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Durham E-Theses
Durham E-Theses The century guild hobby horse and Oscar Wilde: a study of British little magazines, 1884-1897 Tildesley, Matthew Brinton How to cite: Tildesley, Matthew Brinton (2007) The century guild hobby horse and Oscar Wilde: a study of British little magazines, 1884-1897, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/2449/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 The Century Guild Hobby Horse and Oscar Wilde: A Study of British Little Magazines, 1884-1897. Matthew Brinton Tildesley. The copyright of this thesis rests with the author or the university to which it was submitted. No quotation from it, or information derived from it may be published without the prior written consent of the author or university, and any information derived from it should be acknowledged. -
SOME HEROIC DISCIPLINE William Butler Yeats and the Oxford Book Of
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Carolina Digital Repository SOME HEROIC DISCIPLINE William Butler Yeats and the Oxford Book of Modern Verse Robert Alden Rubin A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English and Comparative Literature. Chapel Hill 2011 Christopher Armitage William Harmon George Lensing Allan Life Weldon Thornton © 2011 Robert Alden Rubin ALL RIGHTS RESERVED ii ABSTRACT Robert Alden Rubin Some Heroic Discipline: William Butler Yeats and the Oxford Book of Modern Verse (Under the direction of Christopher Armitage and William Harmon) This project explores William Butler Yeats’s work as editor of the 1936 Oxford Book of Modern Verse, with emphasis on Yeats’s sense of his own place among the poets of his day. The study considers all of the 379 poems by the ninety-seven writers included in the anthology (as well as notable omissions) in the context of Yeats’s critical writings and correspondence; where possible, it identifies the sources consulted by Yeats for his selections, and the circumstances of publication. It also examines the degree to which Yeats saw the anthology as a way to influence the emerging literary consensus of the mid-1930s. Finally, it argues that the anthology offers the same essentially neo-Romantic critique of modernity that can be found in Yeats’s own poems—a sense that to be modern is to wrestle with an impulse to believe, despite circumstances that weaken the basis for such belief. -
Yeats's Mask: Yeats Annual No
YEATS’S LEGACIES Yeats Annual No. 21: A Special Issue Edited by WARWICK GOULD To access digital resources including: blog posts videos online appendices and to purchase copies of this book in: hardback paperback ebook editions Go to: https://www.openbookpublishers.com/product/724 Open Book Publishers is a non-profit independent initiative. We rely on sales and donations to continue publishing high-quality academic works. In the same series YEATS ANNUALS Nos. 1, 2 Edited by Richard J. Finneran YEATS ANNUALS Nos. 3–8, 10–11, 13 Edited by Warwick Gould YEATS AND WOMEN YEATS ANNUAL No. 9: A Special Number Edited by Deirdre Toomey THAT ACCUSING EYE: YEATS AND HIS IRISH READERS YEATS ANNUAL No. 12: A Special Number Edited by Warwick Gould and Edna Longley YEATS AND THE NINETIES YEATS ANNUAL No. 14: A Special Number Edited by Warwick Gould YEATS’S COLLABORATIONS YEATS ANNUAL No. 15: A Special Number Edited by Wayne K. Chapman and Warwick Gould POEMS AND CONTEXTS YEATS ANNUAL No. 16: A Special Number Edited by Warwick Gould INFLUENCE AND CONFLUENCE YEATS ANNUAL No. 17: A Special Number Edited by Warwick Gould THE LIVING STREAM YEATS ANNUAL No. 18: A Special Issue Essays in Memory of A. Norman Jeffares Edited by Warwick Gould Freely available at http://www.openbookpublishers.com/product/194 YEATS’S MASK YEATS ANNUAL No. 19: A Special Issue Edited by Margaret Mills Harper and Warwick Gould Freely available at http://www.openbookpublishers.com/product/233 ESSAYS IN HONOUR OF EAMONN CANTWELL YEATS ANNUAL No. 20: A Special Number Edited by Warwick Gould Freely available at https://www.openbookpublishers.com/product/380 YEATS ANNUAL No. -
William Butler Yeats and the Oxford Book of Modern Verse
SOME HEROIC DISCIPLINE William Butler Yeats and the Oxford Book of Modern Verse Robert Alden Rubin A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English and Comparative Literature. Chapel Hill 2011 Christopher Armitage William Harmon George Lensing Allan Life Weldon Thornton © 2011 Robert Alden Rubin ALL RIGHTS RESERVED ii ABSTRACT Robert Alden Rubin Some Heroic Discipline: William Butler Yeats and the Oxford Book of Modern Verse (Under the direction of Christopher Armitage and William Harmon) This project explores William Butler Yeats’s work as editor of the 1936 Oxford Book of Modern Verse, with emphasis on Yeats’s sense of his own place among the poets of his day. The study considers all of the 379 poems by the ninety-seven writers included in the anthology (as well as notable omissions) in the context of Yeats’s critical writings and correspondence; where possible, it identifies the sources consulted by Yeats for his selections, and the circumstances of publication. It also examines the degree to which Yeats saw the anthology as a way to influence the emerging literary consensus of the mid-1930s. Finally, it argues that the anthology offers the same essentially neo-Romantic critique of modernity that can be found in Yeats’s own poems—a sense that to be modern is to wrestle with an impulse to believe, despite circumstances that weaken the basis for such belief. Chapter I relates the details of the book’s conception, gestation, and publication. -
UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title The Aesthetic Book of Decadent Literature, 1870-1914 Permalink https://escholarship.org/uc/item/12m8g9f7 Author Williford, Daniel Publication Date 2015 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles The Aesthetic Book of Decadent Literature, 1870-1914 A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English By Daniel Patrick Williford 2015 © Copyright by Daniel Patrick Williford 2015 ABSTRACT OF THE DISSERTATION The Aesthetic Book of Decadent Literature 1870-1914 By Daniel Patrick Williford Doctor of Philosophy in English University of California, Los Angeles, 2015 Professor Joseph E. Bristow, Chair This dissertation argues for a reading of English Aesthetic and Decadent literature within the context of the limited-edition, artistically produced aesthetic book. Within studies in print culture and the history of the book, late nineteenth-century England is an established center in the revival of fine arts printing owing to the influence of the Chiswick Press, the Daniel Press, the Kelmscott Press, the Doves Press, the Vale Press, and the Eragny Press. Yet little scholarly attention has been paid to the overlap of these efforts in artistic book design with the literature of the Aesthetic and later Decadent movements. In the first chapter, I argue that Pre-Raphaelite artist and poet Dante Gabriel Rossetti’s Poems (1870) was the first book of literature that sought to be a total art object, designed and illustrated by Rossetti himself. I also discuss Simeon Solomon’s A Vision of Love Revealed in Sleep (1871) as the first aesthetic book of symbolist literature that was based on Rossetti’s Poems. -
'Equivocal Positions': the Influence of William Rothenstein, C.1890-1910
‘EQUIVOCAL POSITIONS’: THE INFLUENCE OF WILLIAM ROTHENSTEIN, c.1890-1910 SAMUEL SHAW PH.D THE UNIVERSITY OF YORK HISTORY OF ART AUGUST 2010 TABLE OF CONTENTS Abstract 3 Abbreviations 4 List of Illustrations 5 Acknowledgements 8 Introduction: Vattetot 1899 9 1. „Laying Down the Law‟: Managing the Instinct to Influence, c.1890-1899 21 2. „The ideal shop‟?: Exhibiting Spaces, c.1890-1911 67 3. „Work of a certain character‟: Rothenstein‟s critical position, c.1900-1910 128 4. „Still the importance personage‟: Identity and Influence, c.1900-1910 181 Coda: „A little of a revolutionary‟: Rothenstein on and after 1910 229 Bibliography 1. Primary Sources: Unpublished 240 2. Primary Sources: Published 241 3. Secondary Sources 247 Illustrations 258 2 ABSTRACT This thesis explores the influence of the artist Sir William Rothenstein (1872-1945) between the years 1890 and 1910. A talented draughtsman and painter, Rothenstein was also an energetic social networker, a keen critic, an influential force in the foundation of several societies and – in the case of the Carfax – a commercial gallery. This study employs a wide range of sources to trace these achievements, and explains why Rothenstein‟s life and work have tended to resist critical interpretation. This study argues that Rothenstein grappled constantly with the notion of being influential. To draw out these tensions, Rothenstein‟s relationships with several artists (Charles Ricketts, Max Beerbohm, Charles Conder, Augustus John and Mark Gertler) are explored in depth. Significant aspects of his identity – his status as a middle-class Anglo-German Jew, for instance, or resident of Hampstead – are also considered. -
Durham E-Theses
Durham E-Theses English verse drama from 1890 - 1935 Gowda, H. H. Anniah How to cite: Gowda, H. H. Anniah (1958) English verse drama from 1890 - 1935, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/10451/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk ENGLISH VERSE DRAMA FROM 1890 TO 1935 Thesis submitted to the University of Durham for the degree of M.Litt, by H.H.Anniah Gowda, M.A. (Mysore) Department of English, The Durham Colleges in the University of Durham, Durham, Septemher 26, 1958. CONTENTS INTRODUCTION I Chapter 1 CAUSES- OF THE DECLINE OF POETIC DRAMA IN THE NINETEENTH CENTURY ... ' 1 2 DERIVATIVE PLAYS ... ... ... 13 3 DERIVATIVE PLAYS (Contd) 65 4 DOCTRINAIRE PLAYS 135 5 SPECTACULAR PLAYS ... ... ... 184 6 'REALISTIC • V.ERSE DRAMA ... ... 215 7 THE INFLUENCE OF THE NOH PLAYS ON VERSE DRAMA 269 8 RELIGIOUS VERSE DRAMA ..