CV RON JANOWICH [email protected] www.Ronjanowich.com (Painting & Drawing) www.Rjanowich (Photography) www.ronjanowichthaiprojects.com (Thai Projects) EDUCATION 1972 Master of Fine Art - Painting, Maryland Institute College of Art 1970 Bachelor of Fine Art - Painting, Maryland Institute College of Art
EMPLOYMENT HISTORY 2006-Present University of Florida, Gainesville, FL 1996 Visiting Artist, Department of Art, Ohio State University 1995 Visiting Artist, Department of Art, Cleveland Institute, Cleveland, OH 1980-1985 Lecturer, Department of Art, Lafayette College, Easton, PA
SOLO EXHIBITIONS
2011-12 Howard Scott Gallery, New York, NY “Recent Silverpoint, Graphite and Encaustic Drawings” 2009 Monarch Contemporary, Seattle, WA 2008 Howard Scott Gallery, New York, NY “Meditations” 2007 Lafayette College, Easton, PA 2002 Lafayette College, Easton, PA 1994 Pamela Auchincloss Gallery, New York, NY 1992 Pamela Auchincloss Gallery, New York, NY 1991 Galerie Lelong, Paris, France* Compass Rose Gallery, Chicago, IL 1990 Gallery Kuranuki, Osaka, Japan, “Monotypes 1988-90” Galerie JMS, Oslo, Norway Galerie Malmgram, Goteburg, Sweden Galerie Lelong, New York, NY Pamela Auchincloss Gallery, New York, NY 1989 Asher/Faure, Los Angeles, CA Galerie Lelong, New York, NY Persons & Lindell Gallery, Helsinki, Finland, “Monotypes” 1988 Knoedler Gallery, London, England Galerie Hans Strelow, Düsseldorf, Germany Galerie Lelong, New York, NY 1987 Asher/Faure, Los Angeles, CA Lorence Monk Gallery, New York, NY, “Monotypes” Pamela Auchincloss Gallery, Santa Barbara, CA
1986 Germans Van Eck, New York, NY Cava Gallery, Philadelphia, PA Craig Cornelius Gallery, New York, NY 1985 Wolff Gallery, New York, NY 1984 John Davis Gallery, Akron, OH 1983 Artists Space, New York, NY 1981 Lafayette College, Easton PA 1979 Sarah Y. Rentschler, New York, NY, “Drawings” 1978 Sarah Y. Rentschler, New York, NY, “Drawings”
SELECTED GROUP EXHIBITIONS
2012 “Emergence & Structure” University of Florida, Gainesville, FL 2012 “Emergence & Structure” Miami Dade College Museum of Art, Miami, FL 2012 “Emergence & Structure” Lafayette College, Easton PA 2012 Los Angeles Center for the Digital Arts, “10 Artist to Watch” Curated by Peter Frank 2012 Upstream Peoples Gallery, Omaha, NE, “All Media International Exhibition” 2012 48th Annual Faculty Exhibition, University of Florida, Gainesville, FL 2011 Los Angeles Center for the Digital Arts, “Snap to the Grid”, Los Angeles, CA 2011 47th Annual Faculty Exhibition, University of Florida, Gainesville, FL 2011 “Ephemera” The Deluce Gallery, Northwest Missouri State University, February 14- March 18th, Curated by Dan Keegan, Director of the Milwaukee Art Museum 2011 “21st National Drawing and Print Exhibition” Gormely Gallery, College of Notre Dame, Baltimore, MD. March-April 2010 “15x15” Alumni Show, The Maryland Institute College of Art, June-July 2010 2011 “Richerson 75 Small Works” Richerson School of Art, Kimberly, WI, January, 2011 2011 “13th Annual Faces International Exhibition” Upstream People Gallery, Juror: 2011 Laurence Bradshaw, University of Nebraska, Omaha, March 2011 2011 “Outside Inside” Google Works Center for the Arts, Reading, PA, Juror: Bruce Samuelson, PA Academy for the Arts, March-July 2011 2010 “21 National Drawing and Print Exhibition” Gormely Gallery, College of Notre Dame, Baltimore, MD, March-April, 2010 “The Digital Era” Climate Gallery, February-March 2010 2010 “Concatenation” Los Angeles Center for