So Hard to Say Goodbye
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© 2017 Star Party Karaoke 17 Cross Canadian Ragweed 45 Shinedown 98.6 Keith 247 Artful Dodger Feat
Numbers Song Title © 2017 Star Party Karaoke 17 Cross Canadian Ragweed 45 Shinedown 98.6 Keith 247 Artful Dodger Feat. Melanie Blatt 409 Beach Boys, The 911 Wyclef Jean & Mary J Blige 1969 Keith Stegall 1979 Smashing Pumpkins, The 1982 Randy Travis 1985 Bowling For Soup 1999 Prince 1999 Wilkinsons, The 5678 Step #1 Crush Garbage 1, 2 Step Ciara Feat. Missy Elliott 1, 2, 3 Redlight 1910 Fruitgum Co 10 Days Late Third Eye Blind 10,000 Promises Backstreet Boys, The 100 Years Five For Fighting 100 Years From Now Huey Lewis & The News 100% Chance Of Rain Gary Morris 100% Pure Love Crystal Waters 16th Avenue Lacy J Dalton 18 & Life Skid Row 18 Till I Die Bryan Adams 18 Yellow Roses Bobby Darin 19-2000 Gorillaz 19th Nervous Breakdown Rolling Stones, The 2 Become 1 Spice Girls, The 20 Good Reasons Thirsty Merc 20th Century Fox Doors, The 21 Questions 50 Cent Feat Nate Dogg 24 Hours At A Time Marshall Tucker Band, The 24-7 Kevon Edmonds 25 Miles Edwin Starr 25 Minutes Michael Learns To Rock 25 Minutes To Go Johnny Cash 25 Or 6 To 4 Chicago 26 Cents Wilkinsons, The 29 Nights Danni Leigh 29 Palms Robert Plant 3 Strange Days School Of Fish 30 Days In The Hole Humble Pie 30,000 Pounds Of Bananas Harry Chapin 32 Flavours Alana Davis 4 In The Morning Gwen Stefani 4 Seasons Of Loneiness Boyz 2 Men 4 To 1 In Atlanta Tracy Byrd 4+20 Crosby, Stills, Nash & Young 42nd Street Broadway Show “42nd Street” 455 Rocket Kathy Mattea 4th Of July Shooter Jennings 5 Miles To Empty Brownstone 50,000 Names George Jones 50/50 Lemar 500 Miles (Away From Home) Bobby Bare -
English Song Booklet
English Song Booklet SONG NUMBER SONG TITLE SINGER SONG NUMBER SONG TITLE SINGER 100002 1 & 1 BEYONCE 100003 10 SECONDS JAZMINE SULLIVAN 100007 18 INCHES LAUREN ALAINA 100008 19 AND CRAZY BOMSHEL 100012 2 IN THE MORNING 100013 2 REASONS TREY SONGZ,TI 100014 2 UNLIMITED NO LIMIT 100015 2012 IT AIN'T THE END JAY SEAN,NICKI MINAJ 100017 2012PRADA ENGLISH DJ 100018 21 GUNS GREEN DAY 100019 21 QUESTIONS 5 CENT 100021 21ST CENTURY BREAKDOWN GREEN DAY 100022 21ST CENTURY GIRL WILLOW SMITH 100023 22 (ORIGINAL) TAYLOR SWIFT 100027 25 MINUTES 100028 2PAC CALIFORNIA LOVE 100030 3 WAY LADY GAGA 100031 365 DAYS ZZ WARD 100033 3AM MATCHBOX 2 100035 4 MINUTES MADONNA,JUSTIN TIMBERLAKE 100034 4 MINUTES(LIVE) MADONNA 100036 4 MY TOWN LIL WAYNE,DRAKE 100037 40 DAYS BLESSTHEFALL 100038 455 ROCKET KATHY MATTEA 100039 4EVER THE VERONICAS 100040 4H55 (REMIX) LYNDA TRANG DAI 100043 4TH OF JULY KELIS 100042 4TH OF JULY BRIAN MCKNIGHT 100041 4TH OF JULY FIREWORKS KELIS 100044 5 O'CLOCK T PAIN 100046 50 WAYS TO SAY GOODBYE TRAIN 100045 50 WAYS TO SAY GOODBYE TRAIN 100047 6 FOOT 7 FOOT LIL WAYNE 100048 7 DAYS CRAIG DAVID 100049 7 THINGS MILEY CYRUS 100050 9 PIECE RICK ROSS,LIL WAYNE 100051 93 MILLION MILES JASON MRAZ 100052 A BABY CHANGES EVERYTHING FAITH HILL 100053 A BEAUTIFUL LIE 3 SECONDS TO MARS 100054 A DIFFERENT CORNER GEORGE MICHAEL 100055 A DIFFERENT SIDE OF ME ALLSTAR WEEKEND 100056 A FACE LIKE THAT PET SHOP BOYS 100057 A HOLLY JOLLY CHRISTMAS LADY ANTEBELLUM 500164 A KIND OF HUSH HERMAN'S HERMITS 500165 A KISS IS A TERRIBLE THING (TO WASTE) MEAT LOAF 500166 A KISS TO BUILD A DREAM ON LOUIS ARMSTRONG 100058 A KISS WITH A FIST FLORENCE 100059 A LIGHT THAT NEVER COMES LINKIN PARK 500167 A LITTLE BIT LONGER JONAS BROTHERS 500168 A LITTLE BIT ME, A LITTLE BIT YOU THE MONKEES 500170 A LITTLE BIT MORE DR. -
Gary Stadden AMPS MIBS
