2017•RAVINIA.ORG•847-266-5100R20170728
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Dennis Chambers
IMPROVE YOUR ACCURACY AND INDEPENDENCE! THE WORLD’S #1 DRUM MAGAZINE FUSION LEGEND DENNIS CHAMBERS SHAKIRA’S BRENDAN BUCKLEY WIN A $4,900 PEARL MIMIC BLONDIE’S PRO E-KIT! CLEM BURKE + DW ALMOND SNARE & MARCH 2019 GRETSCH MICRO KIT REVIEWED NIGHT VERSES’ ARIC IMPROTA FISHBONE’S PHILIP “FISH” FISHER THE ORIGINAL. ONLY BETTER. The 5000AH4 combines an old school chain-and-sprocket drive system and vintage-style footboard with modern functionality. Sought-after DW feel, reliability and playability. The original just got better. www.dwdrums.com PEDALS AND ©2019 Drum Workshop, Inc. All Rights Reserved. HARDWARE 12 Modern Drummer June 2014 LAYER » EXPAND » ENHANCE HYBRID DRUMMING ARTISTS BILLY COBHAM BRENDAN BUCKLEY THOMAS LANG VINNIE COLAIUTA TONY ROYSTER, JR. JIM KELTNER (INDEPENDENT) (SHAKIRA, TEGAN & SARA) (INDEPENDENT) (INDEPENDENT) (INDEPENDENT) (STUDIO LEGEND) CHARLIE BENANTE KEVIN HASKINS MIKE PHILLIPS SAM PRICE RICH REDMOND KAZ RODRIGUEZ (ANTHRAX) (POPTONE, BAUHAUS) (JANELLE MONÁE) (LOVELYTHEBAND) (JASON ALDEAN) (JOSH GROBAN) DIRK VERBEUREN BEN BARTER MATT JOHNSON ASHTON IRWIN CHAD WACKERMAN JIM RILEY (MEGADETH) (LORDE) (ST. VINCENT) (5 SECONDS OF SUMMER) (FRANK ZAPPA, JAMES TAYLOR) (RASCAL FLATTS) PICTURED HYBRID PRODUCTS (L TO R): SPD-30 OCTAPAD, TM-6 PRO TRIGGER MODULE, SPD::ONE KICK, SPD::ONE ELECTRO, BT-1 BAR TRIGGER PAD, RT-30HR DUAL TRIGGER, RT-30H SINGLE TRIGGER (X3), RT-30K KICK TRIGGER, KT-10 KICK PEDAL TRIGGER, PDX-8 TRIGGER PAD (X2), SPD-SX-SE SAMPLING PAD Visit Roland.com for more info about Hybrid Drumming. Less is More Built for the gigging drummer, the sturdy aluminum construction is up to 34% lighter than conventional hardware packs. -
Cancelan Senadores Equipos De Fotomulta
Iniciarán con Garbage y Blondie, juntos en México; 5 mil millones las bandas se presentarán el 14 de agosto renovación de en el Palacio de los Deportes >31 transporte >10 $10 PESOS Jueves 9 de marzo de 2017 DIARIOIMAGEN Año XI No. 3074 México [email protected] Día de la Mujer Cancelan EPN llama senadores a combatir equipos de el machismo fotomultas en México Entre gritos de apoyo de los automovilistas, los El presidente Enrique Peña senadores Mario Delgado, Nieto llamó a todos los de Morena, y Mariana actores del país a com- Gómez del Campo, del batir todas las PAN, cancelaron varios expresiones del equipos de fotomultas en machismo... >13 la Ciudad de México, al considerarlos un El dato atraco para los automovilistas El secretario de >9 Comercio de Estados Unidos, Wilbur Ross, DðUPʼnTXHODV SOÀWLFDVGHUHQHJRFLDFLʼnQ del TLC con México *\LU[HZJSHYHZHÄYTH1VZt4HUa\Y y Canadá iniciarán a ðQDOHVGHHVWHDŅR\ probablemente >11 GXUDUÀQXQDŅR Edomex cumplirá en tiempo HOY ESCRIBEN Roberto Vizcaíno >7 Ramón Zurita >6 Víctor Sánchez Baños >10 y forma observaciones de ASF Francisco Rodríguez >14 Augusto Corro >5 Secretarios general de Gobierno y de Finanzas comparecen ante J. A. López Sosa >11 Comisiones de Planeación y Gasto Público, y de Finanzas Públicas Salvador Estrada >12 Freddy Sánchez >9 Por José Luis Montañez de Gobierno, José Manzur Qui- propio gobierno estatal solicitó roga, y de Finanzas, Joaquín esta audiencia para detallar Gloria Carpio >31 El Estado de México cuen- Castillo Torres, al comparecer las observaciones realizadas Victoria G. Prado >16 ta con un manejo honesto, ante diputados locales que in- por la Auditoría Superior de la transparente y responsable de tegran las Comisiones Unidas Federación (ASF), las cuales diarioimagen.net los recursos públicos, enfoca- Legislativas de Planeación y están siendo atendidas como GRDEHQHÀFLDUDODVIDPLOLDV Gasto Público, y de Finanzas marca la ley, y así mexiquenses, coincidieron en Públicas. -
