sign in sign up
<<
Home , Aerial Board of Control, Dirk Gringhuis, Mead Schaeffer, Mickey Carroll, Noel Rockmore, Orson Lowell

Sale 506 May 9, 2013 11:00 AM Pacific Time

Fine Literature - Illustrated & Children’s Books - Books in All Fields

Auction Preview Tuesday, May 7, 9:00 am to 5:00 pm Wednesday, May 8, 9:00 am to 5:00 pm Thursday, May 9, 9:00 am to 11:00 am

Other showings by appointment

133 Kearny Street 4th Floor : , CA 94108 phone : 415.989.2665 toll free : 1.866.999.7224 fax : 415.989.1664 [email protected] : www.pbagalleries.com REAL-TIME BIDDING AVAILABLE

PBA Galleries features Real-Time Bidding for its live auctions. This feature allows Internet Users to bid on items instantaneously, as though they were in the room with the auctioneer. If it is an auction day, you may view the Real-Time Bidder at http://www.pbagalleries.com/realtimebidder/ . Instructions for its use can be found by following the link at the top of the Real-Time Bidder page. Please note: you will need to be logged in and have a credit card registered with PBA Galleries to access the Real-Time Bidder area. In addition, we continue to provide provisions for Absentee Bidding by email, fax, regular mail, and telephone prior to the auction, as well as live phone bidding during the auction. Please contact PBA Galleries for more information.

IMAGES AT WWW.PBAGALLERIES.COM

All the items in this catalogue are pictured in the online version of the catalogue at www.pbagalleries. com. Go to Live Auctions, click Browse Catalogues, then click on the link to the Sale.

CONSIGN TO PBA GALLERIES

PBA is always happy to discuss consignments of books, maps, photographs, graphics, autographs and related material. There is no charge for appraisals of items intended for auction, and we accept both individual items, as well as, entire collections and estates. Please contact Bruce MacMakin for more information at [email protected]

BOOK APPRAISALS AT PBA GALLERIES

PBA Galleries now holds regularly scheduled book appraisals at our Kearny Street Gallery.Save the first Tuesday of each month to bring your books, manuscripts, maps, photographs and prints to the PBA Galleries’ Appraisal Events. Though no appointment is necessary, please call to let us know if you will be attending. The verbal appraisals are free. Join us from 11:00 a.m. to 6:00 p.m., at PBA Galleries, 133 Kearny St., Preview & Auction Gallery, Fourth Floor, San Francisco (between Post and Sutter Streets).

GET ON THE PBA EMAIL MAILING LIST

PBA Galleries sends out notices of our auctions, schedule updates, sale highlights and other information via email. To be placed on this mailing list, email us at [email protected]

RECEIVE NOTIFICATION OF YOUR SPECIFIC WANTS

At the PBA Galleries website, you can sign up for CATEGORY WATCH, and receive email notification when books or other items in your areas of interest are coming up for auction, or for individual titles or books by specific authors. Go to www.pbagalleries.com.

PBA WILL PACK AND SHIP YOUR ITEMS TO YOU

PBA Galleries has a full-service shipping department, and will pack and ship items to you that you purchase at auction upon payment. The preferred method of shipping is United Parcel Service, and added charges will apply for use of other services.

NOTE: MOST LOTS OFFERED IN THIS SALE HAVE A MINIMUM RESERVE OF ONE HALF OF THE PRESALE LOW ESTIMATE. SOME LOTS HAVE HIGHER RESERVES, BUT ALWAYS BELOW THE LOW ESTIMATE. Administration Sharon Gee, President Shannon Kennedy, Vice President, Client Services Angela Jarosz, Administrative Assistant, Catalogue Layout Megan Hipsley, Inventory Manager

Consignments, Appraisals & Cataloguing Bruce E. MacMakin, Senior Vice President George K. Fox, Vice President, Market Development & Senior Auctioneer Gregory Jung, Senior Specialist Erin Escobar, Specialist

Photography & Design Justin Benttinen, Photographer

System Administrator Thomas J. Rosqui

Summer Auctions, 2013

May 30, 2013 - South Sea: The Library of Dr. Richard Topel, Part II

June 13, 3013 – Fine & Rare Books

June 27, 2013 – Literature, Illustrated Books & Books in All Fields

July 11, 2013 - Rare Americana with Asian American and African American History

July 25, 2013 - Historic Autographs & Manuscripts with Archival Material

Schedule is subject to change. Please contact PBA or pbagalleries.com for further information. Consignments are being accepted for the 2013 Auction season. Please contact Bruce MacMakin at [email protected].

Front Cover: Lot 136 Back Cover: Clockwise from upper left: Lots 193, 172, 132, 118 Bond # 14425383

Section I: Fine Literature: Lots 1 - 125

Section II: Oz: Lots 126 - 190

Section III: Illustrated & Children’s Books: Lots 191 - 272

Section IV: Books in All Fields: Lots 273 - 477

Section I: Fine Literature 1. Atwood, Margaret. The Circle Game. 80 pp. (8vo) original wrappers printed in red and black. First Edition. Toronto: Contact Press, [1966] One of only 200 wrapper-bound copies, there were also 50 hardback copies issued. The author’s first regularly published book. Inscription by the author on half title, signed Peggy A. Wrappers browned, light wear at edges; very good. (2000/3000)

Lot 1

Page 1 2. Brigman, Anne. Songs of a Pagan. 90 pp. Illustrated with photographs by the author. (Small 4to) original tan cloth stamped in black and silver. First Edition. Caldwell, Idaho: The Caxton Printers, Ltd., 1949 Poems and photographs by Brigman. Scarce. Lacking dust jacket; minor wear; near fine. (300/500)

3. Broun, Heywood. Three works by Heywood Broun. Includes: * Sitting on the World. Maroon decorative cloth, illustrated dust jacket. G.P. Putnam’s Sons, 1924. Rare in jacket! * Pieces of Hate and Other Enthusiasms. Cloth-backed boards, dust jacket. George H. Doran, 1922. With bookplate from the library of Bud Johns on front pastedown. * A Shepherd. Boards, glassine dj, two part boards box. One of 250 copies. William Edwin Rudge, n.d. Various places: Various dates Including the rare dust jacket for Broun’s Sitting on the World. Nearly complete with chipping at edges, hole to spine, and some soiling. Moderate wear to jackets of the first two novels; only light wear to A Shepherd which is near fine. (150/250)

4. Bukowski, Charles. Crucifix in a Deathhand. 101 pp. With preliminary leaves of various colors and differing widths. Illustrations by Noel Rockmore. (4to), original pictorial wrappers with folding flaps, pages and covers printed on heavy stock paper. One of 3100 copies hand printed on hand- made paper, designed, printed and bound by Louise and Jon Webb. First Edition. [] / : A Loujon Press Award Book / Lyle Stuart Inc., [1965] Signed by Charles Bukowski and dated 3-20-65 in red on page facing colophon. Remnant of original wrap-around band tipped inside cover. Gypsy Lou series #2. Dorbin A6; Krumhansl 15; Fogel 15. Light wear at edges, corners bumped; very good. (300/500)

5. Chizmar, Richard T., editor. Cold Blood. (8vo) red leather, dust jacket. No. 344 of 500. First Edition, Deluxe Issue. Shingletown, CA: Mark V. Ziesing, 1991 Signed by the editor and the contributors: Douglas Winter, F.Paul Wilson, Joe R. Lansdale, Andrew Vachss, John Shirley, William F. Nolan, Richard Laymon, Chet Williamson, Ed Gorman, Rick Hautala, Rex Miller, J.N. Williamson, James Kisner, Brian Hodge, Ardath Mayhar, Thomas F. Montelone, David B. Silva, William Relling, Jr., Bentley Little, Ronald Kelly, Tom Elliott, Nancy Collins, Barry Hoffman, Roman Ranieri, Paul Olson, & Ramsey Campbell. Fine. (150/250)

6. Coleridge, Samuel Taylor. The Rime of the Ancient Mariner. 51 pp. Illustrated within text, each illustration with tissue guard. (8vo) reddish-brown cloth, gilt-decorated and lettered cover and spine, blindstamped cloth, all edges gilt. London: Sampson Low, Son & Co., 1857 Likely one of the earliest copies available of this particular edition, as there is a gift inscription dated Christmas, 1856 on the front free endpaper. Spine sunned, rubbed at spine ends and corners; very good. (100/150)

Page 2 7. Connelly, Michael. Seven novels by , all inscribed. Includes: * City of Bones. [2002] * The Narrows. [2004]. * Crime Beat. [2004]. * The Closers. [2005]. * . [2006]. * . [2009]. * The . [2009]. Together 7 volumes in the original boards and dust jackets, first editions.

New York: Little, Brown, Various dates Each inscribed by the author on the title page. Near fine to fine. (200/300)

8. Conrad, Joseph & Ford Maddox Ford. The Nature of a Crime. Cloth-backed boards, paper labels on spine and front, dust jacket. First Edition. Garden City, NY: Doubleday, Page & Company, 1924 Though without evidence, this volume comes from the library Ursula Hemingway, younger sister of author Ernest Hemingway. Provenance: Ursula Hemingway Family. Jacket folded horizontally and vertically; light wear to labels; book and jacket very good. (200/300)

9. Conrad, Joseph. Laughing Anne. (8vo), original full vellum, gilt-lettered spine, original green cloth-covered clamshell box. No. 48 of 200 copies printed on Kelmscott hand-made paper by the Morland Press. First Edition. London: [Morland Press], 1923 Signed by Conrad on the limitation page. A play, adapted from Conrad’s short stories “Because of the Dollars” and “To-morrow” respectively. Ehrsam 2159. Box faded and worn; vellum slightly browned; fine in a very good box. (500/800)

10. Cussler, Clive. Five volumes by Clive Cussler. Includes: * The Sea Hunters 2. Faux-leather and marbled boards, slipcase. One of 600 copies, signed. 2002. * [Another copy]. * Golden Buddha. Cloth-backed boards, dust jacket, slipcase. One of 300 numbered copies. Signed. 2003. * Mayday! Faux-leather, dust jacket, slipcase. Signed. Gift Edition. 2004. * Iceberg. Faux-leather, dust jacket. One of 448 numbered copies. Signed. 2010. Together five volumes, including one duplicate. Aliso Viejo: James Cahill Publishing, Various dates Fine. (250/350)

Absentee bids may be placed directly from the item description in the online version of the catalogue at www.pbagalleries.com

Page 3 11. Dahl, Roald. Charlie and the Chocolate Factory - plus two others. Illustrated by Faith Jaques. 9½x6½, laminated color pictorial boards, custom brown cloth slipcase. First Edition Printed in Great Britain. London: George Allen & Unwin Ltd, [1967] The lot also includes 2 others: Charlie and the Chocolate Factory. Boards, dj. Revised Edition. Knopf, [2001]. * Charlie and the Great Glass Elevator. Boards, dj. Revised Edition. Knopf, [2001]. A touch rubbed and bumped at spine ends; near fine to fine. (300/500)

FINELY BOUND BY BAYNTUN 12. (Defoe, Daniel). The Life and Strange Surprising Adventures of Robinson Crusoe, of York, Mariner. Who Lived Eight & Twenty Years All Alone in an Uninhabited Island on the Coast Of America, Near the Mouth of the Great River of Oroonoque, Having Been Cast on Shore by Shipwreck, wherein all the Men Perished But Himself. With an Account [of] How He Was At Last As Strangely Deliver’d By Pyrates. Written by Himself. [Continued in Volume Two as:] The Farther Adventures of Robinson Crusoe; Being the Second and Last Part of His Life, and of the Strange Surprizing Account of His Travels Round Three Parts of the Globe. Written by Himself. [Including] The Life of Daniel Defoe , by George Chalmers. 2 volumes. xii, 389; vi, 456, +[14] ad pp. Engraved title page in each volume and 15 engraved plates. (8vo) 23.5x14 cm (9¼x5½”) finely bound by Bayntun in full blue crushed , covers bordered in gilt, spines gilt, raised bands, gilt ruled dentelles, all edges gilt. Later edition but the first with illustrations after Stothard. London: John Stockdale, 1790 This landmark work of English literature remains one of the most popular novels ever written. The story tells the tale of a sailor, shipwrecked alone on an island in the middle of the ocean, who manages to survive by recreating his English life: he builds a home, learns how to cook, and gathers the necessities of life, including raising goats and growing crops. He comes to appreciate his sovereignty over the entire island. After fifteen years of absolute mastery over the island, a mysterious footprint appears on the sand, and Robinson meets with another human on the island. Robinson adopts the native, christened Friday, as his companion and servant. The story is apparently based on the adventures of a seaman, Alexander Selkirk, who had been marooned on one of the Juan Fernández Islands off the coast of Chile in 1705. Some wear at joints; near fine. Lot 12 (1500/2000)

13. Dickens, Charles. Works of Charles Dickens - The Illustrated Sterling Edition in 15 volumes. 15 volumes. Each volume approximately 700 pages. Illustrated by various artists. (8vo) green cloth with gilt Art Nouveau decoration, top edges gilt. Boston: Dana Estes, [c.1890] Lightly rubbed at extremities; very good. (500/800)

Page 4 14. (Dumas, Alexandre) Reed, F.W. A Bibliography of Alexandre Dumas Pere. xi, [1], 467, [1] pp. 24.5x18 cm (9¾x7¼”) publisher’s red buckram, gilt-lettered spine. One of 300 copies, this copy not numbered. With 4 page prospectus and order form laid in. London: J.A. Neuhuys, 1933 With a 2 page autograph letter, dated July 28, 1933, signed from the author, to the printer of the book, Mr. Robert Stockwell of London. The letter talks about how pleased Reed is with his first copy of the book, praises Stockwell on the printing of the work, and mentions how Stockwell was recommended by the publisher Neuhuys. With the original mailing envelope. Spine sunned, light soiling or rubbing; a touch foxed; very good. (200/300)

15. Dunning, John. The Torch Passes - Five copies. [8] pp. Stiff paper wrappers. Second Printing. [Huntington Beach]: [James Cahill Publishing], [1995] Five copies, each signed by Dunning on the half title. Fine. (200/300)

WORKS OF GEORGE ELIOT 16. Eliot, George. Ten works by George Eliot - First Editions, uniformly bound. Includes: * Scenes of Clerical Life. 2 volumes. 1858. * Adam Bede. 3 volumes. 1859. * The Mill on the Floss. 3 volumes. 1860. * Silas Marner. 1 volume. 1861. * Romola. 3 volumes. 1863. * Felix Holt, The Radical. 3 volumes. 1866. * The Spanish Gypsy. 1 volume. 1868. * Middlemarch. 4 volumes. 1871. * Daniel Deronda. 4 volumes. 1876. * Impressions of Theophrastus Such. 1 volume. Front cover detached. 1879. Together 10 titles in 25 volumes. First Editions, uniformly bound in brown half morocco, spines gilt, top edges gilt. Edinburgh: William Blackwood, Various dates

Lot 16 Bindings well worn, chipped, rubbed, etc; would benefit from repair or rebinding; good. (2000/3000)

17. Fitzgerald, F. Scott. The Great Gatsby. Flexible blue cloth, dust jacket. First Modern Library Edition. New York: The Modern Library, [1934] Second issue dust jacket. With the “Discontinued Title” ink stamp at the top of the front panel of the dust jacket. Jacket sunned and lightly worn at the edges; near fine. (250/350)

Page 5 18. Flanner, Janet. The Cubical City. [4], 426 pp. (8vo) black cloth stamped in gilt. First Edition. New York: G.P. Putnam’s Sons, 1926 Flanner was the correspondent for New Yorker magazine from 1925 until she retired in 1975. She was a member of the American expatriate community in Paris in the 1920s, this was her only novel. Light wear to cloth, rear hinge cracking, small lending library stamp on front endpaper (no other markings); very good. (250/350)

19. (Franklin Library) . Eight signed editions from the Franklin Library, plus two others. Includes: * Baldwin, James. Go Tell It on the Mountain. 1979. * Catton, Bruce. A Stillness at Appomattox. 1977. * Drury, Allen. Advise and Consent. 1977. * Hersey, John. A Bell for Adano. 1978. * Shaw, Irwin. The Young Lions. 1979. * Stegner, Wallace. The Big Rock Candy Mountain. 1978. * Stone, Irving. Lust for Life. 1981. * Warren, Robert Penn. Selected Poems, 1923-1975. 1981. Together 8 volumes in the original decorative full leather bindings, each signed by the author.

Franklin Center, PA: Franklin Library, Various dates Also includes: * Starzl, Thomas. E. The Puzzle People: Memoirs of a Transplant Surgeon. Full blue leather. Signed by the author. [NY: Gryphon Editions, 1992]. * Aristophanes. Lysistrata. Illustrated by Pablo Picasso. Full red leather. Norwalk, CT: Easton Press, [1983]. Overall near fine or better. (250/350)

20. Frost, Robert. Collected Poems - Signed Limited Edition. [vi], 349, [1 blank], [8] pp. (8vo) original tan cloth, brown leather spine labels. One of 1000 copies. First Edition. New York: Random House, 1930 Signed by Frost on the half title, as issued. Spine sunned, light wear to label; very good. (300/500)

21. Hemingway, Ernest. Across the River and Into the Trees. Black cloth, spine lettered in gilt, dust jacket. First American Edition. New York: Scribner’s, 1950 First issue jacket, with yellow lettering on the backstrip. The British edition precedes the American edition, but only by three days. Hanneman A23.A. Jacket lightly edge-worn, foxing on rear panel and flap as well as on the jacket reverse; volume with spine lettering lightly rubbed, endpapers foxed; book and jacket very good. (100/150)

Phone bidding is available during our auctions Please call 415-989-2665 for more information prior to the auction.

Page 6 22. Hemingway, Ernest. A Farewell to Arms. Black cloth, gilt paper cover and spine labels, pictorial jacket illustrated by Cleon. First Edition, First Issue Book; later issue jacket. New York: Scribner’s, 1929 One of the most important books in twentieth century literature, and certainly the best American novel to emerge from World War I. First issue book without the disclaimer notice on p. [x]; publisher’s symbol device on copyright page. Early state jacket, without either Katharine or Catharine Barclay mentioned on the front flap, instead there are review quotes from three different New York newspapers. Hanneman A8.A. Jacket browned and lightly chipped at edges; volume lightly worn at extremities, light wear to labels, hinges cracked; book and jacket about very good. (500/800)

IN A DUST JACKET 23. Hemingway, Ernest. To Have and Have Not. Black cloth, spine lettered in gilt over green background, dust jacket. First Edition. New York: Scribner’s, 1937 Hemingway’s fourth novel and the first long work of fiction since “A Farewell to Arms,” published eight years earlier. This work was the basis for the classic Howard Hawks’ film, scripted by William Faulkner and Jules Furthman, and starring Humphrey Bogart and Lauren Bacall in her debut. Hanneman A14.A. Jacket lightly worn; fine in a near fine jacket. Better than typically encountered. (1500/2500)

Lot 23

24. Hemingway, Ernest. The Old Man and the Sea. Blue cloth, spine lettered in silver, pictorial jacket. First Edition. New York: Scribner’s, 1952 First issue jacket, with the photograph of Hemingway on the rear panel printed with a blue hue. This was changed to olive green, and the mention of Hemingway winning the Nobel Prize was added later. Winner of the Pulitzer Prize and the book which finally earned the Nobel Prize for Hemingway. Hanneman A24.A. Jacket with minor wear and a small stain on front panel; fine in a near fine jacket. Better than typically encountered. (700/1000)

Page 7 HEMINGWAY’S FIRST NOVEL 25. Hemingway, Ernest. The Torrents of Spring. Greenish-black cloth, pictorial jacket. First Edition, later issue dust jacket, with reviews for The Sun Also Rises and Men Without Women on the rear panel. New York: Charles Scribner’s Sons, 1926 Hemingway’s first novel, printed in an edition of only 1250 copies, the first of his books to be published by Scribner’s. Hemingway began the book while under contract to Boni & Liveright, who had published his first book, the collection of stories “In Our Time”. Hemingway was dismayed by the book’s lack of commercial success and blamed the publisher’s poor promotion and use of blurbs by more famous writers -- most especially Sherwood Anderson, who was then the dean of American letters and Boni & Liveright’s bestselling author. Hemingway felt the blurbs were off-putting and hurt, rather than helped, his book. Although he was under contract to Boni & Liveright for two more books, Hemingway contrived a plan to free himself from the obligation: his contract stated that if Boni rejected one of his books, he would be free to terminate the contract and take his writing elsewhere. As Lot 25 such, he conceived of a short, comic novel which would lampoon Sherwood Anderson’s most recent book, “Dark Laughter”, and which would be unpublishable by Boni, thus freeing Hemingway to go elsewhere. Hemingway wrote “The Torrents of Spring” in a few short weeks in November, 1925 and submitted it to Boni & Liveright where it was promptly, as he had expected, rejected. Hanneman A4.A. Jacket browned, front flap price-clipped and with a $2.00 price stamped at head, extensive professional repairs on verso to flap folds and spine, paper restorations at spine ends (replacing the type for “The” and most of “Torrents” in the title) and tips of folds; volume with some restoration to spine ends, edges and corners, hinges repaired; paper to upper corner of front free endpaper; overall a nice copy, restored to very good or better condition. (2000/3000)

26. (Hemingway, Ernest) . Photograph of Ernest Hemingway at the Stork Club, New York. Photograph of Ernest Hemingway at the Stork Club, New York, with his fourth wife, journalist Mary Welsh Hemingway, actor Spencer Tracy, comedian George Jessel, and Hollywood-Broadway producer Leland Hayward and his fourth wife. 10x13”. c.1957 Provenance: George Jessel estate; the photograph was reportedly framed on his wall. Jessel’s typed note pasted to the rear board dates the picture as “around 1957”. But a different photograph of the same group in the Bettmann archives is dated June 28, 1953, reportedly while Hemingway was “negotiating with a motion picture company who wants to film his latest book, Old Man and the Sea”. The book was published in 1952; the film, starring Spencer Tracy as “The Old Man” was released in October 1958. The movie was produced by Hayward, who had once been Hemingway’s Hollywood agent, and had also once proposed marriage to Katherine Hepburn early in her secret romantic involvement with Tracy. Mary Hemingway appeared in the movie in a supporting role, her only film appearance. Rubbed edges; very good. (200/300)

27. Hosseini, Khaled. Two novels by Khaled Hosseini including one signed. Includes: * A Thousand Splendid Suns. Cloth, dust jacket (light dampstaining to top edge. One of 1,500 signed on a special inserted leaf by the author, signed in May 2007. Bloomsbury, [2007]. * The Kite Runner. Cloth-backed boards, dust jacket (light shelf wear to each, tear to dj edge). First US Edition. Riverhead Books, [2003]. Various places: Various dates Some light wear to each; very good or better. (100/150)

Page 8 AUTHOR’S RARE FIRST BOOK 28. Housman, A.E. A Shropshire Lad. viii, 96 pp. (12mo) original vellum-backed boards, paper spine label. Custom clamshell box. First Edition. London: Kegan Paul, Trench, Trubner & Co., 1896 Spine label in the first state with “Shropshire” measuring 33 mm. The author’s rare first book. The first printing, made at Housman’’s expense following Macmillan’s rejection of the book, consisted of 500 sets of sheets. 150 were bound for the American issue, 250 bound for the first British issue, the remaining 100 copies were bound later for Britain. Leather book label of Walter Chrysler on front pastedown. Binding browned, edges lightly worn; very good. (1500/2500)

29. James, Henry. The Ambassadors. [ii], 432 pp. (8vo), original blue-gray boards, spine gilt lettered, top edge gilt, in navy blue cloth dust-jacket gilt lettered on backstrip. First American Edition. New York: Harper & Brothers, 1903 Issued a few weeks after the first English edition, with many variations in the text. BAL 10656. Edel & Laurence A58b. Jacket spine reinforced on reverse; spine chipped, front cover loosely attached; fair in a very good jacket. (100/150)

30. Joyce, James. Ulysses. 735 pp. (8vo) three-quarter red morocco and cloth, top edge gilt. Eighth printing, (entirely reset); First printing of reset edition. Paris: Shakespeare & Company, 1926 Early printing of one of the greatest works of literature of the twentieth century. Slocum & Cahoon A17. Spine perished, covers detached; half title and final leaf of text detached; would benefit from binding repair. (400/600)

31. Kerouac, Jack. Big Sur. Dark blue paper over boards with a gilt-lettered black cloth spine, jacket. First Edition, First Printing. New York: Farrar, Straus and Cudahy, [1962] Classic Kerouac title, written in 10 days during his trek into the Big Sur wilderness area to kick alcohol. Charters A17a. Fine volume in fine jacket. (300/500)

32. Kerouac, Jack. The Dharma Bums. Black cloth, silver and green-gilt lettering, pictorial jacket. First Edition. New York: Viking, 1958 Charters A4a. Jacket lightly rubbed, light edge wear, one tiny tape repair on edge of verso; a fine volume in a near fine jacket. (500/800)

33. Kerouac, Jack. Lonesome Traveler. Illustrated from drawings by Larry Rivers. 8vo. Half tan- brown paper over black boards, spine lettered in silver and terra cotta, pictorial jacket. First Edition. New York: McGraw-Hill Book Co., [1960] Kerouac’s biographical travel sketches. Charters A13a. Jacket spine a bit yellowed, light wear, light foxing; a touch of shelf wear; else a fine volume in a very good jacket. (200/300)

34. Kerouac, Jack. Visions of Gerard. Black cloth-backed patterned boards, spine lettered in gilt, pictorial jacket. First Edition. New York: Farrar, Straus, [1963] The elusive first hardcover printing of this Kerouac title. Charters A19a. Jacket browned, mostly at spine; near fine volume in near fine jacket. (200/300)

Page 9 35. Kesey, Ken. Sometimes a Great Notion. Blue-grey cloth, dust jacket. First Edition, First issue. New York: Viking, [1964] First issue with Viking’s logo on the half-title. First state jacket with photo credit of Hank Krangler. Author’s second book and basis for the 1971 film starring Paul Newman and Henry Fonda. Jacket lightly rubbed, small tear at top edge of front panel; a touch of fading to cloth; near fine. (500/800)

LARGE COLLECTION OF 36. Kipling, Rudyard. The Benefactors. [vi], [32] pp. 21.8x15.3 cm. (8½x6”), cloth-backed orange boards, Copy 95 of 91 printed. New York: Privately Printed, 1930 Pirated first separate edition, a satirical fantasy first published in The American Magazine in March, 1912. Spine lettered dull and slightly rubbed, a little wear to corners, very good. (150/250)

37. Kipling, Rudyard. : A Story of the Grand Banks. viii, 245, [2] ad pp. Illustrated by I. W. Taber. Original gilt-decorated and lettered blue cloth, all edges gilt. First Edition. London: Macmillan, 1897 Considered one of the great nineteenth century novels. Livingston 137. A little rubbing to corners, spine gilt a bit dull, leaning a trifle; foxing to title-page and prelims., occasionally within, very good. (300/500)

38. Kipling, Rudyard. Destroyers at Jutland. Four pamphlets. 20.3x13.7 cm. (8x5½”), cream wrappers printed in green; housed in green cloth slipcase and chemise. Garden City: Doubleday, Page & Co., 1916 A complete set of the U.S. copyright printings of the installments in this series. Each pamphlet was printed in an edition of around seventy-five copies (not stated), preceding the appearances of the articles in the press, and constitute the first appearances. First pamphlet with front wrapper lightly foxed; very good to fine condition. (300/500)

39. Kipling, Rudyard. . Six pamphlets. 20.3x13.7 cm. (8x5½”), cream wrappers printed in green; housed in red half-morocco slipcase and chemise. Garden City: Doubleday, Page & Co., 1915 A complete set of the U.S. copyright printings of the installments in this series, including: I. THE AUXILIARY FLEET; II. THE AUXILIARY FLEET; III. ; IV. SUBMARINES; and VI. PATROLS. Each pamphlet was printed in an edition of around seventy-five copies (not stated), preceding by one day the appearances of the articles in the press, and constitute the first appearances. Near fine to fine copies in lightly scuffed slipcase. (300/500)

40. Kipling, Rudyard. From Sea to Sea - American and English editions. Comprises: * From Sea to Sea. 2 volumes. xiii, [1], 460; , [1], 400 pp. Green cloth decoratively stamped and lettered in dark green on front covers, spines lettered in gilt. New York: Doubleday & McClure, 1899. First Edition, First Issue. * From Sea to Sea. 2 volumes. xiv, 497, [1] + [2] ad; ix, [3], 438 + [2] ad pp. Red cloth stamped in gilt, top edges gilt. London: Macmillan, 1900. First English Edition. New York & London: 1899 & 1900 The American edition is the first issue, Vol. II with “fifteen feet” for 1500 on p. 90 and “tacked” for “packed” on p. 153. Livingston 227 & 228 Very good or better condition, 2nd pair with bookplates. (250/350)

Page 10 41. Kipling, Rudyard. The Gypsy Trail. [12] pp. Frontispiece by E.B. Bird. 14.2x11.5 cm. (5¾x4½”), blue boards. One of 39 copies printed by Fred & Bertha Goudy at the Village Press. Second Edition. Hingham, Mass.: Fred & Bertha Goudy, 1905 This copy inscribed by Goudy on the colophon page, To Mr. Cornish with the best wished of Mrs. F.W. Goudy Dec. 25th, 1905.” Beneath this inscription, the recipient has pasted a clipping about Goudy from the Literary Digest, Nov. 1933, and has added a ms. note “Marlboro NY Jan. 26 1939 the workshop and contents entirely destroyed by fire.” Livingston 293 (who gives the date as 1904, noting it as issued by Alfred Bartlett). Spine ends slightly chipped, near fine. (300/500)

42. Kipling, Rudyard. Indian Tales. [8], 749, [1] pp. Plates from drawings; photogravure frontispiece portrait. Color decorated red cloth lettered in gilt, top edge gilt, jacket, two-part box. First Edition Thus. Oriental Edition. New York & Boston: H. M. Caldwell & Co., [1899] Box with some fading and minor soiling; jacket with a bit of extremity wear; volume with frontispiece, title-page and several prelims. detached together, suitable for repair; overall near fine, scarce with jacket and two-part box. (150/250)

43. Kipling, Rudyard. The Irish Guards in the Great War: Edited and compiled from their Diaries and Papers. 2 volumes. xvi, 344; vi, 310 + [2] ad pp. With maps designed by Emery Walker. 22.5x14.5 cm. (8¾x5¾”), red cloth stamped in gilt, top edges gilt, jackets. First Edition. London: Macmillan, 1923 Livingston 482. Jackets darkened, somewhat brittle, a few chips and short tears; very good in like jackets. (200/300)

44. Kipling, Rudyard. For Little Children. [6], 249, [2] pp. Illustrated by the author, including initials and plates. 9x6¾, original red cloth pictorially stamped in white, red and black, lettered in white. First Edition, First Issue. London: Macmillan & Co., 1902 First issue, with the flaking white pigment in the cover illustrations and lettering. In this copy, the lettering is still sound on the front cover, a bit faint on the spine, and the small animals at the top and bottom of the covers are also faint. Livingston 267. Light foxing to endpapers, very good or better. (300/500)

45. Kipling, Rudyard. Just So Stories For Little Children [&] The Just So Song Book. Comprises: * Just So Stories For Little Children. With Illustrations by the Author and Coloured Plates by Joseph M. Gleeson. [8], 249, [1] + [2] ad pp. 12 color plates. 23.5x17 cm., blue cloth lettered & pictorially stamped in gilt, top edge gilt. 1913. * The Just So Song Book. Being the Songs from Rudyard Kipling’s Just So Stories Set to Music by Edward German. [2], 62 pp. 31.2x24 cm., red cloth pictorially stamped in black, lettered in gilt. 1st U.S. Edition. * Together, 2 volumes. London: Macmillan, 1913 & 1903 The second title is the U.S. issue: on the reverse of the title page is printed: “Copyright in the of America” and The final song is “Rolling Down to Rio”, substituted for “I’ve Never Sailed the Amazon” which appears in the U.K. edition. Some minor wear to extremities, both in very good or better condition. (250/350)

The auction begins at 11:00 am Pacific Time

Page 11 46. Kipling, Rudyard. - American & English First Editions. Comprises: * Kim. [6], 460 pp. Green cloth, stamped in black, gilt-lettered on cover and spine, top edge gilt. New York: Doubleday, Page, 1901. First Edition, First Issue. * Kim. [4], 413 + [2] ad pp. Red cloth, stamped and lettered in gilt, top edge gilt. London: Macmillan, 1901. First English Edition. * Together, 2 volumes. Each illustrated with 10 plates from photographs of bas-reliefs by (Rudyard’s father). New York & London: 1901 Kipling’s best-love novel, ranked #78 on the Modern Library 1998 list of the 100 best English- language novels of the 20th century. The American edition is generally accepted as having preceded the English edition. This is the first issue of the American edition, with rhymed chapter headings for chapters VIII and XIII only. Livingston 248 & 250. American edition with slight rubbing to spine ends, faint offset to endpapers; English edition with light rubbing to joints and extremities, spine head slightly bumped, hinges just starting to crack at endpapers, bookplate; very good or a bit better. (200/300)

47. Kipling, Rudyard. National Bands: A Speech by Rudyard Kipling, Delivered at the Mansion House o Jan. 27, 1915 - 2 copies. Each 4 pp., a folded leaf. 27x20.5 cm. (10¾x8”). [London]: 1915 Issued to accompany “A Song of the English,” published in 1915 “On Behalf of ‘’ National Bank Fund”. Livingston 392. One with paper a bit toned, a corner creased, else very good, the other better. (150/250)

48. Kipling, Rudyard. A Naval Mutiny. [2], 18 pp. 10.3x13.7 cm. (8x5½”), cream wrappers printed in green; housed in later red half morocco slipcase & chemise.. Garden City: Doubleday, Doran & Company, 1931 American Copyright printing preceding the English publication. Slipcase spine darkened (from smoke), some rubbing and wear; volume fine. (100/150)

49. Kipling, Rudyard. On Dry-Cow Fishing as a Fine Art. [6], 13, [1] pp. 20.2x12 cm. (8x4½”), marbled boards, thin wrap-around paper label, original blue chemise and slipcase. No. 85 of 176 copies printed by Bruce Rogers for the Rowfant Club. First separate edition. Cleveland: Rowfant Club, 1926 Scarce angling narrative by Kipling, originally published in The Fishing Gazette, December 1890. Livingston 504. A few nicks to slipcase extremities; trace from removed bookplate to front pastedown, small faint rubberstamp “Yale U.L.” to title-page verso; near fine in very good slipcase. (300/500)

50. Kipling, Rudyard. The Outlaws. Broadside poem. Seven stanzas. 27.2x18 cm. (10¾x7”). [Garden City]: [Doubleday, Page], 1914 Rare broadside poem by Kipling issued by Doubleday, Page for copyright purposes. It was to appear in King Albert’s Book, also published in 1915, and in The Years Between, 1919. A bit of rubbing to corners; near fine. (200/300)

Bids may be placed during the auction using the Real-Time Bidder on our website at www.pbagalleries.com

Page 12 SIGNED BY AUTHOR AND ARTIST 51. Kipling, Rudyard. Poems: 1886-1929. 3 volumes. Frontispiece portrait in volume one executed in drypoint and signed by Francis Dodd, in pencil. 26.5x19 cm. (10½x7½”), full red morocco, gilt-lettered spines with raised bands, gilt dentelles, top edges gilt. No. 85 of 525 copies printed on hand-made paper by the Chiswick Press. First Edition. London: Macmillan & Co., 1929 Signed by Kipling on limitation page in Vol. I. Livingston 545. Some rubbing to extremities; paperclip mark to prelims. of Vol. I; near fine. (1000/1500)

Lot 51

52. Kipling, Rudyard. Puck of Pook’s Hill - English & American editions. Comprises: * Puck of Pook’s Hill. x, 306, [4] ad pp. 20 full-page illustrations by H.R. Millar, including the frontispiece. Red cloth stamped in gilt, top edge gilt. London: Macmillan, 1906. First Edition. * Puck of Pook’s Hill. [8], 277 pp. With 4 color plates by . Green cloth gilt-lettered and pictorially stamped in black, top edge gilt. First American Edition. London / New York: 1906 Livingston 299 & 300; Latimore & Haskell p.28. A little rubbing to extremities, 1st spine a bit faded, leaning a trifle; foxing to 1st endpapers, very good or better. (200/300)

53. Kipling, Rudyard. Sea and Sussex from Rudyard Kipling’s Verse. xv, 94 pp. Mounted color plates by Donald Maxwell. (4to) 29x22.5 cm. (11½x9”), vellum backed boards, spine lettered in gilt, top edge gilt, jacket, slipcase with printed label. One of 500 Large Paper copies. London: Macmillan and Co., 1926 Signed by Kipling at limitation statement. Slipcase darkened with some rubbing and wear; jacket darkened especially spine which is chipped and torn so jacket is in two pieces, a few other chips; offset to volume endpapers, else near fine in good jacket and slipcase. (300/500)

ONE OF 30 COPIES 54. Kipling, Rudyard. The Seven Seas. xv, [3], 230 pp. Title-page vignette. 22x14 cm. (8¾x5”), original quarter vellum & cloth, spine lettered in gilt, top edge gilt; later half morocco slipcase & chemise. One of thirty copies printed on Japan Vellum. First English Edition. London: Methuen, 1896 Rare, desirable edition of Kipling’s Seven Seas, limited to only thirty copies. The English edition varied considerably from the American edition which slightly preceded it, including the addition of three poems not in the American edition: “The Answer”; “The Lost Legion”; and “”. With the bookplate of Paul Lemperley, Livingston 131. Some scuffing to spine of the later slipcase; little soiling to covers, slight darkening to vellum spine; else near fine. (800/1200) Lot 54 Page 13 55. Kipling, Rudyard. Soldier Tales. viii, 172 pp. Frontispiece and 20 full page plate plus chapter head & tailpieces by A.S Hartwick. Original blue cloth pictorially stamped in gilt, spine lettered in gilt, all edges gilt. First Edition. London: Macmillan and Co., Ltd., 1896 Livingston 133. Bookplate of W.C. Gardiner. Rubbing to spine ends and slightly to joints and corners, spine leaning a bit; very good or better, a bright copy. (200/300)

56. Kipling, Rudyard. A Song of the English. Illustrated by W. Heath Robinson, including 16 tipped- in color plates on brown paper. (4to), 27.5x21 cm. (10¾x8¼”), pictorial cream cloth; pictorial jacket. [London]: For the Daily Telegraph by Hodder & Stoughton, [1909] Moderate soiling and rubbing to jacket; volume endpapers foxed with offset, some offsetting to text leaves from the plate mounts; very good in like jacket. (200/300)

57. Kipling, Rudyard. A Song of the English. [128] pp. 30 tipped-in color plates by W. Heath Robinson, printed tissue guards. (4to) 28x22 cm. (11x8½”), original blue cloth pictorially stamped in gilt. First Illustrated Edition. London: Hodder & Stoughton, [1909] Some rubbing to extremities, spine head lightly bumped; ink inscription to front endpaper dated Xmas 1909, else very good. (150/250)

58. Kipling, Rudyard. Songs of the Sea from Rudyard Kipling’s Verse. xi, 99 pp. Illustrations by Donald Maxwell. (4to) 29x23 cm. (11½x9¼”), vellum backed boards, spine lettered in gilt, jacket, plain cardboard slipcase. One of 500 copies of the large paper edition. London: Macmillan and Co., 1927 Signed by Kipling at limitation. Slipcase with some fading and rubbing; jacket moderately foxed and darkened; light foxing to volume endpapers and flyleaves, else near fine in very good jacket and slipcase. (400/600)

59. Kipling, Rudyard. A Tour of Inspection. [iv], 50 pp. 10x12 cm. (8x4¾”), blue boards, paper label on spine. Copy 49 of 93 printed. New York: Privately printed, 1928 Slight darkening to top and bottom cover margins, else very good, contents largely unopened. (80/120)

60. Kipling, Rudyard. With the Night Mail: A Story of 2000 A.D. [8], [3]-77 leaves + [9] mock ad leaves. Text printed on rectos of leaves only. Four color plates including frontispiece, illustrated by Frank Leyendecker and H. Reuterdahl. 19x13 cm. (7½x5”), dark blue cloth, decorated in gilt and silver, lettered in gilt, color illustrated endpapers. First American Edition. New York: Doubleday, 1909 The only science fiction novel by the author, the story of a future world governed by the Aerial Board of Control. Livingston 318. Some rubbing to extremities, front hinge starting to cracking; very good. (150/250)

The auction begins at 11:00 am Pacific Time

Page 14 61. Kipling, Rudyard. [Works, i.e.:] The Collected Works of Rudyard Kipling. 28 volumes. Frontispiece portrait of the author from a photo in Vol. I; wood-engraved vignette on title page of each. 8vo. Red cloth, gilt vignette stamped on the front cover of each, spines gilt, top edges gilt. No. 160 of 1010 sets. The “Burwash Edition.” [New York]: Doubleday, Doran & Co., 1941 Signed by Rudyard Kipling on the limitation page in Volume I. Near fine to fine. (500/800)

62. Kipling, Rudyard. [Works, i.e.:] The Writings in Prose and Verse. 24 volumes. With plates including gravure frontispieces. 20.5x14 cm. (8¼x5½”), half gilt-ruled red morocco & marbled boards, spines tooled in gilt, raised bands, marbled endpapers, top edges gilt. New York: Charles Scribner’s Sons, 1899-1909 Spines with some darkening and rubbing, some scuffing to joints and extremities, very good overall. (500/800)

SEVERAL SMALL GROUPS OF KIPLING 63. Kipling, Rudyard. Four editions of . Comprises: * The Jungle Book. 16 color plates by Maurice and Edward Detmold. Gilt-decorated red cloth, top edge gilt. (In inscription to front endpaper dated 1909.) London: Macmillan, 1908. * The Jungle Book. 16 color plates by Maurice and Edward Detmold. Decorations in the borders of text pages throughout. Green cloth pictorially stamped in gilt and light green, top edge gilt. (Spine a bit rubbed, front hinge cracked.) New York: Century, 1913. * The Jungle Books. With illustrations by J. Lockwood Kipling and W.J. Drake. Full polished red calf ruled in gilt, spine tooled in gilt, raised bands, morocco lettering pieces, gilt inner dentelles, marbled endpapers, all edges gilt; bound by Frost & Co. (Ink inscription on front flyleaf.) London: Macmillan, 1961. * The Jungle Books. Illustrated by David Gentleman. Cloth-backed marbled boards, slipcase. No. 318 of 1500 copies printed at the Stinehour Press, signed by the illustrator. New York: Limited Editions Club, 1968. London & New York: Various dates First two very good, others fine. (250/350)

64. Kipling, Rudyard. Five small printings of Kipling items. Includes: * The Absent-Minded Beggar. Wrappers (detached with some chips and darkening). Livingston 224. New York: Brentano’s, 1900. * Another copy of preceding, bound in half morocco & marbled boards without the wrappers. * Kipling Calendar. Cloth-backed boards, jacket (which is splitting up front joint. Livingston 484. Garden City: Doubleday, Page, 1923. * The Legs of Sister Ursula. Boards. No. 116 of 500 copies printed by the Brothers Johnson. San Francisco: Windsor Press, 1927. * Two Forewords. Cloth-backed marbled boards. Contents largely unopened. 1 of 950 copies. First Edition. Garden City: Doubleday, Doran, 1935. Various places: Various dates Good to very good condition. (200/300)

Absentee bids are accepted by phone. Please call us at 415-989-2665 prior to the auction.

