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HISTORIA DUN MATRIMONIO 606 Noah Baumbach, 2019

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HISTORIA DUN MATRIMONIO 606 Noah Baumbach, 2019 ESTREA EN NUMAX: 22.11.2019 | V.O.S.E. | +12 Marriage Story (2019, 136’) filmografía seleccionada sinopse Dirección: Noah Baumbach The Meyerowitz Stories, 2017 Un director de teatro e a súa muller, Guión: Noah Baumbach Mistress America, 2015 actriz, loitan por superar un divorcio Elenco: Scarlett Johansson, Adam Driver, Laura Dern, Merritt While We’re Young, 2014 que os leva ao extremo tanto no persoal Wever, Alan Alda, Mary Hollis Inboden, Amir Talai, Azhy Frances Ha, 2013 coma no creativo. Robertson, Emily Cass McDonnell, Ray Liotta, Matthew Maher, Greenberg, 2010 Ayden Mayeri, Kyle Bornheimer, Mark O’Brien, Gideon Glick Margot y la boda, 2007 Son: Lisa Pinero Una historia de Brooklyn, 2005 Música: Randy Newman Mr. Jealousy, 1997 Montaxe: Jennifer Lame Fotografía: Robbie Ryan Dirección de arte: Jade Healy Vestiario: Mark Bridges Produtora: Netflix, Heyday Films Distribuidora: Tripictures Formato de proxección: DCP2K, 1.66:1 Idioma orixinal: Inglés Premios e festivais: Venecia 2019 (Sección oficial), Toronto 2019 (presentacións especiais) «O proceso de divorcio coma campo de minas que debe ser sorteado con alegría vitalista; o drama familiar coma emocionante reflexo da comedia humana.» Víctor Esquirol, FILMAFFINITY HISTORIA DUN MATRIMONIO Noah Baumbach, 2019 “Tiña a idea de que é difícil falar cando iso está pasando. Iso influencias hai detrás diso? Souben tamén me revelou moito sobre cousas que que faríamos moitos primeiros planos. contando a historia daquela perdera. Unha das cousas que fixemos foi acurtar dun divorcio podería a ratio de aspecto. Normalmente rodamos contar a dun matrimonio” Gústame moito o tratamento en 1.85. Isto rodouse en 1.66 e os bordes da sogra, das quenllas e de todos están incluso máis acurtados. Pensei Entrevista con Noah Baumbach os outros personaxes tentando o que quedaría moi chulo. Outra parte da Por Jazz Tangcay equilibrio. O que tamén é absurdo, pero historia é que as persoas perden o control unha realidade do divorcio é que moita da súa propia narrativa, da súa voz e xente vese afundida nel. Tes un sistema incluso a perspectiva porque os avogados legal con avogados, xuíces, avaliadores, llela arrebatan. Pensei que se podía mediadores. Todos eses profesionais de contar moito desde a vida íntima porque súpeto forman parte da túa experiencia. as palabras e os diálogos só poden ser A familia entra tamén porque é unha ditos neses espazos. Coas faces de Adam Onde comeza Historia dun reescritura do teu matrimonio. Así que e Scarlett, tremendas faces. Un dos filmes matrimonio? Buscaba un xeito de rodar toda a xente que formou parte do teu referencia foi Persona (1966) de Bergman. unha historia de amor. Quería facelo matrimonio dalgún xeito forma parte Adoro como emprega os primeiros planos doutra forma. Tiña a idea xeral de que da narrativa do divorcio. Deume a nese filme. Encántame como os emprega contando a historia dun divorcio podería oportunidade de crear eses personaxes, o para individualizar, pero tamén para contar a historia dun matrimonio. O filme cal foi fantástico. A familia de Nicole, a nai conectar cos dous personaxes. veu dese concepto de historia de amor. e a irmá. Tamén os avogados. Formaron parte natural da historia por todas esas Aos meus corenta teño amigos razóns. Publicado en https://www.awardsdaily.com divorciados. Descríbeno como se Traducción: Olalla Cociña fose unha morte. Sei que estiveches Adoro a paleta de cores e como moito tempo á procura disto, para filmas Nova York, mais falo tamén coas O director amosar ben esa parte da historia. cores cando filmas en Los Ángeles? Noah Baumbach (1969, Nova York), comezou a Estiven. Desafortunadamente, ou Unha das cousas que decidimos escribir guións na universidade e a filmar as súas afortunadamente nalgúns casos, moitos películas con amigos. Cun deles, Oliver Berkman, axiña foi a de traballar con Robbie escribiu o guión do seu primeiro filme. Foi amigos marcharon durante os divorcios. Ryan (fotografía) e con Mark Bridges nomeado nos Oscar ao Mellor guión orixinal por Falei con amigos importantes para min e (vestiario), e foi porque Nova York e The Squid and the Whale (2005) protagonizada divorcieime. Volvín a eles e entrevisteinos LA teñen ambientes e iluminacións por Jeff Daniels. Greenberg (2010) foi nomeada dun xeito formal. Quería escoitalos outra para o Oso de Ouro na Berlinale. Tamén dirixiu diferentes. Podo recoñecer un filme feito Frances Ha (2013), While We’re Young (2014), e vez. Foi interesante falar con homes e en LA antes de que mo digan porque a luz Mistress America (2015), entre outras. El e a súa mulleres, ás veces cos dous membros é diferente. Mantivemos a mesma paleta muller, Greta Gerwig, son dúas das personalidades dun matrimonio. Oílos desde cadansúa de cores porque sabíamos que se verían máis admiradas do actual cinema independente en perspectiva, como as cousas cambiaran. diferentes. LA ten rosas e foi divertido EEUU e traballaron xuntos en varias ocasións. Preguntei como se sentían antes e como nese sentido. se sentían agora. Nalgúns casos, as cousas cambiaran drasticamente. A xente que se As túas eleccións visuais golpean está divorciando a miúdo sente vergoña, forte, vas directo ás emocións. Que NUMAX, S. Coop. Galega Concepción Arenal, 9 baixo 15702 Santiago de Compostela telf 981 560 250 | www.numax.org .
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  • Holyrood Road, 12 (2F) Jackson's Entry Edinburgh EH8 8PJ Dear