Date Event Casino 7/19 Comedian Dave Landau Diamond Jo
Current as of July 17, 2017 Date Event Casino 7/19 Comedian Dave Landau Diamond Jo Dubuque 7/19 GAYLE BECWAR Hard Rock Hotel & Casino 7/19 BLONDIE & GARBAGE - THE RAGE AND RAPTURE TOUR Harrah's Council Bluffs 7/20 KESHA AND THE CREEPIES WITH SPECIAL GUEST ATLAS GENIUS Harrah's Council Bluffs 7/21 HARD ROCK COUNTRY MUSIC FESTIVAL PRE-PARTY FT. CODY JOHNSON W/ Hard Rock Hotel & Casino 7/21 GOORANDALL GOO KINGDOLLS & WITHBEN GRILLET SPECIAL GUEST PHILLIP PHILLIPS Harrah's Council Bluffs 7/21 Casey Muessignmann Prairie Meadows 7/22 HARD ROCK COUNTRY MUSIC FESTIVAL: BILLY CURRINGTON, CHASE RICE, Hard Rock Hotel & Casino 7/22 DASHBOARDWHISKEY MYERS, CONFESSIONAL MICHAEL TYLER WITH & THE FILMORE ALL-AMERICAN REJECTS Harrah's Council Bluffs 7/22 Lexi Parr & the Rubyblondes Prairie Meadows 7/26 Comedian Christine Stedman Diamond Jo Dubuque 7/26 TIM GAITHER Hard Rock Hotel & Casino 7/27 CHRIS YOUNG Harrah's Council Bluffs 7/28 Lady Luck Diamond Jo Worth 7/28 CLASSIC 99 BLOCK PARTY: BRET MICHAELS W/ GREAT WHITE & SLAUGHTER Hard Rock Hotel & Casino 7/28 Ken Valdez Prairie Meadows 7/29 Lady Luck Diamond Jo Worth 7/29 Danny Whitson Band Prairie Meadows 7/29 Home Free **Sold Out** Wild Rose Resort - Emmetsburg 8/2 Comedian Michael Joiner Diamond Jo Dubuque 8/4 Jake McVey Diamond Jo Worth 8/4 The Lacs Hard Rock Hotel & Casino 8/4 PAT BENATAR & NEIL GIRALDO WITH SPECIAL GUEST NIGHT RANGER Harrah's Council Bluffs 8/4 Ratt Wild Rose Resort - Jefferson 8/5 Jake McVey Diamond Jo Worth 8/5 Travis Tritt Wild Rose Resort - Jefferson 8/6 PAT BENATAR & NEIL GIRALDO -
Kauffman Center for the Performing Arts Announces Rock Show Double-Header to Kick Off Kauffman Center Presents 2017-2018 Season
NEWS RELEASE Contact: FOR IMMEDIATE RELEASE Bess Wallerstein Huff, Director of Marketing Monday, February, 13, 2017 Kauffman Center for the Performing Arts (816) 994-7229 | [email protected] KAUFFMAN CENTER FOR THE PERFORMING ARTS ANNOUNCES ROCK SHOW DOUBLE-HEADER TO KICK OFF KAUFFMAN CENTER PRESENTS 2017-2018 SEASON Blondie & Garbage: The Rage and Rapture Tour to stop at Muriel Kauffman Theatre on July 18 Kansas City, MO – The first announced show of its 2017-18 Kauffman Center Presents season will feature two quintessential rock ‘n’ roll acts. Blondie & Garbage: The Rage and Rapture Tour will perform for one night in Muriel Kauffman Theatre on Tuesday, July 18. Tickets for the show range from $79 to $149, and go on sale to the public at 10 a.m. Friday, February 24. Tickets will be available through the Kauffman Center Box Office at (816) 994-7222, via the Kauffman Center mobile app, or online at www.kauffmancenter.org. ABOUT BLONDIE Singer-songwriter Debbie Harry, guitarist and co-writer Chris Stein, powerhouse drummer Clem Burke and their band- mates in the punk/new wave band Blondie are undeniable pop icons, their