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Chapter 1 Chapter 6 Chapter 7 Notes Chapter 1 1. For critical overviews of Poe’s work, we examined J. Lasley Dameron and Irby B. Cauthen’s Bibliography of Criticism and Eric Carlson’s chapter on “Tales of Psychal Confl ict” in his edited Companion to Poe Studies. A more recent effort to bring Poe Studies up to date may be found in Scott Peeples’s The Afterlife of Edgar Allan Poe. We also relied on the annual updates compiled in American Literary Scholarship. 2. In this section on “The Fall of the House of Usher” and its sources, we rely heavily on Thomas O. Mabbott’s discussion in his notes to the story found in Tales and Sketches, Vol. 1. 3. Burton Pollin suggests William Godwin’s Imogen, A Pastoral Romance (1784) as another source text that may have infl uenced “Usher,” though Thomas O. Mabbott doubts Poe ever saw this rare text. Chapter 6 1. Although we draw on Jung broadly in this chapter, we are very well aware that there is an ongoing, and useful, critical revision of his theories (often called post-Jungian studies). We do not trace out the implications of these revisions in this chapter, largely because we want our claims to stay fairly close to the Jungian ideas Bloch drew on. Not only did Bloch refer to Jungian ideas in Psycho, he also collected Jungian texts. In the Robert Bloch papers at the American Heritage Center at the University of Wyoming, one can readily browse books by and about Jung that Bloch owned. Chapter 7 1. It is probably fair to suggest that the critical evaluation of Rosemary’s Baby is still in an early phase. Nevertheless, our chapter draws on several readings of the text that we found helpful. For representative 176 Notes work that treats feminist themes, please consult the articles by Rhona Berenstein, Lucy Fischer, Sharon Marcus, and Karyn Vale- rius listed in the bibliography. For work that situates the novel within broader religious and textual concerns, see the work by Ronald Ambrosetti, Douglas Fowler, Robert Lima, and Maisie Pearson. For theological accounts of the “death of god” movement, please see the work of Thomas Alitzer and William Hamilton. Our approach to Rosemary’s Baby differs from these latter works in that we draw on Poe’s infl uence on Levin and on Levin’s interest in popular culture. 2. Levin’s description of the incarnate devil may well have been inspired by the demon depicted in Curse of the Demon, Jacques Tourneur’s 1958 horror fi lm about the investigation of devil wor- shippers in England. Tourneur’s demon is a large, leathery creature with wings, large claws, horns, and big, evil eyes shown a couple of times in extreme close-up. Another dimension of the fi lm that may have infl uenced Levin is the diffi culty characters have in believing in the genuine power of these devil cults in light of modern scientifi c attitudes until it is too late. Bibliography Abraham, Nicolas, and Maria Torok. The Shell and the Kernel: Renewals of Psychoanalysis, Vol. 1. Edited and translated by Nicholas T. Rand. Chicago: University of Chicago Press, 1994. Alitzer, Thomas J. J., ed. Toward a New Christianity: Readings in the Death of God Theology. New York: Harcourt, Brace and World, 1967. Alitzer, Thomas J. J., and William Hamilton. Radical Theology and the Death of God. New York: Bobbs-Merrill, 1966. Ambrosetti, Ronald J. “Rosemary’s Baby and Death of God Literature.” Keystone Folklore Quarterly 14 (Winter 1969): 133–41. Anderson, Quentin. The American Henry James. New Brunswick, NJ: Rutgers University Press, 1957. Bailey, Dale. American Nightmares: The Haunted House Formula in American Popular Fiction. Bowling Green, OH: Bowling Green State University Popular Press, 1999. Bakhtin, Mikhail. Rabelais and His World. Translated by Helene Iswolsky. Bloomington, IN: Indiana University Press, 1984. Berenstein, Rhona. “Mommie Dearest: Aliens, Rosemary’s Baby, and Mothering.” Journal of Popular Culture 24.2 (1990): 55–73. Bloch, Robert. The Complete Stories of Robert Bloch: Final Reckonings, Vol. 1. New York: Citadel Twilight, 1987. ———. Once Around the Bloch: An Unauthorized Autobiography. New York: Tor, 1993. ———. “Poe and Lovecraft.” In H. P. Lovecraft: Four Decades of Criticism, edited by S. T. Joshi, 158–60. Athens: Ohio University Press, 1980. ———. Psycho. New York: Tor, 1989. ———. “The Shambles of Ed Gein.” In The Quality of Murder, edited by Anthony Boucher, 216–24. New York: E. P. Dutton, 1962. Bloom, Clive. “Introduction: Death’s Own Backyard: The Nature of Modern Gothic and Horror.” In Gothic Horror: A Reader’s Guide from Poe to King and Beyond, edited by Clive Bloom, 1–22. London: Macmillan Press, 1998. Briggs, Julia. “The Ghost Story.” In A Companion to the Gothic, edited by David Punter, 122–31. Oxford: Blackwell, 2000. 