King Solomon's Mines by H. Rider Haggard</H1>
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Henry Rider Haggard's Nordicism?
Henry Rider Haggard’s Nordicism? When Black Vikings fight alongside White Zulus in South Africa Gilles Teulié To cite this version: Gilles Teulié. Henry Rider Haggard’s Nordicism? When Black Vikings fight alongside White Zulus in South Africa. E-rea - Revue électronique d’études sur le monde anglophone, Laboratoire d’Études et de Recherche sur le Monde Anglophone, 2020, 18.1. hal-03225904 HAL Id: hal-03225904 https://hal-amu.archives-ouvertes.fr/hal-03225904 Submitted on 13 May 2021 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Distributed under a Creative Commons Attribution - NonCommercial - NoDerivatives| 4.0 International License E-rea Revue électronique d’études sur le monde anglophone 18.1 | 2020 1. Reconstructing early-modern religious lives: the exemplary and the mundane / 2. Another Vision of Empire. Henry Rider Haggard’s Modernity and Legacy Henry Rider Haggard’s Nordicism? When Black Vikings fight alongside White Zulus in South Africa Gilles TEULIÉ Electronic version URL: https://journals.openedition.org/erea/10251 DOI: 10.4000/erea.10251 ISBN: ISSN 1638-1718 ISSN: 1638-1718 Publisher Laboratoire d’Études et de Recherche sur le Monde Anglophone Brought to you by Aix-Marseille Université (AMU) Electronic reference Gilles TEULIÉ, “Henry Rider Haggard’s Nordicism? When Black Vikings fight alongside White Zulus in South Africa”, E-rea [Online], 18.1 | 2020, Online since 15 December 2020, connection on 14 May 2021. -
Rider Haggard's Short Stories
University of Wollongong Research Online University of Wollongong Thesis Collection 1954-2016 University of Wollongong Thesis Collections 1991 Telling tales: Rider Haggard's short stories Michael Arrighi University of Wollongong Follow this and additional works at: https://ro.uow.edu.au/theses University of Wollongong Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorise you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: This work is copyright. Apart from any use permitted under the Copyright Act 1968, no part of this work may be reproduced by any process, nor may any other exclusive right be exercised, without the permission of the author. Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. A court may impose penalties and award damages in relation to offences and infringements relating to copyright material. Higher penalties may apply, and higher damages may be awarded, for offences and infringements involving the conversion of material into digital or electronic form. Unless otherwise indicated, the views expressed in this thesis are those of the author and do not necessarily represent the views of the University of Wollongong. Recommended Citation Arrighi, Michael, Telling tales: Rider Haggard's short stories, Master of Arts (Hons.) thesis, Department of English, University of Wollongong, 1991. https://ro.uow.edu.au/theses/2200 Research Online is the open access institutional repository for the University of Wollongong. -
King Solomon's Mines by H. Rider Haggard Web-Books.Com
King Solomon's Mines by H. Rider Haggard Web-Books.Com King Solomon's Mines Author's Note ...................................................................................................................... 3 Introduction......................................................................................................................... 4 I Meet Sir Henry Curtis....................................................................................................... 5 The Legend Of Solomon's Mines ..................................................................................... 11 Umbopa Enters Our Service ............................................................................................. 18 An Elephant Hunt ............................................................................................................. 25 Our March Into The Desert............................................................................................... 31 6. Water! Water! ............................................................................................................... 40 Solomon's Road ................................................................................................................ 47 We Enter Kukuanaland..................................................................................................... 58 Twala The King ................................................................................................................ 64 The Witch-Hunt ............................................................................................................... -