sound and sensibility as fresh as when they first topped the charts in the late 1970s. Since their groundbreaking 1978 album Parallel Lines, the members of Blondie have always been a forward-thinking – and forward-moving – group. Their brand of cross-genre rock has spawned hits including “Call Me,” “Rapture,” and “Heart of Glass,” bringing underground sounds into the mainstream. Blondie’s 11th studio album, Po11inator, is out in May. ABOUT GARBAGE Hailing from Madison, WI, Garbage is guitarist Duke Erikson, drummer Butch Vig, guitarist Steve Marker and lead singer Shirley Manson. -
THE INTERNATIONAL MAGAZINE of the AVEDIS ZILDJIAN COMPANY Welcome To
ZL326 THE INTERNATIONAL MAGAZINE OF THE AVEDIS ZILDJIAN COMPANY welcome to Z Time2011 edition issue 33 2011 Z Time Page two News & Events Page six Greatest Cymbal of All Time Page ten Legends Page fourteen Gen 16 Craigie Zildjian Page sixteen On the Road Page twenty Moving Forward Product Info Intro There are so many exciting new things going on here at Zildjian that I couldn’t wait to share this year’s Z-Time with you. 2011 represents our breakthrough into the digital Page twenty-one music making realm. Our new Gen16 product line is the result of our effort to bring our Cast Cymbals knowledge of cymbals and their sounds to the modern digital environment. You can learn more about this initiative on pages 14 and 15 or at our new website www.zildjian.com. Page fifty-five Sheet Cymbals Whether your music making is acoustic, digital, or both, our desire is to be there no matter where your music takes you. I sincerely hope you enjoy the journey. Page sixty-one Drumsticks Best regards, Page sixty-five Gear Page sixty-eight Scrapbook Craigie & Debbie Zildjian Contributing photographers: Sayre Berman Hadas Naoju Nakamura John Stephens cover artist: Volker Beushausen Heinz Kronberger Kacper Diana Nitschke Levi Tecofsky Dominic Howard - Joris Bulckens Kaminski Jimmy Katz Mario Pires Melissa Terry Muse Tina Korhonen Bernard Rosenberg Andreas Ulvo James Cumpsty photo: Calum Doris Scott Legato Tao Ruspoli JonVanDaal Richard Ecclestone Robert Downs Hyejin, Lee Bianca Scharroo Neil Zlozower Sergey Dudin H.J Lee Ronny Sequeira Ludwig Drums graphic designer: M.v.d. -
UCLA UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title Hypermeter and Phrase Structure in Selected Works by Stravinsky, Crumb, and Adams Permalink https://escholarship.org/uc/item/8044m9c0 Author Young, Samuel M Publication Date 2018 Supplemental Material https://escholarship.org/uc/item/8044m9c0#supplemental Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Hypermeter and Phrase Structure in Selected Works by Stravinsky, Crumb, and Adams A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Music by Samuel Martin Young 2018 © Copyright by Samuel Martin Young 2018 ABSTRACT OF THE DISSERTATION Hypermeter and Phrase Structure in Selected Works by Stravinsky, Crumb, and Adams by Samuel Martin Young Doctor of Philosophy in Music University of California, Los Angeles, 2018 Professor Ian Krouse, Co-Chair Professor David Samuel Lefkowitz, Co-Chair This dissertation studies the occurrence of hypermeter—the extension of metric organization beyond the measure level—in twentieth-century music. Meter is the hierarchical framework against which the listener relates melodic complexes