DOCSLIB.ORG

ROBERT MAPPLETHORPE Selected Bibliography Selected

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
ROBERT MAPPLETHORPE Selected Bibliography Selected ROBERT MAPPLETHORPE Selected Bibliography Selected Publications 2016 Brunnick, Michelle and Terpack. Robert Mapplethorpe: The Archive, Los Angeles: The Getty Research Institute, 2016. Martineau, Paul. The Thrill of the Chase: The Wagstaff Collection of Photographs at the J. Paul Getty Museum, The J. Paul Getty Museum: Los Angeles, 2016. Steihaug, Jon-Ove. Mapplethorpe+Munch, Munch Museet: Oslo, 2016. Salvensen, Britt and Martineau. Robert Mapplethorpe: The Photographs, Los Angeles: The J. Paul Getty Museum and The Los Angeles County Museum of Art, 2016. 2015 Hickson, Patricia. Warhol & Mapplethorpe: Guise & Dolls, Hartford: Wadsworth Atheneum Museum, 2015. Reflections on the Self From Dürer to Struth, London: Chritie’s International Media Division, Jubilee House, 2015. 2014 Hoffman, Jens. Show Time: The 50 Most Influential Exhibitions of Contemporary Art, New York: DAP, 2014. Robert Mapplethorpe. Grand Palais: Paris, 2014. 2013 Little, David E. 31 Years: Gifts from Martin Weinstein, Minneapolis: Minneapolis Institute of Arts, 2013. List, Larry. Skin Trade, PPOW, 2013. Munch by Others, Tonsberg, Norway: Arvinius + Orfeus Publishing / Haugar Vestfold Museum, 2013. 2012 Hacking, Juliet. Photography: The Whole Story, London: Prestel, 2012. Modorcea, Grid. Fine Art in America: An Adventure in Paradise, Romania: Aius, 2012. 2011 Karra, Marilena. Robert Mapplethorpe. Onassis Foundation: Athens, 2011. Mannerism and Modernism: Kaspar Collection, New York: The Morgan Library and Museum, 2011. Mapplethorpe X7, Kempen: teNeues Publishing Group, 2011. Neshat, Shirin. The Mask and the Mirror, New York: Leila Heller Gallery, 2011. 2010 Haunted – Contemporary Photography / Video / Performance, New York: Solomon R. Guggenheim Museum, 2010. 2009 Falleti, Franca. Mapplethorpe: Perfection in Form, Kempen, Germany: teNeues Verlag, 2009. Sterling Ruby/Robert Mapplethorpe, Belgium: Xavier Hufkens Brussels MMX, 2009. Two by Two, for AIDS and Arti, Dallas: Dallas Museum of Art, 2009. 2007 Wolf, Silvia. Polaroids: Mapplethorpe, New York: Prestel Verlag, 2007. Mapplethorpe, New York: teNeues Publishing Group, 2007. 2006 Hartley, Keith. Robert Mapplethorpe. Edinburgh, Scotland: National Galleries of Scotland, 2006. Surprise, Surprise. London, UK: ICA London, 2006. Robert Mapplethorpe: Complete Flowers. Dusseldorf, Germany: teNeues Publishing Group, 2006: essay by Herbert Muschamp. 2005 Celant, Germano. Robert Mapplethorpe; Tra Antico e moderno. Un’antologia. Torino, Italy: Artificio Skira, 2005. Essays by Germano Celant, Robert Rosenblum and Claudio Strinati. Robert Mapplethorpe: Sagrado y Profano, Sacred and Profane, Havana, Cuba: Fototca de Cuba, 2005. Last updated: 21 May 2016 Weinberg, Jonathan. Male Desire: The Homoerotic in American Art. New York: Harry N. Abrams, 2005. 2004 Robert Mapplethorpe and the Classical Tradition. Ed. Germano Celant, Jennifer Blessing and Arkady Ippolitov, DAP, 2004. American Made: The New Still-Life. Japan Art & Culture Center, Tokyo, Japan, 2004. Heartney, Eleanor. Postmodern Heretics: The Catholic Imagination in Contemporary Art. New York: Midmarch Press, 2004. 1999 Robert Mapplethorpe. Valencia, Spain: Sala Parpallo, Centre Cultural de La Beneficencia Diputacion de Valencia, 1999. 1997 Rrose is a Rrose is a Rrose. Jennifer Blessing, New York, NY: Guggenheim Foundation, 1997. 1994 Smith, Patti. Flowers: Robert Mapplethorpe, New York: Bulfinch, 1994. 1993 Art & Auction. “Special Report, Let Us Now Appraise Famous Men,” November, 1993. Robert Mapplethorpe: Mirrors. New York, NY, The Solomon R. Guggenheim Museum and The Robert Mapplethorpe Foundation in association with Random House, 1993; essays by Patti Smith and Germano Celant. 