Measurement of the Spectral Response of Digital Cameras with a Set of Interference filters
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LEICA SUMMARON-M 1:5,6/28Mm Anleitung
LEICA SUMMARON-M 1:5,6/28mm Anleitung Instructions Notice d’utilisation Gebruiksaanwijzing Istruzioni Instrucciones Leica Camera AG I Am Leitz-Park 5 35578 WETZLAR I DEUTSCHLAND 取扱説明書 Telefon +49 (0) 6441-2080-0 I Telefax +49 (0) 6441-2080-333 543 VII/16/LW/D 3 www.leica-camera.com 9 f 5.6 [%] 100 f 5.6 [%] 100 sagittale Strukturen 80 sagittal structures 80 structures sagittales 60 sagittale structuren strutture sagittali 60 estructuras sagitales 40 放射線方向 40 tangentiale Strukturen 20 tangential structures 20 structures tangentielles 0 tangentiale structuren 0 3 6 9 12 15 18 21 strutture tangenziali 0 0 3 6 9 12 15 18Y'[mm]21 estructuras tangenciales 同心円方向 Y'[mm] f 8.0 [%] 100 f 8.0 [%] 100 80 80 60 60 40 40 20 20 0 0 3 6 9 12 15 18 21 0 0 3 6 9 12 15 18Y'[mm]21 Y'[mm] 1 1a 2a 2b 3 5a 5b 4 6 5d 5 5b 4a 4b 5c 1 Bezeichnung der Teile Désignation des pièces 1. Gegenlichtblende mit 1. Parasoleil avec a. Klemmschraube a. vis de serrage 2. Frontfassung mit 2. Monture frontale avec a. Filter-Innengewinde a. filtre de filetage intérieur b. Index für Blendeneinstellung b. repère du réglage du diaphragme 3. Blenden-Einstellring 3. Bague de réglage du diaphragme 4. Entfernungs-Einstellring mit 4. Bague de mise au point avec a. Verstellhebel a. levier de réglage b. Verriegelungsknopf b. bouton de verrouillage 5. Schärfentiefe-Skala mit 5. Échelle de profondeur de champ avec a. Index für Entfernungseinstellung a. index de mise au point b. -
Film Camera That Is Recommended by Photographers
Film Camera That Is Recommended By Photographers Filibusterous and natural-born Ollie fences while sputtering Mic homes her inspirers deformedly and flume anteriorly. Unexpurgated and untilled Ulysses rejigs his cannonball shaming whittles evenings. Karel lords self-confidently. Gear for you need repairing and that film camera is photographers use our links or a quest for themselves in even with Film still recommend anker as selections and by almost immediately if you. Want to simulate sunrise or sponsored content like walking into a punch in active facebook through any idea to that camera directly to use film? This error could family be caused by uploads being disabled within your php. If your phone cameras take away in film photographers. Informational statements regarding terms of film camera that is recommended by photographers? These things from the cost of equipment, recommend anker as true software gizmos are. For the size of film for street photography life is a mobile photography again later models are the film camera that is photographers stick to. Bag check fees can add staff quickly through long international flights, and the trek on entire body from carrying around heavy gear could make some break down trip. Depending on your goals, this concern make digitizing your analog shots and submitting them my stock photography worthwhile. If array passed by making instant film? Squashing ever more pixels on end a sensor makes for technical problems and, in come case, it may not finally the point. This sounds of the rolls royce of london in a film camera that is by a wide range not make photographs around food, you agree to. -
LEICA SUPER ELMAR-M 21Mm F/3.4 ASPH. LEICA APO-SUMMICRON
LEICA APO-SUMMICRON-MSUPER ELMAR-M 21mm 50 mm f/3.4 f/2 ASPH. ASPH. 1 More than 30 years after the launch of Summicron-M 1:2/50 mm, which is still available, the Leica APO Summicron-M 1:2/50 mm ASPH. represents a totally new development. With its compact body - only marginally longer and slightly heavier than the Summicron-M 1:2/50 mm, and with an almost identical diameter, it provides visibly higher image quality. On the Leica APO Summicron-M 1:2/50 mm ASPH. the exceptional correction enables all aberrations to be reduced to a minimum level that is negli- gible in digital photography. Its key features include