Cv Ron Janowich

Total Page:16

File Type:pdf, Size:1020Kb

Cv Ron Janowich CV RON JANOWICH [email protected] www.Ronjanowich.com (Painting & Drawing) www.Rjanowich (Photography) www.ronjanowichthaiprojects.com (Thai Projects) EDUCATION 1972 Master of Fine Art - Painting, Maryland Institute College of Art 1970 Bachelor of Fine Art - Painting, Maryland Institute College of Art EMPLOYMENT HISTORY 2006-Present University of Florida, Gainesville, FL 1996 Visiting Artist, Department of Art, Ohio State University 1995 Visiting Artist, Department of Art, Cleveland Institute, Cleveland, OH 1980-1985 Lecturer, Department of Art, Lafayette College, Easton, PA SOLO EXHIBITIONS 2011-12 Howard Scott Gallery, New York, NY “Recent Silverpoint, Graphite and Encaustic Drawings” 2009 Monarch Contemporary, Seattle, WA 2008 Howard Scott Gallery, New York, NY “Meditations” 2007 Lafayette College, Easton, PA 2002 Lafayette College, Easton, PA 1994 Pamela Auchincloss Gallery, New York, NY 1992 Pamela Auchincloss Gallery, New York, NY 1991 Galerie Lelong, Paris, France* Compass Rose Gallery, Chicago, IL 1990 Gallery Kuranuki, Osaka, Japan, “Monotypes 1988-90” Galerie JMS, Oslo, Norway Galerie Malmgram, Goteburg, Sweden Galerie Lelong, New York, NY Pamela Auchincloss Gallery, New York, NY 1989 Asher/Faure, Los Angeles, CA Galerie Lelong, New York, NY Persons & Lindell Gallery, Helsinki, Finland, “Monotypes” 1988 Knoedler Gallery, London, England Galerie Hans Strelow, Düsseldorf, Germany Galerie Lelong, New York, NY 1987 Asher/Faure, Los Angeles, CA Lorence Monk Gallery, New York, NY, “Monotypes” Pamela Auchincloss Gallery, Santa Barbara, CA 1986 Germans Van Eck, New York, NY Cava Gallery, Philadelphia, PA Craig Cornelius Gallery, New York, NY 1985 Wolff Gallery, New York, NY 1984 John Davis Gallery, Akron, OH 1983 Artists Space, New York, NY 1981 Lafayette College, Easton PA 1979 Sarah Y. Rentschler, New York, NY, “Drawings” 1978 Sarah Y. Rentschler, New York, NY, “Drawings” SELECTED GROUP EXHIBITIONS 2012 “Emergence & Structure” University of Florida, Gainesville, FL 2012 “Emergence & Structure” Miami Dade College Museum of Art, Miami, FL 2012 “Emergence & Structure” Lafayette College, Easton PA 2012 Los Angeles Center for the Digital Arts, “10 Artist to Watch” Curated by Peter Frank 2012 Upstream Peoples Gallery, Omaha, NE, “All Media International Exhibition” 2012 48th Annual Faculty Exhibition, University of Florida, Gainesville, FL 2011 Los Angeles Center for the Digital Arts, “Snap to the Grid”, Los Angeles, CA 2011 47th Annual Faculty Exhibition, University of Florida, Gainesville, FL 2011 “Ephemera” The Deluce Gallery, Northwest Missouri State University, February 14- March 18th, Curated by Dan Keegan, Director of the Milwaukee Art Museum 2011 “21st National Drawing and Print Exhibition” Gormely Gallery, College of Notre Dame, Baltimore, MD. March-April 2010 “15x15” Alumni Show, The Maryland Institute College of Art, June-July 2010 2011 “Richerson 75 Small Works” Richerson School of Art, Kimberly, WI, January, 2011 2011 “13th Annual Faces International Exhibition” Upstream People Gallery, Juror: 2011 Laurence Bradshaw, University of Nebraska, Omaha, March 2011 2011 “Outside Inside” Google Works Center for the Arts, Reading, PA, Juror: Bruce Samuelson, PA Academy for the Arts, March-July 2011 2010 “21 National Drawing and Print Exhibition” Gormely Gallery, College of Notre Dame, Baltimore, MD, March-April, 2010 “The Digital Era” Climate Gallery, February-March 2010 2010 “Concatenation” Los Angeles Center for the Digital Arts, Curated by Rex Bruce, October 14-November 6 2010 Los Angeles Center for the Digital Arts, “Snap to the Grid” September 2010 2010 “12th Annual Abstraction International Exhibition” Juror: Laurence Bradshaw, University of Nebraska, Omaha, October 