The Midlands Essential Entertainment Guide
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Five Children and It
Pathé FIVE CHILDREN AND IT Press pack Released Friday 15 October 2004 - Scotland Only Released Friday 22 October 2004 - Nationwide For further information please contact: Emily Carr [email protected] Victoria Keeble [email protected] Bella Gubay [email protected] 020 7426 5700 Pathé FIVE CHILDREN AND IT Press pack Capitol Films and the UK Film Council present in association with the Isle of Man Film Commission and in association with Endgame Entertainment a Jim Henson Company Production a Capitol Films / Davis Films Production Written by: David Solomons Produced by: Nick Hirschkorn Lisa Henson Samuel Hadida Directed by: John Stephenson FIVE CHILDREN AND IT Cast List It .............................................................................. Eddie Izzard Cyril......................................................................... Jonathan Bailey Anthea...................................................................... Jessica Claridge Robert ...................................................................... Freddie Highmore Jane.......................................................................... Poppy Rogers The Lamb................................................................. Alec & Zak Muggleton Horace...................................................................... Alexander Pownall Uncle Albert............................................................. Kenneth Branagh Martha...................................................................... Zoë Wanamaker Father...................................................................... -
LOVE BIRDS (102 Min) Directed by Paul Murphy Starring Rhys Darby, Sally Hawkins, Emily Barclay
REVIEW: THE LOVE BIRDS (102 min) Directed by Paul Murphy Starring Rhys Darby, Sally Hawkins, Emily Barclay After playing wingman to Flight of the Conchords and salesman for many others (as well as appearances in Jim Carrey's Yes Man and Brit comedy The Boat That Rocked), Rhys Darby finally gets a film to call his own. While his post-Murray screen career has largely depended on his FOTC role or his manic stand-up persona, here, he's the straight guy in a very straight movie. Though the film gives him a lame, if very cute, duck as a sidekick, chirpy goofy English actress Sally Hawkins as a love interest and a Queen soundtrack which does threaten to turn this into We Will Rock You: The Movie. But the songs generate some of the biggest laughs in what is an endearingly funny, if sugar-coated local romantic comedy. And one which seems to have a surfeit of supporting characters, and a weak opening among its flaws. Oh and some intrusive product placement. It is a very nice advertisement for Auckland too, though it might be best to see it outside the city where your fellow cinema patrons aren't cooing "'oooh look Northcote" to each other. And in one memorable scene it puts a fine case for a cycle lane on the harbour bridge. With his various comic foils, web-footed and otherwise, it allows Darby to restrain himself and carry the film as its romantic lead, one who doesn't have much in common with Hugh Grant, as has been the film's sales pitch, but whoe resembles a distant cousin to Hugh Jackman. -
THAT BLOODY WOMAN by Luke Di Somma and Gregory Cooper in Association with the Court Theatre Thanks to Our Supporters
Vol. 2 No. 6 June 2016 THAT BLOODY WOMAN by Luke Di Somma and Gregory Cooper In association with The Court Theatre thaNKS TO OUR SUppORTERS S IPAL NC I R FUNDER P NG ti NERS T EN R S CORE FUNDER PA RE P sity NER T R VER I FUNDER PA UN Artistic S R Director's Note tE J O R OR A M pp Artistic Director Colin McColl U S t's our great pleasure to present Many thanks to our colleagues the Auckland premiere of That at The Court Theatre Christchurch S Bloody Woman by Luke Di Somma for joining us as presenting partners IA NER T I and Gregory Cooper. of That Bloody Woman. The show will R MED PA When I saw That Bloody Woman in play an eagerly awaited return season its first showing at the Christchurch in Christchurch after this Auckland Arts Festival last year I knew season. Thanks, too, to our fabulous S NG immediately I had to find a way cast, band and creative team. Director ti NER T to bring the show to Auckland Kip Chapman, set designer Rachael R POR P audiences. It is such a good Walker, costume designer Lisa Holmes PA U S night at the theatre: great music, and lighting designer Brendan Albrey outrageously well sung, provocative have all relished the opportunity Q Theatre lyrics and feisty characters. The to upscale the production from its S SKYCITY Theatre inspired idea to present the story intimate Spiegeltent setting to the big NER T Herald Theatre of Kate Sheppard and her flock (in SKYCITY stage, as have our amazingly R PA Selwyn College Theatre, Kohimarama their struggles to secure the vote for talented cast and musicians, led by 2016 VENUE The Civic women in NZ) as a punk rock opera Esther Stephens as an inspired Kate projects the story out of its colonial Sheppard. -
