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Morton Feldman Recordings on Cd

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MORTON FELDMAN RECORDINGS ON CD Date Work Title Duration Label Issued CD-ID 194? [Composition] Philip Thomas 1:00 ANOTHER TIMBRE2019 at144x5 1943 First Piano Sonata [To Bela Bartok] Debora Petrina 5:51 OGREOGRESS 2003 OO2003a PRODUCTIONS 1944 Preludio Debora Petrina 2:28 OGREOGRESS 2003 OO2003a PRODUCTIONS 1945 Sonata for Violin and Piano Christina Fong, Paul Hersey 14:04 OGREOGRESS 2006 OO2003b PRODUCTIONS 1945 Self Portrait Debora Petrina 3:46 OGREOGRESS 2003 OO2003a PRODUCTIONS 1947 Only Rogers Covey-Crump 1:45 ECM NEW SERIES1996 ECM 1614/5 Joan La Barbara 1:28 NEW ALBION1996 NA085 CD Manon Heijne 1:24 ETCETERA1997 KTC 3003 Mira Zakai 1:00 IMA RECORDS2000 GC 10005 Keiko Hatanaka 1:46 TA RA GA2001 TRG-004 Marianne Pousseur 1:19 SUB ROSA2011 SR278 Debora Petrina 1:57 TUK MUSIC2015 TUK005 Lorna Windsor 1:37 BRILLIANT CLASSICS2018 CD 95791 Sara Stowe 1:26 METIER RECORDS2019 MSV 28593 www.cnvill.net/mfrecs.pdf Page 1 of 45 Last Updated: 9 May 2021 Date Work Title Duration Label Issued CD-ID 1947 Journey to the End of the Night Claron McFadden, The Barton 7:00 MODE RECORDS2002 MODE 107 Workshop 1948 Two Pieces [For Danny Stern] Karen Krummel, Paul Hersey 1:44 OGREOGRESS 2010 OO2008a PRODUCTIONS Marco Simonacci, Giancarlo 2:04 BRILLIANT CLASSICS2013 CD 9401 Simonacci 1949 Illusions Aki Takahashi 5:51 MODE RECORDS1996 MODE 54 Philip Thomas 5:37 ANOTHER TIMBRE2019 at144x5 195? For Cynthia Debora Petrina 0:41 OGREOGRESS 2003 OO2003a PRODUCTIONS 1950 Three Dances Debora Petrina 6:56 OGREOGRESS 2003 OO2003a PRODUCTIONS Siegfried Mauser 7:26 KAIROS2004 0012362KAI Philip Thomas 8:19 ANOTHER TIMBRE2019 at144x5 www.cnvill.net/mfrecs.pdf Page 2 of 45 Last Updated: 9 May 2021 Date Work Title Duration Label Issued CD-ID 1950 Projection 1 Frances-Marie Uitti 2:52 HAT HUT1992 hat ART CD 6101 Frances-Marie Uitti 5:12 BVHAAST1995 CD 9501 The Barton Workshop 2:48 ETCETERA1997 KTC 3003 The Turfan Ensemble, Philipp Vandré 3:42 MODE RECORDS2002 MODE 103 and Thaddeus Watson, directors The Barton Workshop 2:56 MODE RECORDS2005 MODE 146 Arne Deforce 2:52 AEON2009 AECD 0977 Michael Francis Duch (Version for 2:47 +3DB RECORDS2010 +3DB010 double bass) Marco Simonacci 3:18 BRILLIANT CLASSICS2013 CD 9401 Steuart Pincombe 4:08 7 MOUNTAIN 2020 7MNTN-019 RECORDS 1950 Two Intermissions Steffen Schleiermacher 2:64 HAT HUT1994 hat ART CD 6143 & hat[now]ART 138 Aki Takahashi 3:36 MODE RECORDS1996 MODE 54 The Turfan Ensemble, Philipp Vandré 2:53 MODE RECORDS1999 MODE 66 piano and director John Tilbury 2:48 LONDONHALL1999 DO 13 Paolo Wolfango Cremonte 3:28 FRAME2002 CD FR0138-2 Siegfried Mauser 2:54 KAIROS2004 0012362KAI Sabine Liebner 3:26 WERGO2012 WER 67472 Philip Thomas 2:58 ANOTHER TIMBRE2019 at144x5 Svetozar Ivanov 3:11 GEGA NEW2020 GD419 