Australian Superfine Wool Growers' Association Inc
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Start Spinning: Everything You Need to Know to Make Great Yarn Ebook
START SPINNING: EVERYTHING YOU NEED TO KNOW TO MAKE GREAT YARN PDF, EPUB, EBOOK Maggie Casey | 120 pages | 01 Apr 2008 | Interweave Press Inc | 9781596680654 | English | Loveland, CO, United States Start Spinning: Everything You Need to Know to Make Great Yarn PDF Book To make two-ply yarn, take two singles strands or both ends of the same strand , attach them both to your spindle, and twist them around each other in the opposite direction from how you originally spun them. When you spin, you put twist into fibres so that they hold together to form a continuous thread. Navajo Plying - Making a three-ply yarn 8. Designed to appeal to the beginning spinner, tips and hints are provided that illustrate how easy, enjoyable, and relaxing spinning can be. When I was in Kenya, women spun Romney wool chiefly "in the grease," but it often locked in large amounts of dirt in the process. Spin spin spin! Covers fiber characteristics, preparation and spinning, choosing a wheel, and crafting the finished yarn into useful and attractive pieces. I Made It! Leave the original loop of fiber anchored on the spindle hook. Description If you are a knitter or crocheter looking to take the step from just using manufactured yarn to making your own this is a great book to get you started. A bunch of loose fibers will fall apart if you pull on their ends. Launching a Patreon! First and foremost, you want a balanced drop spindle that spins true. Either one will do just fine to learn on. It is also much easier to learn to spin wool than silk, or cotton and other vegetable fibres. -
Mechanical Properties of Unidirectional Epoxy Matrix Composites Reinforced with Scutched Flax and Tow By-Product
ECCM16 - 16TH EUROPEAN CONFERENCE ON COMPOSITE MATERIALS, Seville, Spain, 22-26 June 2014 MECHANICAL PROPERTIES OF UNIDIRECTIONAL EPOXY MATRIX COMPOSITES REINFORCED WITH SCUTCHED FLAX AND TOW BY-PRODUCT N. Martina*,c, P. Daviesb, C. Baleya aLIMATB, EA 4250, Univ. Bretagne-Sud, 56100 Lorient, France bMarine Structures Laboratory, IFREMER, 29280 Plouzané, France cVan Robaeys Frères, 83 rue Saint-Michel, 59122 Killem, France *[email protected] Keywords: Flax fibers, Scutching, Flax by-products, Composite materials Abstract The decortication of flax by scutching yields scutched flax and tows. In this study, we have compared the properties of composite materials made of scutched flax and flax tows from the same batch. A series of unidirectional epoxy composites were manufactured by wet moulding. Mechanical properties of single fibers and composite materials were measured by tensile tests. The tensile properties of single fibers were in the same range. The tensile properties of the unidirectional composites show a similar evolution of properties versus fiber volume fraction. The results show that tows could be used to reinforce high performance composite materials. 1. Introduction A wide range of plant fibers have been studied for composite reinforcement including hemp, jute, sisal and flax [1]. Among them, flax fibers have excellent specific mechanical properties and are being evaluated as a replacement for E-glass fibers [2,3]. Flax (Linum usitatissimum) is the major plant fiber cultivated in northern Europe, mainly for the textile sector. The structure and composition of flax plants is complex [4,5]. The stems contain fiber bundles embedded in cortex tissues at the periphery. In these bundles, single fibers are grouped together by middle lamellae. -
India's Textile and Apparel Industry