A Sheffield Hallam University Thesis
Reflections on UK Comedy’s Glass Ceiling: Stand-Up Comedy and Contemporary Feminisms TOMSETT, Eleanor Louise Available from the Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/26442/ A Sheffield Hallam University thesis This thesis is protected by copyright which belongs to the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Please visit http://shura.shu.ac.uk/26442/ and http://shura.shu.ac.uk/information.html for further details about copyright and re-use permissions. Reflections on UK Comedy’s Glass Ceiling: Stand-up Comedy and Contemporary Feminisms Eleanor Louise Tomsett A thesis submitted in partial fulfilment of the requirements of Sheffield Hallam University for the degree of Doctor of Philosophy October 2019 Candidate declaration: I hereby declare that: 1. I have not been enrolled for another award of the University, or other academic or professional organisation, whilst undertaking my research degree. 2. None of the material contained in the thesis has been used in any other submission for an academic award. 3. I am aware of and understand the University's policy on plagiarism and certify that this thesis is my own work. The use of all published or other sources of material consulted have been properly and fully acKnowledged. 4. The worK undertaKen towards the thesis has been conducted in accordance with the SHU Principles of Integrity in Research and the SHU Research Ethics Policy. -
Shakespeare on Film, Video & Stage
William Shakespeare on Film, Video and Stage Titles in bold red font with an asterisk (*) represent the crème de la crème – first choice titles in each category. These are the titles you’ll probably want to explore first. Titles in bold black font are the second- tier – outstanding films that are the next level of artistry and craftsmanship. Once you have experienced the top tier, these are where you should go next. They may not represent the highest achievement in each genre, but they are definitely a cut above the rest. Finally, the titles which are in a regular black font constitute the rest of the films within the genre. I would be the first to admit that some of these may actually be worthy of being “ranked” more highly, but it is a ridiculously subjective matter. Bibliography Shakespeare on Silent Film Robert Hamilton Ball, Theatre Arts Books, 1968. (Reissued by Routledge, 2016.) Shakespeare and the Film Roger Manvell, Praeger, 1971. Shakespeare on Film Jack J. Jorgens, Indiana University Press, 1977. Shakespeare on Television: An Anthology of Essays and Reviews J.C. Bulman, H.R. Coursen, eds., UPNE, 1988. The BBC Shakespeare Plays: Making the Televised Canon Susan Willis, The University of North Carolina Press, 1991. Shakespeare on Screen: An International Filmography and Videography Kenneth S. Rothwell, Neil Schuman Pub., 1991. Still in Movement: Shakespeare on Screen Lorne M. Buchman, Oxford University Press, 1991. Shakespeare Observed: Studies in Performance on Stage and Screen Samuel Crowl, Ohio University Press, 1992. Shakespeare and the Moving Image: The Plays on Film and Television Anthony Davies & Stanley Wells, eds., Cambridge University Press, 1994. -
ACORN ANTIQUES- the Musical
ACORN ANTIQUES- The Musical Theatre Royal Haymarket from January 31st for 6 weeks. First night 10 February, 2005 Author: Victoria Wood; Director: Trevor Nunn; Producer: Phil McIntyre Entertainments; Designer: Les Brotherton; Choreographer: Stephen Mear; Lighting Designer: Andrew Bridge; Costume Designer: Stephen Brimson- Lewis; Sound: Paul Groothuis; Orchestrations: Chris Walker; Musical Director: Nick Finlow Starring Victoria Wood, Julie Walters, Celia Imrie, Duncan Preston, Josie Lawrence and Neil Morrisey; CAST • Julie Walters - Bo Beaumont/Mrs Overall • Victoria Wood - Bo Beaumont/Mrs Overall (some performances) • Celia Imrie - Mrs Babs • Duncan Preston - Mr Clifford • Sally Ann Triplett - Miss Berta • Josie Lawrence - Donna/Ms Teny • Neil Morrissey - John/Tony • Gareth Bryn - Steve/Hugh • Jenna Boyd - Mimi • Lorraine Chappell - Suzi • Daniele Coombe - Sally/Mrs Wellbelove • Paul Grunert - Vic/Mr Watkins • Sidney Livingstone - Ken/Mr Minchin • Jill Martin - Lynn/Christine • Carl Sanderson - Brian/Mr Furlong • Myra Sands - Barbara/Miss Willoughby • David Shaw Parker - Tom/Mr Stillman/Derek • Nicola Sloane - Pip/Miss Cuff • John Stacey - Alan/Postman • Swings - Shaun Henson; Hilary O'Neil A musical version of the very successful tv series based in the busy antiques shop in Manchesterford. Wrinkly tights, coconut macaroons, eye shadow and Mrs Overall’s home-made sherry are all visibly waiting in the wings STORY Since the TV Soap Acorn Antiques has long been unceremoniously axed, unable to compete with the likes of Celebrity Breast Implants From Hell, the principals have been reunited to turn the soap into a musical at the Enoch Powell Arts Centre in Sutton Coldfield. The cast of the axed TV soap, down on their luck and looking for work, have found themselves performing in an experimental opera taking a bleak look at modern Britain. -
