Cleveland Institute of Art Creativity Matters Young Artists Young Adults In-person and online offerings June–July Community Outreach + Education Continuing Classes for Art

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Summer 2021 2

Art + Design Visual Arts Courses Design: Cuyahoga County for their support through Cuyahoga of and Arts Culture. citizens the acknowledges gratefully Art of Institute Cleveland We will still accept mail-in and over the phone registrations as usual. as registrations phone the over and mail-in accept still We will Visit class. online any for homepage course your access as well as aclass, for pay and to register Login students. returning and new for process one-time a is account amyCIA up Setting password. and ausername includes which account, amyCIA have now must aclass for online registering students All portal! registration online anew We have + + + + + + Summer ataGlance + + + + + + Spring registration closes Friday, May 21 16 October held Teacher be +17 will Workshops Saturdays, June 12–July 31 are Young classes Artists Online-only (No class Friday, June 18) are weekdays Monday–Friday, June 7–17 offerings Young class online and Artists In-person 7–August of June weeks 2 the evenings, the in are offerings class adult online and In-person at us Visit

my.cia.edu/ceco Trevor Marzella ’10 Marzella Trevor facebook.com/ciaceco Photography: to get started. to get Robert Muller Robert

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CIA Continuing Education + Community Outreach Summer 2021

Registration Deadline: Registration Friday, May 21 Firing Ceramic Raku Design Game 4: Engine Unreal Collaging with Pattern Digital Painting and Illustration Eco Dyed Paper & Notebooks Enameling Decals: Color Practices Professional Art: of Business Artist Young *New! Writers’ Week: 2021 Summer August 2–8 Creative Writing Across Genres Fiction Writing and ImageText Screenwriting Poetry Nonfiction Creative Celebration and Publication Summer Workshops Intensive June 11–July 31

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Narrative Self Portraits Intro to 3DIntro Modeling to DrawingIntro to from Nature Illustration Portfolio Development: Week Writers’ Mornings Saturday Digital Cartooning 5–8th Grade Form and Image Developing Photobooks: Pattern and Surface Design Afternoons Saturday Digital Cartooning Grade 9–12th PortraitsFace Value: Experimental Photography Creative Coding Creative Digital Illustration Spaces Digital for Photography Digital Next Level Painting: Beyond the Basics Theory Color Portfolio Development: Life from Drawing Portfolio Development: Screen Printing Afternoons Weekday Acrylics in Advancing Creative Writing Monsters Photoshop: in Digital Painting Explorations in Printmaking Fun with Fabrics Young Artists Weekdays June 7–June 17 Saturdays June 12–July 31 Deadline: Registration Friday, May 21 Mornings Weekday Cartooning 101

the First Draft Portfolio Development: Painting from Life from Painting Portfolio Development: Creative Self Expression in Acrylic Paint Design Game: Prototyping Your Introduction Drawing to from Observation On Myth & Revision: Writing Past Saturdays Atelier Drawing Thursdays Form! with Fun Glassblowing: BookWriting Your Graphics, Patterns, and Images in Metal Americas the of Culture Visual Landscapes Watercolor Wednesdays Beginning Painting Color in Drawing Basics in Fiber Art Ceramics in Projects Experimental Evolution Human About Face Portraits ExperimentalAbstract + Drawing Abstract Painting Alternative Process Photography Wheel Throwing: Beginning + Advanced Beginning + Wheel Throwing: Tuesdays Handmade Books Handmade Painting Oil Method: Painting Indirect Introduction Video to Making CarvingStone Mondays Narratives Graphic June 7–August 2 Deadline: Registration Friday, May 21 Adults Weekends, + Evenings Weekday Classes are held on the dayweek of indicated. Most classes run for multiple weeks. Please refer individual to class descriptions for specific dates and times. Summer 2021 Courses 2021 Summer 2 Here’s what you’ll need What to expect for for your online class: in-person classes:

10% off per • Internet access • Adult students will need to purchase • A smartphone, tablet or their own supplies. Supplies usually household for computer that has a camera cost between $30–100. A supply list will be shared with enrolled • Supplies, which vary by class. students before the course begins. multiple course Students are responsible for purchasing their own supplies/ • Supplies for young artists are registrations* software ahead of time. covered–you do not need to

Visual Arts Courses bring anything unless stated.

Supplies usually cost between * Not valid with other CIA discounts $30–100. A supply list will be • All students will be required to Registration must be submitted shared with enrolled students follow COVID-19 health & safety in person or by mail by May 21 before the course begins. protocol. This includes: CIA alumni and US veterans • Google Meet meeting link, which will -- Everyone who enters the campus can also receive a 10%! be available prior to the start of class is required to wear a mask Online or over the phone registrations will not qualify over the nose and mouth. Art + Design What to expect in -- To be on campus, all employees and students are required to your online class: conduct daily health assessments, including temperature and • Most classes will begin each session symptom monitoring. with an instructor-led demonstration Teachers! or lecture via Google Meet where • Students will need to follow Earn up to 2.4 CEUs by tracking you’ll review the processes, all social distancing directions your attendance for your continuing techniques, materials, and/or while in the building for class. education class. software that you’ll be working • More details on in-person with on your assigned project(s) No extra application needed. requirements will be emailed Please email [email protected] • Each class will then break out into once we receive your for more information. studio time for you to create work completed registration. from home and engage in individual check-ins with your instructor on the progress of your work • In the last hour of class, the group will sign back into Google Meet for virtual critiques and/or discussions, which are great ways to engage with your classmates! • Weekly assignments, supplemental videos, tutorials, handouts, and resources will be emailed to you or available on your course’s web page on myCIA. Information for accessing myCIA will be emailed prior to the start of class. 3

CIA Continuing Education + Community Outreach Summer 2021

promoting artwork. promoting Mary Urbas 2-day workshop 2-day Cost: $110 During this 2-day workshop, students will be able fire to images onto an enameled surface createto full color photographs. The first day we will gather our images, ready our materials and set up the decal be to fired. The next day we fire them! Bring family photos, vacation memories, a favorite artwork, anything you would want keep to Make forever. a memory you will never forget! Torres Lyanne Art: PracticesBusiness of Professional in-person meets workshop This CEFD 230 00 Saturday, July 31 9am–4pm workshop 1-day Cost: $90 making yourYou’re art… but now what? What does it take go to from casual maker working to artist? the For transition many, of getting your artworkout in public is daunting. This workshop will teach the developing artist how present to and promote their work, get involved in the art community, and understand what it means beto a working artist This today. workshop artwork, pricing as such topics includes writing an artist statement, and presenting and books.sew them We’ll into saddle-stitched notebooks and use templates make to the cut-offs into bookmarks. Carmen Romine Enameling Decals: Color in-person meets workshop This 00 CEJM 115 Saturday, July + Sunday, July 24 25 9am–12pm

to prepareto paper for eco printing, explore colors & patterns from materials, and each student will make a handful of prints use to for softbound create a simple digitally painted portrait. It will be fast-paced with much information, so get to the most out of the seminar, students must digitally. working familiarity with some have Peralta Len Eco Dyed Paper & Notebooks in-person meets workshop This 00CEPM 245 + Sunday, JulySaturday, July 18 17 9am–4pm workshop 2-day $185 Cost: go over theWe’ll basics of natural dyeing, how to permanently fix the collage. the fix permanently to Smith Meagan Illustration and Digital Painting Online workshop 00CEIL 155 Saturday, July 17 9am–4pm (EST) workshop 1-day Cost: $90 Students will be introduced the to digital environment via Photoshop and Procreate in an intensive 1 day seminar. Learn concepts such as layer organization, layer styles, clipping masks, layer opacity and more in order to Sunday, June 13 9am-4pm (EST) workshop 1-day Cost: $90 parts and pieces of formation the is Collage sources. various from together coming collage of possibilities the explore will Students magazines, home: at materials recycled using by newspapers, and primarily surfaces that have pattern. will We be experimentingwith additive and subtractive methods such as glitter, staples, hole punching, funky shaped scissors, markers, oil pastels, will We etc. be picking out patterns emphasizeto repeats. Students will also learn how finish to with a plexiglass surface Collaging with Pattern with Collaging Online Workshop CEFD 385 00

game engine is required. is engine game Harrison Walsh Game Engine will We 4. explore building both a 3D and environment 2D and the basics of creating interactions using Unreal Blueprint visual scripting. No prior experience with a 9am–4pm workshop 2-day Cost: $175 This workshop will introduce you theto Unreal Unreal Engine 4: Game Design in-person meets workshop This CEGD 00 105 + Sunday, JuneSaturday, June 13 12 your work home that day. Alberto Veronica Lopez bisque-fired work that is smaller 10x10 than inches like. if All they’d students will get to experiment using pre-made tiles. This (relatively) low-heat firing method means you'll to get take raku along with advanced techniquessuch as decoration. combustible and reduction alcohol Students may bring one item of their own traditional Japanese practice that often results results often that practice Japanese traditional in amazingiridescent colors. CIA At this means an open fire on the loading dock,teamwork, and a lot of fun. Learn the fundamentals of Saturday, June 12 (1–4pm) Saturday, June 12 workshop 2-day Cost: $110 Raku is a process of ceramic firing inspiredby Raku Ceramic Firing Ceramic Raku in-person meets workshop This CECR 260 00 (6–9pm) JuneFriday, 11 + and two-day workshops, designed giveto an immersive experience in contemporary art-making processes. side while developing new ideas and workshops Our intensive techniques? arejust for Dive you! in during our one Registration Deadline: Registration Friday, May 21 Are you looking explore to your artistic Intensive Workshops Intensive June 11–July 31 Summer Summer 4

