2012 B a Free S Blues, AM Rhyt Summer O and Hip-H Hm & Blu Of

Total Page:16

File Type:pdf, Size:1020Kb

2012 B a Free S Blues, AM Rhyt Summer O and Hip-H Hm & Blu Of 2012 BAM Rhythm & Blues Festival at MetroTech kicks off a free summer of live soul, funk, reggae, Latin jazz, African, blues, and hip-hop artists Thursdays, 12noon—2pm, June 7—Auugust 9, at MetroTech Commons June 7: Larry Graham and Graham Central Station June 14: Arturo O’Farrill and the Afro Latin Jazz Orchestra June 21: Ky-Mani Marley June 28: Fishbone July 5: Van Hunt July 12: Shemekia Copeland / NRBQ July 19: Orchestre Poly-Rythmo July 26: Pedrito Martinez Group August 2: Blitz the Ambassador August 9: Aloe Blacc First New York Partners Management is the presenting sponsor of the BAM Rhythm & Blues Festival at MetroTech Brooklyn, NY/April 25, 2012—BAM announces the 2012 BAM Rhythm & Blues Festival at MetroTech. Now in its 18th year, the festival continues to feature R&B legends alongside vibrant and groundbreaking newcomers—headlining 10 free outdoor concerts every Thursday at 12noon, from June 7 through August 9. “By the end of this year's 18th annual BAM R&B Festival, the series will have presented 190 different artists,” says event producer Danny Kapilian. “This year's line-up opens with the Larry Graham, the legendary bassist for Sly and the Family Stone (and later Prince) who invented the ‘slap’ playing style that influenced generations of musicians. Two different ambassadors of funk will perform—speed-funk virtuosos Fishbone and neo-soul star turned psychedelic funk guitarist Van Hunt. Ky-Mani Marley, Bob Marley’s youngest son, will bring the family reggae legend up to meet the hip-hop nation in June. Two greats of Latin music–-Arturo O'Farrill and the Afro Latin Jazz Orchestra, and salsa percussionist Pedrito Martinez and his band—connect R&B to its Latino influences. From Benin in West Africa comes longtime big band great from the 1970's, Orchestre Poly-Rythmo. Swinging pop legends NRBQ join blues queen Shemekia Copeland for a double-bill in July. And we close with new hip-hop from Blitz the Ambassador and classic soul from riising star Aloe Blacc. Downtown Brooklyn remains the place to get down, get on the good foot, and get funkified like nowhere else.” These free lunchtime performances will be held at MetroTech Commons, located at the corner of Flatbush and Myrtle Avenues, rain or shine. For more information, call BAM Ticket Services at 718.636.4100 or visit BAM.org. For press information, contact Lauren Morrow at 718.636.4129 x 1 or [email protected]. BAM Rhythm & Blues Festival at MetroTech Thursdays, 12noon—2 pm, June 7—August 9 Free admission, MetroTech Commons at MetroTech Center Produced by Danny Kapilian About the artists: Larry Graham and Graham Central Station Thu, Jun 7, 12noon—2pm Graham Central Station is a funk-cum-soul band led by Larry Graham, formerly of Sly and the Family Stone. Graham is said to be the originator of the electric slap-bass style, which influenced many musical genres, from funk to disco. Graham Central Station has released nine studio albums and opened for Prince on his “Welcome 2 America” tour in 2011. Arturo O’Farrill and the Afro Latin Jazz Orchestra Thu, Jun 14, 12noon—2pm The son of big band leader Chico O'Farrill, Arturo O'Farrill developed his skills as a solo performer with a wide spectrum of artists including Wynton Marsalis, Dizzy Gillespie, Steve Turre, Papo Vazquez, the Fort Apache Band, Lester Bowie, and Harry Belafonte. He took over direction of his father’s 18-piece Afro Latin Jazz Orchestra, which has been in residence at New York City's Birdland nightclub since the late 90s and has performed at the finest festivals and performing arts centers throughout the world. Ky-Mani Marley Thu, Jun 