Staff Research Study 27 Office of Industries U.S. International Trade Commission India’s Textile and Apparel Industry: Growth Potential and Trade and Investment Opportunities March 2001 Publication 3401 The views expressed in this staff study are those of the Office of Industries, U.S. International Trade Commission. They are not necessarily the views of the U.S. International Trade Commission as a whole or any individual commissioner. U.S. International Trade Commission Vern Simpson Director, Office of Industries This report was principally prepared by Sundar A. Shetty Textiles and Apparel Branch Energy, Chemicals, and Textiles Division Address all communications to Secretary to the Commission United States International Trade Commission Washington, DC 20436 TABLE OF CONTENTS Page Executive Summary . v Chapter 1. Introduction . 1-1 Purpose of study . 1-1 Data and scope . 1-1 Organization of study . 1-2 Overview of India’s economy . 1-2 Chapter 2. Structure of the textile and apparel industry . 2-1 Fiber production . 2-1 Textile sector . 2-1 Yarn production . 2-4 Fabric production . 2-4 Dyeing and finishing . 2-5 Apparel sector . 2-5 Structural problems . 2-5 Textile machinery . 2-7 Chapter 3. Government trade and nontrade policies . 3-1 Trade policies . 3-1 Tariff barriers . 3-1 Nontariff barriers . 3-3 Import licensing . 3-3 Customs procedures . 3-5 Marking, labeling, and packaging requirements . 3-5 Export-Import policy . 3-5 Duty entitlement passbook scheme . 3-5 Export promotion capital goods scheme . 3-5 Pre- and post-shipment financing . 3-6 Export processing and special economic zones . 3-6 Nontrade policies . -
2-Day Pre-Festival Workshops Spinning 101: Learn to Spin Or Refresh Your Skills with Maggie Casey Wednesday and Thursday, May 4 & 5, 9 A.M
2-Day Pre-Festival Workshops Spinning 101: Learn to Spin or Refresh Your Skills with Maggie Casey Wednesday and Thursday, May 4 & 5, 9 a.m. - 4 p.m., Howard County Farm Heritage Museum (across from the Howard County Fairgrounds) Spider Woman taught the Navajo to spin with spindles of lightning and turquoise. Gandhi encouraged the people of India to spin every day for meditation and economic freedom. Rumpelstiltskin spun straw into gold and Sleeping Beauty pricked her finger on her spindle and fell into a deep sleep. History and fable are full of tales of spinning and its effect on the people who do it. If you have always wanted to spin, have taught yourself a little, or haven’t spun for a while, this workshop will be just what you need to gain confidence and skill. We will start with a beautiful fleece, learn to card, spin, ply and set the twist. Then we will spin woolen and worsted yarns, some commercially prepared fibers and discuss wheel maintenance. Spinning straw into gold may be beyond our reach, but beautiful yarn is not! Skill level: Beginner. Students should bring: Working spinning wheel and all its parts, lazy kate and at least 3 bobbins, wool hand cards. JC01 Class fee: $200. Materials fee: $20. Fiber Preparation with Robin Russo Wednesday and Thursday, May 4 & 5, 9 a.m. - 4 p.m., Bingo Hall Well prepared fibers spin easily into beautiful yarns. This class covers both drum-carding and combing of fine, medium and coarse wools; color blending; luxury fiber preparation, and separation of guard hair from undercoat. -
Textile School Catalog, 1925-1926
:.:, : \ .> is.'.-: : W* THE PENNSYLVANIA MUSEUM AND SCHOOL OF INDUSTRIAL ART FORTY- NINTH SEASON wmmm «SIEH£»>% CIRCULAR OF THE PHILADELPHIA TEXTILE SCHOOL BROAD AND PINE STREETS PHILADELPHIA 1925-1926 FORTY-SECOND SEASON SACO-LOWELL SHOPS LARGEST MANUFACTURERS OF TEXTILE MACHINERY IN AMERICA Worsted (French & Bradford Systems) Cotton—Spun Silk Also Complete Waste Reclaiming MACHINERY EXECUTIVE OFFICES 1 Federal St., BOSTON, MASS. SHOPS AT Biddeford, Me. Newton Upper Falls, Mass. Lowell, Mass. Pawtucket, R. I. Southern Office, Charlotte, N. C. Branch Southern Office, Greenville, S. C. CANADIAN AGENTS Whitehead, Emmans, Ltd., 285 Beaver Hall Hill, Montreal JACQUARD CARD MACHINES Complete equipment for cutting, lacing and re- peating'. Special features for quick duplicating. A variable speed electric motor drive. For any size, any index of card. vvrite for detailed information. JOHN ROYLE & SONS, Paterson, N.J. Cost Cutters for the Textile Industry AMERICAN J PRESSED STEEL * ^ BEAM HEADS "American" Pressed Steel Warper and Slasher Beam Heads—strong, light and durable. "American" Pressed Steel Shaft Hangers, strong, rigid, true. "American" Steel Split Pulleys. Special literature explaining each product awaits your request THE AMERICAN PULLEY CO. Manufacturers of STEEL SPLIT PULLLEYS, PRESSED STEEL SHAFT HANGERS, and PRESSED STEEL SHAPES 4200 Wissahickon Ave., Philadelphia PRESSED STICL HANGERS I PULLEYS (bmplete Equipment tton Machinen Built by Specialists Cotton Opening, Convey- ing, and Picker Room Machinery, Revolving Top Flat Cards, Drawing, Stubbing, Inter, and Rov- ing Frames. W00NS0CKET MACHINE & PRESS CO., Inc. WOONSOCKET, R. I. Ring Spinning Frames, Ring Twisters for Cot- ton, Wool, Worsted, Silk, Linen, Jute and Novelty Yarns. PALES & JENKS MACHINE CO., Pawtucket, R. I. -