the Digital Arts, Curated by Rex Bruce, October 14-November 6 2010 Los Angeles Center for the Digital Arts, “Snap to the Grid” September 2010 2010 “12th Annual Abstraction International Exhibition” Juror: Laurence Bradshaw, University of Nebraska, Omaha, October 2009 45th Annual Faculty Exhibition, Harn Museum, Gainesville, FL, October 09- December10 “Summer Group Show” Howard Scott Gallery, New York, July 2009 Elon University, Small Works, December 8-Feburary 3, Elon, NC Climate Gallery, “die Zeit of Drawing”, December 5-27, New York, NY Upstream People Gallery, “7th Annual Color: Bold / Subtle”, December3/09-
November10/2010
Los Angeles Center for the Digital Arts, “Snap to the Grid” September 2009 “New and Improved” Fall, 2009, Los Angeles CA Howard Scott Gallery, Summer Group Show, New York, NY, July 2009 Lafayette College, Summer Group Show, Easton, PA, July 2009 Site Gallery Open Reel, “Transparency” Curated by Michael Corris, Video, St Frideswide’s Farm Oxford England 2009 “7th Annual Color Exhibition” Uptown People Gallery, Omaha, NE December 2009 2009 “Naturally Nude” Ciro Gallery, Jackson, WY February 12-13, 2009 2008 Los Angeles Center for the Digital Arts, “Snap to the Grid”-Los Angeles, CA September 2008 University Gallery, “44th Annual Faculty Exhibition”, University of Florida, Gainesville, FL Williams Arts Center, “20th Year Anniversary Exhibition”, Lafayette College, Easton, PA Frederieke Taylor Gallery, “ECHO, IMPLANT, IMPRINT, REVERB”, Curated by Stephen Maine, May 2008, New York, NY Maryland Institute Collage of Art, “15 x 15” Alumni Exhibition, Baltimore, MD Los Angeles Center of the Digital Arts, “New and Improved” March-April 2008, Los Angeles, CA College of Visual Arts, “Revision, Reiteration, Recombination: Process and the Contemporary Print”, Curated by Leslie Wayne, March-April 2008, St. Paul, MN Fredericksburg Center for the Arts, “Fragments”, March 2-29 UFC Art Gallery, “Revision, Reiteration, Recombination: Process and the Contemporary Print”, Curated by Leslie Wayne, University of Central Florida, Orlando, FL, January 9-February 27, 2008 Slocumb Galleries, East Tennessee State University, “Positive/Negative”, January 28-February 15, 2008, Tennessee Los Angeles Center for the Digital Arts, “Snap to the Grid”, September 2007 Los 2007 Angeles, CA University Gallery, “43rd Annual Faculty Show” August 2007, Gainesville, FL Maryland Institute College of Art, “Alumni Exhibition”, May 2007, Baltimore, MD Neuberger Museum, “Benefit Drawing Exhibition”, March 4 Art Space, “Flat Files Benefit Exhibition”, April 2007, New Haven, Connecticut Harn Museum “5 Silverpoint Drawings” Curated by Kerry Oliver Smith March 20- August 20 2006 University Gallery, “42nd Annual Faculty Exhibition” January 2006, Gainesville, FL Los Angeles Center for the Digital Arts, “Snap to the Grid” Los Angeles, CA September 2006 Florence Lynch Gallery “Hypertexturalities (Architectures and Morphologies)” Curated by Lee Klein September 8-October 7 Lexington Arts League, “Photography Now”, Lexington KY, September 9-October 8 Fredericksburg Center for the Digital Arts, “Pencil It In”, Fredericksburg, VA, August 27 2005 Pace University Galleries, Peter Fingestin Gallery, Choate Gallery, and Pace Digital Arts Gallery, “Synthesis and Distribution: Experiments in Collaboration” November 1-December 31, New York, NY
T.W. Wood Gallery, Union Institute & University, “Contemporary Drawing”, August 18-October 2, Montpelier, VT