Page 15 65. Kipling, Rudyard. Nine volumes of Poetry, Essays, etc., by Rudyard Kipling. Comprises: * Poems and Ballads. Illustrations by Victor A. Searles. Cloth decorated in gilt and colors, top edge gilt. New York: Dodge Publishing, 1899. “Oriental Edition.” * The Army of a Dream: Reprinted from ‘Traffics and Discoveries.’ Buff wrappers lettered in red; later blue cloth slipcase & chemise. Livingston 284. London: Macmillan, 1905. First English Separate Edition. * The Dead King. Lavender paper wrappers. Livingston 344. London: Hodder & Stoughton, 1910. First English Edition. * Twenty Poems. French blue paper wrappers; later red half morocco slipcase & chemise. Livingston 433. London: Methuen, [1918]. First Edition. * A Kipling Anthology: Prose. Cloth. Livingston 473. Garden City: Doubleday, Page, 1922. First American Edition. * Independence: Rectorial Address delivered at St. Andrews, October 10, 1923. Pale yellow wrappers lettered in green; later half morocco slipcase & chemise. Livingston 485. Garden City: Doubleday, Page, 1923. Copyright Edition. * Rudyard Kipling’s Verse: Inclusive Edition, 1885-1918. full dark green levant morocco tooled in gilt with flowers in the corners, spine tooled & lettered in gilt, raised bands, gilt inner dentelles, marbled endpapers, all edges gilt. Garden City: Doubleday, Page, 1923. * A Choice of Songs... Yellow wrappers. (Some edge wear.) Livingstone 499. London: Methuen, [1925]. First English Edition. * A Book of Words: Selections from Speeches and Addresses Delivered Between 1906 and 1927. Cloth, jacket. London: Macmillan, 1928. Various places: Various dates Very good or better condition. (300/500)

66. Kipling, Rudyard. Seven volumes by Rudyard Kipling on military matters. Includes: * A Fleet in Being. Wrappers. (Spine repaired with cloth tape, some chipping to edges, bookplate.) Livingston 178. First Edition, first issue. London: Macmillan, 1898. * A Fleet in Being. Cloth. Livingston 178. First Edition, second issue. London: Macmillan, 1898. * The New Army in Training. Wrappers lettered in red. (Spine repaired with cloth tape, minor staining & corners wear.) First Collected Edition. Livingston 391. London: Macmillan, 1915. * France at War. Wrappers. (A few corner chips.) Livingston 397. First Edition. London: Macmillan, 1898. * France at War. Boards, paper cover & spine labels. (Spine rubbed, stained). Livingston 398. First American Edition. Garden City: Doubleday, Page, 1915. * The Fringes of the Fleet. Wrappers lettered in red. (Spine repaired with cloth tape, minor staining & corners wear.) First English Edition. Livingston 400. London: Macmillan, 1915. * Sea Warfare. Gilt-lettered cloth. Livingston 408. First Edition. London: Macmillan, 1916. Various places: Various dates Generally very good or better condition. (300/500)

You can bid absentee directly from the item description in the online version of the catalogue at www.pbagalleries.com. Or bid during the auction using the Real-Time Bidder.

Page 16 67. Kipling, Rudyard. Three volumes containing works by Rudyard Kipling. Comprises: * Six works in A.H. Wheeler’s , bound together, with the original front wrappers, including: Soldier’s Three; ; In Black and White; ; The Phantom Rickshaw and Other Eerie Tales; Wee Wilie Winkie and Other Stories. Half morocco & boards, spine tooled in gilt, raised bands. (Some rubbing and scuffing to binding.) London: Sampson, Low, et al., c.1890s. * : A Collection of Stories. Third Edition, Indian issue using the sheets of the first English Edition. Later red cloth with major portion of original front wrapper laid on. Livingston 30. Allahabad: A.H. Wheeler & Co., 1890. * Wee Willie Winkie, Under the Deodars, the Phantom ‘Rickshaw and Other Stories. Original blue cloth decorated and lettered in gilt. (Some rubbing to joints and extremities, leaning a bit.) Livingston 121. London: Macmillan, 1895. First combined edition additional matter. London: Various dates About very good condition. (300/500)

68. Kipling, Rudyard. Four volumes by Rudyard Kipling - They and the Brushwood Boy. Includes: * The Brushwood Boy. Illustrated by . Dark gray cloth decorated in green and silver, top edge gilt. Livingston 209. New York: Doubleday & McClure, 1899. First Edition. * ‘They’. Illustrated by F.W. Townsend. White cloth lettered in gilt. (Spine darkened, some cover soiling.) Livingston 288. London: Macmillan, 1905. First Separate English Edition. * The Brushwood Boy. Illustrated by F.W. Townsend. Buckram stamped in gilt, top edge gilt. Livingston 211. London: Macmillan, 1907. First English Edition. * ‘They’ and the Brushwood Boy. Illustrated by F.W. Townsend. Red cloth stamped in gilt. Livingston 503. London: Macmillan, 1925. First Combined Edition. New York & London: Various dates Overall in very good condition. (150/250)

69. Kipling, Rudyard. Three volumes in the “Stalky” saga. Comprises: * Kipling, Rudyard. Stalky & Co. Livingston 215. London: Macmillan, 1899. First English Edition. * Kipling, Rudyard. The Complete Stalky & Co. Illustrated by L. Raven-Hill. Color pictorial dust jacket. London: Macmillan, 1929. * Dunsterville, Major-General L.C. Stalky’s Reminiscences. Frontispiece portrait. With A.L.s. from the author laid in with other matter. London: Jonathan Cape, [1928]. * Together, 3 volumes. Red cloth. London: Various dates General Lionel Charles Dunsterville went to college with Rudyard Kipling at the United Services College, and served as the inspiration for the character “Stalky” in Stalky & Co. During World War I he led the so-called Dunsterforce across present-day Iraq and Iran towards Caucasus and oil-rich Baku. An autograph letter from Dunsterville is laid into the present copy of Stallky’s Reminiscences, his autobiography, with the bookplate of the recipient, Maxwell Steinhardt. Also included is Steinhardt’s membership card in The Kipling Society, signed by Dunsterville as president. Overall very good condition, with nice association. (300/500)

Phone bidding is available during our auctions Please call 415-989-2665 for more information prior to the auction.

Page 17 70. Kipling, Rudyard. Eight first editions of works by Rudyard Kipling in rare dust jackets. Comprises: * Traffics and Discoveries. Livingston 289. London: Macmillan, 1904. * . Livingston 341. London: Macmillan, 1910. * Songs from Books. Livingston 358. Garden City: Doubleday, Page, 1912. * A Diversity of Creatures. Livingston 412. London: Macmillan, 1917. * Letters of Travel. Livingston 454. London: Macmillan, 1920. * A Books of Words. London: Macmillan, 1928. * . London: Macmillan, 1932. * Limits and Renewals. Garden City: Doubleday, Doran, 1932. First American Edition. * Together, 8 volumes. Cloth, jackets. First Editions except as noted. Various places: Various dates Some jackets with wear, minor chipping to some spine ends or edges, a few with prices clipped; generally very good or better condition. (400/600)

71. Kipling, Rudyard. Twenty-five editions of Rudyard Kipling, English and American. Comprises: * Life’s Handicap: Being Stories of Mine Own People. Livingston 80. London: Macmillan, 1891. First English Edition. * The Naulahka: A Story of the West and East. Livingston 85. London: William Heinemann, 1892. First Edition. * Barrack-Room Ballads and Other Verses. Livingston 90. London: Methuen, 1892. First English Edition. * . Livingston 100. London: Macmillan, 1893. First Edition. * The Day’s Work. Livingston 169. New York: Doubleday & McClure, 1898. First Edition. * The Day’s Work. Livingston 170. London: Macmillan, 1898. First English Edition. * . Livingston 278. New York: Doubleday, Page, 1903. First Edition. * The Five Nations. Livingston 279. London: Methuen, 1903. First English Edition. * Traffics and Discoveries. Livingston 289. London: Macmillan, 1904. First Edition. * Actions and Reactions. Livingston 323. London: Macmillan, 1909. First Edition. * Actions and Reactions. Livingston 324. New York: Doubleday, Page, 1909. First American Edition. * Abaft the Funnel. Livingston 328. New York: R.W. Dodge, 1909. Pirated [First] Edition. * Rewards and Fairies. Livingston 341. London: Macmillan, 1910. First Edition. * Rewards and Fairies. Livingston 342. Garden City: Doubleday, Page, 1910. First American Edition. * Songs from Books Livingston 359. Toronto: Macmillan Co. of Canada, 1912. First Canadian Edition. * Songs from Books. Livingston 361. London: Macmillan, 1913. First English Edition. * Songs from Books. Livingston 361. London: Macmillan, 1913. First English Edition, variant issue with top edge gilt. * A Diversity of Creatures. Livingston 411. London: Macmillan, 1917. First Edition. * The Years Between. Livingston 442. London: Methuen, [1919]. First Edition. * The Years Between. Livingston 443. Garden City: Doubleday, Page, 1919. First American Edition. * Letters of Travel (1892-1913). Livingston 454. London: Macmillan, 1920. First Edition. * Debits and Credits. London: Macmillan, 1926. First English Edition. * Debits and Credits. Garden City: Doubleday, Page, 1926. (Kipling’s name inked on title-page but thought not to be his signature despite bookseller’s notation). First American Edition. * Limits and Renewals. London: Macmillan, 1932. First English Edition. * Together, 25 volumes. Original cloth, spines lettered in gilt. Various places: Various dates Normal wear, fading to a number of the spines, some with bookplates, owner’s signatures, etc., overall very good. (600/900)

Page 18 72. Kipling, Rudyard. Eight illustrated editions of works by Rudyard Kipling. Includes: * ‘They’ and the Brushwood Boy. Illustrated by F.H. Townsend. Garden City: Doubleday, Page, 1926. * St. Andrews: Two Poems. With Walter de la Mare. Illustrated by Malcolm Patterson. [1926]. * Supplication of the Black Aberdeen. Wrappers. First Separate Edition. [London: Medici Society, 1928]. * The Complete Stalky & Co. Illustrated by L. Raven-Hill. London: Macmillan, 1929. * Thy Servant a Dog, as told by . Illustrated by G.L. Stampa. London: Macmillan, 1930. * East of Suez. Illustrated by Donald Maxwell. London: Macmillan, 1931. * . With still photographs from the film “The Elephant Boy.” London: Macmillan, 1937. * The Cat That Walked by Himself. Just So Stories Series. Illustrated by F. Rojankovsky. [1947]. * Together, 8 volumes. Cloth or boards with jackets except as noted. Various places: Various dates Added to the lot are two recent Classics Illustrated comics, Kipling’s Jungle Books and Stevenson’s Dr. Jekyll & Mr. Hyde. Some chipping and wear to jackets; volumes very good or better. (400/600)

73. Kipling, Rudyard. Eleven volumes by or relating to Rudyard Kipling and his works. Comprises: * Mine Own People. New York: United States Book Company, [1891]. * Out of India... (Front hinge cracked, lacking front endpaper.) New York: Dillingham, 1895. * Out of India. Half calf & marbled boards (spine scuffed, lacking a label, front hinge cracked.) New York: Dillingham, 1895. * A Song of the English. Illustrated by W. Heath Robinson. London: Hodder & Stoughton, [1909]. * A History of England. With C.R.L. Fletcher. Oxford: Clarendon Press, 1911. * Durand. A Handbook to the Poetry of Rudyard Kipling. Cloth-backed boards. London: Hodder & Stoughton, [1914]. * Martindell. A Bibliography of the Works of Rudyard Kipling (1881-1923). 1 of 700 copies. Second Edition. London: John Land the Bodley Head, 1923. * Land and Sea Tales for Scout and Guides. London: Macmillan, 1923. * Humorous Tales. Illustrated by Reginald Cleaver. London: Macmillan, 1931. * Brazilian Sketches. Jacket. New York: Doubleday, Doran, 1940. * Tales of East and West. Illustrated by Charles Raymond. Slipcase. 1 of 2000 copies signed by the illustrator. Avon, CT: Limited Editions Club, 1971. * Together, 11 volumes. Cloth except as noted. Various places: Various dates Generally very good or better condition. (250/350)

74. Koontz, Dean R. False Memory. Illustrated by Phil Parks. (8vo), full modern leather, pictorial jacket, publisher’s original black cloth slipcase. Deluxe First Edition. No. 57 of 698 copies. Baltimore: Cemetery Dance Publications, 1999 Signed by the author and artist on the limitation page. Jacket lightly worn; else fine. (100/150)

75. Laurents, Arthur. West Side Story - Review Copy. Gray cloth, cover pictorial label, dust jacket. Review Copy of the First Edition. New York: Random House, [1958] With a review slip from the publisher laid in. Jacket spine sunned, light edge wear including tiny closed tears, a few tiny spots of soiling; very slight bump to volume spine ends; fine volume in a very good jacket. (100/150)

Page 19 76. Lewis, Sinclair. Elmer Gantry. (8vo) blue cloth. First Edition, First Binding. New York: Harcourt, Brace, [1927] Basis for the 1960 film, winner of three Academy Awards, and starred Burt Lancaster as the title role. First binding, with the “G” in “Gantry” on the spine strongly resembling a “C”. Spine leaning, slight wear to extremities; very good. (100/150)

77. London, Jack. The Call of the Wild. [5]-231, [1] + [2] ad pp. Illustrated by Philip R. Goodwin and with 11 color plates, including frontispiece, 5 color illustrations in the text, page decorations by Charles E. Hooper. (8vo) original decorative green cloth, lettered in gilt, spine and front cover pictorially blocked in black, white, and red, top edge gilt. First Edition. New York: Macmillan, 1903 Jack London’s best and most enduring work. BAL 11876; Sisson & Martens, p. 13. Spine leaning, light wear to cloth, previous owner’s name on front endpaper; very good. (300/500)

78. McCullough, Colleen. The Thorn Birds - Inscribed and with a long typed letter signed. (8vo), original boards, dust jacket. First Edition. New York: Harper & Row, [1977] The source for the 1983 miniseries of the same name. The television adaptation stands as the second highest rated miniseries of all time. Inscribed on the front free endpaper: “Dear Bob- Signed with love, gratitude and fond memories, Colleen McCullough”. Also included is a 6 page letter, typed single space, signed. The letter is address to Mr. Bob White of South Natick, Massachusetts. The letter begins with a lengthy description of the “social butterfly” by McCullough and goes on to offer the recipient 7 recipes for curries and other Indian dishes. Signed at the close “Col (not the Colonel)”. Original envelope included. Also included is photocopy of a similarly lengthy letter to “Ann” with a forwarding not on Harper & Row notepaper from Ann to Bob White informing Mr. White “You will see that letters from her are an experience unlike any other.” Jacket lightly edge worn; corners lightly bumped; book and jacket very good or better; letters fine. (300/500)

79. McPhee, John. A Sense of Where You Are: A Profile of William Warren Bradley - Signed by Bradley. Black cloth, dust jacket. Second Printing. New York: Farrar, Straus & Giroux, [1966] Signed by Bill Bradley on the title page. The author’s first book; a profile of Bill Bradley during his years at Princeton Jacket lightly worn; fine in a near fine jacket. (200/300)

80. Merrill, James. Last Poems. Introduction by J.D. McClatchy. Photo portrait frontispiece by Mariana Cook. Designed by Luke Ives Pontifell. (4to) Tan half morocco and patterned boards, spine lettered in gilt. Black cloth box. No. 17 of 185 copies. [New York]: Thornwillow Press, 1998 Signed at the colophon by McClatchy, Cook and Pontifell. Fine. (300/500)

Phone bidding is available during our auctions Please call 415-989-2665 for more information prior to the auction.

Page 20 81. Michener, James A. & . Facing East. Illustrated by James Levine. Part One is the text by Michener, illustrated by Levine in the margins and then with 4 original color lithographs and a woodcut on Japanese vellum, all laid in. Loose as issued in a satin chemise with leather thong. Part Two is the reproduction of Levine’s sketchbook with 54 color plates on fine paper, tissue guards; loose as issued in leather portfolio. 19¼x13, housed together in a satin clamshell box. No. 2379 of 2500 sets, signed by both the artist and author at the limitation. First Edition. New York: Maecenas Press / Random House, 1970 Lavish edition of Levine’s ukiyo-e inspired drawings. Signed by both Levine and Michener inside top of box. Publisher’s original shipping box present. Small spot on cover of first part; near fine. (250/350)

82. Michener, James A. The Fires of Spring. Gray cloth, dust jacket. First Edition. New York: Random House, [1949] The author’s second novel. “Presentation Edition” stamped in green on front cover. The dust jacket is the printed jacket from the trade issue; the Presentation Edition was originally issued with a plain glassine jacket. Jacket worn and soiled, tape residue on flaps with corresponding staining to endpapers; book near fine, jacket good. (150/250)

83. Mitchell, Adrian. For Beauty Douglas: ’s Collected Poems 1953-79. With pictures by . (8vo) black cloth, gilt-lettered spine, dust jacket. First Edition. London and New York: Allison & Busby, [1982] Double-signed in red and black ink by Ralph Steadman on the “half title”. Fine. (100/150)

84. Nordhoff, Charles and James Norman Hall. Pitcairn’s Island. Orange cloth decorated in cream and silver. First Edition. Boston: Little, Brown, 1934 The third installment of the famous Bounty trilogy, with the very scarce original dust jacket illustrated by Henry C. Pitz. Jacket with wear at edges and folds, tape remains; volume with a slight lean, some spotting to edges of page block; very good in a good jacket. (100/150)

85. Oates, Joyce Carol. Queen of the Night. 9¼x6¼, full red morocco, spine ruled in gilt. 41 of 50 specially bound copies, designed and printed by Grant Dahlstrom. First Edition. Northridge, CA: Lord John Press, 1979 Signed by Oates in the colophon. Fine (300/500)

INSCRIBED BY THE AUTHOR 86. Olson, Charles. Call Me Ishmael. Yellow cloth, spine lettered dark blue, orange jacket. First Edition, first printing. New York: Reynal & Hitchcock, [1947] Inscribed and signed by the author and his wife (all in Charles Olson’s hand) in blue ink “For Marian & Michael whom we love, Connie & Charles” on the front free endpaper. Author’s scarce and important first book. Jacket front panel subtitled: , ‘Moby-Dick’, and America: Space...Myth...Shakespeare. Butterick & Glover A1. Chips and tears with creases to jacket edges, large old tape repairs to verso (causing some darkening to recto), mild rubbing; slight lean, light shelf wear; very good or better, bright, jacket fair to good but quite scarce. (500/800)

Page 21 87. Orwell, George. Animal Farm. Black cloth, spine lettered in gilt, jacket. First American Edition. New York: Harcourt, Brace and Company, [1946] Orwell’s masterpiece of revolution gone awry, dramatized on an English farm. Jacket price clipped, edges worn with some chipping and short tears; volume a touch worn at extremities; very good in a good jacket. (60/90)

FIRST EDITION OF ORWELL’S CLASSIC NOVEL 88. Orwell, George. Nineteen Eighty-Four. Light green cloth, spine lettered in red, green paper dust jacket. First Edition. London: Secker & Warburg, 1949 First edition of Orwell’s dystopian classic. The jacket was issued in both red and green, without priority. Fenwick A12a; Connolly 99. Jacket with chipping and light edge wear; cloth lightly sunned, spine leaning; book and jacket very good. (700/1000)

89. Paz, Octavio. Poemas (1935-1975) - Inscribed by the author. Blue cloth, lettered in gilt, dust jacket, slipcase. First Edition. Barcelona: Seix Barral, [1979] Inscribed by Paz on the half title. Light wear; near fine. (200/300)

FINELY BOUND BY MAURIN 90. Rand, Ayn. The Fountainhead. 754 pp. (8vo) full blue morocco, gilt borders on covers, spine gilt, gilt dentelles, top edge gilt. Bound by Maurin. First Edition. Indianapolis: Bobbs-Merrill Company, [1943] The objectivist philosopher/novelist’s classic American statement of individualism. Paper a touch browned; near fine. (2500/3500)

Lot 90

91. Rankin, Ian. Hide & Seek. Red cloth, dust jacket. First Edition. London: Barrie & Jenkins, [1991] The second John Rebus novel. A touch of wear at edges; near fine. (300/500)

92. Rhodes, David. The Easter House. Cloth-backed boards, dust jacket. First Edition. New York: Harper & Row, [1974] Light wear to jacket and volume; both very good. (100/150) Page 22 93. Rice, Anne. Ten volumes by Anne Rice - Five of them Signed. Includes: * The Feast of All Saints. Cloth-backed boards, dust jacket. [1979]. * [Writing as A.N. Roquelaure]. Beauty’s Punishment. Red boards, dust jacket. 1984. * [Writing as A.N. Roquelaure]. Beauty’s Punishment. Black cloth, dust jacket. Signed by Rice on endpaper. First English Edition. [1987]. * [Writing as A.N. Roquelaure]. The Claiming of Sleeping Beauty. Black cloth, dust jacket. First English Edition. [1987]. * The Queen of the Damned. Black cloth, dust jacket. First English Edition. [1989]. * The Mummy, Or Ramses the Damned. Wrappers. Signed on half title. [1989]. * The Witching Hour. Cloth-backed boards, dust jacket. Signed on endpaper. 1990. * The Tale of the Body Thief. Cloth-backed boards, dust jacket. Signed on front endpaper. 1992. * The Tale of the Body Thief. Wrappers. Signed on front endpaper. Advance uncorrected proof. 1992. * Violin. Wrappers. Advance uncorrected proof. 1997. Together 10 volumes, all first or first English editions, or advance copies. Five signed by the author. Various places: Various dates Light wear; overall near fine to fine. (300/500)

94. Robbins, Tom. Still Life with Woodpecker. Cloth, pictorial jacket. First Edition, first printing. New York: Bantam Books, [1980] Inscribed and signed by the author “To , Yum! Tom Robbins” on the half-title in red ink. Author’s third book with a small first print run of only 2000 copies. Jacket lightly worn at edges; fine in a near fine jacket. (200/300)

SECOND PRINTING IN JACKET 95. Salinger, J.D. The Catcher in the Rye. Black cloth, pictorial dust jacket. Second Printing. Boston: Little, Brown and Company, 1951 With bookplate from book reviewer, Bud Johns on front pastedown. Jacket with $3.00 price, Lotte Jacobi photo credit on rear panel, and no space between the top of Salinger’s head and edge of jacket on rear panel. Recent scholarly research regarding the early issues of the jacket asserts: the first printing has Salinger’s hair just slightly trimmed at the top edge of the rear panel (as issued by the publisher), and with printings after the first, there is a bit more space between the hair and the jacket edge. Jacket spine a bit yellowed, light edge wear; else fine volume in a near fine jacket. (500/800)

96. (Scott, Sir Walter) . The Waverley Gallery of the Principal Female Characters in Sir Walter Scott’s Romances. From Original Paintings by Eminent Artists Engraved Under the Superintendence of Charles Heath. Unpaginated. 36 steel engravings on thin paper mounted to heavier sheets, interleaved with descriptive letterpress. (4to) 30.3x24.3 cm. (12x9½”) later blue half morocco and marbled boards, spine gilt, all edges gilt. First Edition. London: Tilt and Bogue, 1841 The leading ladies of Scott’s Waverley Novels, beautifully depicted. Some scuffing and edge wear; an occasional spot of foxing; very good. (100/150)

Bids may be placed during the auction using the Real-Time Bidder on our website at www.pbagalleries.com

Page 23 97. Selznick, Brian. The Invention of Hugo Cabret. 2 copies. Both 8vo in black boards, color illustrated dust jackets. One dust jacket with the National Book Award Finalist silver seal on front panel. Else identical. New York: Scholastic Press, [2007] Each copy is signed by the author: One on the dedication page, and one on the title page (in silver ink). Fine. (200/300)

98. Shaara, Michael. The Killer Angels. Illustrated with maps. Two-toned blue boards, spine lettered in gilt, jacket. First Edition, First Printing. New York: David McKay, [1974] Winner of the Pulitzer Prize in 1975, this is the author’s second novel, and was the basis for the 1993 film “Gettysburg” starring Martin Sheen. First printing in two-tone blue boards and no edition/printing statement. Jacket and volume with only light wear; small bump to lower edge of rear board, tape stains to endpapers; book and jacket near fine. (700/1000)

FIRST BOYDELL EDITION, BOUND FROM THE ORIGINAL PARTS 99. Shakespeare, William. The Dramatic Works of Shakespeare. Revised by George Steevens. 9 volumes. 94 full-page engravings, including 2 portraits. (Folio) 42x31.5 cm (16½x12½”) later red half morocco and cloth, spines lettered and ruled in gilt, all volumes rebacked preserving most of the original spine leather, all edges marbled. First Boydell Edition, bound from the original parts. London: W. Bulmer & Co., for John and Joshua Boydell, 1802 Originally issued in 18 parts between 1791 & 1802. Bindings rubbed and with some soiling; foxing throughout, dampstaining to lower edges; very good. (1500/2500) Lot 99

100. Shakespeare, William. The Works of Shakespear in Nine Volumes. With a Glossary. 9 volumes. Two engraved plates in Volume 1. (12mo) 12.8x7.8 cm (5x3”), period full calf, red leather labels on spines. London: J. and P. Knapton, et al, 1750-51 A scarce 18th century duodecimo edition of the bard’s dramatic works. No copies appear in auction records for at least 30 years and no copies currently on offer at any of the major on-line bookselling sites. Title pages of Volumes 1 & 9 dated 1751, others dated 1750. ESTC N26031. Signature of an early (1757) owner, John Scott, on front endpaper of each volume. Bindings worn, joints and hinges cracked; some foxing, still about very good. (500/800)

Phone bidding is available during our auctions Please call 415-989-2665 for more information prior to the auction.

Page 24 SCARCE COLLECTED EDITION OF SHAKESPEARE 101. Shakespeare, William. Twenty of the Plays of Shakespeare, Being the Whole Number Printed in Quarto During his Life-Time, or Before the Restoration, Collated Where There Were Different Copies, and Publish’d From the Originals by George Steevens. 4 volumes. Each play with a separate title page. (8vo) 21.5x14 cm (8½x5½”), later green half morocco and marbled boards, spines gilt, top edges gilt, fore edge untrimmed. London: J. and R. Tonson, 1746 Scarce collected edition of the bard’s dramatic works, reprinted from the quarto editions. Each volume with the leather book label of Edward Rose Tunno. Spines sunned, bindings with some rubbing; light foxing; very good. (1000/1500)

102. [Stein, Gertrude]. The Autobiography of Alice B. Toklas - Inscribed by Stein and Toklas. Blue cloth, dust jacket. Second Printing. New York: Harcourt, Brace, [1933] Inscribed by both Stein “This is for Gene, that is what we say, this is for Gene and it is for Gene just as we say it is, it is for Gene. Gertrude.”; and by Toklas “With a kind remembrance”. A second inscription by Stein on the same page “Love from Birdie(?) so she says and so I say and also. Gertrude”. Accompanied by 15 snapshot photograph of Gene Stinson and friends, including 2 with Stein and Toklas. Jacket worn, split along folds, chipped; volume lightly worn; very good in a poor jacket. (700/1000)

103. Stein, Gertrude. Two Gertrude Stein first editions. Includes: * Paris France. Blue cloth, dust jacket. New York: Scribner’s, 1940. * Ida. Tan cloth, dust jacket. New York: Random House, [1941]. Two volumes, housed together in a custom red cloth chemise and slipcase. First Editions. Various places: Various dates Light wear to jackets; clippings laid in with resulting offsetting; books and jackets very good. (200/300)

ADVANCE PROOF OF CANNERY ROW IN JACKET 104. Steinbeck, John. Cannery Row - Advance Proof. (8vo), blue paper wrappers, cover lettered in black, dust jacket. First Edition, Advance Reading Copy. New York: Viking, 1945 Though listed by Goldstone-Payne as simply an issue in wrappers, this seems more likely to be an advance copy, likely for review purposes. Goldstone-Payne do not call for a dust jacket on this issue but the dust jacket on this copy does appear to have been issued with the book. Goldstone & Payne A22.a. The jacket is slightly taller than the volume, with resulting chipping along the top edge, some other wear to jacket edges, splitting along folds, browning; paper wrappers, lightly edge worn; near fine in a very good jacket. (1200/1800)

Lot 104 Page 25 105. Steinbeck, John. The Collected Poems of Amnesia Glasscock by John Steinbeck. With a Response by Robert Peters. 30 unnumbered pp. 9¼x6, saddle-sewn blue paper wrappers with embossed vignette, original white transparent paper jacket. No. 26 of 250 copies printed by Clive Matson and Peter Lewis at Neon Sun. South San Francisco: ManRoot, 1976 According to Peters, these poems were written by Steinbeck for the Monterey Beacon at age 32 under the feminine pseudonym Amnesia Glasscock. Other sources, however, state these poems were actually written by Steinbeck’s first wife, Carol. Glassine with some soiling and edge wear; volume fine. (150/250)

106. Steinbeck, John. East of Eden. Green cloth, pictorial jacket. First Trade Edition, First Issue. New York: The Viking Press, 1952 With the word “bite” present on page 281, line 38. First issue jacket with photo of Steinbeck on rear panel with no photo credit mentioned. Steinbeck’s epic novel about two families who settle in the rich farmlands of California. Goldstone-Payne A32.b. A touch of wear to volume; near fine volume in fine jacket. (400/600)

INSCRIBED BY STEINBECK 107. Steinbeck, John. Of Mice and Men - Inscribed by John Steinbeck. Beige cloth. First Edition, First Issue. New York: Covici-Friede, [1937]

Lot 107

Inscribed by Steinbeck, in the year of publication, on the front free endpaper. First issue with the words “and only moved because the heavy hands were pendula” on page 9; also, the bullet between the two 8’s in the page number 88. Goldstone-Payne A7.a. Dust jacket not present; light soiling to cloth, previous owner’s name on front pastedown; very good. (2000/3000)

108. Steinbeck, John. Sweet Thursday. Yellow-beige cloth stamped in blue and red, pictorial jacket. First Edition, cloth-bound issue, first issue. New York: Viking, 1954 First issue cloth in a beige-like color, top edge stained reddish, title-page in red and black, copyright-page with the printer’s name, and no book club deboss mark on back cover. First issue jacket with no blurbs beneath the photo of Steinbeck on the back panel. Goldstone-Payne A33.b. Jacket with slight wear to edges; fine in a near fine jacket. (200/300)

Page 26 109. Stevenson, Robert Louis. The Silverado Squatters. [8], 254 pp. 32 page catalog, dated October 1883, at rear. Sepia-tone wood-engraved frontispiece by Jos. D. Strong. (8vo), original green cloth, stamped in brown and gilt. First Edition. London: Chatto & Windus, 1883 First edition, first issue, with the word “His” omitted on next to last line of page 140. Stevenson’s travel memoir of Napa Valley, California in the summer of 1880 with his wife and son-in-law, Lloyd Osbourne. Howes S980; Beinecke 231; Zamorano Eighty 71. Spine leaning, light wear and soiling to cloth, hinges cracked; very good. (700/1000)

FIRST ENGLISH EDITION, CLOTH ISSUE 110. Stevenson, Robert Louis. Strange Case of Dr Jekyll and Mr Hyde. [8], 141 + [1] ad pp. (8vo), original salmon-colored cloth lettered in black on front cover. First English Edition, cloth issue. London: Longmans, Green & Co., 1886 The cloth-bound issue of the English edition of Stevenson’s classic followed the wrapper-bound issue by about a week, and the American edition by about 16 days. The advertisement leaf at rear is for the second edition of “A Child’s Garden of Verses.” Laid in is a 1 page autograph letter, signed, from Stevenson’s financial agent, Charles Baxter. Light wear and soiling to cloth, front hinge cracked, foxing at front and rear; very good. (1000/1500)

Lot 110

111. Stevenson, Robert Louis. Works of - Valima Edition in 9 volumes. 9 volumes. Each volume approximately 500 pages. Illustrated with sepia illustrations by various artists. (8vo) green cloth, gilt-lettered spines. Valima Edition. New York: Collier, [1912] Light wear to volume edges, one small gouge to spine of Volume VIII; very good. (250/350)

112. Stowe, Harriet Beecher. Uncle Tom’s Cabin; Or, Life Among the Lowly. 2 volumes. 312; 322 pp. (8vo) 7½x4¾, original red cloth stamped in gilt on spine and covers, all edges gilt. First Edition, Early Printing. “Fifteenth Thousand”. Boston: John P. Jewett & Company, 1852 In addition to being one of the most influential books ever written, Uncle Tom’s Cabin was also one of the most popular; as Sabin notes, “During [1852] there were numerous reissues from the plates of the first edition, also in two volumes, with the addition of the words ‘Tenth’ to ‘One Hundred and Twentieth Thousand.” Spines leaning, cloth chipped at foot of spines, light edge wear, 1852 ownership signature on endpapers; light foxing; very good. (700/1000)

Page 27 113. Tennyson, Alfred. The Holy Grail and Other Poems - with bookplate of illustrator Louis J. Rhead. [vi], 222, [2] ad pp. (Small 8vo) original blindstamped green cloth, spine lettered in gilt. First Edition. London: Strahan and Co., 1870 With the bookplate of noted illustrator, author, and angler, Louis J. Rhead. Spine ends frayed, light wear and soiling to cloth; very good. (60/90)

114. Tennyson, Alfred Lord. Idylls of the King. [8], 261 pp. Original blindstamped cloth, spine lettered in gilt. First Edition, later issue. London: Edward Moxon, 1859 Early re-issue with imprint of Bradbury and Evans on the verso of the title-page, preliminary advertisements dated April, 1860. Spine sunned, light wear to edges, front hinge cracked, rear hinge starting; light foxing; very good. (60/90)

115. Thompson, Hunter S. Fear and Loathing: on the Campaign Trail ‘72. Illustrated by Ralph Steadman. Black cloth, spine stamped in silver, pictorial jacket. First Edition, first printing. [San Francisco]: Straight Arrow Books, [1973] Later issue jacket without white border around photograph on rear panel. Jacket price-clipped and with some light wear at edges; volume fine. (150/250)

116. Thompson, Hunter S. Hell’s Angels: A Strange and Terrible Saga. Black cloth with silver vignette stamped on front cover, spine lettered in red and silver, top edge stained black, pictorial jacket. First Edition. New York: Random House, [1967] Signed by the author on the front free endpaper, he writes: “You can’t make a choice between one object” then, “Drill HST.” He signs with only his initials. With a 2¼x3½” white card, printed in red from Frisco, laid in. On one side is their logo and name and it reads, “You have been assisted by a member of the Hells Angels Frisco.” On the opposite side is four lines of text in pink, “When we do right / No one remembers / When we do wrong / No one forgets.” And on that side of the card someone has written in ink, “return to: H.S. Thompson / 318 Parnassus / San Francisco.” With publisher’s review copy slip laid in, and an author’s compliment slip laid in. Thompson’s first published book. The classic documentary about the notorious motorcycle gang during the 1960’s. Long tear at top edge of jacket, repaired with tape; a touch of shelf wear to volume; Hells Angels card darkened at edges, a few tiny stains; very good. Lot 116 (1000/1500)

117. Tolkien, J.R.R. The Hobbit [&] The Annotated Hobbit. 2 volumes, comprising: The Hobbit. Fiftieth Anniversary Edition. Gold faux leather stamped in green and red, slipcase. [1987]. * The Annotated Hobbit. Introduction and Notes by Douglas A. Anderson. Cloth-backed boards, dust jacket. Signed by Anderson on the title page. First Printing. 1988. Boston: Houghton Mifflin & Company, [1987] & 1988 Anniversary edition fine; Annotated edition dust jacket worn at edges; light wear to volume; very good. (100/150)

Page 28 FINELY BOUND FIRST EDITIONS, FIRST PRINTINGS 118. Tolkien, J.R.R. The Lord of the Rings trilogy - finely bound First Editions. 3 volumes, including: The Fellowship of the Ring. 1954; The Two Towers. 1954; The Return of the King. 1955. Each volume with a folding map. (8vo) finely bound in full red morocco, lettered in gilt, red cloth slipcase. London: George Allen & Unwin Ltd, 1954-1955

Lot 118 Tolkien’s epic masterpiece concerning the quest of Frodo, the Ringbearer, the restoration of the kingship of Gondor, and the destruction of Sauron. The elusive First Printings of the First Edition, here finely bound. Adapted into the blockbuster trilogy of films directed by Peter Jackson, in the early 21st century. Fore edge of leaves lightly rubbed; else fine. (6000/9000)

119. Twain, Mark. Adventures of Huckleberry Finn (Tom Sawyer’s Comrade). 366 pp., blank leaf. Double frontispiece (including portrait), plus numerous wood engravings throughout. (8vo), 8½x6½, original decorative green cloth, stamped and lettered in gilt and black, rebacked with original spine cloth laid down, endpapers replaced. Housed in a custom morocco-backed clamshell box. First American Edition. New York: Charles L. Webster and Company, 1885 A landmark of American literature, this copy exhibiting the following issue points: title leaf is a cancel with copyright notice dated 1884 (second state, but the first state was only seen in a prospectus and set of advance sheets); the illustration captioned “Him and another Man” [p.13] listed at p.88 (first state); 11th line from bottom of p.57 reads “...with the was...” (first state); p. 283 is a cancel, with corrected engraving (third state), the final 5 in p.155 is not present (first or second state, sequence undetermined); leaf 23-8 is not present (apparently removed when rebound); first state of the frontispiece portrait (imprint Heliotype Printing Co., tablecloth clearly visible). BAL 3415. Light wear and scuffing to cloth, corners repaired, rear hinge cracked; some light soiling internally; very good. (700/1000)

SIGNED BY FROST, MENCKEN, AND HERBERT WEST 120. West, Herbert Faulkner. The Mind on the Wing - signed by author, H.L. Mencken, and Robert Frost. Black cloth, dust jacket. First Edition. New York: Coward-McCann, [1947] With the bookplate of the author, plus inscribed from the author on front free endpaper, “With warm regards to Ingle Barr friend & fellow collector. Herbert F. West.” Additionally, inscribed within by both H.L Mencken (on p.177) and by Robert Frost (p.51). Frost writes, “To say I’m pleased.” Mencken writes “This embalms me beautifully.” An interesting association copy, with three wonderful signatures. Light edge wear to jacket; volume spine ends a touch rubbed and bumped; very good volume in very good jacket. (700/1000)

Page 29 121. White, Randy Wayne. Twelve Mile Limit - 2 Copies. 2 copies. Black faux-leather backed marbled boards, slipcase. Numbers 52 & 93 of 600 numbered copies. Aliso Viejo: James Cahill Publishing, 2002 Each signed by the author, as issued. Fine. (150/250)

122. Whittier, John Greenleaf, editor. Child Life: A Collection of Poems - with an Autograph Letter, signed, bound in. xiv, 263 pp. Woodcut illustrations throughout. (8vo) 18.8x13.5 cm (7½x5¼”) later full brown levant morocco, gilt-ruled borders, spine gilt, raised bands, gilt dentelles, all edges gilt. Bound by Bradstreets. First Edition. Boston: James R. Osgood, 1872 Bound in at the front is a 2 page autograph letter, signed, from Whittier, presumably to the publisher discussing the potential for a book of “Poems of Childhood”, with references to various literary friends, literary figures, and an out of print book of similar material prompting Whittier’s current endeavor. Faint stain at head of rear cover, front hinge cracked but still tightly bound, previous owner’s name on front endpaper; volume very good, letter fine. (300/500)

FIRST EDITION IN BOOK FORM, FIRST ISSUE 123. Wilde, Oscar. The Picture of Dorian Gray. viii, 334 pp. (8vo), original parchment-backed boards, stamped in gilt on front. First Edition in book form, previous published in a shorter version in Lippincott’s Monthly Magazine. London: Ward Lock and Co., [1891] First issue with ‘nd’ for ‘and’, page 208, line 8 from bottom. There was also an edition of 250 copies signed by Wilde. Mason 328. Spine sunned, wear and soiling to boards; previous owner’s name on half title, light foxing; about very good. (800/1200)

124. Woolf, Virginia. Orlando: A Biography. 333, [1] pp. (8vo) 9x6, original black cloth stamped in gilt. No. 394 of 800 numbered copies, from a total edition of 861. First Edition. New York: Crosby Gaige, 1928 Signed by Virginia Woolf on verso of half title, as issued. Light wear to cloth, separation in gutter at half title; very good. (700/1000)

125. Yeats, W[illiam] B[utler]. The Trembling of the Veil. Portrait frontispiece. Half parchment and light green boards, paper spine label, page edges untrimmed. No. 980 of 1000 copies. First Edition. London: T. Werner Laurie Ltd., 1922 Signed by Yeats on the limitation page. Wade 133. Spine sunned, boards edge worn, corners rubbed, previous owner’s name on endpaper; very good. (700/1000)

Absentee bids may be placed directly from the item description in the online version of the catalogue at www.pbagalleries.com

Page 30 Section II: Oz 126.  Baum, L. Frank. Baum’s American Fairy Tales. 223 pp. 8 plates in orange and black, by George Kerr. 9x6¾, dark green cloth, illustrated cover label in orange, yellow, green and white. Second Edition, Second Printing. Indianapolis: Bobbs-Merrill, [1908] (but c.1920s) In the second printing binding with a different cover than the first printing of this second edition. This cover is illustrated by an unknown artist. The illustration is of one of the slumbering courtiers startled by Mary-Marie. A re-arranged and enlarged edition of the 1901 book. Bienvenue & Schmidt p.188. Small stain at spine heel, rubbed at spine and corners, a few nicks and light rubbing to cover label; very good copy. (200/300)

127.  Baum, L. Frank. Dorothy and the Wizard in Oz. 257 pp. Illustrated with 16 color plates & numerous black and white drawings by John R. Neill. 9x6½, light blue cloth, pictorial cover label with metallic gold background; inserted pictorial endpapers in black and yellow. First Edition, First Printing, First Binding. Chicago: Reilly & Britton, [1908] First printing, with advertisement on verso of half-title listing three titles, The , , and and the Cherub; the color plates are captioned. In the first state binding, with “The Reilly &/ Britton Co.” in large and small capitals at foot of spine. Bienvenue & Schmidt, p.34. Rubbed and bumped at spine ends and corners, light soiling; bookplate on verso of ownership leaf; very good. (250/350)

128.  Baum, L. Frank. Dot and Tot of . Illustrated in color by W.W. Denslow. 8¼x6¼, yellow cloth pictorially stamped in gilt, red and brown. First Edition. Chicago: George M. Hill Co., 1901 Intended as a companion to The Wonderful , this was the final Baum/Denslow collaboration. Bienvenue & Schmidt, p. 192. Covers darkened and soiled, 2 tiny tears at spine head, text block detached from covers; gift inscription on verso of front ad pp; scattered marginal finger soiling; good. (100/150)

FIRST PRINTING IN THE PRIMARY BINDING 129.  Baum, L. Frank. The of Oz. 295, [1] pp. Illustrated with 16 color plates embellished with metallic green ink & numerous black & white drawings by John R. Neill. 9x6½, light blue cloth, pictorial cover label embellished with metallic silver & green ink; pictorial endpapers in black & orange. First Edition, First Printing. Chicago: Reilly & Britton, [1910] First printing, in the primary binding featuring the elaborate cover label showing a number of characters traveling through the city, spine lettered in black with picture of a rabbit in black and silver. The striking use of metallic ink on the illustrations and cover label can only be found in this state. Bienvenue & Schmidt, p. 47. A touch rubbed and bumped at spine ends and corners; a Christmas 1923 ink gift inscription from “Dorothy” on verso of the frontispiece illustration; near fine. (1000/1500)

Lot 129 Page 31 130.  Baum, L. Frank. The Enchanted Island of Yew. Illustrated with 8 color plates plus orange drawings in the text by Fanny Y. Cory. 9x6¾, pictorial gray cloth; pictorial endpapers. First Edition, First State. Indianapolis: The Bobbs-Merrill Company, [1903] First state with pictorial cream and pale-orange endpapers; with Braunworth’s imprint on copyright page; and illustration over the text on p.238 printed upside down. Bienvenue & Schmidt p.204. Heavily worn at spine ends and corners, lightly rubbed elsewhere; some soiling to endpapers, hinges tender; very good. (300/500)

131.  Baum, L. Frank. Father Goose. His Book. Illustrated in color throughout by W.W. Denslow, hand-lettered text by Ralph Fletcher Seymour. 11x8½, color pictorial boards. “Sixth Edition” (later printing). Chicago: M.A. Donohue, [c.1913] This is considered the first significant American colored picture book for children. This edition differs from the first five editions in that two verses have been rewritten and another (a rather cruel one about a parrot and a firecracker) has been entirely dropped, the words “Published” and “Imprinted” have been deleted from the printing history above the copyright notice, the date deleted from the introduction, and the title of the book added to the spine. TBB Autumn 1987; Bienvenue & Schmidt, p.170. Chipping and wear along spine, 2 gouges on rear board, moderately worn at edges, some other abrasions and soiling; rear hinge tender; bookplate and gift inscription on front free endpaper; better than usually seen; very good. (150/250)

GLINDA OF OZ IN SCARCE FIRST JACKET 132.  Baum, L. Frank. . 279 + [1] ad pp. Illustrated with 12 color plates and numerous black & white drawings by John R. Neill. 22.7x17 cm (9x6¾”), tan cloth, pictorial cover label; black & white pictorial endpapers, color pictorial dust jacket. First Edition, First Printing. Chicago: Reilly & Lee, [1920] In the scarce original dust jacket, Glinda of Oz is the last title advertised on the rear jacket flap. Advertisement on verso of half-title lists 13 titles through Glinda of Oz. Type showing early signs of breaking on page 150 (type still legible). Published the year after Baum’s death, this was the last Oz book to be written by Baum. Bienvenue & Schmidt, p.81. Jacket flap corners clipped, 1¼” chip at top right corner of rear panel, 1” Christmas sticker on spine heel, several small tears and chips at edges; volume a bit bumped at spine ends, a line on ink/ pencil on rear cover; name & ink message on ownership leaf; a clean and tight, near fine copy of the volume, in a good and very scarce jacket. (3000/5000)

Lot 132

PBA Galleries has an in-house shipping department ensuring your items arrive safely at reasonable cost.