excellent contrast rendition, all the way to the corners of the image, even with a fully open aperture. The use of a „floating element“ ensures that this is retained, even for close-up shots. Vignetting is limited to a maximum - i.e. in the corners of the image - of just 2 stops at full aperture in 35 mm format, or around 1 on the Leica M8 mo- dels. Stopping down to 2.8 visibly reduces this light deterioration towards the edge of the image, with practically only the natural vignetting remaining. Distortion is very low at a maximum of just 0.4 % (pin cushoin), which is practically imperceptible. A total of eight lens elements are used to achieve this exceptional performance. To realize the apochromatic correction (resulting in a com- mon focusing plane for three light wavelengths), three are made of glass types with high anomalous partial color dispersion, while two of the others have a high refractive index. -
TIE-35: Transmittance of Optical Glass
DATE October 2005 . PAGE 1/12 TIE-35: Transmittance of optical glass 0. Introduction Optical glasses are optimized to provide excellent transmittance throughout the total visible range from 400 to 800 nm. Usually the transmittance range spreads also into the near UV and IR regions. As a general trend lowest refractive index glasses show high transmittance far down to short wavelengths in the UV. Going to higher index glasses the UV absorption edge moves closer to the visible range. For highest index glass and larger thickness the absorption edge already reaches into the visible range. This UV-edge shift with increasing refractive index is explained by the general theory of absorbing dielectric media. So it may not be overcome in general. However, due to improved melting technology high refractive index glasses are offered nowadays with better blue-violet transmittance than in the past. And for special applications where best transmittance is required SCHOTT offers improved quality grades like for SF57 the grade SF57 HHT. The aim of this technical information is to give the optical designer a deeper understanding on the transmittance properties of optical glass. 1. Theoretical background A light beam with the intensity I0 falls onto a glass plate having a thickness d (figure 1-1). At the entrance surface part of the beam is reflected. Therefore after that the intensity of the beam is Ii0=I0(1-r) with r being the reflectivity. Inside the glass the light beam is attenuated according to the exponential function. At the exit surface the beam intensity is I i = I i0 exp(-kd) [1.1] where k is the absorption constant. -
Reflectance and Transmittance Sphere
Reflectance and Transmittance Sphere Spectral Evolution four inch portable reflectance/ transmittance sphere is ideal for measuring vegetation physiological states SPECTRAL EVOLUTION offers a portable, compact four inch reflectance/transmittance (R/T) integrating sphere for measuring the reflectance and transmittance of vegetation. The 4 inch R/T sphere is lightweight and portable so you can take it into the field for in situ meas- urements, delivered with a stand as well as a ¼-20 mount for use with tripods. When used with a SPECTRAL EVOLUTION spectrometer or spectroradiometer such as the PSR+, RS-3500, RS- 5400, SR-6500 or RS-8800, it delivers detailed information for measurements of transmittance and reflectance modes. Two varying light intensity levels (High and Low) allow for a broader range of samples to be measured. Light reflected or transmitted from a sample in a sphere is integrated over a full hemisphere, with measurements insensitive to sample anisotropic directional reflectance (transmittance). This provides repeatable measurements of a variety of samples. The 4 inch portable R/T sphere can be used in vegetation studies such as, deriving absorbance characteristics, and estimating the leaf area index (LAI) from radiation reflected from a canopy surface. The sphere allows researchers to limit destructive sampling and provides timely data acquisition of key material samples. The R/T sphere allows you to collect all diffuse light reflected from a sample – measuring total hemispherical reflectance. You can measure reflectance and transmittance, and calculate absorption. You can select the bulb inten- sity level that suits your sample. A white reference is provided for both reflectance and transmittance measurements. -
