Les Dingues du nonsense Balland, 1977 Seuil, coll. « Point-Virgule », 1986 Alain Resnais, arpenteur de l'imaginaire Stock, 1981 Le Regard de Buster Keaton Herscher, 1985 Woody Allen au-delà du langage Herscher, 1985 John Huston, la grande ombre de l'aventure Lherminier, 1985 Le Rire des surréalistes La Bougie du Sapeur, 1988 Le Mystère Tex Avery Seuil, coll. «Point-Virgule», 1988 Bonjour Monsieur Lewis Seuil, coll. «Point-Virgule», 1989 A PARAÎTRE La Contagion de W. C. Fields Seuil, coll. « Point-Virgule », 1992 Les Marx Brothers ont la parole par Robert Benayoun Une antifamille Feu les Marx Brothers ? Vous voulez rire ? (Pré- cisément, vous voulez rire.) Dirait-on feu Shakes- peare, feu Freud, feu Antonin Artaud? Sous prétexte que le 22 juin 1977 Julius Marx dit Grou- cho, a, pourrait-on dire, changé de domicile, der- nier membre connu d'une progéniture assez brouillonne à prendre ses quartiers d'éternité dans le pays où l'on ne vieillit plus, nous n'allons pas ici emprunter le langage dodelinant de la nécro, ni entamer une oraison qui les eût fait en d'autres temps mourir de rire Non, l'imparfait n'est pas le mode qui convient pour parler de ces êtres parfaits, modèles de l'improbable ou de l'irrésistible, du hors mesure. Ils ne demeurent pas, comme dit le cliché, pré- sents parmi nous, mais présents contre nous, Guitry dirait : tout contre. -
Connecting Content with Consumers Volume 8 Issue 11
The Fastest Growing DVD, CD and Blu-ray Retail Catalog Connecting Content with Consumers Volume 8 Issue 11 The Blu-ray format catalogs of our Major and Independent Studios continues to expand at a rapid pace as strong consumer interest in collecting their favorite classic and contemporary films on the hi-def format. Sony has brought an American favorite, "Sleepless In Seattle" to BD, celebrating the 25th Anniversary of the popular motion picture. Along with Sony, Warner Archive and Universal Studios also have leading films now available from Allied Vaughn! We're also pleased to welcome new studio partners, Screen Icons IV, Comedy Dynamics and Here!Media to our AV MOD Collection. Their addition of their unique content to the AVMOD model underscores the limitless power of on demand physical media retail, no need for inventory or anticipating stocking levels while your investment sits without generating revenue! MOD and the related distribution technologies from Allied Vaughn are gaining the strong interest from near all the top content providers and aggegators, with an eye to improving and reducing costs and resources in the physical media supply chain. Contact us how we can work with your content or your retail organization. Richard Skillman Vice President Allied Vaughn [email protected] http://www.alliedvaughn.com AV MOD Studio Brochure AV MOD Gallery Title Library AV MOD Newsletter Archives Sony Celebrates "Sleepless in Seattle"s 25th Anniversary ! Sony is pulling out all the stops on one of their most beloved comedies and great hits from the 90's, "Sleepless in Seattle" celebrates its 25th anniversary and Sony has brought it to AV Retailers. -
P-26 Motion Picture Collection Repository: Seaver Center For
P-26 Motion Picture Collection Repository: Seaver Center for Western History Research, Natural History Museum of Los Angeles County Span Dates: c.1872-1971, bulk 1890s-1930s Extent: 48 linear feet Language: Primarily English Conditions Governing Use: Permission to publish, quote or reproduce must be secured from the repository and the copyright holder Conditions Governing Access: Research is by appointment only Preferred Citation: Motion Picture Collection, Seaver Center for Western History Research, Los Angeles County Museum of Natural History Related Holdings: There are numerous related collections, and these can be found by consulting the Photo and General Collection guides available at the Seaver Center’s website. They include manuscripts in general collection 1095 (Motion Pictures Collection), general collection 1269 (Motion Picture Programs and Memorabilia), general collection 1286 (Movie Posters Collection), general collection 1287 (Movie Window Cards and Lobby Cards Collection), and general collection 1288 (Motion Picture Exhibitors’ Campaign Books). Seaver Center for Western History Research P-26 Abstract: The Motion Picture Collection is primarily a photograph collection. Actor and actress stills are represented, including portraits by studio photographers, film and set stills, and other images, as well as related programs, brochures and clippings. Early technology and experimental work in moving pictures is represented by images about camera and projection devices and their inventors. Items related to movie production include early laboratories, sound, lighting and make-up technology. These items form Photograph Collection P-26 in the Seaver Center for Western History Research. Scope and Content: The Motion Picture Collection is primarily a photograph collection. Actor and actress stills are represented (including portraits by studio photographers), film stills, set stills, and other images, as well as related programs, brochures and clippings. -
Statement on LIBOR Transition
Board of Governors of the Federal Reserve System Federal Deposit Insurance Corporation Office of the Comptroller of the Currency Statement on LIBOR Transition November 30, 2020 The Board of Governors of the Federal Reserve System, the Office of the Comptroller of the Currency, and the Federal Deposit Insurance Corporation (collectively, the agencies) are issuing this statement to encourage banks to transition away from U.S. dollar (USD) LIBOR as soon as practicable.1 Background and Discussion The FFIEC’s “Joint Statement on Managing the LIBOR Transition”2 noted that the LIBOR transition is a significant event that banks should closely manage. The FFIEC statement further explained that new financial contracts should either utilize a reference rate other than LIBOR or have robust fallback language that includes a clearly defined alternative reference rate after LIBOR’s discontinuation. Separately, the agencies recently issued a statement that says a bank may use any reference rate for its loans that the bank determines to be appropriate for its funding model and customer needs.3 The administrator of LIBOR has announced it will consult on its intention to cease the publication of the one week and two month USD LIBOR settings immediately following the LIBOR publication on December 31, 2021, and the remaining USD LIBOR settings immediately following the LIBOR publication on June 30, 2023.4 Extending the publication of certain USD LIBOR tenors until June 30, 2023 would allow most legacy USD LIBOR contracts to mature before LIBOR experiences disruptions. Failure to prepare for disruptions to USD LIBOR, including operating with insufficiently robust fallback language, could undermine financial stability and banks’ safety and soundness.5 1 For purposes of this guidance, the term “bank” includes depository institutions under the Federal Deposit Insurance Act (12 U.S.C.