    Holyrood Road, 12 (2F) Jackson's Entry Edinburgh EH8 8PJ Dear

    Edinburgh University Press The Tun – Holyrood Road, 12 (2f) Jackson’s Entry Edinburgh EH8 8PJ www.euppublishing.com Dear Author, Here is a proof of your paper to appear in the forthcoming issue of Film-Philosophy. Please check the proof carefully and send any corrections (quoting page and line references) to the issue guest editor, Lucy Bolton, no later than 5 days after receipt: Email: [email protected] Please copy David Sorfa, the Film-Philosophy editor, into all correspondence: Email: [email protected] Please remember that you are responsible for correcting your proofs. The proof is sent to you for correction of typographical errors only. Revision of the substance of the text is not permitted, unless discussed with the journal editor. Please answer any queries raised by the typesetter. Kudos: Edinburgh University Press has now partnered with Kudos, which aims to help researchers explain, enrich and share their publications for greater research impact. Kudos will invite you to use this service to help improve your download rates, readership and citations; meanwhile, more information is available at https://www.growkudos.com. EUP Journals Blog: EUP now has a blog where you can post comments about your article and your research (see EUP Journals Blog at http://euppublishingblog.com) • EUP will tweet each post upon publication and on occasions when it links to news, events or anniversaries • A link on the journal or book webpage to the blog post will be made live • Posts will be tagged with key words and themes and used in online search engines though AdWords, adverts and social media campaigns • Posts will be highlighted in relevant email campaigns and/or printed publicity items • Authors will be given the permalink to their post and encouraged to share and reference the post among personal networks and through their own blogs and websites This service complements other author services, including EUP’s recent partnership with Kudos (growkudos.com).