The Renovation of Miller Chapel by JAMES F
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Church Building Terms What Do Narthex and Nave Mean? Our Church Building Terms Explained a Virtual Class Prepared by Charles E.DICKSON,Ph.D
Welcome to OUR 4th VIRTUAL GSP class. Church Building Terms What Do Narthex and Nave Mean? Our Church Building Terms Explained A Virtual Class Prepared by Charles E.DICKSON,Ph.D. Lord Jesus Christ, may our church be a temple of your presence and a house of prayer. Be always near us when we seek you in this place. Draw us to you, when we come alone and when we come with others, to find comfort and wisdom, to be supported and strengthened, to rejoice and give thanks. May it be here, Lord Christ, that we are made one with you and with one another, so that our lives are sustained and sanctified for your service. Amen. HISTORY OF CHURCH BUILDINGS The Bible's authors never thought of the church as a building. To early Christians the word “church” referred to the act of assembling together rather than to the building itself. As long as the Roman government did not did not recognize and protect Christian places of worship, Christians of the first centuries met in Jewish places of worship, in privately owned houses, at grave sites of saints and loved ones, and even outdoors. In Rome, there are indications that early Christians met in other public spaces such as warehouses or apartment buildings. The domus ecclesiae or house church was a large private house--not just the home of an extended family, its slaves, and employees--but also the household’s place of business. Such a house could accommodate congregations of about 100-150 people. 3rd-century house church in Dura-Europos, in what is now Syria CHURCH BUILDINGS In the second half of the 3rd century, Christians began to construct their first halls for worship (aula ecclesiae). -
The Capital Sculpture of Wells Cathedral: Masons, Patrons and The
The Capital Sculpture of Wells Cathedral: Masons, Patrons and the Margins of English Gothic Architecture MATTHEW M. REEVE For Eric Fernie This paper considers the sculpted capitals in Wells cathedral. Although integral to the early Gothic fabric, they have hitherto eluded close examination as either a component of the building or as an important cycle of ecclesiastical imagery in their own right. Consideration of the archaeological evidence suggests that the capitals were introduced mid-way through the building campaigns and were likely the products of the cathedral’s masons rather than part of an original scheme for the cathedral as a whole. Possible sources for the images are considered. The distribution of the capitals in lay and clerical spaces of the cathedral leads to discussion of how the imagery might have been meaningful to diCerent audiences on either side of the choir screen. introduction THE capital sculpture of Wells Cathedral has the dubious honour of being one of the most frequently published but least studied image cycles in English medieval art. The capitals of the nave, transepts, and north porch of the early Gothic church are ornamented with a rich array of figural sculptures ranging from hybrid human-animals, dragons, and Old Testament prophets, to representations of the trades that inhabit stiC-leaf foliage, which were originally highlighted with paint (Figs 1, 2).1 The capitals sit upon a highly sophisticated pier design formed by a central cruciform support with triple shafts at each termination and in the angles, which oCered the possibility for a range of continuous and individual sculpted designs in the capitals above (Fig. -
Landmarks Preservation Commission September 19, 2006; Designation List 380 LP-2201