The Cambridge Art Association, “National Prize Show 2005”, Cambridge, MA, Juror: Joseph C. Thompson, Director, Massachusetts Museum of Contemporary Art (Mass MOCA), May-June 23* Los Angeles Center for the Digital Arts, “Top 40”, an international group show, Los Angeles, CA, Juror: Rex Bruce, Director LACDA, March 10-April 2* Maryland Institute College of Art, “15x15”, alumni exhibition, Baltimore, MD, May 28-June 19 Art Space, “5th Annual Benefit Show”, New Haven, CT, May Harn Museum, The 41th Annual Art Faculty Exhibition, Gainesville, FL January- March Wellington B. Grey Gallery, “Fourth Photography Image Biennial Exhibition”, East Carolina University, Greenville, NC, Juror: Maggie Taylor, January 21-February 20 2004-5 Art Space, “The Flatfiles”, New Haven, CT, January 2004-January 2005 2004 Los Angeles Center for the Digital Arts, “Snap to the Grid”, Los Angeles, CA, September Montpelier Cultural Arts Center, “Dialogue”, SPE-MA Exhibition, Montpelier, MD, September 8-October 28 California State Polytechnic University, “DPI Exhibition, Pomona, CA, Curator: Ann Klonirides, June 4-26 Peninsula Fine Arts Center, “BIENNIAL 2004”, Newport News, VA, September 4- October 31 Axel Raben Gallery, “Synthesis: Experiments in Collaboration”, New York, NY, July-August Lafayette College, “Made Here”, Easton, PA, June Bowdoin College Museum of Art, “Exquisite Corpses Today”, Brunswick, ME, April 2-June 6 The Maryland Federation of the Arts, “Drawing Conclusions 2004”, December 1-30
University Gallery, “40th Annual Faculty Exhibition”, Gainesville, FL 2003-4 Neuberger Museum of Art, “Breathless”, Purchase, NY, Curator: Dede Young, August 17- February 4 “The 39th Annual Art Faculty Exhibition”, in conjunction with Art Basel, Miami Beach, FL, Curator: Dr. Bernice Stein Baum, December 4-January 10 Art Space, “The Flatfiles”, New Haven, CT, April 30-March 04 University Gallery, “Thinking in Line”, University of Florida, Gainesville, FL, Cocurators: John Moore and Ron Janowich, November 4-January 10
2003 Grossman Gallery, “Synthesis: Experiments in Collaboration”, Lafayette College, Easton, PA, October 18-November 19 Long Beach Island Foundation of Arts and Sciences, “Photography and Digital Images”, Juried: Edward Earl, Curator of Digital Media, International Center of Photography, July 9-30 Workspace Gallery, “Resonance”, Soho, NY, Curator: Ken Buhler, Bard College, March University Gallery, “The 38th Annual Art Faculty Exhibition”, Gainesville, FL, January 2002-3 Side Show Gallery, “Peace”, Williamsburg, NY, Curator: Richard Timperio 2002 Untitled Space, “Soft”, New Haven, CT, Curator: Debbie Hess Maryland Institute College of Art, “12x12”, Baltimore, MD 2001 Virtual Show, “The 36th Annual Art Faculty Exhibition” 2000 Ringling Museum of Art, “The 2000 Sarasota Biennial”, Sarasota, FL, July 28- November 5 Delaware Center for the Arts, “Ethereal and Material”, Wilmington, DE, Curator: Dede Young, September 21-November 21 The New York Studio School, “Painting Abstraction”, New York, NY, Reviewer: Robert Morgan March 2-April 8 Harn Museum of Art, “The 35th Annual Art Faculty Exhibition”, Gainesville, FL, January-April 1999 University Gallery, The 34th Annual Art Faculty Exhibition, Gainesville, FL Kingsborough Community College Art Gallery, “Variations in Constructed Paintings”, Brooklyn, NY, Curator: Thomas Nonn 1998 University Gallery, The 33rd Annual Art Faculty Exhibition, Gainesville, FL The Painting Center, “Peripheral Vision”, New York, NY, Curator: Mary Hambleton 1997 Newhouse Center for Contemporary Art, “After the Fall: Aspects of Abstract Painting 1970-Present”, Snug Harbor Cultural Center, New York, NY, Curator: Lilly Wei 1994 Pamela Auchincloss Gallery, “Shape”, New York, NY 1993 Lillian Heidenberg Gallery, New York, NY, Curator: Hugh Keenan 1992 Tennisport Arts, “Inaugural Exhibition”, Long Island City, NY, Curator: Christian Haub Galerie Lelong, “Ron Janowich and Frederic Thursz Transcendence and Immanence”, New York, NY Sert Gallery, “Collaboration in Monotype from the Garner Tullis Workshop”, Carpenter Center for the Visual Arts
1991 Galerie Lelong, “Painting”, New York, NY 1990 Paul Cava Gallery, Philadelphia, PA 1989 Nina Freudenheim Gallery, “Small Paintings”, Buffalo, NY Persons & Lindell Gallery, “Geometry and Abstraction” and “Evolution of Supremacist Thought” , Helsinki, Finland, Curator: Pamela Auchincloss Cheryl Haines Gallery, “Fundamental Abstraction”, San Francisco, CA, Curator: Kim Wauson Anne Plumb Gallery, “Nonrepresentation”, New York, NY, Curator: Jeremy Gilbert-Rolfe Gallery Urban, “Methods of Abstraction”, New York, NY Paul Cava Gallery, “Five Artists”, Philadelphia, PA Zolla/Lieberman Gallery, “Monotypes from the Garner Tullis Workshop”, Chicago, IL 1988 RuggierroHenis, “Seven Abstract Artists”, New York, NY, Curator: David Carrier Pamela Auchincloss Gallery, “Works on Paper: Garner Tullis Workshop”, New York, NY University Gallery, “Collaborations in Monotypes Garner Tullis Workshop”, Santa Barbara, CA, Curator: Phyllis Pious, Traveled to The Archer M. Huntington Art Gallery, Austin, TX and The Cleveland Museum of Art.* Anne Plumb Gallery, “Out of Order”, New York, NY, Curator: Christian Halb Dart Gallery, “Formal”, Chicago, IL* Metropolitan Museum of Art, “The 1980s: A New Generation”, New York, NY, Curator: William S. Lieberman 1987 Lorence Monk Gallery, New York, NY PS1, “Installation”, Long Island City, NY Asher/Faure, Los Angeles, CA Whitney Museum at the Equitable Center, “Generations of Geometry: Abstract Painting in America since 1930”, New York, NY 1986 Craig Cornelius Gallery, “Geometry Now”, New York, NY, Curator: Ruth Kaufmann* Galerie au Poisson Rouge, “Monotypes: Garner Tullis Workshop”, Praz, Switzerland* Acme Art, “Monotypes”, San Francisco, CA Linda Farris Gallery, “Current”, Seattle, WA Pratt Manhattan Gallery, “Spirit Tracks: Big Abstract Drawings”, New York, NY, Curators: Max Gimblett and Elanor Moretta Max Protetch Gallery, New York, NY
Marilyn Pearl Gallery, “Geometric Humanism in American Painting: 50’s and 80’s”, New York, NY Dart Gallery, Chicago, IL 1985 Tibor de Nagy Gallery, “Abstract Issues”, New York, NY, Curator: Steven Henry Madoff Jersey City Museum, “Mystery Show”, Jersey City, NJ, Curator: Andrea Belag Condesa/Lawler Gallery, “Invitational”, New York, NY, Curator: Tiffany Bell Charles Cowles Gallery, New York, NY, Curator: Christopher Ford Kamikaze, “The Non-Objective World”, New York, NY, Curator: Stephen Westfall