on the musical surface, and this metric foundation is key to the listener’s understanding of the musical fabric as a whole. While many theorists have discussed the relationship between musical surface and metric structure in Classical- and Romantic-era music, the rhythmic and structural underpinning of twentieth- century repertoires has received far less attention. In the tonal music of the Common Practice period, meter was relatively stable, but metric structure became increasingly complex in the twentieth century, with repertoires that avoid regularity across musical parameters. -
GRW-July-2017-Web.Pdf
WATCH FOR THE GRAND OPENING OF OUR NEW 200,000+ SQ. FT. SHOWROOM THIS SUMMER COME TEST DRIVE THE ALL NEW 5 SERIES SHEER DRIVING PLEASURE 954-527-3800 | 1400 S. Federal Highway | Fort Lauderdale, FL 33316 www.LauderdaleBMWofFtLauderdale.com TAKE YOUR CHECKING TO THE NEXT LEVEL. Direct Deposit via ACH plus 5 or more qualifying transactions Direct Deposit via ACH plus 3 or 4 qualifying transactions Direct Deposit via ACH plus 1 or 2 qualifying transactions Vertical Rewards Checking from BankUnited—a checking account that lets you earn rewards up to 1.00% APY.* HOW TO QUALIFY TO EARN REWARDS QUALIFYING TRANSACTIONS INCLUDE: During the Introductory Period (the first 3 statement cycles following • Additional Direct Deposits via ACH account opening), a direct deposit via ACH must post to your account • Automatic Debits via ACH each statement cycle to receive interest rate rewards of 1.00% APY • Point of Sale Transactions using on daily collected balances up to and including $250,000. a BankUnited VISA® Debit Card • Checks posting to and clearing from After the Introductory Period, your interest rate rewards on daily your account collected balances up to and including $250,000 will be determined as follows for each statement cycle: • Direct deposit via ACH plus 5 or more qualifying transactions = 1.00% APY PLEASE CONTACT ME • Direct deposit via ACH plus 3 or 4 qualifying transactions = 0.66% APY TO OPEN YOUR ACCOUNT • Direct deposit via ACH plus 1 or 2 qualifying transactions = 0.33% APY TODAY! SEBASTIAN CANNATA 954-609-3818 [email protected] *A Vertical Rewards Checking Account (the “Account”) is a variable interest rate account. -
Kauffman Center for the Performing Arts (816) 994-7229 | [email protected]
NEWS RELEASE Contact: FOR IMMEDIATE RELEASE Bess Wallerstein Huff, Director of Marketing Monday, March 13, 2017 Kauffman Center for the Performing Arts (816) 994-7229 | [email protected] KAUFFMAN CENTER FOR THE PERFORMING ARTS ANNOUNCES TWO NEW CONCERTS Michael McDonald and Boz Scaggs perform June 17 Mary Chapin Carpenter and special guest Sarah Jarosz perform July 26 Kansas City, MO – Today, the Kauffman Center for the Performing Arts announced two new concerts in the Kauffman Center Presents series. Classic rock standouts Michael McDonald and Boz Scaggs will perform in Muriel Kauffman Theatre on Saturday, June 17. Both musicians made their names as members of legendary rock groups and have since enjoyed successful solo careers. McDonald sang with Steely Dan and was a member of The Doobie Brothers. Scaggs spent time as lead singer for the Steve Miller Band. Tickets for the event range from $59 to $139, and go on sale to the public at 10 a.m. Friday, March 24. Folk and country