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City College of New York Architecture Library City College of New York Architecture Library Christo: Selected Bibliography “Christo and Jeanne-Claude, Two Works in Progress” Spitzer School of Architecture Lecture – October 4, 2012. About: Christo (Christo Vladimirov Javacheff,) and his late wife Jeanne-Claude (Jeanne-Claude Marie Denat), both born on June 13, 1935, worked together since 1961 to create large-scale outdoor works of art. While popularly known for their “wrapped” projects―requiring vast amounts of fabric―including the 1969 Wrapped Coast (Australia), the 1984 Wrapped Pont Neuf (Pais), and the 1995 Wrapped Reichstag (Berlin), the couple produced many more amazing projects over their years together. Their web site states, “What is really the common denominator is the use of fabric, cloth, textile. Fragile, sensual and temporary materials which translate the temporary character of the works of art.” Particularly well known in the US were Running Fence, Sonoma and Marin Counties, California, 1972-76, crossing 14 roads with 24.5 miles of fabric; and The Umbrellas, Japan-USA,1984-91, a thousand plus large umbrellas set into the landscape in California and Ibaraki, Japan―yellow umbrellas in the US and blue in Japan. A wildly popular project was The Gates, Central Park, New York City, 1979-2005. Seventy-five hundred gates with bright orange fabric panels stretched 25 miles through the park attracting throngs of locals and tourists for 16 days in 2005. Currently Christo is working on Over the River (the Arkansas River in Colorado) and The Mastaba (a project for the United Arab Emirates). Books: Chernow, Burt. Christo and Jeanne-Claude: a biography. St. Martin's Press, 2002. Cohen Special Collections N7193 .C5 C468 2002. Christo. Christo. Edizioni Apollinaire, 1964. NB623.C38 A43. ______. Christo. Thames & Hudson, 1969. Cohen Library NB623.C38 A6. ______. Christo. Abrams [1972]. Cohen Library NB893.C5 B6. ______. Christo, environmental art works. U.A.E. University, 1982. Cohen Special Collections N7193 .C5 A63 1982. ______. Christo and Jeanne-Claude. Schumacher, Edition Fils, [2006?]. N7193 .C5 A634 2006. ______. Christo and Jeanne-Claude: over the river, projek für den Arkansas River, Colorado. Mitte : Neuer Berliner Kunstverein, [2002?]. Cohen Special Collections N7193 .C5 A766 2002. ______. Christo and Jeanne-Claude: the umbrellas, Japan-USA, 1984-9. Special ed. Taschen, 1998. Cohen Library Special Collections. Vols. 1 & 2 + supp. N7193 .C5 A77 1998. ______. Christo and Jeanne-Claude: Wrapped Reichstag, Berlin, 1971-95. Special ed. Taschen, 1996. Cohen stacks and in Special Collections. N7193.C5 A778 1996. ______. Christo & Jeanne-Claude: Reichstag, Berlin, 1971-1995 = wrapped Reichstag, Berlin, 1971-1995. Taschen ; New York : Christo, 1995. N 7193 .C5 A777 1995. ______. The gates, Central Park, New York City, 1979-2005. Taschen, 2005. N7193.C5 A645 2005. ______. Christo: the Pont-Neuf, wrapped, Paris, 1975-85. Abrahms, 1990. Cohen Library Special Collections N7193 .C5 A72 1990. ______. Christo prints and objects, 1963-1987: a catalogue raisonné. Editions Schellmann ; Abbeville Press, 1988. N7193.C5 A4 1988. ______. Christo, running fence: Sonoma and Marin counties, California, 1972-1976. Abrams, 1978. Cohen Library Special Collections N7193.C5 A7433 1978. ______. Christo, surrounded islands: Biscayne Bay, Greater Miami, Florida, 1980-83. Abrams, 1986. Cohen Library Special Collections N7193 .C5 A76 1986. ______. Christo: Valley Curtain, Rifle, Colorado, 1970-72. Abrams [1973] Cohen Library N7193.C5 A43. Fineberg, Jonathan. Christo and Jeanne-Claude: On the Way to The Gates, Central Park, New York City. (Metropolitan Museum of Art Series). Yale, 2005. On Reserve. Vaizey, Marina. Christo. Rizzoli, 1990. N7193 .C5 V35 1990. ---------------------------------------------------------------------------------------------------------------------------------- These titles are available in the CCNY Architecture Library unless otherwise noted. Articles: (Selected from 1992 - 2006) “After the gates: Christo and Jeanne-Claude will offer a new version of Rocky Mountain high.” Landscape architecture, 2006 Aug., v.96, n.8, p.22. “Arte come paesaggio come architettura: riflessioni sulla rottura delle linee di confine disciplinari = Art as landscape as architecture: reflections on the breakdown of the boundaries between disciplines.” Marpillero, Sandro, 1955-. Lotus international, 2006, n.128, p.