Landmarks Preservation Commission September 19, 2006; Designation List 380 LP-2201 STATEN ISLAND SAVINGS BANK BUILDING, 81 Water Street, Staten Island. Built 1924-1925; Architects, Delano & Aldrich. Landmark Site: Staten Island Borough Tax Map Block 521, Lot 28. On May 16, 2006, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the Staten Island Savings Bank and the proposed designation of the related Landmark Site (Item No. 2). The hearing had been duly advertised in accordance with the provisions of law. Five speakers including representatives of City Councilmember Michael E. McMahon, the Historic Districts Council, Society for the Architecture of the City, Municipal Art Society and Preservation League of Staten Island testified in favor of this designation. A representative of the owner asked the Landmarks Preservation Commission to defer action until recommendations for the overall reinvestment plan for Stapleton is finalized in autumn 2006. Summary The neo-Classical style Staten Island Savings Bank was constructed on the prominent corner of Water and Beach Streets in downtown Stapleton in 1924-25. Designed by the nationally-significant firm of Delano & Aldrich (and one of only a few buildings attributed to Aldrich), it is an important example of twentieth-century Italian Renaissance-inspired neo- Classicism in Staten Island. The architects took advantage of the acute angle of the site to create a dramatic entrance of a colonnaded portico with a fish-scaled cast-lead dome. The facades reflect the interior plan, with rusticated limestone and tall arched windows defined by Tuscan pilasters for the public banking area and ashlar limestone for the administrative offices. -
Liturgical Architecture: the Layout of a Byzantine Church Building
Liturgical Architecture: The Layout of a Byzantine Church Building Each liturgical tradition has its own requirements and expectations for the liturgical space; here, we will look at the St. Nicholas Church building and its symbolism in the Byzantine tradition. The nave The most ancient plan of Christian architecture is probably the basilica, the large rectangular room used for public meetings, and many Byzantine churches today are organized around a large liturgical space, called the nave (from the Greek word for a ship, referring to the ark of Noah in which human beings were saved from the flood). The nave is the place where the community assembles for prayer, and symbolically represents the Church "in pilgrimage" - the Church in the world. It is normally adorned with icons of the Lord, the angels and the saints, allowing us to see and remember the "cloud of witnesses" who are present with us at the liturgy. At St. Nicholas, the nave opens upward to a dome with stained glass of the Eucharist chalice and the Holy Spirit above the congregation. The nave is also provided with lights that at specific times the church interior can be brightly lit, especially at moments of great joy in the services, or dimly lit, like during parts of the Liturgy of Presanctified Gifts. The nave, where the congregation resides during the Divine Liturgy, at St. Nicholas is round, representing the endlessness of eternity. The principal church building of the Byzantine Rite, the Church of Holy Wisdom (Hagia Sophia) in Constantinople, employed a round plan for the nave, and this has been imitated in many Byzantine church buildings. -
Pst Calendar of Programs 2009–2010
ptsCalendar of Programs 2009–2010 [3] ACADEMICWORSHIP SERVICES AND CEREMONIES ACADEMIC CEREMONIES AND WORSHIP SERVICES September 20, 2009: Opening Convocation for the 2009–2010 Academic Year Miller Chapel, 8:00 p.m. Speaker: Robert C. Dykstra, Charlotte W. Newcombe Professor of Pastoral Theology Dear Alumni/ae and Friends of Princeton Seminary: September 21, 2009: Opening Communion Service for the 2009–2010 Academic Year Miller Chapel, 11:30 a.m. The programs listed in this booklet represent the richness and diversity of Preacher: Beverly Roberts Gaventa, Helen H.P. Manson Professor academic and spiritual life on the Princeton Seminary campus. The Seminary of New Testament Literature and Exegesis exists to serve the church and the wider community, and I warmly invite you to Presiding: Iain R. Torrance, president and professor of patristics worship with us, to participate in alumni/ae and continuing education events, and to attend lectures and