2008 Los Angeles International Liszt Competition Announces Winners

Total Page:16

File Type:pdf, Size:1020Kb

2008 Los Angeles International Liszt Competition Announces Winners Founded in 1964 Volume 25, Issue 1, Winter/Spring 2009 PRSRT. STD. U.S. Postage PAID 1136 Hog Mountain Road Champaign, IL Fleischmanns, NY 12430 Permit No. 540 RETURN SERVICE REQUES TED AN OFFICIAL PUBLICATION OF THE AMERICAN LISZT SOCIETY, INC. 2008 Los Angeles International Liszt Competition Announces Winners The Los Angeles International Liszt Eastman School of Music. Please take Competition for pianists and vocalists note: Anna Volovitch will be performing TABLE OF CONTENTS took place November 22-23, 2008 on the a concert of Liszt transcriptions at the campus of Azusa Pacific University. American Liszt Society Festival in Lawrence, Kansas, on Friday, April 3rd, at 10:00 AM. 1 2008 Los Angeles International Liszt It was an exciting weekend as the Be sure to hear this fine young pianist! Competition Announces Winners Competition celebrated the tenth time it has attracted outstanding young musicians to The Los Angeles International Liszt 2 President’s Message the environs of Los Angeles. The first two Competition was founded by Geraldine piano judges returned to judge again: Tamás Keeling in 1990. A biennial competition, 3 Letter from the Editor Ungár from Texas Christian University (his it is co-directed by Geraldine Keeling and fourth time!) and Ick-Choo Moon from Judith Neslény. The competition has 4 The Liszt-Garrison Festival and Seoul National University in Korea (his experienced phenomenal growth. In 1990, International Piano Competition second time). there were 52 contestants and 4 judges. All of the contestants were from Southern 6 Call for Papers: The piano jury was completed with many California. In 2008, there were 189 Conference on “Liszt and France” members from the American Liszt Society: contestants from 9 states and 3 countries! Joseph Banowetz, David Butler Cannata, 7 Upcoming Conferences Richard Cass, Luiz de Moura Castro, Daniel In 1994 the Competition added the Glover, Arianna Goldina, Gila Goldstein, Budapest Concert Division in which A Correction Louis Nagel, Nancy Roldán, Charles the piano winner receives an all-expense Timbrell, and Adam Wodnicki. Voice paid trip to present a solo recital at the 8 A Review of Reginald Gerig’s judges were Gary Glaze, Lilla Horvath, and prestigious Liszt Museum in Budapest. In Great Pianists & Their Technique Ernö Talás. 2002, the New York Concert Division for vocalists was created. Under the 9 Chapter and Member News The Budapest Concert winner (piano) was sponsorship of the Los Angeles International Hye-Won Cho, a student of Walter Ponce at Liszt Competition, winners have also 10 From the Executive Secretary UCLA, and the New York Concert winner performed in such far-flung locations as (voice) was Joni Fukuda-Prado, a student of Budapest and Gyula, Hungary; London, Coming in the Next Issue Cynthia Munzer at USC. England; Hamilton, Ontario; New York City; Washington, D.C.; Champaign, 11 Books and Editions The American Liszt Society Awards went to Illinois; Lincoln, Nebraska; and many A Reminder: New Web Address!! Anna Volovitch (2nd Place in the Budapest venues in California. Concert category and 2nd Place in the Concerto category), who is a student of Both Geraldine and Judith look forward to Roza Yoder at Azusa Pacific University, and the 2010 competition, when the Budapest Jonghwa Park (1st Place in the Concerto Concert winner will play a recital in that category and 5th Place in the Budapest city in 2011 – the 200th anniversary of the Perpetuating the ideas of Concert category), who is a birth of Franz Liszt! Franz Liszt through excellence in student of Natalya Antonova at the music performance and scholarship PRESIDENT Thomas Mastroianni T he Catholic