1992 Becher, Mapplethorpe, Sherman. Monterrey, Mexico: Museo de Monterrey, 1992. Robert Mapplethorpe. Tokyo, Japan: Art Tower Mito and Asahi Shimbun, 1992. Mapplethorpe. Lausanne: FAE Musee D’Art Contemporain, 1992. Mapplethorpe. Milan: Electa, 1992; text by Germano Celant. Mapplethorpe. Louisiana, Denmark: Louisiana Museum, 1992; text by Germano Celant. Mapplethorpe. New York, NY: Random House, 1992; essay by Arthur C. Danto. Erotik in der Kunst des 20. Jahrhunderts. Koln: Benedikt Tascheri Verlag, 1992. 1991 Robert Mapplethorpe Early Works. New York: Robert Miller Gallery, 1991,edited by John Cheim.. 1990 Flowers Mapplethorpe. Boston, Toronto, London: Bulfinch Press/Little, Brown, & Company,1990. 1989 Some Women. Boston, Toronto, London: Bulfinch Press/Little, Brown & Company, 1989. 1988 Mapplethorpe Portraits. London: National Portrait Gallery, 1988. Robert Mapplethorpe. Boston, MA: Whitney Museum of American Art, New York in Association with New York Graphic Society Books; Little Brown and Company, 1988. Robert Mapplethorpe: The Perfect Moment. Philadelphia, PA: Institute of Contemporary Art, University of Pennsylvania, 1988. Das Portrait. Germany 1987 Robert Mapplethorpe. Tokyo, Japan: Parco Co., Ltd, 1987. Robert Mapplethorpe. New York: Bellport Press, 1987. 1986 Black Book. New York: St. Martin’s Press, 1986. Robert Mapplethorpe. Milan, Italy: Idea Books, 1986. Robert Mapplethorpe 1986. Berlin and Cologne, West Germany: Raab Galerie and Kickenpauseback Galerie, 1986. 50 New York Artists. San Francisco, Chronicle Books, 1986. Last updated: 19 March 2016 1985 Certain People: A Book of Portraits. Los Angeles, CA: Twelvetree Press, 1985. 1983 Lady Lisa Lyon. Munchen, Germany: Schirmer/Mose, 1983. Robert Mapplethorpe 1970-1983. London: Institute of Contemporary Art, 1983. Robert Mapplethorpe. Milan, Italy: an Idea Books Edition, Publimedia Editrice 1983. Last updated: 21 May 2016 1981 Robert Mapplethorpe. Frankfurter, Germany: Peter Weirmair, Steinernes Haus,Exhibition Catalogue, 1981. 1980 Black Males. Amsterdam, Holland: Galerie Jurka, 1980. 1979 Robert Mapplethorpe. Amsterdam, Holland: Galerie Jurka, 1979. 1978 Robert Mapplethorpe Photographs. Norfolk, VA: Chrysler Museum, 1978. Créatis. Paris, France: Albert Champeau, rue du Départ, 1978. Selected Articles and Reviews 2016 “6 Things we learned from the Mapplethorpe show,” Phaidon, March 2016. Anderson, John. “Mapplethorpe: Look at the Pictures,” The Wall Street Journal, March 31, 2016. Appleford, Steve. “HBO’s ‘Look at the Pictures’ is as explicit as its subject, Robert Mapplethorpe,” Los Angeles Times, April 4, 2016. Armstrong, Annie. “From Van Gogh to Jeff Koons, Here’s a History of Flowers in Art,” The Creators Project, March 13, 2015. “Artist Files $65 Million Lawsuit Over Robert Mapplethorpe,” Artforum, April 6, 2016. Bailey, Fenton and Randy Barbuto. “First Look: The New Mapplethorpe Documentary,” AnOther Magazine, April 4, 2016. Ball, Aimee Lee. “The Other Mapplethorpe,” The New York Times, April 16, 2016. Barlow, Helen. “Mapplethorpe: Look at the Pictures: Interview with Fenton Bailey and Randy Barbato and Edward Mapplethorpe,” SBS Movies, May 13, 2016. Barnes, Shane. “Watch the First Trailer for HBO’s Robert Mapplethorpe Doc,” Flavorwire, March 7, 2016. Barrera, Sandra. “Landmark Robert Mapplethorpe exhibition comes to LACMA, Getty Center,” Daily News, March 11, 2016. Bayley, Stephen. “Robert Mapplethorpe: bad boy with a camera,” The Spectator, April 2, 2016. Boessenkool, Antoine. “Two Robert Mapplethorpe exhibits opens in L.A.,” The Orange County Register, March 19, 2016. Bonanos, Christopher. “See 23 Artworks from Robert Mapplethorpe: The Archive, Vulture, March 21, 2016. Bonner, Michael. “Reviewed! Mapplethorpe: Look at the Pictures,” Uncut, April 22, 2016. Bradshaw, Peter. “Mapplethorpe: Look at the Pictures review – justice done to a brilliant photographer,” The Guardian, April 21, 