Mobile: 07970 667937 / Films@59: 0117 9064334 [email protected] / [email protected] www.garystadden.com / www.filmsat59.com/people/gary-stadden Various Production Credits: Programme Client Broadcaster Format Entertainment: Turn Back Time: The High Street Wall To Wall BBC1 XDCam The Restaurant (1, 2 & 3) BBC BBC2 Hi Def 60 Minute Makeover (1 to 11) ITV Productions ITV1 Digi Beta Rosemary Shrager`s School For Cooks (1 & 2) RDF Media West ITV1 DVCam Dickinson’s Real Deal (3 to 10) RDF Media West ITV1 DVCam Live n Deadly BBC Bristol CBBC / BBC2 DVCam Sorcerer’s Apprentice Twenty Twenty BBC2 / CBBC DVCam James May’s Toy Stories Plum Pictures BBC2 Digi Beta Red or Black Syco ITV1 XDCam Come Dine With Me Granada London Channel 4 DVCam The X Factor / Xtra Factor Talkback Thames / Syco ITV1 / ITV2 Digi Beta Deal Or No Deal: Live Endemol West Channel 4 DVCam The Biggest Loser Shine TV ITV1 XDCam Grand Designs Talkback Thames Channel 4 XDCam Great Welsh Adventure With Griff Rhys Jones Modern Television ITV1 F5 / SD664 Homes Under The Hammer Lion Television BBC1 Digi Beta Dogs: Their Secret Lives (1 & 2) Arrow Media Channel 4 C300/SD664 Time Team Videotext Communications Channel 4 Digi Beta Ade In Britain Shiver ITV1 XDCam Dancing On Ice ITV Productions ITV1 Digi Beta Naomi’s Nightmares Of Nature BBC Bristol CBBC XDCam Escape To The Country Talkback Thames BBC2 DVCam The Apprentice (1 & 2) Talkback Thames BBC2 Digi Beta Britain’s Got Talent Talkback Thames / Syco ITV1 Digi Beta Celebrity Wedding Planner Renegade Picture Channel 5 XDCam Homes -
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00:00:00 Oliver Wang Host Hi everyone. Before we get started today, just wanted to let you know that for the next month’s worth of episodes, we have a special guest co-host sitting in for Morgan Rhodes, who is busy with some incredible music supervision projects. Both Morgan and I couldn’t be more pleased to have arts and culture writer and critic, Ernest Hardy, sitting in for Morgan. And if you recall, Ernest joined us back in 2017 for a wonderful conversation about Sade’s Love Deluxe; which you can find in your feed, in case you want to refamiliarize yourself with Ernest’s brilliance or you just want to listen to a great episode. 00:00:35 Music Music “Crown Ones” off the album Stepfather by People Under The Stairs 00:00:41 Oliver Host Hello, I’m Oliver Wang. 00:00:43 Ernest Host And I’m Ernest Hardy, sitting in for Morgan Rhodes. You’re listening Hardy to Heat Rocks. 00:00:47 Oliver Host Every episode we invite a guest to join us to talk about a heat rock. You know, an album that’s hot, hot, hot. And today, we will be taking a trip to Rydell High School to revisit the iconic soundtrack to the 1978 smash movie-musical, Grease. 00:01:02 Music Music “You’re The One That I Want” off the album Grease: The Original Soundtrack. Chill 1950s rock with a steady beat, guitar, and occasional piano. DANNY ZUKO: I got chills, they're multiplying And I'm losing control 'Cause the power you're supplying It's electrifying! [Music fades out as Oliver speaks] 00:01:20 Oliver Host I was in first grade the year that Grease came out in theaters, and I think one of the only memories I have about the entirety of first grade was when our teacher decided to put on the Grease soundtrack onto the class phonograph and play us “Grease Lightnin’”. -
The Rite of Sodomy
The Rite of Sodomy volume iii i Books by Randy Engel Sex Education—The Final Plague The McHugh Chronicles— Who Betrayed the Prolife Movement? ii The Rite of Sodomy Homosexuality and the Roman Catholic Church volume iii AmChurch and the Homosexual Revolution Randy Engel NEW ENGEL PUBLISHING Export, Pennsylvania iii Copyright © 2012 by Randy Engel All rights reserved Printed in the United States of America For information about permission to reproduce selections from this book, write to Permissions, New Engel Publishing, Box 356, Export, PA 15632 Library of Congress Control Number 2010916845 Includes complete index ISBN 978-0-9778601-7-3 NEW ENGEL PUBLISHING Box 356 Export, PA 15632 www.newengelpublishing.com iv Dedication To Monsignor Charles T. Moss 1930–2006 Beloved Pastor of St. Roch’s Parish Forever Our Lady’s Champion v vi INTRODUCTION Contents AmChurch and the Homosexual Revolution ............................................. 507 X AmChurch—Posing a Historic Framework .................... 509 1 Bishop Carroll and the Roots of the American Church .... 509 2 The Rise of Traditionalism ................................. 516 3 The Americanist Revolution Quietly Simmers ............ 519 4 Americanism in the Age of Gibbons ........................ 525 5 Pope Leo XIII—The Iron Fist in the Velvet Glove ......... 529 6 Pope Saint Pius X Attacks Modernism ..................... 534 7 Modernism Not Dead— Just Resting ...................... 538 XI The Bishops’ Bureaucracy and the Homosexual Revolution ... 549 1 National Catholic War Council—A Crack in the Dam ...... 549 2 Transition From Warfare to Welfare ........................ 551 3 Vatican II and the Shaping of AmChurch ................ 561 4 The Politics of the New Progressivism .................... 563 5 The Homosexual Colonization of the NCCB/USCC ....... -
