lykke li i never learn download free – I Never Learn. Includes free download code to the digital album. Gatefold sleeve. 12-page lyrics booklet. ℗ & © 2014 LL Recordings under exclusive license to Warner Music UK Limited for the world excluding Sweden, Norway, Denmark, Finland and Iceland and Warner Music Sweden AB for Sweden, Norway, Denmark, Finland and Iceland. Made in the U.S.A. Mixed at Music and Words Studio. Recorded in Stockholm by Hans Stenlund, Gustav Lindelöw, Viktor Bälter-Lundin, Nille Perned, Björn Yttling and Lasse Mårtén at INGRID, Studio Spegeln, Music and Words and Decibel Studios. Recorded in Los Angeles by Greg Kurstin, Julian Burg and Alex Pasco at Echo Studio, by Laura Sisk at Sonora Studios and by , Kieron Menzies and Trevor Yasuda at The Green Building. Lykke Li Reveals Everything on New Album "I Never Learn": Q&A. L ykke Li emerged on the music scene six years ago as a mysterious, free-floating ingénue, all black eye shadow and delicate swoon, her dainty vocals breathing life into lyrics about loneliness and detachment over hand-claps and raging, almost tribal drums. In the time since, the now-28- year-old Swedish singer-songwriter has released a pair of critically acclaimed and steadily built a rabid fanbase as well as a a reputation as a mystical, mesmerizing performer. Still, as she prepares to release her third album, the bare, heartbreaking I Never Learn — an album the singer views as the final installment in a trilogy of LPs chronicling the search for love — Li believes she must continue fighting for respect. “I will always be the underdog,” she tells TIME in a wide-ranging conversation that touches upon the songstress’ sonic left-turn of a new album, being unfairly labeled as a “pop” artist and the benefits of throwing back a few bottles of wine before performing. TIME: Was it always your intention to have I Never Learn be the conclusion of a trilogy of albums? It was. I signed a three-album [deal] when I was about 21. So I knew that I had embarked on this journey and that there was no turning around. I’m interested in a lot of different sounds and types of music. Instrumental music or voodoo music or purely singer-songwriter [material]. So, on this album, I was like, “I want to do something completely different.” But I felt like, “No, I have to finish what I started.” What’s been the overarching theme of your first three albums? I’ve been trying to chronicle a woman in her twenties and her search for love and herself. I think everything in life comes in threes: heartbreak and all that. You’ve got to do the full round in order to learn. With I Never Learn now complete, can you move on? Yeah. In a good way. I do think it just coincides with my age, too. I feel like a lot of people, when they turn 30, it’s like the beginning of another chapter. It’s symbiotic. This album, though, is different than its predecessors. It’s so bare, and it’s some of your most personal and revealing material. I’ve always been a person that is searching for truth and always wants to go further, deeper. So it’s just natural for me to try and go as deep as I possibly could. And strip away. It’s almost like you go hunting. The thing is, when I was writing it, I just did it for myself. I was feeling all of this. And I didn’t know any other way but to write about it. I didn’t think that anyone would ever hear it. I made a really private [album]. Also, the type of art that I can relate to and that’s changed me is the most revealing and personal. I think it always has to be personal if it’s going to be great. And if it’s going to be able to reach someone else you have to reveal part of yourself. I think what’s been probably the most hard thing is to do interviews, because I have a tendency [to be] real honest. And that can get a bit too much. It must be hard to dissect your own craft. It is really hard. But at the same time I have to stand for the art that I did. And I can’t start lying now. I made an agreement with myself to be as honest as I possibly could. It would be strange for me to start lying and say like ‘Oh, this song is about someone else.’ It’s almost like I only know how to be honest. Being that your music is so singular, is it frustrating see it labeled “pop”? I think any type of label frustrates me. It’s hard being labeled as a woman. But what I’m trying to do with my art is not label it. And search. Search for truth. Search for meaning. Search for the unexpected. Search for mystery. So yeah, it’s hard when people put you in a box, and all you try to do is break out of that box. It’s doubly funny that your music is labeled as “pop” seeing that you grew up with no TV, no Internet, literally no pop culture references at all. That’s the thing: it’s weird because whatever music I do it comes very naturally to me. It’s not like I’m trying to replicate something. I’m simply just following my intuition. And especially because growing up, I didn’t have anything: I hardly had any toys. I guess what that allowed me to do was it gave me a lot of imagination and freedom. And that’s what I always look for in life too. So that’s why it can be hard to live life because it can be so restricting, you know? Touring can be also be a tough pill to swallow — especially given the fact that every night you’re performing such highly emotional songs. The time onstage is very lovely. It’s a lovely thing to be dealing with real material. It’s almost like when you do a play by Tennessee