2016. Brady, Tara. “Mapplethorpe: Look at the Pictures review – Life through a distorted lens,” The Irish Times, April 21, 2016. “Briefing,” Frieze, April 7, 2016. Brumfitt, Stuart. “Mapplethorpe From Muscles to Mortality,” Amuse, April 22, 2016. Butler, Bethonie. “TV highlights: “Mapplethorpe: Look at the Pictures,” The Washington Post, April 3, 2016. Cascone, Sarah. “These Fabulous Photos Capture Prince’s Singular Essence,” Artnet News, April 21, 2016. D’Angelo, Madelaine. “Mapplethorpe On Our Minds,” The Huffington Post, March 21, 2016. Debruge, Peter. “Film Review: ‘Mapplethorpe: Look at the Pictures,” Variety, March 25, 2016. Del Barco, Madalit. “Robert Mapplethorpe’s Provocative Art Finds a New Home in LA,” March 17, 2016. Cascone, Sarah. “Robert Mapplethorpe Foundation Calls $65 Million Lawsuit a ‘Frivolous Claim,” Artnet News, April 6, 2016. Colacello, Bob. “When Robert Mapplethorpe Took New York,” Vanity Fair, March 2016. Colter, David. “22 Best Things to Do in L.A. This Week,” LA Weekly, March 17, 2016. Colter, Holland. “Why Mapplethorpe Still Matters,” The New York Times, March 31, 2016. “Copyright infringement suit filed over Mapplethorpe photos,” The Big Story, April 8, 2016. Last updated: 21 May 2016 Crawford, Amy. “Robert Mapplethorpe Could Even Make Tulips Erotic,” Smithsonian.com, March 2016. “Critics’ Picks March 25 – March 31,” Los Angeles Times, March 24, 2016. Cuerin, Jonas. “Robert Mapplethorpe, The Archive,” L’Oeil de la Photographie,” April 14, 2016. “Cynthia Carr on Robert Mapplethorpe’s archival ephemera,” e-flux conversations, April 5, 2016. Embuscado, Rain. “Forthcoming Book of His Archive Adds to Recent Robert Mapplethorpe Fever,” Artnet News, February 9, 2016. Embuscado, Rain. “HBO Gives US the Robert Mapplethorpe Documentary We Probably Deserve,” Artnet News, March 28, 2016. Embuscado, Rain. “HBO Releases Intriguing Trailer for New Robert Mapplethorpe Documentary,” Artnet News, March 8, 2016. Eustachewich, Lia
Load more

Recommended publications
  • © 2016 Mary Kate Scott ALL RIGHTS RESERVED
    © 2016 Mary Kate Scott ALL RIGHTS RESERVED THE PHOTOGRAPHY OF ABSENCE: DEATH IN POSTMODERN AMERICA By MARY KATE SCOTT A dissertation submitted to the Graduate School-New Brunswick Rutgers, the State University of New Jersey In partial fulfillment of the requirements For the degree of Doctor of Philosophy Graduate Program in Art History Written under the direction of Andrés Zervigón And approved by ________________________________________ ________________________________________ ________________________________________ ________________________________________ New Brunswick, New Jersey January 2016 ABSTRACT OF THE DISSERTATION The Photography of Absence: Death in Postmodern America By MARY KATE SCOTT Dissertation Director: Dr. Andrés Zervigón It is a paradox that postmodern photographic theory—so thoroughly obsessed with death—rarely addresses intimate scenes of explicit death or mortality. Rather, it applies these themes to photographs of living subjects or empty spaces, laying upon each image a blanket of pain, loss, or critical dissatisfaction. Postmodern theorists such as Rosalind Krauss and Geoffrey Batchen root their work in the writings of Roland Barthes, which privilege a photograph’s viewer over its subject or maker. To Barthes’ followers in the 1980s and 1990s, the experiences depicted within the photograph were not as important as our own relationships with it, in the present. The photographers of the Pictures Generation produced groundbreaking imagery that encouraged the viewer to question authority, and even originality itself. Little was said, though, about intimacy, beauty, the actual fact of death, or the author’s individual experience. However, a significant group of American art photographers at the end of the twentieth century began making works directly featuring their own personal experiences with mortality.