[64]-75. With a focus on two events in New York in 2005: Christo's 'The Gates' and the posthumous creation of Smithson's 'Floating Island.' “The Gates' revisited.” Blonsky, Douglas. Landscape architecture, 2005 Aug., v.95, n.8, p.14-16. “The Gates.” Swift, Barbara. Arcade, 2005 Summer, v.23, n.4, p.10-11. “Flags over the greensward: in New York City, an ephemeral work of public art meets one that has stood the test of time [The Gates].” Helphand, Kenneth I.. Landscape architecture, 2005 May, v.95, n.5, p.126-135. “Christo [e] Jeanne-Claude: [Umbrellas; Wrapped Walk Way].” Lotus international, 2000, n.106, p.[102]-103. “Christo [e] Jeanne-Claude: [Running Fence, California; Valley Curtain, Colorado].” Lotus international, 2000, n.106, p.[124-125]. “Christo e Jeanne-Claude: il grande velo del meraviglioso = The great veil of wonder.” Restany, Pierre, 1930-2003. Domus, 1997 Feb., n.790, p.59-65. Features two projects in the US: 'Over the River,' a project for the Arkansas River in Colorado and 'The Gates,' a project for Central Park in New York City. “Wrapping the Reichstag.” Dawson, Layla. Architectural review, 1995 Aug., v.198, n.1182, p.11-12. “Christo's umbrellas.” Dalton, Deborah W.. Landscape journal, 1992 Fall, v.11, n.2, p.204-207. ________________________________________________________________ Articles listed above are available in the CCNY Architecture Library. Web Site: Christo and Jeanne Claude: www.christojeanneclaude.net/ In-depth information on their work offering many images. _______________________________ Judy Connorton, Architecture Librarian September 2012 image: Christo with his wife, the late Jeanne-Claude. (Getty) .
Recommended publications
  • Hill to Bay, Land and Water: Christo and Jeanne-Claude and American Environmentalism
    Hill to Bay, Land and Water: Christo and Jeanne-Claude and American Environmentalism Jobyl A. Boone After four years of planning and preparation, the panels of early 1980s, by which time a more experienced and unified Christo and Jeanne Claude’s Running Fence, Sonoma and environmental movement had adopted more sophisticated Marin Counties, California, 1972-1976 were unfurled. The strategies of operation for greater efficacy in the promotion eighteen-foot tall ribbon of white, nylon fabric wound its of their agenda. way over U.S. Route 101 and meandered more than twenty- It is in the context of these developments that this paper four miles through the rolling hills north of Petaluma, before considers Running Fence and Surrounded Islands through extending into the Pacific Ocean at Bodega Bay (Figure 1). the lens of the growth and maturity of the modern environ- Seven years later, the artists’ Surrounded Islands, Biscayne mental movement in the United States. These two projects Bay, Greater Miami, Florida, 1980-1983 was completed. bracket a moment of significant change in the American For two weeks in May, seven miles of Miami’s Intracoastal environmental movement and in associated attitudes about Waterway were energized by pink polypropylene coronas environmental responsibility and advocacy which occurred encircling eleven small, “spoil islands” sprinkled along the between the early 1970s and the early 1980s. The base bay on a north-south axis between Miami and Miami Beach of the environmental community’s activities shifted in this (Figure
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  • “Direct Cinema Is Anything but a Fly on the Wall”: a Conversation with Albert
    i i i i DOI: 10.20287/doc.d20.en1 “Direct cinema is anything but a fly on the wall”: a conversation with Albert Maysles Frank Verano* Albert Maysles, along with his brother David, was a pioneer in American observational documentary in the early 1960s. Revolutionary technological breakthroughs developed by Maysles, producer Robert Drew, and filmmakers Ricky Leacock and D.A. Pennebaker allowed sound and image to be recorded in complete synchronization independent of any physical connectivity; this provided filmmakers a manageable mobility that positioned them to observe and interact with the world in a new way in pursuit of a new cinematic realism. In 1964, Albert coined a term for their practice, which thus distinguished it from the arbitrarily-applied misnomer cinéma vérité: direct cinema. With Albert behind the camera and David recording sound, the Maysleses sought a modern cinematic expression of both the everyday and the extraordi- nary that emphasized a spontaneous present-ness. Their early work exploring performativity and lives on the run set the stage: (Showman [1963], What’s Happening! The Beatles in the USA [1964], Cut Piece [1965], Meet Marlon Brando [1966] and A Visit With Truman Capote [1966]). Cut Piece was just the beginning of the Maysleses’ new cinematic engagement with modern art, which continued in the 1970s in a series of films with Christo and Jeanne- Claude: Christo’s Valley Curtain (1974), Running Fence (1978) and Islands (1986). Their suite of films in the late 1960s and early ’70s represents a furthe- ring of the concept of direct cinema, with an increased emphasis on reflexivity in each.