University of America President’s Message Lisztian Keyboard We have a new web address!! Benjamin T. Rome School of Music Washington D.C. 20064 Energy PRESIDENT EMERITUS Fernando Laires This is an essay on the pianism of Franz VICE PRESIDENT Dear Lisztians, Liszt, a piano technique suitable for the Please remember that the web address Jay A. Hershberger entire repertoire, by Bertrand Ott. The C oncordia College Music Department study is of the utmost importance for Moorhead, MN 56562 In preparation for the April 3 to 5 Festival of the musicians and pianists. The author considers for the American Liszt Society has EXECUTIVE SECRETARY American Liszt Society, I would like to ask each of you the work to be the first book that reveals Justin Kolb to think about how the Society can better serve your and explains in a fundamental way the changed in a small but very important 1136 Hog Mountain Road professional needs. keyboard technique of Franz Liszt. Detailed Fleischmanns, NY 12430 suggestions are developed on how Liszt’s way. The new address is TREASURER piano playing can be applied to practicing Nancy Roldán We always experience a flood of inspiration at the annual festivals. and performing an entire repertoire, from PO 1707 Inspiration is no small objective. The question becomes, “How can we Bach to Stravinsky. The author offers his Owens Mills, MD extend this throughout the balance of the year?”. It is our hope that readers and principally today’s pianists and (410) 833-5782 www.americanlisztsociety.net [email protected] local chapters can be a vehicle for stimulus. Our chapters are doing teachers a new understanding, appreciation, great things! Are you involved in your local chapter? Is there a chapter and knowledge of precisely what are the ALS JOURNAL elements of the “Lisztian keyboard energy.” near enough to you? If not, perhaps one could be created. Paul Barnes Rena Charnin Mueller In turn this permits musicians and composers Faculty of Arts and Science is the chairman of chapters and can assist in getting one started where If you have bookmarked the old New York University to incorporate this technique in their work, 24 Waverly Place, Room 268 there is interest. thus giving a heightened validity to their New York, NY 10003 interpretation and arrangements, as well as an address, you need to change it to the Our most recent chapter is in Italy. To initiate this chapter, Michele enhanced muscular freedom to their playing. ALS NEWSLETTER USA List Price $ 119.95 - UK List Price Edward Rath Campanella, its president, is planning a marathon of concerts that will new one, where the domain (end of £74,95, available from The Edwin Mellen School of Music include 55 hours of performance time spread over seven Sundays in the University of Illinois Press, P.O. Box 450, Lewiston, NY USA address) is .net and not .org. 1114 W. Nevada Street years 2010 and 2011. These concerts will take place in Rome at the 14092. Phone (716) 754-2266 or visit their Urbana, IL 61801 Academia Santa Cecelia. The complete piano works of Liszt are the web site at www.mellenpress.com BOARD OF DIRECTORS target for these marathons, which will involve scores of pianists. Paul Barnes Luiz de Moura Castro If you use the old web address, you Alexandre Dossin Also on the international scene, a new Liszt competition was created Gila Goldstein in November in Moscow at the Central School of the Conservatory. I will be taken to the web site of a firm Jay A. Hershberger New Editions of Geraldine Keeling can report on the stunning talent that was heard in these November Justin Kolb auditions. Given what we have heard of the young talent that has that specializes in French real estate. Elyse J. Mach gained recognition through the Los Angeles International Liszt Liszt Works now Thomas Mastroianni How and why this happened is itself Rena