Art + Design Visual Arts Courses write professional-level scripts for this format to how at look in-depth an take will class This landscape. culture pop current the in entertainment published of forms popular most the of some are Novels Graphic and Comics $295 Cost: 8 sessions (EST) 6–9pm 5) July class 2(no 7–August June 175CEIL 00 Online course Graphic Narratives Romine Carmen types! creative all for sketchbooks to way create agreat and to learn process arewarding is books handmade paper. Making techniques behind using fabric and printed cover creative basic some explore also We will others. and fold, accordion bag, tea stitch, binding,perfect coptic stitched, Japanese slab binding processes include: saddle stitched, including folding, gluing, and sewing. Some techniques binding of arange in books create We will bookmaking. of art the in forms and This class will focus on the different structures Cost: $345 8 sessions 6–9pm 5) July class 2(no 7–August June 110CEFM 00 in-person meets course This Handmade Books Mondays begins. course the before students enrolled with shared be will lists Supply $30–100. between cost usually supplies and oftime, ahead supplies own their to purchase students require courses note: adult Most Please 21 May Friday, Registration Deadline: 2 7–August June Weekday Evenings + Weekends, Adult Courses

Online course Indirect Painting Method: Oil Painting Marc Sumerak writers. by fellow workshopped be will that script afinal write and choices; scripting effective to make ability the format; the of foundations technical the of understanding adeeper Gain experience. industry of years 20+ with instructor an of guidance the under technical skills but also how you tell a story astory tell you how also but skills technical your improve only not will course This making. video in arole plays functions camera DSLR your how of understanding afull to having record pressing just from forward Moving lighting, sound recording, and post-production. lenses, settings, camera basic cover We will art. video and making video of foundations foropportunity students to learn the the gives course video beginner This $325 Cost: 8 sessions 6–9pm 5) July class 2(no 7–August June 315CEPH 00 in-person meets course This ToIntroduction Video Making Augusto Bordelois and associated materials. paints oil using background and knowledge a have should Students choosing. their of atheme with painting individual an complete will student each class, this During emphasized. be will paint oil applying of method the style, oil mediums. Rather than a specific subject or different of properties the and acolor of opacity the on based concepts theory color to apply learn will Students palette. their in mixed color the beyond painting oil an in values and hues interesting more to create mediums different and tints glazes, paint, of layers to use learn will Students underpainting. adetailed over value and hue color build to glazes of layers fine application using the indirect method, i.e. using painting oil teaching on focuses course This $295 Cost: 8 sessions (EST) 6–9pm 5) July class 2(no 7–August June 320 00 CEPT

6–9pm 5) July class 2(no 7–August June 145CESC 00 in-person meets course This Carving Stone Emily Flory final projectalong with a classcritique. their of screening aclass have will Students image. moving the through amood set or Amy Halko Amy available in class for purchase. are tools and Clay best). are bags cleaning (dry pots your to cover plastic and atowel, apron, an tools, pottery basic You need will projects. your for inspiration any or drawings, sketches, to bring free Feel projects. personal own their one-on-one instruction and help in developing get will experience throwing with Students creations. your to finish ways various learn will you carving and inlay, texture, glaze, and slips colored Using wheel. the on mugs and bowls, cylinders, like forms basic to make learn will clay or smooth white porcelain. Beginners stoneware rustic from choose can Students wheel! potter’s the on to throw how Learn $375 Cost: 8 sessions 6–9pm 5) July class 2(no 7–August June 00 200 CECR in-person meets course This Wheel Throwing: Beginning + Advanced Rick Rollenhagen provided. be will materials and tools Most stone. polished and finished a beautiful in result will that techniques and tools special to use You learn stone. will your polishing and carving, designing, of process step-by-step the you teach will class This stone. your of center the from emerging form the experience alabaster stone. Using the reductive method, acolorful of out asculpture to create Learn $375 Cost: 8 sessions CIA 5

Continuing Education + Community Outreach

Summer 2021 Summer

Wheel Throwing: Beginning + Advanced 6 Tuesdays

About Face Portraits Online course CEPT 100 00 June 8–July 27 6–9pm (EST) 8 sessions Cost: $295 This course is an exploration in the history and art of portraiture. Learn to open your eye

Visual Arts Courses and steady your hand! In this course, focus on rendering skills while also exploring creative ways to interpret personality and expression. From realistic model drawing/painting to more abstracted methods of representation, this course is great for both practice and trying new things. All levels from beginners to portraitists are welcome! This adult class also welcomes students in grades 10–12. Art + Design Melissa Harris

Abstract + Experimental Drawing Online course CEDR 315 00 June 8–July 27 6–9pm (EST) 8 sessions Cost: $295 Get inspired and draw like you've always wanted. This class will encourage you to see the world and your work with new eyes. Students will work with a variety of drawing tools such as pencils, conté crayons, markers, felt tip pens, pastels, and willow charcoal to learn key techniques and concepts that will develop your appreciation and skills in non-representational drawing. The course will pull inspiration from an eclectic array of sources, including modern artists (Klee, Miro, and Kandinsky), YouTube videos, and avant garde film. David Verba

Graphics, Patterns, and Images in Metal 7

CIA Continuing Education + Community Outreach Summer 2021 Cost: $325 In this introductory painting course students will learn the fundamental techniques and processes of painting with acrylic paint. Class principles painting basic target will projects and guide students develop to a better understanding of tools and materials, acrylic paint and mediums, basic color theory, and Discussions, concepts. design two-dimensional this class include how we understand and evaluate scientific evidence, how and why we study modern primate behavior, and how we understand our own evolution from our last shared ancestor with modern primates through the to emergence of modern humans. relationships complex the see will Participants between human biology, the environment and adaptation of culture as a way of life. Through slides, readings, optional discussion, class videos, and physical objects/artifacts we will build a picture ofthe complex, and often changing understanding of our evolution as a species. Also, schedule and time permitting, Museum Cleveland the visit may class the on exhibition permanent History’s Natural of evolution. This adult courseis also open to students in grades 10–12. Hoag Beth Wednesdays Painting Beginning This course meets in-person 00 CEPT 110 June 9–July 28 6:30–9:30pm sessions 8 Human Evolution Human This course meetsin-person 00CEFD 375 3 15–August June 6–9pm sessions 8 Cost: $325 This course is study of human evolution and diversity from our first bipedal steps in Africa 4 million years ago our to emergence as a modern species. covered Topics in

Lynne Lofton want get to reps in on the wheel? In this course ceramic students will have the opportunity to focus on a specific project technique,or with guidance from an instructor. As a material, clay exploration; for possibilities endless provides this is the perfect place test to those methods Propose unique. truly something create and course the throughout develop to project a environment open-studio resourceful, the using of the CIA ceramics facilities. Please bring in sketches of your proposed project and inspirations on the first day of class. Please bring dry cleaning or garbage bags for covering your works in progress. Clay and purchase. for class in available are tools creating a hat. In later projects, we will work on the art ofknotting in macramé and the simple structure of weaving. Carmen Romine Ceramics in Projects Experimental This course meets in-person CECR 700 00 June 8–July 27 6–9pm sessions 8 Cost: $375 Have you ever wanted try to out handbuilding techniques in your clay studio? Or are you eyeing an experimental glaze combination, or June 8–July 27 6–9pm sessions 8 $345 Cost: This class will focus on passing down the long-loved craft of using yarn in different fiber art techniques. Students will learn basics in knitting, crochet, macramé, andweaving. willWe start the session off learning by the the in purling and knitting of stitches simple form of a scarf. A variety of patterns based on desired difficulty level will be provided for each student. In the next project, students will learn the advantages of using crochet for more sculptural pieces and the foundations of Basics in Fiber Art This course meetsin-person 00 CEFM 135

photography techniques of cyanotype, anthotype, lumen printing, and photo transfer course. hands-on this in Kane Carolina and many contemporary photographers are are photographers contemporary many and these to technologies digital new applying old processes breathe to new life into these techniques. Learn the alternative process non-traditional or non-commercial photographic photographic non-commercial or non-traditional printing process. Alternative processes are often called historical, or non-silver processes 8 sessions 8 $345 Cost: computer! the for just isn't Photography The term alternative process refers any to This course meets in-person 00CEPH 425 June 8–July 27 6–9pm Terry Clark Terry Photography Process Alternative more complex finished piece. As an online online an As piece. finished complex more photo and connection internet reliable class, documentation of all artworks are required for discussions. peer and instructor each artist gives students time develop to new techniques and maintain weekly goals. Students will make two paintings inspired by each artist: a small investigation, and a larger and multiple process applications. artists’ Two artworksand styles will be explored: Jackson Pollock and Mark Rothko. Four weeks for public perception of what art should represent. This class introduces concepts and techniques used masters by of abstraction. Concepts object, as painting subject, as color include 8 sessions 8 Cost: $295 Abstract artists have made important contributions the to art world changing by the Online course Online CEPT 350 00 June 8–July 27 6–9pm (EST) Abstract Painting 8