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  • Presentation for Christo and Jeanne Claude
    Presentation for Christo and Jeanne Claude I Slide 1 A fun idea: You may want to wrap an object or package before the presentation. You can wrap it in plain fabric, white paper or colored wrapping paper. Make a big show of it and put it in a conspicuous place when you walk into the room on the day of the presentation. Do not mention it or refer to it. Do the students seem curious? How long before someone asks about it? Is the fact that they do not know what is inside intriguing? Does it make the object more interesting? As most of you know, in Art in the Classroom we look at art and discuss works of art. What is art to you? Let the children give their ideas. Some definitions you might suggest: Expression of what is beautiful Use of skill and creative imagination Art is something out of the ordinary, always incorporating new ideas and techniques. If it wasn’t, wouldn’t it be boring? Slide 2 Show Mona Lisa, Monet’s Bridge at Argentueil and “Yellow Store Front” by Christo Which of these is art? Let the children voice their ideas. What if I told you that they are all art? Today we are going on a trip around the world to look at a pair of artists that do very creative work on a very large scale. They transform the ordinary into something that makes people stop and look at things in a different way. Slide 3 Show “Wrapped bottles and cans” and “wrapped object” Can anyone tell me what these objects are? Is this how you normally see them? What is your initial reaction to it? What could be in the package on the right? Does it make you think and wonder? Why would an artist want to express themselves by wrapping or covering something? What comment would they be making? When we look at art, some of the tools we use to talk about it are the Elements of Art: Color, light, line, shape, texture and space (composition).
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  • November 2013 Master Calendar of Cultural Events & Activities
    July 2014 Master Calendar of Cultural Events & Activities Cultural Services Department, City of Albuquerque Richard J. Berry, Mayor ABC Libraries Albuquerque Museum ABQ BioPark Balloon Museum Aquarium KiMo Theatre Botanic Garden Old Town Tingley Beach South Broadway Cultural Center Zoo Special Events CONTENTS Events & Activities – All Venues Pages 1-11 Exhibitions Page 11-12 Library programs - kids, teens, tweens, etc. Page 13-18 Ongoing programs for children and families Page 18 Ongoing events at your library Pages 18-24 Venues – locations and hours Page 24-25 EVENTS & ACTIVITIES – ALL VENUES 1 Main Library Military Research Day Tuesday 10:30 am – 2:30 pm Members of the Albuquerque Genealogical Society will be on hand to help you explore your family’s military history, and you will learn more about the military resources available from the Genealogy Center. This program features a discussion, Q/A session, and the opportunity to do your own research. Come for the whole time, or just drop in for a while. 2 Albuquerque Museum Free Wednesday: Film Series Wednesday 11 am Presented in conjunction with the Christo and Jeanne Claude: The Tom Golden Collection exhibition, please join us for a series of films by acclaimed documentary filmmakers Albert and David Maysies (Gimme Shlelter, Grey Gardens). The films dramatically explore the creation, installation and grandeur of the artists’ large-scale temporary works. The program is free. 2 KiMo Theatre Marilyn!!: Gentlemen Prefer Blondes (1954) Wednesday 7 – 8:30 pm Marilyn Monroe, Jane Russell and Charles Coburn star in this frothy tale of two singers, best friends Lorelei Lee and Dorothy Shaw, who travel to Paris pursued by a private detective hired by Lorelei’s fiancé’s disapproving father.