www.cnvill.net/mfrecs.pdf Page 3 of 45 Last Updated: 9 May 2021 Date Work Title Duration Label Issued CD-ID 1950 Piece for Violin and Piano The Turfan Ensemble, Philipp Vandré 2:14 MODE RECORDS1999 MODE 66 piano and director Stephen Clarke, Marc Sabat 1:55 MODE RECORDS2000 MODE 82/83 Christina Fong, Paul Hersey 1:49 OGREOGRESS 2006 OO2003b PRODUCTIONS Andreas Seidel, Steffen 1:55 MDG SCENE2012 MDG 613 1524-2 Schleiermacher John Tilbury and members of the Smith 1:54 MATCHLESS 2016 MRDVD-03 Quartet RECORDINGS 1951 Nature Pieces The Turfan Ensemble, Philipp Vandré 14:02 MODE RECORDS1999 MODE 66 piano and director Siegfried Mauser 18:08 KAIROS2004 0012362KAI Sabine Liebner 15:10 WERGO2012 WER 67472 Marino Formenti (This recording 1:48 KAIROS2015 0013292KAI includes Piece No 4 only) Philip Thomas 11:30 ANOTHER TIMBRE2019 at144x5 1951 Four Songs to e. e. cummings Claron McFadden, John Snijders, Job 3:05 WITTEN / WDR1990 WD90 ter Haar Claron McFadden, The Barton 3:15 MODE RECORDS2002 MODE 107 Workshop Petra Hoffmann, Lucas Fels, Jean- 3:06 RCA RED SEAL2005 74321 73627 2 Pierre Collot Paola Ronchetti, Marco Simonacci, 3:02 BRILLIANT CLASSICS2013 CD 9401 Giancarlo Simonacci www.cnvill.net/mfrecs.pdf Page 4 of 45 Last Updated: 9 May 2021 Date Work Title Duration Label Issued CD-ID 1951 Intermission 3 The Turfan Ensemble, Philipp Vandré 2:17 MODE RECORDS1999 MODE 66 piano and director Siegfried Mauser 1:42 KAIROS2004 0012362KAI Sabine Liebner 1:55 WERGO2012 WER 67472 Philip Thomas 1:53 ANOTHER TIMBRE2019 at144x5 Svetozar Ivanov 1:44 GEGA NEW2020 GD419 1951 Projection 2 The Barton Workshop 4:37 ETCETERA1997 KTC 3003 The Turfan Ensemble, Philipp Vandré 5:55 MODE RECORDS2002 MODE 103 and Thaddeus Watson, directors The Barton Workshop 4:43 MODE RECORDS2005 MODE 146 1951 Projection 3 The Barton Workshop 1:43 ETCETERA1997 KTC 3003 The Turfan Ensemble, Philipp Vandré 1:49 MODE RECORDS2002 MODE 103 and Thaddeus Watson, directors Kristine Scholz, Mats Persson 2:03 ALICE2002 ALCD 024 The Barton Workshop 2:01 MODE RECORDS2005 MODE 146 www.cnvill.net/mfrecs.pdf Page 5 of 45 Last Updated: 9 May 2021 Date Work Title Duration Label Issued CD-ID 1951 Projection 4 The Barton Workshop 4:27 ETCETERA1997 KTC 3003 Stephen Clarke, Marc Sabat 5:08 MODE RECORDS2000 MODE 82/83 The Turfan Ensemble, Philipp Vandré 5:18 MODE RECORDS2002 MODE 103 and Thaddeus Watson, directors The Barton Workshop 4:33 MODE RECORDS2005 MODE 146 Christina Fong, Paul Hersey 4:41 OGREOGRESS 2006 OO2003b PRODUCTIONS Matthew Raimondi, David Tudor 5:08 NEW WORLD 2007 80664-2 RECORDS Andreas Seidel, Steffen 4:45 MDG SCENE2012 MDG 613 1524-2 Schleiermacher John Tilbury and members of the Smith 3:56 MATCHLESS 2016 MRDVD-03 Quartet RECORDINGS 1951 Projection 5 The Barton Workshop 2:18 ETCETERA1997 KTC 3003 The Turfan Ensemble, Philipp Vandré 2:37 MODE RECORDS2002 MODE 103 and Thaddeus Watson, directors The Barton