21, 12noon—2pm The youngest of Bob Marley’s sons, Ky-Mani Marley is a singer, actor, author, and humanitarian. He followed the pop-reggae sound for which his family is known before recording 2007’s Radio, a hip-hop album which debuted at the top of the reggae charts. Marley has released six albums and has worked with R&B, reggae, and hip-hop artists including Mya, Beenie Man, and Young Buck. Fishbone Thu, Jun 28, 12noon—2pm One of the most distinctive and eclectic alternative-rock bands of the late 80s, Fishbone combines equal parts funk, high-energy punk, and ska. Through sharp social commentary and humor, the group gained a sizable following and earned a reputation as one of the great pioneers in black pop music. A documentary feature film about the band, Everyday Sunshine: The Story of Fishbone, was released in 2011 to critical acclaim. Van Hunt Thu, Jul 5, 12noon—2pm R&B musician Van Hunt established himself as a powerful neo-soul singer with his self- titled 2004 debut album, which featured the Grammy-nominated track “Dust.” Later, he won a Grammy Award for his 2007 collaboration with John Legend and Joss Stone, “Family Affair.” His latest independently released album What Were You Hoping For? employs a spare but dizzyingly vibrant meld of day-glo psychedelic soul laced with glammed-up riffs and acerbic punk energy. Shemekia Copeland / NRBQ Thu, Jul 12, 12noon—2pm The daughter of renowned Texas blues guitarist Johnny Copeland, Shemekia Copeland made a name for herself as a powerful soul singer in the tradition of Koko Taylor and Etta James. She has performed at major festivals around the world and has released six albums. Copeland shares the bill with NRBQ, an eclectic, stylistically innovative, and creatively ambitious band. The group combines R&B, pop, rockabilly, exploratory jazz, and more with a stomp-down, danceable rhythm. NRBQ has earned a passionate cult following that includes Elvis Costello, Paul McCartney, and Bonnie Raitt, among countless others. Orchestre Poly-Rythmo Thu, Jul 19, 12noon—2pm Funk legends Orchestre Poly-Rythmo hail from the Republic of Benin, Africa and perform a varied repertoire of Afrobeat songs based on voudou rituals, Latin music, and funk. Called one “of the world’s greatest funk bands” by The New York Times, Orchestre Poly-Rythmo formed in 1968 and has performed alongside music greats including Miriam Makeba, Angélique Kidjo, and Fela Kuti. Pedrito Martinez Group Thu, Jul 26, 12noon—2pm Havana-bred and New York City-based percussionist and singer Pedrito Martinez has collaborated with artists including Yerba Buena, Me’shell Ndegeocello, Arturo O’Farrill, and Taj Mahal, and has opened for Dave Matthews Band, Ray Charles, and Willie Nelson, among others. Martinez has toured the world, and this summer he brings his fierce Latin rhythms to Brooklyn. Blitz the Ambassador Thu, Aug 2, 12noon—2pm Born in Ghana, Blitz the Ambassador is a hip-hop force whose black consciousness is reminiscent of artists like Public Enemy, X Clan, and KRS-One. His critically acclaimed 2009 release, Stereotype, thrust him into the limelight with performances at Central Park SummerStage, Celebrate Brooklyn, and the Afro-Latino Music Festival, as well as appearances on MTV2, MTVU, and BET. He calls his latest album, 2011’s Native Sun, "a journey backwards through hip-hop, the Caribbean soundsystem culture that preceded it, back to its African roots, with the final kora.” Aloe Blacc Thu, Aug 9, 12noon—2pm Born in Los Angeles to Panamanian parents, Aloe Blacc rose to fame with his sophomore release, Good Things. The album features the hit song “I Need a Dollar,” which is the opening theme for the HBO series How to Make it in America. Blacc’s music offers social commentary reminiscent of Bill Withers, alongside