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  • The Tom Golden Collection
    The Tom Golden Collection 2001.51.1 “Running Fence‐‐Project for Sonoma and Marin Counties." Artist: Christo, 1974. Original drawing collage for Running Fence project. Signed: "CHRISTO, 1974", (lower left above title). L 28 x W 22. 2001.51.2 “Wrapped Walk Ways‐‐Project for Loose Park, Kansas City, Missouri." Artist: Christo, 1978. Original collages photograph by Wolfgang Volz. Signed: "CHRISTO, 1978" (Right 2001.51.3.1 “Surrounded Islands‐‐Project for Biscayne Bay, Greater Miami, Florida." Artist: Christo, 1983. Collage with fabric, pastel, charcoal, pencil, crayon, enamel paint, fabric sample, and aerial photograph. TWO PARTS (A‐B). Signed: "CHRISTO, 1983" (lower right 2001.51.3.2 “Surrounded Island Project for Biscayne Bay, Greater Miami, Florida." Artist: Christo, 1983. Collage with fabric, pastel, charcoal, pencil, crayon, enamel paint, fabric sample, and aerial photography. Two of two parts. Signed: "CHRISTO 1983" (lower right on sample fabric.) 2001.51.4 “The Pont Neuf, Wrapped‐‐Project for Paris." Artist: Christo, 1979. Collages photograph (pencil, enamel paint, crayon, charcoal, and photograph by Wolfgang Volz on paper). Signed: "CHRISTO, 1979" (Lower left). 2001.51.5 "For Tom Sept, 1985 Paris." Original instructional ink sketch is of a lamp post of Christo and Jeanne‐Claude, The Pont Neuf, Wrapped (Project for Paris). Artist: Christo, 1985. Signed across the bottom "For Tom Sept, 1985 Paris CHRISTO." 2001.51.6 "For Tom, With Love, Many Thanks." Artist: Christo, 1985. Original sketch was done to show how four barrel sculptures were to be reassembled in Basel, Switzerland and be photographed for documentation by Eeva‐Enkeri for Christo and Jeanne‐Claude.
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  • Appendix Screenings and Additional Resources
    Appendix Screenings and Additional Resources The analyses of various films and television programmes undertaken in this book are intended to function ‘interactively’ with screenings of the films and programmes. To this end, a complete list of works to accompany each chapter is provided below. Certain of these works are available from national and international distribution companies. Specific locations in the United States, the United Kingdom and Australia for each of the listed works are, nevertheless, provided below. The entries include running time and format (16 mm, VHS, or DVD) for each work. (Please note: In certain countries films require copyright clearance for public screening.) Also included below are further or additional screenings of works not analysed or referred to in each chapter. This information is supplemented by suggested further reading. 1 ‘Believe me, I’m of the world’: documentary representation Further reading Corner, J. ‘Civic visions: forms of documentary’ in J. Corner, Television Form and Public Address (London: Edward Arnold, 1995). Corner, J. ‘Television, documentary and the category of the aesthetic’, Screen, 44, 1 (2003) 92–100. Nichols, B. Blurred Boundaries: Questions of Meaning in Contemporary Culture (Bloomington: Indiana University Press, 1994). Renov, M. ‘Toward a poetics of documentary’ in M. Renov (ed.), Theorizing Documentary (New York: Routledge, 1993). 2 Men with movie cameras: Flaherty and Grierson Nanook of the North, Robert Flaherty, 1922. 55 min. (Alternative title: Nanook of the North: A Story
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  • MCASD Annualreport FY14 Si
    Cover: Liza Lou, Color Field (detaiL), 2010-2013, gLass beads, stainLess steeL, PersPex, 20’ x 20’ (dimensions variabLe). Courtesy the artist. Photo: PabLo mason © Liza Lou 2010-2013 / this Page: LiLiana Porter, el pintor (detaiL), 2007, 3 15/16 x 1 15/16 x 1 15/16 in. ColleCtion museo tamayo arte ContemPoráneo INBA-CONACuLTA. © 2008 LiLiana Porter , image Courtesy of barbara KraKow gallery, boston Table of ConTenTs Letter from the director ............................................................ 4 exhibitions > La Jolla ................................................................... 8 exhibitions > downtown .............................................................10 acquisitions ................................................................................... 