Art + Design Visual Arts Courses Lyanne Torres provided. be will class this for materials and tools All sketches. and doodles, drawings, graphics, photos, images, to bring you We invite wall. the for works and objects, small jewelry, into etchings our to transform fabrication metal basic apply and learn We will metal. into images and patterns, graphics, to translate ameans as etching for techniques address We will wall. the for works and objects, jewelry, making for images and patterns, graphics, of use the explore will class This day? every see we images and graphics myriad the metalsmithing embrace popular culture, and and jewelry in work contemporary does How $375 Cost: 8 sessions 6–9pm 28 9–July June 00 200 CEJM in-person meets course This Graphics, Patterns, and Images in Metal Mark Krieger in design, texture and color theory. with colored drawing media through exercises confidence and skill Gain acombination. or life still portrait, figure, costumed reality, observed on based is work Class Van Allsburg. Chris or Manet Degas, as such illustrators and artists master of color in work to the introduced be also will Students to away succeed. and point entry an beginners offering still while students sessions and are designed to challenge skilled four or three lasting usually ambitious, are Projects work. of body asubstantial of creation the through skills rendering and observation improve and theory color of understanding apractical develop will students media, mixed and/or pastel, oil pencil, colored pastel, Using $295 Cost: 8 sessions (EST) 6–9pm 28 9–July June 255 00 CEDR Online course Drawing in Color Susan Danko growth. artistic and practices painting good students with valuable resources to facilitate provide will handouts and demonstrations,

Each week you will learn about a different adifferent about learn will you week Each Europeans. of arrival to the prior Americas the with the cultural achievements of peoples of you to familiarize is course this of goal The $295 Cost: 8 sessions (EST) 6–9pm June 16–August 4 00 220 CEFD Online course Americas the of Culture Visual demonstrations, lectures, and group critiques. instructor all for Meet Google on up meet We will discussions. peer and instructor for required are artworks all of documentation class, reliable internet connection and photo online an As to explore. topics and tricks of range awide for permits time dry fast and paintings quick water. small and Many trees, environments, cosmopolitain and rural skies, as such landscape the in found elements paint to how shown You be will technique. painting incorporate a new color lesson and theory a will example Each manipulation. paint and techniques, painting application, paint theory, color are class in demonstrated and discussed and capture a luminous quality. Topics to reflect amirror as paper white and washes transparent of use makes painting Watercolor $295 Cost: 8 sessions (EST) 6–9pm 28 9–July June 375CEPT 00 Online course Watercolor Landscapes Beth Hoag 10–12. grades in to students open also is course adult This art. American Native of Cleveland Museum of to Art see their collection the visit also will we permitting schedule and Time studying. are we cultures to the relate that talk about current Indigenous issues and topics also We will Americas. the in diversity cultural cultural appreciation and understanding of of asense you give will this All post-colonial). written documents (Indigenous, colonial, and remains; sites and cities, artifacts and objects, culture through the corpus of their material This course meets in-person meets course This Glassblowing: Fun with Form! Thursdays Terry Clark studio demonstration. painting live each for instructions by step step with along to follow encouraged are Students Zachary Savich poetry. and consultant for many books of fiction, nonfiction, and editor an as worked has and books eight community. The instructor is the author of encouraging an of help the and feedback publication. The course will include individual planning, drafting and revision, and options for and development idea We’ll explore stage. any at projects for it’s appropriate and poetry), any genre (including fiction, nonfiction, and in work supports It projects. book-length on working are who writers for is course This novel? a to finish Trying amemoir? Planning $295 Cost: 8 sessions (EST) 6–9pm 29 9–July June 185CEFD 00 Online course Your Book Writing Alicia Telzerow to present. form final exciting an with class the end will we and material. Color applications will be introduced the of motion the with familiar to get sculpting glass solid some do also but forms blown our shaping on focus We will object. to an sketches and drawings original their from to go begin will students mastered are use tool proper and skills technical essential Once craft. of aspect of glassblowing while focusing on the design basics the to introduce intended is course This Cost: $430 8 sessions 6–9pm 29 9–July June 145CEGL 00 9

CIA Continuing Education + Community Outreach Summer 2021

course also emphasizes extending acrylics to take our paintings the to next level. Learn to use acrylic mediums extend to the dry time, allowing you work to in your to painting; and develop deepcolors and layers in your painting, so you can most accurately portray the world around you. This course is great for students with some drawing or painting experience. Ott Lorri tap but into, also to stand firmly in, their power as individuals within a larger, more nuanced society working primarily in the artistic medium of language.The course is for writers interested ways) honest and equitable (in completing in narratives, both personal and private. Upon completion of this course, writers will debunk the myth of the muse speaking by directly the to hardships of writing; resist liking and not liking concepts define collectively drafts; working their of craft; moderate their own feedback sessions; and write an artist statement that summarizes the evolution of their writing. HarrisJason Life from Painting This course meets in-person CEPT 00 225 June 9–July 31 9:30am–12:30pm sessions 8 Cost: $325 Learn the art of observational painting; painting with acrylics directly from life. In this course we will focus on using sight measurements, building a painting from using structural based colors accurate mixing and components, on subjects in the room. Projects will include object studies, still lives, and live models. This On Myth& Revision: Writing Past the First Draft course Online CEFD 285 00 June 9–July 31 9:30am–12:30pm (EST) sessions 8 Cost: $295 On Myth & Revision: Writing Past the First Draft is an anti-racist writing workshop. The course will further enable creative writers not to only explore basic drawing techniques and media gainto a fundamental understanding of the drawing and studio experience. include Topics sighting, line, organizational contour, blind one and two-point perspective, still life, cross hatching, shadingand value. Students will leave this course with a strong foundation of the skills necessary continue to their own observational drawing practice. This adult class is also open studentsto in grades 11–12. Catherine Lentini mechanics physical to forms, and top it all off creatingby prototypes of our own original game concepts! This adult course is also open to students in grades 11–12. Everhart Spencer Observation from Drawing to Introduction This course meets in-person CEDR 235 00 June 9–July 31 9:30am–12:30pm sessions 8 Cost: $325 This course is an introduction the to materials and methodsof drawing from life. Students will June 9–July 31 1–4pm sessions 8 Cost: $325 In this course, students will develop skills rapidlyto createnew and engaging game techniques. design tabletop using prototypes designTabletop and paper prototyping are vital games. non-digital and digital both creating for development strip prototypes Non-digital down basics, to allowing the designer to develop gameplay without devoting time to of line single a writing or graphics computer develop we’ll course, this Throughout code. prototypes for board games, translate digital Design Game: Your Prototyping This course meetsin-person CEGD 00 225 of current and past masters will serve as a resource and springboard for your own art. David Verba will learn and apply basic concepts such as color, shading, space, negative composition, and more increase to your visual vocabulary and range of creative expression. Works and supportive atmosphere. Discover how artisticallyto express yourself in a non- the appreciating while way representational styles and techniques of modern artists. You new ways of thinking about art and your creative work. Through the lens of self- expression, you will freely create artwork relaxed a in significance personal holds that 8 sessions 8 Cost: $295 Make your artistic visions a reality and explore Online course Online 00CEPT 240 June 9–July 31 1–4pm (EST) Peter Green Peter Paint Acrylic in Expression Self Creative eye for value and a technical mastery of the drawing media. All levels welcome. For the provide will instructor the platform, online photos and reference materials draw to from. the world’s greatest draftsmen and painters. Learning study to light on form drawing by from plaster casts, still lives, and copying master works, students will gain a highly developed Learn classical drawing techniques in the French Academic method. For nearly 200 years, the French Academy produced some of June 9–July 31 1–4pm (EST) sessions 8 Cost: $295 Atelier Drawing Atelier course Online CEDR 220 00 Saturdays 10

Young ArtistsArt + Design Courses Visual for Young Arts Courses People Young Artists 11

CIA Continuing Education + Community Outreach Summer 2021

each based on a painting challenge to convey a specific message or theme. We’ll learn send to a visual message with our art, not just through the content of your work, but through use of color and brushstroke. Across all projects, students will develop their own personal style or themes of interest to make their work stand out from the crowd. AndersonEmma consider the images they are making and what messages they want explore. to Photographs have become the popular form of expression that platforms digital of communication and understanding of responsibility a to itself lends how they are interpreted others. by Students will learn how make to technically sound functions, camera manual with photographs and composition settings, exposure proper editing techniques. Students will need access a digitalto camera or camera-phone with and Photoshop Adobe settings, adjustable Bridge, and the internet. Leah Trznadel Next LevelPainting: Beyond the Basics course Online Grades 5–8 220 00 YAPT (no class June Friday, 18) June 7–17 9:30am–12:30pm (EST) sessions 9 Cost: $275 know blueYou and yellow makes green… but then what? Learn communicate to through your paintings in this next level painting class with familiar are who schoolers middle for painting basics. In this course, students will develop a body of fiveto seven paintings Digital Photography for Digital Spaces Digital for Digital Photography This course meetsin-person Grades 9–12 500 00YAPH (no class June Friday, 18) June 7–17 9:30am–12:30pm sessions 9 $345 Cost: digital to course introductory an is This photography in the era of internet and social media. This course will encourage students to up their workflow and also create several digital projects practice to their skillset. Students must have access Adobe to Photoshop and a tablet- style digital drawing tool such as a Wacom tablet, OR an iPad and Apple Pencil with the Procreate app. Peralta Len James Waite James Digital Illustration course Online Grades 9–12 300YAIL 00 (no class June Friday, 18) June 7–17 9:30am–12:30pm (EST) sessions 9 Cost: $315 This course focuses on the fundamentals of digital art teaching by the basics of working in a digital environment. Students will learn to navigate Photoshop as a drawing tool, learn how create to brushes and tools help to speed YADA 225 00 225 YADA (no class June Friday, 18) June 7–17 9:30am–12:30pm sessions 9 $335 Cost: Creative Coding introduces JavaScript and HTML/CSS create to fun, interactive projects through web a browser! will We start with the fundamentals of programming so no prior knowledge required. the At end of this course you will have created three interactive projects that will be shared via the Internet. will We also look at contemporary artists working with code, discuss user experience, and how viewers artworks. interactive with interact Creative Coding Creative This course meetsin-person Grades 9–12