Strictly Dating Gossip
Jul 20, · Go behind the glitterball with all of the latest news, features and interviews from BBC One’s award-winning Strictly Come Dancing Along with all the gossip from hosts Tess Daly and Claudia. Strictly Come Dancing is a British TV dance contest where celebrities partner with professional dancers. They compete mainly with ballroom and Latin dance. Each . Nov 27, · Of course, it's not unheard of for couples to find love on Strictly Come Dancing; winners Stacey Dooley and Kevin Clifton are currently dating, as . Get the latest updates on Strictly Come Dancing here, from the judges to when it kicks off on BBC One. Strictly Come Dancing: the hottest romances. 11 Jul , am Comment: Alan Bennett's joyful humour hasn't dated in the least – so why did Talking Heads feel so nostalgic? Nov 27, · Strictly Come Dancing has had its fair share of romances since its inception in Last year, many contestants and professional dancers hit the headlines both during and after the show. Strictly Come Dancing can be unpredictable at times but one thing is guaranteed every year: there will always be rumours about backstage romances and the 'Strictly curse'.. But one couple who have. Famous Strictly Gossip, Facts And Mishaps. Strictly has been remade in other 40 countries around the world and the reality show was named the world’s most successful reality television format in the Guinness Book of Records. Ratings for the show are incredibly high and it’s been reported that electricity use in the country rises. Soon after Strictly finished, Cacace announced her separation from fellow dancer Vincent Simone and confirmed she and Di Angelo were dating. -
Newsletter 15/07 DIGITAL EDITION Nr
ISSN 1610-2606 ISSN 1610-2606 newsletter 15/07 DIGITAL EDITION Nr. 212 - September 2007 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 3 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 15/07 (Nr. 212) September 2007 editorial Hallo Laserdisc- und DVD-Fans, schen und japanischen DVDs Aus- Nach den in diesem Jahr bereits liebe Filmfreunde! schau halten, dann dürfen Sie sich absolvierten Filmfestivals Es gibt Tage, da wünscht man sich, schon auf die Ausgaben 213 und ”Widescreen Weekend” (Bradford), mit mindestens fünf Armen und 214 freuen. Diese werden wir so ”Bollywood and Beyond” (Stutt- mehr als nur zwei Hirnhälften ge- bald wie möglich publizieren. Lei- gart) und ”Fantasy Filmfest” (Stutt- boren zu sein. Denn das würde die der erfordert das Einpflegen neuer gart) steht am ersten Oktober- tägliche Arbeit sicherlich wesent- Titel in unsere Datenbank gerade wochenende das vierte Highlight lich einfacher machen. Als enthu- bei deutschen DVDs sehr viel mehr am Festivalhimmel an. Nunmehr siastischer Filmfanatiker vermutet Zeit als bei Übersee-Releases. Und bereits zum dritten Mal lädt die man natürlich schon lange, dass Sie können sich kaum vorstellen, Schauburg in Karlsruhe zum irgendwo auf der Welt in einem was sich seit Beginn unserer Som- ”Todd-AO Filmfestival” in die ba- kleinen, total unauffälligen Labor merpause alles angesammelt hat! dische Hauptstadt ein. Das diesjäh- inmitten einer Wüstenlandschaft Man merkt deutlich, dass wir uns rige Programm wurde gerade eben bereits mit genmanipulierten Men- bereits auf das Herbst- und Winter- offiziell verkündet und das wollen schen experimentiert wird, die ge- geschäft zubewegen. -
The Performance of Intersectionality on the 21St Century Stand-Up
The Performance of Intersectionality on the 21st Century Stand-Up Comedy Stage © 2018 Rachel Eliza Blackburn M.F.A., Virginia Commonwealth University, 2013 B.A., Webster University Conservatory of Theatre Arts, 2005 Submitted to the graduate degree program in Theatre and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Chair: Dr. Nicole Hodges Persley Dr. Katie Batza Dr. Henry Bial Dr. Sherrie Tucker Dr. Peter Zazzali Date Defended: August 23, 2018 ii The dissertation committee for Rachel E. Blackburn certifies that this is the approved version of the following dissertation: The Performance of Intersectionality on the 21st Century Stand-Up Comedy Stage Chair: Dr. Nicole Hodges Persley Date Approved: Aug. 23, 2018 iii Abstract In 2014, Black feminist scholar bell hooks called for humor to be utilized as political weaponry in the current, post-1990s wave of intersectional activism at the National Women’s Studies Association conference in San Juan, Puerto Rico. Her call continues to challenge current stand-up comics to acknowledge intersectionality, particularly the perspectives of women of color, and to encourage comics to actively intervene in unsettling the notion that our U.S. culture is “post-gendered” or “post-racial.” This dissertation examines ways in which comics are heeding bell hooks’s call to action, focusing on the work of stand-up artists who forge a bridge between comedy and political activism by performing intersectional perspectives that expand their work beyond the entertainment value of the stage. Though performers of color and white female performers have always been working to subvert the normalcy of white male-dominated, comic space simply by taking the stage, this dissertation focuses on comics who continue to embody and challenge the current wave of intersectional activism by pushing the socially constructed boundaries of race, gender, sexuality, class, and able-bodiedness. -