12 education Programs ..................................................................28 membership ..................................................................................38 fundraisers .................................................................................. 40 Contributions ...............................................................................42 donors ........................................................................................... 44 board of trustees ...................................................................... 46 staff ................................................................................................ 48 financial statements ................................................................ 50 reflecting
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  • Christo and Jeanne-Claude
    Christo and Jeanne-Claude Gabrovo, 1942 Christo (left) and his two brothers Stefan (center) and Anani (right) Photo: Vladimir Yavachev © 1942 Christo 1935 Christo: American, Bulgarian-born Christo Vladimirov Javacheff, June 13, 1935, Gabrovo, of a Bulgarian industrialist family. Jeanne-Claude: American, French-born Jeanne-Claude Marie Denat, June 13, 1935, Casablanca, of a French military family, educated in France and Switzerland. Died November 18, 2009, New York City. 1952 Jeanne-Claude: Baccalauréat in Latin and Philosophy, University of Tunis, Tunisia. 1953-56 Christo: Studies at the National Academy of Art, Sofia, Bulgaria. Gabrovo, 1949 Christo (left) during a drawing lesson Photo: Archive © 1949 Christo 1956 In fall, Christo leaves Bulgaria to go to Prague, Czechoslovakia. 1957 On January 10, Christo escapes to Vienna, Austria, where he studies one semester at the Academy of Fine Arts. In October, he moves to Geneva, Switzerland. 1958 In March, Christo arrives in Paris, where he meets Jeanne-Claude in early October. Packages and Wrapped Objects. 1960 Birth of their son, Cyril, May 11. 1961 Project for a Wrapped Public Building. Stacked Oil Barrels and Dockside Packages, Cologne Harbor, 1961. Rolls of paper, oil barrels, tarpaulin and rope. Duration: two weeks. Christo and Jeanne-Claude's first collaboration. Paris, 1961 Christo in his studio at 14 rue de Saint-Senoch Photo: Jean-Jacques Lévèque 1962 Wall of Oil Barrels – The Iron Curtain, Rue Visconti, Paris, 1961-62. 89 barrels. Height: 13.7 feet (4.2 meters). Width: 13.2 feet (4 meters). Depth: 2.7 feet (0.5 meters). Duration: eight hours. Stacked Oil Barrels, Gentilly, near Paris, France.
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  • The Inventory of the David Maysles Collection #1763
    The Inventory of the David Maysles Collection #1763 Howard Gotlieb Archival Research Center Maysles, David #1763 1/4/10 Preliminary Listing I. Film and Video. Box 1 A. VHS tapes unless noted; may include DVD. [Loose] 1. “The Beatles: The First U.S. Visit - Long Version,” runtime 81:10, 1991. 2. “Celia - Respect - Girls Just Wanna Have Fun – Funky Cold Medina,” n.d. 3. “Christo In Paris,” runtime 58 minutes, 2 copies, 1990; includes English subtitled version. 4. “Christo’s Islands,” runtime 57 minutes, 1986. 5. “Christo’s Running Fence,” runtime 58 minutes, 1978. 6. “Christo’s Umbrellas,” runtime 80 minutes, 1995. 7. “Christo’s Valley Curtain,” 28 minutes, 1974. 8. “Conversation with the Rolling Stones,” runtime 23:45, 1994. 9. “DCM Memorial Piece – Maysles Films,” runtime 18:30, 1/28/87. 10. “DCM Memorial Service,” n.d. 11. “Gimme Shelter: The Rolling Stones,” 2 copies, 1970; includes digitially remastered verison, 2000. 12. “Grey Gardens,” runtime 94 minutes, 2 copies, 1974. 13. “The Independent Film Festival of Boston Celebrates the Career Achievements of Albert and David Maysles,” DVD, 4/23/05. 14. “International Documentary Association 10th Annual Lifetime Achievement Awards - Albert and David Maysles,” 10/28/94. 15. “Music of the Sixties - Pilot, with David and Albert Maysles - Tom Bywaters Productions, Inc.” n.d. 16. “Orson Welles - Spain,” runtime 9:45, 1996. 17. “Primary: A Time/Life Film by Richard Leacock, Albert Maysles, D.A. Pennebaker, T. McCarthy-Filton,” n.d. 18. “Salesman,” n.d. 19. “Showman,” runtime 53 minutes, black and white, 1963. 20. “To The Best: The Men and Women of Chrysler,” n.d.