Williams: the lighting is so pure and so great. So it is great material, you know? But I guess what’s difficult is the life around me. So that’s why it’s really important for me to have my band close to me and people that I trust and people that I’ve known for a long time. It can also help me to let off some steam after the show. What puts you in a good headspace before performing? Drinking three bottles of wine. My favorite thing in the world is to have just a big dinner with friends and just sit and talk about their life and their difficulties and all of that. Are you able to get a firm grasp on your growing popularity as an artist? Not at all! I’m so unaware of anything. I’m the exact same person that I’ve always been. And I have pretty much the same habits. And I have no idea if I’m popular or not. I will always be the underdog. Always a dreamer. I Never Learn. Inspired by a cross-continental move following a painful breakup, Lykke Li's ballad-heavy I Never Learn is for the times when heartbreak is so life-affirming that you want to share the feeling with the world. Featured Tracks: If you’re unsure of why Lykke Li named her third album I Never Learn , the last four songs leave nothing to the imagination: “Love Me Like I’m Not Made of Stone”, “Never Gonna Love Again”, “Heart of Steel”, “Sleeping Alone”. The titles alone feel like disclaimers—are you willing to live life on these terms? It's worth noting, then, that Lykke Li moved over 5,400 miles from her native Sweden to Los Angeles at the age of 28 after the most painful breakup of her life. It hardly matters that almost none of us will experience anything like that; what is important is that many of us have endured the kind of heartbreak that made it feel like your old self is halfway across the planet. But if you’ve ever just secretly hoped your life could inspire such romantic ideals of romantic failure, wish fulfillment doesn’t come more potent than I Never Learn . I Never Learn is both spartan and expansive; it's Li’s most ambitious and shortest album, at nine songs and 33 minutes. This is widescreen drama meant to hit with direct and precise impact, so the operative term for advance singles “No Rest For the Wicked” and “Love Me Like I’m Not Made of Stone” has been “Spector-esque.” It's a fair comparison, as Li plays a winner-take-all game of “He loves me, he loves me not” accompanied by a host of string players and drums that beat and thump like a flawed human heart. Li relies on classic emotive archetypes as well —excepting “I Will Always Love You”, torch songs don’t get much more literal than “Never Gonna Love Again”, and as with most of I Never Learn , its incapacitating sense of impending emptiness is closer in spirit to “I Have Nothing”. The power ballads are just what the tag implies: ballads that require an enormous amount of exertion and are about power itself, whether it’s helplessly putting in the hands of another (“Love Me Like I’m Not Made of Stone”), taking ownership of your culpability (“No Rest For the Wicked”), or watching it disappear in a moment of passion (“Gunshot”). Rather than evoking a specific decade of music, though, Li approaches this style of songwriting as musical theater that should be created by something other than a proper band—either by professionals just off-screen, or some kind of studio magic. I Never Learn utilizes the simplest tools of confessional songwriting: uneasily strummed acoustic guitars and resonant piano chords enlarged for texture and dramatic flair, like they’re appearing from behind a just-raised curtain, or from a radio as you sing to yourself. Thanks to the cavernous production, the enduring mental image of I Never Learn isn’t Li slumping over a glass of whiskey, but rather letting fresh wounds breathe, soundchecking alone in an empty arena. Note the word “arena”, because even if these are stark, personal songs, there’s a tacit acknowledgment here of Li's status as a pop star on the verge. She drops a lot of the ingratiating and occasionally grating mannerisms of and Wounded Rhymes that could be viewed as defense mechanisms—coyly sung melodies, the coquettish humor, and the booming beats and handclaps that endeared her to many but could also did little to dispel the idea of her as a benefactor of “Young Folks”’ cottage industry of meet-cute indie-pop. The onyx-and-gray, dead serious, striking cover shot of I Never Learn isn’t fronting on you; Li hangs around David Lynch, collaborates with A$AP Rocky and admires Beyoncé, Drake, and Rihanna, all of whom commingle celebrity and artistry to serve as avatars, people through whom we can imagine how our idealized selves might sing, dress, fuck, or hurt. Li is not a tabloid fixture nor a force of nature, and I Never Learn takes advantage of that by emphasizing the rawness of her lower registers and utilizing negative space to keep things from getting too far out of proportion. At times, the record resembles a pocket version of Adele’s eternal 21 . Yes, “Love Me Not I’m Not Made of Stone” does American teenagers a disservice by showing up a couple weeks late for prom season, but right when Li chokes on the line, “Even though it…. hurts ,” she negates any idea of this being makeout music; it’s more like getting told "let's be friends" in the middle of a slow dance. The artillery-riddled, burnished metal of “Gunshot” was helmed by Greg Kurstin, best known as a collaborator of P!nk, Kelly Clarkson and Katy Perry—but he’s