solid horns and soulful melodies. For press information, contact Lauren Morrow at 718.636.4129 x1 or [email protected]. Credits First New York Partners Management is the presenting sponsor of the BAM Rhythm & Blues Festival at MetroTech. Winter/Spring Season supporters: Bank of America; The Brooklyn Community Foundation; Chase; Con Edison; The Howard Gilman Foundation; The Rita and Alex Hillman Foundation; mcgarrybowen; The Andrew W. Mellon Foundation; Donald R. Mullen Jr.; Stavros Niarchos Foundation; New York State Council on the Arts; The Barbro Osher Pro Suecia Foundation; Mikhail Prokhorov Fund; The Fan Fox & Leslie R. Samuels Foundation, Inc.; The Peter Jay Sharp Foundation; The SHS Foundation; The Shubert Foundation, Inc.; The Skirball Foundation; The Starr Foundation; Target; The Wall Street Journal; Time Warner Inc.; Laurie M. Tisch Illumination Fund; Lizzie and Jonathan Tisch Foundation; Steve Tisch Foundation; The Winston Foundation, Inc.; Friends of BAM and BAM Cinema Club. Sovereign Bank is the BAM Marquee sponsor. Yamaha is the official piano for BAM. R/GA is the BAM.org sponsor. New York Marriott at the Brooklyn Bridge is the official hotel for BAM. Directions MetroTech Center is situated in the Civic Center / Borough Hall area of Downtown Brooklyn. The BAM Rhythm & Blues Festival at MetroTech concert stage is located on the lawn at MetroTech Commons. By Subway: 2, 3 to Hoyt Street and walk two blocks north on Bridge Street 2, 3, 4, 5 to Borough Hall station and walk five blocks east R to Lawrence Street Station A, C, F to Jay Street/MetroTech, exit at Myrtle Promenade. By Bus: The B25, B26, B38, B41, B45, B51, B52, B54, B61, B63, B67, and B75 all stop within a three- block radius of MetroTech Center. By Car: Public parking is available at One and Two MetroTech Center. The entrance to Parking Lot P is on Lawrence and Bridge Streets between Willoughby Street and the Myrtle Promenade or at The Gallery at MetroTech. The entrance to the Parking Lot is at the intersection of Flatbush, Willoughby, and Gold Streets. Please call 718.636.4100 or visit www.BAM.org for more information about the BAM Rhythm & Blues Festival at MetroTech.
Recommended publications
  • Gee Ray Records Newsletter Cover
    HIP HOP GEE RAY RECORDS NEWSLETTER COVER TABLE OF CONTENT GEE RAY RECORDS NEWSLETTER EYESLICK PROMOTION HMTVN NETWORK * PROMOTIONAL OPPORTUNITIES EYESLICK INVITATION * INTERNET RADIO STATION MARCH NEWSLETTER * PLAYLIST PROMOTION GEE RAY RECORDS NEWSLETTER AH… REAL GOOD, FEEL GOOD MUSIC Gee Ray Records has been in the online music business for over 10 years. We have been fortunate to be associated with many talented people from the television, radio and music industries. The genres we broadcast are Dance, Deep House, Jazz, Electronica, Neo Soul, R&B, Hip Hop, Reggae, Music Videos and Talk Shows. Listen to Gee Ray Records on Spotify. Just click the link below and tune in. https://goo.gl/QrvZpQ Want to gain instant access to our Internet Radio Station? Click or tap the link below to tune in via your desktop or mobile device. http://geerayrecords.com Do you like music videos? Of course you do. You can now tap into a wide variety of music videos from both popular and independent recording artists plus an array of notable disk jockeys. Visit: http://hotmusictvnetwork.com Are you a fan of House, R&B, Hip Hop, Dance and Jazz music? Do you find yourself constantly searching for music online? You might want to check out this website which could have what you are looking for. Click link to learn more. http://hotmusicshop.com Pg. 1 NEW VIDEO WATCH R&B Party Mix – Mixed By Dj Xclusive G2b – Jaheim, Chris Brown, Mary J Blige, Ashanti: Visit our music channel. If you feel happy with the music please like, share and subscribe.