Cleveland’s influential cartooning professionals. cartooning influential Cleveland’s Usmani Josh composition and perspective. While the class class the While perspective. and composition lectures online course, studio a primarily is will introduce students the to nature and history of cartooning–with a specific focus on as narrative visual storytelling, character AKA circles story building, world design, Journey,the basic Hero’s layout/ anatomy, this eclectic medium. Students will work develop to collaboratively and individually their own characters, settings and stories. willWe explore a variety of concepts, such Cost: $275 Cartooning is an online 101 course for young, aspiring cartoonists, designed introduce to and develop a diverse set of skills around YAIL 100 00 100 YAIL (no class June Friday, 18) June 7–17 9:30am–12:30pm (EST) sessions 9 Cartooning 101 course Online Grades 5–8 Weekday Mornings Weekday areincluded for in-person courses. can alsoYou find courses opento high school students in the Adult Class listing! ahead of time, and supplies usually cost between Supply $30–100. lists will be shared with enrolled students before the course begins. Supplies Friday, May 21 Please Online note: courses require students purchase to their own supplies Saturdays June 12–July 31 Deadline: Registration Weekdays June 7–17 Young ArtistYoung Courses 12 Portfolio Development: Color Theory Screen Printing to Painting course and/or the Intermediate This course meets in-person This course meets in-person Painting course, but is open to all students at Grades 9–12 Grades 7–12 an intermediate or more advanced level. YAPT 265 00 YAPM 300 00 Emma Anderson June 7–17 (no class Friday, June 18) June 7–17 (no class Friday, June 18) 9:30am–12:30pm 9:30am–12:30pm 9 sessions 9 sessions Creative Writing Cost: $345 Cost: $345 Online course Grades 9–12 In this hands-on, exploratory course, students Learn the basics of screen printing, covering YAFD 195 00 will gain knowledge of basic color theory all aspects of production from start to finish. June 7–17 (no class Friday, June 18) concepts using both acrylic and watercolor Students will master printing with water based 1–4pm (EST) painting. Projects will include research of inks and learning how to create multi-layer 9 sessions both the natural and urban environments of screen prints. Finished projects will include Cost: $315 University Circle to gain experience in research. prints on paper as well as fabric printing on A series of 4–6 smaller projects will be created materials of the students’ choice–canvas This course offers a supportive, constructive throughout the course, including understanding bags, t-shirts, or other found material. Special environment for exploring short fiction, poetry,

Courses for Young People Courses for Young the color wheel, the difference between RGB study and consideration will be given to the nonfiction, and writing that defies genre

and CMYK, value scales, color mixing, and rich history of screen printing, exploring key distinctions. We will read and discuss exciting, simultaneous contrast. The final project will be artists and movements. Of all the visual arts, weird, and haunting stories, poems, essays, student driven, based on information learned printmaking perhaps has been the most and things in between. You will share original in the first week of class. Most work will be influential in shaping our world due to the writing, receiving feedback and guidance based painted abstract compositions. Visits to local medium’s inherent nature of mass production, on your individual interests. You will also stretch institutions may occur, where available. duplication, and its subsequent affordability. yourself as a writer through generative writing exercises, in the company of other writers Scott Goss This course will focus on teaching not only technical skills but exploring real-world doing the same. This course is designed to

Young Artists Young printmaking applications and their impact. encourage experiment, curiosity, and play, while Portfolio Development: Drawing from Life supporting writing across styles and genres. Stevie Tanner This course meets in-person Alyssa Perry Grades 9–12 YADR 700 00 Digital Painting in Photoshop: Monsters June 7–17 (no class Friday, June 18) Weekday Afternoons 9:30am–12:30pm Online course 9 sessions Grades 9–12 Cost: $315 Advancing in Acrylics YADA 300 00 Online course June 7–17 (no class Friday, June 18) This course will guide you through the basics Grades 5–8 1–4pm (EST) of observational drawing to create high quality YAPT 225 00 9 sessions and finished pieces that you can add to your June 7–17 (no class Friday, June 18) Cost: $315 art portfolio. You’ll utilize different drawing 1–4pm (EST) Have a monstrously fun time learning materials and processes, from portraits, to still 9 sessions Photoshop and its various assets to paint and life, to landscape/nature/botanical drawing. Cost: $275 We will also practice critiquing your work in a create images. Assignments will be monster- constructive, fun and informative way. The goal This course is designed for students who want based creations while tackling areas such as of this course is to help you reach a higher level to take their art to a more advanced level. You layer styles, brushes, textures and blending of skill in the creation of your own artwork. will utilize your knowledge of painting and ability modes. A little color theory may pop up in to conceptualize to take your work to the next the mad scientist lab too. We’ll start with the Eddie Mitchell level. You will develop a theme or idea and basics and then visit different areas and tools create a cohesive body of work consisting of in Photoshop to help build your digital painting approximately 5–7 pieces. You will also learn skills. Students will need access to Photoshop to discuss the ideas and concepts behind to take this class. the artwork you create. This course is ideal Gerry Shamray for students who have taken the Introduction 13

CIA Continuing Education + Community Outreach Summer 2021 Cost: $245 Looking develop to your digital art and cartooning skills in a fun, supportive and is Cartooning Digital environment? collaborative introduce designed to course studio online an professional to cartoonists aspiring young, unique This hardware. software and digital improve opportunity to the students offers class both narrative visual storytelling and digital art and design skills. Intro Digital to Cartooning of lessons the upon build to designed is artists. Simply put, illustration is about visual is illustration artists. Simply put, non-visual and visual of communication with designed is course This information. real world project prompts help to students learn use to illustration solve to problems, tell stories and clearly communicate ideas and emotions. Students will learn how to different vastly successfully communicate information clearly using a variety of visual cues and stylization techniques. Thisis perfect a course for young artists interested in developing both their personal drawing style as well as work for their portfolios. will We focus on advanced techniques, so a strong foundation recommended. is drawing observational in digital or traditional the use may Students media of their choice. Usmani Josh Mornings Saturday Digital Cartooning 5–8th Grade course Online Grades 5–8 350 00YAIL June 12–July 31 9:30am–12:30pm (EST) sessions 8 Portfolio Development: IllustrationPortfolio Development: course Online Grades 9–12 600YAIL 00 (no class June Friday, 18) June 7–17 1–4pm (EST) sessions 9 Cost: $275 Are you interested in a career in illustration? There is a lot more it to than drawing, and sometimes it can seem mysterious young to

Learn the basics of drawing using diverse pencils charcoal conté, graphite, as such tools (and sticks), hard and soft pastels, pen and ink (and more)! Students will explore different crosshatching, pointillism, as such techniques and modeling using smudge sticks and erasers. nature” from “drawing on emphasis an With drawing observational practice will students (from real objects), and will explore subjects at a class This Circle. University in trip field museum will go over the art principles of perspective, composition. and shadow and light values, Feel confident knowing that once these basic limit. sky the established, the skills is are Candice Dangerfield will gain an understanding of hard-edge animation. 3D and techniques modeling composition, form, consider also will We relationships figure/ground and color, environments. 3D our composing when Waite James Nature from Drawing to Intro This course meets in-person Grades 5–8 00 110 YADR (no class June Friday, 18) June 7–17 1–4pm sessions 9 Cost: $295 YADA 235 00 YADA (no class June Friday, 18) June 7–17 1–4pm sessions 9 $335 Cost: This course will introduce students the to fundamentals of mesh modeling using the software Blender. willWe cover mesh mapping, UV and materials manipulation, rendering still-images and video, and basic animation. Students will create static scenes and basic movement create to environments of their imagination! will We cover best practices and do modeling 'challenges' to reinforce what we learn each Students day. Intro to 3D Modeling This course meetsin-person Grades 9–12 Other fabric and supplies will be provided. Mary Urbas hand cut stencils, and learn how transfer to your ideas and designs onto a t-shirt, bag, tote bandana, and Please paper. bring a blank t-shirt like turn to that into you’d a unique piece of art! Explore a wide range of ways create to pattern on fabric, using dye, paint and a mixture of printing processes. Use the silkscreen as a drawing and printing tool. Experiment with finished cloth can be incorporated into fashion accessories, your favorite new wardrobe piece, or a unique piece of art hang to in your room. This class will give students hands-on experience in the different methods and techniques of applying image, and color, other surface embellishments fabric. to The June 7–17 (no class June Friday, 18) June 7–17 1–4pm sessions 9 Cost: $295 Fun with Fabrics This course meets in-person Grades 5–8 00 135 YAFM techniques. Craycraft Ryan and inspire other experimental methods of printing, so come ready explore! to By the end of class, you will have produced a variety of printed works and learned a range of printing collagraph through texture and painted painted and texture through collagraph materials create to beautifully distinctive prints. Theseprocesses are very expressive mastering essential printmaking skills! In this sampler course, explore we’ll a variety etching including processes, printmaking of focused on drawing, relief printing, and 1–4pm sessions 9 $345 Cost: Embrace your experimental side while This course meetsin-person Grades 9–12 00 125 YAPM (no class June Friday, 18) June 7–17 Exlporations in Printmaking Exlporations in 14 Cartooning 101 and Advanced Cartooning, Saturday Afternoons home or collect objects that are important to but there is no prerequisite to this course them to make cyanotype prints. Through this and students don’t need any prior digital art experimentation, they may find themselves, Digital Cartooning 9–12th Grade experience. However, students should have a discover who they are as artists and individuals, Online course strong foundation of drawing skills. Students will and spark new interests. Grades 9–12 need access to a computer or iPad with either YAIL 350 01 Cassandra Anderson Photoshop, Procreate, or Clip Studio Paint. June 12–July 31 Josh Usmani + Rachel Usmani 1–4pm (EST) Face Value: Portraits 8 sessions Online course Pattern and Surface Design Cost: $275 Grades 7–10 Online Course Looking to develop your digital art and YAPT 400 00 Grades 8-12 cartooning skills in a fun, supportive and June 12–July 31 YAFD 170 00 collaborative environment? Digital Cartooning 1–4pm (EST) June 12 - July 31 is a studio course designed to introduce young, 8 sessions 9:30am-12:30pm (EST) aspiring cartoonists to professional digital Cost: $275 8 sessions tools, such as: iMacs, Adobe Creative Cloud