also the guy who produced Tegan & Sara’s Heartthrob , another record that commingled teenaged emotions with adult situations and vice versa while nudging a beloved, modest act in a way that led to a polished, radio-ready album that reflected their real-life popularity. “Gunshot” is I Never Learn ’s fist-pumping climax and a total outlier, as longtime producer Björn Yttling still handles the majority of I Never Learn , his trademark, treble-harshed reverb making each lovelorn lullaby sound like it’s smeared with Li's own tears and ruined makeup. That lends a crucial, tactile reality in Li's sadness, since very few of her lyrics are going to remind people of things their significant others have actually said to them—“Every time the rain falls, think of me.” “Baby wait a lifetime before you find somebody new”, “Every time I pay the price for a heart that can’t be broken.” Maybe you've thought these things, and hearing them out in the open ensures I Never Learn isn’t an admission of defeat; there’s an unspoken uplift to be had, that you can only hurt this badly after loving way too hard. A chorus of Lykke Li's sing the title of “Never Gonna Love Again”, whereas the gospel choir does the same with “Heart of Steel”, either taunts or acceptance of a fate where grand, sweeping sulks are just a natural and welcome state of being. We’re used to breakup albums that assume you just want to crawl into a hole and die, but I Never Learn is for the times when heartbreak is so life-affirming that you want to share the feeling with the world. I Never Learn. Lykke Li's music has always felt a degree removed, her dreamy melodies sung through a fog. The Swedish singer-songwriter's last album, 2011's Wounded Rhymes , was her catchiest yet. This follow-up confronts a more deliberate truth, with melancholy songs full of heartbreak, disillusion and redemption. Some of them are almost anthems – "Love Me Like I'm Not Made of Stone" delivers gloriously raw emotion. The album's Spector-ish arrangements, thick with multitracked vocals and densely layered instruments, don't always add as much as they should: The simplest songs here are the most a ecting. If Lykke Li keeps refining her voice, she'll soon rank as an A-list pop heart-crusher. Lykke Li I Never Learn. Swedish alternative artist Lykke Li is to follow up her Wounded Rhymes album with I Never Learn. The new album is set for a May 5th release. The cover used isn't official. She's described the album as the final piece in a trilogy of albums. She's also released a short album trailer (seems to be the standard thing to do nowadays) which sees actor Fares Fares walking down a hill, while Lykke Li is obviously having an emotional reaction. She also told NME, "I want to be seen as a singer-songwriter rather than a pop artist.". The first single from the album has been released, titled "Love Me Like I'm Not Made Of Stone" . Along with the second single, "No Rest For The Wicked" which is embedded below! Track list: I Never Learn No Rest for the Wicked Just Like a Dream Silverline Gunshot Love Me Like I'm Not Made of Stone Never Gonna Love Again Heart of Steel Sleeping Alone. Video. Days to release. Add News & Media Report Leak or stream. Album details. Hype: 54 Artist: Lykke Li Album: I Never Learn Official Release: May 05, 2014 Genre: Pop. Visit Has it Leaked but for movies, Where You Watch. John Mayer : Sob Rock Lana Del Rey : Blue Ban. Billie Eilish : Happier. Vince Staples : Vince S. Lorde : Solar Power Foo Fighters : Hail Sat. Powerwolf : Call Of The. Times Of Grace : Songs. Tyler, The Creator : Ca. Imagine Dragons : Mercu. Download & Stream. Album download leak: See leak report at the top of the page. Album stream: There is no official stream reported. Album pre-order: No pre-order link added. Add News & Media Report Leak or stream Report. Can. Not. Fucking. Wait. Lykke Li is my spirit animal!! :) I love her and her music so much! Oh myyy…..was not expecting this…. It’s this and sheezus by lily allen. Oh gosh, “Love Me Like I’m Not Made of Stone” hit me really hard. Really want to hear the rest of this album. It will be as good as the other ones :) The singles so far have been amazing. I’m really excited for this one (and the remixes to come) gunshot.co such a powerful song, absolutely loved this one. The tracks released are hypnotizing! This will be a phenomenal album! Lykke Li – No Rest For the Wicked (2014) is only at newalbumsreleases. Album is still not there. I saw the whole album there. There are four new songs over at rnbxclusive, Never Gonna Love Again Heart of Steel Sleeping Alone Silverline. the album leaked, however it’s all been pulled now! must be still around somewhere, but can’t find it… ..check on : PublicHash, KAT, TPBay :) The full album in a good quality is available on Zippy Share. The first time I listened to it, I couldn’t shake the feeling that this album is just a collection of reworkings of different European hits. Even so, it isn’t so bad melodically, although sometimes I wish I didn’t understand what she keeps on whining about. Leave a Response Cancel reply. Privacy Overview. Necessary cookies are absolutely essential for the website to function properly. These cookies ensure basic functionalities and security features of the website, anonymously. Cookie Duration Description cookielawinfo-checkbox-analytics 11 months This cookie is set by GDPR Cookie Consent plugin. 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