    [Show full text]
  • HEMEKIA COPELAND Uncivil War by Marc Lipkin 1 2 - SIX CD REVIEWS by Various Writers 29 - BLUES MUSIC SAMPLER DOWNLOAD CD Sampler 26 - July 2020
    Six New CD Reviews S HEMEKIA C OPELAND - Uncivil War Order Today Click Here! Four Print Issues Per Year Every January, April, July, and October get the Best In Blues delivered right t0 you door! Artist Features, CD, DVD Reviews & Columns. Award-winning Journalism and Photography! Order Today ALASTAIR GREENE Click THE NEW WORLD BLUES Here! H NEW ALBUM H Produced by Tab Benoit for WHISKEY BAYOU RECORDS Available October 23, 2020 “Fronting a power blues-rock trio, guitarist Alastair Greene breathes in sulfuric fumes and exhales blazing fire.” - Frank John Hadley, Downbeat Magazine “Greene is a no frills rock vocalist. His fiery solos prove him a premier shredder who will appeal to fans of Walter Trout, Joe Bonamassa, and Albert Castiglia.” - Thomas J Cullen III, Blues Music Magazine “On THE NEW WORLD BLUES, Alastair makes it clear why he is a ‘guitar player’s guitar player,’ and this recording will surely leave the Alastair Greene stamp on the Blues Rock World.” - Rueben Williams, Thunderbird Management, Whiskey Bayou Records alastairgreene.com whiskeybayourecords.com Available October 23rd at alligator.com and other fine retailers GENUINE HOUSEROCKIN’ MUSIC SINCE 1971 BLUES MUSIC ONLINE October 23, 2020 - Issue 21 Table Of Contents 06 - SHEMEKIA COPELAND Uncivil War By Marc Lipkin 1 2 - SIX CD REVIEWS By Various Writers 29 - BLUES MUSIC SAMPLER DOWNLOAD CD Sampler 26 - July 2020 PHOTOGRAPHY © COURTESY ALLIGATOR RECORDS COVER PHOTOGRAPHY © MARILYN STRINGER Read The News Click Here! All Blues, All The Time, AND It's FREE! Get Your Paper Here!
    [Show full text]
  • Johnny O'neal
    OCTOBER 2017—ISSUE 186 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM BOBDOROUGH from bebop to schoolhouse VOCALS ISSUE JOHNNY JEN RUTH BETTY O’NEAL SHYU PRICE ROCHÉ Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East OCTOBER 2017—ISSUE 186 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 NEw York@Night 4 Laurence Donohue-Greene: Interview : JOHNNY O’NEAL 6 by alex henderson [email protected] Andrey Henkin: [email protected] Artist Feature : JEN SHYU 7 by suzanne lorge General Inquiries: [email protected] ON The Cover : BOB DOROUGH 8 by marilyn lester Advertising: [email protected] Encore : ruth price by andy vélez Calendar: 10 [email protected] VOXNews: Lest We Forget : betty rochÉ 10 by ori dagan [email protected] LAbel Spotlight : southport by alex henderson US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or VOXNEwS 11 by suzanne lorge money order to the address above or email [email protected] obituaries Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Fred Bouchard, Festival Report Stuart Broomer, Robert Bush, 13 Thomas Conrad, Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, special feature 14 by andrey henkin Anders Griffen, Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Marilyn Lester, CD ReviewS 16 Suzanne Lorge, Mark Keresman, Marc Medwin, Russ Musto, John Pietaro, Joel Roberts, Miscellany 41 John Sharpe, Elliott Simon, Andrew Vélez, Scott Yanow Event Calendar Contributing Writers 42 Brian Charette, Ori Dagan, George Kanzler, Jim Motavalli “Think before you speak.” It’s something we teach to our children early on, a most basic lesson for living in a society.