Charnin Mueller Competition and the Liszt–Garrison International Festival and Available Edward Rath Competition, we can be proud to say that Liszt is prospering in the Nancy Roldán an interesting story for a later time. Boaz Sharon good hands of young pianists. The Istituto Liszt in collaboration with Steven Spooner the Liszt Society in London has published Helen Smith Tarchalski News of other chapters is found regularly in this newsletter. three pieces by Liszt in the collection Rarità Alan Walker Lisztiane/Liszt Rarities (Rugginenti, Milano): William Wellborn Richard Zimdars The ALS website is available to you Please approach me at the festival with any ideas or send me an email at Vol. 1: Carnaval de Venice [Variation sur le], [email protected]. Yours in the Spirit of Liszt, edited by Nunzio Salemi, 2000 for publicizing events and information Vol. 2: La lugubre gondola [First edition of concerning Franz Liszt. Send items the Venice manuscripts], edited by Mario Angiolelli, 2002 for the website to [email protected]!! Thomas Mastroianni Vol. 3: Concerto sans orchestre [an early draft President, American Liszt Society for piano solo of the Concerto No. 2 in A major], edited by Mariateresa Storino, 2006. To obtain more information or purchase the volumes, write to [email protected] American Liszt Society - www.americanlisztsociety.net Volume 25, Issue 1, Winter/Spring 2009 11 From the Executive Secretary Chapter News (continued from page 9) Letter from the Editor TO KEEP YOUR MEMBERSHIP DIRECTORIES CURRENT: Baltimore-Washington Chapter Nancy Roldán, President [email protected] NEW ON THE LIFE MEMBERSHIP Drs. Frank Lioni Ernest Ragogini, Vice-President Dear Fellow Lisztians! LIST: Karel Doormanlaan 2 Bleiswyk NL-2665AT Two fundraisers of great importance will Antonia Hotung It’s the middle of March, and Spring cannot be far behind!! Netherlands be held prior to the October Festival. The board Justin & Barbara Kolb H 011-31-010-521-3412 of directors extends a warm invitation to all As you know, 2009 marks two very important musical events: the 200th [email protected] members and friends of the chapter to be with anniversary of the birth of Felix Mendelssohn and the 200th anniversary us on May 30 at 7:00pm for an extraordinary of the death of Franz Joseph Haydn.
Recommended publications
  • Aldo Ciccolini Preludiu, Coral Și Fugă / Suita Bergamască / Două Piese Pitorești Mp3, Flac, Wma
    Aldo Ciccolini Preludiu, Coral Și Fugă / Suita Bergamască / Două Piese Pitorești mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: Preludiu, Coral Și Fugă / Suita Bergamască / Două Piese Pitorești Country: Romania Released: 1968 Style: Classical, Romantic MP3 version RAR size: 1748 mb FLAC version RAR size: 1976 mb WMA version RAR size: 1671 mb Rating: 4.3 Votes: 619 Other Formats: MMF AU DTS MIDI AC3 FLAC VOX Tracklist Hide Credits Preludiu, Coral Și Fugă A1 Composed By – César Franck Suita Bergamască Composed By – Claude Debussy B2.1 I. Preludiu B2.2 II. Menuet B2.3 III. Clar De Lună B2.4 IV. Passepied Două Piese Pitorești Composed By – Emmanuel Chabrier B3.1 I. Peisaj B3.2 II. Scherzo - Vals Companies, etc. Printed By – I.P. Fabrica de Timbre – cd. 7006/968 Credits Graphics – Jean Eugen Liner Notes – Alfred Hoffman Photography By – Morel Volbură Piano – Aldo Ciccolini Notes Tiparul : I.P.F.T. cd. 7006/968 Made in Romania FT [I.P. Fabrica De Timbre] logo not printed rear sleeve Yellow lemon labels with purple and black print Barcode and Other Identifiers Other: N. I . 760/66 Other (Price): Lei 28 Other versions Category Artist Title (Format) Label Category Country Year Aldo Ciccolini - César Aldo Ciccolini - Franck / Claude Debussy / César Franck / Emmanuel Chabrier - ECE 0345 Claude Debussy / Electrecord ECE 0345 Romania Unknown Preludiu, Coral Și Fugă / Emmanuel Suita Bergamască / Două Chabrier Piese Pitorești (LP, Mono) Aldo Ciccolini - César Aldo Ciccolini - Franck / Claude Debussy / César Franck / Emmanuel Chabrier