1984 Lafayette and Muhlenberg Colleges, “Small Works: New Abstract Painting”, PA, Curators: Ron Janowich and Tom Hudspith* Susan Montezinos Gallery, “Fifteen Abstract Artists”, Philadelphia, PA, Curator: Per Jensen Nina Freudenheim Gallery, “Drawings: New Dimensions”, Buffalo, NY New York Studio School, “Drawing with Respect to Painting”, New York, NY, Curator: David Reed Oscarsson Hood Gallery, “Invitational”, New York, NY 1983 Newcastle Polytechnic Art Gallery, Newcastle upon Tyne, England, Curator: Ellen Price Muhlenberg College for the Arts, “Contemporary Abstract Painting”, Allentown, PA, Curator: Tom Hudspith* 1981 Art Galaxy, “An Exhibition of Abstract Painting”, New York, NY, Curator: Craig Fisher 1979 Rosa Esman Gallery, “Painting and Sculpture”, New York, NY 1974 The Aldrich Museum of Contemporary Art, “Tenth Anniversary Exhibition”, Ridgefield, CT Jacobs Ladder Gallery, Washington, DC 1972 Jacobs Ladder Gallery, Washington, DC 1970 Baltimore Museum of Art, “Maryland Regional”, Baltimore, MD
CURATED EXHIBITIONS
2012 “Emergence & Structure” with Daniel Hill at: 1) Richard A. and Rissa W. Grossman Gallery, Lafayette College, Williams Visual Arts Building, Easton, PA; 2) Miami-Dade College Museum of Art + Design, University Gallery, Miami, FL; 3) University Gallery, School of Art and Art History, College of Fine Arts, University of Florida, Gainesville, FL
2004 “Synthesis: Experiments in Collaboration” with Marijn van der Heijden at Axel Raben Gallery, New York, Grossman Gallery, Lafayette College, Easton, PA and at University
Gallery, Pace University, New York, NY
2003 “Thinking in Line” with John Moore at University of Florida, Gainesville, FL
1983 “Small Works: New Abstract Painting” with Tom Hudspith at Lafayette College and Muhlenberg Colleges, PA
ORGANIZATIONAL MEMBERSHIPS
1999-Present College Arts Association
LECTURES AND PANELS
2005 CAA Annual Conference (2005) Atlanta, GA, “Drawing Dialogues”, Chair: Cheryl Goldsleger, Georgia State University, panel member (discussant)
Harn Museum, Gallery Talk on exhibited work in UF Faculty Show 2004 University of Florida, WARP “On Collaboration”, slide lecture
CAA Annual Conference (2004) Seattle, WA, “Mirroring Landscape”, Cochairs: Hearne Pardee and Gina Werfel, University of California-Davis, Department of Art, Paper on mirroring landscape in relation to digitally modified abstract imaging as a grounds for painting was accepted; however, due to illness, the paper was read at the conference by Gina Werfel, chair of the Art Department at UC-Davis 2003 Lecture to Community-based Arts Programs, Lafayette College, Easton, PA, approximately 20 in attendance
Public lecture and panel discussion with Merijn van der Heijden on collaborative art, Lafayette College, Easton, PA, approximately 80-100 in attendance
Public lecture with Professor John Moore of Skidmore College on our cocurated show “Thinking in Line”, University Gallery, University of Florida, Gainesville, FL, approximately 50 in attendance Public Lecture: “In Dialogue” with Dede Young, Director of The Neuberger Museum, Neuberger Museum of Art, Purchase College, State University of New York, Purchase, NY, approximately 100 in attendance Joint lecture with Merijn van der Heijden, “On Collaboration” ART 1208 WARP, University of Florida, Gainesville, FL
Gallery talk with Merijn van der Heijden on collaborative digital prints, University Gallery, University of Florida, Gainesville, FL, approximately 30 in attendance
2002 Public lecture on my work, Lafayette College, Easton PA, approximately 40 in attendance
Public lecture on my work, Southern Connecticut College, New Haven, CT, approximately 60 in attendance
Lecture to Advanced Painting students, Lafayette College, Easton PA, approximately 15 in attendance Studio visit of my work with Douglas Maxwell and his modern art class, New York University, New York, NY
2000 Public lecture/discussion on my work “Transparency: A Way of Seeing” New York Studio School, New York, NY, March 28, 2000