2009 45th Annual Faculty Exhibition, Harn Museum, Gainesville, FL, October 09- December10 “Summer Group Show” Howard Scott Gallery, New York, July 2009 Elon University, Small Works, December 8-Feburary 3, Elon, NC Climate Gallery, “die Zeit of Drawing”, December 5-27, New York, NY Upstream People Gallery, “7th Annual Color: Bold / Subtle”, December3/09- November10/2010 Los Angeles Center for the Digital Arts, “Snap to the Grid” September 2009 “New and Improved” Fall, 2009, Los Angeles CA Howard Scott Gallery, Summer Group Show, New York, NY, July 2009 Lafayette College, Summer Group Show, Easton, PA, July 2009 Site Gallery Open Reel, “Transparency” Curated by Michael Corris, Video, St Frideswide’s Farm Oxford England 2009 “7th Annual Color Exhibition” Uptown People Gallery, Omaha, NE December 2009 2009 “Naturally Nude” Ciro Gallery, Jackson, WY February 12-13, 2009 2008 Los Angeles Center for the Digital Arts, “Snap to the Grid”-Los Angeles, CA September 2008 University Gallery, “44th Annual Faculty Exhibition”, University of Florida, Gainesville, FL Williams Arts Center, “20th Year Anniversary Exhibition”, Lafayette College, Easton, PA Frederieke Taylor Gallery, “ECHO, IMPLANT, IMPRINT, REVERB”, Curated by Stephen Maine, May 2008, New York, NY Maryland Institute Collage of Art, “15 x 15” Alumni Exhibition, Baltimore, MD Los Angeles Center of the Digital Arts, “New and Improved” March-April 2008, Los Angeles, CA College of Visual Arts, “Revision, Reiteration, Recombination: Process and the Contemporary Print”, Curated by Leslie Wayne, March-April 2008, St. Paul, MN Fredericksburg Center for the Arts, “Fragments”, March 2-29 UFC Art Gallery, “Revision, Reiteration, Recombination: Process and the Contemporary Print”, Curated by Leslie Wayne, University of Central Florida, Orlando, FL, January 9-February 27, 2008 Slocumb Galleries, East Tennessee State University, “Positive/Negative”, January 28-February 15, 2008, Tennessee Los Angeles Center for the Digital Arts, “Snap to the Grid”, September 2007 Los 2007 Angeles, CA University Gallery, “43rd Annual Faculty Show” August 2007, Gainesville, FL Maryland Institute College of Art, “Alumni Exhibition”, May 2007, Baltimore, MD Neuberger Museum, “Benefit Drawing Exhibition”, March 4 Art Space, “Flat Files Benefit Exhibition”, April 2007, New Haven, Connecticut Harn Museum “5 Silverpoint Drawings” Curated by Kerry Oliver Smith March 20- August 20 2006 University Gallery, “42nd Annual Faculty Exhibition” January 2006, Gainesville, FL Los Angeles Center for the Digital Arts, “Snap to the Grid” Los Angeles, CA September 2006 Florence Lynch Gallery “Hypertexturalities (Architectures and Morphologies)” Curated by Lee Klein September 8-October 7 Lexington Arts League, “Photography Now”, Lexington KY, September 9-October 8 Fredericksburg Center for the Digital Arts, “Pencil It In”, Fredericksburg, VA, August 27 2005 Pace University Galleries, Peter Fingestin Gallery, Choate Gallery, and Pace Digital Arts Gallery, “Synthesis and Distribution: Experiments in Collaboration” November 1-December 31, New York, NY T.W. Wood Gallery, Union Institute & University, “Contemporary Drawing”, August 18-October 2, Montpelier, VT The Cambridge Art Association, “National Prize Show 2005”, Cambridge, MA, Juror: Joseph C. Thompson, Director, Massachusetts Museum of Contemporary Art (Mass MOCA), May-June 23* Los Angeles Center for the Digital Arts, “Top 40”, an international group show, Los Angeles, CA, Juror: Rex Bruce, Director LACDA, March 10-April 2* Maryland Institute College of Art, “15x15”, alumni exhibition, Baltimore, MD, May 28-June 19 Art Space, “5th Annual Benefit Show”, New Haven, CT, May Harn Museum, The 41th Annual Art Faculty Exhibition, Gainesville, FL January- March Wellington B. Grey Gallery, “Fourth