Leica Cl Quick Start Guide
LEICA CL QUICK START GUIDE The comprehensive instructions are available at: https://en.leica-camera.com/Service-Support/Support/Downloads If you wish to receive a printed copy of the comprehensive instructions, please register at: www.order-instructions.leica-camera.com 6 7 3 1 13 14 12 5 10 9 11 8 1 4 2 20 19 21 18 25 17 16 15 22 23 24 26a 26 27 30 28 29 1 Strap lugs 10/13 Setting wheels – in the menu: 10 scrolls within the menu lists – in review mode: 10 enlarges/reduces the recording and 13 browses – in recording mode: see table 2 Lens release button 11/14 Setting wheel buttons – in recording mode: 3 Self-timer LED / AF assist lamp 11 calls up the right setting wheel’s secondary function or the FN menu and 4 Leica L-Bayonet 14 calls up the exposure mode – in review mode: 11 enlarges/reduces a recording and B 14 marks a recording B 12 Top display A Indicates the exposure mode, aperture, A shutter speed, in certain cases the set ISO and exposure compensation values 5 Contact strip 15 Speaker 6 Microphones Sound is recorded in stereo 16 MENU Button 7 Accessory shoe 17 FN Button Recommended fl ash units: Direct access to menu funktions Leica system fl ash units SF 40, SF 64, and – in recording mode: SF 58 Direct access to assignable menu item list 8 Main switch – in recording and playback modes: Turning the camera on and off Direct delete function 9 Shutter button 18 PLAY Button Pressing to the fi rst pressure point acti- Switching between picture and review mode vates: – autofocusing 19 Viewfi nder – exposure metering and control Resolution: 1024 x 768 pixels (2.36 MP) Pressing all the way down: takes a picture/ Magnifi cation 0.74x starts/stops video recording In standby mode: 20 Eye sensor The camera is reactivated Automatic switching between viewfi nder and monitor 21 Dioptre setting wheel Setting range from -4 to +4 dioptr. -
LEICA SL-SYSTEM Technical Data
LEICA SL-SYSTEM Technical Data. Camera Type LeiCa SL (Typ 601) Order No. 10 850 Mirrorless Fullframe System Camera Current Firmware 2.0 Lenses Lens Mount Leica L-Mount Applicable lenses Leica Vario-Elmarit-SL 24–90 mm f/2.8–4 ASPH. Order No. 11 176 Leica APO-Vario-Elmarit-SL 90–280 mm f/2.8–4 Order No. 11 175 Leica Summilux-SL 50 mm f/1.4 ASPH. Order No. 11 180 Lenses from the Leica T Camera System, Leica M-Lenses with Leica M-Adapter T, Leica S-Lenses with Leica S-Adapter L, Leica R-Lenses with Leica R-Adapter L and Leica Cine lenses with Leica PL-Adapter L. Sensor Type 24-MP-CMOS-Sensor (24 × 36 mm) Resolution Full Frame (24 MP): 6000 × 4000 Pixel, APS-C (10 MP): 3936 × 2624 Pixel Filter IR-Filter, no Lowpass Filter ISO ISO 50–ISO 50000 Sensor Cleaning Provided Processor Type Leica Maestro II series Internal RAM 2 GB: 33 DNGs or 30 JPEGs and DNGs image Image Data Format JPEG, DNG Colordepth 14 bit (DNG), 8 bit (JPEG) JPEG Color Space Adobe RGB, ECI RGB, sRGB Motion File Format MP4, MOV Resolution 4K (4096 × 2160) @ 24 fps; 4K (3840 × 2160) @ 25 and 30 fps; 1080 @ 24, 25, 30, 50, 60, 100 and 120 fps; 720 @ 24, 25, 30, 50, 60, 100 and 120 fps Bitrate 8 bit (recording); 10 bit (HDMI not recording) Color sampling 4:2:2/10 bit (HDMI only); 4:2:0/8 bit (recording on SD card) Video L-Log selectable Audio Manual/Auto; Stereo microphone, 48 kHz, 16 bit; Wind elimination Audio external via Audio-Adapter Audio-In (3.5 mm phone jack), Audio-Out (3.5 mm phone jack) Movie Length Max. -
Leica M System