178 Bibliography Buranelli, Vincent. Edgar Allan Poe. New York: Twayne, 1961. Burleson, Donald R. H. P. Lovecraft: A Critical Study. Westport, CT: Greenwood Press, 1983. Cancalon, Elaine D., and Antoine Spacagna, eds. Intertextuality in Literature and Film. Gainesville: University Press of Florida, 1988. Carlson, Eric W., ed. A Companion to Poe Studies. Westport, CT: Green- wood Press, 1996. Carroll, Noël. The Philosophy of Horror. New York: Routledge, 1990. Cavallaro, Dani. The Gothic Vision: Three Centuries of Horror, Terror, and Fear. New York: Continuum, 2002. Chevalier, Jean, and Alain Gheerbrant. The Penguin Dictionary of Sym- bols. Translated by John Buchanan-Brown. London: Penguin, 1996. Craven, Wayne. Sculpture in America. 1968. New York: Cornwall Books, 1984. Dameron, J. Lasley, and Irby B. Cauthen, Jr. Edgar Allan Poe: A Bibli- ography of Criticism, 1827–1967. Charlottesville: University Press of Virginia, 1974. Davison, Carol Margaret. “Haunted House/Haunted Heroine: Female Gothic Closets in ‘The Yellow Wallpaper.’” Women’s Studies 33 (2004): 47–75. Dickinson, Emily. The Letters of Emily Dickinson, Vol. 2. Edited by Thomas H. Johnson. Cambridge, MA: Harvard University Press, 1958. Dock, Julie Bates, Daphne Ryan Allen, Jennifer Palai, and Kristen Tracy. “‘But One Expects That’: Charlotte Perkins Gilman’s ‘The Yellow Wallpaper’ and the Shifting Light of Scholarship.” PMLA 111.1 (1996): 52–65. Douglas, Mary. Purity and Danger: An Analysis of Concepts of Pollution and Taboo. 1966. New York: Routledge, 2002. Edmundson, Mark. Nightmare on Main Street: Angels, Sadomasochism, and the Culture of Gothic. Cambridge, MA: Harvard University Press, 1997. E. H. B. “Haunted Houses.” Occult Review 3 (1906): 19–23. Fetterley, Judith. “Reading about Reading: ‘A Jury of Her Peers,’ ‘The Murders in the Rue Morgue,’ and ‘The Yellow Wallpaper.’” In The Captive Imagination: A Case Book on “The Yellow Wallpaper,” edited by Catherine Golden, 253–60. New York: Feminist Press, 1992. Fiedler, Leslie. Love and Death in the American Novel. New York: Merid- ian Books, 1960. Fischer, Lucy. “Birth Traumas: Parturition and Horror in Rosemary’s Baby.” Cinema Journal 31.3 (1992): 3–18. Foucault, Michel. The History of Sexuality, Vol. 1. Translated by Robert Hurley. New York: Random House, 1978. Fowler, Douglas. Ira Levin. Mercer Island, WA: Starmont, 1988. Bibliography 179 Frazer, Sir James. The New Golden Bough. Edited by Theodor H. Gaster. New York: Mentor, 1959. Freud, Sigmund. “A Special Type of Choice of Object Made by Men.” In The Freud Reader, edited by Peter Gay, 387–94. New York: W. W. Norton, 1989. ———. The Uncanny. New York: Penguin, 2003. Gilman, Charlotte Perkins. The Living of Charlotte Perkins Gilman: An Autobiography. New York: D. Appleton-Century, 1935. ———. “Why I Wrote ‘The Yellow Wallpaper’?” In Charlotte Perkins Gilman: “The Yellow Wallpaper,” edited by Dale M. Bauer, 348–49. New York: Bedford/St. Martin’s, 1998. ———. “The Yellow Wallpaper.” In Charlotte Perkins Gilman: “The Yellow Wallpaper,” edited by Dale M. Bauer, 41–59. New York: Bedford/St. Martin’s, 1998. Golden, Catherine J. Charlotte Perkins Gilman’s “The Yellow Wallpaper”: A Sourcebook and Critical Edition. New York: Routledge, 2004. Grusser, John. “Madmen and Moonbeams: The Narrator in ‘The Fall of the House of Usher.’” Edgar Allan Poe Review 5.1 (2003): 80–90. Hall, Joan Wylie. Shirley Jackson: A Study of the Short Fiction. New York: Twayne, 1993. Haney-Peritz, Janice. “Monumental Feminism and Literature’s Ances- tral House: Another Look at ‘The Yellow Wallpaper.’” In Charlotte Perkins Gilman: The Woman and Her Work, edited by Sheryl Meyer- ing, 95–107. Ann Arbor: UMI Research Press, 1989. Hattenhauer, Darryl. Shirley Jackson’s American Gothic. Albany: State University of New York Press, 2003. Hedges, Elaine R. “Afterword to ‘The Yellow Wallpaper,’ Feminist Press Edition.” In The Captive Imagination: A Case Book on “The Yellow Wallpaper,” edited by Catherine J. Golden, 123–36. New York: Feminist Press, 1992. Heller, Terry. The Delights of Terror: An Aesthetics of the Tale of Terror. Urbana and Chicago: University of Illinois Press, 1987. Henking, Susan E. “Jung and Feminism: Liberating Archetypes, by Demaris S. Wehr.” Book review. Journal for the Scientifi c Study of Religion. Hitchcock, Alfred. “Why I am Afraid of the Dark.” In Hitchcock on Hitchcock: Selected Writings and Interviews, edited by Sidney Gottlieb, 142–45. Berkeley: University of California Press, 1995. Hochman, Barbara. “The Reading Habit and ‘The Yellow Wallpaper.’” American Literature 74.1 (2002): 89–110. Hoeveler, Diane Long. “The Hidden God and the Abjected Woman in ‘The Fall of the House of Usher.’” Studies in Short Fiction 29.3 (1992): 385–95. 180 Bibliography Hoffmann, Daniel. Poe Poe Poe Poe Poe Poe Poe. New York: Avon Books, 1972. Holland-Toll, Linda J. “Bakhtin’s Carnival Reversed: King’s The Shining as Dark Carnival.” Journal of Popular Culture 33.2 (1999): 131–46. Holy Bible. Oxford: Oxford University Press, 1998. Howells, William Dean. The Great Modern American Stories: An Anthology. New York: Boni and Liveright, 1920. Hume, Beverly.
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