Photography Image Biennial Exhibition”, East Carolina University, Greenville, NC, Juror: Maggie Taylor, January 21-February 20 2004-5 Art Space, “The Flatfiles”, New Haven, CT, January 2004-January 2005 2004 Los Angeles Center for the Digital Arts, “Snap to the Grid”, Los Angeles, CA, September Montpelier Cultural Arts Center, “Dialogue”, SPE-MA Exhibition, Montpelier, MD, September 8-October 28 California State Polytechnic University, “DPI Exhibition, Pomona, CA, Curator: Ann Klonirides, June 4-26 Peninsula Fine Arts Center, “BIENNIAL 2004”, Newport News, VA, September 4- October 31 Axel Raben Gallery, “Synthesis: Experiments in Collaboration”, New York, NY, July-August Lafayette College, “Made Here”, Easton, PA, June Bowdoin College Museum of Art, “Exquisite Corpses Today”, Brunswick, ME, April 2-June 6 The Maryland Federation of the Arts, “Drawing Conclusions 2004”, December 1-30 University Gallery, “40th Annual Faculty Exhibition”, Gainesville, FL 2003-4 Neuberger Museum of Art, “Breathless”, Purchase, NY, Curator: Dede Young, August 17- February 4 “The 39th Annual Art Faculty Exhibition”, in conjunction with Art Basel, Miami Beach, FL, Curator: Dr. Bernice Stein Baum, December 4-January 10 Art Space, “The Flatfiles”, New Haven, CT, April 30-March 04 University Gallery, “Thinking in Line”, University of Florida, Gainesville, FL, Cocurators: John Moore and Ron Janowich, November 4-January 10 2003 Grossman Gallery, “Synthesis: Experiments in Collaboration”, Lafayette College, Easton, PA, October 18-November 19 Long Beach Island Foundation of Arts and Sciences, “Photography and Digital Images”, Juried: Edward Earl, Curator of Digital Media, International Center of Photography, July 9-30 Workspace Gallery, “Resonance”, Soho, NY, Curator: Ken Buhler, Bard College, March University Gallery, “The 38th Annual Art Faculty Exhibition”, Gainesville, FL, January 2002-3 Side Show Gallery, “Peace”, Williamsburg, NY, Curator: Richard Timperio 2002 Untitled Space, “Soft”, New Haven, CT, Curator: Debbie Hess Maryland Institute College
Recommended publications
  • Jake Berthot
    Jake Berthot 1939 Born in Niagara Falls, NY 1941 Family moves to Clearfield, PA 1959 Moves to New York, NY 1960-61 Studies at New York School for Social Research, New York, NY 1960-62 Studies at Pratt Institute, Brooklyn, New York, NY Teaches at Cooper Union, New York, NY 1976 Venice Biennial, Venice, Italy 1981 Receives Guggenheim Fellowship 1982 Resident Artist, Skowhegan School, Skowhegan, ME Teaches at Yale University, New Haven, CT 1983 National Endowment for the Arts Grant 1992 Teaches at the School of Visual Arts, New York, NY Present Lives and works in Accord, NY One Person-Exhibitions 2006 “Ink Drawings: The Artist and Model,” Woodstock Byrdcliffe Guild, Woodstock, NY 2005 Betty Cuningham Gallery, New York, NY 2004 "Jake Berthot: 1968 - Present," Nielsen Gallery, Boston, MA 2002 “The Dark Paintings,” Nielsen Gallery, Boston, MA 2001 “Jake Berthot, New Paintings,” McKee Gallery, New York, NY 2002 "Landscape Paintings & Drawings," Nielsen Gallery, Boston, MA 1999 "Trees: Drawings and Texts," Humanities Gallery, The Cooper Union, New York, NY 1998 “Paintings and Drawings,” Nielsen Gallery, Boston, MA 1997 “New Paintings and Drawings,” McKee Gallery, New York, NY 1996 “Drawings,” McKee Gallery, New York, NY “Enamel Drawings," Nielsen Gallery, Boston, MA 1995 “Jake Berthot: The Red Paintings,” Nielsen Gallery, Boston, MA “Jake Berthot,” Jaffe-Friede and Strauss Galleries, Hopkins Center, Dartmouth College, Hanover, NH 1994 “Jake Berthot: The Kristin Paintings and Works on Paper,” David McKee Gallery, New York, NY “Jake Berthot : Paintings and Works on Paper,” David McKee Gallery, New York, NY 1992 “Jake Berthot - Paintings,” Toni Oliver Gallery, Sydney, Australia.