    [Show full text]
  • Lightning in a Bottle
    LIGHTNING IN A BOTTLE A Sony Pictures Classics Release 106 minutes EAST COAST: WEST COAST: EXHIBITOR CONTACTS: FALCO INK BLOCK-KORENBROT SONY PICTURES CLASSICS STEVE BEEMAN LEE GINSBERG CARMELO PIRRONE 850 SEVENTH AVENUE, 8271 MELROSE AVENUE, ANGELA GRESHAM SUITE 1005 SUITE 200 550 MADISON AVENUE, NEW YORK, NY 10024 LOS ANGELES, CA 90046 8TH FLOOR PHONE: (212) 445-7100 PHONE: (323) 655-0593 NEW YORK, NY 10022 FAX: (212) 445-0623 FAX: (323) 655-7302 PHONE: (212) 833-8833 FAX: (212) 833-8844 Visit the Sony Pictures Classics Internet site at: http:/www.sonyclassics.com 1 Volkswagen of America presents A Vulcan Production in Association with Cappa Productions & Jigsaw Productions Director of Photography – Lisa Rinzler Edited by – Bob Eisenhardt and Keith Salmon Musical Director – Steve Jordan Co-Producer - Richard Hutton Executive Producer - Martin Scorsese Executive Producers - Paul G. Allen and Jody Patton Producer- Jack Gulick Producer - Margaret Bodde Produced by Alex Gibney Directed by Antoine Fuqua Old or new, mainstream or underground, music is in our veins. Always has been, always will be. Whether it was a VW Bug on its way to Woodstock or a VW Bus road-tripping to one of the very first blues festivals. So here's to that spirit of nostalgia, and the soul of the blues. We're proud to sponsor of LIGHTNING IN A BOTTLE. Stay tuned. Drivers Wanted. A Presentation of Vulcan Productions The Blues Music Foundation Dolby Digital Columbia Records Legacy Recordings Soundtrack album available on Columbia Records/Legacy Recordings/Sony Music Soundtrax Copyright © 2004 Blues Music Foundation, All Rights Reserved.
    [Show full text]
  • Shoosh 800-900 Series Master Tracklist 800-977
    SHOOSH CDs -- 800 and 900 Series www.opalnations.com CD # Track Title Artist Label / # Date 801 1 I need someone to stand by me Johnny Nash & Group ABC-Paramount 10212 1961 801 2 A thousand miles away Johnny Nash & Group ABC-Paramount 10212 1961 801 3 You don't own your love Nat Wright & Singers ABC-Paramount 10045 1959 801 4 Please come back Gary Warren & Group ABC-Paramount 9861 1957 801 5 Into each life some rain must fall Zilla & Jay ABC-Paramount 10558 1964 801 6 (I'm gonna) cry some time Hoagy Lands & Singers ABC-Paramount 10171 1961 801 7 Jealous love Bobby Lewis & Group ABC-Paramount 10592 1964 801 8 Nice guy Martha Jean Love & Group ABC-Paramount 10689 1965 801 9 Little by little Micki Marlo & Group ABC-Paramount 9762 1956 801 10 Why don't you fall in love Cozy Morley & Group ABC-Paramount 9811 1957 801 11 Forgive me, my love Sabby Lewis & the Vibra-Tones ABC-Paramount 9697 1956 801 12 Never love again Little Tommy & The Elgins ABC-Paramount 10358 1962 801 13 Confession of love Del-Vikings ABC-Paramount 10341 1962 801 14 My heart V-Eights ABC-Paramount 10629 1965 801 15 Uptown - Downtown Ronnie & The Hi-Lites ABC-Paramount 10685 1965 801 16 Bring back your heart Del-Vikings ABC-Paramount 10208 1961 801 17 Don't restrain me Joe Corvets ABC-Paramount 9891 1958 801 18 Traveler of love Ronnie Haig & Group ABC-Paramount 9912 1958 801 19 High school romance Ronnie & The Hi-Lites ABC-Paramount 10685 1965 801 20 I walk on Little Tommy & The Elgins ABC-Paramount 10358 1962 801 21 I found a girl Scott Stevens & The Cavaliers ABC-Paramount
    [Show full text]