2015 ANNUAL REPORT Strengthening Families Alleviating Hunger Preventing Homelessness Welcoming the Stranger
2015 ANNUAL REPORT Strengthening Families Alleviating Hunger Preventing Homelessness Welcoming the Stranger We don’t ask if you’re Catholic. We ask how we can help. Mission Motivated by the teachings and love of Jesus Christ, Catholic Charities of Dallas serves, advocates for, and empowers people in need regardless of race, religion, age, gender or national origin and calls the community to action. Values In pursuing our mission, these values guide our relationship with takeholders,s including donors, volunteers, agencies, employees, clients and the communities we serve. We value: Compassion — For our clients, our partners and among ourselves Performance and Accountability — The way we approach each task Commitment We passionately join forces with Catholic Charities USA, the Texas Catholic Conference and our sister Catholic Charities in Texas, Pastoral Center, parishes and Catholic entities of the Diocese and other community social services partner agencies to provide programs designed to cut poverty and the destructive forces that it creates in the family and community at large. Dear Friends of Catholic Charities, So many of the people we serve at Catholic Charities of Dallas say that the most important thing we give them is hope of a better life. On behalf of our incredible employees, Board and generous donors, more than 30,000 lives were touched by our programs this past year – more than 30,000 people experienced hope. For over 125 years, Catholic Charities has served thousands of poor and vulnerable people in need by alleviating hunger, preventing homelessness, providing resources to strengthen families and welcoming newcomers to our community. This year, it is clear that our growing role in helping people break the cycle of poverty across Greater Dallas took center stage. -
Orantes the Monthly Newsletter of the Office for Worship of the Diocese of Worcester NOVEMBER 2019
Orantes The monthly Newsletter of the Office for Worship of the Diocese of Worcester NOVEMBER 2019 OFFICE FOR WORSHIP 38 High Street Worcester, MA 01609 Liturgical Celebrations for 508-798-0417 [email protected] November 1-3, 2019 MonsignorJames P. Moroney In recent weeks, the Office for Worship has received several Director inquiries concerning the scheduling of Vigil Masses for Elizabeth Marcil November first and second this year, and the proper celebrations Associate Director for each of those vigils. Deacon Colin Novick Assistant Because “the celebration of Sunday and of Solemnities begins already on the evening of the previous day,”1 both the the Solemnity of All Saints and the Thirty-first Sunday in Ordinary Time begin with the vigil Mass. Because the Commemoration of All the Faithful Departed is of a lower rank within number 3 of the Table of Liturgical days, the Mass on Friday evening is for the Solemnity of All Saints. 1 Universal Norms on the Liturgical Year and the General Roman Calendar, no. 3. It should also be noted that the use of the Ritual Mass for the celebration of Marriage is forbidden on both All Saints’ (because it is a day of obligation,2 and All Souls’ Day.3 Likewise, the use of the Funeral Mass is prohibited on All Saints’ Day because it is a Holy Day of obligation.4 In summary: The Solemnity of All Saints This solemnity, which is a Holy Day of Obligation this year, begins with the vigil Mass on Thursday night. Neither the Ritual Mass for the celebration of Marriage nor the Funeral Mass may be celebrated. -