Page 32 133.  Baum, L. Frank. John Dough and the Cherub. 314, [2] + [4] ad pp. Illustrated throughout with color and black & white drawings by John R. Neill. 9x6½, pictorial tan cloth stamped in red, olive & black; color pictorial endpapers. First Edition, First Printing, Binding A. Chicago: Reilly & Britton, [1906] The detachable contest blank for “The Great John Dough Mystery,” is present at page 9. Printed on thin, mustard-colored paper. Also, page 275, line ten with the misprint “cage” instead of “cave.” Bienvenue & Schmidt p. 227. Spine illustration rubbed, wear at ends and corners, faint soiling; rear hinge starting; faint finger soiling to some margins within; very good. (700/1000)

134.  Baum, L. Frank. The Life and Adventures of Santa Claus. [6], 206 pp. Illustrated by Mary Cowles Clark with 20 plates including the inserted title-page. 9x6¾, red cloth pictorially stamped in white, green, beige & black. First Edition, First State. Indianapolis: Bowen-Merrill, 1902 First state with section headings as “Book First,” “Book Second,” & “Book Third”; aside from the dedication leaf & first page of the Table of Contents, there are no textural illustrations. The illustrations were done by a local artist whom Baum met on a visit to Syracuse. Bienvenue & Schmidt, p.200. The lot also includes an early 1920s Bobbs-Merrill edition of the work, bound in blue cloth, with new front cover label. This work with 8 two-color illustrated plates. Only light edge wear to First Edition - it is very good; more wear to 1920s edition, front joint starting - it is good. (300/500)

135.  Baum, L. Frank. Little Wizard Stories of Oz. 6 parts in 1, paginated separately, approx. 196 pages in all. Illustrated with color plates by John R. Neill; ownership page designed by Maginel Wright Enright. 7½x5½, yellow cloth, spine lettered in red, color pictorial cover label. First Combined Edition, Second Printing. Chicago: Reilly & Britton, [1914] Second printing, printed on thicker, rougher stock, approximately 1.1/8” thick. Bienvenue & Schmidt p.88. Heavily worn extremities, surface of cover label torn away near upper right corner, finger soiling; text block detached from covers; signatures coming loose; good. (100/150)

FIRST PRINTING IN RARE JACKET 136.  Baum, L. Frank. . 312 pp. With 12 color plates and numerous black and white drawings by John R. Neill. 22.5x16.5 cm (9x6½”), light blue cloth, pictorial cover label; black and white pictorial endpapers, color pictorial dust jacket. First Edition, First Printing. Chicago: Reilly & Britton, [1917] With the rare dust jacket. First printing with the advertisement on verso of ownership page listing 10 titles through The Lost Princess of Oz, double-rules at top and bottom of spine. Bienvenue & Schmidt, p. 71. Jacket flap corners clipped, light wear to jacket edges, small abrasion at the letter “E” of Princess on front jacket panel; volume spine ends and corners lightly rubbed, small nick at head of spine; faint name on front pastedown; else remarkably fine, bright copy. (5000/8000)

Lot 136 Page 33 137.  Baum, L. Frank. . 265, [1] pp. Illustrated with 12 color plates and numerous black & white drawings by John R. Neill. 9x6½, light green cloth, pictorial cover label; black & white pictorial endpapers, color pictorial dust jacket. First Edition, First Printing. Chicago: Reilly & Lee, [1919] First printing with advertisement on verso of ownership page listing 11 titles through The of Oz. In the first state dust jacket with a blank rear flap fold. This is the first Oz book issued under the imprint of “Reilly & Lee” and the last one published in Baum’s lifetime. Bienvenue & Schmidt, p. 79. Jacket flap corners clipped, small chips and small closed tears at jacket edges, surface wear at lower front panel, affecting “Baum” of the author’s name, and not much else; volume extremities rubbed; name in ink on ownership leaf; a near fine volume in a very good jacket. (500/800)

FIRST STATE IN CLEAN AND BRIGHT CLOTH 138.  Baum, L. Frank. . 287 pp. With 16 color plates and numerous black and white drawings by John R. Neill. 23x17 cm (9x6½”), red cloth stamped in navy blue, silver and green; pictorial endpapers in dark green on light-green stock. First Edition, First State Chicago: Reilly & Britton, 1904 First state with no publication date below the copyright notice on the verso of the title-page; the illustrations are reversed from their intended order on pages [22] and [27], as well as on pages [82] and [158]; and the box containing the dedication on p.[4] measures 6¼” tall. Binding B with the full title on front cover and spine; spine with horizontal single rule at top and double rule at bottom and with picture of in navy blue and green; letters in “Marvelous Land of Oz” on front cover embellished with silver outlines. Bienvenue & Schmidt p.21. Spine ends and lower front corner heavily rubbed, other corners lightly rubbed, spine a bit darkened, cover a bit soiled and spotted; hinges mended; else an internally clean, tight copy of this very fragile and rare book. In much better condition than usually found. (4000/6000) Lot 138

139.  Baum, L. Frank. The New Wizard of Oz. [viii], 208 pp. Illustrated in color by W.W. Denslow, including 8 color plates. 9x6¾, pictorial label on that belongs on front cover, is bound in at rear, rebound in full red morocco, gilt-lettered spine, all edges gilt. Fifth Edition, Second Printing. Indianapolis: The Bobbs-Merrill Company, [1920s] With cover from Binding variant ‘A’ with figures in blue ink (later changed to yellow) bound in at rear of this finely bound volume. In beautiful red morocco. Bienvenue & Schmidt p. 10. Binding fine; original cover bound in at rear is darkened and worn at edges, backed with card stock; else contents are fine. (200/300)

The Buyer’s Premium will be 20% for bids up to $100,000 and 15% for that portion over $100,000.

Page 34 140.  Baum, L. Frank. A New Wonderland: Being the first account ever printed of the Beautiful Valley, and the Wonderful Adventures of its Inhabitants. 190 pp. With 16 two-color illustrations (including title page) by Frank Verbeck. 10¾x8¾, full light green cloth, front cover and spine printed in dark brown, with illustration on front cover, blank endpapers. First Edition. New York: R.H. Russell, 1900 In Binding B, the full green cloth. First and only printing. This delightful fantasy is actually Baum’s first children’s book, written early in 1896, before Mother Goose in Prose, but with publication delayed for several years. The book contains short stories set in the Kingdom of Phunnyland, but the title is clearly an attempt to tie the book into the works of . The rare Binding Lot 140 B. Heavy wear at spine head, rubbed and bumped to spine ends and corners, some bumping, rubbing, and faint soiling to covers and edges; gift inscription on half title; scattered faint internal marks; very good. (1500/2000)

SCARCE THIRD OZ TITLE, FIRST STATE 141.  Baum, L. Frank. Ozma of Oz. 270, [blank], + [1] ad pp. Illustrated by John R. Neill with full- page color, and text illustrations. 9x6¾, tan cloth pictorially stamped in black, blue, red and yellow; pictorial endpapers. First Edition, First State. Chicago: Reilly & Britton, [1907] Scarce first state of the third Oz title. First state with advertisements facing half-title and on last page listing two titles: The Land of Oz and John Dough and the Cherub; illustration on p.[221] in color; pictorial endpapers. In this copy, the “O” in “Ozma,” line five of the Author’s Note on p.11, is present; apparently it dropped out at some point during the first press run, indicating this to be an early copy. In the primary binding, with “The Reilly &/ Britton Co.” in large and small capitals at foot of spine. Hanff & Greene III. Spine ends and corners lightly rubbed, some light soiling to cloth; else a generally clean, tight copy. (3000/5000)

142.  Baum, L. Frank. The of Oz. 340, [2] + [6] ad pp. Illus. throughout with color & black & white drawings by John R. Neill. 9x6½, light green cloth stamped in dark green, red & yellow; color pictorial endpapers. First Edition. Chicago: Reilly & Britton, [1913] First state of p.35 with the “C” in “Chapter” overlapping the text; binding variant ‘A’ in light green (rather than tan) cloth. Bienvenue & Schmidt, p. 52. Very light edge wear; near fine. (300/500)

143.  Baum, L. Frank. Queen Zixi of Ix. [8], 303 pp. Illustrated with 16 plates & drawings in the text by Frederick Richardson. 9x6¾, green pictorial cloth stamped in dark green & orange. First Edition, First State. New York: Century, 1905 First state, with text illustrations on pp. 169-236 printed in terracotta & black. Bienvenue & Schmidt p. 215. Rubbed and bumped at spine ends and corners, light finger soiling, small abrasion/hole near spine head; a 1905 inscription in ink on front free endpaper; very good. (400/700)

Page 35 ONE OF THE SCARCER FIRST PRINTINGS OF OZ 144.  Baum, L. Frank. Rinkitink in Oz. 314 pp. Illustrated with 12 color plates and numerous black and white drawings by John R. Neill. 23x16.5 cm (9x6½”), light blue cloth, pictorial cover label; black and white pictorial endpapers, color pictorial dust jacket. First Edition, First Printing. Chicago: Reilly & Britton, [1916] In the rare first state dust jacket (having an advertisement for two non-Baum books - “Jinks and Betty” and “Children’s Own Story Book.” on the rear jacket flap). First printing of the book, without advertisement on verso of ownership page. One of the most difficult Baum title to find in first edition. Bienvenue & Schmidt p.68; Hanff & Greene X; Plate 46. Jacket flap corners clipped, light dampstaining at edges, some chipping at spine head, a few small tears and other tiny chips at edges, small hole on bottom of front panel; volume spine a bit dampstained, a small tear at spine head (repaired), a small nick to cover label; else internally clean, bright copy. One of the cleanest, brightest cover labels seen. (5000/8000)

Lot 144

145.  Baum, L. Frank. . 261, [1] blank, [2] ad pp. Illustrated throughout with black & white drawings by John R. Neill. 9x6½, light green linen-like cloth stamped in dark green, red, brown and black; pictorial endpapers. First Edition. Chicago: Reilly & Britton, [1909] First printing, binding state ‘A’ with publisher’s imprint in upper and lower case letters. Perfect type in the words “ on” page 34, line 4 and in the numeral “121” on page 121, numeral and caption beneath illustration on page 129 indicating one of the earliest copies printed. Bienvenue & Schmidt, p.41. Rubbed and bumped at spine ends and corners, some rubbing to cover/spine illustrations, a touch of soiling; an unusually clean and bright copy; very good. (500/800)

146.  Baum, L. Frank. . 288 pp. Illustrated with 12 color plates & numerous black & white drawings by John R. Neill. 9x6½, green cloth, pictorial cover label; black & white pictorial endpapers. First Edition, First Printing. Chicago: Reilly & Britton, [1915] First printing with advertisement on verso of half-title listing 8 titles through The Scarecrow of Oz, and with 12 inserted color plates without captions. Baum considered this the best of all his Oz books. Bienvenue & Schmidt, p. 63. Rubbed at edges, cover label a bit rubbed, lightly soiled cloth; very good. (300/500)

Absentee bids are accepted by phone. Please call us at 415-989-2665 prior to the auction.

Page 36 147.  Baum, L. Frank. The Sea Fairies. 239, [1] pp. Illustrated with 12 duotone plates with iridescent ink & numerous black & white drawings by John R. Neill. 9x6½, green cloth, pictorial cover label; pictorial color endpapers. First Edition, First State. Chicago: Reilly & Britton, [1911] First state with front cover label illustrating the heads of the 3 principal characters, the last two lines of page 95 transposed, and lines 14 and 15 of page 105 also transposed. This is the first volume in the “” series, which Baum hoped would replace Oz in his readers’ affections. It did not, but the Sea Fairies is one of his most imaginative books, especially with the marvelous iridescent plates. Bienvenue & Schmidt, p. 244. Lightly rubbed and bumped at spine ends and corners, light soiling, light wear to front cover label edges, with small chip at upper right corner; very good. (300/500)

148.  Baum, L. Frank. Sky Island: Being the Further Exciting Adventures of Trot and Cap’n Bill after Their Visit to the Sea Fairies. 287, [1] pp. Illustrated with 12 color plates and numerous black & white drawings by John R. Neill. 9x6½, red cloth, color pictorial cover label, spine stamped in black, blank endpapers. First Edition. Chicago: Reilly & Britton, [1912] This, a sequel to The Sea Fairies, is considered one of John R. Neill’s finest books, filled with vivid fantasy images. Many copies have illustrated endpapers, although no priority between the two has been established. Bienvenue & Schmidt, p. 247. Bumped and rubbed spine and corners, light soiling and stray marks to cloth, rubbed cover label; name on front free endpaper, tape repair to front hinge; very good. (200/300)

149.  Baum, L. Frank. Sky Island: Being the Further Exciting Adventures of Trot and Cap’n Bill after Their Visit to the Sea Fairies. 287, [1] pp. Illustrated with 12 color plates and numerous black & white drawings by John R. Neill. 9x6½, red cloth, color pictorial cover label, spine stamped in black, color pictorial endpapers. First Edition. Chicago: Reilly & Britton, [1912] This, a sequel to The Sea Fairies, is considered one of John R. Neill’s finest books, filled with vivid fantasy images. This copy with the color pictorial endpapers. Bienvenue & Schmidt, p. 247. Spine worn, leaning a touch, ends and corners bumped; very good. (200/300)

150.  Baum, L. Frank. The Surprising Adventures of The Magical Monarch of and His People. 237 pp. Illustrated with 12 color plates and numerous black & white drawings in the text by Frank Verbeck. 9x6½, light blue cloth, color pictorial cover label, “Yew” illustrated endpapers in pale orange and black. First Edition, Second Printing. Indianapolis: Bobbs-Merrill, [1903] This story was originally published in 1900 as A New Wonderland, and was reissued in 1903 under this title. Second printing, with damage to the lower stems of the first “H” in “The Monarch” on p.51. Light edge wear, light soiling; gift inscription on front free endpaper; very good. (500/800)

Phone bidding is available during our auctions Please call 415-989-2665 for more information prior to the auction.

Page 37 151.  Baum, L. Frank. Tik-Tok of Oz. 272 pp. Illustrated with 12 color plates and numerous black & white drawings by John R. Neill. 9x6½, medium-blue cloth, pictorial cover label; inserted color pictorial endpapers of maps of Oz. First Edition, Second Printing. Chicago: Reilly & Britton, [1914] (but, c.1917) In Binding A, with double horizontal lines at spine ends. Second Printing of the book, with titles through The Lost Princess of Oz printed on the verso of the half title (instead of on the verso of the ownership leaf). Only the first 2 printings have the full color map endpapers. Bienvenue & Schmidt, p.58. Lightly rubbed at spine ends and corners; neat ink inscription on ownership leaf; else a clean, bright, tight copy. (200/300)

152.  Baum, L. Frank. . 287, [1] pp. With 12 color plates and numerous black & white drawings by John R. Neill. 9x6½, red cloth, color pictorial cover label; black & white pictorial endpapers. First Edition. Chicago: Reilly & Britton, [1918] The only printing with the Reilly & Britton imprint, all later printings by Reilly & Lee. Bienvenue & Schmidt, p. 75. Rubbing to cover label and volume extremities; front hinge starting; bookplate of James Rosendale Iverson on front pastedown; very good. (300/500)

THE FIRST OZ BOOK, SECOND STATE 153.  Baum, L. Frank. The Wonderful Wizard of Oz. 261 pp. Illustrated by W.W. Denslow with 24 tipped-in color plates including the title, plus numerous duotone illustrations in the text; pictorial pastedown endpapers. 21x16.5 cm (8¼x6½”), light green cloth pictorially stamped in green and red. First Edition, Second State, Binding C. Chicago: George M. Hill Co., 1900 Second State of the First Edition of the first Oz book, in binding state C. Second State without box around advertisement on p.[2]; first line of p.14 reads “low wail of ”; fourth line from bottom of p.81 reads “pieces”; first line on p.[227] reads “While the Woodman”; and the colophon is set in 13 lines with no box. The plates opposite p.34 and p.92 have been corrected and the verso of the title page has the copyright notice printed on it. Bienvenue & Schmidt p.6. Spine ends Lot 153 and corners rubbed, spine sunned, small stain above publisher’s imprint at spine heel; hinges expertly mended, tiny chip at upper corner of five leaves, a few pages lightly hand- soiled; else a clean, tight copy in much better condition that this fragile book is usually found. Scarce. Lot 153 (4000/6000)

Absentee bids are accepted by phone. Please call us at 415-989-2665 prior to the auction.

Page 38 154. (Reference) . Three L. Frank Baum and Oz reference works. Includes: * Snow, Jack. Who’s Who in Oz. Tan cloth, color decorative dust jacket. First Edition. Jacket worn at edges. Reilly & Lee, [1954]. * Gardner, Martin & Russel B. Nye. The Wizard of Oz & Who He Was. Yellow cloth, dust jacket. State University Press, [1957]. * Baum, Frank Joslyn and Russell P. MacFall. To Please a Child: A Biography of L. Frank Baum Royal Historian of Oz. Green cloth, dust jacket (spine a bit sunned). Reilly & Lee, 1961. Various places: Various dates Some wear; mostly very good. (200/300)

155. (Shelf) Baum, L. Frank. Shelf of L. Frank Baum and Oz works - Nine volumes. Includes: * Baum, L. Frank. The Woggle-Bug Book (1905). A Facsimile Reproduction with an Introduction by Douglas G. Greene. Tan cloth. Scholars’ Facsimiles & Reprints, 1978. * Baum, L. Frank. Once Upon a Time: Oz-Man Tales. Illustrated boards (spine lacking, binding shaken, internal marks & rubberstamps). Reilly & Lee, [1916]. * Baum, L. Frank. The Surprising Adventures of The Magical Monarch of Mo and His People. Green cloth, dust jacket. Bobbs-Merrill, [1947]. * Baum, L. Frank. Sky Island. Orange cloth, color dust jacket. Reilly & Lee, [1970]. * Baum, L. Frank. The Sea Fairies. Red cloth, pictorial label, color dust jacket (much later edition of jacket listing titles through The Yellow Knight of Oz). Reilly & Lee, [c.1920s]. * Baum, L. Frank. Sky Island. Brown cloth, color pictorial label. Later Edition. Reilly & Lee, [1927]. * Baum, L. Frank. The Land of Oz. Red illustrated cloth. Fourth State (with shortened title on front cover). Lacks several leaves, some leaves torn, all foxed or hand-colored in crayon, etc. within. Poor condition. * Baum, L. Frank. The Tin Woodman of Oz. Brown cloth, color pictorial label. Much marking externally and within. Later Edition. Reilly & Lee. * Baum, L. Frank. The Magic of Oz. Later Edition. Much damage to spine, some repair. Reilly & Lee. Various places: Various dates Good to near fine; some wear to most. (250/350)

SIGNED BY BARRY MOSER 156.  Baum, L. Frank. L. Frank Baum’s The Wonderful Wizard of Oz. 268 pp. Illustrated with 62 wood engravings by Barry Moser. With an appreciation by Justin G. Schiller. Printed by Harold McGrath at the Pennyroyal Press. 33x30.5 cm (13x12”) beige boards, gilt-lettered cover, cloth drop-back box with gilt-lettered circular spine label. No. 25 of 350 copies, signed by the illustrator. West Hatfield, MA: Pennyroyal Press, 1985 Signed by Barry Moser at the limitation leaf. Laid in is a [28] pp. booklet titled: Forty-Seven Days to Oz: A Chronicle of the Studies for the Illustrations for The wonderful Wizard of Oz by Barry Moser. Pennyroyal Press, 1985. This booklet gives an account of the process of inventing the 62 images for the work, an account directly from Barry Moser. Illustrated. A faint trace of sunning to drop-back box; else fine. (1200/1800)

Lot 156

Page 39 OZ WORKS BY OTHER AUTHORS 157.  Cosgrove, Rachel R. The Hidden Valley of Oz. 313 pp. Illustrated by “Dirk” (). 9x6½, medium-blue cloth, pictorial cover label, color pictorial dust jacket. First Edition. Chicago: Reilly & Lee, [1951] Later printings do not have the pictorial cover label. Bienvenue & Schmidt p.137; Hanff & Greene XXXIX. Very light wear at jacket edges, small closed tear and a tiny hole at spine heel; a touch rubbed at volume extremities; else a fine volume in a near fine jacket. (250/350)

158.  Denslow, W.W. Denslow’s Scarecrow and the Tin-Man and Other Stories. [74] pp. Color illustrations throughout by Denslow. 11x8¼, light green cloth, color pictorial cover label, printed in dark brown. First Edition, First Printing. New York: G.W. Dillingham Co., 1904 First printing with “Denslow’s Scarecrow and the Tin-Man” printed on spine, and the vignette of the Scarecrow’s head at upper right corner of the front cover. Capitalizing on his shared copyright of the Oz characters with Baum, Oz illustrator W.W. Denslow published this little book, first in a 12 page paperback under the title, “Denslow’s Scarecrow and the Tin-Man.” Then later, under this title, including “other stories.” Bienvenue & Schmidt, p.148. Lettering on spine rubbed, lightly rubbed and bumped edges, a touch of finger soiling; yellowed endpapers, chip to front endpaper corner; closed tear to last leaf; very good. (200/300)

159.  Neill, John R. Lucky Bucky in Oz. 289 pp. Illustrated by Neill. 8¾x6½, blue-green cloth, pictorial cover label; black & white pictorial endpapers, color pictorial dust jacket. First Edition. Chicago: Reilly & Lee, [1942] First printing, with vignette of a boy on spine. With the scarce first printing of the dust jacket, with the price of $1.50 on the front flap, and a Wartime note from “Bucky of Oz” on the rear flap. Bienvenue & Schmidt, p. 128. Light edge wear including tiny chips and some closed tears, mostly at spine ends; a touch rubbed at volume spine ends and corners; else a near fine volume in a very good jacket. (500/800)

160.  Neill, John R. The Runaway in Oz. [xii]. 242, [1] + [1] ad pp. Tipped-in color frontispiece and numerous full page and smaller illustrations by . Blue cloth, illustrated endpapers, pictorial dust jackets. First Edition. New York: Books of Wonder, [1995] One of XLV copies with a special limitation leaf hand-colored and signed by the artist, this copy number XII. Fine. (100/150)

161.  Neill, John R. The Scalawagons of Oz. 309 pp. Illustrated by the author. 22.8x16.8 cm. (9x6½”), red cloth, pictorial cover label, black & white pictorial endpapers, pictorial dust jacket. First Edition. Chicago: Reilly & Lee, [1941] First edition, with title on spine printed diagonally, with “Scalawagons” hyphenated on two lines. In the rare first issue jacket, with titles listed through “Scallywagons of Oz”, misspelled as such on rear flap fold. That typo was corrected on the second printing of the jacket. Bienvenue & Schmidt, p. 127. Jacket spine sunned, light wear to jacket edges; a touch rubbed at volume spine; else a fine volume in an about near fine jacket. (400/600)

Phone bidding is available during our auctions Please call 415-989-2665 for more information prior to the auction.

Page 40 162.  Neill, John R. The Wonder City of Oz. Illustrated by Neill. 9x6½, green cloth, pictorial cover label; black & white pictorial endpapers, pictorial dust jacket. First Edition. Chicago: Reilly & Lee, [1940] First edition, with 16-page gatherings. Jacket with list of titles to Wonder City of Oz on rear flap. Bienvenue & Schmidt, p. 126. Light edge wear to jacket, tiny chip at spine heel, a few tiny closed tears; volume spine ends a touch rubbed; a near fine volume in a near fine jacket. (300/500)

163.  Snow, Jack. The Magical Mimics in Oz. 243 pp. Illustrated with black & white drawings by Frank Kramer. 8¾x6½, light gray cloth, pictorial cover label, pictorial endpapers in green, pictorial dust jacket. First Edition. Chicago: Reilly & Lee, [1946] First printing with thickness of volume is greater than 1”. First printing jacket with rear flap blurb “Oz Books Now Classics” instead of the usual advertisement for other titles. The first Oz title by . Bienvenue & Schmidt p.133. Jacket spine edges chipped, 3 closed tears at edges, measuring over 1” each, a bit of fading to spine; volume rubbed at spine ends and corners; small finger smudge on bottom edge of title page; else near fine volume in a very good jacket. (500/800)

164.  Snow, Jack. The of Oz. 254, [1] pp. Illustrated with black & white drawings by Frank Kramer. 8-7/8x6½, greenish-gray cloth, pictorial cover label printed in colors, black & white pictorial endpapers; color pictorial jacket. First Edition, First Printing. Chicago: Reilly & Lee, [1949] Later printings have blank endpapers. Second state of the jacket which lists titles through The Shaggy Man of Oz on the rear flap, but the price on front and rear flap folds, has changed to $2.50 (it was $2.00 for the first state). Bienvenue & Schmidt, p. 134. A touch bumped and yellowed at spine ends; near fine volume in a fine jacket. (200/300)

IN THE RARE FIRST PRINTING JACKET 165.  Thompson, Ruth Plumly. Captain Salt in Oz. 306 pp. Illustrated with black & white drawings by John R. Neill. 8¾x6½, blue cloth, pictorial cover label; black & white pictorial endpapers; color pictorial jacket. First Edition, First Printing. Chicago: Reilly & Lee, [1936] 16-page gatherings. In the rare first printing jacket, the rear flap listing 29 titles through Captain Salt in Oz. This is the first Oz book to be published without color plates. Bienvenue & Schmidt, p. 118. Jacket lightly chipped along edges, a few tape repairs on verso, some yellow tape residue on flap folds; volume spine ends rubbed and bumped; endpapers a touch foxed; else a near fine volume in a very good jacket. (700/1000)

166.  Thompson, Ruth Plumly. Captain Salt in Oz. 306 pp. Illustrated with black & white drawings by John R. Neill. 8¾x6½, blue cloth, pictorial cover label; black & white pictorial endpapers; color pictorial jacket. First Edition, First Printing. In a later dust jacket. Chicago: Reilly & Lee, [1936] 16-page gatherings. The rear jacket flap lists 31 titles through The Silver Princess in Oz (unlike the first printing jacket, which stops at 29 titles). Bienvenue & Schmidt, p. 118. Lightly rubbed jacket edges with a few tiny tears, a few tape repairs on verso; volume edges rubbed, spine faded; yellowed free endpapers; else internally near fine volume in a much better than usually found dust jacket. (400/600)

Page 41 SCARCE FIRST CANADIAN EDITION IN JACKET 167.  Thompson, Ruth Plumly. The Cowardly . 291 pp. Illustrated with 12 color plates and numerous black and white drawings by John R. Neill. 22.7x16.7 cm (9x6½”), dark green cloth, pictorial cover label; black and white pictorial endpapers, color pictorial dust jacket. First Edition, Canadian Issue. Toronto: Copp Clark Co., [1923] The scarce first Canadian Edition, which is identical to the American first printing, except for the imprint of Copp, Clark on jacket and volume spine heel, and on title page. In the very rare original dust jacket, with 16 titles advertised on rear jacket flap, The of Oz the last title there. Printed from sheets of the American first state with plates coated on the printed side only. Bienvenue & Schmidt p.105. Jacket flap corners clipped, wear at jacket edges including tiny chips and tears (some expert paper repair), 5 tape repairs along verso of jacket edges, a few spots of wear to illustration on spine; volume a touch rubbed at spine ends and corners; else a fine copy of the book in the rare, very good jacket. (3000/5000)

Lot 167

168.  Thompson, Ruth Plumly. The Cowardly Lion of Oz. 291 pp. Illustrated with 12 color plates and numerous black & white drawings by John R. Neill. 9x6½, green cloth, pictorial cover label; black & white pictorial endpapers. First Edition. Chicago: Reilly & Lee, [1923] First binding with non-standard ampersand in the spine imprint. Bienvenue & Schmidt, p. 104. Lightly rubbed spine ends and corners; an unusually bright, clean copy; near fine. (400/600)

169.  Thompson, Ruth Plumly. The Giant Horse of Oz. 283 pp. With 12 color plates & numerous black & white drawings by John R. Neill. 9x6½, brick-red cloth, pictorial cover label, black & white pictorial endpapers, color pictorial dust jacket. First Edition, First State. Chicago: Reilly & Lee, [1928] First state with misprint “Oniberon” for “Quiberon” in frontispiece caption and the plates coated on printed side only. However, the “r” in “morning” (p.116, line 1) is damaged, indicating it is not one of the “earliest printings” of the first state. The dust jacket, with the same design on front and rear panels as the cover label, is the first edition jacket, with titles on rear flap through The Giant Horse of Oz. Bienvenue & Schmidt p.110; Hanff & Greene XXII; Plate 77. Jacket flap corners clipped, spine a touch sunned, light edge wear; lightly rubbed and bumped volume spine ends; stray pen mark on title page; a near fine volume in a very good jacket. (300/500)

Absentee bids may be placed directly from the item description in the online version of the catalogue at www.pbagalleries.com

Page 42 RARE IN JACKET 170.  Thompson, Ruth Plumly. The Gnome King of Oz. 282 pp. Illustrated with 12 color plates by John R. Neill. 23x17 cm (8¾x6½”), bright emerald cloth, pictorial cover label; black & white pictorial endpapers, color pictorial dust jacket. First Edition. Chicago: Reilly & Lee, [1927] Rare in original dust jacket. Bound in what is likely the earlier of the two known shades of binding cloth. This copy is from the library of Justin Schiller, with his bookplate laid in, which identifies this copy as having been lot #374 in the auction of his collection. Jacket with titles through ‘The Gnome King of Oz’. Bienvenue & Schmidt p. 109; Hanff & Greene XXI. Jacket flap corners clipped, several small chips at edges, a 1x¼” piece missing along edge of spine panel (no loss to text or illustration), a bit soiled and rubbed; volume spine ends and corners lightly rubbed, endpapers faintly fixed; else a near fine, bright copy in a very good jacket. (1500/2500)

Lot 170

171.  Thompson, Ruth Plumly. The Gnome King of Oz. 282 pp. Illustrated with 12 color plates by John R. Neill. 23x17 cm (8¾x6½”), bright emerald cloth, pictorial cover label; black & white pictorial endpapers, color pictorial dust jacket. First Edition. Chicago: Reilly & Lee, [1927] Bound in what is likely the earlier of the two known shades of binding cloth. With an early (but not first state) dust jacket. Rear flap advertises up to Pirates in Oz (1931). Bienvenue & Schmidt p.109. Jacket flap corners clipped, ink tick marks on rear flap, several short and long closed tears along edges and flap folds, some repaired on verso with tape, a few tiny chips; volume spine ends a touch bumped and rubbed; name in ink on ownership page; else a fine copy of the book, bright, clean and tight; in a very good jacket. (500/800)

GRAMPA IN OZ IN RARE JACKET 172.  Thompson, Ruth Plumly. Grampa in Oz. 271 + [7] ad (i.e. 4 leaves printed on rectos only) pp. 12 color plates (no color frontispiece, as issued). 9x6½, light brick-red cloth, pictorial cover label, black & white endpapers, color pictorial dust jacket. First Edition, First Printing. Chicago: Reilly & Lee, [1924] In the rare original dust jacket, with rear flap fold listing Oz titles through Grampa in Oz. First printing with perfect type in numeral on p.171. Bienvenue & Schmidt, p. 105. Jacket flap corners clipped, chips and tears at jacket edges, 1¼” tear on bottom edge of rear panel; volume spine ends and label a bit rubbed; a clean and square near fine copy, in a very good jacket. (3000/5000)

Lot 172 Page 43 173.  Thompson, Ruth Plumly. Grampa in Oz. 271 + [7] ad (i.e. 4 leaves printed on rectos only) pp. 12 color plates (no color frontispiece, as issued). 9x6½, light brick-red cloth, pictorial cover label, black & white endpapers. First Edition, First Printing. Chicago: Reilly & Lee, [1924] First printing with perfect type in numeral on p.171. Bienvenue & Schmidt, p. 105. Rubbed at spine and corners, very faint rubbing to cover label, faint stain on rear cover; very good. (200/300)

174.  Thompson, Ruth Plumly. Handy Mandy in Oz. 271 pp. Illustrated by John R. Neill. 9x6½, yellow cloth, pictorial cover label, black & white pictorial endpapers; color pictorial jacket. First Edition, First State. Chicago: Reilly & Lee, [1937] First printing with picture of Handy Mandy on the spine. Also, bound in 16-page gatherings. The rare first issue dust jacket is present here, listing 30 titles on the rear flap through Handy Mandy in Oz. Very difficult to obtain in the first issue dust jacket Bienvenue & Schmidt p.119; Hanff & Greene XXXI, Plate 86. Jacket lightly chipped with some tiny tears at edges, especially at spine ends; a touch bumped at volume spine ends; small yellow spots at page 68-69; else a fine volume, clean, bright and tight, in a very good jacket. (700/1000)

175.  Thompson, Ruth Plumly. Handy Mandy in Oz. 271 pp. Illustrated by John R. Neill. 22.8x16.8 cm. (9x6½”), dark blue cloth, pictorial cover label, black & white pictorial endpapers, pictorial dust jacket. First Edition. Chicago: Reilly & Lee, [1937] First state with picture of Handy Mandy on spine. The jacket is in later state, with 31 titles listed on rear flap through The Silver Princess of Oz, Handy Mandy being no. 30. Bienvenue & Schmidt, p. 119. Jacket near fine with a little edge wear, volume fine and bright. (300/500)

HUNGRY TIGER OF OZ –FIRST PRINTING IN JACKET 176.  Thompson, Ruth Plumly. The Hungry Tiger of Oz. 261, [2] advertisement pp. 23x17 cm (9x6¾”), dark green cloth, color pictorial front cover label, color pictorial dust jacket. First Edition, First Printing. Chicago: Reilly & Lee, [1926] In the rare jacket, which lists The Hungry Tiger of Oz last on the list of Oz books on rear jacket flap. First printing with plates coated on printed side only; hyphen on the last line of p.21; the word “two” (p.252, last line) in unbroken type, indicating this is one of the “earliest copies” of the first printing. Bienvenue & Schmidt, p.108. Jacket flap corners clipped, spine ends chipped (on heel affecting Lee of imprint), a few closed tears at edges, one repaired on verso with tape; volume front hinge a bit shaky; else a fine volume in a very good, very rare, jacket. (2000/3000)

177.  Thompson, Ruth Plumly. The Hungry Tiger of Oz. 261, [3] pp. + [2] ad leaves. Illustrated with 12 color plates and numerous black & white drawings by John R. Neill. (8vo), dark green cloth, pictorial cover label; black & white pictorial endpapers. First Edition, First Printing. Chicago: Reilly & Lee, [1926] First printing with plates coated on printed side only; hyphen on the last line of p.21; the word “two” (p.252, last line) in unbroken type, indicating this is one of the “earliest copies” of the first printing. Bienvenue & Schmidt, p.108. A touch rubbed at spine ends and corners; endpapers yellowed; two different ink inscriptions on ownership page; else a clean and bright copy; very good. (250/350)

Page 44 IN THE FIRST ISSUE DUST JACKET 178.  Thompson, Ruth Plumly. of Oz. 252, [2] advertisement pp. 12 color plates by John R. Neill. 23x17 cm (9x6¾”) gray cloth with color pictorial label, color pictorial dust jacket. First Edition. Chicago: Reilly & Lee, [1929] With the rare first issue dust jacket, listing Jack Pumpkinhead of Oz as the last title on rear flap fold. Jacket in much better shape than usually seen. Bookplate of Arthur W. Erion, Jr. on front pastedown. Bienvenue & Schmidt p.111. Jacket flap corners clipped, 1” chip at top edge of rear panel, tiny nicks and tears along edges, a 2¼” closed tear (repaired) at front panel; name in ink on ownership page; else a fine volume in a very good jacket. (1000/1500)

Lot 178

179.  Thompson, Ruth Plumly. Kabumpo in Oz. 297 pp. 12 color plates and numerous black & white illustrations by John R. Neill. 23x17 cm (9x6¾”) dark blue-green cloth, color pictorial label, color pictorial dust jacket. Chicago: Reilly & Lee, [1922] First printing, with the illustration on p.[299] captioned “Princess Dorothy”. With the scarce first printing dust jacket, with Kabumpo of Oz advertised last on rear jacket flap. One of the more difficult titles to obtain a first edition, first printing. The second Oz book by Thompson, although this was the first to be completely credited to her. Bienvenue & Schmidt p.103. Jacket spine darkened, with several small holes (barely affecting the spine illustration), plus a long tear at spine head (not affecting text or illustration), chipped edges, tape on front flap fold, tape repairs on verso at spine and flap folds; volume spine ends a touch rubbed; else a fine volume in a good jacket. (700/1000)

180.  Thompson, Ruth Plumly. Kabumpo in Oz. 297 pp. Illus. with 12 color plates by John R. Neill. 9x6½, blue-green cloth, pictorial cover label, black & white pictorial endpapers. First Edition, First Printing. Chicago: Reilly & Lee, [1922] First printing with Princess Dorothy illustration on page [299] and publisher’s standard ampersand in spine imprint. Bienvenue & Schmidt, p. 102. A touch rubbed at spine ends and corners, tiny nick on spine heel, cover label edges a touch rubbed; else an unusually clean and bright copy; near fine. (100/150)

Page 45 181.  Thompson, Ruth Plumly. The Lost King of Oz. 280 pp. Illustrated with 12 color plates by John R. Neill. 9x6½, blue cloth, pictorial cover label, black & white pictorial endpapers. First Edition. Chicago: Reilly & Lee, [1925] With plates coated on printed side only. Broken type on the letter “k” on page 193, line 4 making this not among the earliest copies first printing. Bienvenue & Schmidt, p. 107. A touch rubbed at spine ends and corners, light soiling on rear cover; ink inscription on ownership leaf; else near fine. (200/300)