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  • Christo and Jeanne-Claude: the Tom Golden Collection to Be Presenented at Biggs Museum
    For Immediate Release Media Contact July 11, 2017 Stephanie Adams 302.674.2111 ext. 105 [email protected] CHRISTO AND JEANNE-CLAUDE: THE TOM GOLDEN COLLECTION TO BE PRESENENTED AT BIGGS MUSEUM Opening Reception on Friday, August 4th Dover, DE (July 11, 2017) - A traveling exhibition of a unique, rare collection of works of art by renowned artists Christo and Jeanne-Claude will visit the Biggs Museum of American Art from August 4 - October 22, 2017. 1 This blockbuster exhibition chronicles the career of husband and wife artistic team, Christo and Jeanne-Claude, well known for projects such as The Gates (Central Park, NYC, 2005) and Running Fence (Pictured Above - Sonoma and Marin Counties, California, 1976). The exhibition features extremely rare artworks that commemorate and celebrate the large-scale environmental installations undertaken by Christo and Jeanne- Claude for more than forty years. The collection includes original drawings, sculptures, collages and photographs capturing the versatility, longevity and international scope of the duo's extensive career. Charlie Guerin, Executive Director of the Biggs Museum, was fortunate to work with the couple in 1977 and is responsible for bringing this exhibition to Dover. "I met them while installing the Valley Curtain installation in Colorado and worked with them several times as they traveled exhibitions to museums around the country. I'm thrilled to see this exhibition come to our community," shares Charles Guerin. "People in our region may best remember the artists from The Gates installation in Central Park but their work has spanned the globe and it's a true honor to have some of it chronicled here at the Biggs." The collection that will be on view is one of the largest collections of art by Christo and Jeanne-Claude in the United States, and was started by Tom Golden in the summer of 1974.
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  • 3-Otr-Course Copy-V6
    A new interdisciplinary elective course. All disciplines welcome. For fall 2014, register for ATLAS 4519/5519-001. Scheduled MW 11:00-1:50 p.m. with additional studio time as team projects evolve. ©2007 Christo ©2005 Christo Photo: Wolfgang Volz Christo & Jeanne-Claude’s Over the River Project ©1972 Christo Photo: Wolfgang Volz ©1991 Christo Photo: Wolfgang Volz ©1983 Christo Photo: Wolfgang Volz ©1993 Christo Photo: Wolfgang Volz This is a Special Topics multidisciplinary class at ATLAS that will focus on Christo and Jeanne-Claude’s Art with special attention to Over the River proj- ect on the Arkansas River between Salida and Cañon City. The purpose of this team-based class will be to create original documents, videos, research papers, and other media that highlight Christo & Jeanne-Claude’s art and how it plays in the social and economic fabric of our American West and worldwide. Looking for students studying: • Legal history and process of putting About the Instructor, Don Grusin: • Art & Art History panels above the Arkansas Don has created and taught the classes • Arts & Sciences • Engineering pre- and post-production World Music Video Projects as a Catalyst • Business (cables and fabric construction and for Social Change and Creating New • Education installation) Media for the Old & New West at ATLAS • Engineering & Applied • Local community leaders who favor and Institute. Science who oppose the project He holds a master’s degree in • Environmental Design • Environmental Impact Statements economics from the University of • Journalism and Mass • The historical and continuing role of Colorado and taught as a Fulbright Communication the BLM, USFS, Colorado Dept of Wildlife, professor in Mexico.
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  • PRESS RELEASE CHRISTO and JEANNE-CLAUDE Reveal
    PRESS RELEASE CHRISTO and JEANNE-CLAUDE reveal Location: 23 Bruton Street, second floor, London W1J 6QF, UK Champagne reception: Thursday June 28th, from 6pm to 8pm Exhibition dates: 21st June - 7th September, 2018 Opening times: Monday – Friday, 10am – 6 pm, Saturday by appointment Reveal is a retrospective exhibition of some of the most representative projects realised in a period of about 40 years by Christo and Jeanne-Claude. From 21st June to 7th September 2018 we will show fifteen artworks, among which Wrapped “Look” Magazine (1964), Kassel (1967), Wrapped trees (1969), Roman Wall (1974), Pont Neuf (1976), Mastaba (1977), Surrounded Islands (1983), Wrapped Reichstag (1986), Over the river (1995) and The Gates (2002). A champagne reception will be held on Thursday June 28th, from 6pm to 8pm. The great and ambitious works of Christo and Jeanne-Claude, their installations and their projects, were born in some way inspired by Man Ray’s masterpiece of 1920, L’enigme d’Isodore Ducasse – the first wrapping with a cover and some cord of an ordinary object (in this particular case a sewing machine) that history has memory of – and mainly teach us to re-learn to see, urging us to re-discover, to have new eyes. In ancient Greek, one of the most important words is «amazing», i.e. to be worthy of amazement, to be admirable. The philosopher, he who loves and seeks knowledge, is most of all a man who is amazed, a person who feels amazement also as fear, dizziness, and disorientation. And looking, observing, means understanding. It is good to notice that still today, I understand can be expressed with I see.
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