    [Show full text]
  • 1966 Born in Enugu, Nigeria Current Lives and Works in Philadelphia, PA
    ODILI DONALD ODITA 1966 Born in Enugu, Nigeria Current Lives and works in Philadelphia, PA Education 1990 Masters of Fine Art, Bennington College, Vermont Major in Painting, Minor in Sculpture and Drawing 1988 Bachelors of Fine Art (with distinction), Ohio State University; Excellence in the Arts Award, Major in Painting, Minor in Printmaking and Drawing Gallery Representation Jack Shainman Gallery, New York, New York Michael Stevenson Gallery, Cape Town, South Africa Selected Solo Exhibitions 2018 Other World, Michael Stevenson Gallery, Cape Town, South Africa, May 22 – June 30, 2018. Third Sun, Jack Shainman Gallery, New York, January 5, 2018 – February 10, 2018. 2016 Odili Donald Odita: The Differend, Curated by Robert C. Morgan and Michele Bonuomo, M77 Gallery, Milan, Italy, May 31 – September 17, 2016. 2015 Shadow & Light: Time Bridge, Nasher Museum of Art at Duke University, Durham, North Carolina, August 18, 2015 – October 1, 2017. Odili Donald Odita: Third Degree of Separation, Michael Stevenson Gallery, Cape Town, South Africa, March 5 – April 11, 2015. Odili Donald Odita: The Velocity of Change, Jack Shainman Gallery, New York, December 11, 2015 – January 30, 2016. 2014 Bridge, Center for the Arts at Virginia Tech, Blacksburg, VA. 2013 Infinite Horizon, George C. Young US Courthouse & Federal Building. This, That, and the Other, Jack Shainman Gallery, 513 West 20th Street, New York, October 18– November 16, 2013. 10 HAWTHORNE STREET SAN FRANCISCO CA 94105 TEL 415 781 4629 [email protected] BERGGRUEN.COM Grey, Beta Pictoris, Maus Contemporary Art, Birmingham, AL. 2012 Odili Donald Odita: Event Horizon. Michael Stevenson Gallery, Cape Town, South Africa, October 18–November 24, 2012.
    [Show full text]
  • Leslie Wayne on Sculpting Paint and Repairing What Is Broken
    Est. 1902 home • ar tnews • ar tists Artist Leslie Wayne on Sculpting Paint and Repairing What Is Broken BY FRANCESCA ATON June 15, 2021 5:57pm Artist Leslie Wayne (https://www.artnews.com/t/leslie-wayne/) molds and manipulates oil paint to create surfaces that blur the confines of painting and sculpture. Wayne found “an approach to [paint] that was very dimensional,” as she told Brooke Jaffe (https://www.artnews.com/t/brooke-jaffe/) in a recent interview for “ARTnews Live,” our ongoing IGTV series featuring interviews with a range of creatives. Wayne, the daughter of a concert pianist and a writer, began painting lessons at the age of 7 and lived in what she describes as a very open and “encouraging” household. Dissatisfied with the body of abstract geometric paintings featured in her first show—she says they felt formally rigorous but “hollow”—Wayne soon began integrating sculptural techniques into her paintings, which she says “helped me kind of build a vocabulary that was fresh and new to me.” It was then that Wayne realized “paint could be used like you would use any other material to build a work of art.” Her advice to aspiring artists is to “be courageous in the studio.” Wayne said her latest body of work, currently on view at Jack Shainman Gallery (https://www.artnews.com/t/jack- shainman-gallery/) in New York, was born from reflection. “I was looking inward as I gaze outside,” she wrote, referring to time spent indoors during the pandemic. Her paintings depict objects that she has been surrounded by in her studio, including work tables and rolling carts as well as stacks of marble that her husband, sculptor Don Porcaro, uses in his work.