singer-songwriter Mary Chapin Carpenter will be joined by special guest Sarah Jarosz on Wednesday, July 26 in Muriel Kauffman Theatre. Carpenter is a five-time GRAMMY Award-winner and Nashville Songwriters Hall of Fame inductee. Jarosz took home this year’s GRAMMY awards for Best American Roots Performance and Best Folk Album. Tickets for the event range from $29 to $69, and go on sale to the public at 10 a.m. Friday, March 24. Tickets will be available through the Kauffman Center Box Office at (816) 994-7222, via the Kauffman Center mobile app, or online at www.kauffmancenter.org. -
Claimed Studios Self Reliance Music 779
I / * A~V &-2'5:~J~)0 BART CLAHI I.t PT. BT I5'HER "'XEAXBKRS A%9 . AFi&Lkz.TKB 'GMIG'GCIKXIKS 'I . K IUOF IH I tt J It, I I" I, I ,I I I 681 P U B L I S H E R P1NK FLOWER MUS1C PINK FOLDER MUSIC PUBLISH1NG PINK GARDENIA MUSIC PINK HAT MUSIC PUBLISHING CO PINK 1NK MUSIC PINK 1S MELON PUBL1SHING PINK LAVA PINK LION MUSIC PINK NOTES MUS1C PUBLISHING PINK PANNA MUSIC PUBLISHING P1NK PANTHER MUSIC PINK PASSION MUZICK PINK PEN PUBLISHZNG PINK PET MUSIC PINK PLANET PINK POCKETS PUBLISHING PINK RAMBLER MUSIC PINK REVOLVER PINK ROCK PINK SAFFIRE MUSIC PINK SHOES PRODUCTIONS PINK SLIP PUBLISHING PINK SOUNDS MUSIC PINK SUEDE MUSIC PINK SUGAR PINK TENNiS SHOES PRODUCTIONS PiNK TOWEL MUSIC PINK TOWER MUSIC PINK TRAX PINKARD AND PZNKARD MUSIC PINKER TONES PINKKITTI PUBLISH1NG PINKKNEE PUBLISH1NG COMPANY PINKY AND THE BRI MUSIC PINKY FOR THE MINGE PINKY TOES MUSIC P1NKY UNDERGROUND PINKYS PLAYHOUSE PZNN PEAT PRODUCTIONS PINNA PUBLISHING PINNACLE HDUSE PUBLISHING PINOT AURORA PINPOINT HITS PINS AND NEEDLES 1N COGNITO PINSPOTTER MUSIC ZNC PZNSTR1PE CRAWDADDY MUSIC PINT PUBLISHING PINTCH HARD PUBLISHING PINTERNET PUBLZSH1NG P1NTOLOGY PUBLISHING PZO MUSIC PUBLISHING CO PION PIONEER ARTISTS MUSIC P10TR BAL MUSIC PIOUS PUBLISHING PIP'S PUBLISHING PIPCOE MUSIC PIPE DREAMER PUBLISHING PIPE MANIC P1PE MUSIC INTERNATIONAL PIPE OF LIFE PUBLISHING P1PE PICTURES PUBLISHING 882 P U B L I S H E R PIPERMAN PUBLISHING P1PEY MIPEY PUBLISHING CO PIPFIRD MUSIC PIPIN HOT PIRANA NIGAHS MUSIC PIRANAHS ON WAX PIRANHA NOSE PUBL1SHING P1RATA MUSIC PIRHANA GIRL PRODUCTIONS PIRiN -
The Search for the "Manchurian Candidate" the Cia and Mind Control
THE SEARCH FOR THE "MANCHURIAN CANDIDATE" THE CIA AND MIND CONTROL John Marks Allen Lane Allen Lane Penguin Books Ltd 17 Grosvenor Gardens London SW1 OBD First published in the U.S.A. by Times Books, a division of Quadrangle/The New York Times Book Co., Inc., and simultaneously in Canada by Fitzhenry & Whiteside Ltd, 1979 First published in Great Britain by Allen Lane 1979 Copyright <£> John Marks, 1979 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner ISBN 07139 12790 jj Printed in Great Britain by f Thomson Litho Ltd, East Kilbride, Scotland J For Barbara and Daniel AUTHOR'S NOTE This book has grown out of the 16,000 pages of documents that the CIA released to me under the Freedom of Information Act. Without these documents, the best investigative reporting in the world could not have produced a book, and the secrets of CIA mind-control work would have remained buried forever, as the men who knew them had always intended. From the documentary base, I was able to expand my knowledge through interviews and readings in the behavioral sciences. Neverthe- less, the final result is not the whole story of the CIA's attack on the mind. Only a few insiders could have written that, and they choose to remain silent. I have done the best I can to make the book as accurate as possible, but I have been hampered by the refusal of most of the principal characters to be interviewed and by the CIA's destruction in 1973 of many of the key docu- ments. -