Workshop 2:27 MODE RECORDS2005 MODE 146 1951 Intersection 1 The Barton Workshop 12:40 MODE RECORDS2005 MODE 146 Deutsches Symphonie-Orchester 13:12 MODE RECORDS2011 MODE 238 Berlin, Brad Lubman cond. 1951 Three Ghost Like Songs and Interlude Petra Hoffmann, Ensemble Recherche 4:03 WITTEN / WDR2002 WD01 Petra Hoffmann, Andrew Digby, 3:32 RCA RED SEAL2005 74321 73627 2 Barbara Maurer, Jean-Pierre Collot www.cnvill.net/mfrecs.pdf Page 6 of 45 Last Updated: 9 May 2021 Date Work Title Duration Label Issued CD-ID 1951 Structures [for string quartet] Arditti String Quartet 6:29 MONTAIGNE1993 MO 782010 & MO 782139 Concord String Quartet 5:56 VOXBOX1995 CDX 5143 M. Raimondi, J. Rabushka, W. 5:19 NEW WORLD 2007 80664-2 Trampler, S. Barab RECORDS FLUX Quartet 5:55 MODE RECORDS2014 MODE 269/70 Arditti Quartet 7:11 BONITZ MUSIC 2016 BMN 20159 NETWORK 1951 Composition [8 little pieces] Arne Deforce, Yutaka Oya 4:18 AEON2009 AECD 0977 1951 Variations The Turfan Ensemble, Philipp Vandré 6:55 MODE RECORDS1999 MODE 66 piano and director Sabine Liebner 6:29 WERGO2012 WER 67472 Philip Thomas 6:57 ANOTHER TIMBRE2019 at144x5 1951 Music for the film "Jackson Pollock" The Turfan Ensemble, Philipp Vandré 2:33 MODE RECORDS1999 MODE 66 piano and director Ensemble Recherche 6:42 KAIROS2002 0012292KAI Grup Instrumental de València 5:35 ROZART2010 ARTS/IVAM002 1951 Marginal Intersection The Barton Workshop 6:02 MODE RECORDS2005 MODE 146 www.cnvill.net/mfrecs.pdf Page 7 of 45 Last Updated: 9 May 2021 Date Work Title Duration Label Issued CD-ID 1951 Intersection 2 Steffen Schleiermacher 12:05 HAT HUT1994 hat ART CD 6146 Frank Denyer 10:51 ETCETERA1997 KTC 3003 John Tilbury 7:59 LONDONHALL1999 DO 13 The Barton Workshop 11:01 MODE RECORDS2005 MODE 146 Philip Thomas 10:45 ANOTHER TIMBRE2019 at144x5 1951 Extensions 1 The Turfan Ensemble, Philipp Vandré 5:22 MODE RECORDS1999 MODE 66 piano and director Stephen Clarke, Marc Sabat 5:28 MODE RECORDS2000 MODE 82/83 Christina Fong, Paul Hersey 5:00 OGREOGRESS 2006 OO2003b PRODUCTIONS Matthew Raimondi, David Tudor 5:51 NEW WORLD 2007 80664-2 RECORDS Andreas Seidel, Steffen 6:22 MDG SCENE2012 MDG 613 1524-2 Schleiermacher John Tilbury and members of the Smith 6:28 MATCHLESS 2016 MRDVD-03 Quartet RECORDINGS 1952 Intermission 4 The Turfan Ensemble, Philipp Vandré 2:03 MODE RECORDS1999 MODE 66 piano and director Siegfried Mauser 1:35 KAIROS2004 0012362KAI Sabine Liebner 2:02 WERGO2012 WER 67472 Philip Thomas 2:00 ANOTHER TIMBRE2019 at144x5 Svetozar Ivanov 2:03 GEGA NEW2020 GD419 www.cnvill.net/mfrecs.pdf Page 8 of 45 Last Updated: 9 May 2021 Date Work Title Duration Label Issued CD-ID 1952 Intermission 5 Marianne Schroeder 3:54 HAT HUT1990 hat ART CD 6035 David Tudor 2:03 EDITION RZ1994 RZ 1010 Morton Feldman 3:42 EDITION RZ1994 RZ 1010 Steffen Schleiermacher 4:12 HAT HUT1994 hat ART CD 6143 & hat[now]ART 138 The Turfan Ensemble, Philipp Vandré 