Allan Quatermain Series by H
The Mystery of Harry Quatermain and Other Conundrums by Rick Lai Sometimes an author can made a major contradiction in a series and it leads to all sorts of wild theories about his characters. Sir Arthur Conan Doyle is an excellent example. He had John H. Watson marry Mary Morstan in The Sign of Four (1890), a novel whose internal evidence indicated that it was set in 1888. Doyle then proceeded to write stories set in 1887 that had references to Watson’s wife and the events of The Sign of Four. This discrepancy started a flurry of articles by Sherlock Holmes fans that Watson must had an earlier wife and was trying to cover up her existence. If you examine the Allan Quatermain series by H. Rider Haggard carefully, you will find a similar inconsistency involving the son of the British hunter. In fact, you will even conclude that Allan had three wives instead of the ill-fated pair described by Haggard. “A Tale of Three Lions” (1887) tells how Allan and his son Harry went on a gold prospecting trip in South Africa. This endeavor happened in a town called Pilgrim’s Rest. This is a real historical site. Gold was discovered there in 1873. In fact, this was the first gold rush to occur in South Africa. Pilgrim’s Rest was declared a public prospecting gold digging area in 1875. Therefore, Allan could not have traveled there any earlier than 1875. His son Harry was “about fourteen” at the time. Based on a careful scrutiny of “A Tale of Three Lions,” it can be concluded that Harry was born around 1861. -
'The Wizard of Oz' to 'Wicked': Trajectory of American Myth
FROM 'THE WIZARD OF OZ' TO 'WICKED': TRAJECTORY OF AMERICAN MYTH Alissa Burger A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2009 Committee: Ellen Berry, Advisor Gene S. Trantham Graduate Faculty Representative Don McQuarie Piya Pal Lapinski © 2009 Alissa Burger All Rights Reserved iii ABSTRACT Ellen Berry, Advisor The Wizard of Oz story has been omnipresent in American popular culture since the first publication of L. Frank Baum’s children’s book The Wonderful Wizard of Oz at the dawn of the twentieth century. Ever since, filmmakers, authors, and theatre producers have continued to return to Oz over and over again. However, while literally hundreds of adaptations of the Wizard of Oz story abound, a handful of transformations are particularly significant in exploring discourses of American myth and culture: L. Frank Baum’s The Wonderful Wizard of Oz (1900); MGM’s classic film The Wizard of Oz (1939); Sidney Lumet’s film The Wiz (1978); Gregory Maguire’s novel Wicked: The Life and Times of the Wicked Witch of the West (1995); and Stephen Schwartz and Winnie Holzman’s Broadway musical Wicked (2003). This project critiques theories of fixed or prescriptive American myth, instead developing a theory of American myth as active, performative and even, at times, participatory, achieved through discussion of the fluidity of text and performance, built on Diana Taylor’s theory of the archive and the repertoire. By approaching text and performance as fluid rather than fixed, this dissertation facilitates an interdisciplinary consideration of these works, bringing children’s literature, film, popular fiction, theatre, and music together in a theoretically multifaceted approach to the Wizard of Oz narrative, its many transformations, and its lasting significance within American culture. -
Allan Quatermain Haggard, Henry Rider
Allan Quatermain Haggard, Henry Rider Published: 1887 Categorie(s): Fiction, Action & Adventure Source: http://www.gutenberg.org 1 About Haggard: Henry Rider Haggard was born at Bradenham, Norfolk, to Sir William Meybohm Rider Haggard, a barrister, and Ella Doveton, an author and poet. He was the eighth of ten chil- dren. He was initially sent to Garsington Rectory in Oxford- shire to study under the Reverend H.J. Graham but, unlike his older brothers who graduated from various Public Schools, he ended up attending Ipswich Grammar School. This was be- cause his father, who regarded him as somebody who was not going to amount to much, could no longer afford to maintain his expensive private education. After failing his army entrance exam he was sent to a private ‘crammer’ in London to prepare for the entrance exam for the British Foreign Office, which in the end he never sat. Instead Haggard’s father sent him to Africa in an unpaid position as assistant to the secretary to the Lieutenant-Governor of Natal, Sir Henry Bulwer. It was in this role that Haggard was present in Pretoria for the official an- nouncement of the British annexation of the Boer Republic of the Transvaal. In fact, Haggard raised the Union Flag and was forced to read out much of the proclamation following the loss of voice of the official originally entrusted with the duty. As a young man, Haggard fell deeply in love with Lilith Jackson, whom he intended to marry once he obtained paid employment in South Africa. In 1878 he became Registrar of the High Court in the Transvaal, but when he sent his father a letter telling him that he intended to return to England in order to marry Li- lith Jackson his father replied that he forbade it until he had made a career for himself. -