    [Show full text]
  • 2015 CMS International Conference June 17–24, 2015 Stockholm, Sweden & Helsinki, Finland
    2015 CMS International Conference June 17–24, 2015 Stockholm, Sweden & Helsinki, Finland PRESENTER & COMPOSER BIOS updated April 24, 2015 Adams, Bill J. Bill J. is a belting masterclass presenter and Art Song specialist who serves as the Coordinator of Performing Arts and associate professor at Nova Southeastern University in Fort Lauderdale FL. He is also a principal investigator for Music Counts: A Specialized Treatment Program for Children with Autism. New York credits include: The Rape of the Lock (Ariel), The Bartered Bride (VaŠek), Die ZauberflÖte (Monostatos), Madama Butterfly (Goro). Regional credits include: The Most Happy Fella (Ciccio) with William Michals, Cannibal: the Musical (Loutzenheiser), A View from the Bridge (Mike), Albert Herring (Mayor), Assassins (Zangara), The Coronation of Poppea (Arnalta), Falstaff (Dr. Cajus), Manon (Guillot), and One Flew Over the Cuckoo’s Nest (Cheswick). Adams, Daniel C. Daniel Adams (b. 1956, Miami, FL) is a Professor of Music at Texas Southern University in Houston. Adams holds a Doctor of Musical Arts (1985) from the University of Illinois at Urbana-Champaign, a Master of Music from the University of Miami (1981) and a Bachelor of Music from Louisiana State University (1978). He currently serves as the College Music Society Board Member for Composition and previously as South Central Chapter President. Adams is the composer of numerous published musical compositions and the author of many articles, encyclopedia entries and reviews on various music- related topics. His most recent article, “Indeterminate Passages as Temporal and Spatial Components of Three Selected Compositions for Snare Drum Ensemble” was published in the Fall 2013 issue of the Journal of the National Association of Wind and Percussion Instructors.
    [Show full text]
  • Intégrale Des Concertos Pour Piano De Beethoven
    Intégrale des concertos pour piano de Beethoven ORCHESTRE PHILHARMONIQUE DE RADIO FRANCE MIKKO FRANCK direction 24|27|31 JANVIER 20H & 3 FÉVRIER 20H MIKKO FRANCK Intégrale des concertos pour piano de Beethoven ORCHESTRE PHILHARMONIQUE DE RADIO FRANCE MIKKO FRANCK direction ELISABETH LEONSKAJA ALICE SARA OTT PIERRE-LAURENT AIMARD RUDOLF BUCHBINDER BERTRAND CHAMAYOU piano 24|27|31JANVIER | 3 FÉVRIER - 20H BEETHOVEN, LE PLUS GRAND OU LE SEUL ? Imaginons dans cinq siècles ce qui pourra rester du XIXe… En musique, un seul nom : Beethoven. Peut-être le plus grand, si tant est qu’on puisse mesurer et comparer le génie, mais sans doute le plus universel pour s’être nourri du passé (Haydn et Mozart, Bach et Haendel) et pour avoir été le pain quotidien de tous MERCREDI 24 JANVIER 20H MERCREDI 31 JANVIER 20H ceux qu’il semble avoir annoncés : Mendelssohn, Schumann et Brahms, Schubert, AUDITORIUM page 7 AUDITORIUM - page 17 Wagner et Bruckner, Berlioz, Bizet, Gounod et Saint-Saëns, Liszt, Smetana et Dvoˇrák, pour ne citer que les plus connus. Ludwig van Beethoven François Devienne S’avise-t-on de chercher à justifier la supériorité de Beethoven en soumettant l’une Fantaisie pour piano opus 77 Sonate en quatuor en fa majeur ou l’autre de ses œuvres au scalpel de l’analyse ? On y trouve plus souvent que George Onslow Ludwig van Beethoven chez tout autre l’application parfaite des règles de construction : deux thèmes, l’un Symphonie n°2 Concertos pour piano n°2 et n°1* rythmique, l’autre mélodique, appelés à s’affronter dans la section centrale, dite Ludwig van Beethoven Nels Lindeblad flûte de développement, menant sinon à la victoire du plus fort, du moins à celle de la Concerto pour piano n°4 Jérémy Pasquier alto tonalité initiale.