4:01 MODE RECORDS1999 MODE 66 piano and director John Tilbury 4:10 LONDONHALL1999 DO 13 Siegfried Mauser 3:39 KAIROS2004 0012362KAI Sabine Liebner 4:12 WERGO2012 WER 67472 Steven Osborne 4:24 HYPERION2016 CDA68108 Philip Thomas 3:11 ANOTHER TIMBRE2019 at144x5 1952 Extensions 3 Nils Vigeland 4:46 HAT HUT1992 hat ART CD 6101 Morton Feldman 7:55 EDITION RZ1994 RZ 1010 Aki Takahashi 6:43 MODE RECORDS1996 MODE 54 Tomoko Mukaiyama 5:54 * NO LABEL *1996 CD 9596 The Turfan Ensemble, Philipp Vandré 5:04 MODE RECORDS1999 MODE 66 piano and director John Tilbury 6:20 LONDONHALL1999 DO 13 Steffen Schleiermacher 5:34 MDG SCENE2012 MDG 613 1524-2 Sabine Liebner 7:54 WERGO2012 WER 67472 Steven Osborne 5:30 HYPERION2016 CDA68108 Philip Thomas 6:27 ANOTHER TIMBRE2019 at144x5 www.cnvill.net/mfrecs.pdf Page 9 of 45 Last Updated: 9 May 2021 Date Work Title Duration Label Issued CD-ID 1952 Piano Piece 1952 Steffen Schleiermacher 8:47 HAT HUT1994 hat ART CD 6143 & hat[now]ART 138 John Tilbury 3:35 LONDONHALL1999 DO 13 Sabine Liebner 7:51 WERGO2012 WER 67472
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  • Liner Notes, Visit Our Web Site

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    “Music of Our Time” When I worked at Columbia Records during the second half of the 1960s, the company was run in an enlightened way by its imaginative president, Goddard Lieberson. Himself a composer and a friend to many writers, artists, and musicians, Lieberson believed that a major record company should devote some of its resources to projects that had cultural value even if they didn’t bring in big profits from the marketplace. During those years American society was in crisis and the Vietnam War was raging; musical tastes were changing fast. It was clear to executives who ran record companies that new “hits” appealing to young people were liable to break out from unknown sources—but no one knew in advance what they would be or where they would come from. Columbia, successful and prosperous, was making plenty of money thanks to its Broadway musical and popular music albums. Classical music sold pretty well also. The company could afford to take chances. In that environment, thanks to Lieberson and Masterworks chief John McClure, I was allowed to produce a few recordings of new works that were off the beaten track. John McClure and I came up with the phrase, “Music of Our Time.” The budgets had to be kept small, but that was not a great obstacle because the artists whom I knew and whose work I wanted to produce were used to operating with little money. We wanted to produce the best and most strongly innovative new work that we could find out about. Innovation in those days had partly to do with creative uses of electronics, which had recently begun changing music in ways that would have been unimaginable earlier, and partly with a questioning of basic assumptions.
