DOCSLIB.ORG

Prehistoric ABRAMSON, P., 2010

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Prehistoric ABRAMSON, P., 2010 Downloaded from http://www.scottishheritagehub.com/content/published-sources 10.1 Prehistoric ABRAMSON, P., 2010. Prehistoric carved rocks on the MOD Training Estate: managing protection. In: T. BARNETT and K. SHARPE, eds, Carving a Future for British Rock Art. New Directions for Research, Management and Presentation. Oxford and Oakville: Oxbow Books, pp. 132–138. ALLEN, J.R., 1880. Notes on a cist with axe-head sculptures, near Kilmartin, Argyleshire. Journal of the British Archaeological Association, 36, pp. 146–150. ALLEN, J.R., 1882. Notes on some undescribed stones with cup-markings in Scotland. Proceedings of the Society of Antiquaries of Scotland, 16 (1881–2), pp. 79–143. ANDERSON, J.R., 1883. Scotland in Pagan Times. The Iron Age. Edinburgh: D Douglas. AOC ARCHAEOLOGY GROUP, 2014. Ormaig Prehistoric Rock Art, Argyll: Archaeological Survey. Unpublished report. AOC ARCHAEOLOGY GROUP, 2015. Ballochmyle Prehistoric Rock Art: Archaeological Survey. Unpublished report. ASHMORE, P., 1996. Neolithic and Bronze Age Scotland. London: Batsford/Historic Scotland. ASHMORE, P.J., 1986. Neolithic carvings in Maes Howe. Proceedings of the Society of Antiquaries of Scotland, 116, pp. 57–62. BARNETT, T. and DÍAZ-ANDREU, M., 2005. Knowledge capture and transfer in rock art studies: results of a questionnaire on rock art decay in Britain. Conservation and Management of Archaeological Sites, 7(1), pp. 35–48. BARNETT, T. and SHARPE, K., eds, 2010. Carving a Future for British Rock Art. New Directions for Research, Management and Presentation. Oxford and Oakville: Oxbow Books. BARROWMAN, C. and MELLER, D., 1994. Greenland (Auchentorlie)—Sheep Hill (Old Kilpatrick parish. Discovery and Excavation in Scotland, 1994, pp. 65–65. BECKENSALL, S., 1999. British Prehistoric Rock Art. Stroud: Tempus. BECKENSALL, S., 2007. How the study of rock-art began and developed. In: A. MAZEL, G. NASH and C. WADDINGTON, eds, Art as Metaphor: The Prehistoric Rock-Art of Britain. Oxford: Archaeopress, pp. 205–229. BERTILSON, U., Rock art at risk. Available at http://www.international.icomos.org/risk/2002/rockart2002.htm. BERTILSON, U. and MCDERMOTT, L., eds, 2004. The Future of Rock Art—A World Review. Stockholm: Rapport från Riksantikvarieämbetet 2004:7. BERTILSON, U. and MCDERMOTT, L., eds, 2004. The Valcamonica Symposiums 2001 and 2002. Stockholm: Rapport från Riksantikvarieämbetet 2004:6. BJELLAND, T. and HELLBERG, B.H., 2005. Bergkunst. En veiledning i dokumentasjon, skjøtsel, tilrettelegging og overvåking av norsk bergkunst. Available at http://www.spatial.baltic.net/_files/Handbook_Preservation.pdf. Norsk Faggruppe for Bergkunstkonservering. BOUGHEY, K., 2010. The role of the amateur in the study of UK prehistoric cup-and-ring rock art. In: T. BARNETT and K. SHARPE, eds, Carving a Future for British Rock Art. New Directions for Research, Management and Presentation. Oxford and Oakville: Oxbow Books, pp. 65–80. BRADLEY, R., 1997a. Rock Art and the Prehistory of Atlantic Europe. London and New York: Routledge. BRADLEY, R., 1997b. Altering the Earth. The Origins of Monuments in Britain and Continental Europe. London and New York: Routledge. BRADLEY, R., 1998. Incised motifs in the passage graves at Quoyness and Cuween, Orkney. Antiquity, 72, pp. 387–390. BRADLEY, R., 2000. The Good Stones: A New Investigation of the Clava