  • Plaintiff Must Prove Service on Motion to Vacate Default Judgment by Erin Louise Palmer , Litigation News Contributing Editor – May 12, 2015
    Plaintiff Must Prove Service on Motion to Vacate Default Judgment By Erin Louise Palmer , Litigation News Contributing Editor – May 12, 2015 Service by certified mail is insufficient to satisfy the plaintiff’s burden in a motion to vacate a default judgment, according to the U.S. District Court for the Eastern District of Pennsylvania . In Myers v. Moore , the district court granted the defendants’ motion to vacate a default judgment of more than $1 million where the plaintiff failed to demonstrate that the defendants had actual knowledge of the lawsuit and where the plaintiff failed to establish that she properly served the complaint on defendants or their authorized agents. Observers question how a plaintiff would satisfy these evidentiary hurdles. Plaintiff Awarded $1 Million Default Judgment The lawsuit arises out of a stage-diving incident at a music venue in Philadelphia, Pennsylvania. During a performance, the lead singer of the band Fishbone, Angelo C. Moore, dove into the crowd and knocked over the plaintiff, causing her serious injuries. The plaintiff sued Moore, John Noorwood Fisher (Fishbone’s bass player), Fishbone, Fishbone’s manager, and other parties associated with the venue for negligence and civil conspiracy in producing the concert and failing to warn the audience that the concert would feature stage diving. The plaintiff also sued Moore, Fisher, and Fishbone for assault and battery. After the plaintiff reached settlements with some of the defendants, the court dismissed the plaintiff’s claims against the non-settling defendants, including Moore and Fisher. The plaintiff brought another action on February 3, 2012, against the non-settling defendants for negligence, civil conspiracy, and assault and battery.
    [Show full text]
  • Songs by Title
    Songs by Title Title Artist Title Artist #1 Goldfrapp (Medley) Can't Help Falling Elvis Presley John Legend In Love Nelly (Medley) It's Now Or Never Elvis Presley Pharrell Ft Kanye West (Medley) One Night Elvis Presley Skye Sweetnam (Medley) Rock & Roll Mike Denver Skye Sweetnam Christmas Tinchy Stryder Ft N Dubz (Medley) Such A Night Elvis Presley #1 Crush Garbage (Medley) Surrender Elvis Presley #1 Enemy Chipmunks Ft Daisy Dares (Medley) Suspicion Elvis Presley You (Medley) Teddy Bear Elvis Presley Daisy Dares You & (Olivia) Lost And Turned Whispers Chipmunk Out #1 Spot (TH) Ludacris (You Gotta) Fight For Your Richard Cheese #9 Dream John Lennon Right (To Party) & All That Jazz Catherine Zeta Jones +1 (Workout Mix) Martin Solveig & Sam White & Get Away Esquires 007 (Shanty Town) Desmond Dekker & I Ciara 03 Bonnie & Clyde Jay Z Ft Beyonce & I Am Telling You Im Not Jennifer Hudson Going 1 3 Dog Night & I Love Her Beatles Backstreet Boys & I Love You So Elvis Presley Chorus Line Hirley Bassey Creed Perry Como Faith Hill & If I Had Teddy Pendergrass HearSay & It Stoned Me Van Morrison Mary J Blige Ft U2 & Our Feelings Babyface Metallica & She Said Lucas Prata Tammy Wynette Ft George Jones & She Was Talking Heads Tyrese & So It Goes Billy Joel U2 & Still Reba McEntire U2 Ft Mary J Blige & The Angels Sing Barry Manilow 1 & 1 Robert Miles & The Beat Goes On Whispers 1 000 Times A Day Patty Loveless & The Cradle Will Rock Van Halen 1 2 I Love You Clay Walker & The Crowd Goes Wild Mark Wills 1 2 Step Ciara Ft Missy Elliott & The Grass Wont Pay