    [Show full text]
  • The History of Photography: the Research Library of the Mack Lee
    THE HISTORY OF PHOTOGRAPHY The Research Library of the Mack Lee Gallery 2,633 titles in circa 3,140 volumes Lee Gallery Photography Research Library Comprising over 3,100 volumes of monographs, exhibition catalogues and periodicals, the Lee Gallery Photography Research Library provides an overview of the history of photography, with a focus on the nineteenth century, in particular on the first three decades after the invention photography. Strengths of the Lee Library include American, British, and French photography and photographers. The publications on French 19th- century material (numbering well over 100), include many uncommon specialized catalogues from French regional museums and galleries, on the major photographers of the time, such as Eugène Atget, Daguerre, Gustave Le Gray, Charles Marville, Félix Nadar, Charles Nègre, and others. In addition, it is noteworthy that the library includes many small exhibition catalogues, which are often the only publication on specific photographers’ work, providing invaluable research material. The major developments and evolutions in the history of photography are covered, including numerous titles on the pioneers of photography and photographic processes such as daguerreotypes, calotypes, and the invention of negative-positive photography. The Lee Gallery Library has great depth in the Pictorialist Photography aesthetic movement, the Photo- Secession and the circle of Alfred Stieglitz, as evidenced by the numerous titles on American photography of the early 20th-century. This is supplemented by concentrations of books on the photography of the American Civil War and the exploration of the American West. Photojournalism is also well represented, from war documentary to Farm Security Administration and LIFE photography.
    [Show full text]
  • The Photograph Collector Information, Opinion, and Advice for Collectors, Curators, and Dealers N E W S L T R
    THE PHOTOGRAPH COLLECTOR INFORMATION, OPINION, AND ADVICE FOR COLLECTORS, CURATORS, AND DEALERS N E W S L T R Volume XXXV, No. 6 June 2014 THE aipad PHotoGRAPHY SHOW by Stephen Perloff Tom Butler: Altered Victorian cabinet cards, $600 each at Gallery Fifty One, Antwerp, as seen at the AIPAD Photography Show (www.gallery51.com/index.php?navigatieid=9&fotograafid=143) AIPAD PHOTOGRAPHY SHOW REPORT continued The AIPAD Photography Show this year Bidwell, Michael and Elizabeth Marcus, Artur looked more elegant than it ever has as the vast Walther, Marjorie Ornston, Vicki Goldberg, Vince majority of exhibitors have learned how to stage Aletti, Philip Gefter, Lyle Rexer, Max Kozloff, attractive booths and as the signage and finish of Cheryl Dunn, Christiane Fischer, Malcolm Daniel, the booths has continually improved. The fair has Anne Tucker, Phyllis Galembo, Corey Keller, Nis- also seemed to strike a more perfect balance be- san Perez, Johan Sjöström, Sandra Phillips, Alison tween 19th-century, modernist, vernacular, and Nordstrom, Michelle Dunn Marsh, Lisa Hostetler, contemporary work. Katherine Bussard, and Jeff Rosenheim. Most of the exhibitors I spoke to were happy “AIPAD also drew a wide range of curators with the opening reception, the number of cura- from such institutions as The Museum of Modern tors they saw, as well as the number of buyers, and Art, New York; The Metropolitan Museum of Art, with their sales overall. New York; International Center for Photography, As AIPAD reported: New York; Solomon R. Guggenheim Museum, “A large and enthusiastic crowd attended the New York; The Morgan Library and Museum, opening night gala on April 9, which benefited New York; The Philadelphia Museum of Art; Los Her Justice, an organization that provides free le- Angeles County Museum of Art; The J.