Stones. Edinburgh: Society of Antiquaries of Scotland. BRADLEY, R., 2009 (repr 2010). Image and Audience. Rethinking Prehistoric Art. Oxford: Oxford University Press. BRADLEY, R., PHILLIPS, T., RICHARDS, C. and WEBB, M., 1999. Discovering decorated tombs in Neolithic Orkney. Current Archaeology, 161, pp. 184–187. BRADLEY, R., PHILLIPS, T., RICHARDS, C. and WEBB, M., 2000. Decorating the houses of the dead: incised and pecked motifs at Orkney chambered tombs. Cambridge Archaeological Journal, 11(1), pp. 45–67. BRADLEY, R. and WATSON, A., 2012. Ben Lawers: carved rocks on a loud mountain. In: A. COCHRANE and A.M. JONES, eds, Visualising the Neolithic: Abstraction, Figuration, Performance, Representation. Oxford: Oxbow Books, pp. 64–78. BRADLEY, R., WATSON, A. and ANDERSON-WHYMARK, H., 2012. Excavations at four prehistoric rock carvings on the Ben Lawers Estate, 2007–2010. Proceedings of the Society of Antiquaries of Scotland, 142, pp. 27–61. BRITISH ARCHAEOLOGY, 2013. Dramatic rock art discoveries near Inverness [Swordale Hill]. British Archaeology, 130, pp. 6. BRUCE, J., 1896. Notice of remarkable groups of archaic sculpturings in Dunbartonshire and Stirlingshire. Proceedings of the Society of Antiquaries of Scotland, 30 (1895–6), pp. 205–209. Downloaded from http://www.scottishheritagehub.com/content/published-sources BRYAN, P.G., 2010. Three dimensional rock art recording: a 'lower-cost' photogrammetric approach. In: T. BARNETT and K. SHARPE, eds, Carving a Future for British Rock Art. New Directions for Research, Management and Presentation. Oxford and Oakville: Oxbow Books, pp. 2–10. BUTTER, R., 1999. Kilmartin. An Introduction and Guide. Kilmartin: Kilmartin House Trust. CARD, N., 2013. Ness of Brodgar. More than a stone circle. British Archaeology, (January February), pp. 14–21. CARD, N. and THOMAS, A., 2012. Painting a picture of the Neolithic: decorated stonework from the Ness of Brodgar, Orkney. In: A. COCHRANE and A.M. JONES, eds, Visualising the Neolithic: Abstraction, Figuration, Performance, Representation. Oxford: Oxbow Books, pp. 111–124. CAR-ICOMOS, International Newsletter of Rock Art. Available at http://www.bradshawfoundation.com/inora/index.html. CATLING, C., 2013. Great crowns of stone. The recumbent stone circles of Scotland. Current Archaeology, 277, pp. 28– 33. CHILDE, G. and TAYLOR, J., 1939. Rock scribings at Hawthornden, Midlothian. Proceedings of the Society of Antiquaries of Scotland, 73 (1938–9), pp. 316–318. COCHRANE, A., JONES, A.M. and SOGNNES, K., 2015. Rock art and the rock surface: Neolithic rock art of Britain, Ireland and northernmost Europe. In: J. HARDING and C. FOWLER, eds, Oxford Handbook of Neolithic Europe. Oxford: Oxford University Press, pp. 871–893. COCQ, C., HEINERUD, J., LARSSON, T. and HYVÖNEN, B.L., 2014. Rock Art in Sápmi. Images and stories. Umeå: Västerbottens Museum. COLES, D., MILES, D. and WALKLING, T., 2010. A pecked stone from a Neolithic settlement site at Green, Isle of Eday, Orkney. PAST The Newsletter of the Prehistoric Society, 65, pp. 15–16. CSI: ROMBALDS MOOR, CSI: Rombalds Moor. Available at https://csirm.wordpress.com/home/ [Feb/29, 2016]. CURRENT ARCHAEOLOGY, 2012. Second sister for the Orkney Venus. Current Archaeology, 272, pp. 8. CURRENT ARCHAEOLOGY, 2013. Ancient artwork from the Ness of Brodgar. Current Archaeology, (283), pp. 7. CURRIE, A., 1830. A Description of the Antiquities and Scenery of the Parish of North Knapdale. Glasgow: W.R. M'Phun. CURTIS, N. and JAFFRAY, A., 1991. Auchalick Wood (Kilfinan parish). Discovery and Excavation in Scotland, 1991, pp. 59– 59. DARVILL, T. and FERNANDES, A.P.B., eds, 2014a. Open-air Rock-art Conservation and Management. State of the Art and Future Perspectives. New York and London: Routledge. DARVILL, T. and FERNANDES, A.P.B., 2014b. Open-air rock-art preservation and conservation. In: T. DARVILL and A.P.B. FERNANDES, eds, Open-air Rock-art Conservation and Management. State of the Art and Future Perspectives. New York and London: Routledge, pp. 1–16. EDWARDS, A.J.H., 1935. Rock sculpturings at Traprain Law, East Lothian. Proceedings of the Society of Antiquaries of Scotland, 69 (1934–5), pp. 122–137. EDWARDS, A.J.H. and LOW, A., 1933. Short cists in Roxburgh and Sutherland, and rock sculpturings in a Cave at Wemyss, Fife. With a report on the human remains contained in the cists. Proceedings of the Society of Antiquaries of Scotland, 67 (1932–3), pp. 164–176. ENGLISH HERITAGE, 2000. Rock Art Pilot Project. Bournemouth: Bournemouth University, Institute of Archaeology and English Heritage. EOGAN, G., 1992. Scottish and Irish passage tombs: some comparisons and contrasts. In: N. SHARPLES and A. SHERIDAN, eds, Vessels for the Ancestors. Essays on the Neolithic of Britain and Ireland. Edinburgh: Edinburgh University Press, pp. 120–127. ERA, England's Rock Art. Available at http://archaeologydataservice.ac.uk/era/section/access.jsf. FOSTER, S.M., 2010b. Shaping up rock art in Scotland: past progress, future directions. In: T. BARNETT and K. SHARPE, eds, Carving a Future for British Rock Art. New Directions for Research, Management and Presentation. Oxford and Oakville: Oxbow Books, pp. 82–93. FOSTER, S.M., 2013b. An Animate Landscape: Rock Art and the Prehistory of Kilmartin, Argyll, Scotland. European Journal of Archaeology, 16(4), pp. 742–747. GIESEN, M.J., UNG, A., WARKE, P.A., CHRISTGEN, B., MAZEL, A.D. and GRAHAM, D.W., 2014. Condition assessment and preservation of open-air rock art panels during environmental change. Journal of Cultural Heritage, 15(1), pp. 49–56. GOLDHAHN, J., FUGLESTVEDT, I. and JONES, A., eds, 2010. Changing Pictures. Rock Art Traditions and Visions in Northern Europe. Oxford: Oxbow. GOW, I., 2006. Scotland’s Lost Houses. London: Aurum. GRAHAM, R.C., 1902. Sculptured stones of Scotland. In: J. PATON, ed, Scottish History and Life. Glasgow: James Maclehose and Sons, pp. 34–46. Downloaded from http://www.scottishheritagehub.com/content/published-sources GUSTAFSSON, A. and KARLSSON, H.2., 2014. Authenticity in Practice. A Comparative Discussion of the Authenticity, Staging and Public Communication at Eight World Heritage Classified Rock Art Sites. Lindome: Bricoleur Press. HENSEY, R. and ROBIN, G., 2011. More than meets the eye: new recordings of megalithic art in north-west Ireland. Oxford Journal of Archaeology, 30(2), pp. 109–130. HILTS, C., 2014. Orkney's oldest art at the Smerquoy 'hoose'. Current Archaeology, 291, pp. 42–43. HINGLEY, R., MOORE, H.L., TRISCOTT, J.E. and WILSON, G., 1997. The excavation of two later Iron Age fortified homesteads at Aldclune, Blair Atholl, Perth and Kinross. Proceedings of the Society of Antiquaries of Scotland, 127, pp. 407–466. HISTORIC ENVIRONMENT SCOTLAND, Explore the Collections. Available at http://collections.historic- scotland.gov.uk/simpleSearch.jsp. HYGEN, A., 2006. The Rock Art Project 1996–2005. Final Report from the Directorate for Cultural Heritage.