  • GEOFFREY TOZER in CONCERT Osaka 1994

    GEOFFREY TOZER in CONCERT Osaka 1994

    GEOFFREY TOZER IN CONCERT Osaka 1994 Mozart Concerto K 467 • Liszt Raussian Folk Song + Rigoletto + Nighingale Geoffrey Tozer in Concert | Osaka 1994 Osaka Symphony Orchestra Wolfgang Amedeus Mozart (1756-1791) Concerto for Piano and Orchestra no. 21 in C, K 467 1 Allegro 13’34” 2 Romance 6’40” 3 Rondo. Allegro assai 7’14” Franz Liszt (1811-1886) 4 Russian Folk Song 2’55” 5 Rigoletto 6’44” 6 Nightingale 4’04” Go to move.com.au for program notes for this CD, and more information about Geoffrey Tozer There are more concert recordings by Geoffrey Tozer … for details see: move.com.au P 2014 Move Records eoffrey Tozer was an artist of Churchill Fellowship (twice, Australia), MBS radio archives in Melbourne and the first rank, a consummate the Australian Creative Artists Fellowship Sydney, the BBC archives in London and musician, a concert pianist (twice, Australia), the Rubinstein Medal in archives in Israel, China, Hungary, and recitalist with few peers, (twice, Israel), the Alex de Vries Prize Germany, Finland, Italy, Russia, Mexico, Gpossessing perfect pitch, a boundless (Belgium), the Royal Overseas League New Zealand, Japan and the United musical memory, the ability to improvise, (United Kingdom), the Diapason d’Or States, form an important part of Tozer’s to transpose instantly into any key or (France), the Liszt Centenary Medallion musical legacy; a gift of national and to create on the piano a richly textured (Hungary) and a Grammy Nomination international importance in music. reduction of an orchestral score at sight. for Best Classical Performance (USA), Throughout his career Tozer resisted He was a superb accompanist and a becoming the only Australian pianist to the frequent calls that he permanently generous collaborator in chamber music.
  • Boston Symphony Orchestra Concert Programs, Summer, 1963-1964

    Boston Symphony Orchestra Concert Programs, Summer, 1963-1964

    TANGLEWOOD Festival of Contemporary American Music August 9, 10, 11, 12, 13, 1964 Sponsored by the Berkshire Music Center In Cooperation with the Fromm Music Foundation RCA Victor R£D SEAL festival of Contemporary American Composers DELLO JOIO: Fantasy and Variations/Ravel: Concerto in G Hollander/Boston Symphony Orchestra/Leinsdorf LM/LSC-2667 COPLAND: El Salon Mexico Grofe-. Grand Canyon Suite Boston Pops/ Fiedler LM-1928 COPLAND: Appalachian Spring The Tender Land Boston Symphony Orchestra/ Copland LM/LSC-240i HOVHANESS: BARBER: Mysterious Mountain Vanessa (Complete Opera) Stravinsky: Le Baiser de la Fee (Divertimento) Steber, Gedda, Elias, Mitropoulos, Chicago Symphony/Reiner Met. Opera Orch. and Chorus LM/LSC-2251 LM/LSC-6i38 FOSS: IMPROVISATION CHAMBER ENSEMBLE Studies in Improvisation Includes: Fantasy & Fugue Music for Clarinet, Percussion and Piano Variations on a Theme in Unison Quintet Encore I, II, III LM/LSC-2558 RCA Victor § © The most trusted name in sound BERKSHIRE MUSIC CENTER ERICH Leinsdorf, Director Aaron Copland, Chairman of the Faculty Richard Burgin, Associate Chairman of the Faculty Harry J. Kraut, Administrator FESTIVAL of CONTEMPORARY AMERICAN MUSIC presented in cooperation with THE FROMM MUSIC FOUNDATION Paul Fromm, President Alexander Schneider, Associate Director DEPARTMENT OF COMPOSITION Aaron Copland, Head Gunther Schuller, Acting Head Arthur Berger and Lukas Foss, Guest Teachers Paul Jacobs, Fromm Instructor in Contemporary Music Stanley Silverman and David Walker, Administrative Assistants The Berkshire Music Center is the center for advanced study in music sponsored by the BOSTON SYMPHONY ORCHESTRA Erich Leinsdorf, Music Director Thomas D. Perry, Jr., Manager BALDWIN PIANO RCA VICTOR RECORDS — 1 PERSPECTIVES OF NEW MUSIC Participants in this year's Festival are invited to subscribe to the American journal devoted to im- portant issues of contemporary music.