    [Show full text]
  • (Sound Off Live 2013 Winner) Indie Soul Meets Jazzy Blues
    Artscape Entertainment Resource Guide 2013 Band Name Genre Website Email Phone Number Allie & The Cats (Sound Off Live 2013 Winner) Indie Soul meets Jazzy Blues http://www.alliemariemusic.com [email protected] 4109916973 Balti Mare Balkan Gypsy Brass http://www.facebook.com/baltimare [email protected] 4109633799 Basement Instinct (Sound Off Live 2013 Winner) Alternative Rock https://www.facebook.com/basementinstinctband [email protected] 4437038941 Bearstronaut pop http://bearstronaut.com [email protected] 8609124857 Big Sur Alternative Melodic Rock http://www.bigsurrock.com [email protected] 3015931778 Billy Wilkins Jazz/Rock https://soundcloud.com/billy-wilkins-1 [email protected] 4103696360 Blizz Hip Hop http://www.hulkshare.com/Blizz [email protected] 4439860731 Boozey R&B and Hip Hop http://Boozeyonline.com [email protected] Braunsy Brooks & Worship Kulture Christian http://www.bbworshipkulture.com [email protected] 8284554010 Brittanie Thomas Music Soul/R&B http://www.brittaniethomas.com [email protected] 4433608985 Brothers Kardell Experimental electronic pop metal hip-hop http://www.soundcloud.com/brotherskardell [email protected] 2022862623 Buddah Bass Hip-Hop/Pop http://Buddahbass.bandcamp.com [email protected] 3365779559 Bumpin Uglies Reggae/Ska http://www.bumpinugliesmusic.com [email protected] 4102793613 Children of a Vivid Eden Alternative rock http://www.facebook.com/c.o.v.e.rock [email protected] 4436324130 Chris Reynolds and
    [Show full text]
  • Pynchon's Sound of Music
    Pynchon’s Sound of Music Christian Hänggi Pynchon’s Sound of Music DIAPHANES PUBLISHED WITH SUPPORT BY THE SWISS NATIONAL SCIENCE FOUNDATION 1ST EDITION ISBN 978-3-0358-0233-7 10.4472/9783035802337 DIESES WERK IST LIZENZIERT UNTER EINER CREATIVE COMMONS NAMENSNENNUNG 3.0 SCHWEIZ LIZENZ. LAYOUT AND PREPRESS: 2EDIT, ZURICH WWW.DIAPHANES.NET Contents Preface 7 Introduction 9 1 The Job of Sorting It All Out 17 A Brief Biography in Music 17 An Inventory of Pynchon’s Musical Techniques and Strategies 26 Pynchon on Record, Vol. 4 51 2 Lessons in Organology 53 The Harmonica 56 The Kazoo 79 The Saxophone 93 3 The Sounds of Societies to Come 121 The Age of Representation 127 The Age of Repetition 149 The Age of Composition 165 4 Analyzing the Pynchon Playlist 183 Conclusion 227 Appendix 231 Index of Musical Instruments 233 The Pynchon Playlist 239 Bibliography 289 Index of Musicians 309 Acknowledgments 315 Preface When I first read Gravity’s Rainbow, back in the days before I started to study literature more systematically, I noticed the nov- el’s many references to saxophones. Having played the instru- ment for, then, almost two decades, I thought that a novelist would not, could not, feature specialty instruments such as the C-melody sax if he did not play the horn himself. Once the saxophone had caught my attention, I noticed all sorts of uncommon references that seemed to confirm my hunch that Thomas Pynchon himself played the instrument: McClintic Sphere’s 4½ reed, the contra- bass sax of Against the Day, Gravity’s Rainbow’s Charlie Parker passage.