    [Show full text]
  • American Road Photography from 1930 to the Present A
    THE PROFANE AND PROFOUND: AMERICAN ROAD PHOTOGRAPHY FROM 1930 TO THE PRESENT A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY by Han-Chih Wang Diploma Date August 2017 Examining Committee Members: Professor Gerald Silk, Department of Art History Professor Miles Orvell, Department of English Professor Erin Pauwels, Department of Art History Professor Byron Wolfe, Photography Program, Department of Graphic Arts and Design THE PROFANE AND PROFOUND: AMERICAN ROAD PHOTOGRAPHY FROM 1930 TO THE PRESENT ABSTRACT Han-Chih Wang This dissertation historicizes the enduring marriage between photography and the American road trip. In considering and proposing the road as a photographic genre with its tradition and transformation, I investigate the ways in which road photography makes artistic statements about the road as a visual form, while providing a range of commentary about American culture over time, such as frontiersmanship and wanderlust, issues and themes of the automobile, highway, and roadside culture, concepts of human intervention in the environment, and reflections of the ordinary and sublime, among others. Based on chronological order, this dissertation focuses on the photographic books or series that depict and engage the American road. The first two chapters focus on road photographs in the 1930s and 1950s, Walker Evans’s American Photographs, 1938; Dorothea Lange’s An American Exodus: A Record of Human Erosion, 1939; and Robert Frank’s The Americans, 1958/1959. Evans dedicated himself to depicting automobile landscapes and the roadside. Lange concentrated on documenting migrants on the highway traveling westward to California.
    [Show full text]
  • FLESH and SPIRIT Robert Mapplethorpe, Sam Wagstaff, and the Gay Sensibility
    FLESH AND SPIRIT Robert Mapplethorpe, Sam Wagstaff, and the Gay Sensibility Philip Gefter COMING OF AGE n the early 1970s the medium of photography gained new stature among the fine arts. Museums and art schools in the United States began to establish autonomous photography departments; several commercial galleries now showed photography exclusively; and an unforeseen market for photography was emerging in the art world. This Inewlyexpanded regard for photography as a fine art occurred simultaneously with the growing visibility of the gay-rights movement. Although it is worth noting that photography and homosexuality surfaced, respectively, from the margins of artistic legitimacy and mainstream society, this concurrence was nothing more than a coincidence of timing. And yet by the end of that decade the influence of what has come to be identified as a “gay sensibility”—manifest in the relationship of Robert Mapplethorpe and Samuel J. Wagstaff Jr. (plate 7)—would become an indelible ingredient in photography’s coming of age. Sam Wagstaff and Robert Mapplethorpe met in1972 ; Wagstaff was fifty years old, Mapple- thorpe was half his age. They were to become one of the celebrated couples of the twenti- eth century—not only because they were glamorous, and not only because they were gay. As lovers, they did not adhere to monogamy; as committed partners, their deep emotional bond by no means conformed to the conventions of heterosexual marriage; but, as patron and artist, they brought co-conspiratorial fervor to securing respect for photography in the art world and also to establishing Mapplethorpe’s career as an artist. As a respected curator of painting and sculpture throughout the 1960s, first at the Wadsworth Atheneum Museum of Art in Hartford and then at the Detroit Institute of Arts, Wag- staff had a more influential role in shaping art history in the last half of the twentieth century than is widely understood.