Courses for Young People Courses for Young Try your hand… at the face! This fun and

Cost: $275 and Wacom drawing tablets. This unique class creative portraiture course not only focuses Patterns surround us everywhere in our offers students the opportunity to improve both on the foundations of realistic representation; daily lives. In this course we will use these narrative storytelling and digital art and design you will also learn to add your own expression inspirations to learn about the possibilities of skills. Intro to Digital Cartooning is designed and style through drawing and painting original pattern through surface design techniques. to build upon the lessons of Cartooning 101 portraits. Let’s find out what your imagination Drawing and weaving will be the foundation, and Advanced Cartooning, but there is no adds to a face you can already see! Great for along with repurposing discarded materials that prerequisite to this course and students don’t all levels. are often overlooked as resources. We will be need any prior Mac or Photoshop experience. However students should have a strong Melissa Harris

Young Artists Young using paper, plastic bags, twist ties, cardboard, shredded paper, or anything that is relevant to foundation of drawing skills. Students will your living space. We will also learn embroidery need access to a computer or iPad with either Narrative Self Portraits and weaving off loom techniques to further Photoshop, Procreate, Affinity Designer, or Online course embellish a recycled patterned surface. Clip Studio Paint. Grades 9–12 YADR 350 00 Meagan Smith Josh Usmani + Rachel Usmani June 12–July 31 1–4pm (EST) Photobooks: Developing Image and Form Experimental Photography 9 sessions Online course Online course Cost: $275 Grades 9–12 Grades 9–12 This class will explore the self and how we YAPH 425 00 YAPH 275 00 communicate who we are visually. Looking June 12–July 31 June 19–August 14 (no class Saturday, July 3) at portraits and self-portraits throughout 9:30am–12:30pm (EST) 1–4pm (EST) history, we will learn about images as tools 8 sessions 8 sessions for communicating: from wealth and power to Cost: $275 Cost: $275 emotion and identity. By exploring our personal This project-based course gives students The class utilizes experimental photography histories and using setting as a narrative tool, the necessary skills to understand digital techniques such as cyanotypes, solargraphy, we’ll create highly individualized self-portraits photography and the process of creating digital and film photography to produce using a variety of drawing tools. This class digital photobooks. Technical skills covered a portfolio of unique photographic prints. will emphasize drawing realistic portraits by include manual camera functions, editing Inspiration and imagery will be taken from the mastering facial expressions and the tricky skill software and book creation software (Adobe students’ life experiences and interests, the of drawing likeness. This is a great course for InDesign). Conceptual skills include elements objects they collect or surround themselves students developing pieces for their portfolio. with, or what they love. For example as part of critique, curation and development of ideas. Davon Brantley Students will walk away from this course with of the solargraphy project, students will a completed photobook file which is also depict a place that gives them a sense of formatted to print. Leah Trznadel 15

CIA Continuing Education + Community Outreach Summer 2021 Zach Savich Zach Celebration and Publication Sunday, August 8 concludeWe'll Writers' Week with a day and presentation, publication, on focused celebration. also We'll discuss where your writing could go in the months ahead, along with practical next steps for continuing to develop your work fromthe course. Savich Zach Creative Nonfiction Creative Saturday, August 7 writing for techniques highlight session will This aboutyour consider life. We'll how writing about personal experience can connect readers to while helpingyou look deeply into significant experiences. Inspired traditional by and experimental examples, students will generate original work that shows what happens when we turn our attention our to own lives.

In this session, we'll think about how poetic poetic how about think we'll session, this In structure can inspire new discoveries. read We'll contemporary experiments with poetic forms, can limitations How asking questions like: free us up write? to How can structure help strategies structure-based Through sing? us for generating new poems, consider we’ll how meaningful to lead can techniques poetic insights, expression, and surprises. Alyssa Perry workshop, students will learn the basics of how put to the spoken word, visual scenes, and a strong narrative on the page, while still leaving room for interpretation filmmakers. by talk aboutWe’ll the elements of the magic of animated— or live-action it screenwriting—be such as character, narrative, and dialogue. also practiceWe’ll how format to an industry- standard screenplay with free Mac or PC software. Join us… and get started on your journey. screenwriting Scott Lax Poetry AugustFriday, 6 making artwork that uses both image and text. “Image-texts” include a wide rangeof examples that placevisual art and writing in conversation. During this class, explorewe’ll image-texts that use collage, comics, video poems and photo essays. Students will engage in hands- on generative exercises create to their own image-texts and discover the many possibilities that arise at the intersection of two forms. Minor Sarah Screenwriting Thursday, August 5 In this fun and intensive 3-hour screenwriting Text andText Image 4 August Wednesday, This session will offer anintroduction to

developinto short stories, novels, and other fiction. of forms Zach Savich that propel a story forward? This session will focus on the skills key of fiction writing. We'll contemporary diverse, from samples discuss authors and begin original pieces that could Fiction Writing Fiction AugustTuesday, 3 What are the secrets a compelling to plot? How can you develop characters and settings to "thinkto like a writer." Zach Savich discuss our goals and interests for the week as such topics considering ahead--while writing's place in our lives and in the world, strategies for creativity, and what it can mean Writers' Week will begin with an exploration of skills and techniques that are relevant across genres. get know to We'll one another and for students from all backgrounds and levels of experience. Genres Across Writing Creative Monday, August 2 with writing strategies that will help you find your voice, write pieces that matter you, and to advance your skills as It a writer. is designed poetry, creative nonfiction, and writing that combines text and image, such as comics and photo essays. The course offers an intensive, experience gaining for environment supportive Creative Writing across genres. Students will generate original work and receive feedback from published writers who are expert teachers in the following areas: fiction, screenwriting, 1–4pm (EST) sessions 7 Cost: $375 Writers' Week offers a chance explore to Grades 9–12 355 00YAFD 2–8 August Writers’ Week: Summer 2021 Summer Week: Writers’ Week Writers’ course Online New! 16 Instructor Biographies

Glassblowing: Fun with Form! 17

CIA Continuing Education + Community Outreach Summer 2021 . emilyflory.com/home is originally from southern is a photographer and video is multi-media a artist whose in Los Angeles, First Street Gallery in New CityYork and Verge Art Fair in Brooklyn. His work and research has been supported through grants the by Ohio Arts Council, HarpoFoundation, and Kent State University. Green Peter Ohio and studied Drawing at Cleveland State and Illustration at the Academy of Art in San Francisco. He specializes in figures and portraits, utilizing traditional and volunteered at GDEX in Columbus since Spencer is currently an2017. adjunct professor of game design at Notre Dame College in South Euclid, Ohio, where he is responsible for program. the expanding and upon building Emily Flory installation artist working in Cleveland, Ohio. She received her Bachelors of Fine Art in Photography + Video from the Cleveland Institute of Art. Emily’s work consists of video relationship the reference that installations between women and the earth, as well as Her exploration. childhood from inspiration work has been exhibited at the Tinnerman Lofts, The Cleveland Institute of Art and H-Space Gallery in Cleveland, Ohio; Burren College of Art in Ballyvaughan, Ireland, and the Cain Park Gallery of Cleveland Heights, Ohio. Visit Emily's work at Goss Scott work explores his relationship time, to memory, and place. Scott’s work explores these concepts through a variety of media including glass, video, sculpture, and installation. Scott received his from BFA the Cleveland Institute of Art in 2006 and his from MFA Kent State University His work has been in 2014. featured in solo and group shows nationally, including G BIV ROY Gallery in Columbus, GallerySPACES in Cleveland, Minan Gallery with an unshakable belief in accessibility in the the accessibility in in belief unshakable an with Spencer led has curiosity, insatiable arts and pursuingto game academia in addition his to creative practice. He aspires use to his work advocateto for games as an art form, and continueto build to up the Cleveland game development community. Spencer is an active member in the Cleveland game development community, and the Ohio game development community at large. He regularly participates in game jams and exhibitions. He has attended