Load more

Recommended publications
  • PERTHSHIRE POST OFFICES (Updated 22/2/2020)
    PERTHSHIRE POST OFFICES (updated 22/2/2020) Aberargie 17-1-1855: BRIDGE OF EARN. 1890 ABERNETHY RSO. Rubber 1899. 7-3-1923 PERTH. Closed 29-11-1969. Aberdalgie 16-8-1859: PERTH. Rubber 1904. Closed 11-4-1959. ABERFELDY 1788: POST TOWN. M.O.6-12-1838. No.2 allocated 1844. 1-4-1857 DUNKELD. S.B.17-2-1862. 1865 HO / POST TOWN. T.O.1870(AHS). HO>SSO 1-4-1918 >SPSO by 1990 >PO Local 31-7-2014. Aberfoyle 1834: PP. DOUNE. By 1847 STIRLING. M.O.1-1-1858: discont.1-1-1861. MO-SB 1-8-1879. No.575 issued 1889. By 4/1893 RSO. T.O.19-11-1895(AYL). 1-8-1905 SO / POST TOWN. 19-1-1921 STIRLING. Abernethy 1837: NEWBURGH,Fife. MO-SB 1-4-1875. No.434 issued 1883. 1883 S.O. T.O.2-1-1883(AHT) 1-4-1885 RSO. No.588 issued 1890. 1-8-1905 SO / POST TOWN. 7-3-1923 PERTH. Closed 30-9-2008 >Mobile. Abernyte 1854: INCHTURE. 1-4-1857 PERTH. 1861 INCHTURE. Closed 12-8-1866. Aberuthven 8-12-1851: AUCHTERARDER. Rubber 1894. T.O.1-9-1933(AAO)(discont.7-8-1943). S.B.9-9-1936. Closed by 1999. Acharn 9-3-1896: ABERFELDY. Rubber 1896. Closed by 1999. Aldclune 11-9-1883: BLAIR ATHOL. By 1892 PITLOCHRY. 1-6-1901 KILLIECRANKIE RSO. Rubber 1904. Closed 10-11-1906 (‘Auldclune’ in some PO Guides). Almondbank 8-5-1844: PERTH. Closed 19-12-1862. Re-estd.6-12-1871. MO-SB 1-5-1877.
    [Show full text]
  • Northumberland Rocks!
    PAST Peebles Archaeological Society Times September 2012 Northumberland rocks! Summer Field Trip 2012 The main traditions are thought to date to Jeff Carter reports on our the Neolithic and Early Bronze Age (c summer excursion to visit rock 4,000 to 1,500BC), and are represented by art sites in the Wooler area of cup and ring carvings, and passage grave or Northumberland. megalithic carvings. Intriguingly, some cup and ring carvings have been carefully removed and reused in later burials, but On Sunday 3 June, a group of eleven PAS the reasons for the initial carving and the members travelled down to re-use are not known – yet, or perhaps Northumberland for a day’s exploration of ever. rock art. After a brief visit to the Maelmin Heritage Trail near the village of Milfield Many theories have been put forward, but we called at the local café to rendezvous the location of carvings at significant places with rock art expert Dr Tertia Barnett, in the landscape provides a possible clue. along with two of her students who were Also, recently excavated areas around to join us for the day. rock art in Kilmartin glen provide evidence for cobbled viewing points and also the Dr Barnett is an Honorary Fellow in incorporation of quartz fragments archaeology at Edinburgh University, and is (possibly from the hammer stones used to well known to the PAS members involved create the carvings) set into clay in cracks in our Kilrubie survey as she managed the in the rock. This suggests the creation of RCAHMS Scotland’s Rural Past project of the art, or perhaps the re-carving over which it formed a part.