concerts throughout the year. This booklet is a May 21, 2010: Baccalaureate complete listing of all campus events as of the date it was printed; for more Nassau Presbyterian Church events and updated information, including registration and cost for some events, please visit www.ptsem.edu. I look forward to seeing you on campus. May 22, 2010: Commencement Exercises Princeton University Chapel Rosemary Catalano Mitchell, Class of 1977 Vice President for Seminary Relations The Seminary community worships daily in Miller Chapel at 11:30 a.m. Monday through Friday when classes are in session. Alumni/ae and friends are cordially invited to worship God with the community. FALL FILM FESTIVAL FALL FILM FESTivaL Shakespeare at Princeton Seminary TaBLE OF CONTENTS These events are open to alumni/ae and to the public free of charge. -
Historic Murray Hill Walking Tour
AN ARCHITECTURAL WALKING TOUR OF MURRAY HILL HE TOUR BEGINS on the south side of the intersection of an iron fence on the 35th Street side. The 1864 brownstone struc- 23. 149 East 36th Street. A distinctive Georgian style house with TPark Avenue and 37th Street. See #1 on map to begin tour. ture is distinguished by the high arched bays and arched entrance circular-headed multi-paned windows on the parlor floor. An asterisk ( ) next to the number indicates that the building is a porch. The spire was added in 1896. The church interior features 24. 131 East 36th Street. A brownstone converted into a Parisian New York City* Landmark; the year of designation is also included. stained-glass windows by William Morris, Edward Burne-Jones, townhouse by the famous owner/architect William Adams Delano. 1. “Belmont,” Robert Murray House Site. The two-story stone Louis Comfort Tiffany and John La Farge; the oak communion It is characterized by the tall French doors on the second floor and house stood until a fire in 1835, facing east on the present intersec- rail was carved by Daniel Chester the rusticated faux stone at the ground floor. French. tion of Park Avenue and 37th Street. Verandas ran around three 25. 125 East 36th Street. This well preserved narrow brownstone 11. sides of the Georgian-style building and from a roof deck one could * The Collectors Club, 22 East was the first home of newlyweds Franklin and Eleanor Roosevelt, see a magnificent view of Manhattan. The grounds were sur- 35th Street (New York City who moved in following their European honeymoon in 1905. -
Nave Plans Reflect Years of Listening, Revising
February 2019 | Issue No. 125 A presence Sacred in the center of Memphis Photo by Fleming Architects In the plan for the chancel, the high altar moves closer to the people, and the Communion rail at the base of the stairs defines the new perimeter. The flooring adds a clean finish to the worship space. Nave Plans Reflect years of Listening, Revising nnual meetings at Church of the Holy Communion are in muted shades of gray and white, adds a clean, cool finish to Abusy, boisterous times when the parish discusses its business the floors and aisle. and accomplishments. The improvements include the narthex, now an underused An awed quiet fell over the room in this year’s meeting when and poorly lit entry, the unseen heating and cooling systems in Sandy pulled back the cloth on the stunning views of what the attic and dated bathrooms near the front door. The flooring architect Scott Fleming says is possible for the nave. extends to the narthex. Natural light streams through new The nave is awash in a gentle light that highlights its graceful windows in both the east and west doors of the narthex and arches, creamy walls and ceiling. The chancel, where so many through a newfound transom over the church’s front doors. sacred moments in the life of this church family happen, is open Flooding the entry with natural light and creating windows and more accessible. The high altar is closer to the people. And the in the back wall of the church immediately connects people communion rail, where the faithful gather each week, is moved to arriving for church to the sacred beauty of the central place of the base of the chancel stairs, creating a more flexible space. -