    [Show full text]
  • Volume 71, Number 09 (September 1953) Guy Mccoy
    Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 9-1-1953 Volume 71, Number 09 (September 1953) Guy McCoy Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation McCoy, Guy. "Volume 71, Number 09 (September 1953)." , (1953). https://digitalcommons.gardner-webb.edu/etude/114 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. Preparation for Opera Licia Albanese The Piano Art of Ferruccio Busoni Christopher Paddack What Can Technical Instruction Achieve? Martha Neumark Mental Practice Aldo Ciccolini What the Junior Music Festival Can Do For Your State Norma Ryland Graves A Symphony of Bells Paul D. Peery The Place of the Non-Concertizing Artist in American Music LeRoy V. Brant E PRESSER COMPANY, Letters from THEODOR PENNSYlVANIA :bear Cenfurlp BRYN MAWR, b hearing that your to the Editor I have een I new issues are t he best ever. Please send me the numbers Articles checked below, am enclosing 25¢ a copy. 'or several months I Dear Sir: F ., to express my have been interndllt'l,ooe edi~orship of • ' ti n 'or .
    [Show full text]
  • Notices of the American Mathematical
    ISSN 0002-9920 Notices of the American Mathematical Society AMERICAN MATHEMATICAL SOCIETY Graduate Studies in Mathematics Series The volumes in the GSM series are specifically designed as graduate studies texts, but are also suitable for recommended and/or supplemental course reading. With appeal to both students and professors, these texts make ideal independent study resources. The breadth and depth of the series’ coverage make it an ideal acquisition for all academic libraries that of the American Mathematical Society support mathematics programs. al January 2010 Volume 57, Number 1 Training Manual Optimal Control of Partial on Transport Differential Equations and Fluids Theory, Methods and Applications John C. Neu FROM THE GSM SERIES... Fredi Tro˝ltzsch NEW Graduate Studies Graduate Studies in Mathematics in Mathematics Volume 109 Manifolds and Differential Geometry Volume 112 ocietty American Mathematical Society Jeffrey M. Lee, Texas Tech University, Lubbock, American Mathematical Society TX Volume 107; 2009; 671 pages; Hardcover; ISBN: 978-0-8218- 4815-9; List US$89; AMS members US$71; Order code GSM/107 Differential Algebraic Topology From Stratifolds to Exotic Spheres Mapping Degree Theory Matthias Kreck, Hausdorff Research Institute for Enrique Outerelo and Jesús M. Ruiz, Mathematics, Bonn, Germany Universidad Complutense de Madrid, Spain Volume 110; 2010; approximately 215 pages; Hardcover; A co-publication of the AMS and Real Sociedad Matemática ISBN: 978-0-8218-4898-2; List US$55; AMS members US$44; Española (RSME). Order code GSM/110 Volume 108; 2009; 244 pages; Hardcover; ISBN: 978-0-8218- 4915-6; List US$62; AMS members US$50; Ricci Flow and the Sphere Theorem The Art of Order code GSM/108 Simon Brendle, Stanford University, CA Mathematics Volume 111; 2010; 176 pages; Hardcover; ISBN: 978-0-8218- page 8 Training Manual on Transport 4938-5; List US$47; AMS members US$38; and Fluids Order code GSM/111 John C.
    [Show full text]
  • French Performance Practices in the Piano Works of Maurice Ravel
    Studies in Pianistic Sonority, Nuance and Expression: French Performance Practices in the Piano Works of Maurice Ravel Iwan Llewelyn-Jones Submitted in partial fulfillment of the requirements for the degree Doctor of Philosophy School of Music Cardiff University 2016 Abstract This thesis traces the development of Maurice Ravel’s pianism in relation to sonority, nuance and expression by addressing four main areas of research that have remained largely unexplored within Ravel scholarship: the origins of Ravel’s pianism and influences to which he was exposed during his formative training; his exploration of innovative pianistic techniques with particular reference to thumb deployment; his activities as performer and teacher, and role in defining a performance tradition for his piano works; his place in the French pianistic canon. Identifying the main research questions addressed in this study, an Introduction outlines the dissertation content, explains the criteria and objectives for the performance component (Public Recital) and concludes with a literature review. Chapter 1 explores the pianistic techniques Ravel acquired during his formative training, and considers how his study of specific works from the nineteenth-century piano repertory shaped and influenced his compositional style and pianism. Chapter 2 discusses Ravel’s implementation of his idiosyncratic ‘strangler’ thumbs as articulators of melodic, harmonic, rhythmic and textural material in selected piano works. Ravel’s role in defining a performance tradition for his piano works as disseminated to succeeding generations of pianists is addressed in Chapter 3, while Chapters 4 and 5 evaluate Ravel’s impact upon twentieth-century French pianism through considering how leading French piano pedagogues and performers responded to his trailblazing piano techniques.