screen_LEI771_MSystem_en 13.09.2006 9:43 Uhr Seite 3 Leica M System The fascination of the moment – analog and digital LEICA M8 new // /// LEICA M7 LEICA MP Leica à la carte screen_LEI771_MSystem_en 13.09.2006 9:43 Uhr Seite 4 1 “24 x 36” Leica M photography portfolio 9 Leica M System 21 LEICA M8 new 29 Simon Wheatley uses the LEICA M8 35 LEICA M7 41 LEICA MP 45 Leica à la carte 50 LEICA M7 entry set 51 Leica M lenses 56 Accessories 62 Technical Data LEICA M8 64 Technical Data LEICA M7/MP 67 “24 x 36” Leica M photography portfolio screen_LEI771_MSystem_en 13.09.2006 9:43 Uhr Seite 1 “24 x 36” Leica M photography portfolio Leica M pictures are unmistakable. They represent a very individual style of photography – they have the power to strike a chord, fascinate and surprise. In 1925 the Leitz company defined the 24 x 36 mm mini- ature format with the camera developed by Oskar Barnack. Since then, reportage photographers have used their discreet and fast Leica M cameras to shape our view of the world. “24 x 36” is the title of an ex- hibition of current work by M photographers. This brochure includes some of the images, representing outstanding examples of how Leica cameras can be used to develop a conscious vision and design, to highlight intensive involvement in a theme and to convey personal messages from the heart of everyday life. The photo galleries on the Internet show you how photography is de- veloping right now with the new digital LEICA M8. -
Listino Luglio 2018 Codice Descrizione Prezzo I.E
www.novoflex.it Listino Luglio 2018 www.novoflex.it Listino Luglio 2018 Codice Descrizione Prezzo i.e. Quadropod QP B Novoflex QuadroPod testa senza piedi € 293,00 QP C Novoflex QuadroPod testa con colonna corta e lunga senza piedi € 335,00 QP V Novoflex QuadroPod testa Variabile senza piedi € 377,00 QP SC Novoflex Colonna corta per QP C€ 16,00 TrioPod TRIOC2840 Novoflex Base Treppiede TrioPod + gambe in fibra di carbonio 4 sezioni + 3 € 445,00 gambe mini intercambiabili + borsa TRIOC2830 Novoflex Base Treppiede TrioPod + gambe in fibra di carbonio 3 sezioni + 3 € 419,00 gambe mini intercambiabili + borsa TRIOA2840 Novoflex Base Treppiede TrioPod + gambe in alluminio 4 sezioni + 3 gambe € 310,00 mini intercambiabili + borsa TRIOA2830 Novoflex Base Treppiede TrioPod + gambe in alluminio 3 sezioni + 3 gambe € 277,00 mini intercambiabili + borsa TRIOWALK Novoflex Base Treppiede TrioPod con bastoni telescopici + 3 gambe mini € 335,00 intercambiabili e borsa TRIO CC Novoflex Supporto centrale h. 8cm per base treppiede TrioPod € 49,00 TRIOPOD Novoflex Base treppiede TrioPod € 150,00 TRIO MINI Novoflex Base treppiede TrioPod con gambe mini € 167,00 TRIOA2844 Novoflex Base Treppiede TrioPod + gambe in alluminio compatte a 4 sezioni + € 293,00 3 gambe mini intercambiabili + borsa TRIOC2253 Novoflex Base Treppiede TrioPod + gambe in alluminio compatte a 5 sezioni + € 326,00 3 gambe mini intercambiabili + borsa TRIOC2844 Novoflex Base Treppiede TrioPod + gambe in fibra di carbonio compatte a 4 € 402,00 sezioni + 3 gambe mini intercambiabili + borsa -
Summarit-M 50Mm
LEICA SUMMARIT-M 50 mm f/2.5 1 Powerful, lightweight and designed to be easy to operate, the LEICA SUMMARIT-M 50 mm f/2.5's applications are as varied as life itself. It corresponds closely to the field of vision and viewing patterns of the human eye and offers an impressively neutral and natural perspective. On analog cameras, it is a brilliant standard lens while on the digital LEICA M8, its 67 mm equivalent focal length makes it ideal for portraits or picking out precise details. The 50 mm Summarit-M is tailor-made for everyday photography. Its lens speed is perfectly adapted for all common applications. It is an updated double-Gauss six-element construction based on our tried and tested design. All of this means that this particular Summarit-M makes the Leica M easier to experi ence than ever before, without cutting any corners in terms of optical performan- ce. Lens shape LEICA SUMMARIT-M 50 mm f/2.5 2 Engineering drawing Technical Data Angle of view (diagonal, horizontal, vertical) For 35 mm (24 x 36 mm) : 47°, 40°, 27°, for LEICA M8 (18 x 27 mm) : 36°, 30°, 20°, corresponds to a focal length of approx. 67 mm with 35 mm-format Optical design Number of lenses/groups: 6/4 Focus length: 50.1 mm Position of entrance pupil: 28.0 mm (related to the first lens surface in light direction) Distance setting Focusing range: 0.8 m to endless Scales: Combined meter/feet graduation Smallest object field / Largest reproduction ratio: For 35 mm, approx. -