182.  Thompson, Ruth Plumly. Ojo in Oz. Illustrated with 12 color plates by John R. Neill. (8vo), dark blue cloth, pictorial cover label; black & white pictorial endpapers; color pictorial jacket. First Edition, Second State. Chicago: Reilly & Lee, [1933] Second state binding, with spine imprint in semi-script. All later printings were issued without color plates. First state dust jacket with the spine imprint in semi-script “fancy” letters and lists 26 titles through Ojo in Oz. Bienvenue & Schmidt, p. 115. Jacket spine a touch sunned, several tiny closed tears to edges, tiny nicks at spine ends, small chip at bottom edge; volume spine ends and corners a touch rubbed; else a fine volume in a very good jacket. (200/300)

183.  Thompson, Ruth Plumly. Ozoplaning With the Wizard of Oz. 272 pp. Illustrated in black & white by John R. Neill. 22.7x17 cm (9x6¾”) blue-gray cloth, color pictorial label, color pictorial dust jacket. First Edition. Chicago: Reilly & Lee, [1939] First printing with 16-page gatherings. First dust jacket with this title as the last advertised on the rear jacket flap. Bienvenue & Schmidt p.121 Jacket spine faded, light wear at edges, short closed tears and a few chips; a touch bumped and rubbed at spine ends; near fine volume, clean and bright, in a very good jacket. (400/700)

184.  Thompson, Ruth Plumly. Pirates in Oz. 280 pp. With 12 color plates by John R. Neill. 9x6½, medium-green textured cloth, pictorial cover label; black & white pictorial endpapers, jacket. First Edition, First Printing, First State Jacket. Chicago: Reilly & Lee, [1931] First state binding with spine imprint in boldface; jacket rear flap lists 24 titles through Pirates in Oz. Price of $1.75 present. Scarce in jacket. Bienvenue & Schmidt, p.113. Jacket spine foxed to one half, lightly chipped at top edge, a bit rubbed elsewhere; volume a touch bumped at spine ends and corners; near fine volume in a very good jacket. (800/1200)

185.  Thompson, Ruth Plumly. The Purple Prince of Oz. 281 pp. Illustrated with 12 color plates by John R. Neill. 9x6½, dark purple cloth, pictorial cover label, pictorial endpapers, color pictorial jacket. First Edition, Binding A (spine imprint in boldface type). Chicago: Reilly & Lee, [1932] Rare with the earlier state of the jacket having the publisher’s spine imprint in “semi-script”, plus the price of $1.75, and rear jacket flap listing titles through The Purple Prince of Oz. Bienvenue & Schmidt, p.114. Jacket spine a touch faded, lightly wear at edges; a touch rubbed and bumped at spine ends and corners; near fine volume in a very good jacket. (800/1200)

Lot 185

Page 46 ROYAL BOOK OF OZ 186.  [Thompson, Ruth Plumly &] L. Frank Baum. The Royal Book of Oz. 312 pp. Illus. with 12 color plates and numerous black & white drawings by John R. Neill. 22.8x16.8 cm. (9x6½”), gray cloth, pictorial cover label; black & white pictorial endpapers, color pictorial dust jacket. First Edition, First State. Chicago: Reilly & Lee, [1921] In the rare dust jacket. This book was actually almost totally the work of Thompson, despite what the title page says. First state with misspelled caption on plate facing p.255 (“...Scarecorw’s...”), and plates coated only on one side. Bienvenue & Schmidt, p. 102. Jacket flap corners clipped, tiny closed tears at edges, a few expertly repaired on verso, plus a small chip at spine end, repaired; name in ink on ownership page and on blank page facing it; else a fine volume in a very good jacket. (1000/1500)

Lot 186

187.  Thompson, Ruth Plumly. The Silver Princess in Oz. Illustrated with black & white drawings by John R. Neill. 22.8x16.8 cm. (9x6½”), blue cloth, pictorial cover label. black & white pictorial endpapers, pictorial dust jacket. First Edition, First Printing, First Binding. Chicago: Reilly & Lee, [1938] First printing with 16-page gatherings; first binding with illustration of Handy Mandy on spine; the title on the cover label, except for the Oz monogram, is printed in metallic-silver ink; first state jacket with list of 31 titles to The Silver Princess in Oz on rear flap. Bienvenue & Schmidt, p. 120. Jacket a bit rubbed at edges, a few tiny nicks, a few tape repairs at edges on verso, a bit of yellowing from old tape on rear flap fold; volume a touch rubbed at spine ends and corners; else a near fine volume in a very good jacket. (400/600)

188.  Thompson, Ruth Plumly. Speedy in Oz. 298 pp. Illustrated with 12 color plates by John R. Neill. 9x6½, light blue cloth, pictorial cover label; black & white pictorial endpapers; color pictorial jacket. First Edition, First State. Chicago: Reilly & Lee, [1934] First state with Reilly & Lee imprint on spine in semi-script, “fancy” letters. All later printings were issued without color plates. The jacket is in first state, with 26 titles listed on front and rear panels, through Ojo in Oz (which preceded Speedy). Bienvenue & Schmidt p.116; Hanff & Greene, XXVIII. Jacket with tiny chips at top edge, a few small short closed tears; volume spine leaning a touch, spine ends lightly rubbed, free endpapers lightly foxed, else a very clean, bright copy; very good. (700/1000)

Absentee bids may be placed directly from the item description in the online version of the catalogue at www.pbagalleries.com

Page 47 189.  Thompson, Ruth Plumly. The Wishing Horse of Oz. 297 pp. Illustrated with 12 color plates by John R. Neill. 9x6½, light blue cloth, pictorial cover label, color pictorial dust jacket. First Edition. Chicago: Reilly & Lee, [1935] This was the last Oz book to be issued with color plates, and all subsequent printings of this book did not contain the plates. The jacket is the first state, with 28 titles listed on rear flap ending in The Wishing Horse of Oz. Endpapers are blank, this is the only book in the Oz series not to have its own endpaper illustrations; later reprint copies are known bearing endpaper illustrations. Bienvenue & Schmidt, p. 117. Several tiny closed tears to jacket edges; lightly rubbed and yellowed spine ends and corners; else a near fine and bright copy of the book, in a very good jacket. (300/500)

190.  Thompson, Ruth Plumly. The Yellow Knight of Oz. 275 pp; Illustrated with 12 color plates by John R. Neill. 9x6½, brick-red cloth, pictorial cover label. First Edition, First Binding. Chicago: Reilly & Lee, [1930] First binding, with spine imprint in boldface. With first state dust jacket, with the wrapper advertising 23 titles, the last The Yellow Knight of Oz. Bienvenue & Schmidt p.112. Jacket flap corners clipped, edges lightly chipped with several tiny tears, expertly repaired along all edges and flap folds on verso; volume extremities lightly rubbed; some repair to hinges; “Book No XXIV 1930” written in ink on front free endpaper; else a clean bright near fine copy in a eryv good jacket. (300/500)

Section III: Illustrated & Children’s Books 191. (Attwell, Mabel Lucie) Barrie, J.M. Peter Pan and Wendy. 320 pp. 12 color plates by Mabel Lucie Attwell, numerous in text illustrations. (8vo) royal blue cloth stamped in gilt, blue dust jacket, printed in dark blue, circular color label illustrating front panel. First Attwell-illustrated Edition. London: Hodder and Stoughton, [1921] In the scarce dust jacket. Very light edge wear to jacket spine ends, a few tiny spots of soiling and faint yellowing; lightly foxed to fore edges of volume and leaves; near fine. (200/300)

192.  Behn, Harry. The Faraway Lurs. Brown cloth stamped in gilt and black, pictorial dust jacket. First Edition. New York: World Publishing Company, [1963] Inscribed by the author of front free endpaper in the year of publication. A romantic tragedy along the lines of Romeo and Juliet. Jacket spine sunned, lightly worn at edges, small chip to head of spine; abrasion on front pastedown endpaper (bookplate removed?); else near fine in a like jacket. (100/150)

EROTIC ETCHINGS BY HANS BELLMER 193.  Bellmer, Hans. Petit Traité de Morale. Title leaf and colophon plus 9 (of 10) original color etchings by Hans Bellmer. 38x28 cm (15x11”), including margins. Each printed on the second leaf of a folded sheet. Loose in original paper wrappers, cloth chemise and slipcase. No. 43 of 150 numbered copies on Velin d’Arches from a total edition of 170. Paris: Editions Georges Visat, [1966-68] A series of erotic etchings by Hans Bellmer, inspired by the writings of the Marquis de Sade and produced over a 2 year period. Lacking plate number IV, Les 120 Journées de Sodome. Slipcase faded, wrappers lightly worn; prints fine. (4000/7000) Lot 193

Page 48 194. (Blampied, Edmund) Barrie, J.M. Peter and Wendy. viii, 215 pp. Tipped in color plates by Edmund Blampied, with printed tissue-guards. (4to) yellow-tan cloth, lettered in dark blue. First Blampied Edition. [London]: Hodder and Stoughton, [1909] With neat, 1941 ink inscription “To Jane from Peter & Wendy” on the half title page. Volume edges lightly bumped and rubbed, cloth darkened; light foxing to early leaves, lighter marginal foxing to later leaves; very good. (150/250)

ETCHINGS BY EDWARD BOREIN 195. (Borein, Edward) . Etchings of the West: Edward Borein, October 21, 1872 - May 19, 1945: A Collection of Ten Etchings Pulled from the Original Borein Plates. With ten tipped-in etchings by Borein, plus 3 tipped-in Borein Christmas cards, and an invitation to a party at Lucile and Ed’s home. 33x28.5 cm. (13x11½”), full green antiqued morocco, spine decorated with four star-burst patterns and lettering in gilt, tan calf inlay with Borein illustration in gilt on front cover, gilt dentelles, top edge gilt, acetate jacket, green calf and marbled boards slipcase, original yellow limp calfskin case with Velcro closure. No. 25 of 25 copies of the Presentation Edition. [Santa Barbara]: [John T. Reynolds], [2002] Signed by the dedicatee and Borein bibliographer, Harold G. Davidson, at the limitation page. Additional limitation page at rear signed by bookbinder David Weinstein, printer Patrick Merrill, and John T. Reynolds. A beautiful copy of this finely bound Presentation Edition, one of only 25 copies. A few very faint marks to calfskin case, and to slipcase; else fine. (1500/2000)

Lot 195

The auction begins at 11:00 am Pacific Time

Page 49 196.  Carroll, Lewis. Alice in Wonderland - various illustrated editions of the work. Includes: * Alice’s Adventures in Wonderland [&] Through the Looking-Glass and What Alice found there. Illustrated by Sir John Tenniel. 2 volume set, bound in blue cloth, illustrated dust jackets, glossy boards illustrated slipcase. Harcourt Brace, [1999]. * Alice’s Adventures in Wonderland. Illustrated by Sir John Tenniel. Green cloth, all edges gilt, dust jacket. New Definitive Illustrated Edition. Books of Wonder, William Morrow & Co., [1992]. * Alice in Wonderland. Illustrated by Lisbeth Zwerger. Glossy illustrated boards, matching dust jacket. North-South Books, 1999. * Alice’s Adventures in Wonderland. Illustrated by Angel Dominguez. Yellow cloth, illustrated dust jacket. Artisan, [1996]. * The Annotated Alice: Alice’s Adventures in Wonderland & Through the Looking Glass. Illustrated by John Tenniel. With introduction and notes by Martin Gardner. Tan cloth, dust jacket. Clarkson N. Potter, [1960]. Various places: Various dates Various artists’ interpretation of the world in which Alice finds herself, in the classic story by Lewis Carroll. Fine, except for the last title with a bit of edge wear to jacket. (100/150)

197.  Carybé (pseud. Bernabó, Héctor). Iconografia dos Deuses Africano no Candomble da Bahia. Text by Jorge Armado. Color illustrations throughout. (Folio) 41.5x31 cm (16¼x12¼”), original patterned boards with linen edges and backstrip, cloth ties. One of 5000 copies. [Sao Paulo]: [1980] Colorful illustrations of African dress and culture. Light wear to boards, near fine. (300/500)

198.  Catlin, George. Westward Bound: A Hundred Years Ago. Illustrated with sketches throughout by Tom Lea. 10¼x8, original gray cloth-backed yellow paper over boards, paper spine label. No. 70 of 115 hand-numbered copies printed by Carl Hertzog. [El Paso, TX]: At the Pass of the North, 1939 Signed by the artist on the limitation page; signed by the printer in the colophon. A rare and remarkably illustrated fine press book. Jacket heavily chipped and lacking at spine, smaller chips at edges; volume fine. (1000/1500)

Lot 198

Page 50 199. (Clarke, Harry) Poe, Edgar Allan. Tales of Mystery and Imagination. 412, [1] pp. With 32 tipped- in color plates by Harry Clarke; plus many black and white illustrations. (4to) 26.5x20 cm. (10½x7¾”), original black cloth, pictorial cover label, gilt spine, top edge black. First American Clarke Edition. New York: Brentano’s, [c. 1923] A stunning edition of Poe’s masterwork with gorgeous illustrations by Harry Clarke. Clarke’s reputation as a master illustrator results largely from his work in this volume, which has been widely reproduced in innumerable editions of mostly inferior print quality. Spine sunned, hinges a bit shaken; frontispiece creased at lower corner; previous owner’s name on endpaper; very good. (150/250)

200.  [Cruikshank, George]. Cruikshank’s Water Colours: With an Introduction by Joseph Grego. xxvi, [326] pp. Introduction by Joseph Greco. 67 color plates with captioned tissue guards. (4to) 10½x8¼, original cream cloth with gilt title, brown and orange ornaments, top edge gilt, other edges untrimmed. First Edition, No. 89 of 300 copies signed by the publisher. London: A. & C. Black, 1903 Text and illustrations come from 3 works illustrated by Cruikshank: Dickens’ Oliver Twist; The Miser’s Daughter by Ainsworth; History of the Irish Rebellion by Wiliam Maxwell. Some light rubbing, rear cover and spine browned; light foxing at endpapers; very good. (100/150)

201.  Crumb, Robert. Harlem. Unpaginated. 19x25 cm (7½x9¾”), original illustrated wrappers. First Edition in book form. Paris: Cornelius, 1993 Crumb’s illustrations of Harlem and Bulgaria, reprinted from the pages of HELP Magazine, 1965. Scarce. Fine. (300/500)

CHARLIE AND THE CHOCOLATE FACTORY 202.  Dahl, Roald. Charlie and the Chocolate Factory. [12], 162 pp. Illustrated by Joseph Schindelman. Red cloth, color pictorial jacket. First Edition, First Issue. New York: Knopf, [1964] The rare first issue with 6 lines of printing and binding information in the colophon, reduced to five in later issues. Precedes the English edition by three years. The unforgettable story “concerning the adventures of four nasty children and Our Hero with Mr. Willy Wonka and his famous candy plant.” Top edge of jacket lightly worn, a bit of light dust/finger soiling near spine and top edge; a bit of very light wear at volume spine ends and corners; near fine volume in a near fine jacket. (2000/3000)

Lot 202

Page 51 SOME WALT DISNEY WORKS 203. (Disney, Walt) Barks, Carl. The Fine Art of Walt Disney’s Donald Duck. 311 pp. Illustrated throughout in color and black & white. (4to) original red cloth, color pictorial label on front, slipcase. No. 456 of 1875 copies of the McDuck Edition. Scottsdale: Another Rainbow Publishing, [1981] Signed by Barks at the limitation. Some wear to slipcase, soiling along bottom edge (paint?); volume fine. (700/1000)

204. (Disney, Walt) Collodi, C., after. Walt Disney’s Version of Pinocchio (cover title). [3], 41 leaves, printed on rectos only. Includes 29 pages of photographic illustrations of storyboard sequences, animation cell shots, character models, etc., preceded by an “Overall Continuity Outline”, describing the filming sequence. 30.5x25 cm (12x9¾”), original boards, plastic spiral binding, paper label on front. Number 11 of 100 copies of the English Edition. London: Collins, [1939] A very rare Disney item, preceding by a year the release of what would be the second Walt Disney film. With the rubberstamp signature of Walt Disney on the limitation leaf, and with an inscription in an unknown hand beneath, signed “Mickey”. Some wear to boards and plastic comb binding; light wear to page edges; very good. (1000/1500)

205. (Disney, Walt) Thomas, Frank & Ollie Johnston. Disney Animation: The Illusion of Life. 575 pp. Profusely illustrated throughout, nearly 500 are in color. 4to. Gilt-decorated red cloth, color pictorial jacket, color pictorial slipcase. First Edition, deluxe issue. New York: Abbeville Press, [1981] Signed by both authors and containing a foot of original film “from a classic Disney feature”. Light wear to slipcase and jacket; near fine. (250/350)

206.  Donahey, William. Original drawing in pencil and ink by William Donahey - “The Indian”. Original drawing in pencil, then in ink over that. On paper, matted with a color lithograph set of illustrations of the Teenie Weenies characters, including the “Indian” figure, drawn here. An original drawing, signed by the creator of the Teenie Weenies characters, William Donahey. He writes Susanne Howard (the recipient of the drawing?) directly beneath the figure of the “Indian” who is pictured alongside the drawing, along with other Teenie Weenies characters. A scarce original drawing. No flaws; ready for framing. (200/300)

207.  Donahey, William. Twelve Teenie Weenies books, plus Mother Goose. Includes: From Reilly & Lee: * The Children’s Mother Goose: The Most Complete Mother Goose Published in America - 700 Rhymes. Illustrated by William Donahey. Black cloth, illustrated cover label. First Edition. [1921]. * Adventures of the Teenie Weenies. Olive green cloth, illustrated cover label. [1920]. * The Teenie Weenies in the Wildwood. Tan cloth, illustrated cover label. [1923]. * Down the River with the Teenie Weenies. Green cloth, illustrated cover label. [1921]. * From other publishers: * The Teenie Weenies Under the Rosebush. Blue cloth, illustrated cover label. [1922]. * Teenie Weenie Land. Green decorative cloth. Beckley-Cardy Company, [1923]. * Teenie Weenie Neighbors. Gray cloth. 1st ed, 1st printing. Whittlesey House, [1945]. * Teenie Weenie Town. Red cloth. First Edition. Whittlesey House, [1942]. * Teenie Weenie Neighbors. Illustrated boards, dust jacket. 1st Ed, 2nd printing. Whittlesey House, [1945]. * 4 small works from the Rand McNally Junior Edition, in color illustrated boards. Including 1 duplicate. Various places: Various dates Mostly mild general wear to extremities; mostly very good. Page 52 (300/500) 208. (Dulac, Edmund) Hawthorne, Nathaniel. Tanglewood Tales. Illustrated by with 14 tipped-in color plates. (4to), original half vellum and boards, spine lettered in gilt, pictorial endpapers. No. 266 of 500 copies. London: Hodder and Stoughton, [1918] Signed by Dulac at the limitation statement. Some light soiling to vellum, light wear to boards, endpapers browned; very good. (700/1000)

209. (Dulac, Edmund) Omar Khayyám. Rubáiyát of Omar Khayyám. Rendered into English Verse by Edward Fitzgerald. Illustrated with 20 tipped-in color plates by Edmund Dulac, decoratively bordered in olive green; captioned tissue-guards. (4to) 28x21.5 cm. (11x8½”), original gilt-decorated and lettered white cloth. First Dulac Illustrated Edition, trade issue. London: Hodder and Stoughton, [1909] Lovely illustrated interpretation of the classic Persian text. Spine darkened, minor soiling to cloth; very good, contents clean, plates bright. (400/600)

210.  Erté. Sculpture. 199 pp. Color photographs throughout. (Folio), red cloth, slipcase. No. 97 of 1250 copies. First Edition. New York: E.P. Dutton, [1986] Signed by Erté at the limitation statement. Fine. (200/300)

LITHOGRAPHS BY ANNE EVERARD 211.  Everard, Anne. Flowers from Nature, with the Botanical Name, Class and Order; and Instructions for Copying. With 13 hand-colored lithographed plates including the frontispiece. (Folio) 36.5x26.5 cm (14½x10½”), original brown cloth with later calf spine, lettered in gilt on front, spine gilt and with red leather label. First Edition. London: Joseph Dickinson, 1835 Lovely series of lithographs of flowers, with bright hand-coloring. Includes the 2 page list of subscribers, with a few holograph additions. Some wear and soiling to cloth, endpaper renewed; light foxing, plates overall clean and bright; very good. (1000/1500)

Lot 211

Page 53 212. (Flowers of Poetry) . Flowers of Poetry, for Young Persons: Arranged from Various Authors, as a Companion or Sequel to Miss Taylor’s Original Poems. 2 volumes. 144; 144 pp. (12mo) 14.5x9 cm (5¾x3½”), period leather-backed marbled boards, spines lettered in gilt. London: Hamilton, Adams, & Co., 1835 A charming compilation of poetry for juveniles. First volume with chip at foot of spine, lacking front blank; boards worn; foxing; very good. (200/300)

213.  Freeman, Don. Add-A-Line Alphabet - with hand-painted and signed inscription from Don Freeman. Color illustrations throughout by Don Freeman. (4to) color illustrated cloth, color illustrated dust jacket. First Edition. San Carlos: Golden Gate Junior Books, [1968] With an original hand-painted drawing of a man eating alphabet soup, and the message “with souper regards from Don Freeman,” on the front free endpaper. A lovely piece of original art. Jacket price-clipped and lightly worn at edges, one small chip at spine head; light rubbing and bumping at volume extremities; all very good. (200/300)

214.  Gibran, Kahlil. Twenty Drawings. Unpaginated. 20 full page plates, including color frontispiece. (4to) 31x23.5 cm. (12x9¼”), original cloth-backed boards stamped in gilt. First Trade Edition. New York: Alfred A. Knopf, 1919 Gibran’s first book. Introductory essay by Alice Raphael. Extremities rubbed, some soiling to boards; very good. (200/300)

215. (Gill, Eric) . Three Eric Gill Bookplates. Three bookplates, designed and printed by Eric Gill. Two plates on paper, 7x3.5 cm, one black, the other brown with Ex Libris Eric Gill at the top, hand and book devices at center, T.O.S.D. (Third Order of St. Dominic) at bottom. The third plate, 5x6.5 cm, reads, on three lines, “Ex Libris Eric Gill / T.O.S.D. / Pigotts near Speen / Buckinghamshire”. Matted and framed, overall 17x25.5 cm (6¾x10”). Piggots: Eric Gill, [1920s] Fine examples of Eric Gill’s personal bookplates. Fine. (400/600)

216.  Grahame, Kenneth [and] Horwood, William. Five tales from the Willows. Includes: * Grahame, Kenneth. The Wind in the Willows. Cloth, dj (price-clipped). Illustrated by Ernest H. Shepard. Methuen Children’s Books, [1971]. * And from William Horwood’s continuation of the series: * The Willows and Beyond. Illustrated by Patrick Benson. Cloth, dj. HarperCollins, [1996]. * The Willows in the Winter. Illustrated by Patrick Benson. Cloth, dj. HarperCollins, [1993]. * The Willows at Christmas. Illustrated by Patrick Benson. Cloth, dj. HarperCollins, [1999]. * Toad Triumphant. Illustrated by Patrick Benson. Cloth-backed boards, dj. St. Martin’s Press, [1996]. Various places: Various dates The first volume with some general edge wear and is very good; the others are fine. (200/300)

Phone bidding is available during our auctions Please call 415-989-2665 for more information prior to the auction.

Page 54 217.  Gruelle, Johnny. Fourteen Raggedy Ann works. Includes: * Raggedy Andy Stories. Cloth-backed boards. First Edition. P.F. Volland, [1920]. Scarce copy of this book. * Marcella: A Raggedy Ann Story. With dj. Simon & Schuster, [1999]. * Raggedy Ann and Andy with the Camel with the Wrinkled Knees. With dj. Simon & Schuster, [2001]. * The Paper Dragon: A Raggedy Ann Adventure. With dj. Simon & Schuster, [2003]. * Raggedy Ann’s Lucky Pennies. With dj. Simon & Schuster, [2003]. * Raggedy Ann Stories. With dj. Bobbs-Merrill, [1961]. * Raggedy Anne in the Deep Deep Woods. With dj. Bobbs-Merrill, [1960]. * Raggedy Ann in the Snow White Castle. Bobbs-Merrill, [1960]. * Raggedy Anne in the Deep Deep Woods. With dj. Simon & Schuster, [2002]. * Raggedy Ann and Andy and the Camel with the Wrinkled Knees. Bobbs-Merrill, [1960]. * Raggedy Ann in Cookie Land. Bobbs-Merrill, [1960]. * Raggedy Ann and the Wonderful Witch. Bobbs-Merrill, 1961]. * Raggedy Ann and the Golden Ring. Bobbs-Merrill, [1961]. * Raggedy Ann and Andy and the Nice Fat Policeman. Bobbs-Merrill, [1960]. Various places: Various dates Only light wear to edges of some; mostly fine. (250/350)

218.  Gruelle, Johnny. Typed Letter Signed by Johnny Gruelle, to a Miss Caldwell, regarding protocol for submitting songs to music publishers. 2 pages, on 1st & 4th page of 4-page lettersheet with “Johnny Gruelle” imprinted at top of 1st page. 20.5x16.5 cm. (8¼x6¾”). Norwalk, CT: Feb. 13, 1929 The creator of Raggedy Ann and Raggedy Andy is evidently set on publishing songs he has written, and writes to Miss Caldwell regarding the process (note that the lack of spaces after punctuation is characteristic of Gruelle’s writing), “I received a letter from Betty Kern the other day; which made me think of you in collaboration with her father; and Fed and Dorothy Stone,and the Raggedys; so I am taking the liberty of writing you... In presenting songs to prospective Publishers, I am certain that it is similar to submitting book manuscripts to Book Publishers; if you are not “IN” there is slight chance in getting in...” The fourth page (i.e. the second page with typing, and the one with Gruelle’s signature), is darkened from offsetting; else very good. (250/350)

219. (Hague, Michael) Grahame, Kenneth. The Wind in the Willows. Illustrated by Michael Hague. Brown gilt-lettered cloth, color illustrated dust jacket. Signed by Hague, with an original 3” ink drawing of a mole on verso of the front free endpaper. First Hague-illustrated Edition. New York: Holt, Rinehart and Winston, [1980] The lot also includes: A Wind in the Willows Christmas. Illustrated by Michael Hague. Glossy illustrated boards, matching dust jacket. Signed on title page by Hague. Sea Star Books, [2000]. Fine. (200/300)

220. (Ikebana) . Twenty-four colored prints of Japanese floral arrangements. 24 colored prints, 31x22.5 cm (12¼x9”). Disbound, punched holes for string binding along one edge. No place [Japan]: [c.1920] Four of the prints have been matted, others loose. Taken from the “Great Japanese Flower Path School Exhibit” catalog. Paper a touch browned, some light edge wear; very good. (300/500)

Page 55 ILLUMINATED MANUSCRIPT 221. (Illuminated Manuscript) Nuttall, Frances. A Christmas Carol [The Holly and the Ivy]. 5 vellum leaves. 15x12 cm (6x4¾”), full red morocco. No place: [1951] A calligraphic manuscript of the popular English carol The Holly and The Ivy. Illuminated with 6 capital letter ‘T’s, each flanked by two angelic figures playing musical instruments, taken from the Minstrel’s Gallery, Exeter Cathedral. The colophon identifies the artist as Frances Nuttall. Vellum a bit rippled; else fine. (700/1000)

222.  Jacques, Brian. Five novels about Redwall - four are signed by the author. Includes: * Mariel of Redwall. [1992]. First American Edition. * Mossflower. 4th Impression. [1988]. * The Legend of Luke. [2000]. First American Edition.

223. (James, Gilbert) Omar Khayyám. Rubaiyat of Omar Khayyám. viii, 203 pp. 16 color plates by Gilbert James. (8vo) later full brown morocco, raised bands, spine lettered in gilt, top edge gilt. London: Adam and Charles Black, 1909 An attractively illustrated edition of the Persian classic. Translated by Edward Fitzgerald. Fading and light wear to leather, staining on spine, front hinge cracked; very good. (250/350)

224.  Janeway, James & Cotton Mather. A Token for Children, being an exact account of the conversion, holy and exemplary lives, and joyful deaths of several young children. A token for the children of Newengland. Or, Some examples of children, in whom the fear of God was remarkably budding before they died; in several parts of New-england. Preserved and published for the encouragement of piety in other children. 182 (of 187, [1] pp). (12mo) 14x8 cm. (5¾x3”), period thin wooden boards with paper overlay. Worcester, Massachusetts: For I. Thomas, by James R. Hutchins, 1795 OCLC/WorldCat lists only microform examples of this Isaiah Thomas imprint. Spine strip perished, rear cover replaced with early cardboard, bottom 1¼” of front board missing, marginal loss to title-page; lacking the final signature of 6 leaves; good condition, quite rare. (300/500)

225. (Jones, Owen & Henry Warren) Shakespeare, William. Scenes from a Winter’s Tale. 24 leaves incl. title, chromolithographed on both sides in gilt and colors; on one side is the text from Shakespeare, on the others are pictorial representations of the scenes from designs by Jones and Warren, each with decorative border. (4to) 28x21.5 cm. (11x8½”) original brown cloth decoratively stamped in gilt, brown, and red, all edges gilt. Endpapers replaced. London: Day and Son, [1866] Striking series of color lithographed plates by the master illuminators Owen Jones and Henry Warren. Light wear to cloth; some foxing and faint staining, several leaves detached; good. (100/150)

Absentee bids may be placed directly from the item description in the online version of the catalogue at www.pbagalleries.com

Page 56 226. (Kat Ran Press) Hill, Jennifer. Overpass. Six drawings by Jennifer Hill. Title leaf, six prints, and colophon leaf. (Folio) 35.5x25 cm (14x9¾”) gray paper wrappers. No. 3 of 50 copies. [Florence, Mass.]: Kat Ran Press, [2001] Signed by the artist at the colophon. Drawings printed from plates made at Wild Carrot Letterpress, with hand embellishments by the artist. Fine. (100/150)

227.  La Fontaine, Jean de. Tales and Novels in Verse. 2 volumes in 4. xiv, 131; [2], (133)-252; x, 162; [2], (163-334, [1] pp. 85 plates by Charles Eisen. (8vo) 22.5x14 cm. (9x5½”) three-quarter green morocco and marbled boards, spines gilt, top edges gilt. No.377 of 400 copies, this being one of 125 on Velin mecanique. Paris: J. Lemonnyer, 1883 Scarce edition, in English, reprinting one of the most famous French illustrated books of the 18th century. Spines darkened, extremities rubbed; a few tissue guards torn; very good. (200/300)

228. (Le Mair, H. Willebeek) Moffat, Alfred. Little Songs of Long Ago “More old Nursery Rhymes”. With 32 color plates by H. Willebeek Le Mair, accompanied with music scores harmonized by Alfred Moffat. (Oblong 4to), publisher’s light orange cloth, oval color pictorial cover label, lettered in gilt. First Edition. London: Augener Ltd., [1912] Light wear and soiling to cloth, endpapers foxed; very good. (60/90)

229. (Le Papillon) . Ten bound volumes of the illustrated periodical Le Papillon. 10 annual volumes of bound issues. Illustrations throughout. (4to) 27x21.5 cm (10¾x8½”) red calf-backed mottled boards, spines lettered in gilt. Geneva: 1906-1915 Scarce European periodical of humor and illustration, text in French. Also includes illustrated advertisements. Light wear to leather; paper a touch browned; very good. (400/600)

230.  Leaf, Munro. Safety Can Be Fun - plus two others by Munro Leaf. 3 volumes. * Safety Can Be Fun. Illustrated. Green cloth. First Edition, 1st Printing. 1938. * Manners Can Be Fun. Illustrated. Blue cloth. 13th Printing. [1938]. * Grammar Can Be Fun. Illustrated. Red Cloth. 10th Printing. [1938]. New York: Frederick A. Stokes, 1938 Moderate wear to volume edges, some tearing at spine ends, corners showing; good or very good. (150/250)

231.  Leaf, Munro. The Story of Ferdinand. Illustrated by Robert Lawson. 8x7, cloth-backed boards. Second Printing. New York: Viking Press, 1936 Presentation copy, inscribed and signed with two sketches by the author. On the title-page: “for / Walter and John [two drawings of boys] / with all the very best wishes / of [sketch of Ferdinand] Ferdinand / and / [happy face] Munro Leaf ”. Also the name Walter Foxworth (the original recipient of the inscription?) in ink on front pastedown. Rubbed and bumped at spine ends and corners; very good. (400/600)

Page 57 232.  Lewis, C.S. Eight volumes by C.S. Lewis. Includes: * The Lion, the Witch and the Wardrobe. Illustrated by Pauline Baynes. Glossy boards, dust jacket. Collins, [2003]. * The Magician’s Nephew. Illustrated by Pauline Baynes. Glossy boards, dust jacket. Collins, [2003]. * Books 2 - 7 from The Chronicles of Narnia. In various colors of cloth, dust jackets (tattered and soiled). Later printings. Macmillan, [1966-67]. Various places: Various dates The first two volumes are fine; the others with worn jackets and volume edges; very good. (60/90)

233. (Matta, Sebastian) Goizueta, Elizabeth T. Matta: Making the Invisible Visible. 139 pp. Illustrations in color and black & white. (4to) original illustrated wrappers. First Edition. Chicago: University of Chicago Press, [2004] Issued in conjunction with the exhibition of the same name at the McMullen Museum of Art, Boston College. Scarce. A touch of wear at edges; near fine. (200/300)

234. (Meteyard, Sidney H.) Longfellow, H.W. The Golden Legend. Illustrated with tipped in color plates by Sidney H. Meteyard. (4to) full gilt-lettered and decorated vellum, top edge gilt, other edges untrimmed. No. 12 of 250 copies. London: Hodder and Stoughton, [1910] Signed by the illustrator at the limitation. Vellum a bit soiled, covers bowed a bit; light dampstain at top edge of limitation leaf, else contents are clean; very good. (200/300)

ONE OF 100 COPIES, SIGNED BY A.A. MILNE 235.  Milne, A[lan] A[lexander]. When We Were Very Young. xii, [2], 100 pp. Illustrated by E.H. Shepard. 8x5½, original cloth-backed pictorial boards; pictorial dust jacket. First American Edition. No. 61 of 100 copies signed by the author, from a total limited edition of 500 copies. [New York]: E.P. Dutton & Co., [1924] One of only 100 signed copies of the American issue. The first in the series, and the first appearance of both Christopher Robin and an early incarnation of Winnie the Pooh (in “Teddy Bear”). The scarcest of the Pooh books. Jacket chipped at edges, backed with a sheet of scrap paper, split along rear spine fold; volume spine faded, lightly edge worn, corners rubbed, crease to frontispiece, offsetting from clippings to 2 pages, closed tear to one leaf, many pages unopened; about very good in a poor jacket. (5000/8000)

Lot 235

Page 58 236. (Miniature Book) . Betty Blue. 61, [1] pp. Color frontispiece. 6x5.5 cm. (2¼x2”), boards with color pictorial cover label, contents bound with string ties, as issued, slipcase with color pictorial cover repeating design on cover. London: Humphrey Milford, c.1920 Some rubbing and soiling to slipcase; very good condition. (80/120)

237.  Neiman, LeRoy. Horses. Illustrations throughout in black & white and color by LeRoy Neiman. (Folio) original three-quarter brown leather and tan cloth, slipcase. First Edition. No. 1124 of 1200 copies. New York: Harry N. Abrams, [1979] Signed by Neiman at the limitation statement. Light wear to slipcase; fine. (500/800)

238. (Newton, Isaac) “Telescope, Tom” and “William Magnet”. The Newtonian System of Philosophy; Explained by Familiar Objects, in an Entertaining Manner for the Use of Young Ladies and Gentlemen. [4], 137, [1] + [1] ad pp. Illustrated with 5 engraved plates, plus many woodcuts in the text. (12mo) 14.2x8 cm. (5¼x3¼”), modern tree calf ruled in gilt, spine lettered in gilt. London: Ogilvy and Son, Vernor and Hood, et al., 1798 Engaging children’s edition explaining Newton’s laws of motion. Owner’s name of John Aldridge, 1811, to title-page. Light offset from the plates, small stain to title-page, else very good. (200/300)

239. (Nielsen, Kay) Grimm, Brothers. Hansel and Gretel and Other Stories. With 22 illustrations by Kay Nielsen, many in color. (4to) original red cloth, pictorial cover label, spine lettered in gilt, decorative endpapers. Early edition. New York: George H. Doran, [c.1925] With ‘B’ on copyright page. Fantastically illustrated by Nielsen. Lightly worn, previous owner’s name on endpaper; very good. (250/350)

240. (P.P.I.E.) Montgomery, Frances Trego. Billy Whiskers at the Exposition. 192 pp. 6 color plates, plus several illustrations within the text by Frank J. Murch. 22.5x18.5 cm. (8¾x7½”), color illustrated white boards, matching color illustrated dust jacket. First Edition. Chicago: Saalfield Publishing Company, [1915] With the lovely and rare color illustrated dust jacket, showing Billy Whiskers and friend admiring the view of the P.P.I.E. Jacket with light edge wear including several chips and closed tears, one long closed tear at front flap fold, a few holes at spine and rear flap fold; lightly frayed at spine ends as usually found; name in ink on front endpapers, else clean internally; very good volume in very good jacket. (60/120)

241. (Pinkney, Jerry) Lester, Julius. Four volumes of Uncle Remus tales - signed by illustrator . Includes: * The Tales of Uncle Remus. [1987]. 6th Printing. * More Tales of Uncle Remus. [1988]. 3rd Printing. * Further Tales of Uncle Remus. [1990] 3rd Printing. * The Last Tales of Uncle Remus. [1994]. First Printing. New York: Dial Books, Various dates Each signed by the illustrator Jerry Pinkney. Each in cloth-backed boards, dust jackets. Fine. (100/150)

Page 59 242.  Politi, Leo. Rosa. Color illustrations throughout by the author. 10x7½”, pale yellow pictorial cloth, color illustrated dust jacket. First Edition. Charles Scribner’s Sons, [1963] Inscribed to a friend from the author, and signed on the front free endpaper. Accompanied by a vibrantly colored doodle of a butterfly and flowers. The story of Rosa and her life in San Felipe. It was also available in the Spanish language. Jacket price-clipped; a faint trace of rubbing at spine ends; else fine. (100/150)

A FEW ILLUSTRATED BY RACKHAM 243. (Rackham, Arthur) Evans, C.S. Cinderella. 110 pp. With a tipped-in color illustration frontispiece, and several silhouette drawings throughout by Arthur Rackham. (4to), original cloth- backed boards, spine and cover stamped in black. No. 528 of 850 copies, this being one of 525 printed on English Hand-made paper. First Rackham Illustrated Edition. London / Philadelphia: William Heinemann / J.B. Lippincott, [1919]

Lot 243

Signed by Arthur Rackham on the limitation page. Includes a color plate not included in the trade edition. Latimore & Haskell, p. 49. Boards worn at edges; some offsetting of illustrations (as typical); very good. (1000/1500)

244. (Rackham, Arthur) Shakespeare, William. A Midsummer-Night’s Dream. [4], 134 pp. + plates. Illustrated with 40 tipped-in color plates, including frontispiece, and several drawings throughout the text by Arthur Rackham; printed tissue guards. (Large 8vo), original green cloth-backed decorative boards, stamped and lettered in gilt, top edge gilt. First Rackham Trade Edition, American Issue. New York & London: Doubleday, Page & Company & William Heinemann, 1908 One of Rackham’s best and most sought after illustrated titles. Latimore & Haskell, p.32. Lightly worn, corners rubbed; very good. (300/500)

Page 60 245. (Rackham, Arthur) Shakespeare, William. The Tempest. Illustrated with 21 tipped-in color plates by Arthur Rackham. (4to), original quarter vellum and boards, front cover lettered in gilt with gilt vignette, spine lettered in gilt, top edge gilt, others untrimmed. No. 415 of 520 copies, this is one of 260 for sale in the United States. First Rackham Edition. London & New York: William Heinemann & Doubleday, Page & Company, [1926] Signed by Rackham on the limitation- page. Latimore & Haskell, p.61. Vellum and boards lightly browned, corners rubbed, internally fine; overall near fine, better than typically encountered. (1000/1500)

Lot 245

246. (Rackham, Arthur) Wagner, Richard. The Ring of the Niblung. A Trilogy with a Prelude by Richard Wagner. 2 parts in 1. Includes: The Rhinegold & The Valkyrie; Siegfried & the Twilight of the Gods. Color plates illustrated by Arthur Rackham. Translated by Margaret Armour. (4to) blue cloth. First Edition Thus. London: William Heinemann, [1939] A touch of shelf wear; lightly foxed edges of text block, and at margins of early and late leaves; very good. (150/250)

247. (Rackham, Arthur) Walton, Izaak. The Compleat Angler or the Contemplative Man’s Recreation... Illustrated by Arthur Rackham, including 12 color plates, printed tissue guards; plus other drawings. 24.2x18.5 cm. (9½x7¼”), original gilt-decorated green cloth, pictorial endpapers, top edge gilt. First Trade Rackham Illustrated Edition, American issue. Philadelphia: David McKay, [1931] Latimore & Haskell, p. 66.