University of Birmingham Gods and Ghost-Light
University of Birmingham Gods and Ghost-Light: Dobson, Eleanor DOI: 10.1017/S1060150316000462 License: Other (please specify with Rights Statement) Document Version Peer reviewed version Citation for published version (Harvard): Dobson, E 2017, 'Gods and Ghost-Light: Ancient Egypt, Electricity, and X-Rays', Victorian Literature and Culture, vol. 45, no. 1, pp. 119-135. https://doi.org/10.1017/S1060150316000462 Link to publication on Research at Birmingham portal Publisher Rights Statement: Dobson, E. (2017). GODS AND GHOST-LIGHT: ANCIENT EGYPT, ELECTRICITY, AND X-RAYS. Victorian Literature and Culture, 45(1), 119-135. doi:10.1017/S1060150316000462 © Cambridge University Press 2017 General rights Unless a licence is specified above, all rights (including copyright and moral rights) in this document are retained by the authors and/or the copyright holders. The express permission of the copyright holder must be obtained for any use of this material other than for purposes permitted by law. •Users may freely distribute the URL that is used to identify this publication. •Users may download and/or print one copy of the publication from the University of Birmingham research portal for the purpose of private study or non-commercial research. •User may use extracts from the document in line with the concept of ‘fair dealing’ under the Copyright, Designs and Patents Act 1988 (?) •Users may not further distribute the material nor use it for the purposes of commercial gain. Where a licence is displayed above, please note the terms and conditions of the licence govern your use of this document. When citing, please reference the published version. Take down policy While the University of Birmingham exercises care and attention in making items available there are rare occasions when an item has been uploaded in error or has been deemed to be commercially or otherwise sensitive. -
H. Rider Haggard, Theophilus Shepstone and the Zikali Trilogy: a Revisionist Approach to Haggard’S African Fiction
1 H. Rider Haggard, Theophilus Shepstone and the Zikali trilogy: A Revisionist Approach to Haggard’s African Fiction. By Kathryn C. S. Simpson Centre for Literature and Writing Edinburgh Napier University A Doctoral Thesis Submitted in partial fulfilment of the requirements for the award of Doctor of Philosophy from Edinburgh Napier University November 2016 2 Abstract The history that H. Rider Haggard writes about in his imperial adventure romance fiction is neither collusive nor consensual with the Zulu who are often the focus of his novels. He writes a complex colonial narrative that characterises the Zulu as a proud and mythic, yet ultimately doomed, race. His early twentieth century trilogy, Zikali, is unique in that he uses the three books, Marie, Child of Storm and Finished, to narrate three pivotal events in the nineteenth century history of the Zulu Kingdom. In Zikali, he simultaneously propounds the legitimacy of the colonial endeavour, so effectively that he rewrites history, to ensure the primacy of the Englishman in nineteenth century Southern Africa historiography, whilst aggrandising the Zulu kingdom. This reframing of the colonial narrative—to suit the Western interloper—would be evidence of what is a standard trope within imperial adventure romance fiction, were it not for the fact that Haggard is ambivalent in his imperialism. He is both recorder and creator of imperial history, bewailing the demise of the Zulu Kingdom whilst validating the importance of the role of the colonial white Englishman; he senselessly kills hundreds of natives within his books, yet privileges the Zulu. Referencing one of the primary motivational sources in Haggard’s own colonial experience, Theophilus Shepstone, I propose to show Haggard’s sublimation of Shepstone’s ideas into his own African Arcadian romances, and his creation of a Zulu historiography, which would go on to be lauded by the early South African National Native Congress as being one of the foundations of early twentieth century native socio-political self-fashioning.