. has in Drawing a BFA is game a designer, was born in Elyria, Ohio. susandanko.com (CIA ’98) is a painter and from the Cleveland Institute of Art with in 2018 his in Game BFA Design. He has always had an intense fascination with games and the ways we play them. This fascination, in tandem Individual Excellence Award, a residency at the Fine Arts Work Center in Provincetown, Massachusetts, and two Ohio Percent for Art in exhibited has Susan awards. commission solo and group exhibitions at venues including Cleveland, Art, Contemporary of Museum the The Butler Museum of American Art, and the Cleveland Foundation. Her work is held in several prominent art collections and is represented Bonfoey by Gallery in Cleveland. View her work at Everhart Spencer freelancer, and professor who has lived in Cleveland for the past 7 years. He graduated College, and serves as the Artist Manager for Arts.FireFish Dangerfield Candice & Painting from BGSU, foundations from CIA, and Art Education licensure from Notre Dame College in Ohio. Candice's artwork has been recognized regionally and nationally. Most recently awarded “Best in Show” in include exhibitions other her Heights, Shaker Cleveland Art, of Museum Cleveland the The and Airport, International Hopkins D.C. Washington, in Museum Corcoran Danko Susan Ohio. artist Parma, installation based in Career honors include Ohio Arts a 2013 Council natural environment. The concepts of natural natural of concepts The environment. natural light, optics, and color are reoccurring themes found in his artwork. Craycraft Ryan He received his in Painting BFA & Drawing from The University and of Akron received in 2014, his in Painting MFA from the University of DelawareCraycraft in 2016. has exhibited in the and U.S. abroad, including shows at The Delaware Center For Contemporary Art in Wilmington, DE, and Kunstraum Gallery Tapir in Berlin, Germany. His most recent solo exhibition was at the Akron Soul gallery Train aspart of his 2020 residency. Currently, he teaches drawing and Design 2D at Lorain County Community watercolor paints. He also makes sculpture from found objects. His subject matter inspiration comes from earth science and the (Havana, Cuba, 1969)

(CIA ’16) received(CIA ’16) her

is Cleveland a native and

(CIA earned ’02) his MFA Clark II Clark since 2008. Terry paints with both acrylic and at the Cleveland Museum of Art, Ingenuity Festival, CSU Art Gallery, and is included in the MetroHealth art collection. Terry has taught studio art classes at both CSU and CIA Terry J. in Painting from Kent State University in 2004. artwork Terry’s has been featured His work explores the psychological effects of trauma on development into adulthood depicts work his self-portraiture through emotion, drama, and beauty through tragedy. Center in Berea, Ohio. Berea, in Center Brantley Davon graduate from the Cleveland Institute of Art. Diversity Committee. He has been featured as a a as featured been has He Diversity Committee. and University State Cleveland at lecturer guest owns he Currently, University. Wallace Baldwin and directs Augusto Fine Art Studio and Art of workshops at schools, public libraries and many created and community organizations public art pieces across Ohio. He is a member Consortium Arts Education Cleveland CSU’s of artist with more years than 15 of experience. During art residencies with Center for Arts- inspired Learning, the Art House and the Ohio hundreds delivered has Augusto Arts Council, and illustrated short stories for children and designed has Augusto guides. activities’ teacher landscapes of public spaces, and coordinated teaching a is Augusto community art programs. drawing and painting, and costume design for in participated has Augusto cinema. and theater group international and national 130 than more shows and 34 solo exhibitions. He has written Augusto Bordelois Augusto with Havana of University the from graduated a major in English Language and Literature. He classical ceramics, sculpture, studied also has OH. She exhibits her work regionally and and regionally work her exhibits She OH. internationally and has become active in the area bringing by the arts the to community. Summer Mash-Up Exhibition at the Florence Florence the at Exhibition Mash-Up Summer College Gallery Ursuline at Wasmer O’Donnell in Pepper Pike, Ohio, the People’s Choice Artist Showdown at Gallery Plus in Cleveland, MFA fromMFA Most Kent State recently, in 2018. Emmacurated ‘Showa show, Me What Got” at PramaYou Gallery in Parma, Ohio. Her work has recently shown at the2019 Emma AndersonEmma 18 media and techniques. He has shown his Beth Hoag is an anthropologist and galleries that culminated in a one-man show work in galleries nationally and has been archaeologist with over 20 years of experience at Touchstone in 1978. That year he accepted featured in various publications. He is a working at historic and prehistoric sites in a teaching position at The University of Texas member of the International Guild of Realism the US and Mexico. She has been at the at Austin and in 1980 returned to Cleveland and the Portrait Society. He currently CIA for seven years, teaching anthropology where he took the position at University teaches Foundation Drawing at CIA. elective classes on topics including gender, School that he held until 2012. His studio is urban anthropology, human evolution and at the 78th Street Studios, Cleveland Ohio. Amy Halko is a studio potter with a BFA Indigenous Cultures. She also directs a from Bowling Green State University and MFA local summer historical archaeology-themed Scott Lax is a lecturer in Creative Writing at from The Ohio State University, she has taught day camp for children in Shaker Heights. the Cleveland Institute of Art. His first novel, at Southern Methodist University, Eastfield The Year That Trembled, was named one College, community education classes, a Carolina Kane is an artist and photographer of the year’s “milestones in fiction” by the number of workshops, and was a visiting based in the Cleveland, Ohio area. Originally Denver Post. Lax produced the 2002 feature artist at The Pottery Workshop in Jingdhezhen, trained in the fine arts, Carolina works in black film version of his novel and adapted it as a

Instructor Biographies China. In 2006 Amy spent the summer as and white, alternative process, and digital 2-act stage play that premiered at University a resident at The Archie Bray Foundation, photography, as well as photo book and School in 2003. He recently completed the an internationally recognized center for the sculpture. Her work has been shown in various screenplay adaptation of his second novel, advancement of ceramic art. She is a cofounder galleries and shows across Northeast Ohio the psychological thriller Vengeance Follows. of The Dallas Pottery Invitational and Clay Wood such as the Ann and Norman Roulet Student + Cloth. Amy’s work is in several collections and Alumni Gallery, FAVA in Oberlin, The Reinberger Catherine Lentini is an abstract painter is shown nationally. Gallery, and she has shown work in The Gallery and adjunct professor living in Kent, Ohio. at Burren College of Art in Ireland. Carolina has She received a Bachelor of Liberal Arts Jason Harris is an American writer. He holds commercial photography experience in portrait, degree from Bennington College in Vermont degrees from Marshall University and Cleveland studio, event, and documentary photography. and a Master of Fine Arts in painting from State University. He works full-time in higher She worked as a photographer for Cleveland Kent State University in Ohio. Her work education and teaches part-time as a First Year Magazine from summer of 2017 through Spring can be found at catherinelentini.com. Writing Instructor. At Literary Cleveland, he of 2019, and John Carroll University since Lynne Norwood Lofton received her BS in Art serves on the Programming Committee and the the summer of 2018, and volunteered as a Access and Inclusion Advisory Committee. Education from Northern Illinois University and photographer for organizations such as Flashes after moving to Ohio, attended the Cleveland As of January 2021, Jason serves as the Poetry of Hope and A Prom to Remember. Carolina Editor for Gordon Square Review. His interests Institute of Art in the Ceramics program. She worked as a Teaching Assistant through The has been a ceramic artist and teacher for over include listening to true crime podcasts, Cleveland Institute of Art’s Continuing Education practicing negative visualization, revision, and 35 years, exhibiting in galleries throughout the Summer Pre-College Program in undergrad Midwest. Sixteen years ago, Lynne founded finding associative links between disparate where she discovered her devotion to art ideas. He is a Graduate Poetry Fellow of The TerraVista Studios in the Cleveland Arts education. Her desire is to work with students Quarter, and has been working there ever since. Watering Hole. He is also the 2021 Barbara of all ages to develop their creative problem Smith Writer-in-Residence at Twelve Literary solving skills and cultivate an appreciation for Sarah Minor is a writer and interdisciplinary Arts. His first poetry collection is forthcoming. the arts. Carolina is a proud 2019 graduate artist and author of Slim Confessions (Noemi, To read more of Jason's work, you may visit of the Cleveland Institute of Art, receiving 2021) and Bright Archive (Rescue, 2020). Minor his website: jasonharriswriter.com. a Bachelors of Fine Arts in Photography. is Assistant Professor of Creative Writing at the graduated from Cleveland Cleveland Institute of Art and Assistant Director Melissa Harris Mark Krieger was born and raised in State University with a BA in Studio Arts, of the Cleveland Drafts Literary Festival. Find Cleveland. He earned his Bachelor of Fine images of her work at sarahceniaminor.com. Melissa continues to stay active in the Arts degree from the Cleveland Institute of Cleveland art scene. She has shown her Art and his Masters from Tyler School of Art, Eddie Mitchell (CIA ’87) received his BFA from work in galleries throughout the Cleveland Temple University. His first year of graduate the Cleveland Institute of Art in painting and area including Doubting Thomas, Serefino, school was spent in Rome and he returned drawing and receive a top traveling scholarship Walleye, and the gallery at Cleveland State. twice to Italy to spend a year painting, the award. Eddie has taught art classes at Lakeland Her work has also hung at many establishments second year, 1973-74, on a Fulbright Hays Community College for the past 22 years. At throughout the area including La Cav du Vin in Fellowship. In 1976, he moved to Newport, CIA, he has facilitated the evening life drawing Coventry and the Lyndhurst Courthouse. She Rhode Island where he worked as a graphic classes, taught the Pre-College summer continues to work out of her home studio where artist. While in Newport, he traveled frequently program, and the Portfolio Preparation class she also provides private lessons. to New York where he developed the gallery since 2009. He has maintained a full-time studio connections at Allan Stone and Touchstone for the past 28 years. His work is represented in CIA 19