    [Show full text]
  • Beverly Fishman B
    Beverly Fishman b. 1955 in Philidelphia, US Lives and works in Bloomfield Hills, MI EDUCATION MFA Yale University, New Haven, CT BFA Philadelphia College of Art, Philadelphia, PA SELECTED TEACHING EXPERIENCE 1992 Artist-in-Residence and Head of Painting, Cranbrook Academy of Art, Bloomfield Hills, MI 1988 Instructor, Maryland Institute, College of Art, Baltimore, MD (through 1992) 1983 Associate Professor, (adjunct) College of New Rochelle, Graduate Art School, New Rochelle, NY (through 1992) 1987 Visiting Assistant Professor, Connecticut College New London, CT GRANTS, AWARDS, AND FELLOWSHIPS, AND RESIDENCIES 2018 Anonymous Was A Woman Award 2015 Gapp Developmental Artist Residency, Toledo Museum of Art 2010 Toledo Museum of Art’s Guest Artist Pavilion Project 2010 Hassam, Speicher, Betts, and Symons Purchase Award, American Academy of Arts and Letters 2008 Kresge Eminent Artist Award (Nomination) 2005 John Simon Guggenheim Memorial Foundation Fellowship 2003 Louis Comfort Tiffany Foundation Award 1990 Artist Space Exhibition Grant 1989 NEA Fellowship Grant (through 1990) 1986 Artist Space Emergency Materials Fund 1979 Yale University Ford Foundation Special Project Grant Yale University Ford Foundation Summer Study Grant 1977 Philadelphia College of Art Weber Award for Excellence in Painting SOLO EXHIBITIONS 2020 I Dream of Sleep, Miles McEnery Gallery, New York, NY Monotypes, 2005-2006, Louis Buhl Gallery, Detroit, MI (upcoming) Studies on Relief, Kavi Gupta Gallery, Chicago, IL 2019 Fantastic Voyage, 1985-1987, Library Street Collective,
    [Show full text]
  • Berthot Press Release 2016
    Jake Berthot: In Color March 12 – April 23, 2016 Opening Saturday March 12th, 4 – 7 PM Celebrating the career of Jake Berthot, Betty Cuningham Gallery is pleased to open Jake Berthot: In Color on Saturday, March 12th, with a reception from 4 – 7 PM. The exhibition will include approximately 20 works dating from 1969 to 2014. As this is the first exhibition of Berthot’s work since his death in December of 2014, the Gallery chose to feature Nympha Red, a major work only once exhibited in 1988 at the Rose Art Museum (Brandeis University). Painted in 1969, Nympha Red measures 60 ½ x 210 inches and is the ‘sister painting’ to another major horizontal painting, Walken's Ridge, 1975-6, in the collection of the Museum of Modern Art. From these two paintings – painted early in his career – the titles alone indicate Berthot’s instinctive interest in both color and landscape. Berthot began exhibiting in the mid-1960s, at a time when Abstract Expressionism, Pop and Minimalism were part of the aesthetic environment. Berthot’s early work was geometric and the color was subdued. Over the following years, his color intensified and the underlying grid opened to include an oval (some thought a portrait or a head). In 1992, Berthot moved to upstate New York where he wrote a quote from Ralph Waldo Emerson on the wall of his new studio: We may climb into the thin and cold realm of pure geometry and lifeless science, or sink into that of sensation. Between these extremes is the equator of life, of thought, or spirit, or poetry – a narrow belt.