The lot also includes: Morley, Christopher. Where the Blue Begins. Illustrated by Arthur Rackham, including 4 color plates. 10x7¼, original bright blue cloth gilt, pictorial endpapers. First American Rackham Trade Edition (Doubleday on spine). Heinemann / Doubleday, Page, [1925]. Latimore & Haskell, p.60. Rubbing to spine ends and corners, light soiling; very good. (150/250)

Absentee bids may be placed directly from the item description in the online version of the catalogue at www.pbagalleries.com

Page 61 248. (Red Randall) Bowen, R. Sidney. Eight volumes from the Red Randall Series. 8 volumes, including: Red Randall at Midway; Red Randall Over Tokyo; Red Randall at Pearl Harbor; Red Randall’s One- Man War; Red Randall on Active Duty; Red Randall in the Aleutians; Red Randall on New Guinea; and Red Randall in Burma. New York: Grosset & Dunlap, [1944-1946] Each in green cloth, orange illustrated endpapers, color illustrated dust jackets. A few with the bookplate of Walter Foxworth. Moderate wear to dust jackets including chipping at edges, a few spine ends with large chips; rubbed and bumped volume edges; good to very good. (100/150)

249. (Robinson, W. Heath) Kipling, Rudyard. A Song of the English. [128] pp. 30 tipped-in color plates by W. Heath Robinson, printed tissue guards. (4to) 28x22 cm. (11x8½”), original blue cloth pictorially stamped in gilt. First Illustrated Edition. London: Hodder & Stoughton, [1909] Light wear and soiling to cloth; light foxing; very good. (150/250)

250.  Rockwood, Roy. Four science fiction novels. Includes: * By Air Express to Venus. Reddish-brown illustrated cloth. [1929]. * Five Thousand Miles Underground. Tan illustrated cloth. [1908]. * Lost on the Moon. Reddish-brown illustrated cloth. [1911]. * Through Space to Mars. Dark brown cloth, lettered in red. Racine, Wisconsin: Whitman Publishing Company, [1910]. Printed on poor paper and binding, fragile. New York: Cupples & Leon, Various dates Mostly mild general wear, except for the last non-Cupples & Leon Co. title, which was printed with sub-par cloth/paper; very good. (60/90)

251. Rowling, J.K. Harry Potter and the Half-Blood Prince [and] Harry Potter and the Deathly Hallows - two Deluxe editions, signed by illustrator Mary GrandPré. Each in black cloth, color pictorial jacket with wraparound illustration, color pictorial slipcases. Deluxe Editions. [New York]: Arthur A. Levine Books/Scholastic Press, [2005] and [2007] The Half-Blood Prince is signed by Mary GrandPré on the title page; The Deathly Hallows contains a laid in bookplate signed by GrandPré. Each with facsimile metallic signature of the author on top edge of slipcase. Fine. (200/300)

252. Rowling, J.K. Harry Potter and the Prisoner of Azkaban. Purple cloth-backed blue-green boards with embossed diamond pattern, pictorial jacket. First American Edition. [New York]: Arthur A. Levine Books/Scholastic Press, [1999] Signed by J.K. Rowling on the title page. The third book in the series. Has the “1” in the number line on the copyright page. Fine. (500/800)

Phone bidding is available during our auctions Please call 415-989-2665 for more information prior to the auction.

Page 62 253. Rowling, J.K. Two Harry Potter Bloomsbury Editions. Includes: * Harry Potter and the Goblet of Fire. Color pictorial boards, matching pictorial jacket. First Edition, First printing. True first edition of the fourth book in the famed Harry Potter series. First printing with the following errors: “Dumbledore, come!” spoken by Crouch on p. 503; James Potter exits Voldemort’s wand before Lily (order was later reversed) on p. 579; and “The Imperius curse, Moody said” on p. 594. * Harry Potter and the Prisoner of Azkaban. 7¾x5, color pictorial boards based upon an illustration by Cliff Wright, matching jacket. First Edition, Third State. With advertisements at rear. A touch foxed at front free endpaper. [London]: Bloomsbury, [1999] and [2000] Two tales from the world of Harry Potter. Fine. (200/300)

FIRST EDITION OF FIRST PEANUTS BOOK 254.  Schulz, Charles M. Peanuts. Illustrated throughout with comic strips. 20.2x13.5 cm. (8x5¼”), original pictorial wrappers. First Edition. New York: Rinehart & Co., [1952] First edition of the first Peanuts book, featuring Charlie Brown, Snoopy and friends. Light wear at wrapper edges; paper with typical browning; near fine. (1000/1500)

Lot 254

255.  Sendak, Maurice. Where the Wild Things Are. Illustrated throughout in color by the author. 23.5x25 cm. (9x9¾”), color pictorial cloth-backed boards; later cloth slipcase. First Edition. [New York]: Harper & Row, [1963] Signed by in ink on the half-title. True first with number on title page. Boards with some faint foxing, a touch of rubbing to extremities; very good or better. (600/900)

256. (Shakespeare, William) . The Stratford Gallery; or the Shakspeare Sisterhood. 302 pp. With 45 steel-engraved portraits. (4to) 27.7x19.5 cm. (10¾x7¼”). Original full brown morocco, tooled and decorated in gilt, all edges gilt. New York: D. Appleton and Company, 1867 A handsome production, with passages from Shakespeare accompanying superb steel-engraved plates of the most celebrated ladies in the bard’s oeuvre. Spine sunned, some rubbing to extremities, hinges cracked; light foxing; good. (100/150)

Page 63 257. Rowling, J.K. Five Harry Potter works - including two signed by illustrator Mary GrandPré. Includes: * Harry Potter and the Sorcerer’s Stone. Cloth-backed boards, color illustrated dust jacket. First American Edition, later issue. With “Year 1” printed on jacket and volume spine. [1998]. * Harry Potter and the Chamber of Secrets. Cloth-backed boards, color illustrated dust jacket. First American Edition, later issue. With “Year 2” printed on jacket and volume spine. [1999]. * Harry Potter and the Half-Blood Prince. Cloth-backed boards, color illustrated dust jacket. Signed by Mary GrandPré on the title page. First American Edition. [2005]. * Harry Potter and the Deathly Hallows. Cloth-backed boards, color illustrated dust jacket. Signed by Mary GrandPré on the title page. First American Edition. [2007]. * The Tales of Beedle the Bard. Color illustrated boards. First American Edition. [2008]. [New York]: Arthur A. Levine Books/Scholastic Press, Various dates Fine. (200/300)

258. (Shape Books) . Six Shape Books from Nister, McLoughlin Brothers, etc. Includes: * The House That Jack Built. (spine perished, leaves loose.) New York: McLoughlin Bros., 1891. * There Was and Old Woman Who Lived in a Shoe. New York: Dutton (printed by E. Nister in Bavaria), no date. * My Dolly. (spine perished, leaves loose.) London: E. Nister, no date. * The Little Gardner. London: Raphael Tuck, no date. * E. Elephant Esq. Showman. New York: McLoughlin Bros., 1894. * Frog Frolics. New York: McLoughlin Bros., 1894. *Together, 6 shape books. Illustrated in color &/or black & white within. 1st is 30.5x24.6 cm., others smaller; die-cut chromolithographed wrappers. London & New York: c.1890-1900 Generally very good. (250/350)

259. (Smith, Jesse Willcox) . Two volumes illustrated by . Includes: * Stevenson, Robert Louis. A Child’s Garden of Verses. 12 color plates by Jessie Willcox Smith, with printed tissue guards; title-page with color designs by Smith; black & white illustrations in the text. (Chips to a few tissue guards.) New York: Charles Scribner’s Sons, 1905. * A Child’s Book of Old Verses. Selected and Illustrated by Jessie Willcox Smith. 10 color plates by Jessie Willcox Smith, including the frontispiece; printed tissue guards. (Hinges cracked at endpapers.) New York: Duffield & Co., 1910. * Together, 2 volumes. Cloth, color pictorial color labels. New York: 1905 & 1910 Some rubbing to covers; very good overall. (200/300)

260.  Smith, Jessie Willcox. The Jessie Willcox Smith Mother Goose: A Careful and Full Selection of the Rhymes. With 12 color plates (including frontispiece) and 5 black and white plates, by Jessie Willcox Smith; plus numerous drawings in the text. (Oblong 4to) 8½x11¼, publisher’s black cloth with large color pictorial cover label, spine lettered in white. First Smith Illustrated Edition, later issue (without pictorial endpapers). New York: Dodd, Mead, [1914] Nudelman 39. White lettering on spine rubbed away, some light rubbing to cover label, volume extremities a touch frayed; a period ink gift inscription plus a tear repaired with tape on front free endpaper, fore edges of a few leaves lightly worn; very good. (200/300)

Page 64 261.  Snicket, Lemony. A Series of Unfortunate Events. 17 volumes. Includes: Volumes 1 - 13, plus 2 autobiography volumes, plus 2 duplicate volumes (Vol. 8 and Vol. 13). 7x5, original illustrated boards. All First English Editions. [London]: Egmont, [2001-2005] Includes 2 printings of: The Unauthorized Autobiography. One in illustrated boards like the other volumes. One in folded cover boards, illustrated. A few light bumps to volume spines, a few with a child’s name neatly inked on early leaf; near fine. (250/350)

262. (Sussan, René Ben) Green, Julian. The Pilgrim on the Earth. 121, [2] pp. 12 color woodcut illustrations by René Ben Sussan. (Small 4to) original blue vellum, lettered in gilt, top edge gilt. No. 10 of 25 copies printed on Japan vellum from a total printing of 410 copies. London: Blackamore Press, 1929 Spine faded, lightly worn; very good. (200/300)

SIGNED BY ARTIST AGUS SUWAGE 263.  Suwage, Agus. This Room of Mine. [18] leaves. Color reproductions of paintings by Suwage with some brief accompanying text. 29x32 cm (11½x12½”), spiral bound within black cloth folder and a black paper folding case. Number 104 of 140 copies, Signed by Suwage. [Jakarta]: [The Lontar Foundation], [1996]

Lot 263 Agus Suwage is one of the most important and influential painter/sculptors in the SE Asian art world today. He has shown extensively around the globe and has a major show currently in NYC at the Tyler Rollins Gallery. Light wear to outer paper case; else fine. (1500/2000)

264. (Thiel, Johannes) Shakespeare, William. The Merry Wives of Windsor. 86 pp. Illustrated with etchings by Johannes Thiel. (Folio) 32x25 cm. (12¼x10”), original full vellum. No. 49 of 220 copies. Munich: Tegernsee, 1924 Signed by Thiel at the colophon. Some browning and soiling to vellum; light foxing, gift inscription at colophon; very good. (150/250)

Page 65 265. (Thomson, Hugh) Shakespeare, William. As You Like It. Illustrated with 40 tipped-in color plates by Hugh Thomson. (4to) 24.5x18.4 cm. (9½x7¼”) original cloth-backed gilt-stamped boards. First Trade Edition. London: Hodder & Stoughton, [c.1909] Some soiling to boards, light wear to edges; very good. (100/150)

266.  Tudor, Tasha. The County Fair. [48] pp. Illustrated in color by the author; calligraphic text by Hilda Scott. 4½x3¾, “calico” red cloth with white polka dots, lettering in blue, color pictorial dust jacket. First Edition. New York: Oxford University Press, [1940] The third title in the author’s “Calico” series. Jacket browned and with some light edge wear; previous owner’s name on front pastedown endpaper, rear free endpaper creased; very good. (500/800)

TASHA TUDOR’S FIRST BOOK 267.  Tudor, Tasha. Pumpkin Moonshine. [42] pp. Illustrated in color by the author; calligraphic text by Hilda Scott. 11.5x9.6 cm. (4½x3¾”), “calico” blue cloth with white polka dots, lettering in red, color pictorial dust jacket. First Edition. New York: Oxford University Press, [1938] Tasha Tudor’s first book, and the first in the Calico series. The adventures of Sylvie Ann, who sought out the largest pumpkin she could find for Halloween. Sylvie Ann was Tudor’s real-life niece, who came from Scotland to visit her grandmother in Connecticut every summer - Tudor wrote this for her niece, and had it bound up in calico, then decided to have it published, at which she succeeded after long effort. Jacket spine a bit rubbed with a few small, expert repairs, slight residue from tape to the margins of the flaps; volume with slight rubbing to extremities, faint offset/tape residue to endpapers, else very good to near fine in like jacket, seldom found better. (2000/3000)

Lot 267

268. (Verve) Teriade, E., director. Verve: Revue Artistique et Litteraire. Vol. V, Nos 17 et 18. Unpaginated. Illustrations in black & white and color; includes an original full page lithograph. (Folio) pictorial wrappers. Paris: 1947 The entire issue devoted to Pierre Bonnard. Wrappers worn at edges, binding shaken, some separation in gutters; good. (150/250)

Page 66 269. (Verve) Teriade, E., director. Verve: The French Revue of Art. Vol. 2, No. 8, September-November 1940. 78 pp. Includes illustrations after Matisse, Royayt, Braque, Derain and others. Also includes an original two-page lithograph by Pierre Bonnard. (Folio) Printed wrappers with illustration by Matisse. Paris: 1940 A scarce wartime issue of this important art journal, issued just days before the fall of Paris to the German army. Some chipping and soiling to wrappers; original lithograph detached; good. (150/250)

270. (Woodroffe, Paul) Shakespeare, William. The Tempest. Illustrated with 20 tipped-in color plates by Paul Woodroffe; printed tissue guards. (4to) 26.4x19 cm. (10½x7½”), original green cloth stamped in gilt, top edge gilt. First Woodroffe Edition. London: Chapman and Hall, 1908 Minor wear to cloth; near fine. (100/150)

271.  de Brunhoff, Jean. Nine volumes of Babar books - all but one signed by author, or with signed bookplate. Includes: * The Art of Babar: The Works of Jean and Laurent de Brunhoff. Cloth, dj. Harry N. Abrams, [1989]. * The Rescue of Babar. Glossy boards, dj. With bookplate signed by Brunhoff laid in. Random House, 1993. * Babar Visits Another Planet. Cloth-backed boards, dj. With bookplate signed by Brunhoff laid in. Harry N. Abrams, [2003]. * Babar and the Wully-Wully. Cloth-backed boards, dj. Signed by author on half title. Harry N. Abrams, [2001]. * Babar and the Succotash Bird. Cloth-backed boards, dj. Signed by the author on title page. Harry N. Abrams, [2000]. * Babar and the Ghost. Cloth-backed boards, dust jacket. With bookplate signed by Brunhoff laid in. Harry N. Abrams, [2001]. * Babar’s Museum of Art. Cloth-backed boards, dj. Signed by the author on the half title page. Harry N. Abrams, [2003]. * Babar’s Battle. Cloth-backed boards, dj. With bookplate signed by Brunhoff laid in. Harry N. Abrams, [2002]. * Babar’s Birthday Surprise. Cloth-backed boards, dj. With bookplate signed by Brunhoff laid in. Harry N. Abrams, [2002]. New York: Various dates Fine. (200/300)

272.  de Brunhoff, Jean. Ten volumes of Babar books. Includes: * The Travels of Babar. Cloth-backed boards. Folio. Harrison Smith and Robert Haas, 1934. First English-language Edition. * Zephir’s Holidays. Cloth-backed boards. Folio. Random House, [1937]. First English-language edition. Fourth Babar book (although he only makes an appearance on the first page). * The Travels of Babar. (4to) cloth. Random House, [1961]. * Babar and Zephir. (4to) cloth-backed boards. Random House, [1937]. * The Story of Babar the Little Elephant. (4to) cloth. Random House, [1960]. * Babar and His Children. (4to) cloth. Random House, [1966]. * Babar and the King. (4to) cloth. Random House, [1963]. * Babar and Father Christmas. (4to) cloth. Random House, [1940]. * Travels of Babar. (8vo) boards. Random House, [1934]. Spine lacking, binding shaken, pencil marks all over covers. * A.B.C. of Babar. (8vo) boards. Random House, [1936]. Spine lacking, binding shaken. Various places: Various dates Mostly mild general wear, except the last two with heavy wear; mostly very good. (200/300) Page 67 Section IV: Books in All Fields 273.  Alciatus, Andreas. Emblemata cum Commentariis. lxxx, 1003, [1] pp. Additional engraved title page and 213 (including one in the prefatory material), large woodcut printer’s device on verso of final leaf. (8vo) 22.5x16.5 cm (9x6½”) period full limp vellum. Padua: Petrum Paulum Tozzium, 1621 “This is by far the most extensively commentated of Alciati’s editions.” Landwehr 99. This edition includes the often expurgated emblem LXXX. Alciati is most famous for his Emblemata, published in dozens of editions from 1531 onward. This collection of short Latin verse texts with accompanying woodcuts created an entire European genre, the emblem book, which attained enormous popularity in continental Europe and Great Britain. Vellum worn and soiled with several small holes; additional title leaf laid down, light foxing, staining to several index leaves at rear; very good. (700/1000)

274.  Alciatus, Andreas. Emblemi di Andrea Alciato Huomo Chiarissimo dal Latino nel Vulgare Italiano Ridotti Contenenti il Fiore et la Sostanza de’ più Scelti Scrittori & Delle più Celebri Discipline Dell’Universo Ripieni di Ottimi Consigli & Salutevoli Documenti per l’Uso Civile et Morale Della Vita Humana. [viii], 343 pp. 212 emblematic woodcuts. (8vo) 15x10.5 cm (6x4¼”), period full vellum. Padova: P.P. Tozzi, 1626 Alciati is most famous for his Emblemata, published in dozens of editions from 1531 onward. This collection of short Latin verse texts with accompanying woodcuts created an entire European genre, the emblem book, which attained enormous popularity in continental Europe and Great Britain. Light wear and soiling to vellum; old repair to title page, previous owner’s ink stamp on title page verso, light foxing, some insect tunneling in lower margins at front and rear (text and illustrations not affected); very good. (500/800)

275. (Angling) Walton, Izaak and Charles Cotton. The Complete Angler, or The Contemplative Man’s Recreation, of Izaak Walton and Charles Cotton. With Lives of the Authors, and Variorum Notes, Historical and Practical. Edited by Edward Jesse, Esq. xx, 496, [3] pp. With steel-engraved plates, including portrait frontispiece of the author, and additional title page. (8vo), 17.5x11 cm (7x4¼”), later full tan morocco, gilt ruled borders, spine gilt, all edges gilt. London: Henry G. Bohn, 1856 A handsome mid-century edition. With a list of fishing tackle-makers at the rear. Extremities lightly rubbed; very good. (100/150)

276. (Architectural Record) . The Architectural Record - 24 volumes of bound issues. 24 volumes. Each volume comprised of several issues bound together. Profusely illustrated with photographs, plus several folding drawings. 25x17.3 cm (9¾x6¾”), bound in brown cloth, gilt-lettered spine. New York: The Architectural Record Company, 1913-1927 Important compilation of this journal, with many photographs of American architecture including civic buildings and suburban homes alike. Plus some international architecture pictured. Property of the Institute of Classical Architecture & Art, Northern California Chapter, sold for the benefit of this organization. Very light shelf wear; near fine. (300/500)

Absentee bids may be placed directly from the item description in the online version of the catalogue at www.pbagalleries.com

Page 68 A FEW FROM THE ARION PRESS 277. (Arion Press) Canetti, Elias. The Voices of Marrakesh: A Record of a Visit. Photographs by Karl Bissinger. Etchings by William T. Wiley. 6 etched plates in red and black tipped to leaves, one of them signed by Wiley; numerous photographs by Bissinger, including color frontispiece. (4to) cloth- backed pictorial boards, paper spine label, paper sleeve with flap. No. 200 of 350 copies. San Francisco: The Arion Press, 2001 The final photograph signed in pencil by Bissinger. The sixty-first publication of the Arion Press. With original publisher’s receipt for the purchase of this book, laid in. Fine. (200/300)

278. (Arion Press) Doyle, Arthur Conan. The Hound of the Baskervilles. Photographs by Michael Kenna. (4to) original dark gray cloth with printed illustration, slipcase with photographic labels. One of 400 copies. San Francisco: Arion Press, 1985 Signed by Michael Kenna at the photographer’s statement. Profusely illustrated with photography by Kenna which captures the mood of the moors. The sixteenth book of the press. Light wear to slipcase; volume fine. (500/800)

279. (Arion Press) . Genesis. Translated by Robert Alter, with facing Hebrew and English texts. Duotone etching frontispiece on chine-collé by Michael Mazur. 16x11½, wrappers, chemise, and slipcase. No. 149 of of 200 copies designed under the direction of Andrew Hoyem. San Francisco: Arion Press, 1996 Signed by the translator at the colophon and by the artist at frontispiece, and at limitation. Slipcase a bit sunned at edges and some dust soiling (can be cleaned easily); else fine. (300/500)

280. (Arion Press) Hammett, Dashiell. The Maltese Falcon. ix, 291 pp. Illustrated with plates from photographs of San Francisco, most taken in 1928, map endpapers. (4to), black morocco-backed gray cloth with morocco onlays in a falcon design on front, slipcase with morocco label. One of 400 copies. San Francisco: The Arion Press, 1983 Superb edition of Hammett’s classic mystery, the elegant design and fine printing made vibrant by the inclusion of the striking photographs of San Francisco in 1928, showing the actual locations of the action. The eleventh publication of the Arion Press. Light wear to slipcase and volume; near fine. (1000/1500)

Lot 280

281.  Arnason, H.H. Robert Motherwell. 10½x11½”, illustrated cloth. First Edition. New York: Harry N. Abrams, [1977] Signed by the artist on the first blank leaf. A catalog of Robert Motherwell’s work. Motherwell (1915-1991) was the youngest Abstract Expressionist artist, transforming America’s art scene in the 1940s and 1950s. Rubbed at extremities, a bit of yellowing and finger soiling to rear cover, personal library stamp on each edge of text block and on front free endpaper; very good. (400/600)

Page 69 282. (Art) Eluard, Paul. Anthologie des Ecrits sur l’Art. 300 pp. Preface de Jean Marcenac. Illustrated throughout with plates of artwork, many in color. (4to) gray linen, lettered and decorated in black, slipcase. [Paris]: Editions Cercle D’Art, [1972] Illustrating art by Chagall, Picasso, Dali, Braque and many others. Fine. (100/150)

283. (Art) . L’Assiette au Beurre - three issues. 3 issues, including: * Les Medecins par Abel Faivre. No. 51, 22 Mars 1902. * Les Crimes du Tarisme. No. 114, 6 Juin 1903. Later reprint? Art within dated into the 1910s-1920s. * Les Gueules de Bois par Galanis. No. 220, 17 Juin 1905. Paris: l’Assiette au Beurre, 1902-1920s Light wear to each from handling; very good. (200/300)

284. (Audubon, John James) Peterson, Roger Tory and Virginia Marie Peterson. Audubon’s Birds of America. Illustrated throughout with color plates, some folding. (Folio) 38x30 cm (14¾x11¾”), full green leather, pictorially stamped gilt. One of an unspecified number of copies of the “Collector’s Edition”. New York: Abbeville Press, [1981] Signed by both of the authors on inserted leaf at front. Fine. (200/300)

285. (Baseball) Brooks, Noah. Our Base Ball Club and How it Won the Championship. With an introduction by Al. G. Spalding. Several full page plates. (8vo) original blue cloth, pictorially stamped in black and gilt. First Edition. New York: E.P. Dutton and Company, 1884 One of the earliest novels devoted to baseball. Spine sunned, light soiling to cloth, rear hinge cracked; light foxing; very good. (300/500)

286.  Beach, S[pencer] A[mbrose]. The Apples of New York. 2 volumes. xx, 409; iv, 360 pp. Profusely illustrated with plates of apples, most in color. (8vo), green cloth decorated and lettered in gilt. First Edition. Albany: J. B. Lyon Company, 1905 The first in a series of horticultural monographs published under the auspices of the New York State Agricultural Experiment Station. The Apples of New York offers an astonishingly thorough, beautifully illustrated survey of the wild and cultivated varieties of apples grown in the state, and is regarded as a classic work in the fields of horticulture and pomology. Front cover of Vol. II discolored/soiled white across most of cover, rubbing at volume extremities; else very good. (200/300)

Absentee bids may be placed directly from the item description in the online version of the catalogue at www.pbagalleries.com

Page 70 287. (Beat) . Collection of Beat Literature. Includes: * Starting from San Francisco. Poems by Lawrence Ferlinghetti. Wrappers. Signed with drawing by Ferlinghetti, on title page. Fifth Printing. New Directions, [1967]. * United Farmworkers Benefit. Lawrence Ferlinghetti Speaking His Poetry. Title page (with photograph of Ferlinghetti), plus 3 pp. of poetry, stapled. Lone Mountain College thurs. april 3-8pm. tickets $1.50, etc. * Kandel, Lenore. The Love Book. Wrappers. Stolen Paper Review, 1966. * Five Poems by Richard Brautigan. 1 printed sheet, folded. Serendipity Books for the International Antiquarian Book Fair, NYC Spring, 1971. * Whalen, Philip. The Invention of the Letter, A Beastly Morality. Spiral bound boards. [Carp & Whitefish, 1967]. * The Tiger’s Eye. Number 5, Volume 1. Wrappers. October, 1948. * Rosenthal, Irving, editor. Big Table. Number 1. Wrappers. Spring, 1959. * notes from Underground. Wrappers. San Francisco, 1964. Various places: Various dates Light wear to each; very good. (200/300)

288. (Beatles) . Birth of Beatlemania, 1964 Historic Concert Tour of America. 64 pp. (Folio) 38.5x27 cm (15x10½”), illustrated wrappers. Los Angeles: O’Brien Publishing Co., 1978 A compilation of various newspaper articles and photographs from the historic concert tour. The cover appropriately declares: “26 Days That Rocked the World!” Fading and light wear to wrappers; very good. (100/150)

FIRST EDITION 1525 289.  Bembo, Pietro. Prose...nelle quali si ragiona della volgar lingua scritte al Cardinale de Medici che poi e stato creato a Sommo Pontefice et detto Papa Clemente Settimo divise in tre libri. [1], 95 (i.e. 94) ff. Final blank present. (Folio) 29.5x20.5 cm (11½x8”) full limp vellum. First Edition. Venice: Giouan Tacuino, 1525 A milestone in the development of the Italian language. Reprinted frequently throughout the 16th and 17th centuries, the first edition was apparently seen through the press by Bembo himself. Brunet I, 765. Vellum worn, chipping to fore edge of front cover, endleaves worn; small hole in title leaf, light foxing, some marginal staining, ink notes in an early hand in margins; internally very good. (4000/6000)

Lot 289

Page 71 290.  Berger, Sidney E. Printing & the Mind of Merker: A Bibliographical Study. xviii, 138, [2] pp. (4to) original cloth-backed boards, slipcase. One of 50 specially bound copies containing original press sheets from K.K. Merker’s books. From a total edition of 500 copies. New York: The Grolier Club, 1997 Errata slip laid in. A comprehensive bibliography of the Stone Wall and Windhover Presses. Fine. (200/300)

291.  Berkeley, Busby. Autograph Note, signed on an anniversary card to his wife. Autograph Note, signed, on an anniversary card to his wife. Matted and framed with a portrait photograph of Berkeley and a photo of showgirls from a Busby Berkeley musical. Overall 62x62 cm (24½x24½”). Nov. 11, 1971 Busby Berkeley (1895–1976) was a highly influential Hollywood movie director and musical choreographer. Berkeley is best remembered famous for his elaborate musical production numbers that often involved dancers in complex geometric patterns. Berkeley’s works used large numbers of showgirls and props as fantasy elements in kaleidoscopic on-screen performances. Not examined out of frame, appears fine. (300/500)

292.  Bertillon, Alphonse. Signaletic Instructions, Including the Theory and Practice of Anthropometrical Identification. xx, 260, 35 pp. 81 plates, a few folding, plus several ‘b’ plates. Illustrations from photographs, sketches, etc. (8vo) original three-quarter brown morocco and cloth, lettered in gilt on front and spine, all edges marbled. First Edition. Chicago: The Werner Company, [1896] Laid in is a blank form for fingerprints and Bertillon measurements from the Ohio State Bureau of Identification. The Bertillon System was formerly used for identifying persons, typically criminals, by means of a detailed record of body measurements, physical description, and photographs of peculiarities. The Bertillon system was superseded by the more accurate procedure of fingerprinting. Includes a chromolithograph chart of the colors of the human iris. Scarce. Spine a bit sunned, light wear; very good. (700/1000)

BIBLE IN ENGLISH ILLUSTRATED BY RICHARD WESTALL 293. (Bible in English) . The Holy Bible, Containing the Old and New Testaments, and The Apocrypha. Embellished with Engravings by Charles Heath from Designs by Richard Westall. 3 volumes. Unpaginated, text in two columns. 30 full page engravings spread over the three volumes. (4to) 27.5x19 cm (10¾x7½”) period full dark russet, almost purple, Regency bindings in full straight-grain morocco, gilt and blind rules and borders on boards, spines elaborately gilt, marbled endpapers, all edges gilt. London: White, Cochrane, and Co., 1815 The illustrator, Richard Westall, was one of the most significant illustrators of his day, and Charles Heath enjoyed a similar reputation as an engraver. Spines sunned, light wear and spotting to leather; foxing to plates; very good. (1000/1500)

High resolution color images of each lot are available online. Please visit www.pbagalleries.com

Page 72 COLLECTION OF BICYCLE BOOKS 294. (Bicycling) [Blake, Walter E.] Crushton, Hon. Mr., compiler. History of the Pickwick Bicycle Club. vi, [2], 191 pp. 12 plates, including frontispiece, tissue guards for most plates. (8vo) green gilt- lettered cloth. First Edition. London: Pickwick Bicycle Club, 1905 The rare club history of the oldest bicycle club in Britain, founded in 1870. With several photograph plates, illustrating officers of the club. Compiled by “Hon. Mr. Crushton” whose real name is Walter E. Blake, as evidenced by the portrait plate of him at page 1. Provenance: From the Estate of Daniel R. Davis of Seattle, Washington. Rubbed and bumped at extremities, a bit of rubbing to gilt lettering, and stray marks to cloth; binding shaken a bit; tissue guards are worn and yellowed, some contents yellowed or foxed; very good. (400/700)

295. (Bicycling) Blum, George W. The Cyclers’ Guide and Road Book of California: Containing Map of California in relief with principal Roads, Seven Sectional Maps showing all available Roads for Cyclers from Chico to San Diego, and a Map of Golden Gate Park 1896. 80 pp. With 5 (of 8) folding maps. 18x10 cm. (7x4”), blue cloth lettered in gilt. San Francisco: Compiled and Published by Geo. W. Blum, 1896 [copyright 1895] Maps include 1 of Golden Gate Park, San Francisco (with long closed tear starting at stub), Yuba City, and Southern California. With many advertisements for bicycle service and parts and hotels across California. With a few photographs. Provenance: From the Estate of Daniel R. Davis of Seattle, Washington. Spine and edges rubbed, light soiling to front cover; a few stub tear to maps (largest one to San Francisco map); very good. (200/300)

296. (Bicycling) . Cyclers’ Club Register and Road Book. Containing a Complete List of Club Members, Officials of L.A.W., Rules Governing Races... 104 pp. With many illustrated advertisements, including a 2-page advertisement for Hotel Vendome with photograph plate. 15.5x10 cm (6¼x4”) blue gilt- lettered cloth. San Jose: S.J. Grey & Co., [c.1894] Provenance: From the Estate of Daniel R. Davis of Seattle, Washington. Moderately rubbed at spine ends and corners, soiling; text block detached from covers; very good. (200/300)

297. (Bicycling) Foster, S. Conant. Wheel Songs: Poems of Bicycling. Unpaginated. Illustrated throughout. 22.5x23 cm (8¾x9”) original blue cloth, gilt-illustration of angel on a unicycle on front cover, lettered in white, floral endpapers. First Edition. New York: White, Stokes, & Allen, 1884 A nice book of poetry devoted to bicycling, illustrated by various artists, and in the original illustrated cloth. Provenance: From the Estate of Daniel R. Davis of Seattle, Washington. Spine ends chipped, corners showing, while the spine and edges of covers are darkened, and the rear cover is foxed, the front cover illustration remains bright and clean; some foxing or other light marks to cloth; lightly foxed throughout; else very good. (200/300)

Absentee bids are accepted by phone. Please call us at 415-989-2665 prior to the auction.

Page 73 298. (Bicycling) Kron, Karl. Ten Thousand Miles on a Bicycle - with Autograph Letter Signed from the author. cvii, [1], 799, [1] pp. Frontispiece portrait of author’s dog “Carl”. (8vo) blue cloth, gilt-lettered spine, top edge gilt. First Edition. New York: Karl Kron, 1887 With a 2 page autograph letter signed from Karl Kron to Messr. Huber & Allison of Louisville, KY on his publishing letterhead sheets (which measure 12x9¼”). Dated 13 Aug. ‘87, the letters thank the recipient for their payment. “The main purpose of the book is to present minute descriptions of about 6,000 miles of American highways, which the author has explored while driving his wheel the distance named in the title, through 24 separate States and Provinces...” -from publisher’s letterhead (verso of sheets are promotional sample text pages, and blurbs about the book). Letter is housed in an addressed envelope, tipped in to rear pastedown. With bookplate of G.M. Allison (of Messr Huber & Allison) on front pastedown, plus that name in ink and dated Aug 11, 1887 on the title page. Provenance: From the Estate of Daniel R. Davis of Seattle, Washington. Rubbed and bumped spine ends and corners, spine a bit worn, a few scuff marks to cloth; hinges starting; some internal marks; very good. (200/300)

299. (Bicycling) Marks, Isabel. Fancy Cycling: Trick Riding for Amateurs. [1] half title, [1] ad, 115, [1] ad pp. With photographs throughout. 19.5x13.5 cm (7¾x5¼”) green decorative cloth lettered in white on front cover, gilt on spine, front cover illustrated in white, black and yellow. First Edition. London: Sands & Company, 1901 A rare work, and one of the first to promote trick riding on a bicycle. Also interestingly, written by a woman. In a beautifully illustrated binding, with the drawing of a man on a bicycle and a striped yellow background. Within are fantastic photographs of men, women, and children (boys & girls) performing bicycle tricks. The two ads within are for “How to obtain a good bicycle. Write the Eadie Mfg. Co.” and at rear for Singer Cycles. Provenance: From the Estate of Daniel R. Davis of Seattle, Washington. Rubbed and bumped at spine ends and corners; near fine (300/500)

300. (Bicycling) McIlrath, Mr. and Mrs. H. Darwin. Around the World on Wheels for the Inter Ocean: The Travels and Adventures in Foreign Lands. 130 pp. Illustrated. 19.5x13.5 cm (7¾x5¼”) original blue wrappers, illustrated and lettered in black. First Edition. [Chicago]: The Inter Ocean Publishing Co., 1898 A rare work. Originally published from April, 1895 to November, 1898 in The Sunday and Weekly Inter Ocean. Compiled from letters written by Mr. McIlrath. Provenance: From the Estate of Daniel R. Davis of Seattle, Washington. Tiny chips at wrapper edges, small chip at spine heel, spine and edges a bit yellowed; very good. (300/500)

301. (Bicycling) McIlrath, Mr. and Mrs. H. Darwin. Around the World on Wheels for the Inter Ocean: The Travels and Adventures in Foreign Lands. 130 pp. Illustrated. 19x13.5 cm (7½x5¼”) original green cloth, front cover lettered in silver. First Edition. [Chicago]: The Inter Ocean Publishing Co., 1898 The cloth-bound printing of this rare work, also published in blue wrappers in the same year. Originally published from April, 1895 to November, 1898 in The Sunday and Weekly Inter Ocean. Compiled from letters written by Mr. McIlrath. Provenance: From the Estate of Daniel R. Davis of Seattle, Washington. A touch rubbed at spine ends and corners; finger soiling to endpapers; second half of text is on browned paper (switched paper quality halfway through the text?); very good. (200/300)

Absentee bids are accepted by phone. Please call us at 415-989-2665 prior to the auction.

Page 74 302. (Bicycling) Murphey, Claude C. Around the United States by Bicycle. 362 pp. Profusely illustrated with drawings by Eustace Paul Ziegler, and by photograph plates from photographs taken by Clarence M. Darling. 17x12.5 cm (6¾x5”) original dark green cloth, gilt-lettered. First Edition. Detroit: Raynor & Taylor, 1906 The story of how a pair of young men, Clarence M. Darling and Claude C. Murphy, bicycled across the United States on a wager. The terms were that the entire journey was to be completed in 1 year and 6 months time, and without a penny to their name, any funds used had to be raised from the sale of an aluminum card-receiver or ash-tray. Provenance: From the Estate of Daniel R. Davis of Seattle, Washington. Light wear to extremities; near fine. (500/800)

303. (Bicycling) Redmond, Edmond. Lyra Cyclus or The Bards and the Bicycle: Being a Collection of Merry and Melodious Metrical Conceits Anent the Wheel. xv, [1], 150 pp. Bicycle illustration on title page, plus quote from Julius Caesar. 17x12 cm (6¾x4¾”) green cloth, front cover lettered in gilt, with gilt vignette on cover. Rochester, NY: [Bacon & Co.], 1897 Nice collection of poetry on bicycling. Provenance: From the Estate of Daniel R. Davis of Seattle, Washington. A touch rubbed at spine ends and corners; else fine. (200/300)

FIRST EDITION IN JACKET, STORY OF A NEGRO BICYCLIST 304. (Bicycling) Taylor, Marshall W. “Major”. The Fastest Bicycle Rider In the World: The Story of a Colored Boy’s Indomitable Courage and Success Against Great Odds. [12], 431 pp. Photograph frontispiece of Marshall Taylor, plus several photographs within. (8vo) blue cloth, lettered in gilt, dust jacket. First Edition. Worcester, MA: Wormley Publishing Company, [1928] An important autobiographical story of the African American bicyclist “Major” Taylor who bicycled around the world, proving “to the world literally, that there are positively no mental, physical, moral or other attainments too lofty for a Negro to accomplish if granted a fair and equal opportunity.” -Foreword. With the rare original dust jacket, pale blue, printed and illustrated in black. With a rubberstamp from Hans Ohrt, Lightweight Bicycles of Beverly Hills, CA on front panel of jacket, and on front free endpaper. Provenance: From the Estate of Daniel R. Davis of Seattle, Washington. Jacket spine yellowed, a spot of soiling, large chips to spine head, several tiny chips at edges, closed tear at front joint, repaired on verso with tape; a touch bumped at spine ends and corners; else a near fine volume in a very good and near complete dust jacket. (1000/1500)

Lot 304

Page 75 305. (Bicycling) . The Wheelman: An Illustrated Magazine of Cycling Literature and News. 4 volumes. Vols. I and II are titled as above, and date 1883. Vols. III and IV are titled: Outing and The Wheelman: An Illustrated Monthly Magazine of Recreation, and are dated 1884. Several woodcut illustrations in each volume. 24x16.5 cm (9½x6½”) original brown cloth, lettered in gilt. Boston: The Wheelman Company, 1883-1884 A wonderful American magazine about outdoor amusements, more specifically bicycling. With bicycle and outdoors man news of the day, plus literature and poetry, several including accompanying and often humorous illustrations. Each with the bookplate of Fred P. Billings on front pastedown. Provenance: From the Estate of Daniel R. Davis of Seattle, Washington. Only light rubbing and bumping at extremities; near fine. (300/500)

306. (Bicycling) The 25th London (Cyclist) Old Comrades’ Association. The London Cyclist Battalion. A Chronicle of Events Connected with the 26th Middlesex (Cyclist) V.R.C., and the 25th (C. of L.) Cyclist Battalion, The London Regiment, and Military Cycling in General. xi, 292 pp. Photograph plates. (8vo) light blue cloth, lettered in gilt. London: Forster Groom & Co., 1932 A history of military bicycling in the British Army from 1887 to 1920. Provenance: From the Estate of Daniel R. Davis of Seattle, Washington. Rubbed at spin ends and corners, spine darkened, light soiling; very good. (200/300)

307. (Bicycling) Thorenfeldt, Kai. Round the World on a Cycle. 288 pp. Translated from Danish by Erle Lunn. Photograph plates, including portrait frontispiece, plus folding map at rear. (8vo) tan linen, spine lettered in black. First Edition. London: Selwyn & Blount, 1928 Provenance: From the Estate of Daniel R. Davis of Seattle, Washington. Spine a touch yellowed, edges of text block lightly foxed; some internal wear including foxing and red crayon tick marks at margins of at least one page; very good. (200/300)

308. (Bicycling) Ward, Maria E. Bicycling for Ladies: With Hints as to the Art of Wheeling-Advice to the Beginners-Dress-Care of the Bicycle-Mechanics-Training-Exercise, Etc., Etc. xvi, 200 pp. Illustrated with plates of drawings illustrating the bicycle tricks and maintenance. (8vo) blue decorative cloth illustrated and lettered in white and gilt, top edge gilt. First Edition. New York: Brentano’s, [1896] An interesting work which provides not only tips and tricks for bicycling women, but also maintenance and repair for the DIY woman, with a few chapters devoted to tools and how to use them, complete with illustrations. In a beautiful illustrated binding with wraparound illustration showing a lady bicyclist, the city skyline behind her, and a dog chasing her. Provenance: From the Estate of Daniel R. Davis of Seattle, Washington. Lightly rubbed and bumped at spine ends and corners, faint soiling and a touch of rubbing to white part of illustration; very good. (400/600)

COLLECTION OF BILLIARDS BOOKS 309. (Billiards) Bennett, Joseph. Billiards. Edited by Cavendish. [viii], 483, [1], +[11] ad pp. Lithograph frontispiece; diagrams throughout. (8vo), original green cloth stamped in gilt and blind, all edges gilt. Second Edition. London: Thos. DeLarue & Co., 1873 A popular instructional text by a former champion of the game. Cloth worn, rear joint split, front hinge cracked; some foxing and soiling within; good. (100/150)

Page 76 310. (Billiards) Broadfoot, Major W. Billiards -2 copies - Badminton Library. 2 copies. xii, 455 pp. Illustrations from diagrams, photographs, engravings, etc. (8vo) original decorated brown cloth. First Trade Editions. London: Longmans, Green, and Co., 1896 From the publisher’s popular Badminton Library series. Includes writings on the sport by A.H. Boyd, Sydenham Dixon, W.J. Ford, Dudley D. Pontifex, Russell D. Walker, & Reginald H.R. Rimington-Wilson. Both copies with some light wear; overall very good. (100/150)

311. (Billiards) Crawley, Captain [Pardon, George Frederick]. The Billiard Book. xvi, 261, [1] ad pp. Woodcut illustrations and diagrams throughout. (8vo), original green cloth stamped in gilt and blind. First Edition. London: Longmans, Green, and Co., 1866 A popular text by this author of numerous titles on indoor amusements, includes chapters on the equipment of the game, instruction on how to play, rules and instructions for various billiard and pool games, etc. Dampstain to cloth, extremities rubbed, hinges cracked; good. (200/300)

312. (Billiards) Dawson, C[harles]. Practical Billiards. 233, ii pp. Illustrations from photographs, diagrams, etc. (8vo) original gilt-decorated green cloth. First Edition. Surrey: C. Dawson, 1904 “With the biographies and performances of noted players, past and present; progress of billiards, list of championships, &c., &c.” Scarce. Cloth rubbed, lending library slip pasted to rear endpaper, some soiling; good. (100/150)

313. (Billiards) Garnier, Albert. Scientific Billiards. Garnier’s Practice Shots, With Hints to Amateurs. xiv pp., 106 leaves, (107)-109 pp. 106 diagrams printed in three colors. (Oblong 8vo) original decorated yellow cloth. First Edition. New York: D. Appleton & Company, 1880 Scarce instructional volume on billiards, a game that has “long been recognized as a most healthful and entertaining form of recreation. A player, even of moderate skill, finds in it complete mental relaxation and an amount of general muscular exercise which cannot fail to be beneficial, especially to persons of sedentary life.” - from preface. Soiling and wear to cloth, hinges cracked; about very good. (100/150)

314. (Billiards) Hoppe, Willie. Thirty Years of Billiards. viii, 255, +[2] ad pp. Illustrations from photographs. (8vo) original blue cloth stamped in gilt. First Edition. New York: G.P. Putnam’s Sons, 1925 Hoppe was an internationally renowned American professional carom billiards champion. Hoppe was posthumously inducted into the Billiard Congress of America Hall of Fame in 1966. Light wear to cloth, bookplate; very good. (100/150)

Absentee bids are accepted by phone. Please call us at 415-989-2665 prior to the auction.