    [Show full text]
  • Carnassarie Farm Archaeological Walkover Survey Dalriada Project
    CARNASSARIE FARM ARCHAEOLOGICAL WALKOVER SURVEY DALRIADA PROJECT Data Structure Report October 2007 Roderick Regan Kilmartin House Museum Argyll, PA31 8RQ Tel: 01546 510 278 [email protected] Scottish Charity SC022744 Summary The fieldwork at Carnassarie Farm has recorded over 240 sites, many of which were previously unknown. This has enhanced previous work, as well as substantially increasing our knowledge of past land-use in this northern area of Kilmartin Glen. The discovery of probable burial monuments and cup-marked rock panels adds an upland dimension to the story of prehistoric activity in Kilmartin Glen. The presence of a saddle quern and the recovery of a worked piece of quartz perhaps indicates early occupation on the slopes around Carnassarie and is intriguing since much of the archaeological record for this period has a ritual or burial focus. Aside from the Prehistoric period, this work has also highlighted the presence of fairly extensive, but dispersed settlement on the eastern slopes of Sron an Tighe Dhuibh. It is not known when this settlement was last inhabited, although it was certainly abandoned prior to the compilation of the 1 st Edition Ordnance Survey in 1873. The size and form of some of the larger rectangular structures perhaps indicates a Post Medieval date, although other structures may be earlier in origin. The survey has also shown that the head dyke to the west of the township of Carnassarie Mor, strictly delineated activities on either side. The eastern and internal area was given over to rig and furrow cultivation. To the west on Cnoc Creach little settlement or cultivation evidence was found, thus this area has been interpreted as pasture.
    [Show full text]
  • Highland Archaeology Festival Fèis Arc-Eòlais Na Gàidhealtachd
    Events guide Iùl thachartasan Highland Archaeology Festival Fèis Arc-eòlais na Gàidhealtachd 29th Sept -19th Oct2018 Celebrating Archaeology,Historyand Heritage A’ Comharrachadh Arc-eòlas,Eachdraidh is Dualchas Archaeology Courses The University of the Highlands and Islands Archaeology Institute Access, degree, masters and postgraduate research available at the University of the Highlands and Islands Archaeology Institute. www.uhi.ac.uk/en/archaeology-institute/ Tel: 01856 569225 Welcome to Highland Archaeology Festival 2018 Fàilte gu Fèis Arc-eòlais na Gàidhealtachd 2018 I am pleased to introduce the programme for this year’s Highland Archaeology Festival which showcases all of Highland’s historic environment from buried archaeological remains to canals, cathedrals and more. The popularity of our annual Highland Archaeology Festival goes on from strength to strength. We aim to celebrate our shared history, heritage and archaeology and showcase the incredible heritage on our doorsteps as well as the importance of protecting this for future generations. The educational and economic benefits that this can bring to communities cannot be overstated. New research is being carried out daily by both local groups and universities as well as in advance of construction. Highland Council is committed to letting everyone have access to the results of this work, either through our Historic Environment Record (HER) website or through our programme of events for the festival. Our keynote talks this year provide a great illustration of the significance of Highland research to the wider, national picture. These lectures, held at the council chamber in Inverness, will cover the prehistoric period, the early medieval and the industrial archaeology of more recent times.
    [Show full text]
  • PS Signpost Ballymeanoch
    Ballymeanoch henge Signposts to Prehistory Location: Ballymeanoch henge (NR 833 962), barrow (NR835 963), standing stones and kerbed cairn (both NR 833 964) all lie at the southern end of the Kilmartin Valley in Argyll, Scotland. Main period: Neolithic and Bronze Age Access & ownership: All the monuments can be accessed from a car park 2.6 km south of Kilmartin, signposted ‘Dunchraigaig cairn’. A management agreement is in place between Historic Scotland and the landowner, enabling free public access. An interpretation panel can be found in the car park. This group of monuments at Ballymeanoch (Fig. 1) is part of an extensive ritual prehistoric landscape in the Kilmartin Valley. This stretches from Ormaig in the N to Achnabreck in the S, and includes various types of cairns, henges, standing stones, a stone circle, and many examples of rock art. Ballymeanoch henge is the only such monument in the west of Scotland. Built around 3000–2500 BC, it has an outer bank of 40 m diameter with an internal ditch, broken by entrance causeways at the N and S. The bank now rises to only 0.4 m; the flat-bottomed ditch is 4 m across and around 0.4 m deep. Fig. 1. Plan showing henge, standing stones, kerbed cairn and barrow. Drawn by K. Sharpe Canon Greenwell excavated the site in 1864, and found two burial cists in the centre, still visible. The largest had unusually long side slabs (up to 2.75 m) and is still covered with a massive capstone.The floor of the large cist was lined with small round pebbles but nothing was found inside.