    [Show full text]
  • PLAQUETTE-AVEC COUPES.Indd
    Aldo Ciccolini en concert au Festival Opéra Berlioz / Le Corum Samedi 21 juillet Samedi 28 juillet 20h 20h30 Robert Schumann : Francis Poulenc : Scènes d’enfants, opus 15 Concerto pour deux piano (avec Gabriele Carcano) Trois fantasiestuck, opus 111 Camille Saint Saens Carnaval de Vienne, opus 14 Concerto pour piano et orchestre n°4 Sonate n°3, opus 14 Sergeï Rachmaninov : Concerto pour piano n°2 La Médiathèque Les Trois grâces Le Corum photos © Montpellier Agglomération Le Festival de Radio France et Montpellier Languedoc-Roussillon Il a été créé en 1985 à l’initiative de Radio France et de la Ville de Montpellier et confi é à la direction de René Koering, pour “concilier classique et inattendu, grands interprètes et jeunes espoirs, accents anciens et sonorités de demain... dans la grande tradition du service public... qui, seul, peut offrir un si grand choix” (Jean-Noël Jeanneney, Présidentdirecteur général de Radio France - 1985). Son goût de la découverte a conduit le Festival à de nombreuses récréations lyriques (de Henri VIII de Saint-Saëns à Cyrano de Bergerac d’Alfano, et en 2006 Fiesque de Lalo), mais aussi à proposer des formes inusitées de concerts (piano itinérant, concert match) et la découverte de musiques d’aujourd’hui (jeunes compositeurs, musique électro-acoustique). Diversité et densité des manifestations sont les maîtres mots du Festival : lyriques - symphoniques - récitals et musique de chambre - jazz - musiques électroniques - musiques du monde - fi lms - débats - expositions. Six manifestations par jour en moyenne, plus de cent manifestations au total chaque année. Depuis 2002, le public du Festival dépasse 100.000 spectateurs.
    [Show full text]
  • Licia Albanese Christopher Paddack Martha Neumark Aldo Ciccolini
    Preparation for Opera Licia Albanese The Piano Art of Ferruccio Busoni Christopher Paddack What Can Technical Instruction Achieve? Martha Neumark Mental Practice Aldo Ciccolini What the Junior Music Festival Can Do For Your State Norma Ryland Graves A Symphony of Bells Paul D. Peery The Place of the Non-Concertizing Artist in American Music LeRoy V. Brant E PRESSER COMPANY, Letters from THEODOR PENNSYlVANIA :bear Cenfurlp BRYN MAWR, b hearing that your to the Editor I have een I new issues are t he best ever. Please send me the numbers Articles checked below, am enclosing 25¢ a copy. 'or several months I Dear Sir: F ., to express my have been interndllt'l,ooe edi~orship of • ' ti n 'or . apprecia 10ND selections made ,Ill a D Iten times ' Good-Night, C·I Burnam ETUDE,the helpfu~ jan O~ly today, afterm- O Thot C To You: DTeddy "Bear s ried, C_I .. Burnam spiring arhcnes.h etroi 't Neios and the o Th. 0. Burncm reading t e . the composer Lvllob, t.cnd,thG·' D article concenhlln have I really o g o H ... Cernes e Rodeo Perc e '0b'm'00 Evange I'me Le'. man, Th... "w re "0,., 0" """'0", whi ,h w.,. '." '0 "b,,,II"", 0' - - C.,., k C·, .. Robinson decidedto wrlte,~u how much her a '".cio' 0'" {,om p,.".,. W.'hi., yo, w'" b.'''''''''d ,.'hi,0'" 0'0 tho Homm" "ob'",OO I cannot te) I Art-Song Th. PIANo PACKAGE OFFERg'." yo, 'o" P"'og" 0' ",w',". o Mook., Aot'",Jo c·'.somma"o article (Spehakl~~ve~lber (1952) H monlco e , C-2 .Sccrmclin,.