    [Show full text]
  • William Gropper's
    US $25 The Global Journal of Prints and Ideas March – April 2014 Volume 3, Number 6 Artists Against Racism and the War, 1968 • Blacklisted: William Gropper • AIDS Activism and the Geldzahler Portfolio Zarina: Paper and Partition • Social Paper • Hieronymus Cock • Prix de Print • Directory 2014 • ≤100 • News New lithographs by Charles Arnoldi Jesse (2013). Five-color lithograph, 13 ¾ x 12 inches, edition of 20. see more new lithographs by Arnoldi at tamarind.unm.edu March – April 2014 In This Issue Volume 3, Number 6 Editor-in-Chief Susan Tallman 2 Susan Tallman On Fierce Barbarians Associate Publisher Miguel de Baca 4 Julie Bernatz The Geldzahler Portfoio as AIDS Activism Managing Editor John Murphy 10 Dana Johnson Blacklisted: William Gropper’s Capriccios Makeda Best 15 News Editor Twenty-Five Artists Against Racism Isabella Kendrick and the War, 1968 Manuscript Editor Prudence Crowther Shaurya Kumar 20 Zarina: Paper and Partition Online Columnist Jessica Cochran & Melissa Potter 25 Sarah Kirk Hanley Papermaking and Social Action Design Director Prix de Print, No. 4 26 Skip Langer Richard H. Axsom Annu Vertanen: Breathing Touch Editorial Associate Michael Ferut Treasures from the Vault 28 Rowan Bain Ester Hernandez, Sun Mad Reviews Britany Salsbury 30 Programs for the Théâtre de l’Oeuvre Kate McCrickard 33 Hieronymus Cock Aux Quatre Vents Alexandra Onuf 36 Hieronymus Cock: The Renaissance Reconceived Jill Bugajski 40 The Art of Influence: Asian Propaganda Sarah Andress 42 Nicola López: Big Eye Susan Tallman 43 Jane Hammond: Snapshot Odyssey On the Cover: Annu Vertanen, detail of Breathing Touch (2012–13), woodcut on Maru Rojas 44 multiple sheets of machine-made Kozo papers, Peter Blake: Found Art: Eggs Unique image.
    [Show full text]
  • The Need for Speed in International Child Abduction Cases Page 48 SAVE the DATE
    Volume 67, Issue 5 The Need for Speed in International Child Abduction Cases page 48 SAVE THE DATE Annual Meeting & Convention September 23–25, 2021 HILTON MIAMI DOWNTOWN – MIAMI, FL Volume 67, Issue 5 EDITORIAL BOARD Editor in Chief Andrew Doyle [email protected] Immediate Past Editor in Chief Rachel Hughey [email protected] September/October 2020: Voting Law Associate Editor James W. Satola [email protected] Managing Editor Lynne G. Agoston (240) 404-6488 [email protected] Book Review Editor Caroline Johnson Levine Judicial Profile Editors Heaven Chee Hon. Noelle C. Collins Hon. Karoline Mehalchick Articles Editors Joanna Fox Sheila Hollis Christopher Lucca Bruce McKenna Anne Perry Dalmacio Posadas Elizabeth Turnbull Susan Yorke Columns Editor Arturo Bauermeister Senior Proof Editor SAVE THE DATE Hon. Donna Phillips Currault Proof Editors Sarika J. Angulo Ira Cohen Mary Hope Forsyth Peter M. Mansfield Soledad M. Valenciano 28 A Lawyer’s Deployment 48 The Need for Speed in The Federal Lawyer (ISSN: 1080-675X) to the Front Lines of the U.S.- International Child Abduction is published bimonthly six times per year Mexico Border by the Federal Bar Association, 1220 N. Cases Fillmore St., Ste. 444, Arlington, VA, 22201 Tel, (571) 481-9126, Fax (571) By Major Miguel R. Acosta By Robert E. Rains 481-9090, Email: [email protected]. Sub- scription Rates: $14 of each member’s dues is applied toward a subscription. Nonmember domestic subscriptions are 34 Agricultural Migrant The Coming Wave of $50 each per year; foreign subscriptions 54 are $60 each per year. All subscription Workers in Today’s America: prices include postage.