    [Show full text]
  • Getty Publications Spring 2016 Getty Publications New Titles 5
    The J. Paul Getty Museum Getty Research Institute Getty Conservation Institute Getty Foundation Getty Publications SpringThe J. Paul Getty Museum Getty Research 2 Institute01 Getty6 Conservation Institute Getty Foundation Getty Getty Publications Publications To order Connect with Us A fascinating look at one of photography’s New INDIVIDUALS BOOKSTORES most controversial and beloved icons Visit your local bookstore or call: 800 621-2736 (U.S. and Canada) 800 223-3431 (North America) (44) 020 7079 4900 Titles 310 440-7059 (International) (outside the U.S. and Canada) Find us on Facebook www.getty.edu/publications www.facebook.com/GettyPublications [email protected] E-Newsletter Follow us on Twitter For information about Getty Publications and future titles, @GettyPubs sign up for Art Bound, our monthly electronic newsletter at www.getty.edu/artbound Follow us on Tumblr Robert Mapplethorpe www.gettypubs.tumblr.com The Photographs Paul Martineau and Britt Salvesen With essays by Philip Gefter, Jonathan D. Katz, Ryan Linkof, Richard Meyer, and Carol Squiers The legacy of Robert Mapplethorpe (1946 –1989) is rich and complicated, triggering controversy, polari- zing critics, and providing inspiration for many artists who followed him. Mapplethorpe, one of the most influential figures of his time, today stands as an example to emerging photographers who continue to experiment with the boundaries and concepts of the beautiful. Mobile App Robert Mapplethorpe: The Photographs offers a timely and rewarding examination of his oeuvre and influence.
    [Show full text]
  • Philip-Lorca Dicorcia Born 1951 in Hartford, Connecticut
    This document was updated June 22, 2021. For reference only and not for purposes of publication. For more information, please contact the gallery. Philip-Lorca diCorcia Born 1951 in Hartford, Connecticut. Lives and works in New York. EDUCATION 1979 M.F.A., Yale University, New Haven, Connecticut 1976 Post Graduate Certificate, School of the Museum of Fine Arts, Boston 1975 Diploma , School of the Museum of Fine Arts, Boston SOLO EXHIBITIONS 2020 Philip-Lorca diCorcia: Heavenly Bodies, David Zwirner Online [online presentation] Philip-Lorca diCorcia, David Zwirner, Paris 2019 Philip-Lorca diCorcia, David Zwirner, Hong Kong 2015 Philip-Lorca diCorcia: East of Eden, David Zwirner, New York 2014 Philip-Lorca diCorcia: III Premio Internacional de Fotografía/III International Photography Award, Centro de Arte Alcobendas, Madrid [catalogue] Philip-Lorca diCorcia: Hustlers, Sprüth Magers, Berlin 2013 Philip-Lorca diCorcia: East of Eden, David Zwirner, London Philip-Lorca diCorcia: Hustlers, David Zwirner, New York Philip-Lorca diCorcia, Schirn Kunsthalle Frankfurt [itinerary: Museum De Pont, Tilburg, The Netherlands; The Hepworth Wakefield, England] [catalogue] 2011 Philip-Lorca diCorcia: ELEVEN, David Zwirner, New York Philip-Lorca diCorcia: Roid, Sprüth Magers, London 2009 Philip-Lorca diCorcia: Family and Friends, Central Exhibition Hall Manege, Moscow [part of the 6th International Festival: Fashion and Style in Photography] [catalogue] Philip-Lorca diCorcia: Thousand, David Zwirner, New York 2008 Philip-Lorca diCorcia, Los Angeles County
    [Show full text]
  • Press Release NICK KNIGHT, MARY MCCARTNEY, MILES ALDRIDGE
    Press Release Tuesday 5 April 2016 NICK KNIGHT, MARY MCCARTNEY, MILES ALDRIDGE, MARTIN PARR, GRAHAM NASH, KATY GRANNAN AMONGST STAR LINE-UP FOR PHOTO LONDON TALKS PROGRAMME Photo London today announced details of the public talks that will take place at Somerset House from 18 – 22 May 2016. The daily programme will offer visitors to Photo London a rare chance to hear from some of the most important photographers, curators and commentators working today. The 2016 talks programme is curated by William A. Ewing, distinguished curator and writer, former Director of the Musée de l’Elysée, and former Director of Exhibitions at the International Center of Photography, New York. The Photo London talks programme is supported by the LUMA Foundation. PHOTO LONDON 2016 19 – 22 May 2016 Somerset House, Strand, London WC2R 1LA www.photolondon.org Booking Information: Talks tickets excluding booking fee: £12, bookable online at photolondon.seetickets.com (valid only with a Day Pass for any day of Photo London) Media Enquiries: Jane Quinn/Sylvia Ross, Bolton & Quinn T: +44 (0) 20 7221 5000 E: [email protected] or [email protected] Programme: WEDNESDAY 18 MAY 2016 Richard Learoyd in conversation with Frish Brandt 12.20 – 1.05pm British photography artist Richard Learoyd, notable for his unique and large-scale portrait and still-lifes, will speak in conversation with his gallerist Frish Brandt, president and co-owner of Fraenkel Gallery. Fraenkel gallery, based in San Francisco, specialises in photography and represents some of the most renowned practitioners working today. Nick Knight in conversation with Hans-Ulrich Obrist 2.30 – 3.30pm Nick Knight OBE, the British image-maker, fashion photographer and documentary photographer, will speak with Hans-Ulrich Obrist, Co-director of Exhibitions and Programmes and Director of International Projects at the Serpentine Gallery.