The Cathedral Close
Welcome. No matter your background, your faith, or your reason for visiting, we welcome you to Washington National Cathedral. Each year, the Cathedral opens its doors to hundreds of thousands of worshipers and visitors who come to find peace and inspiration, listen to beautiful music, and experience the 1 2 2 north rose south rose 4 5 5 6 7 8 8 9 Cathedral’s extraordinary art and architecture. CATHEDRAL ART AND ARCHITECTURE Built of Indiana limestone, the Cathedral is the sixth largest in Main Level (the Nave) 4 A tribute to those who have served in our armed forces, the 7 At the east end of the Cathedral nave is the HIGH 9 The Cathedral’s great iconographic story—the movement i The artwork in the BAPTISTRY depicts symbols the world. Its design is unique and not copied from any earlier art of WAR MEMORIAL CHAPEL tells stories of sacrifice ALTAR. One-hundred-and-ten figures of men and women of humankind from creation to redemption—begins outside representing baptism. A nearby elevator provides building. The building is shaped like a cross, with a long nave— 30 minutes—highlights and the struggle for freedom. exemplifying the highest ideals of Christianity surround at the WEST FAÇADE. The art here explores themes of wheelchair access to the lower level. the central figure of Christ in Majesty, completing the creation. The carved tympana above three massive portals a tenth of a mile—and two shorter transepts. Follow the numbered items to tour the “must see” highlights A statue of the Christ Child welcomes visitors to memorial bays—north 5 iconographic story with the redemption of humankind show the creation of day, the creation of humankind, and the of the Cathedral’s art and architecture. -
Susan Delano Mckelvey and the Arnold Arboretum
A Life Redeemed: Susan Delano McKelvey and the Arnold Arboretum Edmund A. Schofield Fleeing a broken marriage in middle age, a wealthy New York socialite came to Boston and created a wholly new life as botanist at the Arnold Arboretum Towards the end of the First World War there Arboretum-perhaps as a means of forgetting came to the Arnold Arboretum a thirty-six- her marital troubles. She wanted to study year-old woman whose life had just fallen to landscape architecture, too. In any event, pieces. To be sure, she could command re- "The Professor," as she came to call Sargent, sources to cushion the fall that no ordinary set her to washing clay pots in the person could-great wealth, family name, Arboretum’s greenhouses, to test her resolve. social prominence-but those resources had Presently, at Sargent’s urging, she began to been powerless to prevent it. A native of study the plants on the grounds of the Arbo- Philadelphia, a graduate of Bryn Mawr Col- retum and in its greenhouses under the tute- lege, and a member of New York’s social elite lage of William H. Judd (1861-1949), who was (she was, for example, a cousin of President- the Arboretum’s propagator. to-be Franklin Delano Roosevelt), the woman Early on, she took a particular interest in had married a New York attorney in 1907, set- the lilac collection, just then under develop- tling into a comfortable life on Long Island as ment. For the next four and a half decades, in wife, mother, andsocialite. -
ADSF2502.Pdf
Among the Deep;Sea Fishers Vol. xxv JULY. 1927 No. Contents WILLIAM ADAMS DELANO FrOllti,p'ect THE NEW MEDICAL ERA AT ST ANTHONY lIlu.stralf'd Herbert Tbrelkeld-Edwards "LET US DO GOOD TO ALL MEN" Wilfred T. Grtnfell ",8 THE YEAR'S WORK IN REVIEW 50 A GREAT DONATION Hllrry L. Paddon WILLIAM ADAMS DELANO Theodore Ain,worth Greene " HOW STORES AND SUPPLIES ARE HAN- " DLED AT ST. ANTHONY A. C. Blackburn THE MEN BEHIND THE SCENES fIla-.''''!'' 