    [Show full text]
  • Technician North Carolina State University's Student Newspaper
    TeChnician North Carolina State University's Student Newspaper Since 1920 Volume LXl. Number 62 Monday, February 23, 1981 Raleigh, North Carolina Phone: 737-2411, 2412 \ DH. Hill Library reaches goal of 1 million volumes by Fred Brown Littleton said the library's drive to Beta Kappa chapter." he said. “There acquire 1 million books had nothing to are some schools that have Phi Beta Assistant News Editor do with the proposed 1981.82 budget. Kappa chapters that have smaller D.H. Hill Library’s drive to reach which requests an increase of approx‘ libraries than we do." the goal of 1 million books will be imately $400,000 over last year's Philosophy and Religion Depart- realized when the February statistics budget. or last year's budget pro ment Head Robert S. Bryan. who are compiled at the end of the month. blems. headed the committee that compiled The drive officially began Jan. l. The library had to adopt such State's Phi Beta Kappa application. 191:), when the library had approx- measures as a book moratorium and agreed with Littleton's assessment. imately 850.0w :olumes. the cancellation of over 300 periodical “The number of volumes in the “We are adding enough so that we subscriptions in order to keep from library was not a factor in the applica- have reached the million-volume level running out of money. tion being turned down." he said. already." Library Director Isaac T. “The reason for the increase (in the Littleton said Friday. “At the end of 1981-82 budget) is purely to give us Planning expansion January we only lacked 3.000 enough money to meet inflation." he volumes." said.
    [Show full text]
  • Rock & Roll Hall of Fame Celebrates the Sounds of Black History
    FOR IMMEDIATE RELEASE: Rock & Roll Hall of Fame Celebrates the Sounds of Black History Throughout February Virtual programs and events include Rock Hall Inductee Verdine White of Earth, Wind and Fire, members of Sly & the Family Stone, Patti LaBelle, Robert Randolph of The Family Band, and Jackie Venson CLEVELAND (February 3, 2021) – The Rock & Roll Hall of Fame is celebrating Black History Month with a series of virtual events and programs honoring the extraordinary contributions that African Americans have made to rock & roll music. Fans can also head to the museum, which is open daily from 11 a.m. to 5 p.m. EST, to amplify their experience with the Rock Hall’s featured exhibit “It’s Been Said All Along: Voices of Rage, Hope & Empowerment.” A cornerstone to the Rock Hall's programs and outreach, the Black History Month celebration highlights stories, provides opportunities for dialogue, and reflects on the contributions and legacies of African American artists. Inspired by the sounds of Black history, the Rock Hall’s virtual events and programs include: Every Friday in February New Rock & Roll Hall of Fame Induction Vault podcast episodes Subscribe on the iHeart Radio App, Apple Podcasts or wherever you get your favorite podcasts Throughout February enjoy new podcast episodes honoring the legacies of African American Inductees with unfiltered access to iconic Induction speeches. Episodes include Gladys Knight and the Pips inducted by Mariah Carey (Feb. 5), Public Enemy inducted by Spike Lee and Harry Belafonte (Feb. 12), The Miracles inducted by Smokey Robinson (Feb. 19), and Buddy Guy inducted by B.B.
    [Show full text]
  • NRBQ Derbytown
    NRBQ Derbytown 2004 saw the release of {$NRBQ}'s 1989 Montreal concert on the excellent {^One In A Million} DVD and 2006 brought this release of a 1982 show from Louisville, Kentucky entitled {^Derbytown}. As with the previous disc this one is chock full of great stuff from a group that is perpetual and indestructably inevitable. Credited as {$NRBQ} with {$The Whole Wheat Horns}, a duo who were touring with the band at this point in time, the version of the group here includes {$Joey Spampinato} on vocals and bass, the great {$Al Anderson} singing and playing guitar, {$Terry Adams} on vocals, piano and clarinet and {$Tom Ardolino} on drums. {$Spampinato}'s pretty and effective {&"I Love Her, She Loves Me"} is wonderfully sixties with Adams pulling out a tiny keyboard for something that sounds like it came off a {$Vanity Fair} recording. It's followed by a driving {&"What's The Plot"} with {$Al Anderson} singing like he's auditioning for {$Bachman Turner Overdrive}. That's a compliment. There are thirteen tracks on this forty-three minute concert along with one page of liner notes from {$Johnny D} and three cool "bonus" selections that are brief but very fun. The first of the bonuses is a mere seventeen second a cappella entry {&"Program Them Computers"} (process the data) with the gents wearing bags on their heads a la chef's hats and singing those six words. That's followed by a 42 second {&"Atsa My Boys"} promo film with those participating wearing the same attire and flinging pizza dough to harmonica accompaniment.
    [Show full text]