    [Show full text]
  • Peter Hujar Speed of Life* 15/10/2019 – 19/01/2020
    PETER HUJAR SPEED OF LIFE* 15/10/2019 – 19/01/2020 * LA VIE À TOUTE VITESSE DOSSIER DOCUMENTAIRE DOSSIER DOCUMENTAIRE CONTACTS MODE D’EMPLOI Conçu par le service des projets éducatifs, en collaboration Julia Parisot avec l’ensemble du Jeu de Paume et les professeurs-relais chargée des publics jeunes et scolaires des académies de Créteil et de Paris, ce dossier propose 01 47 03 04 95 / [email protected] aux enseignants et aux équipes éducatives des éléments de documentation, d’analyse et de réflexion. Marie-Louise Ouahioune informations et réservations Il se compose de trois parties : 01 47 03 12 41 / [email protected] Découvrir l’exposition offre une première approche du projet Sabine Thiriot et du parcours de l’exposition, ainsi que des orientations responsable des projets éducatifs bibliographiques. [email protected] Approfondir l’exposition développe plusieurs axes conférencières et formatrices thématiques autour des conceptions de la représentation Ève Lepaon et du statut des images. 01 47 03 12 42 / [email protected] Pistes scolaires initie des questionnements et des recherches, Cécile Tourneur en lien avec une sélection d’œuvres et de documents 01 47 03 12 42 / [email protected] présentés dans l’exposition. professeurs-relais Disponible sur demande, le dossier documentaire est Céline Lourd, académie de Paris également téléchargeable depuis le site Internet du Jeu de [email protected] Paume (document PDF avec hyperliens actifs). Cédric Montel, académie de Créteil [email protected]
    [Show full text]
  • Peter Hujar: Speed of Life
    PETER HUJAR: SPEED OF LIFE 27 JANUARY TO 30 APRIL 2016 OPENING 26 January 2017 at 7.30 pm PRESS CONFERENCE 26 January 2017 at 11.30 am DATES 27 January to 30 April 2017 VENUE Fundación MAPFRE (Casa Garriga i Nogués, C/ Diputació, 250. Barcelona) CURATOR Joel Smith, “Richard L. Menschel Curator” and Director of the Department of Photography at the Morgan Library & Museum Peter Hujar: Speed of Life has been organised by Fundación MAPFRE, Barcelona, and The Morgan Library & Museum, New York. The exhibition and its travelling schedule have been made possible by the Terra Foundation for American Art. Website http://exposiciones.fundacionmapfre.org/peterhujar Facebook facebook.com/fundacionmapfrecultura Twitter twitter.com/mapfreFcultura Instagram Instagram.com/mapfrecultura Hashtag #expo_peterhujar For more information, please contact Alejandra Fernández and Nuria del Olmo in MAPFRE’s Communications Department. Tel: (+ 34 91) 581 84 64 and (+ 34) 690 04 91 12. E-mail: [email protected]; [email protected] PETER HUJAR: SPEED OF LIFE Fundación MAPFRE is delighted to be presenting Peter Hujar: Speed of Life, a retrospective exhibition on the American photographer Peter Hujar. Offering the most detailed account of the artist’s work to date, from the 1950s to his death in New York in 1987, it will be on display between 27 January and 30 April 2017 at the Fundación MAPFRE’s Casa Garriga i Nogués exhibition space (Calle Diputació, 250) in Barcelona. Hujar was a portraitist in everything he did. Regardless of the subject of the work – a lover, an underground theatre actor, a goose, the surface of the Hudson River, or the placid features of his own face - what moved and motivated him was the spark of encounter and exchange between Artist and Other.