Aspects of Closure in the Music of John Adams by Catherine Pellegrino
Aspects of Closure in the Music of John Adams Author(s): Catherine Pellegrino Source: Perspectives of New Music, Vol. 40, No. 1 (Winter, 2002), pp. 147-175 Published by: Perspectives of New Music Stable URL: http://www.jstor.org/stable/833551 Accessed: 06-07-2017 19:51 UTC REFERENCES Linked references are available on JSTOR for this article: http://www.jstor.org/stable/833551?seq=1&cid=pdf-reference#references_tab_contents You may need to log in to JSTOR to access the linked references. JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://about.jstor.org/terms Perspectives of New Music is collaborating with JSTOR to digitize, preserve and extend access to Perspectives of New Music This content downloaded from 198.199.32.254 on Thu, 06 Jul 2017 19:51:20 UTC All use subject to http://about.jstor.org/terms ASPECTS OF CLOSURE IN THE MUSIC OF JOHN ADAMS CATHERINE PELLEGRINO NE OF THE MOST IMMEDIATE impressions I get of the works of John Adams from the early- to mid-1980s is the sense of closure-or the lack thereof-that comes at the end of a work. The last bars of Grand Pianola Music (1981-2), for instance, sound crashingly final, even though the very end itself is abrupt and unprepared. -
AS Level Performance Studies Topic Exploration Pack (John Adams)
Performance Studies A LEVEL Performance Studies: John Adams Topic Exploration Pack September 2015 www.ocr.org.uk Topic Exploration Pack We will inform centres about any changes to the specification. We will also publish changes on our website. The latest version of our specification will always be the one on our website (www.ocr.org.uk) and this may differ from printed versions. Copyright © 2015 OCR. All rights reserved. Copyright OCR retains the copyright on all its publications, including the specifications. However, registered centres for OCR are permitted to copy material from this specification booklet for their own internal use. Oxford Cambridge and RSA Examinations is a Company Limited by Guarantee. Registered in England. Registered company number 3484466. Registered office: 1 Hills Road Cambridge CB1 2EU OCR is an exempt charity. 2 www.ocr.org.uk AS Level Performance Studies Contents John Adams Teacher Resource Pack ............................................................................................. 4 Background ..................................................................................................................................... 5 Adams’ Works ................................................................................................................................. 5 Fingerprints of Adams’ Style ........................................................................................................... 7 Influences ......................................................................................................................................