MASS INTENTIONS – 2019 SATURDAY, NOVEMBER 2 (All
MASS INTENTIONS – 2019 THIS WEEK IN OUR PARISH SATURDAY, NOVEMBER 2 (All Souls) SATURDAY, NOVEMBER 2 (All Souls) 4:00pm Remembrance for Parish Deceased Mass………………………………………………………..4:00pm Antonina Kotomski New Altar Server Class…………………………...11:00am Sacrament of the Sick aer Mass SUNDAY, NOVEMBER 3 (All Souls) My Brother’s Keeper Food Collecon at Mass (Daylight Savings Time– Fall back 1 hour) 7:30am Remembrance for Parish Deceased SUNDAY, NOVEMBER 3 (All Souls) Melba Sanford (Daylight Savings Time– Fall back 1 hour) by Nutrion Dept. & Staff Mass………………………………………...7:30am, 10:00am 10:00am Remembrance for Parish Deceased My Brother’s Keeper Food Collecon at all Masses Thomas & Dorothy Mamos Sister Village Coffee Shop…………………7:30‐9:30am by family CCD PreK‐K……………………………………..9:50‐11:00am CCD Gr. 1 (Includes Mass)……………….9:00‐11:00am MONDAY, NOVEMBER 4 CCD Gr. 10 (Includes Mass)…………...10:00am‐Noon 9:30am Daily Mass MONDAY, NOVEMBER 4 TUESDAY, NOVEMBER 5 Food Pantry………………………………….10:00am‐Noon 9:30am Daily Mass CCD (Grs. 2‐3‐4‐5)…………………………….4:30‐5:45pm CCD (Grs. 6‐7‐8‐9‐10)………………………..6:15‐7:30pm WEDNESDAY, NOVEMBER 6 10:00am Mass at Sterling Village TUESDAY, NOVEMBER 5 Noon Daily Mass + Soup Luncheon CCD (Grs. 2‐3‐4‐5)…………………………….4:30‐5:45pm Jean Condon by Rosalie Allen CCD (Grs. 6‐7‐8‐9‐10)………………………..6:15‐7:30pm SATURDAY, NOVEMBER 9 WEDNESDAY, NOVEMBER 6 4:00pm Jimmy Sylvester by Rosalie Allen Yoga……………………………………………….9:30‐10:30am CCD Pre‐School (CGS)…………………...10:30am‐Noon SUNDAY, NOVEMBER 10 Mass + Soup Luncheon……………………………....Noon 7:30am Brian O’Connell by Nutrion Dept. -
May 2018 from the EDUCATIONAL SCHOOL LEADER
SANCTA MARIA COLLEGE NEWSLETTER Newsletter No. 04 May 2018 FROM THE EDUCATIONAL SCHOOL LEADER Dear Parents/Whanau/Caregivers Upcoming The Feast of the Visitation Significant Next Thursday, Bishop Patrick Dunn will lead our school in our Events Feast Day Mass, the Feast of the Visitation. Our Mother of God, May Mary, joyfully visited her cousin Elizabeth and both of them 28th – BOT Meeting at 6 experienced the wonder of the child within her; God incarnate. pm in the staffroom 29th – Paid Union Here we experience Mary as our Mother of Mercy. We are blessed Meeting – School closes as a Church in that we can rightfully call Mary, our Mother of Mercy, due to her status at 12.25 pm as a most worthy recipient of God’s special grace. She was created to be the 31st – Feast Day Mass at masterpiece of His Mercy in the world and this special gift of grace within her was the 10.00 am in the foundation of His whole work of mercy in the world through Christ. Everything about Auditorium Mary was fashioned by Divine Mercy and for the work of Divine Mercy. No other creature, therefore, so completely manifests God’s mercy as June th does Mary Immaculate. 4 - Queen’s Birthday 5th - Teacher Only Day We remember Our Lady’s words to St Brigid of Sweden (Rev. 6th – 9th - School 1.6, c. 10): “I am the Queen of Heaven and the Mother of Production at the Mercy; I am the joy of the just, and the door through which Vodafone Events Centre 25th - BOT Meeting at sinners are brought to God”. -
View, I Was Struck by His Lively Mind, Intellectual Curiosity, and the Penetrating Way He Expressed His Ideas
22 American Antiquarian Society Case: Its Significance in American Law and Politics was called by C. Vann Woodward 'probably the most thorough study of any Supreme Court decision undertaken.' Born in Sterling, Illinois, near the Lincoln Highway and the first in his family ever to graduate from high school, Eehren- bacher lefr Cornell College in Iowa in Eebruary 1943, afrer com- pleting two and a half years, to fly more than thirty combat mis- sions over Germany as a member of the Army Air Corps. After the war, he returned to Cornell, graduated in 1946, and went on to take his doctorate from the University of Chicago. This was made possible financially by the G.I. Bill of Rights. He began his teaching career at Coe College. In 1953 he joined the history fac- ulty at Stanford University (at a salary