Noon lecture series, participant, Harn Museum, Gainesville, FL
BIBLIOGRAPHY Refereed-Journals: Janowich, Ron and Hill, Robin, “In Conversation: Robin Hill and Ron Janowich,” Other Voices, Vol. III: Cultural Recycling, Volume 3, Number 1 March 2007 Penn State University, PA ISSN-1094-2254 www.othervoices.org Janowich, Ron, “The Echo,” Notes on Abstraction in the Age of Anxiety edited by Marthe Keller, Journal of American Abstract Artists, Issue:pp20-21 also Painting reproduced on page 20-21, 2005 Nonrefereed Publications: Janowich, Ron and Daniel Hill, Curators Statement for “Emergence & Structure” exhibition, Miami-Dade College Museum of Art + Design, University of Florida, Gainesville and Lafayette College, Easton, PA, 2012 Mary Hambleton, “Hard Rain: The Late Works of Mary Hambleton”, Exhibition Catalogue, Purdue University Galleries, Purdue University, College of Liberal Arts. My original research “In Conversation: Mary Hambleton and Ron Janowich” on Mary Hambleton was used exclusively in quoting Mary Hambleton for this memorial exhibition. 2009 Janowich, Ron and Berthot, Jake, “In Conversation: Jake Berthot and Ron Janowich” The Brooklyn Rail, February 2006 Janowich, Ron and Hambleton, Mary, “In Conversation: Mary Hambleton and Ron Janowich” edited by Joan Waltamath, Brooklyn Rail Arts Editor, The Brooklyn Rail, March 2004, archived at www.thebrooklynrail.org/arts/march04/hambletonint.html Janowich, Ron and van der Heijden, Merijn, “Et Per Se, Inc,” Journal for the Arts, Vol. 1, Issue 1, Summer 2004, pp. 17, Reproduction: Untitled Digital Print #10 Janowich, Ron and Sisto, Elena, “In Conversation: Elena Sisto and Ron Janowich,” www.elenasisto.com, July 2002 Janowich, Ron, “After the Fall: Aspects of Abstract Painting Since 1970; Vol. I,” (Group Show Catalog), Snug Harbor Cultural Center, Staten Island, NY, March 27-September 7, 1997, pp. 134 Janowich, Ron and Kalina, Richard, “Ron Janowich,” (Solo Show Catalog), Interview with Richard Kalina, Pamela Auchincloss Gallery, New York, NY, 1992 Janowich, Ron, “Black Oil/Aspects of Dimensionality,” Issue 6: A Journal for Artists, Spring
1986, pp. 4-6
Reviews, Critical Articles, and Catalog Reproductions: • Art Meets Science at Lafayette, Channel 69 WFMZ TV, Report and review of E&S by Reporter Melanie Falcon, March 27, 2012 • Art at Lafayette, Exhibition Review of E&S in “Real Science” by Michael Bradbury April 4, 2012 • Howard Scott, Exhibition Gallery Statement for “Meditations”, New Paintings by Ron Janowich • Steven Maine, “Echo, Imprint, Reverb”, Curator’s Statement, Frederieke Taylor Gallery May 2008 • Robin Hill Multiplying the Variations, University Art Gallery California State University, Stanislaus. My interview with Robin Hill in the journal Cultural Recycling was Cited by Raphael Rubinstein as the basis of his catalogue essay on R, Hill, pp 6-7 • “From the Mayer’s Doorstep” by Piri Halasa , pirihome.mindspring.com review of “Hypertexturalities” collaborative painting cited in the review • Rhizone.org at the New Museum of Contemporary Art, Essay for Hypertexturalities at the Florence Gallery • Chelseaartgalleries.com, Essay for Hypertexturalities at the Florence Lynch Gallery