    [Show full text]
  • A Reconsideration of Pictish Mirror and Comb Symbols Traci N
    University of Wisconsin Milwaukee UWM Digital Commons Theses and Dissertations December 2016 Gender Reflections: a Reconsideration of Pictish Mirror and Comb Symbols Traci N. Billings University of Wisconsin-Milwaukee Follow this and additional works at: https://dc.uwm.edu/etd Part of the Archaeological Anthropology Commons, European History Commons, and the Medieval History Commons Recommended Citation Billings, Traci N., "Gender Reflections: a Reconsideration of Pictish Mirror and Comb Symbols" (2016). Theses and Dissertations. 1351. https://dc.uwm.edu/etd/1351 This Thesis is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of UWM Digital Commons. For more information, please contact [email protected]. GENDER REFLECTIONS: A RECONSIDERATION OF PICTISH MIRROR AND COMB SYMBOLS by Traci N. Billings A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Science in Anthropology at The University of Wisconsin-Milwaukee December 2016 ABSTRACT GENDER REFLECTIONS: A RECONSIDERATION OF PICTISH MIRROR AND COMB SYMBOLS by Traci N. Billings The University of Wisconsin-Milwaukee, 2016 Under the Supervision of Professor Bettina Arnold, PhD. The interpretation of prehistoric iconography is complicated by the tendency to project contemporary male/female gender dichotomies into the past. Pictish monumental stone sculpture in Scotland has been studied over the last 100 years. Traditionally, mirror and comb symbols found on some stones produced in Scotland between AD 400 and AD 900 have been interpreted as being associated exclusively with women and/or the female gender. This thesis re-examines this assumption in light of more recent work to offer a new interpretation of Pictish mirror and comb symbols and to suggest a larger context for their possible meaning.
    [Show full text]
  • The Excavation of Two Later Iron Age Fortified Homesteads at Aldclune
    Proc Soc Antiq Scot, 127 (1997), 407-466 excavatioe Th lateo tw r f Ironfortifieo e nAg d homesteads at Aldclune, Blair Atholl, Perth & Kinross R Hingley*, H L Mooref, J E TriscottJ & G Wilsonf with contribution AshmoreJ P y sb , HEM Cool DixonD , , LehaneD MateD I , McCormickF , McCullaghJ P R , McSweenK , y &RM Spearman ABSTRACT Two small 'forts', probably large round houses, occupying naturala eminence furtherand defended by banks and ditches at Aldclune, by Blair Atholl (NGR: NN 894 642), were excavated in advance of road building. Construction began Siteat between2 second firstthe and centuries Siteat 1 BC and between the second and third centuries AD. Two major phases of occupation were found at each site. The excavation was funded by the former SDD/Historic Buildings and Monuments Directorate with subsequent post-excavation and publication work funded by Historic Scotland. INTRODUCTION In 1978 the Scottish Development Department (Ancient Monuments) instigated arrangements for excavation whe becamt ni e known tha plannee tth d re-routin trun9 A e k th roa likels f go dwa y to destroy two small 'forts' at Aldclune, by Blair Atholl (NGR: NN 894 642). A preliminary programm f triao e l trenching bega n Aprii n l 1980, revealing that substantial e areath f o s structure d theian s r defences survived e fac n th vieI . t f wo tha t both sites wer f higo e h archaeological potentia would an l almose db t completely obliterate roae th dy dbuildingb s wa t ,i decide proceeo dt d with full-scale excavation.