Continuing Education + Community Outreach

Summer 2021 Summer

Cartooning 101 20

Art + DesignInstructor Visual Arts Biographies Courses for Spaces Digital Photography Digital (Kent State) and material color (CIA) as an an as (CIA) color material and State) (Kent painting and drawing taught has Ott 2005, inUniversity 2004. Beginning spring semester State Kent from laude) cum (summa Painting in Arts Fine of aMasters received She Ohio. Cleveland, in works and lives currently who Ott Lorri 1,000 paintings. over sold has commissioned pieces for public locations, and numerous created shows, 150 over in art been has Eddie country. the across galleries several has been honored by his participation in in participation by his honored been has He Tampa AREA. the Bay in and cities European several in work his showed he to Cleveland, to moving Prior carver. stone Rick Rollenhagen Wired. Branch West and Northwest, Poetry press, LVNG, petri jubilat, in appear poems Her University. State Cleveland at literature and writing creative teaches currently She texts. hybrid publisher of fiction, nonfiction,poetry, and press asmall Press, Rescue with assistant editorial an 2013, as Since she’s served halls. dining Iowa of University in consumed were lifetime her in eaten has she meals the of 5.72% Approximately undergraduate. an as theatre and writing creative studied she where Iowa, of University the at writing creative taught has and Workshop, Writers' Iowa the Alyssa Perry environment. digital 100% the in worked 2012, Since has Len Corbett. by Bill novel graphic afull Christmas, Revenge Powered Super and by MST3K’s Trace Beaulieu written Children Belligerent for Rhymes Silly including books several illustrated has Len Noggin. and Rifftrax Comics, Boom! Games, Jackson Steve Entertainment, Bros. companies like Discovery Channel, Warner for projects on worked has who area Len Peralta as sculpturally, engaging both vision and touch. physical objects that function optically as well resin and industrial pigments, constructing water-clear with to experiment present) to the (2003 continues She practice: studio active an has Ott collections. public and private both in nationally and internationally. Her work resides work her exhibited has Ott professor. adjunct is an artist and adjunct professor professor adjunct and artist an is is an illustrator in the Cleveland Cleveland the in illustrator an is holds an MFA in poetry from from MFA poetry an in holds is a Cleveland-based aCleveland-based is

and has been featured in the arts section section arts the in featured been has and several throughout galleries Ohio northeast in work exhibited has up. Carmen grew she where of landscape rural surrounding the of on sustainability and is inspired by memories focuses work Her Studies. Material and Fiber 2010 in aBFA in with Art of Institute Cleveland Carmen Romine Vermont. in 2019 carving stone to study in ascholarship and Hungary; Budapest, in aresidency Italy; Biennale, Florence the structure through color and patterning. in primarily lies interest Her nature. and geometry of themes surrounding work make Mention.Design Honorary She continues to Surface and 4th Place Competition Alpaca Association Creative Promise Award, National Design Surface the awarded recently was work Her University. State Kent at member faculty adjunct an is She treatment. surface fiber and dyeing design, weaving digital in primarily is focus Her Akron. of University The from &Drawing BFA Painting in her received and University State Kent at Textiles in Arts Fine of Smith Meagan visit work, To Gerry's see station. PBS Cleveland the at stint his during Emmy alocal earned even and awards statewide and 25 national garnered has Gerry writer, and artist an as business newspaper the in working “Johnstrip, While Darling.” syndicated nationally the on Winkerbean”) Tomartist/writer Batiuk (“Crankshaft,” “Funky strip comic legendary with He’s worked also Giamatti. Paul starring movie ahit into turned book “American Splendor” that was later comic the in Pekar Harvey of drawings life-like Shamray Gerry Books. of Review Cleveland the at editor an and Art of Institute Cleveland the at Writing Creative of professor associate an is He honors. other and Award, Open Center's Poetry CSU the Poetry, for Prize Colorado the Prize, Poetry Iowa the received 2018). has Ocean, work His (Black Daybed including poetry, of books six and nonfiction Zach Savich art. of love and knowledge her down passing enjoys and forms art different of a variety of the Cleveland Plain Dealer. She's taught is the author of two books of of books two of author the is

is matriculating her Masters Masters her matriculating is is best known for his sketchy sketchy his for known best is graduated from the the from graduated shamray.com . 21

CIA Continuing Education + Community Outreach Summer 2021 . received his MFA rachelusmani.com Lopez received his in T.I.M.E- BFA (CIA ’17) graduated (CIA from ’17) CIA’s (CIA ’80) has in Drawing BFA a of Art in 2009. After graduating from CIA, Harrison began sharing his skill, knowledge, and passion for game design instructing by students at Hocking College in Southeast he movedOhio. back In Cleveland 2013, to and is now an adjunct faculty member in Game and Tri-C's DesignCIA’s Departments. Harrison also works as a freelance 3D production. film in artist and graphic Tri-C, and theTri-C, Cleveland Museum of Art. Veronica Alberto at Syracuse University and his at Kansas BFA City Art Institute. His artwork centers on the manifests compassion that ways various itself—both his own and others. Ceramic objects and series that have been made so far include Daylight Cups, Daily Molds of Kindness, Dinnerware sets, Molds of Daily sympathy sculptures, Ceramic Bread, Trust Gimbals, and Levitation Experiments. His process is one of exploration and analysis education. and community, material, of Waite James Drawing Department with an Emphasis in Case completed also He Culture. Digital Western Reserve’s Coding Bootcamp. His work representations graphical from inspiration draws of both digital and physical space. He currently worksas the Technical Specialist for the Foundation Department at CIA, assisting students with their digital coursework. He is also an independent designer with recent book web-design, front-end as such projects and magazine layout, and advertising. His work has been shown at the Reinberger Gallery, Collection. Progressive the and Gallery, Forum Walsh Harrison Digital Arts from the Cleveland Institute and visual development art that tells a story diverse her of collection A design. through work canbe viewed at David Verba and in an Painting MFA from Kent State University. He has worked as both a fine artist and illustrator. Before returning to Cleveland, Verba lived and worked in Japan for 7years, and more recently worked at Continuing their in College North Seattle Education program. Verba teaches at CIA, . . joshusmani.com leahtrznadel.com is lifelong a Clevelander and is a visual artist and Josh Usmani is an artist, (CIA ’80)received her in BFA and fantastical flair in additionto environment own book, Altered Value: The Art of Funny Josh Previously, Publishing). (1984 Money has been Visual Arts Editor of Cleveland Scene Magazine and co-director of PopEye Gallery at Street 78th Studios. More of his work can be viewed at Usmani Rachel a veteran of the local arts community. Her work has been featured in individual and group Usmani Northeast Ohio. throughout exhibitions also has over a decade of experience working as a full time graphic designer where part of her her developing When illustration. digital is job dynamic feature pieces digital her work, own culture pop a with women strong of portraiture contemporary fine art + crafts. Later Mary became the Gallery Curator and Assistant Director at the Valley Art Center in 2001, where she taught adults and children, before and Gallery Coordinator the becoming Community Lakeland at Curator Exhibition years. 14 for held has she position a College, UsmaniJosh and comic His curator. and instructor writer, cartoon-inspired artwork has been featured in more than group 100 exhibitions, as well as several solo shows.Recently, his work was used as the main promotional image for an exhibition at Saatchi Gallery inLondon, as well as featured in several art books, including his photography from the Cleveland Institute Institute Cleveland the from photography of Art. Her workhas been exhibited at the Cleveland Institute of Art, Space H Gallery and the Morgan Conservatoryin Cleveland, Ohio. Her awards include the Rowfant Creative Book Project Grant, the Dennis Buck Award for Excellence ‘73 in Photography and the Joyce Seid Memorial ‘77 Award for Excellence in Photography. Visit work Leah’s at Mary Urbas DesignTextile Silk + Screen Printing. Mary is consultant, teacher, curator, gallerya owner, and exhibiting fiber artist. 1997 she openedIn The Gallery in Chagrin Falls which featured Leah Trznadel Leah Ohio. Cleveland, in working photographer She received her Bachelor of Fine Arts in is a visual artist based is a freelance comicbook (she/her) is a glass-focused