    [Show full text]
  • Nohra Haime Gallery
    NOHRA HAIME GALLERY LESLEY DILL Born 1950 Lives and works in Brooklyn, New York EDUCATION 1980 Maryland Institute College of Art, Baltimore, MD, M.F.A. 1974 Smith College, Northampton, MA, MAT 1972 Trinity College, Hartford, CT, B.A. AWARDS/GRANTS 2018 Lucie Foundation Grant Project on Shaker Art, Religion and Design, Fordham University, Bronx, NY 2017 John Simon Guggenheim Fellowship 2016 Artist-in-Residence, Fullerton College, CA 2014-15 Falk Visiting Artist Residency, University of North Carolina at Greensboro 2014 The McIlroy Family Visiting Professorship in the Performing and Visual Arts 2013 Milwaukee Institute of Art and Design, SGC International Lifetime Achievement in Printmaking Award 2010 Center for Book Arts Honoree 2008 Anonymous Was A Woman 2007 Rockefeller Foundation Multi Artists Production Award with Tom Morgan Maryland Institute of Art, Alumna Award 1996 Joan Mitchell Foundation Grant 1995 New York Foundation for the Arts, Drawing - Printmaking Category 1992 Project Residency Award, Hillwood Art Museum and New York State Council on Arts 1990 National Endowment for the Arts, Sculpture Fellowship 1984 Artist-in-Residence, Altos de Chavon, Dominican Republic 1983 Zaner Corporation Purchase Award from Small Works ‘83 SELECTED SOLO EXHIBITIONS 2021 “Wilderness: Words are where what I catch is me,” Figge Art Museum, Davenport, IA 2019 “Lesley Dill: Sculpture: 1994-2018,” Nohra Haime Gallery, New York “Lesley Dill: Wilderness,” Nohra Haime Gallery at ADAA The Art Show, New York 2018 “Wilderness: Words are where what I catch is me,” Nohra Haime Gallery, New York. Traveled to: Mattatuck Museum, Waterbury, CT, 2018; University Art Gallery, Central Michigan University, MI, 2018.
    [Show full text]
  • New Work on Paper I John Elderfield
    New work on paper I John Elderfield Author Elderfield, John Date 1981 Publisher The Museum of Modern Art Exhibition URL www.moma.org/calendar/exhibitions/2019 The Museum of Modern Art's exhibition history— from our founding in 1929 to the present—is available online. It includes exhibition catalogues, primary documents, installation views, and an index of participating artists. MoMA © 2017 The Museum of Modern Art NEW WORK ON PAPER JAKE BERTHOT DAN CHRISTENSEN ALAN COTE TOM HOLLAND YVONNE JACQUETTE KEN KIFF JOAN SNYDER WILLIAM TUCKER JOHN ELDERFIELD THE MUSEUM OF MODERN ART NEW YORK NEW WORK ON PAPER 1 Thisis the first in a seriesof exhibitionsorganized by The Museumof ModernArt, New York, each of whichis intendedto showa relativelysmall number of artists througha broadand representativeselection of their recentwork on paper.Emphasis is placedon newwork, with occasionalglances backward to earlierproduction where the characterof the art especially reguiresit, and on artists or kindsof art not seenin depth at the Museumbefore. Beyond this, no restrictionsare imposedon the series,which may include exhibitions devoted to heterogeneous and to highlycompatible groups of artists, and selectionsof workranging from traditional drawing to workson paper in mediaof all kinds.Without exception, however, the artists includedin each exhibitionare presentednot as a definitive selectionof outstandingcontemporary talents but as a choice, limitedby necessitiesof space, of only a fewof those whose achievementmight warrant their inclusion— and a choice, moreover,that is entirelythe responsibilityof the directorof the exhibition,who wished to share someof the interestand excite mentexperienced in lookingat newwork on paper. NEW WORK ON PAPER 1 JOHN ELDERFIELD THE MUSEUM OF MODERN ART, NEW YORK Copyright© 1981by The Museumof ModernArt TRUSTEES OF THE MUSEUM Jr.,Mrs.