    [Show full text]
  • Nether Largie Mid Cairn Statement of Significance
    Property in Care (PIC) ID: PIC096 Designations: Scheduled Monument (SM13298) Taken into State care: 1932 (Guardianship) Last Reviewed: 2019 STATEMENT OF SIGNIFICANCE NETHER LARGIE MID CAIRN We continually revise our Statements of Significance, so they may vary in length, format and level of detail. While every effort is made to keep them up to date, they should not be considered a definitive or final assessment of our properties. Historic Environment Scotland – Scottish Charity No. SC045925 Principal Office: Longmore House, Salisbury Place, Edinburgh EH9 1SH © Historic Environment Scotland 2019 You may re-use this information (excluding logos and images) free of charge in any format or medium, under the terms of the Open Government Licence v3.0 except where otherwise stated. To view this licence, visit http://nationalarchives.gov.uk/doc/open- government-licence/version/3 or write to the Information Policy Team, The National Archives, Kew, London TW9 4DU, or email: [email protected] Where we have identified any third party copyright information you will need to obtain permission from the copyright holders concerned. Any enquiries regarding this document should be sent to us at: Historic Environment Scotland Longmore House Salisbury Place Edinburgh EH9 1SH +44 (0) 131 668 8600 www.historicenvironment.scot Historic Environment Scotland – Scottish Charity No. SC045925 Principal Office: Longmore House, Salisbury Place, Edinburgh EH9 1SH HISTORIC ENVIRONMENT SCOTLAND STATEMENT OF SIGNIFICANCE NETHER LARGIE MID CAIRN CONTENTS 1 Summary
    [Show full text]
  • Stonehenge in Its Wider Context
    Proceedings of the British Academy, 92, 319334 Stonehenge in its Wider Context GEORGEEOGAN Introduction DUE TO MANY FACTORS such as a growing environmental awareness, a pride in the past, or commercial potential a new philosophy has been emerging in most countries regarding the archaeological inheritance. In view of its usefulness not only for academic study but for more general purposes also, the need to maintain it is a most relevant factor. People are, therefore, becoming more aware of the importance of the archaeological inheritance but also conscious of the fact that the remains cannot reproduce themselves; they are non-renewable and finite. But what value can we put on archaeological monuments almost at the dawn of the twenty-first century and how can we measure value in this current materialistic context? The term ‘resource’ is often applied to archaeology; I see nothing wrong with that term provided that it embraces all the different strands. Stonehenge and other monuments have many values, such as in the realms of general education and curiosity, but for me the primary one is that they constitute an unerring index to the achievements of past societies and provide documents for understanding them. Stonehenge and its environment constitute a composite archaeological landscape. Therefore, dealing with such a site in its wider and comparative context is not an easy matter. This has of course been made easier4ue to the recent magistral English Heritage publication we now know much more about Stonehenge than ever before. In the evalu- ation of any site many aspects have to be considered; these range from straightforward academic and cultural issues, to the role of scientific interpretation and preservation, and also making the monuments available for study by specialists but also for visiting by the general public.
    [Show full text]
  • Scotland – Edinburgh to Loch Lomond
    Scotland – Edinburgh to Loch Lomond Trip Summary The very best experiences of Scotland, all in one itinerary; you’ll taste the whisky, hike the corbetts and other hills, walk the moorlands, canoe a loch, and ferry out to wild islands. You’ll explore castle ruins, take tea, learn of ancient burial sites, absorb history from the Neolithic times, to those of revolutionary knights, to the Industrial Revolution. From the stunning, wild countryside, to the cobblestone streets of Edinburgh, you’ll immerse yourself in the best Scotland has to offer. Itinerary Day 1: Edinburgh Airport / Pitlochry Your guide will collect you from Edinburgh Airport (or your accommodation if you chose to arrive prior) • Transfer to the picturesque town of Pitlochry in Highland Perthshire • Visit local whisky distillery for a