of $4,500), where he served thirty-one years before his redrement in 1984. That year, he was elected to membership in AAS. Six months before his death Professor Eehrenbacher received the $50,000 Lincoln Prize for his lifedme achievement in Civil War studies. He is survived by his wife, Virginia, with whom he collaborated on Recollected Words of Abraham Lincoln, a collecdon of 1,900 quotadons attributed to Lincoln by more than 500 of his contemporaries, their two daughters, and a son. Jay Eliegelman RICHARD CARNEY HIGGINS Dick Higgins represented a profile in courage. Stricken with po- lio at seventeen, paralyzed from the neck down, and living out of a hospital room for the remaining forty-three years of his life, he batded against incredible odds to become a budding scholar and college teacher. -
Making Over the Talent Show.” in Palmer, Gareth
Pre-publication manuscript of: Redden, G. (2008). “Making Over the Talent Show.” In Palmer, Gareth. 1 (ed), Exposing Lifestyle Television: The Big Reveal. Ashgate, pp 129-144. Making over the Talent Show One of the concerns of recent studies of popular television has been to try to develop understandings of cultural democratisation (Holmes and Jermyn 2004, 9). Much contemporary lifestyle programming revolves around the illustration of good, beneficial choices in the lives of those who act as participants. Of great importance is the characterisation of the people on whom these discourses depend: in the main they are so- called ordinary people who become the focus of scrutiny. This category does not simply arise from marking of persons in terms of class, race, gender, or sexuality so as to equate citizens with normative social identities. The ordinariness at stake is better thought of as a kind of layperson status. Members of the public are shown going about their everyday lives. Their televisual interest is predicated on their initial lack of qualification or complete competence in some aspect of life, and it is this that warrants the intervention of their counterparts: the experts whose advice enables a process of apparent improvement that is the very core of the shows. As Lisa Taylor puts it with reference to gardening television, ‘ordinari-ization’ strategies ‘construct a discourse of lifestyle achievability and accessibility’ (2002, 480). Experts act as counsellors, assisting their clients in fulfilling their stated desires. In the course of this their superior professional knowledge in matters of taste and behaviour is redistributed to the participants, and by extension to the viewing population as a whole. -
Grease Is the Word Dancesing Lyrics.Pages
GREASE IS THE WORD from the musical Grease VERSE I solve my problems and I see the light 1 We got a - lovin' thing we gotta feed it right There ain't no danger we can go too far We start believin’ now that we can be who we are Grease is the word! VERSE They think our love is just a growin’ pain 2 Why don't they - understand it's just a cryin’ shame Their lips are lyin’ only real is real We stop the fight - right now, we gotta be what we feel Ch 1 2 & 3: Grease is the word (1: Grease is the word, is the word that you heard) All: It’s got groove it's got meanin’ Grease is the time, is the place, is the motion And grease is the way we are feelin’ 1: 2: 3: VERSE Ooh — ooh-wah! We take the pressure and we throw away Ooh — ooh-wah! 3 Ooh-wah! Ooh. Convention — Ality belongs to yesterday Ooh-wah! Ooh. Ooh —ooh — ooh-wah! There is a chance that we can make it so far Ooh —ooh — ooh-wah! Ooh-wah! We start believin’ now Ooh-wah! That we can be who we are Ch 2 2 & 3: Grease is the word (1: Grease is the word, is the word that you heard) All: It’s got groove it's got meanin’ Grease is the time, is the place, is the motion And grease is the way we are feelin’ BRIDGE This is a life of illusion Wrapped up in trouble Laced in confusion, what are we doing here? Ch 3 Grease is the word, is the word that you heard It’s got groove it's got meanin’ Grease is the time, is the place, is the motion And grease is the way we are feelin’—— OUTRO Grease is the word Is the word x 5.