“The Cambridge Art Association National Prize Show,” (Group Show Catalog), The Cambridge Art Association, Cambridge, MA, May 5-June 23, 2005, p. 19 “Top 40,” (Press Release), www.lacda.com/juried/t40.html, 2005 • “East Carolina University School of Art and Design: 4th Photography Image Biennial Exhibition” (Group Show Catalog), Wellington B. Gray Gallery, January 21-February 20, 2005, p. 29 illus and 33 • Macintosh, Roger, “Art & Digital Imaging Technology: The Top 40 Show @ LACDA” (Group Show Review), homepage.mac.com/rger/reprint.gif, 2005 • St. John-Erickson, Mark, “PFAC Show Free From Genre Constraint,” (Group Show Review), Daily Press, October 17, 2004 • McGreevy, Linda, “A Chance to Show Off,” (Group Show Review), October 2004 • “Snap to the Grid,” (Website Listing), www.lacda.com, September 2004 • “Peninsula Fine Arts Center: Biennial 2004,” (Group Show Catalog), Peninsula Fine Arts Center, Newport News, VA, September 4-October 31, 2004 • “Dialogue: art. technology. imagery.,” (Group Show Catalog), Montpelier Cultural Arts Center and www.dialoguegallery.com, September 8-October 28, 2004 • “Digitally Propelled Ideas,” (Website Listing), www.csupomona.edu/~kellogg_gallery/DPI04/artists/heijden.html, September 2004 • “Synthesis: Experiments in Collaboration,” (Press Release), Axel Raben Gallery, New York, NY, July 2004 • “Williams Visual Arts Building Will Open Exhibit June 4 Featuring Work by Artists Who Created Art in Facility,” (Press Release), www.lafayette.edu/news.php/view/5749, June 3, 2004
• “Current Exhibits at the Neuberger,” (Group Show Review), The Harrison Report, Purchase, NY, February 13, 2004, p. 12 • Malecki, Alex, “Neuberger Exhibit Leaving Patrons 'Breathless'”, (Group Show Review), The Harrison Report, Purchase, NY, December 5, 2003, p. 2, 9 • “Thinking in Line: A Survey of Contemporary Drawing,” (Group Show Catalog), University Gallery, Gainesville, FL, November 4, 2003-January 10, 2004, p. 1 and 32 illus. • “Results of Nine Artist Collaborations will be Displayed Together for First Time at Lafayette's Williams Visual Arts Building October. 18-November 29,” (Press Release), October 7, 2003 • Stampleman, Arthur, “Art Round-Up: Neuberger Leaves Us Breathless,” (Group Show Review), The Rye Record, Purchase, NY, October 2, 2003, p. 22 • Genocchio, Benjamin, “An Ethereal World, Explored Breath by Breath,” (Group Show Review), The New York Times, New York, NY, September 21, 2003, p. 10 • “Don't Miss...” (Group Show Review), Time Out New York, New York, NY, August 21-28, 2003 • “Breathless at the Neuberger Museum of Art: August 17, 2003 - February 15, 2004,” (Press Release), Neuberger Museum of Art, Purchase, NY, July 22, 2003 • “Ethereal and Material,” (Group Show Catalog), September 21, 2000, p. 8, 20 illus. and 22 • Janowich, Ron, “After the Fall: Aspects of Abstract Painting Since 1970; Vol. I,” (Group Show Catalog), Snug Harbor Cultural Center, Staten Island, NY, March 27-September 7, 1997, pp. 65 illus, 134, and 172-173 • Carrier, David, “The Aesthete in the City: The Philosophy and Practice of American Abstract Painting in the 1980’s,” Pennsylvania State University Press, University Park, PA, 1994, pp. 191-203 • Carrier, David, (Review), Tema Celeste, Spring 1993, pp. 87-89, illus. • Gilbert-Rolfe, Jeremy, “Beyond Piety: Critical Essays, 1986-93,” Cambridge University Press, New York, NY, 1995, pp. 67-68 • Moorman, Margaret, “Painting,” (Review), ARTnews, November 1991, p. 134, illus. • Morgan, Robert, “Ron Janowich,” (Solo Show Review), Tema Celeste, Autumn 1991, p. 104, illus. • Wahl, Kenneth, “Ron Janowich,” (Solo Show Catalog), Galerie Lelong, Paris, 1991 • Carrier, David, (Review), Art International, Autumn 1990, p. 62, illus. • “Ron Janowich,” (Solo Show Catalog), Pamela Auchincloss Gallery, New York, NY, 1990 • Arkins, Robert, Art Speak, Abbeville Press, New York, NY, 1990, pp. 143 • Baker, Kenneth, “Abstract Gestures,” (Article), Artforum, September 1989, pp. 134-138, illus. • Galligan, Gregory, (Review), Art International, Autumn 1989, Vol. 8, pp. 54-55, illus. • Mahoney, Robert, (Review), Arts, September 1989, p. 99, illus. • Baker, Kenneth, “Forthright, Bold Abstracts,” (Review), San Francisco Chronicle, June 17, 1989