The Corner Shop PR Current Projects 2017
The Corner Shop PR Current Projects 2017 Contents The Book of Mormon ................................................................................................................. 3 Disney’s The Lion King .............................................................................................................. 3 Matilda The Musical .................................................................................................................. 4 Aladdin ....................................................................................................................................... 5 Dreamgirls ................................................................................................................................. 7 An American in Paris ................................................................................................................. 8 The Ferryman .......................................................................................................................... 10 Hull UK City of Culture 2017 ................................................................................................... 10 The Birthday Party ................................................................................................................... 13 Long Day’s Journey Into Night ................................................................................................ 14 Venus in Fur ............................................................................................................................ -
Diverse on Screen Talent Directory
BBC Diverse Presenters The BBC is committed to finding and growing diverse onscreen talent across all channels and platforms. We realise that in order to continue making the BBC feel truly diverse, and improve on where we are at the moment, we need to let you know who’s out there. In this document you will find biographies for just some of the hugely talented people the BBC has already been working with and others who have made their mark elsewhere. It’s the responsibility of every person involved in BBC programme making to ask themselves whether what, and who, they are putting on screen reflects the world around them or just one section of society. If you are in production or development and would like other ideas for diverse presenters across all genres please feel free to get in touch with Mary Fitzpatrick Editorial Executive, Diversity via email: [email protected] Diverse On Screen Talent Directory Presenter Biographies Biographies Ace and Invisible Presenters, 1Xtra Category: 1Xtra Agent: Insanity Artists Agency Limited T: 020 7927 6222 W: www.insanityartists.co.uk 1Xtra's lunchtime DJs Ace and Invisible are on a high - the two 22-year-olds scooped the gold award for Daily Music Show of the Year at the 2004 Sony Radio Academy Awards. It's a just reward for Ace and Invisible, two young south Londoners with high hopes who met whilst studying media at the Brits Performing Arts School in 1996. The 'Lunchtime Trouble Makers' is what they are commonly known as, but for Ace and Invisible it's a story of friendship and determination. -
Brief Encounter
NOËL COWARD’S BRIEF ENCOUNTER STUDY PACK “I’m not very keen on Hollywood…I’d rather have a nice cup of cocoa really” - Noël Coward Highlights Of A Life And Career 1899 16 December, Noël Peirce Coward born in Teddington, Middlesex, eldest surviving son of Arthur Coward, piano salesman and Violet. His early circumstances were of refined suburban poverty. 1907 First public appearances in school and community concerts. 1908 Family moved to Battersea and took in lodgers. 1911 First professional appearance as Prince Mussel in The Goldfish, produced by Lila Field at the Little Theatre and revived in same year at Crystal Palace and Royal Court Theatre. Cannard, the page-boy, in The Great Name at the Prince of Wales Theatre and William in Where the Rainbow Ends with Charles Hawtrey’s Company at the Savoy Theatre. 1912 Directed The Daisy Chain and stage-managed The Prince’s Bride at Savoy in series of matinees featuring the work of the children of the Rainbow cast. Mushroom in An Autumn Idyll ballet, Savoy. 1913 An angel (Gertrude Lawrence was another) in Basil Dean’s production of Hannele. Slightly in Peter Pan, Duke of York’s. 1914 Toured in Peter Pan. Collaborated with fellow performer Esmé Wynne on songs, sketches, and short stories. Coward as a teenager 1915 Admitted to sanatorium for tuberculosis. 1916 Five-month tour as Charley in Charley’s Aunt. Walk-on in The Best of Luck, Drury Lane. Wrote first full-length song, ‘Forbidden Fruit’. Basil Pycroft in The Light Blues, produced by Robert Courtneidge, with daughter Cicely also in cast, Shaftesbury.