The Re-Imagining of Bradford's Collection As a Transcultural
conference papers academic and professional strands / negotiating artefacts cultural identity and the municipal gallery: the re-imagining of bradford’s collection as a transcultural representation of identity at cartwright hall 1904-2014 AUTHORS: Jemma Browne Nottingham Trent University (UK) Ana Souto Nottingham Trent University (UK) Abstract Museums have historically played an important role in the formation of cultural identities; they evolved in their current form in the late nineteenth century concurrent with the emergence of the bourgeois public sphere (Bennett, 1995). As cities have been spatially transformed through time by the layering of new and existing expressions of cultural identity, galleries and museums have struggled to retain their meaning as representational spaces. The municipal gallery at Cartwright Hall in Bradford presents a timely case study demonstrating how it ensured that its collection evolved to reflect the changing communities in the city and how, by re-imagining the idea of heritage, it has created a transcultural representation of identity. Keywords: cultural identity, collective memory, empire, transcultural space 51 conference papers academic and professional strands / negotiating artefacts cultural identity and the municipal gallery: the re-imagining of bradford’s collection as a transcultural representation of identity at cartwright hall 1904-2014 1. Identity formation: museums and the public sphere Museums and galleries are important cultural spaces within our cityscapes; they present unique opportunities to shape and represent multiple cultural identities, disseminating ideas and memory through both their exhibitions and the architectural form they take. This paper uses the example of Cartwright Hall to explore how museums have used multi-temporal strategies to communicate collective memory and represent cultural identities through time. -
Australian Superfine Wool Growers Association Inc
AustrAliAn superfine Wool Growers’ Association inc. AustrAliAn superfine Wool Growers Association inc. AnnuAl 2015-2016 www.aswga.com 1 | Annual 2015/2016 Australian Wool Innovation On-farm tools for woolgrowers Get involved in key initiatives such as: • Join an AWI-funded Lifetime Ewe Management group to lift production - www.wool.com/ltem • Join your state’s AWI extension network - www.wool.com/networks • Benchmark your genetic progress with MERINOSELECT - www.wool.com/merinoselect • Reducing wild dog predation through coordinated action - www.wool.com/wilddogs • Training shearers and woolhandlers - www.wool.com/shearertraining • Enhanced worm control through planning - www.wool.com/wormboss • Getting up to scratch with lice control - www.wool.com/lice • Flystrike protection and prevention - www.wool.com/fl ystrike VR2224295 www.wool.com | AWI Helpline 1800 070 099 Disclaimer: Whilst Australian Wool Innovation Limited and its employees, offi cers and contractors and any contributor to this material (“us” or “we”) have used reasonable efforts to ensure that the information contained in this material is correct and current at the time of its publication, it is your responsibility to confi rm its accuracy, reliability, suitability, currency and completeness for use for your purposes. To the extent permitted by law, we exclude all conditions, warranties, guarantees, terms and obligations expressed, implied or imposed by law or otherwise relating to the information contained in this material or your use of it and will have no liability to you, however arising and under any cause of action or theory of liability, in respect of any loss or damage (including indirect, special or consequential loss or damage, loss of profi t or loss of business opportunity), arising out of or in connection with this material or your use of it. -