tour and tasting to ease you into highland life • Overnight at Craigatin House (L) Day 2: Pitlochry / Bealach na Searmoin / Killiecrankie From our Pitlochry base, we have a choice of several excellent hikes and your guide will make suggestions based on interests, ability and weather conditions. Possibilities include: Hike summit of a local Corbett (a mountain between 2500 and 3000 feet), taking us across moorland before a steep rocky ascent to the summit (on a clear day you see for miles and are able to identity several mountains in the surrounding areas) • A lower-level option includes a hike over the Bealach na Searmoin (Pass of the Sermon) to the Soldier’s Leap at Killiecrankie • This takes us over a moorland pass before descending to a river
    [Show full text]
  • ROCK ART BIBLIOGRAPHY (Current at July 2008) This Detailed Listing Contains Over a Thousand Publications on Rock Art
    ROCK ART BIBLIOGRAPHY (current at July 2008) This detailed listing contains over a thousand publications on rock art. It relates primarily to rock art in the counties of Durham and Northumberland but also includes many publications on rock art in other parts of Britain and Ireland, as well as on the recording, management, and conservation of carved panels, plus a number of theoretical studies. The bibliography was compiled by Northumberland and Durham Rock Art Pilot Project volunteer, Keith Elliott, with additional contributions from Kate Sharpe and Aron Mazel. Abramson, P. 1996 ‘Excavations along the Caythorpe Gas Pipeline, North Humberside’. Yorkshire Archaeological Journal 68, 1-88 Abramson, P. 2002 'A re-examination of a Viking Age burial at Beacon Hill, Aspatria'. Transactions of the Cumberland and Westmorland Antiquarian and Archaeological Society 100: 79-88. Adams, M. & P. Carne, 1997 ‘The Ingram and Upper Breamish Valley Landscape Project: interim report 1997’. Archaeological Reports of the Universities of Durham and Newcastle upon Tyne 21, 33- 36 Ainsworth, S. & Barnatt, J., 1998, ‘A scarp-enclosure at Gardom’s Edge, Baslow, Derbyshire’. Derbyshire Archaeological Journal 118, 5-23 Aird, R. A., 1911 ‘Exhibits’. Proceedings of the Society of Antiquaries of Newcastle upon Tyne 3rd series 5(9), 102 Aitchison, W., 1950 ‘Note on Three Sculptured Rocks in North Northumberland’. History of the Berwickshire Naturalists’ Club 32(1), 50 Alcock, L 1977 ‘The Auld Wives’ Lifts’. Antiquity 51, 117-23 Aldhouse-Green, M., 2004 ‘Crowning Glories. The Language of Hair in Later Prehistoric Europe’. Proceedings of the Prehistoric Society 70, 299-325 Allott, C. & Allot, K., 2006 ‘Rock Art Indoors’.
    [Show full text]
  • Nether Largie South Cairn
    Property in Care (PIC) ID: PIC098 Designations: Scheduled Monument (SM13299) Taken into State care: 1932 (Guardianship) Last reviewed: 2018 STATEMENT OF SIGNIFICANCE NETHER LARGIE SOUTH CAIRN We continually revise our Statements of Significance, so they may vary in length, format and level of detail. While every effort is made to keep them up to date, they should not be considered a definitive or final assessment of our properties. © Historic Environment Scotland 2018 You may re-use this information (excluding logos and images) free of charge in any format or medium, under the terms of the Open Government Licence v3.0 except where otherwise stated. To view this licence, visit http://nationalarchives.gov.uk/doc/open-government- licence/version/3 or write to the Information Policy Team, The National Archives, Kew, London TW9 4DU, or email: [email protected] Where we have identified any third party copyright information you will need to obtain permission from the copyright holders concerned. Any enquiries regarding this document should be sent to us at: Historic Environment Scotland Longmore House Salisbury Place Edinburgh EH9 1SH +44 (0) 131 668 8600 www.historicenvironment.scot HISTORIC ENVIRONMENT SCOTLAND STATEMENT OF SIGNIFICANCE NETHER LARGIE SOUTH CAIRN CONTENTS 1 Summary 2 1.1 Introduction 2 1.2 Statement of significance 2 2 Assessment of values 3 2.1 Background 3 2.2 Evidential values 11 2.3 Historical values 12 2.4 Architectural and artistic values 13 2.5 Landscape and aesthetic values 13 2.6 Natural heritage values 14 2.7 Contemporary/use values 14 3 Major gaps in understanding 15 4 Associated properties 17 5 Keywords 17 Bibliography 17 Historic Environment Scotland – Scottish Charity No.
    [Show full text]