    [Show full text]
  • Widening Circles | Photographs by Reginald Eldridge, Jr
    JOAN MITCHELL FOUNDATION MITCHELL JOAN WIDENING CIRCLES CIRCLES WIDENING | PHOTOGRAPHS REGINALD BY ELDRIDGE, JR. Widening Circles Portraits from the Joan Mitchell Foundation Artist Community at 25 Years PHOTOGRAPHS BY REGINALD ELDRIDGE, JR. Sonya Kelliher-Combs Shervone Neckles Widening Circles Portraits from the Joan Mitchell Foundation Artist Community at 25 Years PHOTOGRAPHS BY REGINALD ELDRIDGE, JR. Widening Circles: Portraits from the Joan Mitchell Foundation Artist Community at 25 Years © 2018 Joan Mitchell Foundation Cover image: Joan Mitchell, Faded Air II, 1985 Oil on canvas, 102 x 102 in. (259.08 x 259.08 cm) Private collection, © Estate of Joan Mitchell Published on the occasion of the exhibition of the same name at the Joan Mitchell Foundation in New York, December 6, 2018–May 31, 2019 Catalog designed by Melissa Dean, edited by Jenny Gill, with production support by Janice Teran All photos © 2018 Reginald Eldridge, Jr., excluding pages 5 and 7 All artwork pictured is © of the artist Andrea Chung I live my life in widening circles that reach out across the world. I may not complete this last one but I give myself to it. – RAINER MARIA RILKE Throughout her life, poetry was an important source of inspiration and solace to Joan Mitchell. Her mother was a poet, as were many close friends. We know from well-worn books in Mitchell’s library that Rilke was a favorite. Looking at the artist portraits and stories that follow in this book, we at the Foundation also turned to Rilke, a poet known for his letters of advice to a young artist.
    [Show full text]
  • FOR IMMEDIATE RELEASE April 10, 2012 Bridgette Mayer Gallery
    FOR IMMEDIATE RELEASE April 10, 2012 Bridgette Mayer Gallery announces its fourth exhibition of 2012: A combined show by artists Neil Anderson and Leslie Wayne In the Vault: Matthew Fischer Neil Anderson & Leslie Wayne: New Works will be on view May 2 – 26, 2012, with an opening reception Friday, May 4th 6:00 – 8:30 PM. PHILADELPHIA (Mar. 22, 2012) – Bridgette Mayer Gallery is pleased to present its first two person exhibition of distinguished contemporary abstract painter Neil Anderson and internationally acclaimed winner of the New York Foundation for the Arts Fellowship in Painting, Leslie Wayne. “New Works” will be on view from May 2 – 26, 2012. The exhibition will feature some of their most prominent recent works. Predominantly concerned with the flatness of the picture plane, Neil Anderson uses nonrepresentational formal expression as a means for intuitive improvisation during his painting process. Beginning by photographing random segments of organic objects and projecting them onto the canvas, Anderson then applies color to the fragmented web of outlined shapes in a series of continually refined layers. His large works, which are often comprised of two joined canvases with a center divide, draw viewers’ attention to the flatness of the medium. Through their two-dimensionality, the colors and the forms they create become the subject of the works. On his theory of color in his works, Neil Anderson states, “While each color has its own mass and density, that equality is always modified by the circumstance. For me colors have physical reality, which is structural rather than decorative.” Much like Anderson, Leslie Wayne believes in the corporal nature of color.
    [Show full text]
  • BETTY CUNINGHAM GALLERY Jake Berthot Paintings and Drawings
    BETTY CUNINGHAM GALLERY PRESS RELEASE IMMEDIATE RELEASE Jake Berthot Paintings and Drawings October 17- November 30, 2013 Opening Reception: Thursday, October 17, 6 – 8 PM “In an ugly time, Beauty is held in suspicion.” ~Jake Berthot, summer 2013 Betty Cuningham Gallery is pleased to announce an exhibition of new work by Jake Berthot including both paintings and drawings. This will be the artist’s fifth exhibition at the Gallery, located at 541 West 25th Street, New York, NY. The artist will be present for an opening reception on Thursday, October 17th, from 6 – 8 PM. Since the late 1960’s Jake Berthot has been known for his distinctive brushwork (an admirer of Milton Resnick), his characteristic softly-drawn line, his sensitive touch, his rich color, and his incorporation of the frame into his painting. These elements are found in his earlier, more formal, abstract work as well as in his recent subtle landscape paintings. The current exhibition includes approximately 16 paintings and 8 drawings, all completed in the last two years. Each painting or drawing, whether a broad landscape, a single tree or a still life, seem to coalesce into a single, deeply felt image. For example, in Coming Night and Ridge Line, both completed in 2013, a distant mountain emerges slowly in the light of a dark night space. Similarly, in Untitled (Tree), 2013 the tree which dominates the canvas comes into focus gradually from Berthot’s quiet touch. In the still-life, Table and Skull, 2012, the objects take form creating a poetic dialogue between object and paint.
    [Show full text]