is an artist who draws Tanner towards creating her own studio practice. the Universe and the self, that the grander world is within us. Herwork focuses on metalsmithing graduate a is She enamel. on emphasis an with of the Cleveland Institute of Art and is working Lyanne Torres Lyanne mythology. and astronomy from inspirations She uses her work show to the relationship of Ohio University. Her work concentrates on the female identity, memory, and experience, exploring the self through the use of glass as surface and as sculpture. Cleveland. She has obtained a BFA in Glass Glass in BFA a obtained has She Cleveland. from the Cleveland Institute of Art and is pursuing a Masters of Arts Administration from certification Studies Museum a and Manager Printmaking in CIA's department. Telzerow Alicia artist born and raised on the east side of DE), and Kunstraum (Berlin, Tapir Germany). advanced and introductory taught has She printmaking at the University of Delaware. Shop & Specialist Technical the is She exhibited in the US and abroad, including shows at The Fleisher Center for Works on Paper (Philadelphia, The Delaware PA), Art Contemporary (Wilmington, For Center both Painting & Drawingand Printmaking from The University and of Akron in 2014, received her in Printmaking MFA from the University of Delaware has Tanner in 2016. Back the to Future, and The Office. Stevie Lee in Cleveland, Ohio. She received her in BFA Sumerak continues write to comics, books, and games for some of pop culture'smost Star including – franchises recognizable Wars, Harry Firefly, Ghostbusters, Potter, & Harvey Award nominated Franklin Richards: Son of a Genius (with Chris Eliopoulos). Sumerak also created brand new series for Marvel in both Guardians and Machine Teen. Sumerak also edited a number of titles himself, including Agent X, Inhumans, and Sentinel. As Sumeraka writer, is best known for his work on Marvel Comics' Power Pack and the Eisner writerfrom Cleveland, Ohio.Sumerak has served as Assistant Editor on over 500 comic Avengers, on runs publications—including book Fantastic Iron Thor, Man, Four, and many more. Marc Sumerak Marc 22 Registration + Fees Refund Schedule Calendar + We have a new online registration Written notification received seven days Registration Deadline portal! All CE students registering online are prior to class start date will receive Friday, May 21, 2021 now required to have a myCIA account, which 100% tuition refund minus the non- includes a username and password. Setting up refundable processing fee of $50. Adult Courses Begin an account is a one-time process for new and + Notification received four to six days prior to June 7, 2021 returning students. Visit my.cia.edu/ceco to get the start of the class will receive a 50% tuition Young Artists Courses Begin started. Please note that all card payments will refund minus the processing fee of $50. June 7, 2021 now include a 2.95% credit authorization fee, to + There will be no refunds for notifications be charged at the time of checkout. Payment by received less than three days prior Cleveland Institute of Art cash, check, and e-check are also available. to the start of the class. Continuing Education + Community Outreach 11610 Euclid Avenue Early registration is advised as classes Please note: Decisions to run the course are made Cleveland OH 44106 tend to fill quickly. Full tuition must be based upon the number of paid registrations. Gabrielle Burrage, Director received at the time of registration. You are 216.421.7493 not considered registered for a course until Young Artists Online Class full tuition is received. A $35 insufficient funds Participation Consent Form Jessica Howard, Coordinator fee will be charged for returned checks. All parents/guardians of students enrolled in 216.421.7460 a Young Artists online class must complete [email protected] | cia.edu/continuinged the Young Artists Online Class Participation Online: my.cia.edu/ceco Consent form by the first day of class, or they

General Information + Policies will not be allowed to participate. The form Fax will be sent to all registered Young Artists. Fax your completed registration form with MasterCard, VISA, or Discover number Young Artist Emergency Contact Form to 216.754.4089. MasterCard, VISA, (for in-person classes only) Discover, and AmEx are accepted. All parents/guardians of students enrolled in a Young Artist class must complete an Emergency Mail Contact form. This grants or denies CIA Mail your completed registration form with permission to transport the student to the closest a check payable to the Cleveland Institute hospital in case of an emergency, and includes of Art or credit card number to: any important information like allergies or medical conditions. The form will be sent to all registered Cleveland Institute of Art Young Artists or can be found on my.cia.edu/ceco. Continuing Education 11610 Euclid Avenue Missed Classes Cleveland OH 44106 If you are unable to attend a scheduled class, Phone we regret that we will not be able to excuse you from payment or reimburse you for the missed Register over the phone with credit card class. Students are responsible for informing by calling our office at 216.421.7460. their instructor of any anticipated absences. If an Please note: Credit card payments are now instructor cancels a class, we will reschedule that subject to a 2.95% authorization fee. Paying by class for the week immediately after the course cash, check, or e-check is recommended. ends. You should tentatively block off this week in the event a class is rescheduled. Refunds To obtain a tuition refund, please send written Cancellations notification. There is a $50 non-refundable Classes may be cancelled due to low enrollment. processing fee for all refunds not initiated by If you are registered for a class that is cancelled Where is my class? the Institute. Processing of refunds may take you will be offered the opportunity to enroll in up to three weeks. another available course or have your full tuition refunded. Decisions on class cancellations are Cleveland Institute of Art made up to three days before courses begin. 11610 Euclid Avenue Early registrations lead to more courses that Cleveland Ohio 44106 run, so we suggest that you register early. The gates at the parking lots will be open 30 minutes before classes begin. Registration Mail to: Fax to: Online: Gift Certificates? Cleveland Institute of Art 216.754.4089 my.cia.edu/ceco my.cia.edu/ceco Continuing Education Form For questions call: 11610 Euclid Avenue 216.421.7460 Cleveland OH 44106

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PLEASE READ AND SIGN By signing below, I agree that I have read and understand the registration and refund policies of Cleveland Institute of Art’s Continuing Education program as outlined in the course catalog; I understand that all class content is covered by the protections provided by U.S. Code: Title 17: COPYRIGHT (Copyright Act) and intellectual property rights and that I will not modify, record, transmit, present, distribute, or replicate course content; and that I authorize Continuing Education to process my payment as indicated above. signature date 24

LookingArt + Forward Design VisualFall 2021 Arts + Courses Beyond Look for the fall catalog in July! in catalog fall the for Look 13, 2021. September week the start will classes Young Artist and adult fall Our Fall Classes for more information: Ursuline College. Please check out our website workshop credit through our with partnership graduate one to earn register can or CEUs, 17, earn will educator 2021. registered Each 16 + October on us Join schools. secondary and Ohio’s primary Northeast in subjects all of for opportunities enrichment K–12 educators art to offer designed workshops sponsors CIA Teacher Workshops information are available at and forms York New Entry City. in competition Gold Key winners continue to the national exhibition. crowd-pleasing this in shines talent young Ohio’s finest Northeast region. the in best the represent that work of pieces 3,000 over submit schools area from Students counties. Geauga and Lake, Cuyahoga, in 7–12 grades in students living for competition art annual juried this hosts CIA January Each Scholastic + Art Writing Awards Exhibition cia.edu/continuinged. artandwriting.org. student at a premier college of art and design. design. and art of college apremier at student art an of life the experience and students to our only available processes and tools the you'll use program, residential four-week or two- this During Program. Pre-College Art's of Institute Cleveland at art your on Focus portfolio. your Build media. new with Experiment skills. artistic your Sharpen 2021 23, 11–July July 2: Session 2021 2, 20–July 1: June Session 2021 Summer Pre-College Program at [email protected] or or at [email protected] Education Continuing of Office the contact please certificate, To agift purchase holidays. and retirements, birthdays, for Great transferable. are and purchase date from the of one year for are valid certificates Gift courses. engaging our one of for certificate agift with life your in artists the support and Surprise available in any denomination for in courses the Continuing Education program. life! your in artist the for gift perfect We the have of Art Gift The cia.edu/precollege 1, 2021. April is Visit deadline Application for more information. my.cia.edu/ceco

. Gift certificates are certificates Gift

CIA 25

Continuing Education + Community Outreach

Spring Class & Workshop Schedule Praxis Community Classes are available for ALL ages and ALL levels

Weekend Workshops Saturdays, 10am–4pm ($125)

JAN 30 Tapestry Weaving Sarah McMahon

FEB 6 Natural Dyes — Jasmine Kornel

FEB 20 Reclaim Your Closet: Immersion Dyeing - Anna Routson 2021 Summer

MAR 6 Low Immersion with Yarn and Fabric — Deb Berkebile

MAR 20 Batik with Indigo — Tony Williams

APR 17 Soy Wax Resist — Sandy Shelenberger FPOAPR 24 Ecoprinting — Deb Berkebile MAY 1 Silk Marbling — Jen Omaitz

MAY 8 Experimental Screen Printing — Sandy Shelenberger 4 Week Evening Courses Mondays, 6–9pm ($240)

MAR 29, APR 5, 12, & 19 Intro to Weaving - Sarah McMahon Wednesdays, 6–9pm ($240)

FEB 24, MAR 3, 10, & 17 Intro to Spinning — Kathryn Simmons

MAY 5, 12, 19, & 26 Weaving: Material Study — Anna Routson

For full descriptions and additional information, please visit our website at praxisfiberworkshop.org

Questions? Reach out to us at [email protected]

Located in the Waterloo Arts District: 15301 Waterloo Road Explorations in Printmaking Cleveland Institute of Art Continuing Education + Community Outreach 11610 Euclid Avenue Cleveland OH 44106

+ Teacher Workshops for K–12 Educators October 16 + 17, 2021

Art educators, join us for enlightening, informative, and fun day-long workshops in drawing, painting, digital arts, and more with the Cleveland Institute of Art. CEU credits and graduate workshop credit are available. Visit cia.edu/continuinged or call 216.421.7460 for more information.