List of Iwto and Nz Test Methods for Wool - Mar 2007
SGS WOOL TESTING SERVICES TECHNICAL PAPER 2007 LIST OF IWTO AND NZ TEST METHODS FOR WOOL - MAR 2007 Methods in BOLD have associated sampling regulations and can be certified under IWTO or NZ rules; other tests listed may be reported but cannot be the subject of ‘Guarantees’ as defined in the IWTO Arbitration Agreement (“Blue book”). Methods shown in italics are drafts and can only be used by agreement between buyer and seller. Key words are underlined. Working group drafts are not listed. IWTO-0 IWTO-10 IWTO DTM 21 Introduction to IWTO specifications. Method for the determination of Method for the determination of the Procedures for the development, review, dichloromethane soluble matter in alkali content of wool progression or relegation of IWTO test combed wool, sliver & commercially IWTO DTM 22 methods and draft test methods scoured or carbonised wool IWTO DTM 1 Method for the determination of the IWTO DTM 11 weight per unit area of woven cloth Method of determining barbe & hauteur Method of test for the solubility of wool for wool fibres using a comb sorter in urea-bisulphite solution IWTO DTM 24 General & specific methods for the IWTO-2 IWTO-12 determination of cleanliness faults in Method for the determination of the pH Measurement of the mean & distribution combed wool slivers value of a water extract of wool of fibre diameter using the Sirolan- IWTO-26 Laserscan fibre diameter analyser IWTO-3 Glossary of terms IWTO DTM 13 Method of test for the acid content of IWTO-28 wool Counting of coloured fibres in tops by Determination by -
General Meeting Saturday 1 October 10.00 Am Morning Tea and Social Time 10.30 Am Talk: Artist Books and Paper Decorating with Tr
October 2016 Vol. LII, No 09 Clippings Queensland Spinners Weavers and Meetings: Fibrecraft House, 12 Payne Street, Auchenflower QLD Mail: PO Box 924, Paddington, QLD 4064 Phone (answering machine): (07)3371 0009 Email: [email protected] General Meeting Saturday 1 October 10.00 am Morning tea and social time 10.30 am Talk: Artist Books and Paper Decorating with Tricia Smout 11.00 am Announcements and Showcase 11.30am to 1.00pm Shop and Library are open 1.00pm to 3.30pm Craft time General Meeting Saturday 15 October 10.00 am Morning tea and social time 10.30 am Announcements and Showcase 11.30 am to 1.00 pm Shop and Library are open 1.00 pm to 3.30 pm Craft time Midweek Spinners Tuesday 4 & 18 October Wednesday 12 & 26 October 10.00 am to 1.00 pm Craft and Discussion Noon to 12.30 pm Emporium open on request Night Owls (General Craft) Wednesday 5, 12, 19, 26 October 6.30 pm to 9.00 pm Craft and Discussion Off the Page Monday 24 October 10.00 am to 3.00 pm Craft and Discussion Weavers Group Wednesday 5 October 9.30 am to 1.00 pm Discussion Hand Knitters Wednesday 19 October 10.00 am to 1.00 pm Craft and Discussion Felters Group Thursday 13 October 9.30 am to 2.00 pm Craft and Discussion Basket Cases Sunday 2 October 9.30 am to 4.00 pm Craft and Discussion Experimental Dyers Friday 14 October 9.30 am to 1.30 pm Craft and Discussion Book & Paper Group Monday 10 October 9.30 am to mid-afternoon Craft and Discussion Rolling Possums (Felting) Tuesday 4 October 6pm to 9.30pm Craft and Discussion Office Hours Welcome to all new members who Thursdays only: 10.00 am to 3.00 pm have joined us in the past month Phone/answering machine: 07 3371 0009 Board Meeting: a Tuesday in October Email: [email protected] 2016. -
2010/11 Annual Report
AUSTRALIAN WOOL INNOVATION LIMITED ANNUAL REPORT 2010/11 2 UP FRONT ABOUT AWI WHAT AWI DOES Established in 2001, AWI is a not-for-profit company owned by over 28,000 wool levy payers who have registered as AWI shareholders. AWI’S MISSION The company invests along the global supply chain for Australian wool – from woolgrowers through to retailers. AWI’s mission is to invest in research, development, marketing AWI’s vision is for it to be a significant contributor to a vibrant, and promotion in order to: stable and profitable wool industry providing the world with the best natural fibre. enhance the profitability, international competitiveness AWI’s goal is to help increase stable and