• Carrier, David, “Descriptive Abstraction,” (Article), Arts, December 1988, Vol. 63, No. 4 • Toepp, Wayne and Thompson, Walker, “Ron Janowich," Arts, September 1987, p 93, illus. • Ricahrdson, Elisabeth, “Ron Janowich,” (Solo Show Review), LA Weekly, June 5, 1987, Vol. 9, No. 28 • Gardner, Colin, “The Art Galleries,” (Solo Show Review), The Los Angeles Times, May 29, 1987, Part IV • Gilbert-Rolfe, Jeremy, “Non-Representation in 1988: Meaning-Production Beyond the Scope of the Pious,” Arts, May 1987, pp 3-7, illus. • Lazzari, Margaret R., “The Erosion of Abstraction,” Artweek (LA), May 9, 1987 • Carrier, David, “The Art of Writing,” (Article), New Observations, April 1987, No 47, illus. • Cohen, Ronny, “New Abstraction V,” The Print Collector’s Newsletter, March-April 1987 • Cohrs, Timothy, “Ron Janowich,” (Article), Arts, April 1, 1987, p. 106 • Raynor, Vivian, “Geometry Now,” (Group Show Review), The New York Times, October 24, 1986 • Larson, Kay, “Art,” (Show Review), New York Magazine, October 27, 1986 • Maschek, Joseph, “Abstract Ironies,” The New Leader, October 20, 1986 • “Spirit Tracks: Big Abstract Drawings,” (Group Show Catalog), Pratt Manhattan Gallery, New York, NY, February 1986, pp 24-25 • Arnason, H. H., “History of Modern Art (Third Edition, revised by Daniel Wheeler),” 1986, pp. 668 and 677 illus. • Holloway, Memory, “Garner Tullis Workshop Monotypes,” (Group Show Catalog), 1986, Galerie au Poisson Route, illus. • Kaufman, Ruth, “Geometry Now,” (Group Show Catalog), 1986 • Loughery, John, “Ron Janowich at Germans Van Eck,” (Solo Show Review), Arts, January 1986 • Madoff, Steven Henry, “The Return of Abstraction,” (Article), ARTnews, January 1986, pp. 82 illus and 84 • Madoff, Steven Henry, “Ron Janowich Painting 1986,” (Solo Show Catalog), Germans Van Eck, 1986 • Sozanski, Edward J., “At Cava Gallery Two Artists Exemplify New Abstraction,” (Group Show Review), Philadelphia Inquirer, January 16, 1986 • Madoff, Steven Henry, “Ron Janowich,” (Solo Show Review), ARTnews, Summer 1985, pp. 124-125 • Raynor, Vivian, "Abstract Relationships: Charles Cowles Gallery,” (Group Show Review), The New York Times (Weekend Section), July 5, 1985 • Raynor, Vivian, “Mystery Show,” (Group Show Review), The New York Times, June 2, 1985 • Bell, Tiffany, “Ron Janowich,” (Article), Arts, May 1985
• Glueck, Grace, (Solo Show Review), The New York Times (Weekend Section), March 1, July 26, 1985 • Donahue, Victoria, (Group Show Review), Philadelphia Inquirer, 1984 • “Small Works: New Abstract Painting,” (Group Show Catalog), Lafayette College and Muhlenberg Center for the Arts, 1984 • Shinn, Dorothy, “Ron Janowich,” (Solo Show Review), Beacon Journal, Akron, OH, 1984 • Gilbert-Rolfe, Jeremy, “The Current State of Non-Representation,” (Article), Visions Art Quarterly, Spring 1983, Vol. 3, No 2 pp 3-7, illus. • "Contemporary Abstracting Painting,” (Group Show Catalog), Muhlenberg College Center for the Arts, Allentown, PA, February 1983