    [Show full text]
  • MUSC 2011.04.18 Ragoneprog.Pdf (919.4Kb)
    Upcoming Events at the University Center for the Arts COLORADO STATE UNIVERSITY April 13—23—Theatre: Endgame by Samuel Beckett SCHOOL OF THE ARTS University Theatre—see website for exact dates and times. MEET ME AT THE UCA Tuesday, April 19—Art: Tasteful Tuesdays Series SPRING 2011 CONCERT SEASON 4:30—5:30 p.m., University Art Museum—FREE April 19—20—Spring Opera Scenes 7:30 p.m. each night, Organ Recital Hall—FREE Virtuoso Series Concert Thursday, April 21—Music: Concert Band and Concert Orchestra Concert Aldo Ragone, Piano 7:30 p.m., Griffin Concert Hall—FREE April 22—23—Spring Dance Concert Friday at 8 p.m., Saturday at 2 p.m. and 8 p.m., University Dance Theatre Tuesday, April 26 and Wednesday, April 27—Music: University Symphony Orchestra Concert, Festival of the Excess, Part I 7:30 p.m., Griffin Concert Hall Thursday, April 28—Creative Writing Reading Series 7:30 p.m., University Art Museum—FREE Friday, April 29—Combined Choral Concert, Part I Special Guests the Brigham Young University Singers 7:30 p.m., Griffin Concert Hall Saturday, April 30—Music: Combined Choral Concert, Part II 7:30 p.m., Griffin Concert Hall FREE Student Recitals See www.CSUSchooloftheArts.com for Student Recital Schedule Meet Me at the UCA Season “Green” Sponsor Monday, April 18, 2011, 7:30 p.m. event calendar • e-newsletter registration Organ Recital Hall, University Center for the Arts www.CSUSchooloftheArts.com Tickets: (970) 491-ARTS (2787) www.CSUArtsTickets.com Information: (970) 491-5529 Thank you for your continued support ww w.
    [Show full text]
  • Acceptance of Western Piano Music in Japan and the Career of Takahiro Sonoda
    UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE THE ACCEPTANCE OF WESTERN PIANO MUSIC IN JAPAN AND THE CAREER OF TAKAHIRO SONODA A DOCUMENT SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the Degree of DOCTOR OF MUSICAL ARTS By MARI IIDA Norman, Oklahoma 2009 © Copyright by MARI IIDA 2009 All Rights Reserved. ACKNOWLEDGEMENTS My document has benefitted considerably from the expertise and assistance of many individuals in Japan. I am grateful for this opportunity to thank Mrs. Haruko Sonoda for requesting that I write on Takahiro Sonoda and for generously providing me with historical and invaluable information on Sonoda from the time of the document’s inception. I must acknowledge my gratitude to following musicians and professors, who willingly told of their memories of Mr. Takahiro Sonoda, including pianists Atsuko Jinzai, Ikuko Endo, Yukiko Higami, Rika Miyatani, Y ōsuke Niin ō, Violinist Teiko Maehashi, Conductor Heiichiro Ōyama, Professors Jun Ozawa (Bunkyo Gakuin University), Sh ūji Tanaka (Kobe Women’s College). I would like to express my gratitude to Teruhisa Murakami (Chief Concert Engineer of Yamaha), Takashi Sakurai (Recording Engineer, Tone Meister), Fumiko Kond ō (Editor, Shunju-sha) and Atsushi Ōnuki (Kajimoto Music Management), who offered their expertise to facilitate my understanding of the world of piano concerts, recordings, and publications. Thanks are also due to Mineko Ejiri, Masako Ōhashi for supplying precious details on Sonoda’s teaching. A special debt of gratitude is owed to Naoko Kato in Tokyo for her friendship, encouragement, and constant aid from the beginning of my student life in Oklahoma. I must express my deepest thanks to Dr.