Page 77 315. (Billiards) . Miscellaneous books and pamphlets on billiards. Includes: * Mosconi, Willie. Winning Pocket Billiards. Wrappers. 3 copies. 5th, 12th & 27th printings. [Various dates]. * Cottingham, Clive. The Game of Billiards. Wrappers. 15th printing. [1964]. * Cochran, Welker. Scientific Billiards. Cloth. [1942]. * Peall, Arthur F. All About Billiards and How to Pot. Cloth. [1920s]. * Davis, Joe. Improve Your Snooker. Cloth. [1936]. * ABC’s of Billiards. Wrappers. [mid 20th century]. * Byrne, Robert. Byrne’s Standard Book of Pool and Billiards. Cloth-backed boards. Signed by the author. Fifth Printing. [1978]. * Hoppe, Willie. Billiards As It Should Be Played. Three editions, one in wrappers, one in boards, and the third in cloth. [Various dates]. * Shamos, Michael Ian. Billiards: A Women’s History. Wrappers. [1992]. * [Catalog for] The Leo Schmidt Collection...of Original Letters by John M. Brunswick, Julius Balke, Moses Bensinger, A.F. Troescher, and Leo Schmidt. New Deco Auctions, #12. 2 volumes. Wrappers. 1999. * Fowler, William E., et al. The Brunswick Token Story. Wrappers. 1977. * Kogan, Rick. Brunswick. The Story of an American Company, from 1845 to 1895. Cloth, dust jacket. [1985]. * Hendricks, William. William Hendrick’s History of Billiards. Wrappers. 1977. * Together 17 volumes. Various places: Various dates Most with some light wear; overall very good or better. (100/150)

316. (Billiards) Phelan, Michael. The Game of Billiards. 267 pp. Engraved portrait frontispiece; woodcut illustrations in text. (8vo) 18.5x12 cm (7¼x4¾”), original brown cloth stamped in gilt and blind. Third Edition. New York: D. Appleton and Company, 1858 Third edition of the second American book on billiards. Phelan, generally considered the father of American billiards, was also the author of the first American book on the game, “Billiards Without Master”, in 1850. Both works are rare in any early edition. Spine sunned, ends frayed; separation in gutter after title page, paper a bit browned; very good. (700/1000)

317. (Billiards) Stein, Victor & Paul Rubino. The Billiard Encyclopedia: An Illustrated History of the Sport. viii, 499 pp. Profusely illustrated. (Folio) green cloth, pictorial dust jacket. First Edition. New York: The Billiard Encyclopedia, 1994 A massive and wonderfully presented history of the game spanning seven centuries, with over 700 illustrations. Light wear to jacket; a few small splash marks on cloth; near fine. (150/250)

318. (Billiards) . Thirty Games of Pool and Billiards. 29 pp. 15.4x9 cm (6x3½”) original printed paper wrappers. Portland, Maine: E.T. Burrowes Co., 1913 Scarce instructional manual and promotional item from this early 20th century manufacturer of billiard tables. Games include: Chicago Pool, Bottle Pool, Dutch Pool, Golf Pool, Two, Three and Four Ball Billiards, English Billiards, Spanish Billiards, and many others. Light wear to wrappers; very good. (60/90)

Page 78 A FEW FROM BIRD & BULL PRESS 319. (Bird & Bull Press) [Morris, Henry]. The Bird & Bull Commonplace Book. 67 pp. With several mounted paper samples, 1 mounted leaf, and a facsimile brothel token within envelope mounted on rear pastedown. (4to), green cloth-backed marbled boards, spine lettered in gilt, slipcase. No. 70 of 255 copies. First Edition. North Hills, PA: Bird & Bull Press, 1971 The Commonplace Book is a collection of typically hilarious, irreverent, and often ribald essays on making paper from wasps’ nests, brothel tokens, making paper from junk mail, and American toilet papers, as well as a selection of poems on papermaking. Slipcase a bit sunned; else fine. (150/250)

320. (Bird & Bull Press) Morris, Henry. The Private Press-Man’s Tale. Illustrations by Lili Wronker. (4to), cloth-backed decorative boards, leather spine label. No. 181 of 230 copies. Newtown, PA: Bird & Bull Press, 1990 Inspired by Chaucer’s “Canterbury Tales” this collection of satirical poetry and prose deals with the Private Press, bookselling, book-fairs, papermaking history, etcetera. The design on the front cover is adapted from that of the earliest known wallpaper. Scuff mark to front cover; else fine. (100/150)

321. (Bird & Bull Press) Morris, Henry. Vignettes. An eclectic assemblage of anecdotes about papermaking, the private press, printing and its history, book collecting, Numismata Typographica and much more. Volume II. Heavily illustrated, and with plates and a paper specimen tipped in. (Folio), brown cloth, leather spine label; cloth box also with leather spine label. The box contains, set into the inside of the front cover, two removable clay impressions taken from Babylonian cylinder seals, circa 1900-1600 B.C.E. No. 70 of 150 copies. Newtown, PA: Bird & Bull Press, 1999 Prospectus laid in (creased). Fine. (200/300)

322. (Bird & Bull Press) Wolfe, Richard J. and Paul McKenna. Louis Herman Kinder and Fine Bookbinding in America: A Chapter in the History of the Roycroft Shop. 161. Illustrated with photographs. (8vo), black morocco-backed patterned boards, red morocco spine label lettered in gilt. No. 216 of 325 copies. Newtown, PA: Bird & Bull Press, 1985 Prospectus laid in. A scholarly study of the bindings crafted by Louis Kinder for Elbert Hubbard’s Roycrofters. Small scuff to front board; else fine. (100/150)

323. (Book Club of California - Leaf Book) Booth, Stephen. The Book Called Holinshed’s Chronicles: An account of its inception, purpose, contributors, contents, publication, revision and influence on William Shakespeare. Illustrated in photoengraved facsimile; with an original leaf from the 1587 edition tipped in. 35.5x22 cm. (14x8½”), linen-backed pictorial boards, paper spine label. One of 500 copies designed and printed by Adrian Wilson. San Francisco: Book Club of California, 1968 The original leaf is pages 1583/1584 (Queen Elizabeth). Some faint sunning to boards and spine, faintly foxed at edges of text block; else near fine. (100/150)

324. (Book History) Greenspan, Ezra & Jonathan Rose, editors. Book History. Volumes 1-8 & 10- 12. 11 volumes. (8vo) blue cloth lettered in gilt. First Editions. University Park, : Pennsylvania State University Press, 1998-2009 A collection of scholarly essays on a wide variety of bibliophilic subjects. Volume 9 not present. Fine. (200/300)

Page 79 325. (Book-Prices Current) . Eleven volumes of Book-Prices Current, and American Book-Prices Current, from 1897-1914. Includes: 6 volumes of Book-Prices Current, published in London for the following years: 1897 (published by George M. Bell under the title Book Sales of 1897), 1899 (with bookplate of Arthur G. Soames), 1908, 1909, 1910, 1914. These bound in various shades of green or blue cloth, gilt-lettered. And, 5 volumes of American Book-Prices Current, published in New York for the following years: 1900, 1903, 1905, 1907, 1912. These bound in red gilt-lettered cloth, top edges gilt. London [and] New York: Elliot Stock [and] Dodd, Mead, 1897-1914 Important turn of the century reference for prices of books in London and the United States. Mild to moderate wear including rubbing, soiling, sunning; mostly very good. (60/90)

326. (Books on Books) . Shelf lot of books on books. Includes: * Kurutz. An Essay on Robert E. Cowan’s A Bibliography of California and the Pacific West, 1510- 1906. Cloth-backed boards. 1 of 390 copies with original leaf. Book Club of California, 1993. * Goodrum, Charles A. Treasures of the Library of Congress. Cloth, dj. Revised and Expanded Edition. Harry N. Abrams, [1991]. * Thomas, Alan G. Great Books and Book Collectors. Cloth, dj. Excalibur Books, [1975]. * Art of the Printed Book, 1455-1955. Cloth, dj. Pierpont Morgan Library, [1973]. * Wentz, Roby. The Grabhorn Press: A Biography. Cloth-backed boards. 1 of 750 copies. Book Club of California, 1981. * Uden, Grant. Understanding Book Collecting. Cloth, dj. Reprinted. Antique Collectors Club, [1995]. Carter, John. Taste and Technique in Book Collecting. Cloth,d j. R.R. Bowker, 1948. * Rees-Mogg, William. How to Buy Rare Books. Christie’s Collectors Guides. Cloth, dj. Phaidon, [1985]. * McMurtrie, Douglas. The Golden Book: The Story of Fine Books and Bookmaking. Cloth. Pascal Covici, 1927. * The Friendship of Books: An Address by Oscar Sutro at the San Francisco College for Women. Vellum-backed boards. 1 of 125 copies. [Grabhorn Press, 1935]. * Plus 3 others in wrappers. Various places: Various dates Near fine or fine. (200/300)

327. (Books on Books) . Three books on books. Includes: * Stauffacher, Jack W., compiler. Porter Garnett: Philosophical Writings on the Ideal Book. Cloth. 1 of 450 copies. Book Club of California, 1994. * Lewis, Oscar. The First 75 Years: The Story of the Book Club of California, 1912-1987. Cloth- backed boards. 1 of 1200 copies. Book Club of California, 1987. * Stauffacher, Jack W. A Typographic Journey: The History of the Greenwood Press and Bibliography, 1934-2000. Cloth, dj. 1 of 450 copies. Personally inscribed to writer, editor & publisher Bud Johns and signed by author, on limitation page. Book Club of California, 1999. Various places: Various dates Fine. (100/150)

PBA Galleries has an in-house shipping department ensuring your items arrive safely at reasonable cost.

Page 80 328.  Bradley, R[ichard]. A Complete Body of Husbandry; Collected from the Practice and Experience of the Most Considerable Farmers in Britain. Particularly setting forth the various ways of improving land...with practical directions for the fertilising...to which is added several particulars relating to the preservation of the game... [4], xii, 372 pp. 3 (of 4) engraved folding plates. (8vo) 19.5x12.5 cm (7¾x5”) period full paneled calf, rebacked with original spine leather and red leather label laid down, free endpapers replaced. First Edition. London: James Woodman and David Lyon, 1727 Bradley was a prolific author of agricultural treatises, this being one of his more significant works. A few scuffs to leather; lacking one plate; light foxing; very good. (200/300)

329. (Brighton Press) Hanzlicek, C.G. (poems) & Olda Prochazka (etchings). Mahler: Poems and Etchings. 8 original etchings by Olda Prochazka. (Folio) original leather backed and edged boards. No. 5 of 55 copies. [San Diego]: Brighton Press, [1994] Signed in pencil by the author and illustrator at the colophon. “The music of Gustav Mahler serves as a touchstone for poet C. G. Hanzlicek, who asks that the composer “listen to him for a change.” Hanzlicek reflects on the nine symphonies in a parallel series of intimate poems, addressing the composer directly. Prochazka’s eight moody images resonate between the poems, revealing the artist’s restless exploration of a tactile landscape of etched and engraved line.” (from the Brighton Press website). Slight extremity wear, lacking slipcase; near fine. (300/500)

330. (Broadsides) William James Associates. A Little Rebellion Now & Then: Sixteen of America’s Finest Typographer-Printers and An Englishman, Prints on the American Revolution - Proof sheets and extras from the publisher’s reserve. A collection of 47 proof sheets and extras from the publisher’s reserve. Broadsides 20½”x15½”, set in folding blue cloth portfolio with cover lettered in gilt. Santa Cruz, CA: William James Association Press, 1976 Produced by Page Smith to celebrate the American Bicentennial. The broadsides in the present lot come from Smith’s archives. 10 of the 14 broadsides from the publication are represented here. Includes: * Three copies of the contents leaf. * “Jefferson On Tyranny” by Bert Clarke at the Press of A. Colish. (4 copies) * “Chief Logan’s Revenge” by William Everson at the Lime Kiln Press at Santa Cruz. (3 copies) * “A Farmer in the Maryland Gazette” by Katherine and Sherwood Grover at Grace Hoper Press in Aptos, CA. (3 copies) * “Declaration of Independence” by Andrew Hoyem at the Arion Press, San Francisco, with initial drawn by George Shakespeare, with color added by hand. (8 copies) * “Abigail Adams” by Cheryl Miller and Kathy Walkup and Jaime Robles at the Five Trees Press, San Francisco. (5 copies) * “A Time to Preach...” by Henry Morris at the Bird and Bull Press, North Hills, PA. (3 copies) * “A Bill of Rights” by Ward Ritchie. (3 copies) * “Jonathon Mayhew” by Jack Stauffacher at the Greenwood Press, San Francisco. (5 copies) * “Tom Paine” by Thomas Whitridge at the Didymus Press, San Francisco. (4 copies); “The Military” by Adrian Wilson with Maria Poythress Epes at the Press in Tuscany Alley, San Francisco. (6 copies). The contributions by Clifford Burke at Cranium Press, Sebastian Carter at the Rampant Lions Press, Mark Lansburgh At The Sign-of-the-Albion Press, and the Stinehour Press are not represented in this collection.

These broadsides include extras and proof sheets, some contain printing errors and paper defects, others appear perfect. Light wear to portfolio, about fine. (400/600)

Page 81 JACQUES CALLOT’S COPPER ENGRAVINGS OF CHRIST 331.  Callot, Jacques (1592-1635). La Grande Passion - 18 original copper engraved plates of scenes from the life of Christ. 18 copper engravings, loosely housed in a 17th century full brown calf chemise, gilt- tooled covers and spine, gilt-lettered morocco spine label. Each engraved image measures 7.5x5.5 cm (3x2½”) and each sheet size is 14.5x9.5 cm (5¾x3¾”). 4 plates are captioned, the remaining have no caption. [c.1625] Jacques Callot (1592-1635) was most famous for his miniature engravings of scenes from the life of Christ, commonly called The Grand Passion or La Grande Passion. The first engraving is captioned in the plate, and a bit foxed, and with a holograph ink signature, and we cannot determine if artist’s hand or not. All but two of the scenes are rectangular, and are signed by Callot in the plate. There are two oval shaped scenes which do not bear the signature of Callot in the plate, and are perhaps from an earlier issue of this work. Light wear to calf chemise; most plates a bit yellowed at edges, a few are foxed, one plate with dampstain on bottom corner; very good. (2000/3000)

Lot 331

332. (Chromolithography) . Picture Pages for Little Folks of All Ages. Illustrated in chromolithgraphy and black & white throughout. 30.3x25.5 cm. (12x10”), chromolithographed pictorial boards, cloth spine. London / New York: Ernest Nister / E.P. Dutton, [c.1895] Verse and stories accompanied by captivating pictures. Ink inscription to front free endpaper dated 1895. Slight rubbing to corners, faint darkening to contents, near fine, rare thus. (200/300)

333.  Churchill, Winston Spencer. London to Ladysmith, via Pretoria. xiv, 498, [2] ad pp, + 32 pp publisher’s catalog. 4 maps (3 folding); 4 plans in text. (8vo), original decorated tan cloth. First Edition. London: Longmans, Green and Co., 1900 First impression with ad at rear announcing the “Second Impression” of Churchill’s “The River War”. A personal record of Churchill’s adventures and impressions during the first five months of the Boer War in Africa, with “a tolerably coherent account of the operations conducted by Sir Redvers Buller for the Relief of Ladysmith.” Woods A4. Spine leaning, some soiling to cloth; occasional foxing; very good. (300/500)

Bids may be placed during the auction using the Real-Time Bidder on our website at www.pbagalleries.com

Page 82 SELECTION OF COOKERY 334. (Cookery) Apicius Coelius. Cookery and Dining in Imperial Rome: A Bibliography, Critical Review and Translation of the Ancient Book known as Apicius de re Coquinaria. Now for the first time rendered into English, by Joseph Dommers Vehling. xxi, [1], 301, [2] pp. 28x20.2 cm. (11x8”), quarter cloth & boards, paper spine label. No. 386 of 500 copies printed by the Torch Press. Chicago: Walter M. Hill, 1936 Presentation copy inscribed by Vehling to C.A. Rehm on the front flyleaf, with Rehm’s bookplate on the front pastedown. Some rubbing to extremities and edges, spine label darkened with rub mark, but replacement tipped in at rear endpapers; glue residue to front flyleaf from mounting of newsclipping; about very good. (300/500)

335. (Cookery) Child, Lydia Maria. The American Frugal Housewife. Dedicated to Those Who are not Ashamed of Economy. 130 pp. Engraved frontispiece. 18x11 cm. (7x4¼”), original cloth-backed printed boards. “Ninth Edition.” Boston: Carter and Hendee, 1832 In addition to writing fiction and domestic manuals, Lydia Maria Child is noted as an abolitionist, women’s rights activist, opponent of American expansionism, and Indian rights activist - she is perhaps best remembered, however, for her poem about Thanksgiving, Over the River and Through the Woods. Rubbing and some staining to boards, hinges cracked through at front and rear, foxing and soiling within, good to very good, scarce in the original boards. (300/500)

336. (Cookery) . Corona Club Cook Book. [12] ad, [13]-249 + [13] ad pp. + a few ad leaves within; there are a number of blank leaves interspersed for the addition of handwritten recipes, and several of these have been so used. 23x14.5 cm. (9x5¾”), original cloth. [San Francisco]: [Rincon Publishing Co.], [1910] Recipes for a rather genteel crowd - “economic” chefs need not apply, with advertisements for a variety of San Francisco companies. The Corona Club was founded in 1898 exclusively for women, with membership initially limited to 200. Some soiling and rubbing to covers; very good. (100/150)

337. (Cookery) Harder, James Arthur. The Physiology of Taste: Harder’s Book of Practical American Cookery. Volume I, Treating of American Vegetables, and All Alimentary Plants, Roots and Seeds. Containing a Description of the Best Varieties, Mode of cultivation, and the art of preparing them for the table. Vol. I (all published). xxvi, 431 pp. Engraved frontispiece portrait; lithographed added pictorial title-page. 25x16.5 cm. (9¾x6¼”), original gilt-stamped cloth. First Edition. San Francisco: 1885 Originally planned as a six-volume set, this first volume was all that was published. Some rubbing and wear to covers, spine faded; spotting to page edges, about very good. (100/150)

338. (Cookery) Hirtzler, Victor. The Hotel St. Francis Cook Book. [4], 432, [9] pp. Green cloth lettered in gilt. First Edition. Chicago: Hotel Monthly Press, [1919] Hirtzler was the Chef of Hotel St. Francis, in San Francisco. Some shelf wear, spine a bit dull, leaning slightly; very good. (100/150)

Page 83 339. (Cookery) Kate Crutcher Players. “What’s Cookin”: These recipes have been tried by the Kate Crutcher Players and their many friends. 232 pp. Illustrated with drawings and caricatures; interspersed advertisements. 20.4x13.2 cm. (8x5½”), cloth. [Hollywood, CA]: [Press of Murray & Gee], [1944] Variety of tasty, if now deemed unhealthy, recipes. The Kate Crutcher Players were a charity organization for the Los Angeles Children’s Hospital - Crutcher was the first president of the hospital, and organized guilds of volunteers to raise money and supplies for the hospital. The numerous advertisements for Los Angeles companies are quite interesting. Some staining to front cover, some smoke darkening to page edges; good to very good. (100/150)

340. (Cookery) Marnell, Josephine, et al. All in the Cooking, Book I & Book II. 2 volumes. Original red and green boards, dust jackets. Second Editions. Dublin: The Educational Company of Ireland, [1970s] The Colaiste Mhuire books of household cookery. Scarce. Light wear to books and jackets; near fine. (200/300)

341. (Cookery) Marshall, A. B. The Book of Ices: Including cream and water ices, sorbets, mousses, iced soufflés, and various iced dishes with names in French and English and various designs for ices. vii, [1], 67, [1] + [4] ad pp. With 4 color lithographed plates including the frontispiece; woodcuts in the text. 17.8x11.5 cm. (7x4½”), blue cloth lettered in gilt. London: Marshall School of Cookery, No date [c.1885] Early edition, perhaps the first - there are no indications it is a later edition, which seems to have been the case on reprints. Bitting, p.310. Lacking the front free endpaper, offset to half-title, else very good. (100/150)

342. (Cookery) Ranhofer, Charles. The Epicurean: A Complete Treatise of Analytical and Practical Studies on the Culinary Art Including Table and Wine Service... 1183 pp. Hundreds of woodcut illustrations within text, also an additional illustrated title page. 26.5x19 cm. (10½x7½”), original blindstamped cloth lettered in gilt. First Edition. New York: Charles Ranhofer, 1894 Charles Ranhofer (1836-1899) was the chef at the famous Delmonico’s Restaurant in New York from 1862 to 1876 and 1879 to 1896, and author of this encyclopedic cookbook. Some rubbing to joints and extremities; adhesion damage to endpapers, else very good. (400/600)

343. (Cookery) [Rundell, Maria Eliza]. A New System of Domestic Cookery; Formed upon Principles of Economy: and adapted to the Use of Private Families. By a Lady. [22], xxx, [2], 352 pp. [4] pp. ads inserted at front endpapers. With 9 engraved plates including frontispiece. 18x10.5 cm. (7x4”), original paper- covered boards, paper spine label. London: John Murray, 1816 Originally published in 1806 and frequently revised and reprinted under a variety of titles in both England and the United States throughout the nineteenth century. Bitting pp. 410- 411; Cagle & Stafford 665-679 Some rubbing and wear to boards, about a third of the paper missing from spine strip, joints/hinges with neat repairs; soiling to title-page; overall very good, untrimmed and in the original boards, quite scarce thus. (300/500)

Page 84 344. (Cookery) The ladies connected with the Grand Army Fair, Post 68, compliers. The Ladies’ Delight Cook Book Number Two: A Collection of Valuable and Reliable Recipes. 32 pp. A few drawings within. 17.2x11.5 cm. (6¾x4½”), original pale blue wrappers, printed and illustrated in dark blue. Boston, Mass.: A.P. Ordway & Co., 1889 With an illustration of two children setting the table on front cover. The Ladies’ Delight Cook Book Number One was published in 1886. A rare item. Light soiling to wrappers, a few tiny tears at edges; very good. (100/150)

345. (Cookery) Tilton, Mrs. E. Stevens. Home Dissertations: An Offering to the Household for Economical and Practical Skill in Cookery, Orderly Domestic Management, and Nicety in the Appointments of Home. [xxii], [5]-174, [6]+ 17 + [11] ads pp. Numerous illustrations by the author and pictorial ads throughout. 23.5x18.5 cm. (9¼x7¼”), original green decorated cloth, spine gilt. “Compliments of Goldberg, Bowen & Co. San Francisco” stamped on cover in gilt. Second Edition. San Francisco: Goldberg, Bowen & Lebenbaum, 1891 About one third of the text is devoted to the domestic arts, the remainder to cookery. Generally very good. (200/300)

ASIAN COOKERY AND RESTAURANT EPHEMERA 346. (Cookery - 1898 American Ginseng to China) Nash, George V.; revised and extended by Maurice G. Kains. American Ginseng: Its Commercial History, Protection and Cultivation. 32 pp. 4 line drawings and 1 map. (8vo) original gray wrappers. Washington, D.C.: US Department of Agriculture, 1898 Originally written in 1895 by Nash, who pointed out that American exports to China of this medicinal herb had nearly doubled over a decade to $1 million annually. Kains added 10 pages to this new edition on a subject of growing interest to American farmers, given that “the demand for Ginseng in China is steady and it is believed that our exports may be largely increased without overstocking the market”. Kains’ monograph was subsequently reprinted for nearly a decade by the Orange Judd Company, but this first printing of the government publication is scarce. Wrapper edges yellowed, a bit of finger soiling; very good. (150/250)

Bids may be placed during the auction using the Real-Time Bidder on our website at www.pbagalleries.com

Page 85 347. (Cookery - 1900s Port Arthur Chinese Restaurant, New York) . Booklet and Menu for 1900s Port Arthur Chinese Restaurant, New York. 16 pp. Illustrated with 10 pages of photographs, plus a 6-page menu for a New York restaurant that was both famous and infamous. 6x4”, original salmon pictorial wrappers. New York, NY: c.1905 Soon after it opened at the turn of the century with elegant décor, the Port Arthur became a favorite haunt of wealthy “slumming” caucasians, (forerunners of the Jazz Age rich who would later frequent Black clubs in Harlem). The Port Arthur was a meeting-place of the “Thirteen Club”, renowned New Yorkers (including five US Presidents) who met to defy common American superstitions. It was also the scene of a 1905 dinner celebrating the end of the Russo-Japanese War, hosted by a New York Judge who helped arbitrate an end to the conflict. And, four years later, the restaurant became notorious in a “Chinatown Trunk Mystery” media frenzy following the disappearance and presumed murder of a 19 year-old white woman, granddaughter of a noted Civil War General. She had been courted by two Chinese men, one of whom, Chu Gain, manager of the Port Arthur, was arrested as a suspect in the killing and confessed that he had known the woman “intimately”; he was later released when suspicion instead fell on his competitor for the girl’s affections, who disappeared and was never apprehended. The murder remained unsolved, but set off a wave of anti-Chinese hysteria in which restaurants like the Port Arthur were seen as hotbeds of “Oriental white slavery”. In some news accounts, Chu Gain was identified as owner of the restaurant, though this booklet’s front cover features a photo of a Chu Gow, identified as the Port Arthur’s “President”. A very rare imprint. Some finger soiling and edge wear; very good. (250/350)

348. (Cookery - Chicago Chinese Restaurants) . 1910 Four pictorial postcards of Chicago Chinese restaurants. Four postcards, all postally unused, for Chicago Chinese restaurants: King Yen Lo Co.; Hung Fong Lo Co.; King Joy Lo Mandarin Restaurant; and Joy Hing Lo. The first three have photographs, the last an elaborate drawing. All undated, but the photos and drawing resemble scenes from Doctorow’s Ragtime, set in the early 1900s. c.1910 Light edge wear; very good. (100/150)

349. (Cookery - 1914 First Chinese-Japanese Cookbook in America) Bosse, Sara and Onoto Watanna. Chinese-Japanese Cook Book. 120 + 2 pp. of advertisements for other Rand McNally publications. 6½x4”, original boards with color illustrated cover label, spine and fore edge of front board repaired with later tape. Chicago: Rand McNally, [1914] The authors were sisters of mixed race, their mother Chinese, their father British. Sara was a Boston artist, while Winnifred Eaton, who wrote under a Japanese-sounding pseudonym, published some of the most popular Japanese-themed novels at the turn of the century; another sister, Edith Eaton, was also a writer, producing, as “Sui Sin Far”, the first Chinese-American fiction. This landmark book offers nearly 200 recipes for “oriental” dishes like Lychee Chicken, Beef “Chou Main”, Gar Lu Chop Suey, Bird’s Nest Soup, Broiled Lobster and Stewed Pigeon, using “simple and clean ingredients” which would hopefully convince “Westerners” to “cease to feel that natural repugnance which assails one when about to taste a strange dish of a new and strange land.” Boards worn, tape repair at spine and fore edge of front board; hinges cracked; else very good. (200/300)

Page 86 350. (Cookery - 1914 Chinese-Japanese Cook Book) Bosse, Sara and Onoto Watanna. Chinese- Japanese Cook Book - softbound edition. 120 + 2 pp. of advertisements for the Hotel Monthly. 6½x3”, original stiff brown cloth wrappers, lettered in gilt. Chicago: Rand McNally, [1914] Softbound edition of the above in a slightly smaller format. Rubbed, a few faint stains to cloth and endpapers; very good. (150/250)

351. (Cookery - 1927 Fuji Chinese-Japanese Recipes) Fuji Trading Company. Fuji Recipes - 1927 Fuji Chinese-Japanese Recipes. 15 pp. Color lithograph illustrations throughout. 6x3”, color lithographed wrappers. Chicago: Fuji Trading Company, [1927] In handsome color lithograph wrappers. Several Japanese-owned companies were among the first to market Soy Sauce in America. Fuji was one of these, calling their product Sho-Yu Chop Suey Sauce, as complement to the Chinese products they also offered - Bean Sprouts, Chop Suey Vegetables, Chow Mein Noodles, Bamboo Shoots and Water Chestnuts. Though the front cover illustration is distinctively Japanese, this rare little booklet stresses Chinese cuisine, far better known, at the time, within the United States. OCLC (which locates only 1 library holding in the US) classifies this under both Chinese and Japanese Cookery. As such, it is probably the first successor to the Bosse-Watana book of 1914. Fine. (120/180)

352. (Cookery - 1928 Shoyu Recipes and Mandarin Chop Suey Cook Book) Toyo Sauce Mfg. Co. 1928 Shoyu (Soy Sauce) Recipes and Mandarin Chop Suey Cook Book. Three items: * Toyo Sauce Mfg. Co., Printed color label for their Shoyu “rare oriental relish for Meats, Fish, Coup, Salad, Vegetables, Chop Suey etc.” (Huntington Park, California, c. 1928) 3x7” * Oriental Show-You Company. Oriental “Show-You” Recipes (Columbia City, Indiana, undated, ca. 1930) 4½x7”, 24pp. Few small line illustrations. * Mandarin Chop Suey Cook Book, containing authentic translations of the best recipes of leading Chinese chefs and directions for preparing various popular and healthful Chinese recipes exactly as they are prepared in the orient (Pacific Trading Company, Chicago, 1928) Original wrappers. 6x9”, 78pp. + 18 blank pp. for “Memoranda”. Illustrated with a few small line drawings. Various places: c.1928 and c.1930 OCLC lists this as the ninth Chinese cook book published in the US after Bosse-Watanna. Like Fuji (see above), Toyo and Oriental Show-You were among the first Japanese companies to market Soy Sauce in America. The Indiana firm (later bought out by La Choy) also offered Chinese Chop Suey, Bean Sprouts and Chow Mein Noodles, though in their booklet, Japanese- style cooking was more clearly stressed. Pacific Trading was still another Japanese-owned company; despite the Chicago imprint, a San Francisco company of that name began importing Japanese seafood and vegetables in 1906, and ran afoul of US authorities in the first World War for a link to the German Navy and again during World War II when it was seized as enemy property. By 1930, the company was operating out of Shanghai as well as Yokohama, importing Chinese goods and foods, appealing to the wider American market for Chinese cuisine. Mild wear from handling; Oriental “Show-You” with a few stains to wrappers; very good. (120/180)

Bids may be placed during the auction using the Real-Time Bidder on our website at www.pbagalleries.com

Page 87 353. (Cookery - 1920-30 Chinese Restaurant Menus, Seattle and Boston) . Two Chinese Restaurant Menus, Seattle and Boston from the 1920s-30s. 2 restaurant menus: * Shanghai Restaurant, Seattle (undated, ca. 1930). 7x11”. Color pictorial cover + 2 pg. menu and rear cover ad. Chinese dishes ranged from 70 cents for Pork Chop Suey to $1.65 for Almond Chow Mein with Chicken. * Joy Hong Low Restaurant, Boston (undated, ca. 1925) 6½x10”. Color pictorial cover + extensive 4 pg. menu. Printed by the Shanghai Printing Co., Boston. Prices from 55 cents for Egg Foo Yong Chop Suey to $1.75 for Chicken with Bamboo Shoots. Seattle, WA and Boston, MA: c.1920s-1930s Some light soiling; very good. (100/150)

354. (Cookery - 1930-40 Chinese Restaurant Menus, Boston, Chicago and Minneapolis) . Four menus for Chinese Restaurants in Boston, Chicago and Minneapolis from the 1930s-1940s. 4 menus, including: * The Good Earth, Boston, 9x11”. Pictorial covers + 4 pg. menu. Color string ties. With a striking front cover color illustration by A.H. Cox. * Cathay House, Boston, Menu. 8x11½”. Color pictorial cover and 2-page menu, with a note about the meaning of “Cathay” on rear cover. * Nanking Restaurant, Chicago and Minneapolis (ca. 1930) 8½x12”, Elaborate color pictorial front cover, pictorial rear cover, and 2-page menu, one an insert, (repaired at one fold with non-archival tape). * Yuen Faung Low, “John’s Place”, Minneapolis. Color pictorial covers and 4 page menu. c.1930s-1940s All undated, but probably from the same era, with prices starting under a dollar. The Good Earth, undoubtedly named for Pearl Buck’s 1931 novel and its 1937 film adaptation was particularly well-known for its Art Deco décor and – a rarity at the time – air conditioned rooms. Light edge wear; very good. (150/250)

355. (Cookery - 1933 Japanese-American Recipes in Hawaii) Miller, Carey D. Japanese Foods Commonly Used in Hawaii. 43 pp. (8vo) original gray wrappers. Honolulu, HI: University of Hawaii Agricultural Experiment Station, Bulletin No. 68, 1933 Like the monograph on Filipino-Hawaiian foods which Miller co-authored 13 years later (see below), this is a “scientific and practical” study of the nutritive value of Japanese foods used in Hawaii – such as soybean products, various varieties of Kaiso-rui (seaweed), fermented rice, Umeboshi (red pickled plums), Hukusai (pickled leaf cabbage) and Iriko (small dried fish). But it includes 13 pages of recipes for such dishes as Miso and Tofu soups, Carrot Shirai, Eggplant with Miso, Inari-Sushi and Maki-Sushi, and, as such, may be considered the first English- language Japanese-American cook book published in the US. A touch yellowed at wrapper edges, a few very faint marks; else near fine. (150/250)

356. (Cookery - 1933 Oriental Culinary Art - Chinese, Japanese, Korean, Filipino) Kwon, George I. and Pacifico Magpiong. Oriental Culinary Art, An authentic book of recipes from China, Korea, Japan and the Philippines. 117 pp. 5x7”, red pebbled cloth, gilt-lettered and decorated. Printed in Japanese/ Chinese style from right to left. Los Angeles: George I. Kwon, [1933] Not listed in the Library of Congress catalogue. Possibly the second Asian-American cookbook after the 1914 Bosse-Watanna (see above) and the first to include Korean and Filipino recipes. Over 100 dishes are listed. The authors were apparently college buddies, both 1932 graduates of UCLA with degrees in History and Political Science, who worked at menial jobs during the Depression – the Korean-born Kwon as a grocery store clerk, the Filipino Magpiong as waiter in a café (though, oddly, he lived in Beverly Hills). Lightly rubbed at extremities; near fine. (150/250)

Page 88 357. (Cookery - 1945 First Korean-American Cook Book) Morris, Harriett. Korean Recipes - in two formats. 50 pp. Illustrated. 9x6”, original pink wrappers, spiral bound. Probable First Edition. The lot includes a second copy of the book, in a smaller format, with some minor variations in text and typography from the original printing. 91 + 5 blank pp. for notes. Illustrated. 6½x3½”, pink wrappers, spiral bound. Third Edition. Published by Cooperative Recreation Service, Delaware, Ohio, 1945 Wichita, Kansas: Self-published, 1945 Morris was among a group of four American women from Wichita living in Korea who were evacuated in 1940 as war impended. Back in Kansas, they formed a “Korea Club” to “test” these recipes, which Morris finally assembled in this book, originally self-published. Includes five varieties of “keem-chee”, 19 types of soup, and such delicacies as Pheasant “pok-kum” In the OCLC chronological listings for Korean cookery, this appears to be the first Korean cook book published in America. Light wear to wrappers, light foxing; very good. (150/250)

358. (Cookery - 1946 Filipino Cooking in Hawaii) Miller, Carey D.; Lucille Louis; and Kisako Yanazawa. Foods Used by Filipinos in Hawaii. 80 pp. (8vo) original gray wrappers, decorated and lettered in red. Honolulu, HI: University of Hawaii Agricultural Experiment Station, Bulletin 98, 1946 Similar to Miller’s 1933 monograph on Japanese-Hawaiian food, this is primarily a scientific study of some twenty types of food used by Filipinos in Hawaii - such as anchovy sauce, banana bud, cowpea, hyacinth bean, jute, Malabar nightshade, seaweed, tape grass, swamp cabbage, and yam bean – analyzing their nutritive value in relation to the general diet and health of the Filipino population. But as it includes six pages of recipes for 21 Filipino dishes - Dinegdeng, Pumpkin Flowers, Gabi Leaves, Ginisang, Alugbati with Shrimp, Balaiba and Katuray Salads – it may lay claim to being the first English-language “Filipino-American cook book” published in the United States. A scarce imprint. Small tear at spine head; else fine. (150/250)

359. (Cookery - 1950-60 San Francisco Chinese Restaurant for Beat Poets) . Two menus from San Francisco Chinese Restaurant for Beat Poets. Two Menus: * Fung Loy Café. Stockton Street, San Francisco. 7x11”. Pictorial cover + 2 pages (with pencil inscription on front cover). * Far East Café, Grant Avenue, San Francisco. 6x10½”. Pictorial cover + 3 pages. San Francisco: c.1950-60s The Fung Loy was the scene for a 1962 poem by Philip Whalen, a Zen Buddhist poet who was a friend of Jack Kerouac, Gary Snyder and Lew Welch, about a “Sunday Afternoon Dinner”. The Far East Café, which dates to the 1920s, has been described as “a chop suey house, the old kind before the new Chinese came to town” and, according to Shirley Fong-Torres, “the only authentic Chinese restaurant left in San Francisco with private dining booths.” Sunning and pencil note to edges of Fung Loy Cafe front page; very good. (100/150)

360. (Cookery - 1960s First Japanese-American Sushi Restaurant, Los Angeles) . Menu for Kawafuku - 1960s First Japanese-American Sushi Restaurant, Los Angeles. 2 pp. menu. 11½x9½”. Original decorative color cover. Los Angeles: c.1960s Located in the “Little Tokyo” section of Los Angeles, Kawafuku is reputed to have introduced Sushi to America. Though sources differ about dates and details, the story goes that sometime between 1964 and 1966, Kawafuku’s owner, Nakajima Tokijiro, partnered with Los Angeles importer Noritoshi Kanai and Sushi Chef Shigeo Saito, to open “the first true sushi bar in the United States” on the second floor of the restaurant (with Saito’s wife as waitress). This menu does not mention the word “Sushi”, but offers Tempura and Teriyaki Dinners as well as Sukiyaki, Sashimi, Tendon, Oyako and Unagi Donburi. Rare ephemera for the connoisseur of Japanese cookery. Lightly soiled; very good. (200/300)

Page 89 361. (Cranbrook Press) Booth, George. Cranbrook Tales. 101 pp. 6 full page woodcut illustrations. (8vo) original boards, paper spine label. From an edition of 208 copies, this copy out-of-series and not numbered. [Detroit]: [Cranbrook Press], 1902 A scarce finely printed volume from the press of Detroit newspaperman and bibliophile George Booth. Inscribed by Booth on the front free endpaper; inscription dated July, 1930. Ransom, 7. Spine sunned, ends chipped, some spotting to covers, cup-ring stain on rear board; internally fine, partially unopened. (300/500)

THE COMPLETE HERBAL 362.  Culpeper, Nicholas. The Complete Herbal, to Which is Now Added, Upwards of One Hundred Additional Herbs, with a Display of Their Medicinal and Occult Qualities Physically Applied to the Cure of All Disorders Incident to Mankind: to Which are Now First Annexed, the English Physician Enlarged, and Key to Physic. With Rules for Compounding Medicine … A New Edition. [6], (iii)-vi, 398 pp. Engraved frontispiece portrait of Culpeper, 20 hand-colored plates (each with 9 plants illustrated). (4to) 27.5x21 cm (10¾x8¼”), later calf-backed marbled boards, black leather spine label, endpaper renewed. London: Thomas Kelly, 1850 Nicholas Culpeper (1616-1654), an English botanist, physician, and astrologer, is a legendary figure in the field of herbal medicine. He studied in Cambridge, became apprenticed to an apothecary, and later ran a pharmacy in London. He believed that the use of Latin by doctors, lawyers and priests was a conspiracy to keep power and freedom away from the general public. In keeping with his beliefs, he challenged the monopoly of the medical establishment, and in 1649 published an English translation of the physicians pharmacopoeia “A Physicall Directory” that had up until then only been published in Latin. In addition, he used the English common names of plants in his practice rather than Latin names to communicate with his poorer clients, who might collect their remedies in the nearby countryside. In 1653, he published his famous “The English Physician, or Herball.” Culpeper died of tuberculosis at the young age of 38. Spine sunned, light wear to joints; small repairs to two plates; very good. (500/800)

363.  Davies, Thomas. Memoirs of the Life of David Garrick, Esq. Interspersed with Characters and Anecdotes of his Theatrical Contemporaries. The Whole Forming a History of the State, Which Includes a Period of Thirty-Six Years. 2 volumes. [xx], 336; [xii], 416 pp. Engraved portrait frontispiece in Volume I. (8vo) re-backed half leather and boards. London: Printed for the Author, and sold at his Shop, 1780 Engraved frontispiece published by T. Davies, April the 25th, 1780. Re-backed with later leatherette(?); with a contemporary name neatly inked on title pages, light foxing to early leaves; very good. (100/150)

364.  [De Quincy, Thomas]. Confessions of an English Opium-Eater. iv, 206, +[6] ad pp.(12mo) 17.5x10.5 cm (7x4¼”), modern full brown calf, spine gilt, top edge gilt. Second Edition. London: Taylor & Hessey, 1823 Second edition in book form of De Quincey’s account of his addiction to opium, and his eventual conquest of it. First published in 1821 in the London Magazine. Early ownership signature on front fly leaf, Geo. John Milles. Spine sunned, 1950s gift inscription on binder’s flyleaf, bookplate on rear endpaper; light foxing; very good. (200/300)

Page 90 365.  Delacombe, Harry. The Boys’ Book of Airships. x, [2], 244 pp. With 93 photograph illustrations. (8vo) red cloth lettered in white, illustrated on front cover with three aircrafts, illustrated in blue, red and white, with black rule. First Edition. New York: Frederick A. Stokes, [1909] Illustrating and describing various aviation feats, its target audience being young boys. With the FAS, Co. emblem and dated December, 1909 on copyright page. Several spots of soiling, some rubbing to white lettering on spine (Stokes at heel is faded), rubbed at volume edges; repair at hinges; one photograph plate detached and re-glued inside; very good. (80/120)

366. (Dufy, Raoul) . Dufy: Exposition au profit de la Sauvegarde du Chateau de Versailles. 46 pp. Illustrated with 2 original two-page color lithographs, plus several drawings within text. 27x19 cm (10½x7½”) color illustrated wrappers, glassine dust jacket. Paris: Louis Carre, [1953] One of 1000 copies. With editor’s compliments slip laid in. A few tiny chips at jacket edge; else fine. (100/150)

367. (Ecole Nationale Superieure des Beaux-Arts) . Les Concours d’Architecture de l’Annee Scolaire... twenty-two volumes. Includes the following years: 2 copies of 1907-1908 (2nd) one copy with every plate rubberstamped with the name Edward L. Frick; 3 copies of 1908-1909 (3rd) one copy without prelim text; 1909-1910 (4th); 1910-1911 (5th); 2 copies of 1911-1912 (6th); 1912-1913 (7th); 2 copies of 1913-1914 (8th); 1917-1918 (9th); 1918-1919 (10th); 2 copies of 1919-1920 (11th); 1920-1921 (12th); 1921-1922 (13th); 1922-1923 (14th); 1928-1929 (20th); 1929-1930 (21st); 1933-1934 (25th). Each with introductory text, plus loose leaves of plates illustrating architecture. 29.5x20 cm (11½x8”), loose leaves housed in cloth-backed boards portfolio with string ties, gilt-lettered spines. Paris: Auguste Vincent, 1908-1929 Hundreds of plates of architecture from the Ecole Nationale des Beaux-Arts. Appear to be complete according to plate lists, although not collated. Also includes a group of loose plates, mostly from 1925-1926 (17th year), not housed in portfolio, also includes a few other leaves/ plates from other years. Property of the Institute of Classical Architecture & Art, Northern California Chapter, sold for the benefit of this organization. Moderate wear to portfolio cases; some finger soiling to text leaves and plates within; mostly very good or better. (500/800)

368. (Ecole Nationale Superieure des Beaux-Arts) . Les Concours d’Architecture de l’Annee Scolaire... eighteen bound volumes. Includes the following years: 1907-1908 (2nd); 1908-1909 (3rd); 1909-1910 (4th); 1910-1911 (5th); 1911-1912 (6th); 1912-1913 (7th); 1917-1918 (9th); 1919-1920 (11th); 1920-1921 (12th); 1921-1922 (13th); 1922-1923 (14th); 1923-1924 (15th); 1926-1927 (18th); 1927-1928 (19th); 1928-1929 (20th); 1929-1930 (21st); 1930-1931 (22nd); 1931-1932 (23rd). 29.5x20 cm (11½x8”). 4 in full cloth, the rest in leather-backed cloth with gilt-lettered spines. Paris: Auguste Vincent, 1907-1932 Hundreds of plates of architecture from the Ecole Nationale des Beaux-Arts. Appear to be complete according to plate lists, although not collated. Property of the Institute of Classical Architecture & Art, Northern California Chapter, sold for the benefit of this organization. Many spines detaching, mild to moderate shelf wear; some wear internally including scattered marginal finger smudging; mostly very good. (150/250)

Absentee bids may be placed directly from the item description in the online version of the catalogue at www.pbagalleries.com

Page 91 369.  Einstein, Albert. The Meaning of Relativity: Four Lectures Delivered at Princeton University, May, 1922. [1] ad, [iv], 123, [1], 8 ad pp. Translated by Edwin Plimpton Adams. (8vo) pale orange cloth, blind-stamped cover, gilt-lettered spine. First British Edition. London: Methuen & Co., [1922] An important work summarizing some of Einstein’s most influential contributions to physics. This translation first appeared at Princeton the same year. Some light soiling, spine ends and corners bumped; light foxing; very good. (150/250)

DICTIONARY OF NAVAL OPERATIONS 370.  Falconer, William. An Universal Dictionary of the Marine: Or, a Copious Explanation of the Technical Terms and Phrases Employed in the Construction, Equipment, Furniture, Machinery, Movements, and Military Operations of a Ship. Illustrated with a Variety of Original Designs of Shipping, in Different Situations; Together with separate Views of their Masts, Sails, Yards, and Rigging. To Which is Annexed, a Translation of the French Sea-Terms and Phrases Collected from the Works of Mess. Du Hamel, Aubin, Saverien, &c. Unpaginated. 12 folding engraved plates. (4to) 26.5x21 cm (10½x8¼”), period full calf with recent rebacking, original spine label retained, marbled endpapers renewed. Fifth Edition. London: T. Cadell, 1784 An updated edition of a work of “extraordinary care and scientific thoroughness” which became the standard nautical dictionary until the end of sail. Extensive contemporary and scholarly marginal notes throughout, including additions, corrections and deletions, done in ink in a neat hand, by a very knowledgeable former owner. According to a penciled note on the front blank, one of the former owners was an experienced midshipman who served under Sir Robert Calder in the early 1800s, but it is unclear whether the marginal notes are by him. A unique, personalized copy, undoubtedly with much information gained first-hand through experience, and possibly with information found nowhere else. Some scuffing to boards; a few minor repairs within; very good. (700/1000)

SELECTION OF WORKS IN FINE BINDINGS 371. (Fine Bindings) Blind Harry [Harry the Minstrel] and Blair, Arnold [Chaplain to William Wallace]. The Acts and Deeds of The Most Famous and Valiant Champion Sir William Wallace, Knight of Ellerslie, Written by Blind Harry in the year 1631, Together with Arnaldi Blair Relationes. [ii], 403, 79 pp. 20.7x18.5 cm (8¼x5½”) full 19-century red morocco, elaborately tooled and decorated in gilt, all edges gilt and gauffered. Edinburgh: 1758 The title page was printed separately, and is often lacking. With two armorial bookplates at front endpapers. Rubbing at spine and corners, corners showing; hinges a bit tender; very good. (200/300)

Phone bidding is available during our auctions Please call 415-989-2665 for more information prior to the auction.