sustained demand for and sustainability of the wool through investments in marketing, innovations and R&D – Australian wool industry; and from farm to fashion. increase demand and market HOW AWI IS FUNDED access for Australian wool. AWI investments are funded through a wool levy paid by woolgrowers (currently two per cent of the sale price received for their shorn greasy wool) and a matching contribution from the CONTENTS Australian Government for eligible R&D activities, capped at 0.5 per cent of the value of gross national value of wool production. UP FRONT The sale of Woolmark licences contributes a further source of 2 About AWI income for AWI, directly funding AWI’s global business development network. 4 Highlights of 2010/11 5 Financial summary Woolgrowers vote every three years on the percentage of wool 6 AWI Board of Directors proceeds they would like to invest in wool innovation, marketing, sales, off-farm R&D and on-farm R&D. -
Beyond the Bale Is Available Free
ISSUE 69 DECEMBER 2016 PROFIT FROM WOOL INNOVATION www.wool.com WINNING MERINO WOOL COLLECTION LAUNCHED IN AUSTRALIA BY TEATUM JONES 04 28 48 INTERNATIONAL LIFETIME EWE MERINO LIFETIME CAMPAIGN FOR WOOL MANAGEMENT PRODUCTIVITY PROJECT 08 WINNING DESIGNERS 28 LIFETIME EWE EDITOR VISIT AUSTRALIA MANAGEMENT SUCCESS Richard Smith E [email protected] CONTRIBUTING WRITER OFF ON Lisa Griplas -FARM -FARM E [email protected] 4 Campaign for Wool in UK 27 The Yarn podcast for woolgrowers Australian Wool Innovation Limited A L6, 68 Harrington St, The Rocks, 6 Campaign for Wool in Japan 27 AWI digital resources for woolgrowers Sydney NSW 2000 GPO Box 4177, Sydney NSW 2001 7 Campaign for Wool in Germany 28 Lifetime Ewe Management case study P 02 8295 3100 E [email protected] W wool.com AWI Helpline 1800 070 099 8 IWP winner Teatum Jones in Australia 30 Get motivated and make change SUBSCRIPTION 9 IWP winner SUKETDHIR in Australia 31 Sheep handling success Beyond the Bale is available free. To subscribe contact AWI 10 Dion Lee’s suit collection for women 32 Wild dog case study: Wongwibinda P 02 8295 3100 E [email protected] 11 Jason Wu’s spring collection 34 Aerial baiting in South Australia Beyond the Bale is published by Australian Wool Innovation Ltd (AWI), a company IWP collection exhibited at Anlaby Rabbit biocontrol funded by Australian woolgrowers and the 11 35 Australian Government. AWI’s goal is to help increase the demand for wool by actively 12 Missoni’s advertising campaign 36 Young Farming Champion Max Edwards selling Merino wool and its attributes through investments in marketing, innovation and 12 Merino – the fibre for summer 38 Wool in Central Wheatbelt of WA R&D – from farm to fashion and interiors. -
Agricultural Products FLAX Linum Usitatissimum from Which Comes
Agricultural Products FLAX Linum usitatissimum from which comes our words “linen”, “linseed oil”, “linoleum”. Flax seed is sewn as early in the springtime as the ground will permit; as soon as the frost leaves it, in other words. The seed was distributed rather densely so that the plants would be forced to grow straight upward to get enough sunlight, rather than to put out branches, which was not desirable. When ready for harvesting, the plants would be about two feet high. When the mature plants were ready for harvesting along about mid-summer, they were pulled up out of the ground rather than cut, and allowed to dry on the surface for a day or two. Cutting caused the plant’s sap to flow out, and this would stain the fibers, after which no amount of bleaching would produce white cloth. After drying, the flax was pulled through a ripple comb made with coarse wooden or heavy wire teeth. This broke off the pods and the seeds, which were saved for next year’s planting, or for barter or cash sale. The stalks were then tied by the top end in bundles called “beats”, or “bates” (depending on what part of the country you came from) and the base of the stalks were spread out to form a tent-shaped stack called a “stook” for drying. Next came soaking in water for fermentation, the length of time depending on the temperature and whether the water was moving. One method was to put the stalks in a stream. This was a smelly and slow process.