    [Show full text]
  • Bösendorfer - Wikipedia, the Free Encyclopedia 1/5/14, 3:08 PM Bösendorfer from Wikipedia, the Free Encyclopedia
    Bösendorfer - Wikipedia, the free encyclopedia 1/5/14, 3:08 PM Bösendorfer From Wikipedia, the free encyclopedia Bösendorfer (L. Bösendorfer Klavierfabrik GmbH) is an L. Bösendorfer Klavierfabrik GmbH Austrian piano manufacturer, and a wholly owned subsidiary of Yamaha.[citation needed] Bösendorfer is unusual in that it produces 97- and 92-key models in addition to instruments with standard 88-key keyboards. Type private Contents Industry Musical instruments Founded 1828 1 Characteristics Founder(s) Ignaz Bösendorfer 2 History Headquarters Vienna, Austria 3 Models 3.1 Standard Black Models[7] Products Pianos 3.2 Conservatory Series Parent Yamaha Corporation 3.3 Special and Limited editions 3.3.1 SE reproducing piano Website www.boesendorfer.com 3.4 Designer Models (http://www.boesendorfer.com/) 4 Noteworthy events 5 Bösendorfer Artists 5.1 Recordings 5.1.1 Classical 5.1.2 Popular 6 References 7 Bibliography 8 External links Characteristics Bösendorfer pioneered the extension of the typical 88-key keyboard, creating the Imperial Grand (Model 290), which has 97 keys (eight octaves). This innovation was originally ordered as a custom built piano for Ferruccio Busoni, who wanted to transcribe an organ piece that went to the C below the standard keyboard. This innovation worked so well, that this piano was added to regular product offerings and quickly became one of the world's most sought-after concert grands. Because of the 290's success, the extra strings were added to Bösendorfer's other line of instruments such as the 225 model, which
    [Show full text]
  • WNIB Program Schedule January 1972
    ------ ~!\'(~ _______ ,.____ _ n-~- ,- r••-, -- - PROGRAM SCHEDULE WNIB 97.1 fm January, 1972 The Advent Model 201 Tape Deck is, to our way of thinking, the ideal source for playing music in the the home. It combines the important characteristics of a high-performance open-reel tape recorder with the convenience of cassettes. The Advent Advent Model Model 201 will make recordings that are indistinguishable from most source material, including the best 201 Tape stereo records and FM broadcasts. Of equal importance, the Model 201 realizes the full potential of the new "Dolbyized" commercially recorded cassettes, the most significant source Deck of recorded music since the introduc­ tion of the stereo disc. The best of the "Dolbyized" pre-recorded cas­ settes are easily' the equivalent of the best disc recordings, and the number of releases will be continually in­ creasing. The Model 201 has the ruggedness and day-to-day operating dependability of the best home recorders, and will maintain its original performance over long and constant use. $280, Beverly Near North Morton Grove Oak Park 2035 W. 95 th 48 E. Oak 5 700 W. Dempster 704 5 W. North The performance of the Model 201 77 ') -6500 337-4150 967-6690 383-7006 is the result of several important departures in the design and manu­ TUESDAY. WEDNESDAY, FRIDAY & SATURDAY lOAM-6PM, MONDAY & THURSDAY JOAM-9PM facture of a cassette recorder. 7 PM COMMITTEE OF CHINESE COM- POSERS Violin Concerto ("Butterfly Lovers") - PROGRAM SCHEDULE Shen Yung, vn; Chinese Conservatory Orch/Fan Cheng-Wu (Everest 3212) . MILHAUD Sym #4 ("1848 Revolu­ WNIB 97.1 1972 tion") - ORTF Orch/Darius Milhaud (Musical fm January, Heritage Society MRS 1089) 8 PM POULENC Concerto in g for Organ, Strings & Timpani - Maurice Durufle, organ; French Nat'l Radio Orch/Georges Pretre (Ang 35953) DEBUSSY Fantaisie for Piano & WNIB Program Schedule is published by Radio Station WNIB, 25 East Chestnut, Orch - Jean-Rodolphe Kars,p; London Sym/ Chicago, Illinois 60611.
    [Show full text]