Page 92 372. (Fine Bindings) . Five finely bound works. Includes: * The Life of Benvenuto Cellini. 2 volumes. (8vo) three-quarter brown morocco and cloth. New York: Brentano’s, [1906]. * Jerrold, Walter. The Silvery Thames. Illustrated by Ernest Haslehust. (Oblong 4to) three-quarter brown morocco and green cloth. London: Alf Cooke, 1906. * Kobbe, Gustave. The Complete Opera Book. (8vo) three-quarter red morocco and cloth. New York: Putnam’s, [1935]. * Van Loon, Hendrik Willem. The Arts. (8vo) three-quarter red morocco and cloth. Ninth printing. New York: Simon and Schuster, 1946. * Zweig, Stefan. Mary Queen of Scotland and the Isles. (8vo) three-quarter red morocco and boards. New York: Viking, 1935. Together 5 works in 6 volumes. Various places: Various dates A beautiful small shelf of finely bound books. A touch of wear; near fine to fine. (300/500)

373. (Fine Bindings) Grahame, Kenneth. The Wind in the Willows. xii, 178 pp. Introduction by A.A. Milne. 12 color plates by Arthur Rackham. (8vo) half green morocco and marbled boards, gilt- lettered and decorated spine. London: Methuen & Co., [1950] A finely bound copy of this work illustrated by Arthur Rackham. Fine. (200/300)

374. (Fine Bindings) Haydon, B.R. and William Hazlitt. Painting, and the Fine Arts: Being the Articles Under Those Heads Contribute to the Seventh Edition of the Encyclopaedia Britannica by... [iv], 227, [1] pp. (8vo) half red morocco and marbled boards, gilt-lettered and decorated spine, top edge gilt. Edinburgh: Adam and Charles Black, 1838 A touch of soiling or darkening near edges; light foxing at early and late leaves; very good. (150/250)

375. (Fine Bindings) Ingoldsby, Thomas [pseud of Richard Barham]. The Ingoldsby Legends. Illustrations by George Cruikshank, John Leech and John Tenniel. (4to) modern half polished red calf and marbled boards, all edges gilt, cloth slipcase. London: Richard Bentley, 1864 Slipcase a touch worn; volume fine. (200/300)

376. (Fine Bindings) Kipling, Rudyard. Just So Stories For Little Children. [6], 249, [2] pp. Illustrated by the author, including initials and plates. 9x6¾, rebound in half burgundy calf and cloth, original red cloth cover pictorially stamped in red and black, lettered in white is bound in at rear, gilt-lettered and decorated spine, top edge gilt. First Edition, First Issue. London: Macmillan & Co., 1902 The cover bound in at rear is the first issue cloth, with the flaking white pigment in the cover illustrations and lettering. Livingston No. 267. The slightest sunning to spine; else fine. (200/300)

Page 93 377. (Fine Bindings) Lever, Charles. The Knight of Gwynne: A Tale of the Time of the Union. 2 volumes. Illustrated by Phiz. (8vo) full brown calf, spines elaborately decorated in gilt, with three morocco gilt-lettered spine labels per spine, top edges gilt, gilt dentelles. Bound by Bumpus. London: Chapman and Hall, 1856 Finely bound work, with charming illustrations by Phiz. A bit of rubbing at extremities; offsetting to endpapers (due to gilt dentelles); near fine. (200/300)

378. (Fine Bindings) Melville, Herman. Omoo [and] Typee - two finely bound works. 2 volumes. Both illustrated in color by . Each 23x18 cm (9x7”) in half green morocco and marbled boards, gilt-lettered morocco spine labels, elaborately tooled in gilt on spines, top edges gilt. New York: Dodd, Mead and Company, 1924 A touch sunned at spines; else fine. (250/350)

379. (Fine Bindings) Poynter, Sir Edward J. The National Gallery. 3 volumes. Illustrated with photograph plates. 30.5x22 cm (12x8¾”) half blue morocco and cloth, gilt-lettered and decorated spines, top edges gilt. No. 212 of 1000 copies. London: Cassel and Company, 1899-1900 Engraved armorial bookplate of Sir Alfred Seale Haslam on front pastedowns of Volume I and II. Some light rubbing to morocco; light foxing; very good. (200/300)

380. (Fine Bindings) Ransome, Arthur. Swallows & Amazons. 350 pp. (8vo) in full green morocco, lettered in gilt, gilt vignette of pirate flags on front cover, all edges gilt, gilt dentelles, bound by Bayntun-Riviere. With original real endpapers bound in. First Edition. London: Jonathan Cape, [1930] Beautifully bound copy of the work. Only a few tiny spots of rubbing; fine. (300/500)

WAVERLY NOVELS FINELY BOUND 381. (Fine Bindings) Scott, Sir Walter. Waverley Novels. 48 volumes. (Small 8vo) 16.4x10 cm. (6½x4”) half green polished calf and brown cloth, spines gilt, red leather spine labels. Edinburgh: Cadell & Company, 1829 Handsomely bound. A bit of rubbing and wear; very good. (800/1200)

382. (Fine Bindings) Shakespeare, William. The Heritage Shakespeare. 3 volumes. Illustrations by Edward Ardizzone. (Large 8vo) three-quarter navy blue morocco, spines gilt, top edges gilt. New York: Heritage Press, [1958] A very handsomely bound edition of the bard’s comedies, tragedies, and histories. Spines a bit sunned; else fine. (250/350)

383. (Fine Bindings) Shakespeare, William. The Sonnets and Songs of Shakespeare. [4], 204 pp. (12mo) 16.5x12.5 cm (6½x4¾”), full maroon levant morocco ruled in gilt, spine tooled in gilt with rose devices, raised bands, gilt dentelles, marbled endpapers, top edge gilt; bound by Bayntun-Riviere. London: Hatchard’s, 1933 A beautifully printed and bound edition. Fine. (300/500)

Page 94 384. (Fine Bindings) Swift, Jonathan. Gulliver’s Travels Into Several Remote Nations of the World. Illustrated with color plates by Arthur Rackham. (8vo) half blue morocco and marbled boards, gilt-lettered and decorated (with ship vignettes) spine, top edge gilt, bound by Bayntun-Riviere, Bath. Reprint Edition. London: Temple Press, [1939] Bound by Bayntun-Riviere. Fine. (200/300)

385. (Fine Bindings) . The Holy Qur-An. 2 volumes. (8vo) 25x16 cm (9¾x6¼”) three-quarter red morocco and cloth, spines gilt, raised bands, top edges gilt. [Cambridge, Mass.]: [Hafner Publishing], [1946] Text, translation and commentary by Abdullah Yusuf Ali. Issued in commemoration of the visit to the United States in 1946 of the Saudi Delegation headed by Sheikh Abdullah Al-Sulaiman El Hamdoon. A very attractive set. Spines sunned, cloth lightly soiled, one corner chipped on Volume 2; very good (200/300)

386. (Fine Bindings) Thompson, Theodora, compiler. Underneath the Bough: A Posie of Other Men’s Flowers. 10.2x10 cm. (6½x4”), full green levant morocco elaborately tooled in gilt with tree design, with inlaid figure of woman blue, red and cream on front cover, spine tooled in gilt, raised bands, silk moire endleaves, all edges gilt; bound by Bayntun. London: John Lane the Bodley Head, c.1925 A little rubbing to joints and corners, very good or better, an attractive binding. (250/350)

387. (Fine Bindings) Van Dyke, Henry, editor (his copy). Little Masterpieces of English Poetry by British and American Authors. 6 volumes. (12mo), three quarter blue levant morocco and marbled boards, spines gilt, top edges gilt. Bound by Blackwell. First Edition. New York: Doubleday, Page & Company, 1905 This copy from the library of the editor, Henry Van Dyke, with his signature and bookplate in Volume 1. A charming set. A touch of light wear and spotting to boards; near fine. (400/700)

388. (Fine Bindings) Wagner, Richard. The Rhinegold & The Valkyrie. [8], 160 pp. Translated by Margaret Armour. Illustrated with 34 tipped-in color plates by Arthur Rackham; printed tissue guards. 24x18 cm. (9½x7”), full brown polished morocco, gilt-lettered green morocco spine labels, all edges gilt, gilt dentelles, bound by Sangorski & Sutcliffe. First Trade Edition. London / New York: Heinemann / Doubleday Page, 1910 A finely bound copy of the First Trade Edition of the work, illustrated with lovely tipped in plates by Arthur Rackham. Latimore & Haskell p. 37. Fine. (300/500)

389. (Fine Press) . Fine press ephemera. Small box full of fine press ephemera mostly keepsakes, invites, etc. to Roxburghe meetings and events, and Book Club of California keepsakes. Various places: Various dates Fine. (150/250)

Page 95 390. (Flowers) . Flowers of All Hue, and Without Thorn the Rose. A Collection of Poems, Original and Selected, on the Subject of Flowers Only. xiii, 176 pp. Lithograph frontispiece illustrating a bouquet of flowers. 12x7.5 cm (4¾x3”) full green calf, gilt and blind ruled, gilt-decorative spine, red morocco gilt-lettered spine label, all edges marbled, gilt dentelles. London: Edmund Fry, 1832 A rare little book of poetry about flowers. With a contemporary name inked on top edge of title page, Olivia James. Only 2 copies located by OCLC / Woldcat, both in the UK. Rubbed edges, spots of soiling; some ink line strike-throughs at introductory page [v], light marginal foxing; very good. (300/500)

391.  Floyer, John & Edward Baynard. Psychrolousia [in Greek]: or The History of Cold Bathing: Both Ancient and Modern. In two parts. The first written by Sir John Floyer of Lichfield, Kt. The second treating the genuine use of hot and cold baths. Together with the wonderful effects of the bath water, drank hot from the pump, in decay’d stomachs, and in most diseases of the bowels, liver and spleen etc. Also proving that the best cures done by the cold baths, are lately observed to arise from the temperate use of the hot baths first, by Edward Baynard. [xxii], 491, [30], +[1] ad pp. (8vo) 19x12 cm (7½x4¾”), later brown half morocco and marbled boards, spine ruled and lettered in gilt. Fifth Edition. London: William and John Innys, 1722 “Floyer was a firm, almost fanatic, believer in the virtues of hydrotherapy and pressed his views to the extent that he was ridiculed by his peers as well as the press of his day. He initially expressed his ideas in An inquiry into the right use and abuses of the hot, cold, and temperate baths in England in 1697 and five years later published the present work which is largely historical in nature. The book is composed of a series of four letters written by Floyer in 1700 and 1701 as well as one highly supportive letter from Edward Baynard (1641-1719), a physician and balneological expert in London...The work was well received and had reached its sixth and final edition by 1722.” - Heirs of Hippocrates. Heirs of Hippocrates, 669; G&M 2029; Norman 808 (all citing the original 1702 edition). Spine leather a bit dry, binding rubbed, front hinge cracking; foxing, a few marginal markings; very good. (300/500)

RARE EARLY PRINTING OF THE RIGHTS OF MAN 392. (France) . Declaration des Droits de L’Homme et Du Citoyen. Décrétés par l’Assemblée Nationale dans les Séances des 20. 21. 23. 24. et 26 aout 1789, Accepté par le Roi. Broadside printing, approximately 37.5x24 cm (14¾x9½”), plus margins. Overall 42x30 cm (16½x11¾”). Paris: J. Chereau, [c.1789] The preamble and 17 articles printed in two columns, flanked by architectural elements, broken chains and shackles at the bottom. The Declaration of the Rights of Man and of the Citizen is a fundamental document of the French Revolution and in the history of human rights, defining the individual and collective rights of all the estates of the realm as universal. Influenced by the doctrine of “natural right”, the rights of man are held to be universal: valid at all times and in every place, pertaining to human nature itself. A rare early printing, we are only able to locate one other copy of this printing, at the Bibliotheque Nationale in Paris. Lightly soiled, horizontal crease at center, lower margin trimmed to edge of plate impression, short repaired tear at bottom; very good. (6000/8000)

Lot 392 Page 96 393.  Francis, Grant R. Old English Drinking Glasses, Their Chronology and Sequence. xxiv, 222 pp. Plates from photographs. (Folio) 31.5x25.5 cm. (12½x10”) original vellum-backed blue cloth, top edge gilt. No. 38 of 100 deluxe copies. First Edition. London: Herbert Jenkins Limited, 1926 Signed by the author at the limitation statement. Still a standard reference on the subject. Vellum soiled, hinges cracked, foxing to endpapers; very good. (300/500)

394.  Freeman-Mitford, A.B. The Bamboo Garden. xii, 224, [2] ad pp. Notice, errata and addendum slips tipped in. Frontispiece and 8 plates. (8vo) original pictorially gilt white cloth, top edge gilt. First Edition. London: Macmillan and Co., 1896 A comprehensive catalog of all bamboo varieties known at the time, with lists of species in China, Japan, North America, the Himalayas, etc. Includes the uses, history and lore of bamboo. Foxing to cloth, slight lean to spine, previous owner’s name on endpaper, some foxing at front and rear; very good. (250/350)

395.  Froissart, Sir John. Sir John Froissart’s Chronicles of England, France, Spain, Portugal, Scotland, Brittany Flanders and the Adjoining Countries... 2 volumes. [iv], 23, [1], 797; xix, [1], 765, [1], 53 pp. 29.5x23.5 cm (11½x9¼”) later tan calf-backed period marbled boards (and leather corners), gilt- lettered morocco spine labels. First Rivington Edition. London: F.C. and J. Rivington, et al, 1812 These Chronicles are universally regarded as the most vivid and faithful picture of events of the fourteenth century. Translated from the original French by John Bourchier, Lord Berners. Reprinted from Pynson’s Edition of 1523 & 1525. the period boards and corners with much wear and darkening at edges; scattered marginal foxing to contents; very good. (500/800)

ATLAS OF ANATOMY FOR ARTISTS 396.  Genga, Bernardino. Anatomia per uso et Intelligenza del Disegno; Ricercata non Solo su Gl’ossi, e Muscoli del Corpo Humano; ma Dimostrata Ancora su le Statue Antiche piu Insigni di Roma. 56 leaves, including 40 engraved plates and 16 leaves of engraved text, printed on rectos only. (Folio) 47.5x36 cm (18¾x14¼”) period full vellum. First Edition. Rome: Domenico de Rossi, 1691 “This large atlas contains forty magnificent full- page engraved plates depicting the human figure in various poses, with and without dissection. As promised in the subtitle to the work, in some of the full-figure plates one recognizes engraved renditions of some of the celebrated antique statues in Rome. The plates, probably engraved by François Andriot after designs by Charles Errard, were intended primarily for the use of painters and sculptors, and they are still considered to be one of the best collections for the use of student artists. The text is by Giovanni Maria Lancisi.” - Heirs of Hippocrates. Choulant-Frank, pp. 254-255; Garrison-Morton 386; Waller 5540; Wellcome III, p. 102; Heirs of Hippocrates, 531. Vellum worn and soiled, large chip from head of spine (detached piece present); moderate to heavy foxing, some worming in margins at front and rear of volume; good. (3000/5000) Lot 396

Page 97 397. (Golden Cockerel Press) Bannet, Ivor. The Amazons: A Novel. 252, [1] pp. Wood engravings by Clifford Web. (4to) original full brown morocco stamped in gilt, spine lettered in gilt, raised bands, top edge gilt, slipcase. No. 18 of 80 copies thus bound from a total edition of 500 copies. [London]: Golden Cockerel Press, 1948 Signed by the author and illustrator at the colophon. Cockalorum 181. Rare. Slipcase lightly worn; small scratch to spine; near fine. (700/1000)

398. (Golden Cockerel Press) Bannet, Ivor. The Amazons: A Novel. 252, [1] pp. Wood engravings by Clifford Web. 11x7½, half brown cloth and boards. No. 409 of 500 copies. [London]: Golden Cockerel Press, 1948 Slight shelf wear; a touch foxed; near fine. (80/120)

FROM THE GRABHORN PRESS 399. (Grabhorn Press) Bosqui, Edward. Memoirs of Edward Bosqui. Foreword by Harold C. Holmes. Introduction by Henry R. Wagner. Facsimiles, color frontispiece. Cloth-backed patterned boards, paper spine label. One of 350 copies printed by the Grabhorn Press. Second Edition. Oakland: Holmes Book Company, 1952 The 1904 first edition, limited to 50 copies, is extremely scarce. (Cowan p.64); Howes B623; GB 526. Bookplate of Everett E. Farwell on front pastedown. Spine a bit faded; else fine. (150/250)

400. (Grabhorn Press) Hawthorne, Nathaniel. The Scarlet Letter. Illustrated with chapter headings from wood blocks in color by Valenti Angelo. (8vo), original brown morocco-backed cloth, spine lettered in gilt. One of an edition of 980 copies printed by the Grabhorn Press. New York: Random House, 1928 Signed at the limitation statement by Edwin Grabhorn and (faintly) by Valenti Angelo. GB 112. Spine sunned, light wear, dampstain to rear cover and a few adjacent leaves; good. (100/150)

401. (Grabhorn Press) James, William F., Judge. Saint Patrick of England. Woodcut by Mallette Dean. 12¾x8¾, tan & green cloth, plain paper jacket. One of 200 copies. First Edition. San Francisco: Grabhorn Press, 1955 Signed by the author at colophon. GB 560. Jacket worn; volume fine. (200/300)

402. (Grabhorn Press) Magee, David. Fine Printing and Bookbinding from San Francisco and its Environs: A Representative Exhibition for the Grolier Club. 11½x8, quarter cloth and decorative boards, paper spine label, plain paper jacket. One of 200 copies printed by the Grabhorn Press. San Francisco: [Carroll T. Harris], 1961 GB 622. Jacket yellowed with several chips, one hole at spine; faint pen mark on volume spine heel; else near fine. (100/150)

403. (Grabhorn Press) Shakespeare, William. The Tragedy of Richard the Third: with the Landing of Earle Richmond, and the Battell at Bosworth Field. Illustrated with color woodcuts by Mary Grabhorn. (4to) 26x19.5 cm. (10½x7½”), full vellum, gilt-lettered spine, ribbon ties. One of 180 copies printed on handmade paper from the Tuckenay Mill in French Lettre Battarde type. [San Francisco]: Grabhorn Press, 1953 The third in the Grabhorn Press series of Shakespeare plays. GB 537. Fine. (150/250)

Page 98 404. (Grabhorn Press) . Two titles published by the Grabhorn Press. Includes: * Chamisso, Adelbert von. A Sojourn at San Francisco Bay, 1816. (Folio) original cloth-backed boards. One of 250 copies. 1936. * Meyers, William H. Naval Sketches of the War in California. (Folio) original leather-backed boards. One of 1000 copies. 1939. Two volumes. San Francisco: Grabhorn Press, Various dates Wear and fading to spines; very good. (150/250)

405. (Grabhorn Press) Utamaro, Kitagawa. Twelve Wood-Block Prints of Kitagawa Utamaro illustrating the Process of Silk Culture. Introduction by Jack Hillier. Illustrated with 12 collotype plates after Utamaro (colored with blocks engraved by Irma Grabhorn) from originals in the collection of Edwin & Irma Grabhorn. 15x10, half parchment and patterned boards, gilt-lettered spine. 1 of 450 copies printed by the Grabhorn Press. San Francisco: Book Club of California, 1965 Fourth and last of the Japanese print series from the Grabhorn Collection. GB 652. A bit of soiling to parchment, near fine. (200/300)

406. (Grabhorn Press) Whitman, Walt. Leaves of Grass. Comprising all the Poems written by Walt Whitman following the Arrangement of the Edition of 1891-’2. Numerous woodcut illustrations by Valenti Angelo. (Folio) 36.8x25 cm. (14½x9¾”), original red morocco-backed wood boards, raised bands. No. 257 of 400 copies printed by Edwin and Robert Grabhorn. New York: Random House, 1930 The famous Grabhorn Leaves of Grass, one of their most ambitious achievements, taking over a year to print. “The tremendous impression necessary to print this book so strained the press that the printers suggested the colophon should read: ‘400 copies printed and the press destroyed’” (Grabhorn Bibliography I). GB 138. Joints rubbed, front hinge starting; internally clean; very good. (1200/1800)

Lot 406

407.  Grey, Zane. Tales of Swordfish and Tuna. [10], 203 pp. Illustrated with 90 plates from photographs taken by author and from drawings by Frank E. Phares; frontispiece from photo of Grey next to (as of June 29, 1926) the world’s record broadbill swordfish, 582 pounds, caught at Avalon; pictorial endpapers. (4to), original navy blue cloth lettered in gilt; pictorial jacket. First Edition. New York: Harper & Brothers, 1927 With Harper’s code “H-B” on copyright page. One of Grey’s elusive titles on big-game sea fishing. Rare in jacket. Grey is known to be the first to capture a broadbill swordfish with only a rod and reel. Signed by Grey on front free endpaper. Bruns G177. Jacket split in two pieces, large piece lacking from spine and front panel, old tape repairs; volume with some light edge wear, small spot of soiling on front cover, hinges starting, gift inscription on front flyleaf; very good in a fair jacket. (250/350)

Page 99 408.  Hall, James Norman & Charles Bernard Nordhoff. The Lafayette Flying Corps. 2 volumes. Associate Editor Edgar G. Hamilton. Illustrations from photographs, drawings, cartoons, etc., some in color. (Large 8vo) original blue cloth decorated and lettered in gilt, top edges gilt. First Edition. Boston: Houghton Mifflin Company, 1920 Both Nordhoff and Hall, co-authors of Mutiny on the Bounty and other novels, flew with the Lafayette Flying Corps (i.e. Escadrille Americaine). Light wear and soiling to cloth, corners bumped; a few pages roughly opened one signature detached in Volume 1; very good. (500/800)

409.  Hearn, Lafcadio. Kokoro: Hints and Echoes of Japanese Inner Life. [x], 388 pp. 7x4½, original green cloth lettered in gilt. First Edition. Boston: Houghton Mifflin, 1896 BAL 7928. Spine faded, corners rubbed, a few spots of soiling; front endpapers replaced; very good. (200/300)

410.  Humphreys, W.J. Physics of the Air. xi, [1], 665 pp. 2 folding plates on wax paper at rear. Illustrated with photograph plates and diagrams, drawings within text. (8vo) maroon cloth, gilt- lettered spine. Philadelphia: The Franklin Institute / Press of J.B. Lippincott Company, 1920 Bookplate of Society of Writers to his Majesty’s Signet on front pastedown (along with several numbers, ink, 1 rubberstamp. Written by a professor of meteorological physics, US Weather Bureau, Washington, D.C. Lightly rubbed and bumped at spine ends and corners, a few other faint scrapes to cloth; very good. (200/300)

SCARCE 16TH CENTURY LEGAL WORK 411.  Ignacio de Lasarte y Molina. De Decima Venditionis & Permutationis que Alcauala Nuncupatur Liber Unus... [4] 236, [10] ff. (4to) 27.5x20 cm (10¾x8”) period full limp vellum, spine lettered by hand. Compluti [Alcalá de Henares, Spain]: Joannem Gratianum, 1589 Scarce work by this 16th century legal scholar. Vellum soiled and bowed, endpapers renewed; repairs to first and final leaves; small dampstain in upper margin throughout, light foxing, some early ink notations and underlining; very good. (1200/1800)

412. (Institute of Brewing) . Journal of the Institute of Brewing, Volumes 13, 19-33, 47-49, 54. 20 volumes. (8vo) 4 volumes in period half morocco and cloth, other is green cloth. London: Harrison & Sons/W. Heffer & Sons, 1907-1948 A wealth of information on the brewing industry in England during the first half of the 20th century. Also included are Volume 6 (1900) of the “Journal of the Federated Institutes of Brewing” (presumably the predecessor of the larger set), and “Transactions of the Institute of Brewing” Volume VI, Seventh Session (1892-93). Together 22 volumes. 2 volumes are ex- library, some light wear; very good. (800/1200)

Page 100 413. (Irish Rebellion - Irish Woman in the 1916 “Easter Rising”) Connolly, Nora. The Irish Rebellion of 1916, or The Unbroken Tradition. 202 pp. Illustrated with photographs and maps, 1 folding. (8vo) black gilt-lettered cloth. Second Printing. New York: Boni and Liveright, [1919] An account of the Easter Rising, the Irish rebellion against England during World War I, by a 25 year-old woman, active in the revolutionary movement, whose father was killed by the British. This book was published in United States while Connolly was on an America lecture tour. She later took part in the Irish War of Independence, was jailed during the Civil War, and afterwards became prominent in the European Left as a support of Leon Trotsky. Rubbed at spine ends and corners, one small internal stain to fore edge of a leaf; very good. (150/250)

JAPANESE TEXTILE STENCILS 414. (Japanese Textile Design) . Thirty Katagami mulberry paper Stencils for textile design. Thirty large mulberry paper stencils, various sizes. Japan: [c.1920s] This centuries-old method of creating stencils with designs for textiles consists of: Preparing mulberry paper by gluing several sheets together to strengthen the stencil. Coating the paper with tannins extracted from persimmons, which makes the paper waterproof. Cutting the design into the stencil paper and adding webbing for support as needed. Applying a medium of rice paste through the stencil and on to the fabric. Dyeing the fabric which is then made into kimonos, coverlets, etc. The part of the fabric which has received the rice paste does not accept the dye. Thus the stencil is a “negative” of the final pattern. The stencils can be used as needed to repeat the pattern. The rice paste washes away easily. Use of this technique declined after World War II, and practitioners of the art of stencil cutting are now part of the “Living National Treasures” program in Japan. Some wear; overall very good. (1000/1500)

415. (Jodelet) Colette. La Vagabonde: Lithographies et Vignettes Gravees par Jodelet. 208 pp. 15 original color lithograph plates, plus vignettes, by Jodelet. 28x22.5 cm (11x9”) wrappers, glassine jacket, chemise and slipcase. No. 99 of 155 copies. Paris: Les Bibliophiles du Palais, 1930 Chemise and slipcase worn; contents fine. (200/300)

416.  Joseph, Antonio A.S. Compendium Salmanticense in Duos Tomos Distributum Universae Theologiae Moralis Quaestiones... 2 volumes. xxii, [2], 488; xii, 551 pp. (4to) 27x20.5 cm (10¾x8¼”) period full limp vellum, spines lettered by hand. Rome: Benedictum Francesi, 1779 Essays on various theological questions. Vellum soiled and rippled, lacking free endpapers; light foxing; very good. (200/300)

417.  Knight, Samuel. The Life of Erasmus, More particularly that part of it, which He spent in England; Wherein an Account is given of his Learned Friends, and the State of Religion and Learning at that Time in both our Universities With an Appendix Containing Several Original Papers. [viii], xxxii, 349, 348-386, cxliv, [8] pp. Engraved portrait frontispiece and 19 engraved plates, several folding. (8vo) 19.5x12 cm (7¾x4¾”), later full olive morocco, spine ruled and lettered in gilt, all edges gilt. First Edition. Cambridge: Printed by Corn. Crownfield and sold by J. Wyat, et al, 1726 An important early biography of Desiderius Erasmus Roterodamus [Erasmus of Rotterdam], best known for his work “The Praise of Folly”. Spine sunned, extremities rubbed; plates browned; some foxing to text; very good. (200/300)

Page 101 418.  Kunz, George Fredrick & Charles Hugh Stevenson. The Book of the Pearl. xix, 548 pp. Illustrated with plates from various sources, some in color. (4to), publisher’s decorative aqua blue cloth stamped in gilt and cream, top edge gilt. First Edition. New York: Century, 1908 “This beautiful example of modern book design, executed in high quality materials, is prized not only for the enormous amount of reliable information that it contains, indeed still unmatched in any work since, but also for the large number of high quality illustrations in black and white...” - Sinkankis 3690. Light wear and soiling to cloth, hinges a bit shaken; very good. (400/600)

419.  Lawrence, T. E. Secret Despatches from Arabia by T.E. Lawrence, Published by Permission of the Foreign Office. Foreword by A.W. Lawrence. Photogravure frontispiece portrait. 9¾x7½, quarter blue niger & cream cloth, spine lettered in gilt, raised bands, top edge gilt; bound by Sangorski & Sutcliffe. No. 308 of 970 copies, from a run of 1000, printed by Christopher Sandford and Owen Rutter at the Golden Cockerel Press. Waltham Saint Lawrence, Berkshire: Golden Cockerel Press, [1939] Despatches first published in the confidential paper called “The Arab Bulletin,” 1916-1918. The brainchild of Lawrence, the Bulletin contained summaries of political news received from the Turkish Empire, Arab and other Moslem countries, and Abyssinia. Cloth lightly soiled, corners bumped, previous owner’s card affixed to front free endpaper; very good. (300/500)

420.  Lennox, Lord William. Recreations of a Sportsman. 2 volumes. viii, 333; vi, 266 pp. Frontispiece in each. 19x11.3 cm (7½x4”) half calf and marbled boards, gilt spines, all edges marbled. First Edition. London: Hurst and Blackett, 1862 Rubbing and wear at edges, glue repair at all joints, rear cover of Volume II detached, corners showing; good. (60/90)

421.  [Leveson, Henry A.] “The Old Shekarry”. The Hunting Grounds of The Old World. Asia. xxiv, [2], 660 pp. Errata slip tipped in. Seven lithograph plates. (8vo) black half morocco and marbled boards, spine gilt, red leather title label lettered in gilt, all edges marbled. Third Edition. London: Longman, Green, Longman, Roberts & Green, 1865 Extremities lightly worn, bookplate; very good. (100/150)

422. (Limited Editions Club) . Four volumes published by the Limited Editions Club. Includes: * Irving, Washington. Rip Van Winkle. Full calf, slipcase. No. 153 of 1500 copies. Signed by Frederic W. Goudy. 1930. * The Analects of Confucius. Embroidered silk binding, housed in a wood box (small piece missing at box edge). No. 153 of 1500 copies. Printed at the Commercial Press in Shanghai. 1933. * Twain, Mark. The Adventures of Huckleberry Finn. Illustrations by E.W. Kemble. Green cloth, slipcase. No. 153 of 1500 copies. Signed by the printer, Carl P. Rollins. 1933. * Twain, Mark. The Adventures of Tom Sawyer. Illustrations by Thomas Hart Benton. Blue cloth, slipcase (worn). No. 153 of 1500 copies. Signed by the illustrator. 1939. Together 4 volumes. Various places: Limited Editions Club, Various dates Some light wear; very good or better. (300/500)

Page 102 LIMITED EDITIONS CLUB EDITION OF SHAKESPEARE 423. (Limited Editions Club) Shakespeare, William. The Comedies, Histories & Tragedies of William Shakespeare [with] The Poems of William Shakespeare. 37 volumes of the plays and 2 volumes of poems (the latter in slipcase). Edited by Herbert Farjeon. Each illustrated in color and black and white with plates by a different illustrator, including Arthur Rackham, etc. (Small folio) 32.7x22.3 cm. (13x8¾”), cloth-backed decorative boards, spines lettered in gilt. One of 1500 sets. Designed by Bruce Rogers and printed at the Press of A. Colish. 1939-41. New York: Limited Editions Club, 1939-41 Also includes: Ten Years and William Shakespeare:... The Limited editions Club from October 1929 to October 1940. Full calf. Some scuffs and tears. * A Record of the Proceedings at The Limited Editions Club’s dinner to celebrate the Twenty-first Birthday of the Club & the Fiftieth Birthday of its Founder. Cloth-backed boards. 1950. Together 41 volumes. Some light wear, most with glassine jackets present but tattered; very good or better. (700/1000)

424. (Limited Editions Club) Twain, Mark. Three titles by Mark Twain, published by the Limited Editions Club. Includes: * A Connecticut Yankee in King Arthur’s Court. Cloth-backed boards. Illustrations by Honore Guilbeau. 1949. * The Innocents Abroad. Illustrations by Fritz Kredel. Cloth-backed boards, slipcase. 1962. * The Prince and the Pauper. Illustrations by Clarke Hutton. Velvet-backed cloth, slipcase. 1964. Together 3 volumes, each No. 938 of 1500 copies, signed by the illustrator at the colophon. Limited Editions Club, Various dates A bit of light wear; overall near fine to fine. (150/250)

425.  Lyonnois, l’Abbé. Traite de la Mytologie. [4], 194 pp. 15 engraved folding plates. (8vo) 19.8x13 cm (7¾x5”), calf-backed mottled boards. Third Edition. Paris: Chex Villier, 1788 Each folding plate contains a dozen smaller images. Binding rubbed; plates trimmed to lower border of print; some foxing; very good. (500/800)

426.  Mao Tse-Tung. Selected Works of Mao Tse-Tung. 5 volumes. (8vo) brown cloth, dust jackets, slipcases. First Editions. Peking: Foreign Languages Press, 1961-[1977] First editions in English of the writings of the 1st Chairman of the Central Committee of the Communist Party of China. Slipcases with some light wear; books and jackets fine. (200/300)

427.  Marafioti, P. Mario. Caruso’s Method of Voice Production: The Scientific Culture of the Voice. (8vo) full red morocco, spine gilt, top edge gilt. First Edition. No. 64 of 100 copies. New York: D. Appleton and Company, 1922 Signed by the author on the inserted limitation leaf. Scarce. Binding rubbed, front free endpaper detached, binding detached at rear hinge; good. (300/500)

428.  Marsh, Reginald. Anatomy for Artists - signed with original drawing by Marsh. Tan cloth, dust jacket. First Edition. New York: American Artists Group, [1945] Signed by Reginald Marsh, with original ink drawing of, on the half title page. Light wear to jacket edges, surface wear to front panel, and a small piece of tape there and retouching; a touch rubbed at volume extremities; very good. (500/800)

Page 103 429.  Marshall, James. A Description of Commander Marshall’s New Mode of Mounting and Working Ships’ Guns. viii, 76 pp. 9 engraved plates. (4to) 29x22 cm (11½x8¾”), original boards. First Edition. London: John Murray, 1829 A treatise on the mounting of cannon on ships in an “attempt to improve the gunnery of the British Fleet”. OCLC WorldCat locates only 10 copies of this work in institutional holdings; rare in the trade. Spine perished, boards detached and worn; frontispiece, title page and final plate at rear detached, foxing; would benefit from binding repair. (300/500)

WITH THE RARE FIRST EDITION OF VOLUME 1 & VOLUME 2 430. (Matrix) Randle, John & Rosalind, editors. Matrix: A Review For Printers and Bibliophiles. Volumes 1-26. 26 volumes. Profusely illustrated, including numerous tipped-in plates and samples. 11x7½, original wrappers. Each one of 960 or fewer copies. Herfordshire: Whittington Press, 1981-2006 Including the scarce First Editions of Volume 1 and Volume 2, each from a smaller limitation. Each in original wrappers. Volume 1 is No. 117 of 350 copies. Volume 2 is No. 389 of 450 copies. Marvelous compendium of typographic and bibliophilic miscellanea, with contributions by leading printers, writers and critics of the subject, enlivened by the profusion of inserted and tipped- in examples. Near fine or fine. (4000/6000)

Lot 430

431. (Matrix) Butcher, David. Index to Matrix 1-21. Half bound in black Oasis leather and handmade paper over boards, gilt-lettered spine, slipcase. No. XXIV of CX copies. [Herefordshire]: [Whittington Press], [2003] Plus 2 copies of: Type & Typography: Highlights from Matrix, the review for printers and bibliophiles. Mark Batty Publisher, 2003. Fine. (200/300)

PBA Galleries has an in-house shipping department ensuring your items arrive safely at reasonable cost.