    [Show full text]
  • Philip-Lorca Dicorcia Born 1951 in Hartford, Connecticut
    This document was updated February 26, 2021. For reference only and not for purposes of publication. For more information, please contact the gallery. Philip-Lorca diCorcia Born 1951 in Hartford, Connecticut. Lives and works in New York. EDUCATION 1979 M.F.A., Yale University, New Haven, Connecticut 1976 Post Graduate Certificate, School of the Museum of Fine Arts, Boston 1975 Diploma , School of the Museum of Fine Arts, Boston SOLO EXHIBITIONS 2020 Philip-Lorca diCorcia: Heavenly Bodies, David Zwirner Online [online presentation] Philip-Lorca diCorcia, David Zwirner, Paris 2019 Philip-Lorca diCorcia, David Zwirner, Hong Kong 2015 Philip-Lorca diCorcia: East of Eden, David Zwirner, New York 2014 Philip-Lorca diCorcia: III Premio Internacional de Fotografía/III International Photography Award, Centro de Arte Alcobendas, Madrid [catalogue] Philip-Lorca diCorcia: Hustlers, Sprüth Magers, Berlin 2013 Philip-Lorca diCorcia: East of Eden, David Zwirner, London Philip-Lorca diCorcia: Hustlers, David Zwirner, New York Philip-Lorca diCorcia, Schirn Kunsthalle Frankfurt [itinerary: Museum De Pont, Tilburg, The Netherlands; The Hepworth Wakefield, England] [catalogue] 2011 Philip-Lorca diCorcia: ELEVEN, David Zwirner, New York Philip-Lorca diCorcia: Roid, Sprüth Magers, London 2009 Philip-Lorca diCorcia: Family and Friends, Central Exhibition Hall Manege, Moscow [part of the 6th International Festival: Fashion and Style in Photography] [catalogue] Philip-Lorca diCorcia: Thousand, David Zwirner, New York 2008 Philip-Lorca diCorcia, Los Angeles County
    [Show full text]
  • The Photograph Collector Information, Opinion and Advice for Collectors, Curators and Dealers N E W S L E T T E R
    THE PHOTOGRAPH COLLECTOR INFORMATION, OPINION AND ADVICE FOR COLLECTORS, CURATORS AND DEALERS N E W S L E T T E R Volume XXXII, No. 2 February 16, 2011 IN JANUARY, L.A. IS THE CENTER OF THE ART UNIVERSE by Jean Ferro photo l.a. XX + artLA Projects January 13–17, 2011 Santa Monica Civic Auditorium www.Photola.com From its earliest beginnings at Butterfield & Butterfield in 1991, Stephen Cohen’s photo l.a. has become one of the most successful photographic art fairs in the country. This edition was no exception. According to the Stephen Cohen Gallery, over 8,000 people visited this year’s fair. The 20th Anniversary Edition opening recep- tion with honored guests William Eggleston and Stephen Shore benefited the Wallis Annenberg Foundation Photography Department at the Curatorial Seminar with Julia Rose Novakoff at Fetterman Los Angeles County Museum of Art (LACMA). Gallery (all photographs by Jean Ferro) This year, photo l.a. also launched an addition, art- LA projects, a prelude to a much larger artLA 2011 be photographed. It was a power-packed five that will align with the start of the Getty’s Pacific days at photo l.a. displaying member work and Standard Time initiative celebrating WIPI’s history. and Art Platform—Los IN THIS ISSUE (See images on Facebook. Angeles, a new art fair cre- Jan 13 Reception – Jan 17th, ation by The Armory Show www.facebook.com/photos. January in L.A. ...................................................1 team in the fall of 2011. php?id=52330307762.) My agenda was cel- LACMA & Getty Get Mapplethorpe ..................8 What was new: Several ebrating Women In Pho- The Polaroid Collection ..................................11 galleries, including Kah- tography International’s Auction Preview...............................................13 mann Gallery from The (WIPI) 30th Anniversary Auction House & Gallery Rows ......................13 Netherlands, had a strong, booth at photo l.a.
    [Show full text]