66" NEW DEVELOPMENTS IN LABRADOR W. T. G CHILDREN'S PAGE lIlu"',aud " A Rag Doll That Saved a Life " Beverly Makes Chrislmaa for Others The; Newfoundl.and Filhery Behind tbe Seelltl .t the Hospital THE CHILDREN'S HOME AT ST ANTHONY 1II1U1,arra Eliubelh Beyer TWO DECADES AT THE ST. ANTHONY SCHOOL Frances E. Baier PLANS FOR DR. GRENFELL'S 19'1-38 LECTURE TOUR 13 A TENDERJo'OOT IN LABRADOR-II Harry Lawrence WIlbur TO VOLUNTEERS-NEW AND OLD The Editor " STAFF AND VOLUNTEER WORKERS-Senon 1917 "77 A TRIBUTE TO THE DENTAL VOLUNTEERS. W. T. G. WHAT THE YOUNG PEOPLE WRITE 8," ASSOCIATION ITEMS New England Grenfell Anociation " The Grenfell Auocialion of Newfoundland MESSAGES FROM THE NURSING STATIONS 8, ANIMAL HUSBANDRY EXPERIMENTS AT THE MISSION 1lI"WI...t .. NEWS FROM ST. ANTHONY A. C. Blackburn 8, ON FURLOUGH.. Dr. Harry L. Paddon 86 STORY OF THE 19'15 P. & S. UNIT, LABRADOR /lilLI/mud Marshall Smith 88 THROUGH ENGLAND WITH DR. GRENFELL 1lIU5lrlll('a "The Man on Ihe Box" FROM DAY TO DAY AT GORDON COVE Frncn W. -
Nasaau Church History
A Brief Account of the Heritage and Creation Of Nassau Presbyterian Church Princeton, New Jersey In colonial Princeton, Presbyterians had to travel to either Lawrenceville or Kingston to worship. After the College of New Jersey (now Princeton University) moved to Princeton in 1756, regular worship services were held in the Prayer Room of the newly-constructed Nassau Hall. A few years later an agreement was reached with the college for the construction of a church building. The First Presbyterian Church of Princeton was founded in 1766 and met on the site where worship continues today. John Witherspoon, President of the College, began 25 years of serving also as pastor of First Church in 1768. The church building was occupied by both British and American soldiers during the Revolution. The pews and galleries were stripped for firewood and burned in a makeshift fireplace inside the sanctuary. After the war, the devastated building was restored and services resumed in 1784. The original building burned to the ground in 1813 when a sexton accidentally stored live coals in a closet. It was rebuilt in eight months, but that building was destroyed by fire in 1835 when a skyrocket fired in celebration of Independence Day landed on the roof. The original portion of the present building was designed and built by Charles Steadman and dedicated in 1836. During construction, most of the congregation met in the new Princeton Theological Seminary Chapel. The history, however, is not all to be celebrated. In the time of sanctuary construction, ninety African-American members worshiped separately. After the church was built, there continued a separation that led to the formation of Witherspoon Street Presbyterian Church in 1846. -
In Memoriam, William Miller Paxton, DD, LL.D., 1824-1904
3n JHemoriam * WILLIAM MILLER PAXTON, D.D., LL.D. 1824-1904 FIINEEAL AND MEMORIAL DISCOURSES WITH APPENDIXES AND NOTES NEW YORK 1905 VN UUbl c^xv.^^ ^JUt iOL^fX^^Z^-^ TABLE OF CONTENTS PACK Address at the Funeral SERvacES by the Eev. John De Witt, D.D., LL.D 7 Memorial Discourse by the Rev. Benjamin B. Warpield, D.D, LL.D 17 Appendix I From the Rev. Dr. Thomas K. Davis, Wooster, Ohio ... 53 II From the Eev. Dr. S. F. Scovel, Wooster, Ohio 56 HI From the Rev. Dr. Oscar A. Hills, Wooster, Ohio .... 66 IV From the Rev. Dr. W. W. McKinnet, Philadelphia ... 70 V From the Rev. Dr. W. B. Noble, Los Angeles, Calitornia . 73 VI From the Eev. Dr. Thomas A. McCurdt, Wilmington, Delaware 75 VII From the Rev. Dr. John W. Dinsmore, San Josfi, Calitornia 78 VIII From the Eev. Dr. Robert E. Booth, New York 81 IX From the Rev. Dr. F. F. Ellinwood, New York 83 X From the Eev. Dr. Chauncey T. Edwards, Portville, New York 85 SI From the Rev. Dr. Be.vjamin L. Hobson, Chicago .... 87 Notes I Dr. Paxton's Ancestry 91 n Chief Facts in Dr. Paxton 's Life 91 m Dr. Paxton 's Churches 92 IV Dr. Paxton 's Publications 93 v Dr. Paxton in the Presbytery of Carlisle 97 VI Dr. Paxton at Pittsburgh 100 vn Dr. Paxton at the Western Theological Seminary . 104 VIII Dr. Paxton at the First Church, New York 105 IX Dr. Paxton and Union Theological Seminary 108 X Dr. Paxton 's Resignation from Princeton Theological Seminary 108 XI Dr.