Page 104 432.  Michaux, F[rancois] Andre. The North American Sylva; Or, A Description of the Forest Trees of the United States, Canada, and Nova Scotia. Volumes I and III only (of III). xii, 136; 148, [4] index pp. 81 hand-colored lithograph plates. 25.5x15.5 cm (10x6”), library cloth, original free endpapers bound in, all edges gilt. Philadelphia: Robert P. Smith, et. al., 1853 An important work on North American botany, which first appeared in Paris, 1810-1813. “It is no exaggeration to remark that it is the most complete work of its kind, and is a production of unrivalled interest and beauty” (Sabin). Michaux visited America under the auspices of the French government and was appointed to accompany a youthful Meriwether Lewis on an expedition, though probably owing to political sensitivity before the Louisiana Purchase, the expedition did not take place. His work was later continued and completed by the British botanist, Thomas Nuttall, who was one of the most lovable characters in the history of early American science. Lightly foxed, plate edges a bit yellowed; very good. (500/800)

433.  Milizia, Francesco. Memorie Degli Architetti Antichi E Moderni. 2 volumes. [12], cxix, [1], 371; [4], 436 pp. (8vo) 21x13.5 cm (8¼x5¼”) period full vellum, spines gilt, morocco lettering pieces. Third Edition. Parma: Dalla Stamperia Reale, 1781 First published anonymously under a different title in 1768, this edition extensively revised by the author. A scarce early history of early Italian architects and their works. Brunet III, 1714. Some soiling to vellum; moderate foxing within, some penciled notations in margins; very good. (800/1200)

434. (Miró, Joan) . Joan Miró poster featuring art from an exhibition poster for Kunsthaus, Zurich exhibition October 31 - December 6, 1964. Color lithograph poster. 76x50 cm. (30x19½”). [Kunsthaus, Zurich]: [Arte, Paris], [1964] “Produced for Joan Miró’s exhibition 31 October - 6 December 1964, at the Kunsthaus in Zurich. Catalogue with a text by Roland Penrose. The picture is - with the exception of the red colour exchanged for green, and with a slightly varied form at the top left - the same one that the Tate Gallery used for the exhibition earlier at autumn...This lithograph was pasted onto a larger sheet of paper with printed information about the exhibition. This was printed in colour offset and designed after a sketch by Joan Miró.” -Konsthall, 21. ML III No. 353. Just a touch of edge wear at bottom corners; fine. (100/150)

435.  Moore, John. A View of the Causes and Progress of the French Revolution. 2 volumes. xii, 449, [1]; viii, 505, [1] pp. (8vo) 21.2x13 cm. (8¼x5¼”) half calf and pastepaper boards, spines gilt with morocco labels, decorated endpapers. First Edition. London: G.G.J. and J. Robinson, 1795 A view of the economic conditions leading to the French Revolution. Extremities rubbed, some scuffing to boards; light foxing; very good. (400/700)

436.  Morales, Nelson. Lifelines. Artwork & Poetry by the Artists of Hospitality House. 10 color silk screened prints, including frontispiece. Housed along with text (including textual illustrations), in original gray folding portfolio printed in black, and signed in pencil by Art Director Nelson Morales. No. 97 of 125. San Francisco: Central City Hospitality House, 1990 Each silk screened print within is signed by their artist. Artists include Maya Sands, Richard Nyhagen, Donald Becerra, Johann Becker, Ira Watkins, Henry Bredenberg, Kathy Gernatt, Aaron Jan Vonk, Angeler Willis, and Jung So. Some dust soiling to outer cover of gray folding portfolio; else fine. Contents fine. (150/250)

Page 105 437.  Mozart, Wolfgang Amadeus. Il Dissoluto Punito osia Il Don Giovanni. [2], 184 pp. Engraved vignette on title page. (Oblong 4to) 24.5x33 cm (9¾x13”) modern full green morocco, stamped in gilt on spine and covers. Leipzig: Breitkopf & Hartel, [early 19th century] An early edition of Mozart’s opera Don Giovanni, beautifully bound. First performed in 1787. Binding lightly worn; foxing and browning; very good. (400/600)

438.  Newcomb, Rexford. The Spanish House for America: Its Design, Furnishing and Garden. 164 pp. Illustrations from photographs. (4to) pictorial cloth, dust jacket. First Edition, Second Impression. Philadelphia & London: J.B. Lippincott Company, [1927] Scarce in the original dust jacket. The volume marked Second Impression on the half title page. With a few architectural articles laid in, plus a typed UC Berkeley letter to Candidates for Teaching Positions, dated 1926. On verso is a pencil sketch of an architectural floor plan. Jacket spine ends chipped, tiny nicks and tiny tears at edges, faint soiling; volume spine leaning a touch, lightly rubbed; very good. (100/150)

THE NONESUCH DICKENS, WITH PLATE 439. (Nonesuch Press) Dickens, Charles. The Nonesuch Dickens - Sixteen volumes. 16 volumes (from a total of 25), including an original steel engraving block titled “The Old Couple” for an illustration by Phiz (H.K. Browne). 10x6¼, variously colored buckram, leather spine labels, top edges gilt. One of 877 copies, designed by Francis Meynell, printed at R. & R. Clark. Bloomsbury: The Nonesuch Press, 1937-1938 One of the most noteworthy of all sets of the Works of Charles Dickens, handsomely printed, and with the superbly reproduced original illustrations. The original steel plate by Phiz is of “The Old Couple,” and is set inside a drop-back box, with a print pulled from the block, as well as a letter of authenticity signed by an officer at Chapman & Hall, Ltd. Includes the following titles: The Mystery of Edwin Drood; Christmas Books; The Pickwick Papers; Bleak House; Collected Papers, Volume 1 & 2; The Personal History of David Copperfield; The Letters of Charles Dickens, Volume 2 & 3; Barnaby Rudge; Martin Chuzzlewit; Oliver Twist; Sketches by Boz and Early Minor Works; Our Mutual Friend; Reprinted Pieces, The Uncommercial Traveller and Other Stories. Light wear to buckram bindings; very good or near fine. (2500/3500) Lot 439

440.  Orlandi, Pellegrino Antonio. Abecedario Pittorico...Contenente le Notizie de’ Professori di Pittura, Scoltura, ed Architettura in Questa Edizione Corretto. [xiv], 583 pp. Half title present. Three engraved plates of artists’ monograms at rear. (4to) 23.5x17.5 cm (9¼x6¾”) period vellum. Revised edition. Venezia: Giambatista Pasquali, 1753 First published in Bologna in 1704. A scarce biographical dictionary of painters, sculptors, and architects. Brunet IV, 231. Binding worn, with several old paper tape repairs to spine and corners; previous owner’s ink stamp on title page, foxing and browning throughout, heavier at rear of volume; good. (600/900)

Page 106 441.  Pauling, Linus. Small archive of material relating to Linus Pauling, including several signed letters, photographs, books, etc. Includes: Two Typed Letters, signed, on Stanford University letterhead. * Three Typed Letters, signed, on Linus Pauling Institute of Science and Medicine letterhead. * Pauling, Linus. How to Live Longer and Feel Better. Wrappers. Inscribed by Pauling. [1986]. * Pauling, Linus. Vitamin C, The Common Cold and the Flu. Wrappers. Inscribed by Pauling. [1976]. * Cameron, Lewis & Linus Pauling. Cancer and Vitamin C. Cloth-backed boards, dust jacket. Inscribed by Pauling. [1979]. * Dettman, Glen, et al. Vitamin C: Nature’s Miraculous Healing Missile. Wrappers. Inscribed by Pauling at the end of his foreword. [1993]. * A large photograph of Linus Pauling and Glen Dettman, signed by both in the lower margin. Also includes 5 copies (one in wrappers, others in cloth-backed boards with dust jackets) of Linus Pauling in His Own Words. Edited by Barbara Marinacci. All inscribed by Marinacci. * Invitations and programs from Pauling’s 85th & 90th birthday celebrations, programs from his memorial services, a letter from his son, 3 commemorative posters, and a few other items. Various places: Various dates Linus Carl Pauling (1901–1994) was an American chemist, biochemist, peace activist, author, and educator. He was one of the most influential chemists in history and ranks among the most important scientists of the 20th century. Pauling was one of the founders of the fields of quantum chemistry and molecular biology. Pauling is the only person to be awarded two unshared Nobel Prizes, and one of only four individuals to have won more than one (Marie Curie, John Bardeen and Frederick Sanger are the others) and one of only two people awarded Nobel Prizes in different fields (the Chemistry and Peace prizes), the other being Marie Curie (the Chemistry and Physics prizes). A few items with light wear; overall near fine to fine. (400/700)

442. (Photography) Shwachman, Irene. Six Impressions of a Conversation, Sam Gordon and Harry Shwachman, January 26, 1953. Photographed at Endo Products. Six silver print photographs, 9x13.5 to 11x13 cm (3½x5¼” to 4¼x5”) mounted to stiff cards, housed in a black paper-covered box, typed label on front. 1953 Irene Shwachman (1915-1988) was a well-known Boston area photographer. Mrs. Shwachman’s documentary photographs of Boston neighborhoods appear in permanent museum collections in Boston and New York. Her husband, Dr. Harry Shwachman, was the director of Children’s Hospital’s clinical laboratories in Boston and an authority on Cystic Fibrosis. Box worn; photos fine. (600/900)

443. (Poster - Rock & Roll) Family Dog. Family Dog Mist Dance Concert Poster FD81-1. First printing of Family Dog concert poster FD81 designed by Victor Moscoso. Avalon Ballroom venue featuring Youngbloods, Other Half and Mad River. Silhouette of dancing couple in bright colors, unbroken white Moscoso signature BR, No81-1 BL. 20x14 San Francisco: 1967 3 thumbtack holes and light crease along top edge otherwise bright and clean. Very good. (100/150)

444. (Poster) Sting. Poster of the singer Sting, signed - one of 5,000 copies. Black and white photographic poster, featuring the singer Sting. Matted and framed. With frame measures 87.5x72 cm (34½x28½”). No. 375 of 5,000. Signed by Sting. Fine. (200/300)

Page 107 445.  Rousseau, Jean Jacques. Discours sur l’Origine et les Fondemens de l’Inegalite Parmi les Hommes. xlvi, 206 pp. (12mo) 16x10 cm (6¼x4”), full vellum, leather spine labels. Early edition. Dresden: 1755 First published in Amsterdam the same year. A scare early printing of Rousseau’s “Second Discourse”. An influential work in Europe and America, in which Rousseau concludes that civil society is a trick perpetrated by the powerful on the weak in order to maintain their power or wealth. Some wear and soiling to vellum, hinges cracked; pages a bit browned; very good. (300/500)

446. (Roxburghe Club) Linden, James & Jennifer Larson, editors. Printers to the Club: A Portfolio. 33 folios of stiff paper containing original specimens of printing by 32 small presses (including Roger Levenson) who printed announcements and keepsakes for the Roxburghe Club; on the first page of each folio is printed a brief autobiographical note by each printer, and there is a short explanatory text on the inside of the 33rd (i.e. title). (Folio) 40.5x26.5 cm (16x10½”), items set loose as issued in folding linen box, paper cover & spine labels. No. 29 of 100 copies. San Francisco: Roxburghe Club, 1896 Splendid compilation of ephemera, unbound signatures, broadsides, trial pages and other printings by various printer-members of the Roxburghe Club, including Albert Sperisen, Clifford Burke, the Grabhorns, Lewis Allen, Jack Stauffacher, Ward Ritchie, Valenti Angelo, Andrew Hoyem, Sherwood Grover (for whom this copy was prepared) et al. A limited edition of 30 contributor’s copies was issued at the same time. With the errata slip laid in loose, and the contribution by Roger Levenson. With the bookplate from the library of D. Steven Corey, on inside of box. Plus laid in ephemera related to D. Steven Corey. A few tiny, faint marks to linen box; else fine. (200/300)

447. (Schiele, Egon) Karpfen, Fritz, ed. Das Egon Schiele Buch. 106, [4] pp. With 62 plates from works by Schiele; 2 tipped-in plates from photographs, including the frontispiece. (8vo) patterned boards, paper label on front. One of 1000 copies, this copy not numbered. First Edition. [Vienna]: Der Wiener Graphischen Werkstätte, [1921] Early retrospective on the works of the iconoclastic Austrian Expressionist artist, including many of his erotic drawings. Spine with tape repairs, edges rubbed, previous owners’ names on endpapers; good. (200/300)

448.  Seaton, Elizabeth. WPA Federal Art Project - Printmaking in California 1935-43. 132 pp. 12¾x9¾, blue cloth, spine lettered in yellow, clear acetate jacket. 1 of 450 copies designed by Patrick Reagh. First Edition. San Francisco: Book Club of California, 2005 Prospectus and errata slip, both laid in. BCC Publication No. 220. Fine. (100/150)

449.  Shaw, George. Zoological Lectures Delivered at the Royal Institution in the Years 1806 and 1807. 2 volumes. xiv, 248; iv, 225, [7] pp. Additional illustrated title pages and 163 engraved plates. (8vo) period calf, volume 2 rebacked. First Edition. London: George Kearsley, 1809 Beautiful engraved plates. Bindings well worn; some foxing; offered as a collection of plates, not subject to return. (400/600)

Page 108 450.  Smith, Adam. An Inquiry into the Nature and Causes of the Wealth of Nations. 3 volumes. (8vo) 21.5x12.5 cm (8½x5”), old full diced calf. Fifth Edition. Edinburgh: Mundell, Doig, and Stevenson, 1809 First published in 1776. Adam Smith’s ground-breaking analysis of capitalist economics. The book is of profound influence in the development of modern society, and its appearance in the same year as the American Declaration of Independence matched the burgeoning political freedom to the unfettering of economic activity. Spine leather dry and brittle, Volumes 1 & 3 lacking large pieces of the backstrips, some light foxing; internally very good, would benefit from binding repair. (400/600)

EARLY MEDICAL TREATISE 451.  Solano de Lucques, Francisco. Idioma de la Naturaleza, con el Qual Enseña al Medico. [lii], 604, [8] pp. (16mo) 14.5x10 cm (5¾x4”) period full limp vellum, spine lettered by hand. Cadiz: Geronymo de Peralta, [1737] Scarce early medical treatise on the use of the pulse in diagnosis by the noted Spanish physician. Vellum a bit worn, small hole in front cover; some worm tunneling within text block but still quite readable, several pages with paper repairs at lower corner; very good. (800/1200)

Lot 451

452.  Sopwith, T[homas]. A Treatise on Isometrical Drawing, as Applicable to Geological and Mining Plans, Picturesque Delineations of Ornamental Grounds, Perspective Views and Working Plans of Buildings and Machinery, and to General Purposes of Civil Engineering. xxvi, 224, +4 ad pp. Engraved frontispiece, additional illustrated title page and and 33 plates. (8vo) original blindstamped black cloth, spine lettered in gilt. Second Edition. London: John Weale, 1838 Thomas Sopwith (1803–1879) was an English mining engineer. “At the 1838 British Association meeting in Newcastle, Sopwith argued for the necessity of preserving mining records. In 1845 he was elected fellow of the Royal Society and became chief agent to the W. B. [Lead] Company centred at Allenheads, whereupon he agreed to give up all other professional interests except that of commissioner for woods and forests.” (DNB). Spine ends frayed, front joint splitting, glue repair to front hinge; many pages unopened; very good. (150/250)

INSCRIBED WITH ORIGINAL DRAWING BY 453. (Soyer, Raphael) Goodrich, Lloyd. Raphael Soyer - inscribed by the artist, with an original drawing. Illustrated throughout with art by Raphael Soyer. Folio, tan cloth, color illustrated dust jacket. First Edition. New York: Harry N. Abrams, [1972] Inscribed from Raphael Soyer, with original drawing of a man’s face, on the front free endpaper. “To Judith + Bud in friendship. Raphael Soyer San Francisco 1977.” Inscribed to writer, editor, & publisher Bud Johns (and wife Judith). Fine. (300/500)

Page 109 454. (Soyer, Raphael) . Group of works on the artist Raphael Soyer, including a few signed by him. Includes: * Foster, Joseph K. Raphael Soyer: Drawings and Watercolors. Cloth, dj. With large original drawing, plus inscription from Soyer to writer, editor and publisher Bud (& Judith) Johns. Dated 1981. Crown Publishers, [1968]. * Self-Revealment. Cloth, dj. Inscribed from Soyer to Bud & Judith Johns, 1978 on half title. Maecenas Press/Random House, [1969]. * Self-Revealment. Cloth, dj. Maecenas Press/Random House, [1969]. * Gettings, Frank. Raphael Soyer: Sixty-five Years of Printmaking. Wrappers. With compliments slip, signed by Soyer, laid in. Smithsonian Institution Press, 1982. * 5 wrapper bound volumes on Raphael Soyer art. * July, August 1982 edition of Horizon: The Magazine of the Arts, with cover art by Raphael Soyer. Various places: Various dates Some light edge wear; very good. (200/300)

455.  Steadman, Ralph. Sigmund Freud. 118 pp. Profusely illustrated by the author. 30x25.5 cm (11¾x10”), white cloth, lettered in silver, with attached black ribbon bookmark, boards slipcase. No. 47 of 98 copies. New York & London: Paddington Press, [1979] Signed in pencil by Steadman, and numbered on copyright page. A touch of shelf wear to slipcase; faint smudges to cloth; near fine. (300/500)

456. (Steadman, Ralph) Thompson, Hunter S. and Ralph Steadman, illustrator. The Curse of Lono. 195 pp. Mainly color illustrations by Ralph Steadman. Elephant Folio, white cloth with pictorial front cover, orange cloth slipcase with black print, in original publisher’s cardboard box. Book still in shrink wrap. No. 851 of 1000 copies. Cologne: Taschen, 2004 Limited edition of this Thompson work, with illustrations by Steadman. 2 modern color photographs of Thompson laid in. A few bumps to publisher’s cardboard box; else fine, book/ slipcase in original shrink wrap. (500/800)

457.  Stephens, James. The Crock of Gold. With 12 mounted color plates by Thomas Mackenzie. 27.5x19.5 cm (10¾x7¾”) finely bound by Cuneo in three-quarter green morocco and gold moiré silk, spine inlaid with tan morocco, lettered in gilt, gold moiré silk endleaves, top edge gilt. One of 525 copies printed on hand-made paper. London: Macmillan & Co., 1926 Signed by Stephens on the limitation-page. Fading to leather, light wear to corners; very good. (300/500)

PBA Galleries has an in-house shipping department ensuring your items arrive safely at reasonable cost.

Page 110 COMPREHENSIVE BOTANICAL BY STEPHENSON & CHURCHILL 458.  Stephenson, John, & James Morss Churchill. Medical Botany; Or, Illustrations and Descriptions of the medicinal Plants of the London, Edinburgh, and Dublin Pharmacopoeias. Comprising a Popular and Scientific Account of Poisonous Vegetables Indigenous to Great Britain. New Edition, Edited by G.T. Burnett. Three volumes. Unpaginated. 187 hand-colored engraved botanical plates (numbered 1 to 185, plus 2 unnumbered), 7 of which are double-page. (8vo) 24.3x15 cm (9½x6”), late 19th Century bindings by E. Riley of Tavistock Square, London, green half morocco and pebbled cloth boards, spines gilt, raised bands, marbled endpapers and edges. London: John Churchill, 1834, 35, 36 This comprehensive botanical describes and illustrates 185 species, with details on native habitat, medicinal properties, and other uses. Bookplate and photo postcard (showing tombstone of Carl Linnaeus, the “Father of modern taxonomy”) in Volume One; some light to moderate marginal water staining affecting the last several leaves and plates in Volume Two but otherwise plates largely clean and bright; bindings near fine. (2000/2500)

Lot 458

459. (Surveying) Hammond, John. The Practical Surveyor. Containing the Most Approved Methods for Surveying Lands and Waters, By the Several Instruments Now in Use... [2], viii, 182 pp. 16 page catalog of “Mathematical, Philosophical, and Optical Instruments, as made and sold by Thomas Heath and Tycho Wing” bound in at rear. Engraved frontispiece and 7 engraved folding plates at rear. (8vo) 20.5x13 cm (8x5¼”), period full calf. Fourth Edition. London: Heath and Wing, 1765 First published in 1725. this edition enlarged and revised by Samuel Warner. Leather a bit dry, joints and hinges cracked; paper a bit browned; very good. (400/600)

460. (Surveying) Love, John. Geodæsia: Or, The Art of Surveying and Measuring of Land Made Easy. [xx], 196, [16], 4, [36], 7, [1] pp. Woodcut diagrams within. (8vo) 20x12 cm (8x4¾”), period full calf. Fourth Edition. London: A. Bettesworth and C. Hitch, 1731 A very mathematical text, which contains many geometric diagrams, illustrating “by plain and practical rules, [how] to survey...reduce or divide any piece of land whatsoever...” Includes details on “How to lay out new lands in America, or elsewhere.” Binding dry and brittle, joints and hinges cracked, early owner’s name on rear endpaper; good. (300/500)

Page 111 461. (Surveying) Robertson J[ohn]. A Treatise of Such Mathematical Instruments as are Usually Put Into a Portable Case, Containing Their Various Uses in Arithmetic, Geometry, Trigonometry, Architecture, Surveying, Gunnery, etc. [2], xx, 188 pp. 9 engraved folding plates, including frontispiece. (8vo) 20x12.5 cm (8x5”), period full calf. Second Edition. London: Heath and Nourse, et al, 1757 Bound at the rear is a pamphlet on “The Construction and Use of a New Universal Dial, As now made by Heath and Wing, Mathematical and Optical Instrument Makers”. [2], 16 pp. 2 engraved folding plates. London, 1758. Scarce. Leather worn, covers detached; frontispiece detached, paper a bit browned, some faint staining; internally good. (300/500)

462.  Taylor, W.C. The History of Mohammedanism, and Its Sects; Derived Chiefly From Oriental Sources. xii, 400, +[20] ad pp. 4 woodcut plates. (12mo) 17x10.5 cm (6¾x4¼”), later three-quarter tan calf and mottled boards, gilt lettered spine labels, top edge gilt. First Edition. London: John W. Parker, 1834 Binding by Root & Son. Edges rubbed, short splits to joints, hinges starting; very good. (100/150)

463.  Temple, William. Sir William Temple Upon the Gardens of Epicurus, with other XVIIth Century Garden Essays. Introduction by Albert Forbes Sieveking. lxxii, 272, + 16 ad pp. Six plates. (16mo), original parchment-backed boards, spine lettered in red and black, top edge gilt. London: Chatto and Windus, 1908 Inscribed by Sieveking on the half title, and with a penciled note by him stating that this is one of 25 special copies. Light soiling to boards, endpapers foxed; very good. (150/250)

464.  Thucydides. The History of the Peloponnesian War, Translated from the Greek of Thucydides. 2 volumes. (8vo) period full calf, red leather spine labels. Philadelphia: Edward Earle, 1818 Early American edition of Thucydides. Translated and with preliminary essays by William Smith. Bindings rubbed; foxing, some faint staining; very good. (150/200)

ARCHITECTURE AND OTHER ALLIED ARTS 465.  Valadier, Giuseppe. L’architettura pratica dettata nella Scuola e Cattedra dell’insigne Accademia di S. Luca. 5 volumes. [4], 209, [1]; 198, [1]; 384; 192, [3]; 124 pp. With 321 copper-engraved plates (numbered I-XXXVIII, I-XIII, about 60 at the end of each volume). 30x22 cm. (11¾x8½”), disbound, with old, worn1 half cloth & boards folders. Rome: Per Societa Tipografica, 1828-1839 Rare treatise on practical architecture by Giuseppe Valadier (1762–1839), Italian architect and designer, urban planner and archeologist, and a chief exponent of Neoclassicism in Italy. Not only is architecture covered, but also allied arts such as smelting, all demonstrated in finely engraved plates. OCLC/WorldCat locates only two editions of the work that are not the modern reprint: a 4-volume edition (2 of text, 2 of plates), 1839, at the Canadian Centre for Architecture (with the plate count matching the edition offered here); and a 6-volume edition, 1831-32, with no plate count given, at the Getty Research Institute. Rubberstamps of E.F. Durang & Son to title-pages and occasionally elsewhere. Disbound, or never bound, the pages untrimmed and largely unopened, the untrimmed edges with some wear and occasional darkening, some pages, including the title, soiled or darkened, but overall in fairly nice condition, internally clean except for a few leaves. (700/1000)

Page 112 466.  Vasari, Giorgio. Lives of the Most Eminent Painters, Sculptors, and Architects. 5 volumes. Engraved portrait frontispiece in Volume I. Translated by Mrs. Jonathan Foster. (8vo) dark green blindstamped cloth, gilt-lettered spines. First complete edition in English. London: Henry G. Bohn, 1850-1852 From Bohn’s Standard Library, with advertisement for other books as endpapers. Lightly bumped at spine ends and corners; near fine. (300/500)

467.  Vollard, Ambroise. Paul Cezanne: His Life and Art. 205 pp. Plates of Cezanne’s art. (8vo) cloth-backed boards, printed paper spine label. First American Edition. New York: Nicholas L. Brown, 1923 Printed in France and Germany the same year. A touch of soiling; very good. (200/300)

468.  Watkins, John. Memoirs of the Public and Private Life of the Right Honorable Richard Brinsley Sheridan, With a Particular Account of His Family and Connexions. Two volumes in one. viii, 352, [1]; x, 398 pp. Three engraved portraits. (4to) 27x21 cm (10½x8¼”), full diced calf, black leather spine label. First Edition. London: Henry Colburn, 1817 Popular biography of the Irish-born playwright, owner of the Drury Lane theater, and member of the English House of Commons. Split to front joint with glue repair; light foxing; very good. (150/250)

469.  Watts, Alaric A. The Literary Souvenir; Or Cabinet of Poetry and Romance. - 2 annual issues. 2 volumes. xvi, 410, [10]; xxiv, 402, [6] pp. Additional engraved title pages and several engraved plates in each volume. (12mo) 13.5x8.5 cm. (5¼x3½”) original full green morocco, spines lettered in gilt, all edges gilt. London: Hurst, Robinson, and Co. / Longman, Rees, et al, 1826 & 1827 Charming annuals, with contributions by: Mrs. Hemans, Alaric Watts, Robert Southey, T.B. Sheridan, S.T. Coleridge, Washington Irving, Thomas Hood, Mary Howitt, etc. Bindings rubbed at corners; light foxing; very good. (150/250)

470. (Weather) Forster, Thomas. Researches about Atmospheric Phaenomena. xvi, 271, [1] pp. 6 aquatint plates, including black & white frontispiece and 5 color-tinted plates bound at rear. (8vo) later cloth- backed boards, hand-written paper spine label. Second Edition, corrected and enlarged. London: Baldwin, Cradock, and Joy, 1815 Various cloud formations are illustrated at rear, with five color tinted plates. The frontispiece illustrates halo star formations. A rare work. Moderate wear to boards and edges; foxed contents (only light foxed to plates); else very good. (400/700)

471. (Weather) Reid, W. An Attempt to Develop the Law of Storms by Means of Facts, Arranged According to Place and Time; And Hence to Point out a Cause for the Variable Winds, with the View to Practical Use in Navigation. [iv], 436 pp. Woodcut illustrations throughout, some diagrams, plus 10 folding maps at rear. (8vo) full black morocco, gilt-lettered spine. First Edition. London: John Weale, 1838 One of the pioneer studies of hurricanes, with ten maps at rear. Lightly rubbed and bumped volume edges; hinges cracked; lightly foxed, a few maps with stub tears; very good. (200/300)

Page 113 472. (Weather) Reid, W. An Attempt to Develop the Law of Storms by Means of Facts, Arranged According to Place and Time; And Hence to Point out a Cause for the Variable Winds, with the View to Practical Use in Navigation. viii, 572 pp. 10 folding maps at rear, plus 2 folding maps within text, other diagrams and woodcut illustrations within text. (8vo) library cloth-backed boards, spine lettered in gilt. Second Edition. London: John Weale, 1841 The second edition of one of the pioneer studies of hurricanes, with ten maps at rear. With bookplate of Officers’ Library Royal Marines Plymouth on front pastedown. External wear, corners exposed; contents foxed; very good. (150/250)

473. (Whittington Press) Craig, John, illustrator. The Locks of the Oxford Canal: A Journey from Oxford to Coventry. [10], xi, [48], [1] pp. Illustrated with 50 wood engravings by John Craig, with a folding chart in the back showing 3 side and 3 overhead views from woodcut drawings stamped in brown on blue paper; an extra suite of 12 woodcut plates by Craig inside a chemise folder; plus a frontispiece map showing the journey from Oxford to Coventry. 10¼x7½, special full red-brown Nigerian goatskin with a tan morocco pictorial inset cover label showing a black woodcut vignette, spine lettered in gilt, marbled endpapers, top edge gilt; with an extra suite of 12 woodcut plates on hand-made paper placed inside a brown linen chemise; all housed in the publisher’s brown linen slipcase with pictorial paper covers; bound by Woolnoughs. Copy No. XXIX of 43 hand-lettered copies in Roman numerals printed at the Whittington Press. First Edition. [Manor Farm, Andoversford, Gloucestershire]: The Whittington Press, [1984] Signed by the artist John Craig in the colophon. The extra suite of 12 plates each signed and dated 1984 by Craig in pencil with “AP” in the bottom right corner. Also, inscribed and signed by the printer on the title page to Art Stone. All in fine condition with a fine slipcase - scarce. (400/600)

474. (Whittington Press) . Five volumes published by the Wittington Press. Includes: * Mattioli’s Herbal: A Short Account of Its Illustrations, with a Print from the Original Woodblock. Cloth & boards, slipcase. No. 258 of 350 copies. [2003]. * Craig, John. Britten’s Aleburgh. Cloth & boards, slipcase. no. 274 of 352 copies with an enlarged linocut by John Craig. [1997]. * MacGregor, Miriam. Whittington: Aspects of a Cotswold Village. Cloth & boards, dust jacket, publisher’s envelope. No. 74 of 300 copies, signed by the MacGregor. [1991]. * MacGregor, Miriam. Diary of an Apple Tree. Boards, slipcase. No. 83 of 300 copies. [1997]. * Butcher, David. The Whittington Press: A Bibliography 1982-93. Cloth-backed boards, slipcase. No. 226 of 380 copies. [1996]. [Manor Farm, Andoversford, Gloucestershire]: The Whittington Press, Various dates Fine. (300/500)

475. (Whittington Press) Phipps, Howard. Further Interiors: Wood-Engravings by Howard Phipps. Color and black and white plates from wood-engravings. 26.5x19 cm. (10½x7½”), saddle-sewn blue wrappers, slipcase, both with hand-made paper label. No. 165 of 300 copies. [Manor Farm, Andoversford, Gloucestershire]: The Whittington Press, [1992] Signed by Howard Phipps at the colophon. Fine. (100/150)

Page 114 476. (Wilson, Adrian) Wilson, Joyce Lancaster, editor. The Work and Play of Adrian Wilson: A Bibliography with Commentary. Edited by Joyce Lancaster Wilson. Illustrated with facsimile leaves; ornaments & decorations in the text; tipped-in frontispiece portrait from a photograph by Ansel Adams. (Folio), brown morocco-backed linen; bound by the Schuberth Bookbindery. No. 74 of 325 copies printed on handmade paper by Adrian Wilson at the Press in Tuscany Alley. Austin: W. Thomas Taylor, 1983 With two related Book Club of California items laid in (with original mailing envelope). Fine. (300/500)

477. (Wood Lea Press) Greenwood, Jeremy. Omega Cuts. Woodcuts and linotypes by artists associated with the Omega Workshops and the Hogarth Press. 147 pp. Introduction by Judith Collins. With 16 tipped-in color plates and many black & white plates and text illustrations, one folding. (Folio) gray buckram, in buckram and board slipcase. 1 of 450 copies. First Edition. Woodbridge, Suffolk: Wood Lea Press, 1998 A beautifully produced history and catalogue of original prints made by artists associated with the Bloomsbury Group, including Vanessa Bell, [Dora] Carrington, Roger Fry, Henri Gaudier- Brzeska, Duncan Grant, E. McKnight Kauffer, etc. Provides an insightful account of the personalities and varying artistic skills of the individual engravers but also summarizes their development in modern times of the wood-& linoleum-cut. An essential work for anyone interested in the Bloomsbury Group or in book design and illustration in the early part of the 20th century. Fine. (100/150)

Page 115 Notes

Page 116 Notes

Page 117 Notes

Page 118 CONDITIONS OF SALE The property listed in this catalogue will be sold by PBA Galleries, Inc. (hereinafter Galleries) as agent for others upon the following terms and conditions as may be amended by notice or oral announcement at the sale:

1. All bids are to be per lot as numbered in the catalogue.

2. As used herein the term “bid price” means the price at which a lot is knocked down to the purchaser and the term “purchase price” means the aggregate of (a) the bid price (b) a premium of twenty percent (20%) of the bid price payable by the purchaser, and (c) unless the purchaser is exempt by law from the payment thereof, any California state or local sales tax except where sold to a purchaser outside of California and shipped to the purchaser.The Galleries have been authorized by the consignor to retain, as part of remuneration, the 20% premium payable by the purchaser.

3. Property auctioned by the Galleries is often of some age.Prospective bidders should personally inspect such property to determine its condition and whether it has been repaired or restored.Any information provided by the Galleries or its employees is for the convenience of bidders only and should not be relied upon. ALL PROPERTY IS SOLD “AS IS” AND NEITHER THE GALLERIES NOR THE CONSIGNOR MAKES ANY WARRANTIES OR REPRESENTATIONS OF ANY KIND OR NATURE WITH RESPECT TO THE PROPERTY OR ITS VALUE, MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE, OR WHETHER THE PURCHASER ACQUIRES ANY COPYRIGHTS.IN NO EVENT SHALL THE GALLERIES OR THE CONSIGNOR BE RESPONSIBLE FOR CORRECTNESS OF DESCRIPTION, GENUINENESS, ATTRIBUTION, PROVENANCE, AUTHENTICITY, AUTHORSHIP, COMPLETENESS, CONDITION OF THE PROPERTY OR ESTIMATE OF VALUE.NO STATEMENT (ORAL OR WRITTEN) IN THE CATALOGUE, AT THE SALE, OR ELSEWHERE SHALL BE DEEMED SUCH A WARRANTY OR REPRESENTATION, OR ANY ASSUMPTION OF RESPONSIBILITY.HOWEVER, notwithstanding this condition and subject to the further provisions of this paragraph as set forth below, property may be returned by the purchaser, the sale rescinded and the purchase price refunded under the following conditions: (1) printed books which prove upon collation to be defective in text or illustration (provided such defects are not indicated within the catalogue or at the sale), and (2) autographs which prove not to be genuine (if this can be demonstrated and if not indicated in the catalogue or at the sale).Printed books are not returnable for defects not affecting text and illustration, including, but not limited to, lack of half-titles, lists of plates, binder’s instructions, errata, blanks, or advertisements.No returns will be accepted unless written notice, by registered mail or receipted courier, is received by the Galleries within fourteen (14) days of the sale of the property and the property is returned in the same condition as it was at the time of sale.NO LOT IS RETURNABLE ON ACCOUNT OF PROPERTY INCLUDED BUT NOT SPECIFICALLY NAMED AND DESCRIBED IN SUCH LOT.LOTS CONTAINING THREE OR MORE TITLES, WHETHER NAMED OR UNNAMED, AND SELLING FOR ONE HUNDRED FIFTY ($150) OR LESS, EXCLUSIVE OF BUYER’S PREMIUM, ARE SOLD NOT SUBJECT TO RETURN FOR ANY REASON.

4.Photographs, prints and other fine art multiples are sold in compliance with California law, and the Galleries’ catalogue descriptions of such multiples conform to the applicable provisions of that law.

5. Any right of the purchaser under this agreement or under the law shall not be assignable and shall be enforceable only by the original purchaser and not by any subsequent owner or any person who shall subsequently acquire any interest. No purchaser shall be entitled to any remedy, relief or damages beyond return of the property, recision of the sale and refund of the purchase price; and, without limitation, no purchaser shall be entitled to damages of any kind.

Page 119 6. If we are prevented by fire, theft or any other reason whatsoever from delivering any property to the purchaser, our liability shall be limited to the sum actually paid by the purchaser.

7. Books and other property purchased are to be removed at the close of each Sale unless shipping instructions are received by the Galleries before such sale.If not removed, property will be held at the sole risk of the purchaser and no responsibility is assumed if such goods are lost, stolen, damaged, or destroyed.The Galleries will facilitate shipment of property to out-of-town purchasers at an additional packing charge plus carriage and insurance, but will not be responsible for any loss or damage resulting from the shipping thereof in excess of the amount of the insurance.

8. Payment terms:All items are to be paid for by (a) cash, (b) cashier’s check, (c)credit card, or (d) personal check with approved credit, and all accounts are due when bills are rendered. MERCHANDISE WILL BE SHIPPED AFTER PAYMENT HAS BEEN RECEIVED.

9. We reserve the right to reject a bid from any bidder.The highest bidder acknowledged by the auctioneer shall be the purchaser.In the event of any dispute between bidders, or in the event the auctioneer doubts the validity of any bid, the auctioneer shall have the sole and final discretion either to determine the successful bidder or to re-offer and resell the article in dispute. If any dispute arises after the sale, our sales records shall be conclusive in every respect.

10. Unless the Sale is advertised as a sale without reserve, each lot is offered subject to a reserve. MOST LOTS OFFERED BY THE GALLERIES HAVE A MINIMUM RESERVE OF ONE- HALF THE PRESALE LOW ESTIMATE .The Galleries do not accept reserves of more than the low estimate nor allow consignors to bid on their own items.

11. To prevent inaccuracy in delivery or inconvenience in the settlement of a purchase, no lot can be transferred.Each buyer must pay for the whole of his purchases before any lot can be removed.

12. As a service to clients unable to attend the Sale, we will accept absentee bids without charge in advance of the sale by telephone, mail, fax, email or in person.All bids must state the highest bid price the bidder is willing to pay.“Buy” bids are not accepted.Please check bid sheets carefully to make sure you have the correct lot numbers and that the sheet is legible.The Galleries reserve the right to refuse to undertake absentee bids, and shall in no event be responsible for failure to execute such bids or for any error that may occur when executing them.Unsuccessful absentee bids will not be acknowledged.

ALL SALES HELD BY PBA GALLERIES ARE CONDUCTED PURSUANT TO SECTION 2328 OF THE COMMERCIAL CODE AND SECTION 535 OF THE PENAL CODE OF THE STATE OF CALIFORNIA CONSIGNING BOOKS TO PBA GALLERIES The first step in consigning to PBA is to contact the Galleries, either by phone, fax, email or letter. It can then be determined whether the item or items under consideration would do well at auction. Following this, arrangements can be made for the delivery of the material to PBA. In the case of large consignments or libraries, a member of the staff may be able to view the books on location, and make arrangements for its transportation to PBA Galleries. Because of the costs involved, PBA discourages consignments with a total value of less than $1500. The frequency of auctions, and variety of subject matter, allows PBA Galleries to ensure quick turn-around time for items consigned. Books can appear at auction as quickly as 30 days and generally not more than 90 days following consignment. Commissions vary between 10% and 15%, depending on the selling price of an item.These commissions encompass all related costs including insurance, storage, cataloguing, illustrations, etc., except shipping. Payment is sent within 20 banking days of an auction.

Page 120 BId Sheet 133 Kearny Street, 4th Floor Sale #:______San Francisco, CA 94108 Sale Date:______Phone: (415) 989-2665 Fax: (415) 989-1664 www.pbagalleries.com

Name:______Bidder#:______Cust Id#______Company:______Shipping address (if different from mailing address) Address:______Address:______City:______State:______Zip:______City:______State:______Zip:_____

Is either a new address? Yes No

Day Phone:______Home Phone:______Cell:______

Email:______Fax:______

Are you a dealer purchasing for resale? Yes No (if yes) I hereby certify that all tangible personal property purchased by me will be for resale and is not subject to California Sales Tax, and that I hold Sellers Permit #______

1. PBA Galleries is hereby authorized to bid on the following lots up to the price stated. 2. All bids shall be treated as offers made subject to the Conditions of Sale. 3. These bids will not be executed unless this form is signed. 4. A 20% Buyer’s Premium will be charged on all lots sold.

PLEASE EXECUTE THESE BIDS ON MY BEHALF. ______SIGNATURE

CHECK HERE TO INCREASE BIDS BY ONE INCREMENT IN CASE OF TIE______

Please charge my credit card for my purchase: Visa Mastercard Discover Credit Card #:______Exp. Date:______Signature______Please use this card for all future purchases

LOT NUMBER LOT NUMBER LOT NUMBER In numerical order BID AMOUNT In numerical order BID AMOUNT In numerical order BID AMOUNT

Bid Increments $00 to $200...... $10 $2000 to $5000...... $250 $200 to $500...... $25 $5000 to $10,000. . . . . $500 $500 to $1000...... $50 $10,000 to $20,000. . . $1000 $1000 to $2000. . . . $100 $20,000 to $50,000. . . $2500 Note: Bids not matching the above increments will be rounded down to the nearest increment.

Page 121 Page 122 Offer Your Books at Auction through PBA Galleries

Rare manuscript in grand format of Werner History of the Expedition under the Command of Rare, complete copy of the 1613 folio edition Rolewinck's world history, Fasciculus temporum, Captains Lewis and Clark to the Sources of the of the King James Bible, with the double-page c.1471, one of 13 known examples, with lovely Missouri, 1814, the first edition of the official map of the Holy Land by John Speed. miniature paintings in gold leaf and colors. account of the most famous and most important Sold for $33,000 Sold for $102,000 expedition of exploration in U.S. history. Sold for $212,000

Rare Mormon hymnal from 1861 compiled by Isaac Newton's Analysis per Quantitatum Series, First edition of J.-B. Du Halde's massive Emma Hale Smith Bidaman, widow of 1711, published to demonstrate his claim to four-volume description of China, 1735, with LDS Church founder Joseph Smith. priority in the invention of the calculus. 65 maps and plates, most double-page. Sold for $16,800 Sold for $20,400 Sold for $22,800

Moby Dick; or, The Whale by Herman Melville. Second edition in English of Galileo's Fine example of William Eddy’s important Official First American edition of one of the most Mathematical Discourses, 1730, in the original Map of the State of California, 1854, folding into important novels of the 19th century. boards, untrimmed and uncut, a fine, the original red leather covers, very rare. Sold for $12,000 fresh copy, likely the finest obtainable. Sold for $39,000 Sold for $19,200

SPECIALISTS IN EXCEPTIONAL BOOKS & PRIVATE LIBRARIES AT AUCTION 133 Kearny Street : San Francisco, CA 94108 : www.pbagalleries.com : 415.989.2665

Page 123 Sale 507: South Sea: The Library of Dr. Richard Topel, Part II Thursday, May 30, 2013 at 11:00 am Pacific Time

A Voyage Towards the South Pole and Round The World, by Captain James Cook. First edition of Cook’s most famous voyage including the first suggestion of Antarctica. Estimate: $6,000/9,000

Narrative of the United States Exploring Expedition, by Charles Wilkes. Imperial octavo edition of 1845. Official account of the first US government expedition by sea. Estimate: $6,000/9,000

Preview Tuesday-Wednesday, May 28-29, 9:00 am to 5:00 pm Thursday, May 30, 9:00 am to 11:00 am

Catalogue available for viewing about two weeks before the auction at www.pbagalleries.com.

133 Kearny Street 4th Floor:San Francisco, CA 94108 phone: 415.989.2665 toll free : 1.866.999.7224 fax: 415.989.1664 [email protected] : www.pbagalleries.com Page 124