Does Size Matter.Sanitized-20151026-GGCS
Does Size Matter? What’s New in Small Cameras and Should I Switch? Doug Kaye dougkaye.com [email protected] • Portfolio at DougKaye.com • Co-Host of All About the Gear • Cuba & Street Photography Workshops • Frequent guest on This Week in Photo • Active on Social Media • Portfolio at DougKaye.com • Co-Host of All About the Gear • Cuba & Street Photography Workshops • Frequent guest on This Week in Photo • Active on Social Media The Acronyms • DSLR: Digital Single-Lens Reflex • MILC: Mirrorless Interchangeable-Lens Camera • APS-C: ~1.5x Crop-Factor Sensor Size • MFT: Micro Four-Thirds • LCD: Liquid Crystal Display (rear) • OVF: Optical Viewfinder • EVF: Electronic Viewfinder MILCs • Mirrorless • Interchangeable Lens • Autofocus • Electronic Viewfinder Who’s Who • The Old Guard • Nikon & Canon • The Upstarts • Sony & Fujifilm (Full-Frame and APS-C) • Olympus & Panasonic/Lumix (MFT) • Leica? Samsung? iPhone? DSLR vs. Mirrorless MILC History MILC History • 2004: Epson RD-1 (1st Mirrorless) • 2006: Leica M8 (1st Digital Leica) • 2008: Panasonic G1 (1st MFT) • 2009: Leica M9 (1st Full Frame) • 2010: Sony NEX-5 (1st M-APS-C, Hybrid AF) • 2012: Fuji X-Pro1 (Hybrid VF, X-Trans) • 2013: Olympus OM-D E-M1 • 2014: Sony a7S (High ISO), a7R (36MP) • 2015: Sony a7 II, a7R II, a7S II (Full-Frame IBIS) MILC Advantages • Smaller & Lighter • Simpler & Less Expensive • EVF vs. OVF • Always in LiveView Mode (WYSIWYG) • Accurate Autofocus • Quieter & Less Vibration • Simpler Wide-Angle Lens Designs • Compatible w/Other Lens Mounts MILC Disadvantages • EVF vs. OVF? • Continuous Autofocus Speed/Accuracy • Lack of Accessories • Legacy Wide-Angle Lens Issues Sensor Size • Full 35mm Frame (FF): 1x • APS-C: 1.5x • MFT: 2x Pixel Size • Larger Pixels Capture More Light • Higher ISO, Lower Noise • Broader Dynamic Range • 16MP APS-C = 36MP Full Frame • 16MP MFT = 64MP Full Frame Field of View (FoV) • Smaller sensors just crop the image. -
Beer-Lambert Law: Measuring Percent Transmittance of Solutions at Different Concentrations (Teacher’S Guide)
TM DataHub Beer-Lambert Law: Measuring Percent Transmittance of Solutions at Different Concentrations (Teacher’s Guide) © 2012 WARD’S Science. v.11/12 For technical assistance, All Rights Reserved call WARD’S at 1-800-962-2660 OVERVIEW Students will study the relationship between transmittance, absorbance, and concentration of one type of solution using the Beer-Lambert law. They will determine the concentration of an “unknown” sample using mathematical tools for graphical analysis. MATERIALS NEEDED Ward’s DataHub USB connector cable* Cuvette for the colorimeter Distilled water 6 - 250 mL beakers Instant coffee Paper towel Wash bottle Stir Rod Balance * – The USB connector cable is not needed if you are using a Bluetooth enabled device. NUMBER OF USES This demonstration can be performed repeatedly. © 2012 WARD’S Science. v.11/12 1 For technical assistance, All Rights Reserved Teacher’s Guide – Beer-Lambert Law call WARD’S at 1-800-962-2660 FRAMEWORK FOR K-12 SCIENCE EDUCATION © 2012 * The Dimension I practices listed below are called out as bold words throughout the activity. Asking questions (for science) and defining Use mathematics and computational thinking problems (for engineering) Constructing explanations (for science) and designing Developing and using models solutions (for engineering) Practices Planning and carrying out investigations Engaging in argument from evidence Dimension 1 Analyzing and interpreting data Obtaining, evaluating, and communicating information Science and Engineering Science and Engineering Patterns